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#i mean i could say the traits are too but like... i mean that's just what your average white Mediterranean person looks like
astroamorsworld · 1 day
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Part of Fortune in the houses part 1
This is something a little different from what I usually post and I wanted to just try something new and also go down the route of lots and asteroids eventually. So, with that being said, I hope you enjoy!
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What is Part of Fortune?
The part of fortune, also called the Lot of Fortune or Pars Fortuna, is a calculated point on your birth chart that reflects areas where you might find luck and success.
Part of Fortune in the 1st house
Having your Part of Fortune in the 1st house is a pretty lucky placement to have imo. You may be a naturally lucky person, and are just always in good mood, stemming from having a lot of confidence within yourself and high self esteem. These traits, on top of being naturally lucky, will attract even more good luck and opportunities your way, so you’re most definitely blessed with this placement. This placement may indicate that you have a lot of determination and willpower when it comes to getting things done, so you’re definitely a hard worker too. Your personality shines through in your everyday life so in work fields that rely on you having a vibrant personality would really work best for natives with this placement. If you want to really get the most out of this placement, i’d say you need to take initiative and persue your dreams!! If you put yourself out there you will get what you want!! (As someone with this placement, I need really take my own advice🤦‍♀️🤦‍♀️)
Part of Fortune in the 2nd house
With this placement you may too, have high esteem. You may also tend to attract or create material abundance. You might find that your talents and skills translate well into financial security and that you have a good eye for things of value or things that can become valuable. This placement could also give you the ability to thrive in careers that involve finances, like accounting, investing, or sales, could be particularly fortunate for you. Success can also find you in fields utilise your creativity and resourcefulness, like entrepreneurship, crafts, or the arts. So in terms of getting the most out of this placement, i’d say develop your talents and show people your worth. Dont let them take advantage of it though. Take risks and use what resources you have wisely.
Part of Fortune in the 3rd house
With this placement, it’s possible that you have lucky siblings, cousins and even neighbours, or when you’re around them you become luckier. You’re also likely to have good relationships them too. Your education experience may have been one to remember, as you may have had a good experience there. You may be naturally smart, and find it easy to retain information, so school may have been a breeze for you. School trips may have been fun and better for you than the average ones. You are probably a good communicator, and know how to communicate in a healthy way. So this could mean that you excel in public speaking, teaching and writing. Short trips may be good for you also. So if you wanna get the most out of this placement, USE YOUR VOICE and maintain the relationships (i mentioned before) with those around you.
Part of Fortune in the 4th house
With this placement, you’re likely to have a good relationship with your mother, and with your family. Just a good home life in general. You may be in tune with your family background and culture, and take a real interest in your roots. It’s also a possibility that you may have been born into some sort of wealth, whether its from your entire family, or on your mothers side or your dads side, the point being that someone you’re related to is likely to be wealthy. You are also probably in tune with your emotions and feelings and know how to manage them quite well. Most definitely emotionally mature. You may also be a bit of a homebody, since you may love your home so much. Interior design or gardening may be hobbies or careers you want to persue. You could also excel in social care, therapy, or childcare. Working from home is where you probably do your best work. So if you want to get the most out of this placement, invest in your home and nurture your relationship with your family. Get in touch with your roots!!
I would’ve done this all as one big post but i’ve had to split it into 3 parts because i’ve had issues with saving my work to drafts and don’t want to risk losing 1 big piece of work. But i will post part 2 and 3 in the coming days. :)
Check out my pinned post for more observations!💖
If you enjoy my content and would like to support me, you can buy me a coffee here or here. :)
If you would like a reading, you can DM me or order one through my fiverr page here.
Next part
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tobiasdrake · 3 days
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Thinking about redemption yesterday got me thinking about fallen heroes today, and how rare it is to see a character initially painted as a hero be driven to heinousness for legitimate reasons.
Often times, if a hero goes bad, it's because of an external force corrupting their mind. Or it's a misunderstanding and they were secretly still good all along. Or they were just having a rough day and they'll be good again in five minutes.
We rarely see get to see heroes go sour purely on their own merits. Maybe because their values weren't so benign as they'd seemed when pushed to a natural conclusion. Maybe because they expected too much of themselves or of others. Or maybe personal experience taught them to believe something else.
Whatever the case, as often as writers will attempt to examine the transformative power of better angels, we rarely get to see the transformative power of worse devils.
Which brings me to....
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Sayaka Miki is a character that holds a special place in my heart, not for overcoming her flaws but for being consumed by them. She's a cautionary tale into the perils of righteousness.
I need to preface this by bringing up that the characters of Madoka Magica are children. They're irrational, judgmental, ignorant of risk, and quick to throw themselves into horrible mistakes with absolute confidence. Because they're children. That's how this works. The villain of the series is a psychological predator who feeds on the impulsivity and poor judgment of youth, grooming them into self-destruction.
The entire system of Magical Girls exists to give these children enough rope to hang themselves with and then to kick the ladder out from under them. That is the plot, with Sayaka being the primary means by which the show demonstrates the complete journey from rope to ladder.
I just. I need you to understand that even at her worst, Sayaka is a victim of predatory incentives and calculated coercions meant to cultivate her worst traits while stripping her of hopes and dreams. To drown her in mistakes she could never take back. She didn't have the life experience to know better. That's why her predator targets children.
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Sayaka's rope is woven from virtuous self-image. It's not immediately apparent when we meet her, but Sayaka's fatal flaw is ego. Her moral compass is wound extremely tight, and it's only later that we realize it's wound around her neck.
Like many children, Sayaka is trying on an identity moreso than expressing her inner self. She wants to be altruistic. She wants to be selfless. She wants to be a true hero. She wants to live by nothing more than high-minded ideals, expecting no reward for her efforts (but receiving it all the same).
She wants to be the kind of person that Mami was.
But she has no idea who Mami was. She wasn't there to see Mami fracture. To see her break down in vulnerability and express the isolating misery she lives in.
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Sayaka didn't see that. She only saw how cool Mami looked when she was killing Witches. So when she tries on an identity, she's specifically trying on the identity of Mami - blissfully unaware that her interpretation of Mami was nothing but a mask. She is emulating the behavior of a victim already consumed by the predatory incentives she's accepting.
Sayaka was doomed from the moment she made her wish.
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Once again, the show does a brilliant job of concealing this at first. Right off the bat, it's easy for Sayaka to be the hero. She saves both her BFFs Madoka and Hitomi from a Witch in her debut adventure, before being immediately thrust into a moral argument that's super easy for her to win.
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This is what a hero looks like! Should we stand by and let monsters eat people YES/NO
Sayaka says no. Sayaka says letting monsters eat people is bad. Solid Bioware-level moral dilemma she's got here. Sayaka won +10 Paragon points for the choices she picked out of this conversation tree, lemme tell you!
Moments like this work to disguise what's going on here with Sayaka. Obviously Sayaka's making good choices and doing the right thing when the alternative is Kyoko going "Want me to break your crush's limbs so he needs you for life support?" That's awful, so since Sayaka's against it then that means she must be right. Right?
Kyoko is the devil. Sayaka is the paragon.
