smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.
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I do not understand what a corporate job is. if you have a job where you email people or do excel or have meeting, that is fake. what is the point of any of that. every day I see videos or tweets or whatever of people litigating office dress code or etiquette or remote work negotiations and every day I try to block it and I say out loud Who Gives A Dick That’s Not Real
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a quite simple outfit, trying to use the little blue and white apron thing (which is actually a dress I think, that I just leave un-buttoned in the back and added an apron-like tie to lol)
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Non-exploitative mobile apps
These are all apps that I like enough to play often. None of these apps have currency that can be bought with money, and none have loot boxes/gatcha mechanics. These are all available on iPhone (unfortunately I’m locked in at this point), and I’ll mark which are available on Android with an asterisk. I’ll also mention if they’re available on Steam. These are also listed in no particular order, and any iap or advertisements are listed. None of this is paid sponsorship.
Free Apps
Baker Business 3*: You get to run a little bakery, making all sorts of breads and pastries. You can buy one time iap that expands the gameplay, and watch advertisements if you choose to speed cooking up (which is entirely unnecessary)
MinuteFrontier*: An RPG made by a Japanese game developer that makes a ton of similar RPGs (this is just my favorite of the bunch). You travel through various areas fighting monsters. Combat’s easy and can be done with one hand
Amazing Loot Grind*: This is literally what I do to get the dopamine of opening loot boxes without spending real money. Theoretically you could watch ads to get benefits, but that hasn’t worked since I got the app. This app may eventually be too outdated to play, but it’s fun.
Auction Wars: Storage King*: Basically you bid on storage containers, and gain money from the contents. Really simple game play. I bought it like 10 years ago and it’s still fun.
The Sink Gods* (steam): Entirely free point and click adventure.
Fluxx*: Great card game where the rules constantly change, iap is an expansion and a zombie version. I have multiple physical versions of this.
Evolution* (linux, mac & windows $2): barely a game, but you get to mess around with machine learning
Paid Games
(Cannot find the price -_-) The Randominion: Roguelike game that’s very luck based. You will lose. A lot. But I’ve played it so much I have the fifth high score on Game Center.
$5 - $6 Dealer’s Life 2* (steam): You run a pawn shop, buying low and selling high. Simple enough.
$5 Tsuro*: A really amazing board game that I have the physical to, you make paths and try to stay on the board the longest. The mobile version has 3 alternate game modes (including a single player mode)
$1 Loopical*: Puzzle game where you make a bunch of loops, also has a sequel (Loopical Pro*, $2)
$7 Citizens of Rome* (Steam $10): This is a life simulator game set in the Roman Republic. The iPhone game is mod-supported, which frankly amazes me (the android game is currently not due to file management issues). It is also completely screen reader/voice over compatible.
Bonus: because I entirely forgot to add these two games to the list
Seedship* (Mac, windows): a free game where you are controlling an ai that is trying to find a suitable home for its human cargo. The ship is falling apart.
$10 Beyond the Chiron Gate (Mac, windows, Linux (browser)): a game where an exploration crew explores the galaxy to try to keep the gate to the rest of the galaxy open.
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wrt post about getting into doll customizing. you should absolutely do it. buy an airbrush (you can get one with tiny compressors nowadays), buy cool colors and primers. buy a mini rotary tool, buy mr super clear, get a nice set of watercolor pencils, i am enabling you
STOPPPPP YOU'RE KILLING ME IT'S ALREADY HARD TO RESIST
the worst part is i have a LOT of what i'd need already on account of Doing Art In General And Cosplay
i've got a dremel i've got watercolor pencils i've got chalk pastels i've got a box of monster highs i'm not doing anything with i'm NOT safe
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guess what that is~
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More of this
The first image was moreso supposed to depict a slightly pissed off Volo whose only tell that he's angry is the minute waver of his illusion, hence the ends of his hair being faded and the part that sticks out of his bun is wispy. Alas, I effectively failed in portraying that both in terms of expression and because I have little skill in drawing side-profiles. Also the first image is him topless because I don't really know how to draw clothing on a side profile and have barely enough knowledge of anatomy to go 'fuck it ┐( ˘_˘)┌'.
