#i mean their healing doesn't happen BECAUSE of their relationship

[nastychastity]

i guess i shouldn't be surprised about this but re: the introduction of claire as a character in the bear--y'all really love hating women and completely disregarding larger narrative arcs don't you

#by y'all i mostly mean like #ppl in youtube comments complaining about claire being a boring manic pixie dream girl and not having chemistry with carm or whatever #but i've also seen some opinions on here that have me hmmm #carmy should not be in any kind of romantic relationship right now and for the foreseeable future and he gets into one anyway #and that's the point #he is a deeply traumatized deeply maladjusted man who is barely just scratching the surface of his healing process #and everything about claire and his relationship with her is meant to be directly symbolic of his regression back into harmful behaviors #that put him deep in his trauma #he's backpedaling and that's the point #it's supposed to make you angry and frustrated as the viewer. because you want him to continue to heal and focus on his growth #but he backtracks because it's easy #it's safe #he literally starts their connection by trying to self sabotage and giving her a fake phone number #he knows he shouldn't do this! he knows he can't! #but it happens anyway so he tries anyway because he thinks he should #not because he actually wants to #but hating on claire as a character is misdirected and often misogynistic #she didn't do anything wrong #and i don't think she's an uninteresting person #i honestly think she's quite lovely and i know she doesn't deserve to be with carmy's ghost #like yes we're supposed to be frustrated that they're together because they definitely shouldn't be but it's not because claire sucks #it's because carmy isn't in a good place for a relationship and because they're not right for each other #at least not now #and like completely separate from carmy/sydney--which i love #the narrative is clearly spelling out that the harmony isn't there #story and character wise carmy and claire aren't good for each other #and claire is still a well written and interesting character #and both of those things can be true at the same time #the bear

[neverendingford]

.

#tag talk #I lie a lot. to other people. to myself. I don't really lie here (usually) because I don't have an image to maintain but like... #I don't always even recognize the lies in telling myself. I retell stories to make myself seem clever and smart #retell interactions to make people take my side in the matter. and it even works on me sometimes. #I've always wanted to be the hardboiled loner. independent and happily isolated from others. #and to an extent I am. it helps when you despise most people you meet. when you find them inane and simple. #but I play it off like I'm somehow cool and aloof when in reality I'm alone because I hurt so much around others. #I have such a hard time identifying with others. I genuinely feel estranged and alien. #it makes me immune to caring about their pain. which can be useful I guess. but that's still not great. #I think part of my desire to be- and questioning of being aroace is in part a desire for independence. #because I have been wildly romantic before. I was head over heals for my first boyfriend (still my best friend). #I wrote them poetry. left love notes around their house. cooked him food and went on dates. and I did enjoy it. felt natural and good. #I just... that happens so rarely. this is the first time in almost ten years that it's happened again. I have the capacity. I have the want. #but I just... I don't click with others. I don't get along with them. I interact with to know them and then I start to loathe them. #I've gotten too many followers here and I go through their blogs and I get an idea of who they are and there's at least five of you I hate. #and I'm getting awfully close to reaching the annoyance threshold because I don't mind you existing but I need it to happen somewhere else. #I don't get paid to exist in the same space as you so we don't even have a functional relationship. #anyway. I dislike being lonely but I constantly feel a visceral disconnect between myself and others and it aches every single day. #adhd meds and hrt are doing huge things to help me be happy with myself. which means I need people less. I can exist alone. #but it doesn't remove the need. doesn't fill the void. it remedies one problem but emphasizes another. #and I'm not used to wanting someone. I want things From people but I don't want Them. except now I do. I want this person. #and I'm so out of my depth because my play is usually to keep distance. engage politely. get the company I need and then retreat. #and I want more than that here. I was about to say “I'm afraid of fucking it up” but I'm not. that's a cliche that my mind auto filled. #I know I won't fuck it up because I understand her and I know my own abilities. but I'm afraid of what this means for me. #will this work loose something in my own mind? Will I become more painfully aware of my own needs? Will loneliness hurt more? #I know I'm moving again in a few years. I'm staying with my brother for the foreseeable future so I know this won't be long term. #so if I can figure this out in the next year or so then maybe I'll be more prepared the next time we settle somewhere. #idk. my mind has been in overdrive processing this for the last three weeks. I feel noticeably more tired because of it. #I'm just so preoccupied with trying to figure out this new part of me that's only shown up once before.

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

#dungeon meshi #delicious in dungeon #izutsumi #dunmeshi analysis #dungeon meshi spoilers

[fatliberation]

If its ok to ask; how do you feel about fat kinks? I havent seen any fat acceptance blogs talk abt it. /genq

I know it's a sore spot for a lot of fat liberationists (and yes, I'm quite familiar with why so please do not take to my inbox), I think people are scared to talk about it. personally, I think it is crucial that people with fat kinks are able to access fat liberation spaces so long as they leave the kink at the door. I say this not only because the majority of them are fat people, but because that community is steeped in a deep shame and feeling of brokenness for taking delight in fatness and/or weight gain, which perpetuates rampant fatphobia. and fat liberation is what will heal those wounds. I don't understand it when fat activists tell kinksters/fetishists/feedists, whatever you want to call them to stay out of the fat liberation movement. because what is the alternative? do you want them against the movement? that doesn't make sense at all. I think people are so uncomfortable, disgusted, or afraid of this community they don't understand, that they just wish they wouldn't exist. they aren't going away. kink is akin to sexuality, to identity, to queerness. I think what people really mean when they say feedists should stay out of fat lib is, "kink should stay within spaces designated for kink." we aren't talking about kink when it comes to who can belong in a movement, we are talking about people. it is wrong to equate every person who has a kink or a fetish to a predator. it causes very real harm to those people, because they internalize that message that their kink makes them a bad person who is inherently worthless, who has to hide. if feedists aren't welcome in fat liberation, they aren't welcome anywhere.

I think that people who love fat people, love feeding people, love their own fat bodies, who see their fattest selves as their most satisfying selves, would be natural allies to this movement once they find their way to it and feel safe and accepted here. I want to make it absolutely clear that ANYONE is welcome on this blog as long as they aren't harassing or harming anyone. so many of my followers and biggest supporters are kink blogs. some of my closest friends and fat liberationist allies are feedists. I know feedists who are way more educated and passionate about fat lib and body politics than most people I've met. I don’t wish for anyone to feel alienated on my blog - especially fellow fat folks and fellow fat allies. we are 100% FAT POSITIVE AND SEX POSITIVE on this blog, babey‼️

In fact I feel really glad when I see fat kink/feedism blogs engaging with my content bc it means that person is putting the work in to understand systemic fatphobia, how to be an ally to fat people (if they aren't fat themselves), but also healing their community through education and acceptance. and HOT TAKE, BUT: when it does happen?? when feedists aren't shrouded in internalized fatphobia, shame, and isolation, and instead start embracing this innate, powerful appreciation for fatness, it's literally so fucking beautiful? and so very queer?

choosing to gain weight on purpose as an act of self creation. because it feels Right for you. gaining weight to affirm the relationship you have with your body. getting fatter because you feel so much of your identity (even gender presentation!) is attached to your fat body. feeling sexiest when you're fat. someone else worshipping that about you. giving unlimited permission to nourish yourself and/or others - and taking carnal delight in it. releasing food rules and food guilt through centering pleasure. food and fatness as an erotic and sensory experience. finding feedist partners who also have this ingrained love of fatness that can't be replicated, partners who are willing and eager to support and adore your fat body, NOT merely tolerate it. reclaiming tropes used against you through kink, and turning a loving gaze inward. saying "fuck you" to the system and choosing to take up more space in a world that consistently tries to shrink you. never denying yourself pleasure even though everyone is telling you you don't deserve it. feedism is such an interesting facet of the endless spectrum of human sexuality and I think that once people in that community find liberation and heal their relationship to the kink, it can be one of the most radical forms of self acceptance and exercising complete bodily autonomy.

I already know that a love letter to feedism coming from a fat lib blog is gonna piss people off. I'm going to lose a lot of followers, I'm going to get a lot of hate. but. kink in general is SO demonized and SO misunderstood and as liberationists we should also be open to sexual liberation. so much of this discomfort around feedism comes from a lack of education and understanding about kink in general. feedism doesn't = fatphobia in the same way that bdsm doesn't = misogyny or abuse. quite the contrary, if practiced ethically, with informed consent. every community has assholes. especially when those communities are small, ostracized, and so young that there are next to zero resources for self acceptance, safety, education, and accountability. in fact, the assholes are the ones that you're going to SEE because every respectful person is staying away and out of your business. if you've been harassed by someone with a fat kink, that is so shitty and I'm sorry that happened to you. I know it happens a lot. try to remember that what you experienced was abuse, not kink.

what consenting individuals choose to do with their bodies is entirely their business and there is nothing wrong with kink. (and I will not stand for sex-negative, puritan bullshit in my inbox, thank you very much.)

reminder: fat pleasure is fat liberation.

#inbox

[lxkeee]

END GAME

PART TWO

pairing: lucifer x fallen angel! fem! reader

fandom: hazbin hotel

genre: fluff

warnings: no warnings yet.

notes: very feral for this man and this is multishot fic and would be writing a smut for this. Reader is close to his age (probably a hundred years younger but meh)

additional notes: just because there are moments where Lucifer seems to be flustered or like mesmerized by the reader, it doesn't mean he already has a crush. It just means that he's been alone for so long that anyone who's gorgeous would make him get flustered cuz it's been awhile since he socialized with others lmfao. I am planning to make their relationship slowly bloom cuz why not?

PART ONE | PART THREE

“The name's Lucifer Morningstar, welcome to hell.” the light blond haired man said with slight smile and [y/n] can feel her jaw dropped. This is the first fallen angel? The king of hell? Very pale skin, short stature, pink cheeks, attractive. [Y/n] believes that the stories from ancient heavenly scrolls didn't do him any justice.

Lucifer just gave her a small toothy grin as he watched the awe look on her face as he leans his body against the door frame, crossing his arms as he looked at her. “You're Lucifer...?” she asked softly, looking at him with slight doubt and he nodded, “Indeed I am darling.” he replied with a grin, almost a smirk.

“You're much shorter than I thought you would be.” [y/n] says looking at him and Lucifer felt like an arrow was shot into his heart, if she stood next to him it would be guaranteed that she'll be looking down on him literally, “Though, I do believe that the heavenly scrolls did not do you any justice. You are prettier than how the scrolls describe you to be.” she says with a grin, crossing her arms on her chest as Lucifer just looked at her, blinking slowly as the red of his cheeks darkened slightly.

I swear to me, why is she so bold? He asked himself mentally.

He cleared his throat before eventually looking back at her, “Are you normally this bold to strangers?” he asked with a deadpan and [y/n] snorted a little, “Usually, I'm more.” she replied and Lucifer had to take a deep breather as he mumbled “Jesus...” underneath his breath making the woman chuckle.

[y/n] haven't paid him any mind, chuckling slightly to see the ruler of hell to be easily flustered. “I assumed you healed me? How long was I out?” she asked him, deciding to stop teasing the poor man. Lucifer managed to calm himself down, adjusting the collar to his suit, “Yes, you have crashed into my front yard but don't mind about it. You've been in a coma for almost... Three weeks.” he replied before eventually walking towards her and sat on the bed. His expression softened as his hand grazed over her shoulder blades, “They really cut off your wings...” he muttered softly and she just sighed, “Indeed they did.”

Deciding not to make her uncomfortable, he removed his hand from her shoulders, “If you don't mind me asking, what happened?” he asked and she gently lied down on to the bed, avoiding his gaze.

“Heaven was suffocating. Too many rules and I began to question them.” she replied softly and Lucifer just nodded in understanding, “I would probably have been bearable if I was allowed to punch Adam occasionally but nope.” she jokes slightly, making the light blond haired fallen angel chuckle, “Indeed.” he says softly making the woman giggle. Lucifer then gave her a raised eyebrow, “I think now's the time I catch the name of the person I took care of for almost three weeks. Hmm?” he asked with a slight hum. [Y/n] smiled before returning back to her sitting position, extending her hand for a handshake, “My name is [Y/n] [l/n], it is a pleasure to meet you.” she says and Lucifer smiled and held her hand and gave her knuckle a chaste kiss, “The pleasure is all mine.”

[y/n] just chuckles as he lets go of her hand, “As expected, you really are charming.” she says making Lucifer laugh slightly, “Thank you, now.” he says before clapping his hands together, “Since you are new here, I assume that you don't have anywhere to stay. How about you work for me? You are a fallen angel so I know you are powerful. So what do you say?” he asked, extending his hand with a slight smirk. [Y/n] looked at his hand with a raised eyebrow and with a small teasing smile.

“A deal with the devil...? What's the catch?” she asked, crossing her arms making Lucifer chuckle, “This isn't the usual deal where you sell your soul to me, that kind of deal requires a contract with your signature of consent. This is just a normal deal for you to work and be my assistant while getting a place to stay in return.” he explained, despite the smirk on his face, [y/n] cannot sense deception from the man. She sighs before eventually shaking his hand.

“You got yourself a deal, Lucifer.” she says making the king of hell smirk, “You won't regret it.”

end notes: and I worked like a doggg day and night 😭

#Spotify #lucifer morningstar x reader #lxkeee hazbin hotel masterlist #hazbin hotel x reader #lucifer hazbin hotel #lucifer magne #lucifer #“END GAME” — LUCIFER X READER

[forpiratereasons]

all right. i'm ready to talk about izzy.

izzy is a great character. in s1 he sits in this great position as an antagonist that's close to the main characters, and in s2 he sits in this great position as an antagonist who's gotten everything he wanted, and found that actually - fuck! - that's not it at all. the world changes enough in s1 that there's no satisfaction in izzy getting what he wants out of blackbeard. and it's not just ed that's changed, it's not just the crew, izzy himself is fundamentally changed too. even before s2, and that change continues to grow and flourish through the series.

in reality, death is cruel. and death is senseless. and death is unfair, and shitty, and it happens to the wrong people at the wrong time, too early, with too much to live for, who mean too much to too many. it happens.

maybe izzy's death is all of those things, but i don't think that's the point. it's not meant as a lesson in mortality; it's not meant as retribution for past crimes; it's not meant as a commentary on who deserves to live and who deserves to die. it's not about deserving. if anything, it's about the fact that deserving doesn't come into it at all.

the point is that izzy healed.

a lot has been made of the fact that izzy is the only character who bears visible scars from the kraken era - the scar on his head, as well as the leg. but i don't think they're meant as a reminder of the injury, or as a sign that izzy is "damaged" post-kraken era. they're representative of the fact that izzy healed. the scar is there to remind you that izzy survived. you see it heal over multiple episodes because that's the work izzy is doing - he's healing from blackbeard's actions, from his own actions, from his history, from his constraints.

it's not too late to heal. it's not too late to find your place. it's not too late to come out. it's not too late to let people in. it's not too late.

and all those things are worth doing despite the fact that our time here is limited. we are all going to die. but we are here right now, which means it's not too late, and it is worth it to free ourselves to be who we need to be regardless of who we have been and who we are now and what time we might have left.

izzy isn't suicidal in ep 8. he's healed from that. izzy isn't abused or depressed or alone in ep 8. izzy is strong, and competent, and respected, and loved.

and some folks have been disappointed it's not romantic love. i get that. but i think it's super important too that izzy's healing is worth it without romantic love. familial, platonic love is so fundamentally important to the queer community. found family. friends. solidarity. the look when some stranger sees you and you see them and you both know the other is family, that they're safe. the way we fight for each other - for our rights to love who we want, fuck who we want, to marry, to adopt kids, and also for housing, for jobs, for healthcare. for our rights to use the bathroom, for our rights to choose our own names and our own bodies and our own families. we're fighting for our right to exist and that, guys, it's not romantic. the foundations of our community is about - well, i'll let izzy say it:

it's not about glory, it's not about getting what you want. it's about belonging to something when the world has told you you're nothing. it's about finding the family to kill for when yours are long dead. it's about letting go of ego for something larger. the crew.