But this is a story about nuanced and complex people. Sayaka isn't that person. Sayaka likes the idea of being that person. She's being dishonest - With herself, with others around her, and with the universe.
She's trying on an identity, not fully understanding who she really is or what her limitations are.
Incidentally, so is Kyoko, which is what makes their Yin and Yang dichotomy so potent. Having never been tested like this before, Sayaka is more selfish than she truly understands - While Kyoko, damaged by trauma, is more selfless than she wants to believe.
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The thing Sayaka doesn't quite grasp is that, to an extent, it's okay to be selfish. It's okay to want things for yourself. Again, the identity she's trying to live up to was a lie to begin with. She only saw the mask; Never the humanity underneath. So she fails to recognize her own humanity; Her own needs and wants and desires.
She imprisons her own mind in a cage of altruism.
Sayaka is warned multiple times against spending her wish on another person. But she doesn't understand the perils of it. She lacks the necessary perspective to grasp the level of sacrifice she's making. (Because she is a child. I cannot stress this point enough.)
When she makes her wish, Sayaka wants her sacrifice reciprocated. She wants to be rewarded. But she doesn't want to want that. She wants to be the selfless hero for Kyosuke. To silently grant him a miracle because it's the right thing to do for her friend. But she expects, without consciously thinking about it, that the universe will deliver her nice things because she is good.
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But life doesn't work like that. It doesn't give you things you aren't willing to reach for. Sayaka said she just wanted him to be happy. She just wanted to help people. She just wanted to dedicate her life to virtue and altruism, with no wants or needs or desires of her own.
Kyoko was being cruel and unfeeling when she suggested crippling Kyosuke; She was trying to express a mask of selfishness, the same way Sayaka's been trying to express a mask of selflessness. But she wasn't the only person telling Sayaka that it was a mistake to do this. She's just the only person who said it after the fact.
So the universe calls her bluff. While Sayaka waits for her sacrifices to be rewarded, fracturing more and more from learning what those sacrifices truly entail, someone else claims her prize. The work gets harder, not just physically but emotionally. And she only gets what she asked for. Nothing more.
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This is what a hero looks like. She wanted to be Mami.
Remind me. What was Mami's reward for her sacrifices?
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Oh. Yeah. That's right.
The thing of it is, there is a reward for a Magical Girl's sacrifices. There is a prize you're meant to receive for the unjust hardships and self-destruction that you're volunteering to undertake.
It's the fucking wish.
That she, in her righteousness, gave away.
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Sayaka's rope is woven from virtuous self-image. Her fatal flaw is ego. She was undone by arrogance expressed in ignorance, not of glory the way we often think of egotistic people, but of righteousness. She held herself to a standard no reasonable person could ever live up to, and it crushed her as it came crashing down.
And yet, she was a victim all the same. Because she was walked, hand-in-hand, to that pier by a predator. Children are meant to learn from their mistakes. Not to die for them.
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diazsdimples · 6 hours
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bucktommy + "To be fair, that wasn't the stupidest thing I could've done"
"To be fair, that wasn't the stupidest thing I could've done," Buck pants as he leans against the cool, brick wall. He pulls off his helmet and runs his fingers through his hair, knowing he's likely smeared soot all over his face. The building is still smouldering behind them, but Eddie and Ravi both have the hoses directed towards the flames. It's under control. Tommy looks like he could explode. His boyfriend is usually very calm and level headed, perfect traits for a first responder, but right now he looks set to rip Buck's head off. "Wasn't the stupidest - you could have - Evan, are you fucking kidding me?" Eddie and Ravi's heads turn towards the outburst and Buck winces, not wanting their first proper fight as a couple to be on full display for all their coworkers to witness. He grabs Tommy's arm and pulls him around the side of the building, away from any flapping ears. "Tommy, it's okay, I'm fine. She's fine. We're fine," he reassures Tommy as he reaches into the pocket of his turnout and pulls out the reason behind his sudden expedition into a burning building without a second's thought. The kitten is tiny in his hands, her fur rumpled and soot smudges over the beautiful, white coat. When the little girl he and Tommy had pulled from the building had said her kitten was still stuck inside the inferno, Buck hadn't hesitated before sprinting back into the building, not even with Bobby, Tommy and Eddie all yelling at him. He just hadn't anticipated Tommy to follow him back in. "Yeah but you could have been not fine! I agreed to help this shift as a favour to Bobby, not so I could get a front row seat to my boyfriend burning alive!" Buck swallows thickly and transfers the kitten into one hand so he can reach out to cup Tommy's face with the other. Tommy doesn't meet his eye, instead looking resolutely behind Buck. His jaw ticks as Buck strokes along his cheekbone with his thumb. "Tommy, I-I'm not going to burn alive. I was just gonna get her and come right back," he explains. Tommy's got to understand, right? Buck's a professional, he'd never do anything to put himself in any real danger. If he thought he couldn't get to the kitten before the building collapsed or got too hot then he would never have set foot in it. Tommy finally meets Buck's eyes then, and Buck is alarmed to see that his eyes are swimming behind a film of tears. Fuck, he's really fucked up here hasn't he? "Tommy, I-" "I can't lose you, Evan," Tommy cuts in, circling a hand around Buck's wrist and lowering his hand from Tommy's jaw. "Not like that." Buck swallows again, and he must tighten his grip on the kitten because she lets out a pitiful meow, her tiny tongue rasping against his glove as she licks at him. "I'm sorry," he whispers, hanging his head as the gravity of the situation washes over him. Tommy thought he was going to lose Buck. Tommy thought Buck was going to die. "I didn't mean to scare you." Tommy curls his fingers under Buck's chin and lifts his head, forcing eye contact. "I know you didn't, I just - baby, you mean so much to me," Tommy says, his voice raw and choked with emotion as he searches Buck's face, his eyes drinking in every inch of Buck as if he's worried it's the last time he'll be able to see him again. "Please, please don't ever do that again." "I won't, Tommy, I swear I won't," Buck promises, and he leans forwards to kiss Tommy softly. Tommy responds instantly, wrapping his arm around Buck's waist and pulling him close. Their lips move in tandem with one another, Tommy running his tongue along the seam of Buck's lips until he opens, and Buck licking back in apology. "Hey," Buck says as they pull away, resting their foreheads together. "I love you." Tommy huffs out a small laugh and kisses Buck again, lighter this time but no less emotionally charged. "I love you too."
Send me a ship and a sentence and I'll finish it!
(once again tagging @theotherbuckley)
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I don’t understand Zut’s obsession with bloodbending. This technique, as we can see, is used for taking control over other body for the purposes of fighting the enemy, torture, abuse. We see Katara’s horror at having to learn and use it in the Puppetmaster and her disgust of the idea that someone should invade the body and control other being against their will. We see her using it in Southern Raiders and realizing that she went too far from the line she drew for herself – and it works to show her pain there. But to take it and say she should have used it more, for healing and power? I don’t get it.
Their logic is "This looks cool, therefore it is empowering, and she only ever used willingly one time, when Zuko was around, so OBVIOUSLY that means Zuko empowers her."
Nevermind that, like you pointed out, Katara did NOT feel empowered during these moments: on the first one she felt coerced, abused, terrified, and manipulated, and on the second she felt like she had betrayed her core vallues in a moment of blinding rage.