Second Image I tried to do what I failed in the first and I guess??? it turned out okay??
H.Zoroark!Volo aside, the first image is also just how I headcanon him to look in terms of body type and being more scarred.
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being an american on here is wild because i keep seeing posts from other americans that describe things they've experienced and say that it is universal among americans and it'll be stuff i've either never heard of or know for a fact isn't true. maybe it's pretty common in your state or the states surrounding you, but there's so much stuff i see that i can not relate to whatsoever, and i've never left the states.
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larping as a young woman from a period drama by taking out 10+ bobby pins from my hair at the end of the day
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Does anyone remember what happened to Radio Shack?
They started out selling niche electronics supplies. Capacitors and transformers and shit. This was never the most popular thing, but they had an audience, one that they had a real lock on. No one else was doing that, so all the electronics geeks had to go to them, back in the days before online ordering. They branched out into other electronics too, but kept doing the electronic components.
Eventually they realize that they are making more money selling cell phones and remote control cars than they were with those electronic components. After all, everyone needs a cellphone and some electronic toys, but how many people need a multimeter and some resistors?
So they pivoted, and started only selling that stuff. All cellphones, all remote control cars, stop wasting store space on this niche shit.
And then Walmart and Target and Circuit City and Best Buy ate their lunch. Those companies were already running big stores that sold cellphones and remote control cars, and they had more leverage to get lower prices and selling more stuff meant they had more reasons to go in there, and they couldn't compete. Without the niche electronics stuff that had been their core brand, there was no reason to go to their stores. Everything they sold, you could get elsewhere, and almost always for cheaper, and probably you could buy 5 other things you needed while you were there, stuff Radio Shack didn't sell.
And Radio Shack is gone now. They had a small but loyal customer base that they were never going to lose, but they decided to switch to a bigger but more fickle customer base, one that would go somewhere else for convenience or a bargain. Rather than stick with what they were great at (and only they could do), they switched to something they were only okay at... putting them in a bigger pond with a lot of bigger fish who promptly out-competed them.
If Radio Shack had stayed with their core audience, who knows what would have happened? Maybe they wouldn't have made a billion dollars, but maybe they would still be around, still serving that community, still getting by. They may have had a small audience, but they had basically no competition for that audience. But yeah, we only know for sure what would happen if they decided to attempt to go more mainstream: They fail and die. We know for sure because that's what they did.
I don't know why I keep thinking about the story of what happened to Radio Shack. It just keeps feeling relevant for some reason.
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↳˗ˏˋAlastor x Readerˊˎ˗ ↴
☒ Summary: Alastor didn't like sharing your charm with the others. Which often led him to get needy. Craving extra special attention from his darling girl, which you happily supplied.
☒ Warnings: fem!reader, she/her pronouns, established relationship, heavy breeding kink, praise kink, soft!alastor, creampies, dirty talk, fingering, light biting, nipple play (reader recieving), begging, making out
☒ Word Count: 1,564
Your peers swore you had cast a spell upon Alastor. He was wrapped around your little finger, and you lost count of how many times demons who stayed at the hotel would come up to you and ask if you owned his soul.
You may not have owned his soul, but you certainly owned his heart.
After the initial shock wore off, your counterparts left it be. Angel would joke often about how Alastor was "pussy whipped". But that was as far as the teasing went. Everyone else knew not to step on The Radio Demon's toes.
It wasn't hard for your peers to catch on; to why exactly Alastor loved you so dearly. You were an absolute sweetheart, caring and compassionate in every way. You always offered a hand to any of your counterparts who required assistance, and your actions proved that you were constantly thinking of ways to make everyone feel valued.
Alastor rather despised having to share your charm with others. Which often led to long nights of your lover being clingy and needy for you. Much like tonight.
You were flat on your back atop the plush duvet. Alastor surrounded you with his frame, slender arms enclosing near your head. Your lover placed soft kisses across your face. Humming one of his favorite tunes in the process. "Absolutely breathtaking, my doe," Alastor whispered, nuzzling his nose into the crook of your neck.