ed and izzy, following s2e3, interact and communicate on izzy's terms, and that's made clear. that's the last relationship for izzy to heal. when izzy finally approaches ed in ep 6, it's - not great. it's a start. you gotta start somewhere. he lets ed apologize, in their very closed, guilty way of speaking to each other, but then goes back to the crew, back to his safety.

he finally finishes his healing arc with the drag performance and la vie en rose, and then he and ed DO have good moments. he teases ed about stede. he directly reverses his previous actions in s1 and tells ed to listen to his good feelings. that's where djenks is getting this (imo, still a bit weird) father-figure business. the scene in the republic where ed's watching fishermen and izzy comes to say hey, it's all right, hey, listen to your gut. they don't need to directly come out and have some deep serious conversation about their relationship because that's just not like them, man. they're doing their healing their way. i think it would be nonsensical to expect these two to be open and honest with each other regardless of how they are with everyone else because their relationship is not like their relationships with anyone else.

until they run out of time.

and this, i think, is important. izzy controls this last conversation because it's what ed needs to hear, because izzy no longer needs to hear it. izzy doesn't need to hear that ed's sorry, izzy knows ed's fucking sorry. ed's whole arc this season is about the guilt he's carrying. izzy says what he says because he knows ed needs to hear it. ed, you weren't a monster all on your own. ed, i saw you. i saw you outgrowing him, and i didn't want that to happen because i was worried about what it meant for me, but i see now that it could have meant this all along - family. balance. something to die for, sure, but something to live for.

you could argue that ed and the crew don't think of each other as family. i think it's a bit more complicated than a yes or no on that one, but when izzy says, ed, you're surrounded by family, maybe it doesn't matter whether that's fact. maybe it's a statement of possibility. look at this family who can love you if you let them. look at this family who will forgive you even when you don't deserve it. look at all the ways you can still heal. look at how worth it it all is.

just be ed, izzy says, there he is.

he says it to ed because izzy already knows he can be just izzy. izzy already knows he's dying surrounded by family. izzy already knows that love and belonging and family are worth it, and he uses his dying moments to make sure ed knows it too because despite everything, despite everything he did and despite everything ed did and despite not being ed's romantic choice, he loves ed. it's worth it to use his dying moment to make sure ed knows this because izzy loves him.

it's worth it.

izzy is the stand-in for the stereotypical pirate, the villain - the representative of how repression and oppression work together, of how race and class and colonization interact with each other, of the lines between love and obsession and power and rage and fear blurring beyond recognition - and he heals. guys, the point of his story is not that he was all those things and paid that price. the point of his story is that he could grow beyond all those things and that growth and healing was all worth it despite the fact that yeah. our lives will inevitably end.

historically, israel hands is said to be one of the only major pirates who survives the golden age of piracy, and he doesn't survive it well - according to the contemporary account of "captain charles johnson" (almost certainly a pseudonym) in A General History of the Robberies and Murders of the most notorious Pyrates, published 1724, hands dies a beggar in london sometime between 1719 and 1724. it has been suggested by some pirate scholars that hands may have actually been the source for much of the information johnson is able to relay regarding blackbeard - and that johnson's apparent wealth of information contributed significantly to the legacy blackbeard left behind and his lasting fame. i had actually really hoped to see this play out in ofmd - izzy protecting ed and stede through perpetuating stories about blackbeard's 'death' (fake, i'd hoped) and legacy.

but i think - he is. in his way. he's there on the hillside, keeping watch. he's there to hold all the stories and all the memories of pirates and what it meant to belong to something, even as the golden age of piracy sets. he's there to show what it is to love and to be loved in return: eternal.

i don't like that izzy died. i think he's a great character, i think he's great fun to have in the ensemble, i think his dynamics with ed and stede are so fucking chewy and delicious. i think con o'neill has done the work of a lifetime on this character and, i hope, had and continue to has the experience of a lifetime with this fandom. my heart goes out to those of you who are devastated; i've been there in past fandoms, i know how achingly difficult that is. i'm so sorry.

but izzy's story is worth telling. izzy's story is worth celebrating. izzy is about making mistakes - bad mistakes! - and finding your way back to something better. izzy is about healing, and about community, and about hope that even when things are shit and people are shit - they can change. things can change.

and maybe - yeah. it's about the role stories play in our lives. about using fictional little scenarios to deal with our traumas. we're here. we're alive. we're coping. we will heal.

not moving on is worse.

#ofmd #our flag means death #ofmd s2 #ofmd s2 spoilers #izzy hands

[lily-radiance]

Hazbin Hotel idea

- Fallen-Angel reader(Fem) x Alastor

The reader is doubting Heaven's actions and decides to take a trip to Hell to see for herself.

- Disagrees with the idea of senseless carnage but understands life is not so simple and split in two.

- Charlie, of course, takes her in, although she does not know the reader is an angel. The reader at first doubts the redemption idea but begins to see the vision.

- Reader is not a fan of Lucifer for many reasons, but mainly because he "betrayed" Heaven, and his relationship with Lilith/Charlie is strained.

- Imagine Hell's greatest Dad, but instead of y'know the whole dad part, Lucifer and Alastor are trying to make you pick a side.

- Alastor, chaotic as usual, tries to get the reader to accept being fallen and doesn't want her to go back. She tells him about her 'predicament' before anyone else, and you better believe he wants to fight the angels for you. He tells Charlie and the others about everything because he knows you won't do it yourself. You obviously get mad. Like big mad.

- In your spiral, he sees your wings at their total capacity, and your shaken demeanor has them changing from white to black at a high rate.

- Vox and Valentino get the terrible idea to hold you for ransom against Alastor and Angel Dust, and they do not go unpunished. Vox makes several derogatory comments about your "holier than thou image," Alastor won't let him get away with it. When it comes to you, he has no problem with your lineage, and honestly, he finds it charming that an angel of all creatures would fall for him.

One of your wings gets injured, and unsurprisingly, it happens to be one of the only angelic wings left. (Say the top and bottom wings on each side are black while the middle two are white?) You used to dye your wings to hide your angelic nature, but with an injury present, it is the least of your concerns. Alastor refuses to let you fly while in recovery, and he has to deal with your pouting. When you do heal, he's still weary, always accompanying you in case you need a helping hand.

"Al, I can fly on my own! Look, my wing is healed!"

"No."

"C'mon, just one lap around the hotel!"

"No."

- Husk thinks you're pretty chill company and likes to vent when you have nothing to do. Sure, he can't say much about Alastor without fearing for his soul, but when he can, the conversations are never dull. If you make him laugh, you'll never let him forget it.

- Angel and Nifty constantly tease you about your infatuation with a particular radio demon. Don't expect any worthwhile advice, even if it means no harm. Charlie really wants to see you and Al together, but she might need to be reminded about boundaries.

- Angel Dust once tried to hit on you to see what would happen and nearly got thrown into next week.

- When he says "Good Girl" to Charlie, you can't help but blush and be a little jealous. He isn't afraid to use the phrase to fluster you on purpose, although you would prefer he not.

- If you wear makeup/do your nails, he will be fascinated. He doesn't say anything because once, he spooked you and made you jump, ruining it. The next hour was spent with him memorizing every detail of your designs in case of another mistake. If he scares you again, it's his job to redo everything. Except for mascara. Never mascara.

- Chess and poker games when the staff has downtime. He will use his shadows to help you cheat, but only if he's not playing with you. Husk knows but says nothing.

- If you're listening to music with earbuds, he will occasionally slow the signal so he can bother you. At first, you were annoyed, but realized it was his odd way of communication. Plus, he still hates technology. (You will purposely play "Video Killed The Radio Star" to get him back.)

"Would you kindly stop playing that infernal song, my dear?"

"Not until you stop interrupting my music."

- The Egg Bois love you, that's no surprise. They always ask about you when being watched by Alastor. The radio demon has come to accept the many questions by now, but the first time, he wanted to spit out his coffee. You think fondly of the memory, occasionally bringing it up to lighten the mood.

"Are you and Mom fighting?"

- When you get into disagreements, expect a few dozen bouquets of white roses in your room. He's terrible at expressing emotions other than murderous intent, and Charlie does what she can to help. You're both stubborn, but it gets too exhausting to keep up the act, and eventually, someone has to cave. (Charlie isn't afraid to wear her horns when confronting him, and if he tries to avoid apologizing, Lucifer will make a daily phone call to annoy him.)

"Hey asshole, talk to your girlfriend, it's upsetting my daughter. Also, you suck."

- Regarding the Extermination day, you try your best to fight the Angelic invasion but struggle. Alastor is stuck between keeping you and the Hotel safe. When Adam nearly beats him, you don't know he's alive, but his reappearance at the new and improved hotel is a welcome sight. He's a little rattled that he almost died, but seeing you safe is enough to keep him going. He might be a tad crazier, but you love him to pieces anyway as you run up and hug him. Typically, he despises physical contact, but coming from you, he doesn't mind, even going so far as to hug you back.

"I assure you that I'm alright, mon cher."

"Are you sure, Al, because that was a difficult fight. Wait—your voice!"

The radio demon takes a moment to realize that without his staff, his voice is clearer than before.

"Oh, you must mean the radio feedback is gone. Yes, I suppose you've never heard my regular voice. I had forgotten what it sounded like. How is it?

"It sounds lovely. I couldn't imagine a better fit."

"I should return the compliment; that is what a proper gentleman does. Your wings look lovely as ever, (Y/N)."

You look over your shoulder to see the feathers no longer entirely black, but back to their ivory shade. A few straggled feathers remain, but you don't mind, overjoyed.

In the middle of your undeniably cute interaction, the rest of the staff is watching. It isn't until Husk interrupts with "get a room" that you two get the hint.

Bonus:

Ruffle this tall disaster's hair. He might complain, but he loves it.

Are you feeling extra crazy? Boop him. Just boop the nose. He will do the same to you.

#hazbin hotel #fanfiction #hazbin alastor #hazbin spoilers #alastor x reader

[s4lv4tions]

numerology; nsfw

pairing; gojo satoru x reader / gojo satoru x geto suguru (past) / geto suguru x reader (past) summary; numerology — the belief in an occult, divine or mystical relationship between a number and one or more coinciding events. or: trying to move on. wc; 13.4k cw; death, angst, requited unrequited love, violence, smut (at the very end, but mentions throughout), canon divergence, spoilers for manga an; if you think you've read this before, you probably have! i posted this on my old tumblr a year or so ago, and it's still available on my ao3. this version is slightly updated and edited, but still diverges from canon as it was created at the start of the culling games arc :)

1.

The first time you bathe with Satoru, he cries.

You don't notice at first; he's quiet — abnormally so —, and his face remains pristine, unchanged. The only hint you get is a small, barely audible sniffle that stops as quickly as it starts — and you think he wants it that way. You don't think he's ever cried in front of anyone.

That's why you don't say anything. Just continue washing the suds from his hair, and pretend that the tears rolling down his cheeks are beads of water dripping from his hair — but you take extra care to massage the conditioner in, and peck his cheek as you finger-comb through silky, cloud-white strands. 

It occurs to you afterwards — as he lounges on your bed, scrolling through channels with a wayward hand planted on his stomach — that perhaps, it's the first time somebody has taken care of him. The first time ever, or just the first time since… since…

Geto Suguru's face smiles up at you from your vanity — a tiny polaroid, his face no bigger than the nail of your thumb. Beside him, Satoru grins, cheeky and bright-eyed — you don't think he's ever been any different —, and in the corner, the smudge of your thumb covers the lens. You don’t have to lift the photo and check the back to know what’s written there, in your scratchy, looping scrawl; the strongest, 2006.

"Lord of the Rings?" Satoru calls, carefree as ever. A yawn catches in his throat, and his fingers slip underneath his shirt to scratch absentmindedly at his chest. "Ooh, haven't seen this one yet…"

"Uh, yeah. Sure."

It was a better time. Less pain. Less responsibility. Less death — or maybe the same amount, just shielded by the blinding cover of childhood inexperience. Suguru was still alive and burning bright, Satoru was happy (happier. He didn't cry in the bath, at least). Shoko didn’t self-medicate as intensively as she does now. The days were spent in childish ignorance and stupid indulgence, and even when things seemed their darkest, you never lost hope. 

(It probably says a lot about you that, if given the chance, you wouldn't return. Whether that's because of what you know is bound to happen, and the pain is too much to experience again, or because you're so utterly pathetic that you'll take sadness and grief and a tiny shred of affection over… whatever it is you were back then, you don't know. A smudge in the corner of a picture of the jujutsu world's greatest.)

Suguru's eyes seem to burn into you. You turn the picture over, and rejoin Satoru on your bed.

2.

"It's been two years."

Satoru doesn't like to talk after sex. Not in any way that's really meaningful, you mean, nothing that lets you in. He loves jokes, empty small talk, work politics. Chatter that's deep enough to show he cares a little without bearing any part of himself — your injury healed up? When was the last time you had a break? There's a new teppanyaki place in Shinjuku, I'll treat you. Don't work yourself too hard, you'll put me out of business! 

If you're being honest, you didn't go into this expecting anything more than a person to scratch an itch with. 

You're already friends — though, you're not sure friends totally encapsulates what Satoru is to you, romantic or platonic. You've been friends since you were 12. Satoru, Suguru, you — and then Shoko, when you all met in your first year at Jujutsu Tech. That's how it's always been.

You swear sometimes you know him better than yourself. You swear sometimes it's his voice you think with. Is that what "friends" encompasses? Somehow, it doesn't seem enough.

Whatever. The point is that your relationship with Satoru is already strong; foundations tall and proud and unshakeable. You didn't start fucking Satoru in the hopes of forming a relationship — one was already there.

It's just... Satoru is young, yes, and he enjoys flirting, but (contrary to common belief) he's not all that keen to sleep with the first person who's willing. You don’t say this with the belief that you’re special. It’s just that with work, and especially with — y'know, his… romantic history, Satoru hasn’t found the time or will to just sleep around. At least, according to him.

Sheer willpower isn't enough to make those urges go away, though, and… well, you had them too, and you were willing, and he trusts you. And you'll take anything he'll give you, really, even if it's just scraps. Even if sometimes it makes you feel worse.

Today's one of those days.

You feel sick, after. Not because of him — because of yourself. Your polaroid of Getou and any other photo he's in has been turned over, anything that could remind you of him tucked away, but — but he's everywhere today, everywhere, and you'd fucked Satoru despite it. And Satoru is covered in memories of Getou, of course. Every freckle, every shifting of muscle, every jut of bone — did Getou touch him here? Caress every bit of him he could get his hands on? Tangle his hands in his snow-white hair, breathe against his collarbone? 

When you came, you cried. Pretended it was just because it was so intense, but behind your eyelids, dark, cat-like eyes stared back.

"Hm?" Satoru hums as if he didn't hear you, eyes fixed on the TV. Dumb doesn't suit him — it's honestly a bit of an insult for him to even try it. Like you didn't sense the stiffness of his limbs the second he'd stepped inside, or the crumbling edge of his smile, or the way he'd forced you to love him harder — pull his hair harder, scratch his back deeper, his Infinity turned off and his skin yours for the marking. 

Satoru's mannerisms are scribed into your brain. You catch yourself emulating them, sometimes; hands waving, head tilting, grin wide and posture open. You wear it like an oversized coat, an ill-fitting costume, and sometimes you wish you could stop taking on pieces of him. The more you take, the more you must throw away — and it's Suguru that your memory discards. You find yourself forgetting how he hummed when he woke up from a nap, or filled his cheeks with food like a hamster; how he scrunched his face up when he laughed, pretty all the while…

The point is that even with his incredible knowledge, his awesome strength, the sheer holiness of his existence — you know Satoru. And the fact that he came to you today isn't mere coincidence.