And it's just crazy to me to notice how zutarians are constantly trying to force parallels between Zuko and Katara - yet they are ignoring the one that is right in front of their faces.
Zuko was disfigured by his own father, who justified his abusive behavior as being for his son's own good and "teaching him a lesson. Hama masks her intentions of forcing Katara to learn bloodbending by claiming she just wants to bond with her as her teacher.
On the day of the eclipse, to keep Zuko around until he's able to try and kill him, Ozai manipulates his son by using his love for Ursa against him, offering to tell him what actually happened to her. To force Katara to bloodbend, Hama uses her love for Sokka and Aang against her, controlling them so they'll kill each other unless Katara steps in.
When Zuko has his Agni Kai with Zhao, he almost gives him a scar as well, but decides to spare him at the last moment because, even though he's still in denial about being abused, deep down he already knows he doesn't want to be a monster like Ozai. When Katara uses bloodbending on who she thinks is her mother's killer, then realizes her mistake, she gets quite a brutal awakening that makes her realize she's not simply going after justice or even revenge, but rather allowing herself to fall victim to cycle of violence and abuse like Hama did.
This is a genuine, not at all forced parallel between Zuko and Katara, and that the writers basically handed to the shippers in a neat little bow - and they threw it in the garbage because it did not allow them to glorify violence, romanticize Zuko's past as a villain who was prone to violence, pretend Zuko and Katara only have positive traits in common and could only ever bring out the best in each other, and demonize Aang as this abusive person that wants to control what Katara can or cannot do.
And ironically enough, in doing so, they not only disregard the meaningful theme of an abused child refusing to repeat the same mistakes of their abuser, but they also make excuses for the ONE person in the entire show who was everything they claimed Aang is.
Hama felt entitled to Katara's loyalty, obedience, admiration and respect. She felt she had the right to dictate how Katara should or should not fight, what was or wasn't against her moral code. She was deliberately manipulative to get Katara trust her, then waited until there was no one else around to help her to make her true intentions clear - and then proved she was VERY willing to react with violence if she didn't get what she wanted.
Zutarians go on and on about how their ship is the "feminist, pro-Katara ship" and how Aang is totally abusive, then turn around and glorify the actions of the ONE person in the entire show that fits the definition of "Katara's abuser."
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Can a request more about Felix dominant side? I thinks he hides a lot of potential to be a Dom, he would be perfect for for a late bloomer, he seems very warm,but also controlling if he wants to
🥺
𝘍𝘦𝘭𝘪𝘹 𝘓𝘦𝘦 𝘈𝘯𝘥 𝘏𝘪𝘴 𝘋𝘰𝘮 𝘌𝘯𝘦𝘳𝘨𝘺:
I feel like my warnings are getting so repetitive but I gotta include it in every post.
I'm using astrology so nothing I say is accurate or confirmed- it's completely theoretical.
Anyway- let's go!!
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Out of the members of Stray Kids- I would honestly say Felix isn't one of the best members for a late bloomer relationship BECAUSE of his overthinking tendencies with all his Virgo placements.
He might tend to think TOO hard about being such a good boyfriend and giving you the best late bloomer experience that he'll probably forget to just live in the moment.
His Aries Moon also indicates impatience and he might want to try too many things too quickly and it might get overwhelming.
One of the best traits of having a Libra Venus is they value equality in the relationship and Felix might feel like he has TOO much power in the relationship with his experience and you're lack of experience.
But to end this on a positive level, I think no matter what...Felix is going to try his absolute best to be the best ever 'first ever' boyfriend for you.
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Now for his dom energy- yes while I think Felix is one of the more 'submissive' members of Stray Kids- I don't think he's 90% submissive and he's more of a balanced switch than what people realise.
This will be shorter than Ateez readings b/c I don't have Felix's Rising Sign so I can't analyse his house placements but his Aries Moon/Leo Mars are great placements to indicate he has 'dom' energy.
I feel his dominant energy would come out when he's pushed hard enough-like if he's jealous of somebody flirting with you or his masculinity feels challenged in a way.
His voice will get deeper, his eyes will darken and become more stern and his grip against you might be more tight.
'I'm not worried about you getting attention sweetie, I'm worried about the way he looks at you'.
I've seen him on-stage and when he's performing- he has a very powerful and 'manly' energy which juxtaposes against the 'fairy' concept he's confined to with group dynamics.
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Both Felix Lee and Han Jisung have a Leo Mars and men with a Leo Mars typically love heated-in the moment type of sex and are visual people.
And yeah- as a dom with a Libra Mercury...you best believe he'll talk you through it.
Would watch you put mascara on in the mirror and then he'll randomly think about how pretty you'd look with his cock in your mouth and mascara running down your cheeks.
'You look so pretty as you gag on my cock sweetheart, want to paint your face and see your mouth covered in me'.
Lipstick smeared, stockings ripped, bra straps falling, buttons torn are some of the things he'd find so sexy- having a Leo Mars means he can be quite primal in the bedroom.
But it would take him a lot of teasing or jealousy to get to that unhinged level of dominance- and it would take A LOT of time (and rounds) for him to break out of it.
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It's why I love Felix with black hair SAUR MUCH!!! because I think it brings out his dominant energy and doesn't confine him to 'baby subby pixie Felix' persona.
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I also just want to appreciate the Taste fancam and this performance b/c I think this fit and song was the key for Felix stans to think-
Oh shit- He could be a dom.
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ewanmitchelll · 1 day
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Imagine Arctic Monkeys’s songs (II): Fluorescent Adolescent.
Imagine you are Aegon’s ex who goes to his wedding… next to his brother, Aemond. What will result of this charming meeting (not to stay a different story)?
Warnings: (loosely?) based on this movie with Keanu Reeves and Wynona Rider.
Warnings 2: light reading, modern world, rom-com vibes.
***
• You used to get it in your fishnets. Now you only get it in your night dress. Discarded all the naughty nights for niceness. Landed in a very common crisis…
As you wait to fly to Dragonstone from King’s Landing airport, you still wonder why you are doing this to yourself. To accept Aegon’s invitation to his marriage to Miss Rhaella Velaryon, his cousin, feels like a complete exhibition of some lack of self esteem.
You think you’ve gotten over him, that you overcame the wounds of this relationship, but this doesn’t sound accurate, no. What you did in practice was stopping getting yourself drunk and going to parties where you felt like a sidekick character just to please him. Part of you admits that his breaking up with you did some good to you. You quit alcohol and started to lead a healthier lifestyle.
But now here you are. Waiting for the moment where you’ll hear a voice in the airport to call the passengers of the flight 321 (how original, you think) to get to their seats. And soon you will fly to see your ex-boyfriend marrying someone else.
As you wonder whether Aegon was really a good boyfriend, you don’t spot a taller, serious, cranky-faced man coming to your side. He is wearing a dark leather jacket and simple clothes, very appropriate for a two hours flight. The man is chewing a gun and is also in a nonchalant posture that annoys you for no reason.
“Would you please stop doing that?”
The silver haired man looks at you, somewhat puzzled by what you tell him.
“Excuse me, what?”