A chill ran down your spine at the feeling of your lover's bare body pressing against yours. His cold flesh was a nice contrast to the warmth you emitted. You let out a soft whine as Alastor's erection grazed your lower tummy, making you needier than ever for him. Which was The Radio Demon's goal all along. It was only fair to make you feel just as desperate for him as he was for you.
"Do you know how much I cherish you, my dear?" Alastor cooed, nipping at your neck. Leaving pretty marks in his wake. His sharp teeth grazing along your pulse point caused your breath to hitch. Your lover trailed lower, still pressing his body close to yours.
"Yes," You sighed, burying your hands into his fluffy tufts of hair as Alastor's lips wrapped around one of your nipples. His hands began to wander. One slipped between your legs, gathering your slick with his deft digits. His other hand trailed to your other breast, tweaking your neglected nipple between his thumb and forefinger.
"Good girl..." Alastor released your nipple with a loud pop before darting his tongue out to circle around your areola. A cry of his name slipped past your parted lips as Alastor's ring finger eased its way into your pussy. Your grip on his hair tightened as you held him closely to your chest, pulling a deep groan from your lover's lips.
"Feels so good, Al," You babbled, raising your hips to meet the slow cadence of his finger plunging deep inside you. Alastor's lips shifted to your other breast, giving it the same treatment. Only this time, his sharp teeth skimmed along your sensitive nipple. A sultry moan ripped through you from the sensation, urging Alastor on to add a second finger inside your inviting heat.
Alastor slowly rutted his hips against the plush duvet, letting out groans against your marked-up flesh. "Please, my love... need you inside," You whined desperately, pulling his face up to have him meet your gaze. A string of saliva connected Alastor's lips to your hardened nipple. His cock twitched at the look of desperation you gave him. You scored your bottom lip with your teeth, eyebrows knitted with emphasis; eyes half-lidded.
"How could I say no when you ask so graciously, hm? I intend to give my little doe everything she needs." Alastor's smile widened as he pulled his fingers out of your dripping heat. He didn't waste a beat wrapping his slick-coated fingers around the base of his cock. A whine escaped you as your lover ran the head of his flushed length between your folds.
"Hmm, you're so wet for me, darling. Do I really work you up that much?" Alastor quipped, allowing the tip of his cock to push past the tight ring of your pussy. You nodded your head in agreement, pushing your hips closer to his; but to no avail. Alastor's hands came to hold your waist, keeping you in place. "Use your words, my dear."
"Y-Yes! Always, Al. Just you... only this needy for you," You were already stupefied by the pleasure your lover granted you, and he barely even began. A deep chuckle escaped Alastor. The radio crackle reverberated through his chest. "I hope you are aware that the feeling is mutual, my precious little doe,"
With that, your lover pushed deeper inside you. Stretching your walls to accommodate his length. "F..Fuck, so tight. You are squeezing me so greatly, darling." Alastor hissed through gritted teeth. Your thighs came up to wrap around his waist, pulling his pelvis flush against yours.
A gasp fled you as you felt your lover twitch from deep inside you. His full balls kissed the underside of your pussy, making your head spin. "Al, you're so big, feels s-so good..." Your hands enveloped the back of his neck, drawing his face close to yours. Alastor's lips ghosted your own as he delivered his first thrust deep inside your fluttering heat.
"You take me so well, my darling. Your tight little hole was made for me- and me alone." Alastor whispered against your lips, finding a slow but steady rhythm. Desperate whines escaped you, and your lover drank up each and every single one. Alastor was infatuated. His crimson orbs held so much adoration for you.
You kept your gaze fixated on him as he fucked into you sweetly. Your legs narrowed around his waist as Alastor began plunging into you with more vigor. "I'm going to breed you, my sweet little doe," Alastor huffed. One of his large palms wrapped around your hand before he dragged it down to your tummy. A sharp gasp fled you as you touched the prominent bulge your lover was causing. "Feel that, my dear? I'm in so deep. Surely you'll get pregnant when I spill my seed inside you."