You decide to come out with it. You've tiptoed around it for 24 months, give or take, had a shockingly brief mourning period before the jujutsu world forced you along, and… even with what he did, Suguru deserves better. "Suguru died today."

A beat of silence. Then:

"Mm, I guess he did."

You'd spent the day staring out at the grey sky, the miserable sight of soaked pavement. Grey, grey, grey. Concrete jungle. Heavy rain clouds and an ocean of multicoloured umbrellas, bobbing and rolling to destinations unknown. You hadn't said it aloud; hadn't even thought of it, specifically. The knowledge of it had just sat over your head like a thick, sweltering fog — and if you know Satoru at all, you know that he'd done the same. Maybe he hid it better.

You don't have to look now to know that his lips are pressed thin. You find the sudden thought of looking him in the eyes daunting, anyways, so you turn onto your side, back facing him, and pick mindlessly at the sheets. You don't want to see what his reaction will be when you say—

"Did you know that I loved him — back then?"

You don't want to see the shock, or the confusion — and you'd rather not see a lack of them, either. What's worse, you wonder — him knowing and loving Suguru too, or not knowing and loving him?

"...Yes."

You screw your eyes shut and try to will away the sudden surge of cold, like a sharpened dagger to your chest. 

(It turns out that knowing is much more painful.)

Suguru Geto had been the apple of your eye ever since you'd met. 11 and gangly and stupid in a way that all children were always stupid, Suguru had been a bit kinder than his white-haired counterpart. Satoru, being Satoru Gojo, had grown up with no fear of authority, no mindfulness for his less-powerful peers as anything more than people who existed around him. You and Suguru were allowed the title of friends, but very few were. Anyway — he grew out of that mindset, of course, but your fondness for Suguru stayed.

(Though they'd always seemed to be on another level than you — not even just in terms of power, but… just caught up in each other, always. Suguru had only ever wanted Satoru. And vice versa.)

And then Suguru changed. Right under your nose, he changed, and his sudden quietness made sense. His fatigue. The way his hands would always shake when swallowing an exorcised curse, always had since you were kids, and then suddenly they were ingested with a scary calm. Nobody understands the taste of curses. Not even you, not even when he’d explained it in sickening detail.

You sigh, then. Tired and lethargic and not from physically straining yourself for an hour. This is bone-deep, soul-weary. It's been held in for 730 days, or maybe more. Maybe you've carried it with you since birth. "I never apologised."

"For what?" Satoru asks — and he laughs, jolly, and the sound fits awkwardly in his throat. A clear attempt at feigning indifference, but he's a bad liar. He always has been, because he's never needed to lie. Perks of being the strongest, you guess. You can just come out and say shit — and if you can't, not saying anything technically isn’t lying. 

"I hated you, after," you confess. You dig your thumbnail hard intoyour pinky finger, taking momentary refuge in the sharp shock of pain. "I couldn't stand to look at you. When I did, I saw… I saw what you did. What you had, and what you had thrown away. I blamed you for Suguru. I blamed everyone except Suguru."

Another snicker, a bit too humourless. "You can't stand to look at me now."

"I…" You don't know what to say to that.

Truth is, you don't want to see his face. Contorted in pity, or disgust, or sadness for you. You've gotten used to living in his shadow — most everyone has — but that doesn’t ease the ever-present blanket of insecurity that you carry around your shoulders. It doesn’t dull the ache of inferiority you’ve been housing in your chest from the moment you were saddled with your technique. As you aged, you got better at hiding it, and you generally prefer your self-pity to go unnoticed, but Satoru—

He could always read you like a book. And you hated it. You hated being pitied by someone who was as powerful as him — someone as close to God as one could get. It was demeaning. Patronising. It makes you feel like a child again, bowing your head as your mother makes excuses for you.

You shift over — onto your back, and then onto your other side — and you look at him. You force yourself. Blankets pooled around his waist, his skin so pale it could be translucent, eyes icy blue and framed with fluffy white.

"You were forced to do it," you murmur. Your eyes remain trained on his chin — his are much too bright, much too all-seeing for comfort. "If you hadn't, he would've gotten worse. He never would have stopped. You knew that, you always did. It… took me a while to come to terms with it."

Satoru sighs. Then, he slumps down so that — like you — his head rests flat on the pillow, and his body arcs towards yours. He's forced himself into your sights again, in a way that’s gentle, but not so much that you wouldn't be able to figure out what he's doing: forcing you to face him.

"Would it have made you feel better," Satoru begins, reaching forward to brush his fingers against your chin, "if you were there when I did it?"

Would it have?

Would it have given you closure? Would you no longer spend your nights wondering what he'd looked like, what his last words were, his last thoughts? If he had spittled and roared in anger, if he had wept in fear, if he had attempted a smile, a joke? If he thought of you, or if you were just another insignificant blip in his radar?

In your mind, Suguru exists as his 17 year old self — smiling and mischievous, polite yet humorous. He puts extra broccoli on your plate and gently berates you to eat more. He tells you that you're a precious part of the team, that none of them would be who they are without you. He calls you crybaby because you always wear your heart on your sleeve, and tells you not to worry about things you cannot change.

Change what you can. Forget the rest and leave it to me, crybaby.

The bubbling hatred that had festered inside him has no place in your head. You want him to stay as he is, your Suguru that was never yours, shining like gold in your mind.

"No. He hated me at the end, I think," you say quietly. For a second, you dare to meet his eyes — bright and pointed in how they stare at you. You know he can see the tears that have begun to burn in your waterline, the way you ball your fists so hard you dig half-moon into your skin. He doesn’t need to be blessed with the Six Eyes to see.

"I wasn't interested in changing the world like he was, even with my Technique. That made him despise me, I think."

Satoru stares for a few more seconds. You wonder what he's thinking about. A second in your time is a lifetime in Satoru's; he must be thinking hard. 

But he blinks, at last; sighs so deeply that his chest caves in with it, before he winds an arm around your waist and pulls you close, bare chest to bare chest, only atomic space between you.

There's nothing sexual about it. You're nothing but bones and skin and blood, here. He moulds your head to his shoulder with one large hand and cocoons you in his embrace, warm. Protected. You're not sure who the action is meant to comfort.

And just when you think the conversation is over — just when minutes have passed with nothing but the sound of the TV between you both — he speaks.

"Suguru could never hate you. Trust me."

You don't want to know what that means. You're only beginning to get over it, two years later.

3.

Satoru is holding three onigiri in one hand, and two Starbucks' cups in the other — extra sugar, extra cream, extra ice, extra unicorn-marketing, just the way you both like it. 

"There she is!" Is the first thing he says as he meets you just outside the metro, grinning. 

It's sweltering hot today — the sun had risen early and would surely set late, and Satoru seems to be taking advantage of it. Gone is his Jujutsu Tech uniform and thick blindfold, but he's stuck with the all-black theme like he usually does — black jeans, black linen shirt, black socks and shoes. Even the frames of his sunglasses are black.

(Handsome. He's handsome. He's always been handsome — years later, you'd think you'd stop feeling the effects of it.) 

Lucky for him. You're not, y'know, the strongest sorcerer in the last century, so there's no leeway for you — and even in your summer uniform, the skirt and short-sleeved blouse, you're sweating. Your only respite is that the combined force of you and Satoru will mean this mission is going to be a breeze.

Satoru tsks. "Took your time. I almost ate your onigiri."

A man nearby jogs past, clearly in a rush, and Satoru has to step closer to you to avoid him. He could've stayed still. He wouldn't have touched him, anyway, with his Limitless.

"And you would've had to buy another, genius."

A pout. "You only love me for my bank account, don't you?"

(He's joking. It's a joke. 

But your hand shakes — a miniscule tremor — as you reach out to take one of the cups, and you know he sees it because he's Satoru and he sees everything. You turn away as quickly as you can, setting off in the direction of whatever place it is you're here for, and pretend that the fact that he can say it so casually doesn't kinda fucking hurt. 

(He could never say it like that with Suguru — so bluntly, so crassly. Not without softened eyes and softened smiles and a gentle tilt of his head — those are mannerisms reserved only for him, never to be seen again. Instead, you get snickers and digs in the arm and teasing pulls of your hair. Of course it’s a joke. That’s all you are.

Perhaps you should just be grateful for what you get. Perhaps you should try to stop comparing yourself to a man you once loved. Perhaps you should try to stop comparing yourself to a dead man. Perhaps, in the end, you just love the pain of it all.))

"Yeah," you reply, taking a large, sugary sip. "And don't you forget it, either."

Satoru catches up to you quickly, effortlessly; his arm flops around your shoulder as he tugs you in the opposite direction, chastising you for going the wrong way — but it stays there long after it needs to.

4.

Itadori Yuuji — Sukuna's dead-but-not-really vessel — thinks your cursed technique is powerful. He thinks it’s amazing that you can use reverse cursed technique — you must be really powerful, right? Gojo-sensei says you’re special grade. He also thinks you're very pretty. He tells you this over his fourth grilled pork belly wrap — this one bursting at the seams with kimchi, garlic, and roasted sesame seeds.

He doesn't say it in a flirtatious way — it's just an observation to him, simple and blunt, and you figure he has about as much of a filter as Satoru does.

"O-oh," you say, metal tongs frozen over the sizzling meat. "Thank you, Yuuji."

You had briefly met him for the first time before his death — Nobara, too. Megumi, the third piece of the golden trio, has been something of a little brother ever since Satoru had taken him in, and you know him well enough to know that Yuuji's death (or lack thereof) is weighing on him terribly. 

(There are too many parallels you could make. Suguru and Satoru. Haibara and Nanami.)

Hiding it does make you feel guilty. To experience that grief, that loss — even if it will soon go away when Yuuji rejoins jujutsu society — isn’t something to take lightly. But Yuuji needs a guide that isn’t completely off the rails. Satoru and you balance each other out, and balance seems to be something Yuuji needs.

He reminds you terribly of Satoru when he was younger. Maybe that's why you have such a fond spot for him — he's too goofy and well-meaning and genuine to dislike.

"Why are you acting surprised?" Gripes Satoru, chewing with his mouth open. "I tell you that all the time."

Your eyes narrow. You place a perfectly cooked slice of marinated beef on his plate. "You're you."

"What's that supposed to mean?" He whines. "We're best friends, crybaby!"

"You don't say I'm powerful. You say I'm helpful. There's a difference. And don’t call me that."

"Is there?" Satoru asks, turning to Yuuji for guidance. The teen boy shrugs, preoccupied by assembling his newest monstrosity. "I call you pretty, too."

"Yeah, when—"

When you're eight inches deep in me, face buried in my neck, trying to get yourself off. Your cheeks flush with warmth at the thought, and you shut your mouth. Yuuji doesn't notice your slip up, busy as he is; Satoru does completely, and fixes you with a grin so sharp that you vow to not give him any more meat until Yuuji is completely full.

"It's not the same," you say, voice final. It's a lighthearted lunch. You don't want to ruin it by getting touchy over semantics, and that's exactly what'll happen if you keep going. "You say it to reward me. Like tossing a dog a bone."

You reach for the scissors to snip the meat into little pieces — and in doing so, you miss the brief frown that presses against Satoru's brow.

Neither of you say anything more on the matter.

5. 

Satoru has known you for five years when he realises that he resents you. Not completely, and not for one particular or solid reason, either. He prefers not to think about it, in any case, because you're one of his closest friends — and even at 17, he knows that that's hard to come by. Especially as the Strongest.

Satoru stares up at his ceiling; stares at the miniature striations only he can see, the starburst-shaped gyrations of clay used to finish it off. 

Tonight, he's thinking about it. And many other things.

He hates that you're so hesitant about everything — he hates that you believe yourself so weak that you have to tiptoe. You, with your reverse cursed technique — which is a feat in and of itself — that could transcend time and space, just like he could. A technique passed down for hundreds and hundreds of years, accumulating power all the while…

(Your technique has lots of rules and regulations, of course. A handicap, and he understands it frustrates you, but his own frustration eclipses his understanding. Why should someone so strong feel anything but their own strength?)

He hates that you curl in on yourself when you're sad, or lonely, or angry. He hates that you wear your heart on your sleeve — he's never allowed himself to, not fully. He can't, never fully, because there are people who are watching him, people who hate him, people who want him dead. He can joke. He can make his political desires clear — but he can’t love like he wants to, and God forbid he cries.

He hates that you close your eyes and bask when it's sunny, like a cat in a sunspot; hates that you remember that he doesn't like chicken wings and prefers thighs; he especially hates that you watch over Suguru like it's your job, when Suguru doesn't need it.

And some part of Satoru hates Suguru, too. It was strange for him to come to terms with it, fond of him as he is, but as he grows Satoru realises that there's no love of his that isn't closely affiliated with hate. It makes the love all the more strong.

Satoru, for one, dislikes how polite Suguru is, even when he doesn't need to be. He hates that Suguru becomes a straight-faced, unfeeling thing when he's upset, and tries to hide it — the emptiness in his eyes unsettles him like nothing else.

Most of all, above all, Satoru hates that Suguru loves you, crybaby, and is too pussy to do shit about it. Satoru doesn't understand why, anyways, because he'd made it clear that if he wanted, Suguru could have you both and Satoru wouldn't care. Usually, the thought would offend him. How can you love someone when you already love me? When you've already sworn yourself to me? You already have the strongest, who else do you need? 

But… he doesn't know. He kinda understands. You're precious to him, too, after all, sunflower soaking up the sun. 

Like he said: there's no love of his that isn’t closely affiliated with hate.

6.

Six and a half hours after the hours-long meeting that followed the ruined School Goodwill Event, you find yourselves in a diner somewhere in Harajuku. It’s one of those weird fusion places, loaning ornamentation and tokens from classic American diners, serving omurice with fries, sushi with mashed potatoes, with a cute little mascot that looks like Elvis. It’s loud enough and bright enough to make you feel timeless. It's a sensation you can appreciate. 

Something’s been telling you that time’s ticking, and you’re not quite sure what it is. Trauma, probably. Anxiety. The fact that curses have been banding together, learning spoken language, amassing power — planning an attack on Jujutsu Tech, gaining intelligence, gaining anger.

Satoru doesn’t say it — doesn’t want to say it — but you think it’s unnerved him, too. The last time outsiders entered school grounds was… two years ago, wasn’t it? It’s crazy. Everything always seems to lead back to Suguru.

The attack has fueled something in both of you, anyways; something that makes you both stay up instead of knocking out like you usually do; something that makes you both hungry and restless and liable to travel across Tokyo past midnight. By public transport, no less. No warping or high-speed flying for you, tonight.

But you appreciate it. And you think that Satoru is taking things slow for the same reasons you want to — to take things in, to appreciate what you never think to appreciate. To admire the mundane, even for a little while. Satoru’s less emotionally attached to the jujutsu-less aspects of life than you are — bullet trains and waiting in line and standing on the train platform, escalators and traffic — but he enjoys them all the same when he has time to. And it’s not often The Strongest gets to experience pure, genuine normality, too, so maybe sitting in this gaudy diner and watching the world pass you by is a luxury he rarely affords himself.

He orders the most complicated drink they have — a sakura-caramel milkshake topped with whipped cream, glacé cherries, and an entire slice of cheesecake. He’s down to the last dregs of melting cream within 10 minutes, swiping fries from your plate between sips, ignoring your chides of rotten teeth and high blood sugar.

Blindfold swapped for glasses. Strands of hair drifting down against his forehead. 

You’re always reminded at the worst times of how handsome he is. It’s not like it’s a secret, or he’s unaware of it — and he takes pride in his looks, if his extensive skincare shelf and general attitude is anything to go by — but he puts much more stock in his strength, in his usefulness to others, his intelligence. The things he can provide for others. Not many people realise that.