“You know. That.”
“What’s “that”?”
“The arrogant attitude as if you are standing there, contemplating many ways to bother people with your handsomeness.”
He could not help but laugh at your disastrous attempt of flirting. As you realize what you said, you get annoyed at yourself for your lack of social skills.
“If that is your way to compliment me, I appreciate it”, he chuckles. “But I don’t think this is the right way to get to someone.”
“Oh please.”
It comes out wrong, so wrong but you haven’t done this business for ages. Now that it occurs you as you contemplate the amusement behind this stranger man’s smirk, you notice he possesses lilac eyes.
A trait that only a certain family has.
Oh shit.
“You are a Targaryen”, you remark.
He looks rather bored at your observation.
“Indeed it looks so.”
“This means… you are going to the same flight as I? To Dragonstone?”
It then occurs you both an awkward perception.
“You are his brother, Aemond.”
“You cannot be…”, Aemond looks shocked. “Who…?”
“Y/N”, you sigh awkwardly. “His ex girlfriend.”
“Fuck”, is all he can say.
Thankfully the call for the flight interrupts this situation, but it appears that you are not meant to stay away of each for so long.
***
Aemond wishes he is somewhere else, but here he is, next to his brother’s ex girlfriend. You’ve got to be kidding me…
He watches as you struggle to open the bottle of water, wondering whether he should interfere since you haven’t asked for help.
Then, opting to ignore this awkwardness between you and him, he says:
“Need some assistance there?”
You shoot him a disdainful look, but what for? A few seconds later, you say:
“…Maybe.”
He chuckles, taking it and easily opening it before giving it to you. After a while, Aemond, too involved to let go of his curiosity, asks you:
“Why are you going to his marriage?”
Accepting that these two hours may be longer than planned, you sink in your seat, but take the thread offered.
“I need to put a closure in this.”
“He’s going to marry someone else who isn’t you. Shouldn’t this be a closure enough?”
You blush at his complete reasonable remark, unable to convince yourself otherwise.
“He invited me out of politeness and by the same reason I accepted it.”
“When someone does so out of politeness, my dear, it’s because it’s expected that you don’t take it.”
You tilt your head and Aemond seems to notice how nice is your y/c hair. He can certainly see how Aegon fell for you, though he’s not going to admit it.
“Oh please. What would you know about matters of etiquette being that arrogant, Mr Know-It-All?”
“Little wonder why Aegon broke up with you. This is a title far more appropriate to you, smart ass.”
And there you have it. For another hour and half you and him do not speak.
***
• Everything's in order in a black hole. Nothing seems as pretty as the past, though. That Bloody Mary's lacking a Tabasco. Remember when you used to be a rascal?
To you and Aemond’s dismay, your hotel room is next to his. Which means he’s going to be your room neighbor.
“Your heavy sigh is enough to let your distaste known, thank you very much”, you grumble, trying to avoid that unwelcoming sentiment of being unwanted.
“I did not say a word, barely so I sighed”, Aemond protests. “Goodness me, woman, not everything is about you.”
That being said, he walks impatiently through the door and you do likewise. But destiny is not over with you yet.
*
Aemond wishes you’d dress badly, to the point where your supposed beauty is omitted and he could have a reason to mock you. But his eyes linger at the dark, short dress you wear, noticing your well shaped curves… though stopping himself to lust after you even if your y/c hair is loose in cascade and your make up highlights the color of your eyes.
“Do I look weird?”, you ask, forgetting to disguise your broken pride.
“No, not at all”, Aemond answers you, surprised by what he is inquired. “Why’d you think so?”
“Because you are staring.”
Tonight, your former brother-in-law is looking rather attractive to you. He had got ridden of his long hair, having it cut short; he is wearing a nice polo white shirt and jeans that make him look fancy.
And you could not help yourself a surprising naughty thought at what would be like to ride him.
A thought you promptly dismiss, of course.
“Am I?”, he clears his throat. “Sorry about that, didn’t mean to. You are actually…”
Before he can say “beautiful”, to your disappointment he’s distracted by the presence of Aemond’s nephews. Jacaerys and Lucerys Velaryon, brothers of the bride.
“Nice to see you, Aemond”, so greets Jacaerys, and you swear you detect some irony behind his gallant words.
“The same, nephew. Looking strong I see”, Aemond smirks, wiping out the smug of the other’s face.
“I think”, you decide to intrude before this could end unwell for both parties, “that you should follow me in pursuing wine, Aemond. Good evening boys.”
As you lead the way out of trouble, Aemond raises his eyebrows at you.
“Really now, Y/N?”
“Yup. Aegon may be a rascal, but you have no reason to be either.”
Easily convinced by you, he pours some wine in his glass before taking a distant seat at the restaurant. Aegon is busy entertaining guests, and it’s when you spot Alicent arm-in-arm with a dark haired woman.
“That is her girlfriend”, you hear Aemond say when seeing where your curious eyes are wandering to. “My mother’s a lesbian. She had a huge crush on her stepdaughter and former childhood friend, Rhaenyra, my sister. But they never made it because Rhaenyra likes men.”
“Oh”, you blink. “I didn’t know that.”
“Aegon didn’t tell you the gossips of the family?”, Aemond muses sarcastically, placing a hand on his heart, feigning to be offended.
“I’m afraid he was too busy partying”, you say rather uncomfortable, taking the wine to your lips as you savor the sour taste of it. “This wine isn���t Dornish.”
“It’s not”, he agrees.
• Oh the boy's a slag. The best you ever had is just a memory and those dreams weren't as daft as they seem, my love when you dream them up.…..
Again silence hangs in between the two of you before Aemond gives you a look, studying you for a moment.
“He wasn’t a good boyfriend to you, was he?”, so he inquires after a while.
“No, he wasn’t. But I give him credit for trying.”
Aemond chuckles quietly.
“Kudos for doing the least.”
You smile at him. Perhaps Aemond isn’t as dull nor arrogant as you formerly judged.
“It appears I must engage in socially acceptable behavior”, says Aemond then. “To greet my brother and new sister-in-law and repeat expected speeches.”
“Expected only because you correspond to these expectations”, you nudge his sides.
“And do I have another choice on the matter?”, he scoffs.
“No one forced you to come, so don’t get at me for it.”
Somehow it surprises you both that these teasings do not end up in a clash of words. Aemond actually chuckles before conceding reason to you.
“That is very true. But I am a dutiful man, Y/N.”
Saying so, he moves away to greet his brother at last. You watch him go, already missing his company and the warmth of his presence.
The funny part about all of this is that, when looking at Aegon, you don’t actually miss him. And when looking at his bride, you feel rather oddly comfortable in getting at them to congratulate for the merry occasion.
Past is past, after all, and the aching of this ugly truth doesn’t seem to ache any longer.
***
• Flicking through a little book of sex tips, remember when the boys were all electric? Now when she's told she's gonna get it, I'm guessing that she'd rather just forget it. Clinging 'til I'm getting sentimental, said she wasn't going but she went still likes her gentlemen to not be gentle…
Aemond watches as you meet your former boyfriend with his now bride-to-be. Judging by your face and your body language, all goes well. However, there is still that expected discomfort as you greet them.