You clenched harshly around him from his crude words. The thought of Alastor knocking up caused the coil within you to unravel. "P-Please, breed me! Fill me up, make me yours for good!" You cried out, thighs trembling around your lover's waist. Your words diminished the last of Alastor's resolve. Before you knew it, his large hands hooked under the back of your thighs. Pushing them tightly to your chest.
A sharp gasp escaped you from the change of position. Alastor's cock reached even deeper from this angle, intensifying the heat in your lower tummy. "Such a good girl you are! You're so pilant, so willing... so eager for me to fuck a baby into you." His words caused your walls to flutter wildly around his length. You were on the edge of cumming all over his cock. The pleasure Alastor provided you was becoming too invigorating to bear.
"Al, ah... I'm close! K-Kiss me, please!" You begged as his hips pistoned harshly into yours. The lewd sound of his balls slapping against the underside of your drooling pussy sent a pleasurable chill down your spine. Alastor wasted no time capturing your lips. The kiss was hot and messy, tongues intertwining with one another as the coil within you finally snapped. Your lover drank up all of your whines as your pussy pulsed and gushed around his cock.
Alastor wasn't far behind you. His release was triggered by yours. The feeling of your hot, wet walls trying to milk him for all he was worth made him feel lightheaded. His thrusts became sloppy before his hips ultimately stilled against yours. Alastor groaned into the kiss as his cock twitched from deep within you. Your eyes rolled into the back of your skull as the first ropes of his cum spilled into your pussy.
There was so much, and the feeling of being bred by your lover was heavenly; ironically so. Alastor slowly broke away from the kiss as he attempted to catch his breath. His cock was still nestled deep inside you as he stared down at you lovingly. You couldn't help but smile widely at your lover, allowing your palms to capture his cheeks. Rubbing Alastor's face gently with the pads of your thumbs.
"Alastor, that was... wow," You giggled as your lover slowly released his tight grip on your thighs, allowing your legs to lie flat against the bed. "You are truly perfect, my dear. I simply cannot get enough of you!" Alastor's praise caused your heart to flutter in your chest. He was so gentle with you and you alone. Pride surged through your soul at the notion that Alastor only had a soft spot for you.
Your train of thought was cut off by the sensation of your lover's cock hardening from deep inside you once more. A smirk crossed Alastor's features as he reveled in your look of shock. "What's with the look of awe, my darling? I told you I was going to breed you. I don't intend to leave this room until I am positive you have been thoroughly bred."
tags; @danveration
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omg went to my little brothers open house and it was sooo cute
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The Magnus Archives (Season One) Production Design Project
Hello everyone! Let me introduce myself- I'm Tilda (or Tilde), and I'm want to be a production designer.
Production designers create the overall look of a piece of media. From costumes, lighting, environments, props, etc., these designers make sure that everything looks cohesive and sets the mood.
So, I thought it would be fun to put my skills to the test by designing season one of The Magnus Archives. My winter break started as soon as I became interested in the show. Needless to say, a new obsession and an abundance of free time go well together.
You may have seen these illustrations posted separately, this is a master post of the whole project. My thoughts, processes, and critiques are all included under the cut. If you read them, I hope you enjoy! If, not, thank you for supporting my work regardless.
The Characters
When designing these characters, I tried to avoid being influenced by fan interpretations. Though, that was a challenge (especially with Jon and Sasha). I found that I looked to my friends for inspiration. Certain elements (Jon's glasses) were based off of what they wore.
Pinterest was also useful for finding clothing and pose references. Some looks were based off of different actors- in particular, Tim was inspired by Nicholas Galitzine and Elias inspired by Matthew Lillard.
Jane was the most fun to design! I believe in making terrifying characters actually terrifying.
Elias's design needs the most work. Having now finished the show, I see that it doesn't fit him. The purple is overly saturated, especially compared to the set. He looks out of place! I'd reverse the color palette to mostly green/yellow with purple accents instead. Although, I will forever defend the purple tint in his gray hair.