Maybe you shouldn’t act so high and mighty. It’s not like you don’t appreciate his appearance as much as the next person — hell, half the time you’re trying to stop it from distracting you — but maybe you get a pass. Y’know, as a person who actually has reason to marvel over the stretch of his neck and the flush of his cheeks and how his lips go the prettiest pink when you kiss him. Or the cords of muscle along his arms; the slender-yet-thick bands of muscle of his chest and legs. The large, veiny expanse of hand — slim, delicate fingers wrapped around a paper straw…

"Are you gonna eat those?" Says Satoru, slurping obnoxiously. “Haven't eaten since dinner."

You push the basket across the table, uncharacteristically void of argument. "Go crazy."

Satoru sets his empty glass aside, but the straw remains in one hand. The other he uses to pluck up fries, 4 or 5 at a time, his gaze suddenly fixed on you as he chews nonchalantly.

"Y'know," he says, licking salt from his fingertips, jabbing the straw in your direction, "I can always tell when you're horny."

"Excuse me?"

"You squirm," Satoru continues — matter-of-fact, casual, as if he's talking about the weather. "And you get quiet.”

“I’m a quiet person,” you snap, nails pressing against your palms under the table. “Sorry I know when to shut the fuck up—”

“And then you get flustered. And when you’re flustered, or embarrassed, you get angry.” He raises his hand — signals the cute waitress for another basket of fries, and leans back with his arms splayed along the back of the booth. “Don’t look so surprised! How long have we known each other?”

If you were a better person, you’d probably admit that yes, he’s right. You do get quiet when you’re horny, and you do get angry when you’re flustered — if you were a worse person, though, you’d remark on how you're the first person he crawls to when he’s sad, or overwhelmed. How getting you into bed and losing yourselves in each other is a sort of therapy for him. How he always tries to distract you with cheeky grins and sly, flirty comments, but then afterwards he cries in the bath as you clean him up. 

You don't say that, obviously. Seems like a pretty shitty thing to bring up today of all days. He'd probably deny it anyways, but you don't think it's a coincidence that the attack has left him restless and he obviously wants to take you home.

The new fries are delivered to the table, but he looks right past them. He bows his head slightly, glasses slipping a little further down his nose so that his white-framed eyes peek over the top of them. 

"Let's warp home," Satoru says — and oh. There's that voice. That drop in tone, that lack of boisterous humour he always employs. It's soft enough to have goosebumps rising on the back of your arms, smooth enough to have you squirming — yes, squirming, you admit it — in your seat. "Alright?"

"Yes." And it's embarrassingly breathless, and embarrassingly quick, but Satoru doesn't tease you. Just smiles, raises a hand for the bill, and watches you all the while.

7.

You count seven stitches in the forehead of Geto Suguru.

Count, because it's all you can do. Everything else is lost to you. 

Breathing.

Standing.

It feels like even your heart has stalled. Because—

Because—

Because Geto Suguru is dead. Dead, in the ground, no longer breathing, no longer living. Satoru had killed him. Satoru had demolished him.

The lips of the Geto in front of you twist — a sickening, stomach-turning imitation of the smile you once adored. On his face it's a sneer, a mockery. Your Suguru did not smile like this when you knew him.

"Hello," he greets pleasantly. His arms are hidden within the sleeves of his yukata. Hair down. Suguru always tended to wear his hair up, unless he was fresh out of the shower. Unless he was upset. It was too much hassle to take care of. You know when he took over the Time Vessel Association and donned the gojo-kesa he began wearing it down. "_____ _____, yes?"

You can't answer. Your ears are ringing. Your stomach gives a worrying lurch that winds up your throat — you think you're going to be sick. 

How? Why? Who — who is this in front of you? Because it's not Geto, not Suguru — and you don't say that because of longing or a pathetic desire for ignorance. This thing feels wrong. Inherently, blasphemously wrong. Looking at him for too long makes your cursed energy prickle. Seeing Suguru's image painted in such slimy, rancid energy has you gasping for breath.

Satoru, your mind whispers. Satoru needs to know.

He should. He needs to. But this pseudo-Geto does not look friendly in the slightest, and you are isolated.

Looking back, it had seemed fine to go alone to exorcise curses in the belly of Tokyo's metro. Taking old service tunnels and eventually entering abandoned tracks hadn't felt scary. You're a semi-special grade sorcerer with years of experience under your belt and a powerful cursed technique that could get you out of most, if not all, pinches, restrictions and regulations be damned.

"I'm sure you're very confused. I apologise, really…"

The reality of the situation hits you. Maybe hit is the wrong word — it doesn’t come as a bloody, stinging smack in the face. It’s a trickle of ice-cold water down the nape of your neck, drawing dread from your head all the way into the pit of your stomach. You don't think this is a pinch you'll come out of — at least not battered half to death, especially when a silver-haired curse decorated with stitches steps out from behind pseudo-Geto. The curse Kento had fought. The one that he said to look out for. Patchwork.

Immediately, you know fighting isn't an option. But what else is there to do, in the face of pseudo-Geto and his silver-haired, sentient curse? Your technique may not be limitless in your possession, but in theirs? If they did to you what they did to so many others — transfiguring you past the point of recognition, stealing your body and technique, desecrating your corpse with cursed energy…

"I can feel it from here," titters the curse excitedly. "So warm… I have to have it! Her soul, I have to have it!"

Fuck.

You could try to escape, but you wouldn't have enough time to run past them and through the winding corridors of the underground, even while distracting them with your cursed technique. They'd catch you within seconds. You’re sure they have curses lurking around waiting to thwart you, too.

You could burst directly into the layers of concrete and metal above — use your technique to revert them back millions and millions and years to their very first forms, atoms and subatomic particles, and then rebuild them up as an ascending platform — but that would take too much time, and you'd be completely defenceless while you did. Not to mention the toll it'd take on you.

(Not to mention the fact that you'd be bursting into the public eye from a giant crater in the ground.)

"I'm sure you know what I'm going to do," continues pseudo-Geto, amiable. "I would ask you to join us, but I know that is impossible. Therefore, there is only one course of action."

Can't fight. Can't escape. Can't get answers. Can't stay clueless. How contradictory.

You're not dying, that's all you know. And if you have to do the one thing you never wanted to do, then so be it. Anything is better than death. Death is not an escape, in this scenario — it’s a guarantee of imprisonment.

"It's a shame," pseudo-Geto sighs, bloodlust swelling. "Such a waste of a good technique."

You make a Binding Vow with yourself within seconds.

Using a magnitude of cursed energy usually out of your reach, your entire body will be reduced to atoms — intangible, untrappable, unkillable — for as long as it takes to retreat to safety. In return, you will be unable to think, unable to move according to your own will, only a mere pawn to entropy as the rest of the galaxy is — high risk, high reward.

There are many things that could go wrong.

In reducing yourself to essentially nothing, in splitting your cursed energy into billions of particles, you could reach a state of such low cursed energy concentration that you are, for all terms and purposes, considered dead. In doing so, your Binding Vow could break, and you would be unable to return to living. 

Or you could float for days, weeks, years — safety is subjective, subjective is dangerous when it comes to contracts, and you can only hope that your own understanding of it sets the standard.

It's either this, this fleeting, terrifying chance, or death. With one, you can return to your school, your students, your Satoru — you can tell them what happened. You can bring justice to whoever has disturbed Suguru from his slumber. With the other — nothing. Just plain, utter nothingness forever and ever.

(You know which you'd rather.)

The last thing you recall, in spotty haziness, is the heart-stopping sight of Suguru surging towards you, eyes bloodthirsty, face contorted in malice. 

The last thing you hope is that Satoru isn't too upset about the risk you've taken.

8.

Eight days after your solo mission, you resurface — a discombobulated, stumbling mess on the outskirts of Shibuya, eyes glazed and mouth stuttering over syllables. A nearby Window calls the college within seconds, and Gojo is there just as soon — hands shaking when he grasps your arm and turns you to face him, fingers trembling when he cups your cheeks and brushes them under your eyes.

It’s you. It’s you, it’s you, it’s you, and he can breathe, he can fucking breathe, his chest is lighter than it’s been for those entire 8 days — all the while, he burns with an anger so intense it hurts. And Satoru is no stranger to anger, of course — knows it as intimately as he knows himself — but he's not sure if he can remember the last time it had rendered him breathless, trembling. Bloodthirsty.

It's not the time to think about it. Not when you're shaking in his arms, so frail and weak everywhere except your hands — no, your hands remain strong, fingers digging into his clothes and skin. He turns off his Infinity. The sting of your touch grounds him.

Shoko is already waiting in the clinic for him — she’d been preparing ever since the call first came in. The students (the ones on campus, at least) crowd together at a distance, buzzing anxiously as Satoru disappears swiftly into the depths of the infirmary with you in his arms.

Bad things happen often. Too often. Satoru isn’t sure whether it’s a good thing or a bad thing that they haven’t gotten used to it yet.

“Gibberish,” Satoru answers when Shoko asks if you’ve said anything competent since he picked you up. “Just gibberish.”

Shoko is poking and prodding you with the usual doctor's shit — stethoscopes and thermometers and that blood pressure band that goes around your arm — and you just lay there and take it. Head rocking side to side, limbs trembling, mouth lolling open, and Satoru's trying not to lose his head because what good is taking your temperature? Do you look like you have a fucking cold? Is the way your eyes focus and unfocus normal? The way you can’t string together two syllables that make fucking sense?

But even with how he can see your cells malfunctioning all over your body, Shoko knows more about this shit than him. So he sits pretty on her swivelling chair, twisting back and forth, body the image of boredom but mind anything but. Time and time again, he’s reminded of how unprejudiced tragedy is — how it leaves no hint, no mark of itself, no time to prepare for the toll of it all. 

Satoru had greeted you briefly before you’d left. Said something about getting lunch together, that you better be careful because you were treating him — the same shit he said time and time again, his real plea hidden within the folds and twists of his jokes and quips. Be careful. Don’t die. I can’t lose you. You’re precious to me.

You’ll be okay. You have to be — he won’t allow anything otherwise. But if he’d known last week that you’d end up like this, would he have said those things out loud? He doesn’t think so. He’s cowardly in that way.

A few moments later, Shoko straightens up. Immediately reaches into the pocket of her lab coat and pulls out a cigarette and a rusting lighter, and is puffing out clouds of bitter air just seconds later. 

Shit. That’s not a good sign.

Shoko sighs. Rubs at her dark undereye circles and only makes them worse, taps her cigarette so that the ash falls to the floor. “I know what it is.”

Well fucking tell him instead of keeping it in!

“Oh?” Satoru says instead, leaning forward onto his knees. “What is it, then?”

“She used her technique on herself.”

“She does that all the time to heal."

“She didn’t heal herself,” Shoko snaps — and Satoru remembers that he’s not the only person you’re important to. That while he and Suguru had gotten ahead of themselves being the strongest, they’d left you and Shoko to stroll humbly along your own paths. The only girls in their year. The only person Shoko could fully confide in, really — at least in Tokyo —, the only person who had bothered to check up on her when she drank too much, smoked too much. Even if Shoko hated it. 

Shoko is upset. Satoru doesn't what to do with it.

(Alcohol — she likes alcohol. Satoru reminds himself to pick up the most expensive bottle of the stuff the next time he's out.)

(No. She’s trying not to drink so much, isn’t she?)

(Whatever. Life is short.)

“She dissipated herself.”

Satoru knows about your technique intimately enough that it immediately gives him pause — but he runs over the details in his head, just in case, as if it isn’t already imprinted on the flesh of his skull.

Your cursed technique allows you to disassemble items down to their most basic units — subatomic particles — while your reverse cursed technique allows you to reassemble them. Items can be reassembled into their previous form, or to another related form, but you cannot exceed the item’s natural entropy threshold. If you do, the item cannot be reverted back to a physical state, and you will bear the brunt of the resulting shift in energy.

It's a finicky technique. Finicky and fickle and the risks tend to outweigh the rewards — but you'd always used it so elegantly, so gracefully. Even when you doubted yourself, you had a handle on it. Satoru admired that about you.

("You don't say I'm powerful. You say I'm helpful. There's a difference."

You'd said that to him once, when he brought you and Yuuji to lunch. You'd acted like it didn't bother you but he could tell it did — he didn't need his Six Eyes to notice how your nose twitched and your eyes narrowed, displeased. 

But Satoru believes in two types of helpfulness. 

The kind he is — powerful, needed, a force to be reckoned with. Someone that keeps things afloat, that acts as a beacon in the dark.

Then there's the other kind. The usefulness of pawns, of bait. Necessary, but not fundamental. Desired, sure, but rarely crucial.

You've always been the first. Always. You and him and Suguru and Shoko, always. Even he could admit that.)

You disassembled yourself into atoms. Into nothingness. You lost your mind, your body, your energy, everything—

Satoru sighs. He's been doing that a lot today.

“I didn’t know she could do that,” Satoru says. His throat is covered in a layer of sawdust. He can’t remember the last time he had to actually focus on not throwing up. “Why would she do that?”

“She talked about it, before,” Shoko says. She leans against the bed you’re laying on, gazing over her shoulder — and the way she looks at you turns his stomach, the upturn of her brows, the sad downturn of her mouth. It’s as if you’re already dead. As if she’s looking at a living corpse. “Just… as a theory. A last resort to help her get away, if needed, but—”

“But what?”

“She knew she didn’t have the power for it,” Shoko mutters. Breathes another puff of cigarette smoke. “If she tried, she'd end up just… fading away. In breaking herself up, she'd negate the cursed energy that gives her the power to put herself together.

"And the side effects would be… well, you can see that for yourself. Stupid, so fucking stupid…”

“Well, obviously she has the power for it,” Satoru murmurs. “Or made the power for it.”

“A binding vow?”

Satoru shrugs. Clenches his jaw, watching as you scratch at the faux-leather underneath you. “It'd make sense. Explains how she put herself back together."

(But for what? What could have driven you to such lengths? 

A curse like Jogo wouldn't be all too difficult for you to defeat.

So who…?)

Shoko hums. She stares into space for a moment, eyes unfocused, and for a moment Satoru sees her younger self — the one who just started smoking, just started drinking, who carried the weight of all the people she healed (and those she'd failed to) tucked in her pocket. The Shoko that would make sarcastic quips and humble them when they needed humbling, but humour them when she knew the outcome would be funny.

A time when they had very little responsibility. Even him, shackled with it since birth. Comparing his duty from then to now is like comparing a boulder to the weight of the world.

He feels very old, suddenly, at 28.

"There's nothing I can do for her," Shoko says, softly. Regretfully. "If she did make a binding vow, I can only assume she made a condition about returning to normal. If so…"

Satoru can’t do anything about it, basically, she explains. Your condition is one that will only heal with time, patience, and the odd boost from Shoko’s technique. Maybe, she says — she's still unsure about that last bit.

It sickens him. It festers as a deep, curdling annoyance in his bones, his uselessness. It’s a sensation he had only felt once before, standing before the slumped-over body of Geto Suguru. Nothing he could do for him except put him out of his misery, and even then that felt like a cop-out.

So… he can't go directly after the thing that had forced your hand, because they had left no trace. He can't heal you, either. He can't take care of you while your body repairs itself, while your supposed binding vow returns you to your rightful state — that duty will fall to Shoko, or one of her interns. 

He can do nothing. And Satoru is nothing if he cannot be of use.

9.

Nine months after the events of the culling games, Satoru enters your room to see you sitting up — eyes wide, eyes seeing, and it only takes you fixing him with a single look to know that you're okay. 

(Subjectively. Relatively.)

Suguru Getou — Kenjaku — is finally dead — exorcised. He’s not sure which is the right word to use. All of his allies, killed or exorcised too. Nanami, murdered. Nobara, comatose. Yaga, dead. Inumaki, Maki, Okkotsu, maimed; the great houses of sorcery destroyed and rebuilt in the image of Satoru’s will. 

Itadori Yuuji — dead. Sukuna Ryomen — exorcised.