So attentive is he that he doesn’t see Helaena coming. She leans by his side, amused by what is going on right under her nose.
“She said she wasn’t going, but she went still.”
Aemond turns his eyes to his favourite sibling.
“How’d you know that?”
“We remained friends, Aem. Y/N is a really good person, Egg didn’t deserve her.”
“When does he deserve any relationship he’s in?”, Aemond snorts, partly playful, partly meaningful.
Helaena smirks.
“Don’t be mean, Aem. They look genuinely happy now, which is good. I never thought I’d see him settling down one day.”
Her brother doesn’t answer, eyes still glued in the odd trio. Miss Rhaella is very comfortable in her shoes. But of course she is, she has captured his heart. At what cost, though?
“How come they broke up?”
Helaena scoffs at him.
“Oh please. Don’t tell me you don’t know the reason why they are not together for some years.” And then she adds, after poking his sides. “Do I detect an interest in you, Aemond Targaryen?”
“Laena, darling. Often the wise in our family, don’t play the dumb now.” Aemond rolls his eyes. “I could never nurture any interest of the kind in my brother’s ex. Y/N is particularly irritating.”
And that is the last part you hear.
***
He doesn’t know why, but this prince who takes pride in never falling in love with anyone, nor ever chasing after a woman, is going after you.
You too cannot conceive the reason his words hurt you, but it takes little to comprehend that you’ve been vulnerable with this odd circumstance you spontaneously dragged yourself into.
“Y/N”, he holds you by your elbow, forcing you to look at him. “Didn’t mean to say what I said.”
You shrug your shoulders off.
“In the end you have a point, though. What kind of ex goes willingly to a wedding where she was only invited out of politeness? Besides, have you seen the embarrassed look in your mother’s face? She wasn’t expecting me there”, you scoff.
Aemond smiles at you, and you don’t like how it makes you feel—as if there’s hope in the horizon.
“I don’t think this is the case. She was probably expecting a scene. Not from you, of course, but most likely that Rhaella would be unnecessarily loud. Or even Aegon. Who knows? But definitely not you.”
That being said, walls are knocked down. It all settles for now.
“Well, you know what? I think I need some wine.”
“I take it”, so says Aemond. “It’s been a while.”
“Indeed it has”.
And you smile at each other.
***
The next day both of you are found in the same bed, except nothing really happened in the night before. You realize how nice it was to just cuddle him, that his scent was much fitter to yours… than Aegon’s. Such thought embarrasses you when you get back at your senses.
You panic internally and try to disassociate of his arms, albeit unwillingly. It’s when he opens his eyes.
Aemond too is shocked when promptly observing how one got tangled with the other… without necessarily having the need of taking each other’s clothes off. This perception sort of annoys him, though.
“Where do you think you’re going?”, he asks in a voice that gives you shivers. “It’s fucking early.”
“I best find my way back to my room”, you say, hoping not to sound too awkward.
“Mm”, but of course he cannot take it for himself. “Last night was good, wasn’t it?”
“It was”, you give him a soft smile, but something about your eyes makes Aemond smile at himself. “I just don’t think prudent if we are caught. People can talk.”
“Let them talk”, he gently pulls you back and you effortlessly fall into his arms again. “I think we could go for a horseback riding today before lunch.”
You smile at yourself. Aemond spots it and he smiles too.
“We could. Though I’m afraid I don’t do horseback riding.”
“I could teach you.”
“Do I detect malice in your speech, Aemond Targaryen?”
For the first time in many moons, this bad boy is genuinely brought to laughters.
“It really didn’t occur me at all, but if you’re up to it…”
You punch his arm playfully. But for a while you two just stay like this, lying in bed, sharing laughters as if you have been the best of friends.
***
“I hate how I feel like an adolescent again. I thought I’ve done this already. Countless times”, you remark.
It’s nine in the morning and you two are dressed like going to a picnic, not a fancy breakfast to celebrate the union of the families Targaryen & Velaryon. Maybe it’s not of either interest to participate it. Besides, the landscape is far more inviting than dealing with posh relatives.
The hotel is surrounded by nature. Large trees are spotted above a green hill, surrounded by lakes and some wild animals that every now and then stop by. Not far from it, is this large, crimson white house rent by the Targaryens to celebrate the marriage of Aegon and Rhaella. The said event will happen only the next day since the couple are very fond of celebration.
Uninterested in these endless festivities, you and Aemond are heading to the top of the hill carrying with nothing other than wine and bread, perhaps some fruits too.
"And here we are", says Aemond, surprisingly in a good mood.
You two sit on the grass and its your former brother-in-law who opens the wine bottle. You two share it as it is, with no need to use glasses for the purpose of savouring the red, warm liquid.
"It is a shame we haven't been acquainted properly", you muse after a while. From where you two are, you could still spot Mrs Hightower and her lover receiving the guests alongside Mrs Velaryon, who, you seem to notice, is accompanied by a dark, curled haired man who doesn't strike you as Mr Velaryon.
"Eh, I was a little busy when you were with my brother", and when following your curious gaze, Aemond smirks and adds: "That is Mr. Strong, by the way."
"Busy? With whom?", you tilt your head, eyes now locked with his purple ones. "I feel as if I'm missing something here."
Aemond cackles before lying on the grass. As he's on his elbows, you hate how your eyes scan his frame, taking notice of his body, his part-opened legs under an old pair of jeans and a random comfortable shirt that shows some of his well build muscles.
Fuck.
You lean to grasp a few grapes before suddenly finding interest in the cloudless skies.
"Well, that is Harwin Strong", says Aemond, ignoring the first part of the question you asked him. "He is my sister's lover."
"Oh."
"Oh, indeed. Where were you when our family messed up?"
"I have no idea, maybe we were busy breaking up", you shrug your shoulders.
Now you miss the long gaze Aemond casts at you. He notices your shapely legs, well reinforced by your blue velvet shorts. A mischievous thought occurs him at the thought of removing these shorts. Containing a sigh, but not holding back such sinful thoughts, he notices you have nice, firm breasts just by the stare he gives your blouse.
Desire seems unbearable. Useless to fight against, but he stops the urge. He must. For his sake.
"You deserve someone better."
And your gaze meets his.
"My brother was unworthy of you", and he, a careful, wayward man, is drawn to you.
You, likewise, are inclined to get closer to him. Is it too early to get drunk and do things you might regret? Where is conscience when you need it?
"And who is worthy of me? You?"
Aemond side smirks at you. You two are so close to bound in deeper waters.... when someone else comes in to ruin all, of course.
It's Alys Rivers, his ex-girlfriend.
***
•You’re falling about. You took a left off Last Laugh Lane. You were just sounding it out. No you're not coming back again.
You are quick to leave the scene. Tired to be someone else’s sidekick character, you know it’s the time to part and be the protagonist of your own.
It’s been too much humiliation. First to put a closure with a man who is marrying someone else. Second… to be able to fall for his brother in a matter of, what, a day and HALF?
You realize no one is missing you anyway. So you are leaving before ceremony even begins.
As for Aemond, it’s all going worse than planned. He wishes you’d have more time to spend together. But, in honesty, he doesn’t blame you for parting like this.