The Set
Jonathan's office was a treat to design! Balancing the color and clutter was especially important. This room is meant to be claustrophobic and uncomfortable, but not overbearingly so.
The wood looks to be full of splinters, but not so worn that it can be thrown out. The chairs offer no back support, and the shelves make the room smaller. The goal was to represented Jon's mind. Intricate, messy, and suffocating (Note: that is more of a season two description).
One goal was to capture the look of an actual archive. Valuable times was spent researching the different kinds of storage, files, paper, etc. The texture and color had to be accurate.
A split-complementary color palette of blue-green, yellow-green, and red was used. Of course, I had to get green in there, and the varying hues and desaturated reds worked well for the wood and filing supplies.
Jane's ashes and the Web lighter on the desk place this set at the end of season one. I find details like this to be important, it's one of my favorite parts of design. There is much needed abundance of eye imagery as well. Most obviously in the carpet, but eyes are carved into the table and watch from the shelves.
My main critique is the lighting- the filters used could be adjusted as to not distort the colors of the boxes. They look inconsistent. The Web lighter could also be more obvious, yet it is small and pixelated.
The Props
I designed these as I re-listened to season one, and it is the most recent piece I finished. Combining the details described in the show with what the objects would have realistically looked like was interesting. That was most useful for the clown, the Ming vase, and Ex Altiora.
Each of these objects came from a specific time with a specific look. Ex Altiora was bound in calf leather from the 1800s, so those books were referenced. Same with the frills on the clown's outfit.
The Ming vase was especially interesting, as it is from the Jiajing period. When looking at photographs of Jiajing vases, I found that many of them lacked handles and had an hourglass shape. That was fascinating to me, as many artists depict a standard oval-shaped vase. Also, the vase's design is described as straight lines that create distorted patterns when looking at it. That effect was achieved using chromatic aberration and the liquify tool (chromatic aberration was used to create a vertigo effect on Ex Altiora).
My critiques are... nitpicky. minimal. The shading on top of the garbage bag is unnatural. The thickness of the gold engraving on Ex Altiora is uneven. The "I" in "Immediate Consideration" is not capitalized. Other than that, I'm happy with how the props look.
Conclusion
First off, if you read everything, thank you!! It is a lot, I know.
My greatest takeaways are that 1) ask for critique, always 2) research skills are necessary for design 3) references are your friend! Seriously guys, use your references.
I hope you enjoyed this project and I'm excited to share more of my work in the future!
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Substitutes For "Dead Parents"
Okay you guys! I mentioned this in a past post, but when it comes to family, some of ya'll are just... not creative. And don't get me wrong, having deceased parents is deep, dark, and hard, but at this point, a lot of readers simply overlook that because it's just that common. Not to mention, a lot of you guys aren't doing nearly enough with that information! So, for this post, I'll give some new examples relating to "family struggles!"
>> Neglect: Neglectful parents often don't give their child enough attention, time, or care. They don't always hate their kid; quite the opposite, really, they can still love their offspring and are simply unaware that they are being neglectful. This happens for a multitude of reasons: all their attention is focused on a different child, they're busy, or they're just uninterested in their kid's activities.
>> Abuse: Abuse is rather straightforward; it can be physical, mental, or even both. Even if it's only physical abuse, it can heavily damage the child's mental health and make them question their self-worth.
>> Fighting: I think that a lot of us have endured our parents fighting, and I'm fully confident that none of us enjoyed it. It's incredibly difficult for a kid to listen to their parents fight without knowing how to stop it, being stuck in the middle, and even worse, being the center of the argument. As it escalates, the child may even feel neglected, because their parents are only focused on each other.
>> Absence: Like neglect, these parents don't devote nearly enough attention and time to their child. However, this is because they are hardly present in the household to begin with. Normally, it's their career that keeps them away, leaving their kid to raise themselves.
>> Controlling: Oftentimes, controlling parents are found in, believe it or not, more successful households. Kids who have parents that own a successful business or are powerful in general are sometimes raised to follow those footsteps regardless if they want to or not. If they don't want to, as a result, they are kept on a tight leash. Controlling parents can also be found in stricter households.