Adding up the gains, subtracting the losses, carrying the ones… Both sides seem to have lost pretty evenly. And he should be happy about it, too; things could have turned out much worse. And they would have, too, if he hadn’t pushed himself out of his pouting and escaped the prison realm — a feat that was half out of spite and half concern for the outside world, and maybe a little curiosity. Rage. Longing to see the bastard who’d stolen Suguru’s face and body, who dared to reanimate him and rouse him from peace — longing to slaughter the thing that had rendered you bedridden and half-mad for months.

He had been the one to kill Kenjaku. It only felt right to be the one to do so — he’d killed Suguru, after all; had been the one to leave him defenceless and open to manipulation. If Suguru hadn’t been dead, Kenjaku wouldn’t have been able to steal his body. 

Of course, Satoru ignored the fact that the very last rotten, desperate dregs of Suguru would have enjoyed Kenjaku’s plan — it was the only way he was able to keep his eyes open when he blasted his brain to bits. It was hard enough the first time.

All of these things sit on his tongue, bitter and souring and curdling — every detail of the battle, of the culling games, the colleagues and peers and students he’d held in his arms, the ones he’d comforted as they slipped away, the ones he’d reassured and promised. 

(Pink, blood-covered hair; a smile that never dimmed, a nervous murmur (“It’s okay, Gojo-sensei. I know what I got into.”). The shaky laugh that had followed.)

Satoru’s hands tremble at his sides.

Your eyes are wet with tears when you look at him. 

“How long has it been?” You croak — voice dry and cracked with disuse, whining in some parts, low and wheezing in others. Bone-deep, the fear in your voice, and for good reason — things had already been at a boiling point when you’d been taken down. Everything had moved past you. “Satoru—?”

Another selfish decision on his part: he doesn’t tell you. At least, not now, when the words threaten to vomit out of his mouth, when the pain is suddenly too fresh and too raw. 

(For one strange, too-long second, he’s reminded of his mother — weak, presence-less, powerless as she was. Empty-eyed and unhappy. She was hardly even a mother with the amount of governesses he had.

Somehow, though, every problem would seem worse when her eyes were upon him; every cut and bruise was more painful; every slight against him a grave insult; every mistake a cause for self-pity and temper tantrums — and none of it mattered, as long as she took him into her arms.

A rarity, yes, but… maybe one of the only fond memories he has of his childhood in the Gojo household.

Satoru feels like a kid again — suddenly sniffling from a bruise he swore didn’t hurt, his mother ready to pat his head and baby him and coo his name. Satoru. Not Gojo-sama.)

He crosses the room and plants himself upon your bed and takes you into his arms for the first time in months, and—

And for the first time since Yuuji’s death, since Nanami’s, since Suguru’s, since your injuries—

He cries. Openly. Heaving, chest-wrecking sobs; red, wet nose and ugly whimpers. It’s overwhelming. It’s cathartic. It makes the pain worse, for a second, before it begins to taper out in a bruising wave; with it, he remembers his darling underclassmen who died, his colleagues that he’d wanted to live at least a few more years; he remembers that despite years of being told so, he’s not God — he couldn’t stop Yuuji’s death, or Suguru’s, or Toge losing his arms, or—

“Thirteen months,” he manages to get out. “Thirteen months — you couldn’t talk, or move properly, or—”

Satoru grabs handfuls of you — hair, waist, belly, it doesn’t matter. He can feel you beneath his skin. Rushing, pounding blood, cells, micromolecules — and he doesn’t need to, but he engages his Six Eyes for a moment — actually engages them, doesn’t let them run unconsciously in the background. It’s a comfort to let himself see each receptor interact with each signal on each plasma membrane, to let himself see the tissues that formed organs that formed organ systems forming you, breathing, living, sentient—

He kisses you — or you kiss him, he’s not sure — but it’s far more intimate, far more tender than any touch he’d delivered unto you; hands clutching the sides of your face, your fingers digging into his wrists. You’re crying, salt on his tongue — and he only knows they’re not his own tears because you give a great, shuddering sob when you part, trembling like a leaf in the wind. 

“I had to,” you gasp, and he wants to tell you that he knows, he knows, he doesn’t blame you, sweet girl — did what you had to do to live, to survive— “I had to—”

“Only go where I can follow, okay?" His eyes are burning again, voice cracking with the promise, regardless of the fact that he’d rather you do it 100 times over than die. But it's the only way he can tell you he loves you without telling you he loves you, and he can't remember the last time he said the words aloud.

(He does. He remembers. And he remembers that Suguru wouldn't mind if he said it to you — that Suguru loved you as he loves you. And he remembers that Suguru is dead and doesn't have an opinion anymore, so it really doesn't matter, anyways.)

Satoru calls Shoko when he rights himself, barely pulling back from your embrace to text her something barely understandable and hurried. You don't say much while he does; still acclimating to being aware, being awake — he catches you with your eyes screwed shut and your nose buried in his jacket, fingers tight on his arms again. Grounding yourself. Reminding yourself that you're alive, and with him.

Shoko scolds you between rummaging around for a thermometer and scribbling your prescription in messy, barely legible cursive — calls you a dumb bitch for doing what you did, tells you that you owe her a bottle of wine and a trip to a fancy hot spring, and it all seems a little lighter.

(She cries a little — if the slight glassiness of her eyes can be considered crying. Satoru only teases her a bit for it, though you're quick to mention how he'd blubbered like a baby when he saw you, and he's humbled quickly.

It's the most normal he's felt in weeks.)

Shoko clears away after a few hours — gives you strict orders to rest, and sends him a knowing look that he's not all too sure of the meaning of. 

"You look tired, Satoru," you finally say when you're alone again. Your smile is sad, knowing, and Satoru curses it all. You deserve a grace period, a moment of ignorance before the grief settles in. "What happened?"

But when have you ever wanted a moment of ignorance? When has he ever been able to hide the truth of things from you? When have you ever been anything but his equal, his confidant?

"Everything," Satoru says. A short, humourless laugh punctuates his single-worded sentence. "Everything, crybaby. Everything that we thought could happen, and everything we thought couldn't."

A flicker of a smile — uncomfortable, flat. Your eyes flicker down to the bland, starched sheets of the hospital bed. "Did you see him?"

He doesn't need you to elaborate. There's really only one person you both mean when you say him.

"Yes."

"Who was he?"

Satoru shifts in his seat. "An ancient sorcerer named Kenjaku. His cursed technique allowed him to transplant his brain between bodies and possess them."

"And he chose Suguru."

"Yes. And many others, too."

"And you killed him."

"Yes. For Suguru, and for you. But mostly for Suguru.”

“I’m glad,” you say, but your fingers twist the sheets tightly. “When I saw him, I was angry. So angry, I… I wanted to kill him. I knew I wasn’t strong enough, and I knew he would kill me, but for a second—”

He understands. God, does he understand. “You wanted to take the risk.” No matter the cost, no matter the damage to your own body. Anger like that consumes.

“I did.” You swallow. Your eyes meet his. “It was like… adding insult to injury. As if it’s not enough that Suguru is dead, but this — this Kenjaku has to puppeteer him too. Disturb his peace."

The wind rustles the trees outside. The late-afternoon gold of the sun settles along the horizon, a burning orange that stretches the shadows and warms the wind and turns the side of your face honey-soft and sad.

“But I realised that I was probably the first person he’d revealed himself to," you continue, "so I was the only one that could warn you."

Always thinking about the good of others. It was another thing he admired about you — Nanami, too. Satoru, for all his big talk about changing the world of jujutsu, about being better than those who came before him, is really quite selfish. 

It's why his hands had trembled when he'd had to kill Yuuji. It's why he couldn't put Suguru in the ground the first time they met after he became a curse user. Even when he knows things are necessary, he tries his damnedest to hold on — just for the chance of it all. The chance that Suguru could change his mind. The chance that Sukuna could be removed from Yuuji without him needing to die. 

"And…”

One snow-white brow raises. “And?”

“You’ve already lost too many people that you love,” you say simply, shrugging — like it's a simple fact, no need for experimentation, no need for an academic paper complete with its own abstract and footnotes. Like you've always known, in some little way, but you're only able to bring yourself to say it now.

And Satoru — well, it's no secret to him, is it? He's known it since he was 13, 14, 15 — had a bit of a buffering period, sure — and now here at 28, he knows it just as well. The point is that you're not supposed to know. Not while you're still healing from Suguru and… being attacked by fake-Suguru.

Regardless of what he knows and how long he's known it, Satoru feels his throat begin to close up, twisting and turning and holding his breath tight. He doesn’t like the feeling.

“Love?” He echoes. His voice has gotten a little empty. It's too soon for him to say it aloud, he thinks. It was okay when he whispered it in his head after making love to you; it was easy when he grinned at your scrunched up nose and scoffed comments and thought fuck, I love you. It was easy when he could pretend it was a simple, passing comment, a trick of the mind — but having it said as fact? 

Not so simple. But you don’t need to know that. “Is that so?"

You don't seem to notice his momentary pause — a lifetime of rambling in his time, a second's hesitation in regular time — too busy staring at the space where his fingers stretch apart over the sheets. Just inches away from yours. "We're friends, aren't we?"

Oh.

"Oh." Satoru blinks back. "Oh, yeah. Best friends, you and I, crybaby."

"I know it's normal for us," you say, ploughing ahead, "to just lose and lose and keep losing, but… I'll be honest. I never fully got used to it, and I don't want to."

He wishes he could say the same, but he can't.

He understands, in some capacity. Nobody wants to see the people around them die, a continuous and vicious cycle. Nobody wants to get so used to loss that most funerals no longer hold any emotional significance. But getting used to it had saved him. Getting used to it helped him act without consequence, without remorse, and that's what the battlefield both needs and requires of him.

He could count on both hands the people he wants to save in this world — about half of them were dead, at this point. A lot of them died while he was imprisoned. Two, he had to kill himself. He swore he'd protect the rest with all Six Eyes, every non-existent boundary of his Limitless.

So Satoru doesn't care much about getting used to death and dying and loss and grief. As long as you're okay, he's okay. As long as his job as the Strongest is done, everything is as it should be.

He doesn't say that to you, of course. You'd probably curse him out and call him a heartless bastard. Instead, he nods, hums and agrees and tells you the names of those who died when you work up the courage to ask.

It's a long night. It's an even longer list.

10.

Shoko keeps you for observation for 10 days after you wake up — three days longer than necessary, but she won't hear it from him, no matter how many times he reminds her that technically she falsified her degree—

He's joking. Mostly.

Satoru volunteers himself to help you back home, taking with you the plastic bag filled with your cleaned sorcerer's garb and weapon. He carries it over his shoulder along with two teddy bears, a half-wilted bouquet of tulips and a half-eaten box of chocolates (all courtesy of the second years — except for the chocolates, which are half-eaten because of him). He winds his other arm around your waist even though you can walk perfectly fine, but — it's just in case. Purely precautionary. For once, you don’t argue about being babied.

In the midday sun outside, you tilt your head back and close your eyes and smile. For a moment, it's as if the sadness has melted away from you — the tears you shed over Yuuji, Nanami, Suguru. The tears you shed over him, and he wasn't even dead. Satoru is glad your eyes are closed — even beneath his sunglasses, it's painfully obvious that he's staring.

You decide to take the subway home — it's my first time outside in almost a year, you remind him, so he pushes down any arguments he might have and enjoys the too-cramped journey towards Akihabara. You’re both shoved standing together, between a panicked looking man holding a tray of coffee and a woman with her child hanging about her legs, your head bobbing against his chest as the train moves. 

For a moment — as the train passes momentarily out of the underground and becomes encapsulated in light — it's easy to drown in the normalcy of it all. For a moment, he sees himself looking in as a stranger would. Here, he isn't the Six Eyes; just a simple man taking his girlfriend home, standing close on the train, wishing to be closer. Riding home to your shared apartment where he'll peel oranges and feed them to you, where he'll lay his head in your lap and hold your hands to his heart.

His nose wrinkles. He prefers reality, he thinks, where he can be powerful and have you by his side; where he can protect you, uphold peace, change the jujutsu world for the best — and then go home all the same, and have you to hold.

"What are you thinking about?" You mumble against his collar.

"Oranges," he replies.

"I don't have any at home," you say, "or if I did, they're rotted."

"Don't worry — we cleaned your kitchen up. Me and the kids." It was an afternoon of Yuuji attempting to shove rotting potatoes in Nobara's face. That was before Shibuya; before everything, really.

"Oh? You got your hands dirty?"

Satoru tries to not think about that same beaming, smiling Yuuji's last breaths. "Of course! This is me we're talking about, honey. I was front and centre."

You snort, soft against his neck. It's a wonder he went almost a year without you. "Housewife Satoru. I'll keep it in mind."

When you return to your apartment, you shower together for the first time in forever. He spends extra time and care massaging shampoo into your scalp, detangling each knot; spends extra time rinsing the suds out, tilting your head back with a gentle tap to your chin. 

Steam clogs his mind. Almond shower oil and citrusy shampoo fog his senses. The realisation that you could have potentially been taken away from him sits heavy like a stone in his stomach — why it hadn't sunk in in the past, oh, 13 months or so, he doesn’t know. All he knows is that he's terribly bad at caring for precious things — but if he could, if it's possible, he'll remould and reshape his hands, his heart, his mind, just for the chance—

"Satoru," you breathe against his lips, "Bow your head."

(Bow your head, you say. He'd kneel if you asked him to.)

You brush your hands through his hair; rinse him free of suds and bubbles and kiss his temples as you shut off the water. What is supposed to be healing for you is quickly becoming therapy for him — muscles relaxing, mind clearing of all responsibilities, mournings, obligations. All he knows are the soft, newly washed sheets beneath him and your nose in the crook of his neck.

It's a strange sensation, the lack of tension, his brain not working overtime. But hardly unwelcome.

11.

Satoru asks you if you saw anything when you were indisposed. Memories, flashbacks, prophecies? Blurry half-truths, nonsensical babbling? You tell him that you can't really remember — and you can't, not really, but you do remember one thing.

When you were 11, you met Satoru and Suguru for the first time. It's that memory that you can remember playing in your head, over and over and over again: Satoru and Suguru, scrawny and still-faced in their yukata. 

Satoru was from a great, traditional house. Suguru was not, but upon discovery of his powers, was taken into unofficial custody of the higher-ups. In most circumstances, you wouldn’t have been allowed within two feet of them — but the elders had deemed your cursed technique a great gift, and so you were warily accepted into the upper echelons of jujutsu society, a stranger, a foreigner.

Introducing you to the most powerful sorcerers your age was nothing more than political play, of course. The adults followed behind as you walked through the grand grounds of the Gojo family — (maintained by a team of 12 gardeners, according to the Lady of the house) — muttering and scheming between themselves, making sure nothing would go awry.

Nothing did, of course. Satoru picked his nose and Suguru told him it was rude and they bickered for a while — Satoru bickered, Suguru replied calmly and quickly. Satoru asked you if your technique was good or bad ("No such thing," interjected Suguru) and whether or not you think you could beat him in a fight. 

(That last question was to stroke his own ego, of course. Everyone knew he was the strongest sorcerer born in the last century.)

At some point, Satoru made you cry. 

You can't remember what about, all these years later — you'd think you'd remember, considering the fact that you know the amount of gardeners employed by the Gojo estate — but you know that you had tried to stop it; fists balled, teeth gritted, full-body heaves. Crying was the last thing you had wanted to do. Crying meant weakness. Weakness meant being taken advantage of.

But you were so scared. It was all so alien. You wanted to go home, but home didn’t exist anymore. You wanted your mother, but your mother was long gone. All you had left were stone-faced adults that were only interested in your abilities. 

Suguru had been confused at your reaction to what he took as a harmless quip — a little callous, as most children are — but he had reassured you nonetheless.

"Don’t cry. Satoru speaks before he thinks," he'd said, nudging your shoulder. "Sometimes you have to ignore him and he'll be so bored that he has to think."

"I can hear you," Gojo huffed. "I didn't mean to."