He never mentioned that he and Alys were not entirely… what word could capitalize it? Untogether? Does this word even exist?
Regardless. He’s taken by a strange urge of going after you.
“…you’re not even listening to me!”, the protestations of his now ex girlfriend are annoying him.
“Frankly, my dear, I don’t give a damn”, he responds rather coolly. “You’ve left me in balance for a while and now you think you can take me back? I don’t think so. Farewell, darling Alys.”
Saying so, he’s not wasting his time. These are crazy days, one might judge, where long relationships end unexpectedly and short ones may begin out of the blue.
Or perhaps not so out of the blue…
***
You are about to get in the cab when Aemond gets to you.
“Hey”, and once again he holds your wrist, thus making you looking at him. “Don’t go.”
“I can’t stay here”, you sigh dramatically. “You have unfinished business with Alys. I mean, been there, done that. Not really in the mood to rerun this movie.”
“No, this is untrue. Fuck, you are the most interesting girl I’ve met and look at me playing the fool here. Always the indecisive and vindictive, I want something new.”
Aemond doesn’t know where this urge comes from, but, unlike his brother, he is not willingly to let go of you so easily.
“And when this new goes away”, you counter argue him. “What then?”
“I am not leaving you. I am not Aegon”, he says rather anxiously. “Allow me to get to know you better, Y/N. We are going through this shit together.”
You tilt your head, but as if to shush any remaining doubts, like the adolescent he never was, Aemond pulls you against him and finally kisses your red lips.
***
It’s the wedding day. You are elegantly dressed in a pink gown that reinforces your curves and shows some collarbone. Your y/c hair is tied in a braid Helaena’d done it and you are wearing a pair of emeralds over your skin.
But you lose your breath when you see him, elegantly dressed in a black suit with a green tie. His hair purposely messed, he’s every inch the sobriquet he proudly wears.
Bad boy prince.
When his gaze meets yours, both of you know this day will be no good to either of you.
“Ready to be my partner?”
When your hands intertwine with his, so is your destiny for once and all locked with Aemond’s. One smile, one kiss. And what is meant to be a funeral is turned into something more beautiful for this unexpected couple.
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yuri-is-online · 2 days
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Damn I'm really like the storyline of this game.But FUCK Leo,if I ever get a chance to smacked the shit out of him, please Chancellor one chance.He fucked with the Mc head, how Alan and Thoma didn't kick him out that car if beyond me, there better than me honestly.Sho isn't much better because he's going along just because he's isn't mean.
Just because there isn't cruelty that doesn't mean kindness.But he's the lesser evil.Makes me sad for Alan.
Let's talk about Lucas I wonder if the soul system is like JJK,like if your twins you share the same soul and that's why the demon took his brother.
Also which character did you pick for your first
-🤡
I picked Thoma first, but I didn't take screenshots of the opening. Probably gonna use my emulator to take a crack at screencapping all of the boys intros because I am insane and want to pick it apart for lore research.
Twins sharing the same soul/being seen as the same person is very common in Japanese folklore if I understand correctly? But that might just be me overthinking the plot of Fatal Frame II: Crimson Butterfly. So yes that's my assumption too, the demon likely took Luca's brother in his place since they technically share a soul.
Now. Let's talk about Leo. The main reason Alan and Thoma didn't immediately kick him out of the car was to not make a scene. Thoma specifically seems to respect the opportunistic sort, and thinks that Leo shows promise if he shapes up. He's skilled with tech, good at reading people, quick on his feet, all of those things are arguably good traits that Vagastrom, and Alan, could really use! Besides it's not like he has enough on either of them to get in their way yet, best to play it cool and walk away with the upper hand. Another thing we learn from this conversation that might be easy to miss is that unlike Twisted Wonderland where each dorm has rules about who should be the leader, Darwick's Administration picks the Captain and Vice Captain of the dorm, and grades seem to be more important to them than say. Whether or not the person has a good character, as we have seen from both Thoma and Leo, is significantly less important.
But if there is one thing I sort of have to point out that I think Alan gets and tries to call him out on, Leo is incredibly short sighted. He sees MC's power as worthless not because it doesn't work but because he already used it and got what he wants from it. He doesn't see anyone other than himself, and maybe Sho, as a person so he doesn't feel any guilt about using MC to get what he wants and then trying to get her kicked out of the school. He's also the only bitch in this house that completely ignores that MC can't leave, he doesn't mention her curse once when talking about her and honestly I don't think he was paying attention enough to remember that she can't leave because of that. Allan makes a point at the end of the Vagastrom book that I really hope is followed up on:
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I sort of read this as applying to his friendship with Sho and his own reputation. Sure, it's all fun and games now while he snatches up the Vice Captain role and still has Sho doing his bidding, but well. Sho does occasionally do what he wants, he didn't go along with Leo's plan, not completely. He didn't outright lie about MC's power, and he hates how Leo keeps asking about why the ghouls made their wish on a demon. He thinks it's wrong, he hates it. Leo's treatment of MC did bother him, and I know he doesn't want MC to die. I don't know how far you or anyone else has made it, but something happens in Book 3 that makes it seem like MC has gone missing, and according to Hyde all of the Frostheim, "and one or two" of the Vagastrom ghouls have to be talked out of going to look for her.
As of right now Leo's only real ally is Sho. If Sho gets fed up with him and stops covering his ass, then Leo has no one, and I don't think that's occurred to him since according to Sho's bio they've been friends since long before Darkwick. Anyway I hope they get divorced and Sho gets to keep his food truck. Like I said, we can run Leo over with it for the insurance money.
Have some Side Notes:
The ring of Solomon, or the ring of wisdom, granted Solomon the power to make demons do his bidding in the original myth. Since ghouls powers come from demons, in some way, shape, or form, my theory is that the ring is likely enhancing the demonic part of them.
The "like doves" supposedly appear when someone is thinking of you positively/likes you. The first people to make these doves appear around MC are Luka and Kaito. The second is Sho, which is honestly why I am a bit softer on him then I should be. The third time it shows up is at the end of Jabberwock's book with all three dorm members present, meaning literally the only bitch in this house who does not respect MC is fucking Leo that dick-
while it isn't specified, Professor Dante appears to be the advisor for both Frostheim and Vagastrom, something I think is more or less confirmed by Hyde being in charge of both Jabberwock and Sinostra. Anyway the point I want to make is that we are missing a dorm if we follow the rule of each advisor being in charge of two, and no I don't mean the two missing characters from Obscuary I mean a whole dorm that seems to have specialized in exorcisms (perhaps of curses 👀):
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My personal theory is that their dorm used to be in the Cathedral we are staying in and that it was destroyed during "the Clash" that's been alluded to in the first part of the story, we don't know much about it other than 1) it was between ghouls, perhaps exclusively 2) there is a spy of some sort Thoma and Alan are looking for that might have had something to do with it and 3) a Frostheim student behaved very badly during the Clash to the point Thoma seems to think they should take some responsibility for it. But that's just my speculation, don't know how much of it's real.