>> Toxicity: Toxicity, a form of emotional abuse, can come in many forms, gaslighting, demeaning words, constant criticism, comparison, etc. Frequently, the child is unaware that their parents are being toxic until a third party points it out to them. This is because they've only known their parents acting in toxic manners; thus, it becomes their norm. However, it's also entirely possible for the parent to be oblivious to the fact that they're being toxic.
>> Distant: Being distant doesn't always have to be because of some crazy reason; they might've been a very happy and close family once, but as time passes on, they just simply start drifting in their separate ways. It's not the same as neglect or an absence; the child is usually able to adjust to it easier, and it might've even been their choice to be distanced from their parents.
>> Child Responsibility: This is a scenario where the kid acts more like a parental figure--they have to take care of both themselves and their family. In some situations, they also have to work in order to supply their family with enough money to be able to pay for life necessities. This normally happens when a/the parent(s) are out of commission and struggle to provide for their family. If the household is poor, the child might be working alongside their parents in an attempt to make their lives easier.
Did I miss anything? Let me know what you guys think about these substitutes!
Happy writing~
3hks :D
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unicef estimates that a thousand children in Gaza have become amputees since the conflict began in October. “This is the biggest cohort of pediatric amputees in history,” Ghassan Abu-Sittah, a London-based plastic-and-reconstructive surgeon who specializes in pediatric trauma, told me recently. I met him in the waiting room of his plastic-surgery clinic on London’s Harley Street, and we walked to a nearby pub for a glass of water. Abu-Sittah, a fifty-four-year-old British Palestinian with an angular face and tender, deep-set eyes, has treated child survivors of war for the past thirty years in Iraq, Yemen, Syria, and elsewhere.
Abu-Sittah is the author of “The War Injured Child,” the first medical textbook on the subject, which was published last May. In October and November, he spent forty-three days in Gaza, conducting emergency surgeries with Doctors Without Borders. He shuttled between two hospitals: Al-Shifa and Al-Ahli, which is also known as the Baptist hospital. The casualty rate was so high that, during some intense periods, he didn’t leave the operating room for three days. “It felt like a scene from an American Civil War movie,” he said.
In Gaza, Abu-Sittah was performing as many as six amputations a day. “Sometimes you have no other medical option,” he explained. “The Israelis had surrounded the blood bank, so we couldn’t do transfusions. If a limb was bleeding profusely, we had to amputate.” The dearth of basic medical supplies, owing to blockades, also contributed to the number of amputations. Without the ability to irrigate a wound immediately in an operating room, infection and gangrene often set in. “Every war wound is considered dirty,” Karin Huster, a nurse who leads medical teams in Gaza for Doctors Without Borders, told me. “It means that many get a ticket to the operating room.”
To mark the gravity of these procedures, and to mourn, Abu-Sittah and other medical staff placed the severed limbs of children in small cardboard boxes. They labelled the boxes with masking tape, on which they wrote a name and body part, and buried them. At the pub, he showed me a photograph he’d taken of one such box, which read, “Salahadin, Foot.” Some wounded children were too young to know their own names, he added, telling the story of an amputee who’d been pulled from rubble as the sole survivor of an attack.
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How to start a pair of punk patch pants
(a potentially really shitty tutorial)
I've seen a couple videos on this but a lot of them seem to skip out on some really key information and tricks so I thought I'd just write a probably really long and really rambly post about it!!!
Step one: gathering supplies
In terms of supplies the main things you'll need are:
The pants
Approximately 4 rolls of dental floss (this can change depending on number of patches and your pant size)
A needle with a big enough eye to fit the floss through
Acrylic paints
Brushes
Scrap denim or other scraps of fabric for the patches
Pins
Some kind of marker or pencil that will work on the fabric you've chosen
I will be going into some detail below about why you need each of these items!!
The pants themselves
personally I prefer either using a pair of jeans I already own or thrifting a pair to be as sustainable as possible, however if you really need to go out and buy a new pair for whatever reason get a high quality pair, this will help in the long run with preventing them from falling apart as easily.