"See?" Suguru smiled. "Works like a charm."

Yes, Suguru had always been there to protect you. Emotionally, at least. He was willing to be kinder to people. More gentle, more forgiving. He'd believed that it was his duty as a sorcerer to protect those that couldn't protect themselves, and—

Well. That had changed, by the end, but having that memory replay in your head made you see the bigger picture of it all. Suguru's place in things. Your place in things.

You'd loved Suguru, no doubt. And you’ll probably always carry a piece of him with you — you'd hate to do otherwise. You’ll carry his kindness and his jokes and his catlike smile, all tucked away in bubble wrap somewhere in your chest cavity — but you will never disregard his wrongdoings. Since his death, you'd argued against the two sides of him; felt guilty for loving him after what he did, felt guilty for hating him after loving him and knowing him for as long as you did. Two halves of a whole. Darkness in light and light in darkness.

He was both of those things. You love him, but you don’t forgive him, and you probably never will. He will never again be the boy that comforted you after Satoru made you cry; he will never again be the boy who let you braid his hair back. He won't be the boy who slaughtered innocents, either — death's funny like that. Indiscriminately doing away with both the good and the bad.

And that's okay. Kenjaku is dead, after all, and Suguru can finally rest — and with him, your warring mind.

12.

Midnight strikes and you're still awake. You don’t even seem tired, and that's after a long shower and takeout and a movie. Usually you'd be a drooling mess by now, but tonight is different. Feels different. Satoru isn’t sure if it's just a year's worth of built up sexual tension or something else, but he feels it regardless. 

He's flopped on his stomach, hair still damp; you're curled up in the shape of a C, skin reflecting the light of the TV. He might visit Nobara tomorrow. Megumi usually goes on Wednesdays, too — they could make a day out of it, and you could tag along, too. He's got a craving for the pistachio macarons they sell near—

"I'm in love with you," you announce. 

Satoru doesn't bother asking you to repeat yourself because he knows he didn’t mishear. It isn't the knowing that shocks him — he's not stupid, and you wear your heart on your sleeve — it's the sudden, quick verbal affirmation of it that catches him off guard. After all, haven’t you two been putting this all off? Yearning for a dead man? Being pulled from two opposing poles?

He turns his head towards you, opens his mouth to ask you just that, and—

"After Suguru, I thought I'd never be happy again," you say, and you’re smiling like you didn't just say something inherently heartbreaking. But no, you look fond — content, even, blinking slowly at him. "And I thought I'd never feel for someone as strong as I did for him. But here I am: happy, and in love, and okay."

Satoru opens his mouth — then closes it quickly. For some reason, he remembers something Suguru said to you when you were younger: "Satoru speaks before he thinks." But he wants to think about this — about what he should say. How does he respond to you quite literally baring your heart to him? How does he tell you what he wants to tell you, what you deserve to hear? He's never been good with real, genuine words — emotional shit never came easy to him out loud. His thoughts are much more concise than his mouth is, but he guesses it's because it moves so fast in comparison.

Pity you can't read his mind. It'd make things much easier. 

“You don’t have to say anything,” but he wants to, don't you know? "You don't have to pretend. It’s okay. I know that… maybe you don’t love me as much as you loved Suguru, but I know you love me in some way, at least—”

Satoru frowns — strings of ideas and thoughts bunching up and stopping short as your words register. “As much as I— hey, stop putting words in my mouth—"

"The truth is," you continue on, "I feel lighter than I have in years. I don't dread life so much anymore. I don't dread you anymore."

"You… dreaded me?"

You hum. Your legs stretch down, arms forward, face scrunched up in a passing yawn. "I'm not stupid to think you didn’t know how I felt, but… I hated that I was so obvious about it. Even when I was fighting with myself about it, I was obvious. It made me hate being around you, sometimes."

You sigh, then — not as heavy and melancholy as they used to be, no. This is a sigh of relief, of cathartic release. 

Satoru blinks, and attempts to wade through the seventy-or-so compulsions telling him to make a joke, to laugh, to tease you. Maybe he should actually be serious for once. Say it straight and say it firm, so you can't take anything the wrong way. If there was ever a time for him to not beat around the bush…

"I've liked you since I was 17," he confesses, finally. "Me and Suguru, we were together, y’know, and we were happy. And Suguru loved you, and somewhere along the line I… began to do the same, but we were so young and then… Everything changed so fast. Everything broke so fast.”

Your fingers brush against his, and he breathes in a sigh. Your eyes are wide and watery, low light reflecting like glitter in your eyes. 

"Sometimes, it keeps me up at night," Satoru says, laughing a pained sort of laugh. "Out of everything, that's what keeps me up — that we could've been happy together, all three of us. It never would’ve been enough to make him change, but…"

At least you would’ve known what it was like. To be happy together in that way. To be content. To find your places in the world, hand and hand. To know what it was like — even if Suguru’s fall from grace was inevitable — so you wouldn’t have to keep wondering until your untimely, gruesome, sorcerer-style deaths, or whatever. 

Back then, Satoru didn’t understand why Suguru never told you how he felt. He couldn't understand how he could be content watching from afar, looking but never touching. What Satoru wanted, he learned to take; the Strongest didn’t need to ask for permission, only forgiveness. 

He learned quickly that some things were better left unsaid. And now, 28 years old, half of his friends, students, colleagues dead — he understands even more. 

He remembers how Yuuji had tried to stave off tears when he realised he had to die; remembers how his student’s throat had felt being crushed in his hands. He loved Yuuji like a little brother. Like a son, even. He was family. He was his student, and yet his death had been necessary, and Satoru battled with it. It allowed him to succeed in the mission he was born to complete. But he had given up Yuuji in return.

There is no curse more twisted than love.

Therein lays the problem, he supposes. The second you love someone, you run the risk of having them end up like Yuuji did. Like Suguru did. Like Nanami did. When you are burdened with incredible power like Satoru is — like Suguru was — you must be able to sacrifice for it. The closer that people are, the more likely they are to be caught in the crossfire, the more likely you are to be hurt. Suguru hoped to avoid that at all costs. It was easier to watch from afar, less painful. 

Satoru is a tad more selfish. Which is bad, he knows, because he's too prepared to sacrifice. Even now. Even now, he knows that if caught between saving you and saving society, he would be forced to — to—

Satoru inhales. The only thing for it is to simply stop things from getting that far. 

He could explain all this to you. He could talk circles around you about it, in fact, but the truth is that it's all conjecture. Suguru isn’t here to tell him why he did what he did. He can’t speak for him, no matter how well he knew him.

"I don't know why Suguru never told you," Satoru says instead. He folds his fingers tighter, taking yours in his grip as he does so. "Guess that's something he took with him to the grave."

"I've stopped wondering," you say. “I’ll never stop regretting, but I’ve stopped wondering. I can’t stay rooted in the past any more. It was doing more harm than good."

And you raise your interlocked hands — nestle them under your chin and screw your eyes shut, like you're wishing on the evening star, like he's something precious to be treasured. All of a sudden he's 17 and confused about why he can't stop staring at you. He doesn’t have Suguru to tease him about it, now.

“I’ll never forget him,” Satoru announces — a warning, or a reassurance, he doesn’t know. All he knows is that he’s telling the truth and nothing but the truth, and whether or not you like his truth is not his concern. He respects you too much to lie about this to you.

Your lips twitch upwards, a phantom of a smile. “Neither will I. "

"I'll never forget you, either."

The smile grows, blooms, blossoms, until it stretches bright and full across your face. The first smile of yours he's seen in a while that wasn't at half-mast, or tinged with sadness, or pain, or fatigue.

"How lucky I am," you whisper, "to be known by you, Gojo Satoru."

It should be the other way around, he thinks.

(12.5.

It's the first time he makes love in years.

Satoru has always fucked you. Always. No matter how tired you both were, no matter how injured — he'd always force himself to be rougher, force his touches to not linger as much as he wanted them to.

If he felt too much, he'd crack a joke instead of drowning in it; if he felt his eyes beginning to burn he'd bury his nose in the crook of your neck and push it down. If he thought of long, dark hair and cat-like eyes, he'd tighten your grip in his hair and the shock of pain would clear his mind. He fucked quick, and when he was done he'd lay far away enough that he couldn't feel your skin against his.

Tonight, he lets himself love and be loved again. 

You're on top of him, ass flush against his thighs, taking every inch he has to give you; his hands have found your jaw, thumbs brushing back and forth across your dewy, sweat-slick cheeks. One hand of yours clasps around his wrist; the other bands to his chest, nails digging red into his skin. Your cursed energy blooms, flushes, flourishes when he opens his eyes to look at you. 

He sees every pore, every hair, every dimple, every broken capillary, every scratch and scrape. Every part of you, bending to him in some places, unfalteringly stubborn in others. 

"Look at you," he mumbles, blinking dumbly. "So… pretty…"

You snort something like a laugh, and continue: up, down, up, down. Slow, grinding gyrations of your hips that make his head spin pleasantly; and with his Limitless nullified, he feels every inch of skin, every tensing of muscle, every scrape and press fully and completely. He’s never felt so engulfed in it before — the sensations of it all, the warmth, your scent, your weight above him.

He'd drown in you, if he could. Take you in his mouth and nose and ears and everywhere, until he's left gasping for air and grappling for something of substance. Maybe once upon a time he would keep those thoughts to himself, for whatever reason — but now he's allowed to be selfish in his affections, allowed to give more than surface-level compliments and vague declarations of love.

Between pleasure-ridden shudders and sloppy, wet kisses, he breathes:

"I want you everywhere," he says, "All the time. Over me, on me, in me—"

You raise a brow, impudent and teasing in a way that makes his abdomen tighten. "In you?"

And maybe he didn’t mean it in the way that you took it, but he plays along anyways, waggling his brows. "You heard me."

"You're terrible."

"I'm not joking," Satoru argues — but it’s hard to take him seriously when his voice quietens, when he arches up eagerly to meet your lips— 

When his grip on your lower back becomes painfully tight, when his lips part in a moan and his eyes screw shut and he throws his head back, hips rutting up to meet yours, and—

His peak rises to greet him — and his heart swells all the while. He finds himself clawing for you as his orgasm builds, hands clambering against your back, your neck, your hair, until (with a great, shaking breath, may he add): "Fuck, I — mmf, I love you—"

It carries him off to a state of fuzzy, empty-minded ignorance — pleasure tightening his entire body, fizzling from the tips of his fingers to his curling toes. Your name on his tongue, slurred and mellifluous, his smile dizzy and drunk. 

As you smile down at him, so unbearably fond, Satoru thinks that he doesn’t mind saying I love you aloud after all.)

#gojo x reader #satoru x reader #gojo satoru x reader #gojo smut #gojo angst #jjk x reader #jjk smut #jjk angst #satosugu angst #satoru smut #geto x reader #geto angst #anime x reader #anime smut #anime angst #gojo fic #jjk fic #jjk x you #gojo x you #reading back over readers technique is suchhhhhh a trip #like blahblahblahblahblah yeah rock on little dude whatever u say #what was i on fr

[sanji-piss-hell]

ZOSAN FIC REC

Here is some of my fave zosan fics. Some of these I read years ago and so I don't fully remember what theyre about but they we're good enough that I still have strong emotional attachments when I see the name. Most of them are things I've read recently. Literally all I do all day is homework and have an app tts fanfics to me like an audio book so there's quite a few of recs here. I am not the best at summeries but just trust me bro these are GOOD SHIT. I only provide the best. What I consider a good fic: - Takes place in the one piece world (I don't like modern aus) - Characters stay in character or if they do have changes from their canon portrayal there is a justifiable reason from within the story. - Solid story telling and arcs (even the shorter fics) - The Zosan dynamic is kept mostly how it is in canon they fight and bicker. (I know some like when they're soft with eachother like a loving married couple. You won't find much of that here) - Some of these have pervy sanji, que nose bleeds and ogling. With that out of the way here's the list!! Now to my fave zosan fic of all time and ironically enough the only fic taking place in a modern setting: Life is fine series. TW: Drug abuse, heavy angst, depression I have reread this twice and forced a friend to read it too. It is so amazing not just for the zosan but for the genuinely good story telling. You follow zoro reeling from his sudden loss of relationship with Sanji and falling down a...Well uh, path. It's fucked it's dark it's depressing and its fucking riviting. Alot of the time reading this you're just like WHY DID SANJI LEAVE HIM WHAT IS GOING ON??? Honestly I need to reread this again. Onto softer fics to heal your heart after that one: Honor in limits, his strengths in weakness By Hawksbrood

“Fucking hell cook, what happened to you?” Zoro demanded, voice low so as not to disturb the others sleeping nearby.

Sanji rolled his eyes. “What do you think? I told you we got in a fight earlier.”

“Not that, your fucking feet!”

The cook snarled at that, crushing his cigarette in his teeth. “What the fuck do you mean, my feet? They’re just feet!”

Zoro’s eyes widened, looking at the bruised flesh before him. This wasn’t that.

This was just so good and cute. I appreciate watching zoro appreciate sanji. They take care of eachother but in a way where theyre both still them yeah know? I appreciate how sanji is written letting himself be vulnerable but understanding that he's always gonna be crass cause it's just a part of who he is.

come on, come on (turn a little faster) by donutsandcoffee

The one where everyone thinks they’re dating, Sanji is oblivious, and Zoro takes everything in stride.

Sometimes a love story can go in reverse.

I reread this one recently and it's just soft and sweet. I like watching sanji flounder around. The gay panic is great.

a complete guide to falling in love by ThousandSunny Sanji was trained in the Bridal Arts; this does not go unnoticed by the rest of his crew. I read this like 3 years ago and I dont remember much but I do remember loving it!

Part Timer By 8ball Sanji really, really doesn't want to give Zoro a job at his restaurant. Zoro doesn't really even want to work there in the first place, but, well, there’s this thing with Sanji, and this thing with feelings and the whole thing is pretty damn stupid all together. Zeff just wants grandkids. He’s too old for this bullshit anyways. I am sure everyone knows 8ball very well they're like zosan famous but still just in case this one is really fucking good. Also read this 3 years ago so I don't remember much but I consider this a zosan classic. Onto the rated R Grand Buffet by asyndese Drunk fic!! If there was one thing Zoro knew, it was that you could always trust Sanji's inclinations to do a beautiful 180 as soon as he was drunk. Luckily, Zoro was more than equipped to handle it. I spent. 30 minutes. Trying to find this fic again because that's how much I loved it. It altered my brain chemistry. Sanji getting a nose job during sex is just. aaaaaaaaa. Read it. Cannot suggest enough. Horrors not yet known by Trixree

Sanji doesn’t know how he didn’t notice it before, is the thing. Of all the times he has seen Zoro shirtless (in battle, mostly) he just… never noticed. The problem is, once he has noticed, Sanji can’t seem to stop noticing. And neither can anyone else.

In which Zoro has a nipple piercing and Sanji has a Problem.

I recently reread this and the first time I read it I didn't really get the whole gender sanji shit. Now though???? Yeah another fic that rewired my brain chemistry. This fic opened doors for me it exposed me to a new world. Also sanji gay panic is in here and I live for that. It can be pretty raunchy (love that too) Three rounds with a tiger by KobochaKitsune Another drunk Fic!! also in modern times damn maybe I lied sdklfj

Liquid courage, drunken decisions, terrible euphemisms, and texts from last night, or: how to think entirely with the booze (and your dick) for once.

Or: By the time Sanji got to the party, everyone was already drunk.

I read this 3 years ago (theres a trend going on can you tell??) It also rewired my brain chemistry (from this point on just assume all of these nsfw fics rewired my brain chemistry each of these opened doors for me. This one opened the doors to bottom zoro.) Fucking 20k words of just pwp. I dont even know how the author did that bro like damn. Nature of things by stark_black Tw: Sex work and prostitutes When the Sunny docks, Sanji and Zoro sometimes seek out relief in some not so savory places. After crossing paths in town on more than one occasion, the two find they have a lot more in common than they would like to admit. I hunted this down for like fucking hours a couple of weeks ago because it was that good. Stark_Black has a fucking library worth of zosan fics this one is a classic to me. But if you want more content check out his other fics I think they have like over 100 zosan its kinda insane. Coregasm by Yakarmi

Sanji discovers that sometimes, Zoro has orgasms while he lifts.