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likeadevils · 2 days
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Why isn't TTPD (based on Metacritic score) as critically acclaimed as Taylor's recent past albums, specifically Folklore, Evermore, and Midnights?
after reading the negative interviews here’s some common threads (i’m saying these as charitably as possible but like don’t get me wrong i disagree with some of these)
it’s long, and there’s definitely some tracks that could be cut (there is no common consensus on which tracks exactly, largely because they don’t actually say which ones)
the album isn’t playing in new sonic territory as much as folkmore, and to a lesser degree, midnights, especially the jack antonoff tracks
a combination of the more laid back sound, mixed metaphors, and flowery language make it hard to feel like the songs are building to something. instead it just ends up putting equal emphasis on the whole thing and thus making it all fade into the background
she’s saying she’s struggling in her lyrics but it doesn’t come through in her delivery or instrumentation
it’s still the same types of things she’s been singing about since she was a teenager, making the album seem even more muted
her songs swing from super flowery language to super conversational language and it makes the flowery language seem overwrought and the conversational language seem cringey (can not stress how charitable i am being with this. the amount of reviews that will just take a lyric out of context and be like, isn’t this bad? moving on!)
funny things i noticed
people still don’t like taylor swift writing songs about things that happened to taylor swift and at this point i just don’t know what to tell them
there’s a lot of thinly veiled, or just outright said, “young fanbase means bad art” going on
the paste’s review is ridiculous. in one paragraph she’s like “she’s too relatable!” and in another she’s like “she’s too unrelatable!”. i’m pretty sure it implies taylor wrote my boy only breaks his favorite toys to capitalize on barbenheimer. like. i get having someone who isn’t a fan of taylor review her album but at a certain point it’s like, well yeah if you’re looking for reasons to not like taylor swift then you’ll obviously find them. and like, for a random hate listen, fun whatever, but if you’re going to be professionally reviewing her album at least be consistent about why you hate it (also. side salad. whenever people hate taylor but love cjr i’m like. right cool uhuh you sure are invested in not liking taylor as a personality trait rather than a matter of taste)
everybody likes but daddy i love him. even the most negative reviews were like, to be fair, but daddy i love him slaps and the line “i’m having his baby! no im not but you should see your faces” is funny (which feels a bit hypocritical in all the reviews that are like ‘she keeps writing the about same stuff that she did as a teenager!’ but like. bdilh is just that good so i understand)
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i think ppl can and should project onto fictional characters. that's kind of what they're for a lot of the time. even if in the story they dont have the exact same experiences the audience can still find similarities with them and it's empowering to headcanon that, because of these similarities, the character has a similar identity to you. a lot of writers purposely give their characters experiences similar to marginalized groups to make those groups feel seen.
that being said, if you project your own experiences onto your blorbos you HAVE to be able to tell when the story is purposely making the character a metaphor for your experiences and when the story is. not doing that. just because you personally relate to a character doesn't mean the character literally is your marginalized identity. and it definitely doesn't mean that the writers hate your marginalized identity, specifically, if they don't do what you want them to do with that character.
#shut up pandora#this is about a post i say talking about how belos owlhouse has traits that if you squint could be seen as him having schizophrenia#and bc op thinks the show fumbled his character#specifically bc hes a Bad Guy who Does Bad Things and Is Bad#the shows creator is literally ableist and is a fake ally for otherwise depicting other instances of neurodivergence positively#the evidence btw is:#belos seeing hallucinations of the golden guards to represent his repressed guilt which is a trope that everyone on this green earth uses#and the fact that papa titan refers to belos as having 'delusions'#which in this context isn't being used medically but colloquially bc guess what! words can have different meanings depending on the context#and in this context he isnt talking about a medical delusion hes talking about belos's denial of his mistakes#which isnt a mental illness thing its an asshole thing which he is. thats the appeal of his character#the show has problems in general and belos character definitely has problems but this aint it chief#methinks someone was looking for a reason to hate on the queer show hmm i wonder why#even if they werent trying to do that op projected too hard on a character who the writers didnt expect them to project onto so hard#that they forgot that not everything isnt about them so when they didnt like where they went with belos's character#they decided that dana terrace just hated ppl like them specifically#terminally online bullshit#anyway moral of the story is not everything is about you#also dont try to look for this post or anything i dont want ppl to shit talk op to their face#im vagueing for a reason im not trying to start stuff#but anyway even if you talk about how the hallucination trope is universally harmful which i dont think it is depending on how you use it#and even if you think the word delusional shouldnt be used colloquially due to its association with a mental illness#there are so many other pieces of media that use that trope#and there are so many other instances where that word is used and all of its so much more offensive than fucking owl house#youre standing naked in a river in winter and complaining that your soup is lukewarm#oh how i wish that cartoon fans can get as angry about shit like south park as they do about shit like the owl house
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abstractlesbian · 3 months
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Find someone slightly annoying but in really small harmless ways so I decide none of the behaviours are worth bringing up with them → realizing: hey, Im also annoying! solidarity! → realizing we have a lot in common and starting to bond → finding out other people find this person annoying and are vocal about it behind their back → finding out this person has ADHD like me that's (at least one reason) why we have all these traits in common → fear.
#trying to be as vague as possible even tho this is someone I know offline and no one involved follows me online#on one level I get it that relying someone who is forgetful and does things slower/differently than you can be frustrating#but like its a medical condition. and u dont need to know someones medical info to have some empathy instead of assuming malice/incompetence#i just found out they have adhd today but day one i was able to go 'wow i did not like the way they handled that but i dont think they were#being hurtful/careless we just handle this task differently. rhey didnt do anything wrong and i can let this go and adjust my expectations'#not to say im perfect and never ableist towards others. my first reaction to seeing traits i dislike in myself (from my disabilities)#in others is often to get annoyed and needing to adjust my thinking#i get annoyed with myself when I cant focus / cant be coherent or concise / cant finish tasks quickly etc#→ get annoyed sometimes when I see others doing that → realize thats not fair to them → realize thats not fair to myself#→ assume good intentions and find ways to communicate/collaborate better with them → get along better and maybe make a new friend!#sorry i am rambling#idk its scary seeing someone being disliked for adhd symptoms/traits that im mostly doing a good job of managing/hiding in this#social environment so far and knowing that could happen to me in the future#but im also like ready to have this persons back#me 🤝 them: prioritizing the wrong tasks and overexplaining things and struglging to get our points across#and not noticing when we talk too loud and forgetting tasks halfway thru etc#not to be that guy but : without love it canmot be seen!!!!#lifes so much better if u just assume ppl arent doing things a certain way to be annoying + let go of / adapt to the thing that are annoying#but not harmful#thats not exactly what without love it cant be seen means but thats one of the ways i apply it in life#just like dont assume malice. assume u dont have all the info. approach ppl/situations with empathy.#or youll make yourself more miserable needlessly#again like only for shit that's not harmful obv#i need to shut up and go to bed
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arolesbianism · 3 months
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Sits in shambles I didn't read maybe Jorge's id correctly in the mysterious hermit logs the first god knows how many times I read them and only just now realized that it's the same id as the scientist that speaks in the agricultural notes log why must I be so bad at reading
#rat rambles#oni posting#on the bright side thats one mystery id kind of solved#by kind of I mean its most likely jorge but theres no way to comfirm it#this does make me feel like there might be some other b363 thing I missed but Im not sure if I doubt myself enough to go check rn#they are another character seen in story trait logs alongside an in game lifeform origin log just with critters this time#Ive made baseless speculation on who b363 could be based on what named characters we have without ids but its nowhere near confirmed#at least from what I remember but again Im starting to doubt myself a lil so I might double check at some point#the only idless characters we have fully marked off is nikola Im pretty sure#although based on the characters we do know anything abt itd most likely be either ada or liam but thats not saying much#ada is a fairly high probability tho since we basically 100% know that shes a part of the bioengineering department#liam possibly is too but thats more of a educated guess then smth particularly implied#Im glad I've finally realized who our lovely plant guy is tho#alas even if I find some hidden b363 content that still leaves I believe 3 ids unidentified#well we do know that at least one of them is steve but we don't know which one#and while we can take shots in the dark at who the scientist is theres also a second guard#and out of everyone we know bits and pieces abt theres no one who fits that bill or at least not anyone Im remembering#every other mentioned character is some flavor of scientist or is implied to be#not counting quinn but they are also off the table on account of not being a gravitas employee#so basically unless I missed smth the only previously established character that we know for sure is in that log is steve and the other two#could easily be any of the currently unused guys#and the other guard basically has to be unless theres scientists here that also double as guards
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mcybree · 3 months
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"if you happen to fall in the subcategory of people who are really into third life and also rain world lets talk. please. i have an au come back"
i am staring at u with my artificer plushy in my hands
*walks onto the stage. taps mic.* um. Jimmy sliver of straw incident. *jumps off the apron breaking all of my bones immediately upon contact with the floor*
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idiaa-shroxd · 11 months
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YOUR WRITING IS SO PRETTY I COULD EAT IT. YOU CHARACTERIZE THE CHARACTERS SO WELL TOO!!!