The second main point I want to make is that the pants should not be skinny jeans. This is because when you sew on patches it slightly cinches in the fabric, and with skinny jeans generally being stretchy, this is going to result in the thread of the patches stretching out and snapping. Your patches will all just start falling off and it'll ruin your hard work.
This is why I'd recommend using a pair of jeans or pants that are a bit looser of a fit, such as straight legged pants or a pair of pants a size up from your actual size if possible!
Dental floss
The reason it's generally suggested to use dental floss rather than actual thread is because dental floss tends to overall be a lot stronger than your average thread, as well as often being more easily accessible to buy.
Needle
This ones pretty self-explanatory, just make sure you get a needle with a long/wide enough eye (the hole the thread goes through) for your floss to be able to fit through without trouble.
Acrylic paints
You may be wondering why I'm suggesting acrylics over fabric paints and there are a few reasons!
The first is simply that they're both cheaper and far easier to purchase for the average person than fabric paints, and I want this tutorial to be as accessible as possible for as many people as possible.
The second reason is that fabric paints require a lot of fucking around with setting the paint, whereas acrylics can just be left to dry and be finished, and so long as your pants are hand washed, the paints won't come out (unless you layer it on super thick or are really rough when you clean them).
Brushes
Another pretty obvious one, these are needed so you can actually paint your patches!!!
Fabric/spare denim
You need fabric or scraps to be able to actually create patches for your pants, so this is essential.
Any kind of scrap fabric can do, a lot of fabric stores tend to have bins of scrap fabric that are either pre-priced or priced by weight and that can be a really good opportunity to acquire the fabric you need!
Another way (the method I tend to use) is thrifting a few pairs of jeans alongside the pair I want to patch and then ripping them up into patch-sized pieces!
Either way, I really advise against buying straight up new fabrics by the metre for this as it kinda goes against the entire idea of sustainability and reuse.
A really big tip I have for when you're cutting the fabric of your choice up for patches is to actually only cut a little slit, and then rip. This produces a really nice distressed edge and will help add some texture and more of a fucked up look to your pants a lot quicker than if you waited for the fabric to fray by itself!
Marker/pencil
This is literally just so you can draw your designs onto your patches! I've personally found that either a black or white (depending on how dark the fabric you're using is) pastel pencil is generally good enough to get the general gist of what you want down well enough for you to paint it on.
Pins
These are literally just to hold your patches in place and literally any kind from proper sewing pins to safety pins will work! (just don't forget they're in the jeans before you put them on I promise you it isn't fun to put on a pair of jeans full of pins).
Optional: a sketchbook
You may want a sketchbook or alternatively scraps of paper if you have any kind of original concept for a patch so you can draw it out a few times first to really nail it, and it's also helpful to have if you aren't as confident in your painting and drawing abilities!
Step two: patch making
I personally pre-rip/cut all of my patches before I paint anything on them generally speaking and then fit whatever design I want onto whatever piece I think it would fit on, however if you want to paint your patches and then rip/cut the design out that's also an option (and probably a much smarter one I'm just incredibly stubborn).
For punk pants you want a good mix of both punk bands, politics, and also maybe something a bit daft (I have the "he scream at he own ass" possum on the back pocket of a patched skirt for example). If you don't have bands and such, it kinda defeats the point of them being punk patched pants.
I personally generally pick a theme (eg. colourful patches, all black and white) when making anything patched because I think it makes everything look a bit more cohesive, but that is by no means a rule you actually have to follow I'm just autistic a fuck tbh.
Step three: the assembly
I personally put my main/bigger patches on first and put them on in a few different places until I get the placement I like, and then sew them on with the floss like this:
The main thing you want to do to make sure your pants don't wind up looking a bit weird or bare is to fill in any gaps between your painted patches with small, blank patches. Like this:
and that's pretty much it!!! I can't really explain via written text how to sew and how I personally tie off etc but if anyone would like a video tutorial lmk!!!
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