-----

“You…” Sanji trailed off, gaze turning down as he licked his lips. Pink tongue darting out nervously. “You orgasm when you exercise?”

Zoro clenched his jaw. Shrugged. Trying to act nonchalant.

“Sometimes.”

Sanji’s eye went wide, and like his mouth had suddenly been liberated from his brain, blurted out, “that’s so fucking hot,” before clamping his hands over his mouth. His cigarette fell from his mouth, bouncing soundlessly on the ground.

Bro bestie, the way this put me on nose bleed Sanji. Perv sanji. I need that gif thats like mmm cause man this is good. Ending this fic rec with a BANG we have

Contingencies and Congruencies by PeaceSignDisasterBi

Somewhere between finishing the bottles of alcohol and mugs of beer, the crew comes together to create a contingency plan for something that may-or-may-not-happen during their time on the Grand Line and beyond. Usopp thinks it's more likely than bumping into zombies, Zoro wants to stay out of this, Sanji is just going with the flow, and Nami may or may not keep things legally binding and above board with consistent consensual acquiescence. Robin finds it all amusing.

The damn chart stays in the locked drawer in her desk, split into three neat categories: Devil Fruit Powers, Science, and Magic. Each represents whatever they're hit with but also categorizes the amount of self-control the person has during.

AKA: 5 times Zoro and Sanji had to help each other as Consensual Helpers of Dubious Consent + 1 Time There Was Nothing Dubious At All

Ok this is 152k long its pretty insane. It regoes over the arcs so throughly so carefully that I literally had to question my memory because I havent experienced alot of these arcs in a while (it's one of the reasons im rewatching one piece). I will say despite how amazing and well written this is I had a hard time comprehending sometimes. now I was sick at the time of reading this so that might be why but sometimes the way things were phrased felt like yoda talking. I think it's just me though. I'm not used to big words :( And thats a wrap!! These arent even all the ones I wanted to include I have at least 20 more off the top of my head but I'll save that for another day. I hope you find joy in these fics Like i did I'll def do another one of these as cause I didnt even touch my sanji centric fics or germa 66 or just in general the best sanji fanfic writers. (Mentioned some of them like 8ball, thousand sunny and donuts and coffee.) Best of luck to yall and let me know what you think!

#one piece #sanji #black leg sanji #one piece sanji #vinsmoke sanji #one piece zoro #roronoa zoro #zoro #zosan #one piece zosan #op zosan #zosan fanfic #zosan fic #zosan fic rec #fic rec #one piece fic recs #sanji fic rec #zoro fic rec #8 ball #donutsandcoffee #thanks for stopping by!

[naomeii]

Hello! Here's my request:

Modern au where Childe and reader get into a particularly heated argument because he always comes back bloody, battered and bruised from a fight. Unfortunately, Childe ends up telling her he liked it better when she was ignoring him instead of nagging all the time, which shatters her heart. He tries to apologize but she's already out the door and staying over at her mother's house. Even when her mother reassured her that Childe does love her, it did little to heal her heart.

On the other hand, Childe was in shambles. He kept on trying to call, email, and text her but she won't pick up. He was left alone at their shared house, the meal she made had gone cold but he still ate it and yet, he didn't feel full. He ends up crying himself to sleep on their entryway.

The next day, reader returns to their home with the intention of packing up her things and leaving but is stopped by an exhausted Childe who follows her even when she tells him not to touch her. He notices her missing engagement ring (she had left it in their bedroom) and is terrified; he begs her not to leave him while sobbing and holding her tight. Eventually, his pleas were heard when she finally forgives him after he apologizes for snapping at her.

Metamorphosis.

—Pairing: Childe x F!Reader

Content: Modern au, angst to fluff, arguments

Childe's entrance into your shared apartment was marked by the tired shuffle of his boots against the floor. The faint odor of blood mixed with the antiseptic scent of a healing agent lingered in the air. He looked up, eyes shadowed with weariness, as you confronted him in the doorway.

"What happened to you this time, Childe?" Your voice was a mix of concern and frustration, and your eyes scanned his battered form with a mix of anger and worry. This had become a routine – him coming back battered and bruised, and you, waiting to pick up the pieces.

Childe sighed, leaning heavily against the doorframe. "It's part of the job, darling. You knew what you were getting into when we started dating."

Your jaw tightened at the dismissive response. "Part of the job doesn't mean you have to come back looking like you've been through a war every single time! Do you even care about how this affects me?"

Childe's tired eyes met yours, and for a moment, there was a flicker of remorse. "I liked it better when you just ignored me, you know? Instead of nagging all the time."

As the weight of his words sank in, you couldn't help but recall the days when Childe was indeed all over you. His playful antics, the way he made you laugh until tears streamed down your face, and the warmth of his love enveloping you. It was a stark contrast to the current reality, where his flippant remark shattered the remnants of those precious moments.

"Childe, what happened to us?" The question slipped out, laced with a mixture of pain and confusion. "You used to care about us, about me."

He avoided your gaze, a hint of guilt crossing his features. "It's just the way things are now. We both knew my life was dangerous."

A bitter chuckle escaped you. "I knew, but I never thought you'd grow indifferent. I miss the Childe who used to come home to me, not this stranger who treats me like a burden."

His eyes softened, but it was too late. The damage had been done. You turned away, tears threatening to spill. "I can't do this, Childe. Not if it means losing myself in the process."

As Childe desperately reached out for your hand, the door swung open, as you quickly left.

"Wait, please!" Childe's voice cracked with desperation, but you were out the door, oblivious to his pleas.

In your tear-streaked haze, you hailed a cab, directing it to your mother's house. The city lights blurred as you tried to make sense of the shattered fragments of your relationship. The cab's interior provided a temporary sanctuary, shielding you from the unresolved emotions that lingered at the doorstep of your shared home.

Arriving at your mother's house, the front door creaked open before you could even knock. Concern etched across her face, your mother pulled you into a tight embrace, her worry palpable.

"What happened, sweetheart?" she asked, guiding you inside.

Through choked sobs, you recounted the argument, the hurtful words, and the irreparable damage that had driven you away.

"Sweetheart, people say things they don't mean when emotions run high. Childe does love you; I'm sure of it. Relationships have their ups and downs, but love can overcome even the toughest moments."

Her words, meant to console, offered a lifeline in the storm of emotions. Yet, despite her reassurance, the ache in your heart persisted. The wounds were fresh, the echoes of Childe's indifferent words still reverberating within you.

"I know, Mom, but it just hurts so much," you whispered, tears welling up again.

She held you at arm's length, her gaze filled with concern. "Take your time, dear. Healing doesn't happen overnight. If he loves you, he'll realize the impact of his words and make amends."

On the other side, Childe's attempts to reach you knew no bounds. His phone buzzed with unanswered calls and texts, each message a desperate plea for forgiveness.

+𝟗𝟗 𝐦𝐞𝐬𝐬𝐚𝐠𝐞𝐬 𝐚𝐧𝐝 𝐦𝐢𝐬𝐬𝐞𝐝 𝐜𝐚𝐥𝐥𝐬 𝐟𝐫𝐨𝐦 𝐃𝐮𝐦 <𝟑 3:33 am Y/n, please, just pick up the phone. I'm so sorry. I never meant what I said. I love you more than anything. 4:32 am I'm an idiot, love. I messed up, and I need you to hear me out. Let's talk. Please. 4:45 am ▶︎ •၊၊||၊|။||||။‌‌‌‌‌၊|• 0:10 (Hey, dummy. I know I screwed up. I didn't mean any of it. I miss you... Can we just talk?)

The echoes of your silence were deafening. Each attempt to reach you felt like shouting into the abyss, the void swallowing his words.

Returning to the shared house, the remnants of your presence lingered. The cold meal you had prepared sat untouched, a poignant reminder of a time when warmth filled the home. Childe mechanically picked at the food, each bite a tasteless reminder of the void that now enveloped him.

The once-familiar walls seemed to close in as he wandered through the silent rooms. The solitude amplified the weight of his regret, and a profound loneliness settled over him. Despite filling his stomach, an emptiness gnawed at his insides.

Tears welled up, and he crumpled to the entryway floor, the place where the love you both had built now reduced to a battleground of hurtful words. The cool surface provided little comfort as he cried himself into an exhausted slumber, the entryway serving as a painful witness to the wreckage of a love he feared might be irreparably broken.

As the morning light filtered through the curtains, you cautiously returned to your shared home. The air hung heavy with the residue of the previous night's turmoil. With a determined resolve, you planned to pack your things and spend some time with your mother until the wounds of the argument had a chance to heal.

The moment you stepped into the entryway, you noticed a disheveled Childe, still draped in the shadows of sleep. His eyes, red-rimmed from crying, widened in surprise at your presence.

"Y/n…" His voice wavered, a mix of regret and exhaustion lacing his words.

"I'm here to pack my things, Childe," you stated, avoiding eye contact.

His eyes pleaded with you, but you remained steadfast. "Please, love, let's talk. I need you to understand."

"No, Childe. We've said enough," you replied, your voice firm. The weight of the situation pressed down on you, but you were determined not to let it sway your decision.

As you began gathering your belongings, Childe, propelled by a mixture of desperation and a genuine desire to make amends, rose from the floor. He moved closer, his hand reaching out involuntarily.

"Don't touch me, Childe," you warned, your eyes flashing hurt.

Childe's heart sank as he continued to trail behind you, the weight of your silence pressing down on him. The atmosphere was thick with tension, and he winced at the palpable pain in your voice when you told him not to touch you.

His eyes were red and swollen from the tears that had stained the entryway floor the night before. Yet, a glimmer of hope flickered within him, fueled by the desperate need to salvage what was left of the love that once filled their home.

As he followed you through the house, his eyes caught sight of your left hand. The familiar glint of the engagement ring was conspicuously absent. Panic seized him as he realized its absence, the realization hitting him like a punch to the gut.

"Y/n, where's the ring?" His voice trembled with a mix of fear and desperation.

You glanced at him briefly, the weight of your gaze heavy with unspoken words. "It's in the bedroom. I left it."

Childe's heart raced as he hurried to the bedroom, his footsteps echoing in the empty space. The room, once a sanctuary of shared dreams, felt haunted by the shadows of fractured promises.

He found the ring on the dresser, its absence from your finger a stark reminder of the fragility of the bond they had built. The intricate design, a symbol of their commitment, now seemed like a fragile artifact of a love slipping through his fingers.

Fear gripped him, the gravity of the situation hitting him like a tidal wave. He returned to find you near the front door, the distance between you growing wider with each passing moment.

"Y/n, I—I can fix this. I'll do whatever it takes. Please, don't go," he pleaded, the vulnerability in his voice bared for you to see.

As you moved towards the door, a determined resolve etched across your face, Childe's hand shot out, instinctively reaching for you. He caught your wrist, his grip firm but not forceful. His eyes pleaded with yours, mirroring the desperate turmoil within him.

"Y/n, please, I beg you… don't go," he pleaded, his voice breaking.

You paused, feeling the grip on your wrist, the pull of emotions warring within you. Childe's sobs echoed in the silent room, the raw vulnerability he displayed tearing down the walls you had erected around your wounded heart.

"Childe, you can't fix this with just words," you said, your own voice wavering with the weight of the situation.

His grip softened, fingers slipping from your wrist to intertwine with yours. "I know… I know, but let me try. I love you, and I can't bear the thought of losing you."

His tears fell freely, staining the floor beneath him. The vulnerability he exhibited, coupled with the sincerity in his eyes, created a tumultuous whirlwind of conflicting emotions within you.

"I can't promise anything, Childe," you said, gently trying to disentangle your hand from his. "But I need time to think, away from this… chaos."

Childe, however, held on tighter, his sobs intensifying. "I messed up, Y/n. I don't want to lose you. Please, just stay. Let me try to make things right."

The conflicting emotions battled within you as Childe's sobs reverberated in the room. Despite the anger, hurt, and the shattered trust, a deep well of love still lingered within your heart. The sight of him crumbling before you, laid bare in vulnerability, tugged at those lingering threads of affection.

Taking a deep breath, you relented. Your free hand reached out, gently cupping Childe's tear-stained cheek. Your touch, though soft, held the weight of both love and reproach.

"Childe, stop crying," you whispered, your voice a delicate plea.

His tearful eyes met yours, and for a moment, the world outside their shared turmoil seemed to fade away. The touch of your hand, wiping away his tears, bridged the emotional chasm that had grown between you two.

"I love you, but this can't be fixed overnight," you admitted, your tone a delicate balance of firmness and compassion.

Childe nodded, his grip on your hand relaxing.

In the days that followed, the atmosphere in your shared home transformed. Childe, once a tempest of chaos and unpredictability, began to change. The realization of the pain he had caused you, coupled with the fear of losing the love he cherished, became a catalyst for a profound transformation.

His actions spoke louder than words. Childe started attending therapy, seeking guidance to navigate the complexities of his emotions and learn healthier ways to cope with the challenges that came with his role in the Fatui. The reckless impulsivity that once defined him began to give way to a more measured and thoughtful approach.

The wounds of the argument were still fresh, and trust needed time to mend, but Childe's commitment to change became evident in his actions. He took on a more active role in maintaining the home, shared responsibilities with newfound diligence, and made genuine efforts to communicate openly.

Gone were the days of recklessness overshadowing your relationship. Childe, now more attuned to your needs and the impact of his words, worked tirelessly to rebuild the connection that had weathered the storm.

While the scars of the past lingered, the metamorphosis within Childe created a sense of hope.

#genshin angst #genshin impact #genshin impact angst #genshin impact x reader #genshin impact x you #genshin fluff #genshin x reader #reader insert #genshin imagines #angst to comfort #childe x reader #childe genshin impact #childhood #childe x you #childe #childe tartagalia #genshin childe #childe tartaglia ajax #genshin #tartaglia

[zapshazam]

idk something really rubs me wrong about the way fandom treats Astarion's reactions to the Halsin poly romance and ESPECIALLY the Drow twins stuff. like yes. i get the kneejerk reaction to feel really uncomfortable once you get the line from the narrator about Astarion disassociating during sex with the twins - it's not fun to deal with! you want him to have enthusiastic fun the whole time and your character at that point is definitely in love with him and he's reciprocating, so i get it.

but..... like.... he's an adult man who is coming to terms with how he views himself his sexuality and his desires. he DOES enthusiastically want to try having a big fun sex party once you've completed his personal quest. healing from trauma, certainly SEXUAL TRAUMA, isn't a one-and-done thing. just because he's ready to initiate sex with you at his grave doesn't mean he's going to be 100% comfortable all the time forever going forward.

it happens sometimes. even at your best and most thriving-est sometimes something happens that triggers you and if that's your defense mechanism? boom, you're far away, you're going through the motions. he isn't having a ton of fun but again, he didn't know going in, it's an experiment.

but like. reloading as soon as you see that line about him disassociating because it makes you feel icky (which again, fair, I get the impulse) is kinda. idk. babying? like he's SO enthusiastic about doing it when asked. it doesn't end the best. for me that just means he and Tav/Durge have a conversation afterwards where he comes to a realization that yes, he's into the IDEA, but probably only with people he trusts and knows aren't only banging him because of how hot he is. all the dialogue during that scene, as sexy as it is, is EXTREMELY objectifying toward Astarion. it fits his story that it would make him uncomfortable once it becomes clear that that's The Vibe! let him come to that conclusion, he's a big boy! you don't have to treat him like he's made of glass - he's a survivor and he's his own person who gets to make these decisions and deal with the consequences. with a partner who loves him and can help him through it! that's that real good shit imo, that's the shit that makes this game's relationships and character moments feel so real even when they have to veer into headcanon territory.