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thank you so much!! ʕ•ᴥ•ʔ happy you think my writing is very pretty!! and also makes me happy you think my characterization was correct.
when writing for characters always take a bit of extra time to ensure they sound good? thinking about having an actual conversation with them for a minute and what they’d do! ♧ personally a big fan of viginettes since that reveals a lot of a character more than mainstory.
Σ('◉⌓◉’) mini (huge) rant within the tags of the way of my process to understand a character!!
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#i’ve been trying to work on characterization with trey for example because in the main story he is relatively nice#but within his viginettes he’s a bit more than that like a slightly smug teaser than boy next door.#the characters tend to have complexity rather than one dimension traits people tend to stick by#which isn’t a bad thing but to start writing it could help kick you off but majority of the time your characters do have many emotions to#aspirations- such as vil being mean BUT that coming with subtle charm of care- he does not derive pleasure from purposefully degrading other#he firmly believes he can see the beauty in everyone if they try and he attempts to get others to apply themselves so they can be pretty#he does not go around like ew you’re ugly go away unless you have a negative attitude like leona who purposefully does not put any effort#but sometimes his pursuit for beauty can go out of hand like with epel or neige but his dorm ssr perfectly illustrates he knows what he does#he does not always explain himself with having epel do heavy lifting which only helps epel improve but he would not tell him this directly#there are other characters i can rant about the way i write. such as sebek being a malleus fanboy#but that was not a central part of his personality to warrant every fic just mentioning malleus each sentence#the best way to learn how to write for him would be looking at his viginette or his event story without tsunotarou!! he is quite a wonderful#-ly designed character but gets overlooked due to his ‘louder’ part of his personality. but he genuinely has captivated me as a character#the best examples for eng players would be during harveston- when he was extremely passionate about what he did with a soft side for his#plush!! he’s a big softie. he’s just very confused because his grandfather openly hates humans. he acknowledges marja and complimented her#he’s not hating humans for no reason but because it was taught to him. he’s trying his best to be what he is but you can tell he is not too#prideful that he would refuse to acknowledge marja just for being a human. in fact in his viginette he HELPS humans with their lumber#though that is technically due to him being confident he can do so compared to a human thanks to being a guard for Malleus but he is quite#happy to be complimented!!-. he is a character with more depth: ceremony viginette next#he tells yuu to just let him handle things since he’s stronger which shows he’s also blunt and says things without thinking about others at#times. but people are MISSING out on fics with sebek yuu and tea bonding over tsunotarou because he has no hostility to those who like#tsunotarou. he is happy to teach!! his other viginette think pe??: lilia tricks him into eating steak with yogurt iirc and he does honestly#it’s disgusting but he trusts lilia and 100% believe the old fae. THE POTENTIAL. authors need to use that?? just lilia messing with him or#how he can sometimes be so gullible you can get him to trust you mixed together with how attached he was to squirrel plush#he’s actually such a cute character.#there’s also Kalim who KNOWS there are bad people. he is not innocent as he knows there are bad people that want him gone#his least favorite food is curry because Jamil got sick for a week after taste testing his food.#Kalim just chooses. he wants to believe the kindness of the world not due to purity but due to the fact he does not want to live in constant#fear. which in itself already makes him more than one dimension. he may seem carefree but there’s room to play with when describing him??…#questions of styx.
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I still think people are weird about Dorohedoros setting. Like its not wrong to describe it as “everyone sucks” and it is appealing how everybody is equally justified and unjustified in what they do but I very much dont think the thing you should take away from it is theyre all equally Bad specifically. Its like kind of a big deal that sorcerers attack humans for no reason.
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weedle-testaburger · 2 years
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twelve is such a weird doctor to me because he's simultaneously underrated by the public and overrated by the fandom
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nikatyler · 2 years
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List 5 facts about a favorite sim of yours, and send this to 10 simblrs whose sims you adore ♥♥♥
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First off, thank you, second, sorry this has been sitting in my inbox for months 😅 I finally put some facts together yesterday in the car when no one was sending me questions from the lists I reblogged smh it's okay I'm not upset
In my original idea for Sharon, she and her dad were both werewolves, they were attacked when she was little. By the time she met Tyler, she learned to hide it pretty well and she was almost fully in control of her wolf side. In the newer version of her story, she's still human when they meet, her father is also human, and if Sharon does actually ever get turned into a werewolf in the end (I'm still debating it), it won't be until her late 20s/early 30s.
Although Sharon doesn't practice the religion she was raised in anymore (but her dad is very much still catholic), she does have some sort of belief in god. She's not sure if she'd still call herself a Christian, in fact, she doesn't really want to talk about her beliefs, she usually keeps them to herself. Adding to that, she's got quite a wide knowledge of various religions, religious symbolism, saints and patrons and other important figures, which comes as a huge surprise to most people. Hell, most people don't even expect her to believe in any god at all.
Sharon struggles with loud crowds. She hates it: she can never fully enjoy a concert, if she even has the courage to go there. It got a little better with Tyler though.
Sharon doesn't show emotions easily. Her resting bitch face contrasts with Tyler, who is constantly pulling exaggerated expressions.
She hates long travels where she can just sit and stare. Long car rides are the worst (can you tell I wrote this while stuck in the car for hours lol), unless she's the one driving. It's still not ideal but it's a bit better, at least she's doing something, you know.
Thanks for the ask! ♥
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