#astarion #baldur's gate 3 #bg3 #astarion ancunin

[daydreamcloudshiding]

#4 Astrology Observations

I usually don't get along with people who have Ascendant opposite my Mars. Something about them really irritates me and I don't even know why

Mars square Mars synastry is one of the most toxic synastry I know. It's like both are very strong-headed and no one will ever back down. If there is other strong placement in this synastry, it's like one of those couples that only stays together just to punish the other. It's like - no one can ever "own" you but me, no one can ever "destroy" you but me, I have the power to do that - So toxic

Saturn square Pluto synastry can be toxic because it has so much transformations and challenges. Saturn represent order and structure, Pluto represent transformation. This happen to both of them, and it's not like only the Pluto person who will bring about change. To give you an example, perhaps the Saturn is so used to chaos and Pluto will come into their life to help them build the structure and order that they need in their life. However Pluto have this forceful vibe to them, and Saturn, literally the one represent structure will find this resistance in their heart. Like "What are you doing, that's supposed to be my job, shut up, shut up, shut up why are you trying to control my life" and Let's say that for all their life, Pluto has this tunnel-like mindset that's probably toxic to them. Or even a belief. Saturn will come into their life to show them that there are other alternatives, that even though different from what Pluto has, is really working and definitely not toxic. Pluto will not take this change easily. Like "The fu*k you trynna change me, who do you think you are? How about I change you instead?" with this placement, both really need to drop the ego, it's crucial because I personally don't really see this as toxic, because it doesn't have to be. The thing is, this is also a binding aspect. I found this in couples who have been together for 10+ years or even married. This is because the transformation happen only after both really get to know each other quite well

People with Mercury square Chiron in natal chart can say some hurtful sh*t that will shook you mentally and emotionally and you will never be able to recover from this pain because usually there is an element of truth in it. They might insult you about your behaviour and somehow they connect it to a specific childhood trauma that you tried so hard to hide but this person can see it and you can't believe that this person really said it out loud. So now everyone knows

Mars in 1st in composite feels like there is a sense of defensiveness to it, but it doesn't always means towards each other but rather towards other people. It's like one or both are very defensive about this relationship that if someone disagrees with this, they will defend it hard

Chiron conjunct North node in composite means that there is some element in the relationship or in both people that is so triggering. And triggering doesn't mean that it's going to be painful or toxic, because the whole point of Chiron and North node is healing and transformations. Both will be uncomfortable and will see each other as a potential danger and there'll be a lot of doubt. But what they don't realise is they are not helpless. This is not about one person abusing the other, it's about both probably have the same trigger and fear and they might have the same toxic defense mechanism

Venus square Venus in synastry can be so intense because both can be very loyal to each other but have a very different way of showing it. This is precisely why they can’t let go of each other anyway even though they constantly fight or misunderstand each other in love. Especially if this synastry has Pluto or 8th house placement. One person’s form of loyalty could be marriage and the other might feel the same but their approach in marriage is very different. This will make the other person like “you said you wanna marry me but you do this, or you do it like this?? This doesn’t make sense to me”

I would like to say that no one truly ever move on from grieve. But especially water signs, they never truly "get over it". And people will say for example, it's because Scorpios want to take revenge, or Cancers are crybaby, or Pisces are delusional. But from my experience with them, it's because they really love deeply (if they love you for real). When they love it's become their whole being, you truly will become their world, their life. They will take you to their depth and you will be one with their ocean.

On the other hand, the best liars are water signs or water sign dominants. Again, this is my experience with them and as an air sign dominant I feel like I can't ever truly trust them??

People said Pisces have savior complex, well... in my experience it's Scorpios who has it. They like to be seen as someone / the only one who can save you. Perhaps they both have it, but in my own experience, it's Scorpios who most likely have it. Pisces energy seems too airy to me, almost like air signs. They won't really stick around, ya know? Like they love you so much but always want to run away as well. But not Scorpios. So if Scorpios thinks that they need to help you/save you, they effing will. Which can create co-dependants relationships in their life

People with Pisces in 12th house seems like they don't really have a real authentic self. It's worse than Neptune in 1st. They are the true chameleon. Like i'm not saying that they're fake, but they have a tendency to be "anyone", like they can change their appearance, behaviours, etc however they want it

#astrology #astro community #astro notes #astrology notes #astrology observations

[kindnessoverperfection]

I want to break down a common point of conflict when addressing NPD stigma.

A lot of hangups people have tend to be along the lines of "but I DO see a lot of people with actual NPD who are acting in toxic or abusive ways".

This will be kind of long, so bear with me.

Point #1: People are way more likely to be diagnosed if they exhibit "stereotypical" symptoms.

There's this image of NPD as a disorder that is only present in those with patterns of destructive behavior towards others. Many therapists have this conception. (Shockingly, the mental health field is not perfect & without stigma.)

Gonna copy-paste this here from my other blog (so forgive me if you've seen it before), because it's a good example.

Three people are criticized at work. Their boss yells at them for their performance in front of everyone. Person A gets mad and defensive. They yell back, using cutting remarks as a way to try and ease the distress they feel. Person B acts really mature and responsible the whole time, nodding along and agreeing and promising to do better, just desperate to maintain and improve their status. Desperate to be liked. Later they go home and handle their distress through self-destructive means, and spend the next few months overworking themself to the point of illness. Person C doesn't seem to respond much at all. They go quiet and seem distant. They don't lash out or lash in, but for the next month or so, their productivity drops. They simply aren't able to focus on work or self-care, no matter how hard they try. The stress is overwhelming. All three of these people have the same root issues, but only the first would be labeled a narcissist. Outwards behaviors and presentations don't reflect the pain, distress, and difficulties with life that are underlying them.

So, three main things happen.

There ends up being a higher rate of people with destructive behaviors who are diagnosed with NPD

The people who don't particularly exhibit behaviors and are considered ""too nice to have it"" are overlooked entirely (and never get any sort of help for their underlying issues, yayyy)

People are more likely to be more honest about "ugly" symptoms / symptoms that are frowned down upon than they are in other mental health communities.

(Also some people decide to act super edgy about it, which is annoying but here we are. Some of them are trolls.)

(And while I'm at it, some people are misdiagnosed with NPD because a psych sees someone who committed a violent crime and is like "uhh slap them with the Evil Asshole™ disorders!! no further thought given.")

Point #2: People who have messed up are not inhuman monsters who deserve no help or support

While I do think it's important for people to understand that patterns of toxic behaviors aren't the ONLY way NPD can present, I'm not going to let the conversation stop at "some of us are nice though!!"

Human beings aren't RPG characters who can be sorted into "monster" or "ally". Every single person has done something hurtful, has messed up, exhibits some sort of behavior that puts strain on their relationships sometimes.

So I'll bullet point some aspects of this that need to be talked about.

People without NPD also commonly exhibit toxic behaviors, but people ignore that nowadays. Either they armchair diagnose anyone who's slightly rude, or they only focus on it in pwNPD and ignore it in themselves or others. NTs can be jerks too, and they're probably less likely to acknowledge it than pwNPD who are constantly watching and checking themselves and analyzing their behaviors and attempting to do better.

Assuming that NPD makes someone abusive doesn't help anyone. Can it impact behaviors, and make it more difficult for people to be self-aware? Of course. But an important step in healing from any mental health condition (especially personality disorders, ime) is realizing that you're not inherently ""bad"", and that you can take responsibility for your actions and learn to deal with things in constructive ways. Just going "NPD makes people bad, full stop"- other than being a mean shitty thing to say- absolves people of guilt and asserts that there's no reason for them to try and improve.

Yes, it's okay for people to hate their abusers. Their abuser. Not an entire community of people who happen to (maybe) share a trait with them.

Building on the above point, people tend to go in defense mode when they hear things like "pwNPD who have acted in toxic ways can learn to improve their behavior", "people shouldn't be saying awful things about folks with this condition", etc. because they automatically try to apply this to their abuser. Interpersonal situations are very different from society-wide mental health access. No, don't stay with your abuser expecting them to change, and don't hold onto the hope that they will. No, don't censor yourself or your hatred or anger towards them. Just don't make blanket statements about a disorder that they may or may not have- blame their abusive actions, not their mental health.

"I hate you for your abusive actions and the harm that you caused me." =/= "I hate a group of people because of an inherent unchangeable part of them that's tied directly to severe childhood trauma they suffered. Because of it, they're evil and unlovable and are incapable of change. They're inhuman and will never experience real connection with others." ..........See the difference??

Even if there were a disorder with a 100% rate of toxic douchey behaviors, I'd want the conversation around it to be changed. I'd want different words to be used to divide up the spaces and conversations and resources, so that survivors of abusive or toxic behavior can get help, but that the disorder still has space to be treated. Otherwise, there are zero resources for healing. Nothing is being done to help these people or solve the issue. They're just told they may as well not try. They're blocked from healthcare entirely, despite how the entire point of being diagnosed with a condition is supposed to be to treat it.

There's a wide range of people who have NPD- it presents in many different ways, a person who has it may or may not exhibit harmful behaviors- but no one deserves to be denied treatment or told they're unlovable because of a condition they have that was formed from trauma.

Speak out against abusive behavior. Don't destroy healthcare for a medical condition.

#actuallynpd #npd stigma #narcissistic personality disorder

[schrodinger-swriter]

Can I Ask for Husks fluff alphabet?

A, C, I, J, K, N, P, Z preatty please?🥺

(I'm sorry I almost hit the limit. I'm obsessed with him😭)

A, C, I, J, K, N, P, and Z for Husk

No need to apologize! If I wanted a smaller limit I would have said so in the original post! Nothing wrong in wanting to get the most out of something C:

I hope you enjoy this, Anon, it was fun playing with Husk's personality in this! He reminds me of a grumpy grandfather.

Confession, I thought for the longest time Husk was a.. well dog. I.. Don't know why I thought that, perhaps it's the face markings and his name being "Husk" (Like Husky) that caused my confusion. For two years after the pilot I was... rather dumb..

What do you mean Husk is 75.

ATTRACTION:

He enjoys those who are more honest with themselves and aren't pushovers. He can hardly stand those in denial. He calls it as he sees it when he's pushed to do so. This is less of an attraction thing, but I feel he would be most compatible with someone he can be real with and can be able to deal with his bluntness. In a way, you keep each other in check.

CUDDLES:

Small and soft, warm too. He's a cat, so it feels like snuggling into a large cat! I don't think he would be too deep into PDA, the most he would be comfortable with doing is quick kisses when someone else is passing by.. usually... more on that later. Though, now that it's mentioned, I don't think he would be too big on physical affection all that much.. now don't get me wrong he loves a good back massage every now and then, but it's going to take him a while to curl up next to you for cuddling. Little spoon.

INJURY:

Would ask you what the hell happened while wrapping your wound.. Goes from scolding you for being a jackass if you just. Threw yourself into danger, but will go on to say you have some guts. Stern when it comes to you taking it easy so you can heal properly... is not phased by any false play ups of your pain, though depending on his mood he might let it pass. For a bit..

If he's the one injured he's stubborn, insisting that it's not that big of a deal. Dresses and cleans it appropriately, all while nursing a bottle of booze. Dismissive when talking about what led to the injury. Might be a little standoffish if you try to take care of him, especially if you come off as trying to baby him.

JEALOUSY:

He deals with his jealousy the same way he deals with all of his other problems. Alcohol. He sees another man chatting you up? Alcohol. Sees you laughing a little too much at some chumps joke? Alcohol. Someone talks brings up how you seem so lively around another person? Alcohol. I think you get the point. However, if it's a case of you being pushed into a situation you don't want to be in, he's going to pick up on your discomfort and drag you away... does not make it seem like you have somewhere else to be, no, he just tells the other person to fuck off as he takes you away. His fur sometimes fluffs up in annoyance. Pulling that pin from the C section, in regards to PDA, he will tug you to his side to further push the effect that you're taken.

KISSES:

Bunny kisses. You know, you two touch noses and nuzzle a bit. He doesn't allow it often, but it is something you two do every now and again. He defaults to kissing you on the mouth, quick pecks usually aren't for him, though... Sometimes leans over the counter of his bar to steal a kiss when no one else is around. This goes for both giving and receiving!

NO:

He can't be with someone who heavily relies on physical touch, it's simply not for him and he can only compromise so much. That's not to say he wouldn't try, because he would. However you can only sacrifice your comfort so much before it becomes a problem, you know? I don't think he would do well with people who complain.. not vent, more so whine about everything. He seems far too irritable to be able to deal with that in his day to day, outside of the bar.

As for actual deal breakers within an established relationship... I think it would have to be a stubborn person. Funny, coming from him since he's stubborn. But Husk appears to still go with the flow of everything, even eventually befriending the rest of the cast. No, when I say stubborn I mean people who can't take their heads out of their asses to see that there's other things to worry about and shit like that. He can only give you so many reality checks before throwing in the towel. Bonus negative points if combined with the complaining thing.

PETNAMES:

Do not call him "Kitten" he might actually be upset by that. On top of that, it's so... basic... predictable. It's not special. No, something that basic wouldn't work on him... and that's not considering the fact he himself isn't too big on petnames. Though.. seeing that he died in the 70s, I enjoy that the thought that he defaults to names from that decade. I believe he would call you "Dollface" or even just "Doll"

It'd take him a while to grow used to the idea of being called anything other than his.. name.. but he looks like a "Pumpkin" or a "Lovey"

.. just don't call him that around Angel, he won't hear the end of it..

ZZZ:

Tends to sleep either sprawled out of curled into a ball. Really it depends, though more often than not he sleeps sprawled out. Doesn't like being held while he sleeps, so cuddling while you guys doze off is off the table. Though, he wouldn't mind you scratching between his ears or shoulder blades sometimes... maybe you'll even hear him purr. Will take a decent amount of time before you get to the "sleeping in the same bed" stage. Old man snores, so good luck with that.

#hazbin hotel x reader #hazbin hotel x you #hazbin x reader #hazbin hotel imagine #hazbin imagine #husk x reader #husk x you #husk imagine #husker x reader #husker x you #husker imagine

[dragonlands]

There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈

#ofmd s2 #ofmd season 2 #ofmd #ofmd spoilers #izzy hands #our flag means death #ofmd meta #ofmd izzy #blackbonnet #gentlebeard

[bananastarion]

Rambling headcanons about how Astarion's trauma could manifest in your relationship.

Disclaimer: I am not fetishizing trauma or PTSD here. I have C-PTSD myself, and have dated others with it as well. So some of this is (loosely) inspired by my own experiences. It's not pretty, it's not fun, but I'd say it's pretty realistic. So yeah, fair warning! Anyway, let's gooooo

Astarion isn't fazed by much, but he IS claustrophobic- having to claw your way out of your own coffin, being trapped in a mindflayer pod and being trapped in a tomb for a year straight would do that to anyone. If he is ever unfortunate enough to be stuck in a small space again, he'll go into a blind panic. He'll hyperventilate and try to force his way out any way he can, and if he can't get out in time he'll just completely mentally shut down for a bit. If you plan to pull him into a little broom closet for a sneaky fuck, just forget it ok? You will probably get your eyes accidentally clawed out.

There is a long period in your relationship where Astarion is gradually getting more comfortable with being vulnerable around you, but he's also very self-conscious about it. He doesn't want you to pity him or think he's weak. You will be tempted to give him lots of validation and praise to make up for all of the psychological abuse he endured, to reassure him that he's finally safe and free, and that you love him for more than just his body. That his problems won't ever drive you away, and that you don't judge him. He appreciates your words deeply, he wants and needs them more than he cares to admit. But at the same time, they completely overwhelm him. Finally being in a good place with a caring partner is such a stark contrast to what he's been through, that it forces him to see even deeper into the void inside him and recognize just how badly he was treated, how deprived he's been. They hit him hard in both good and bad ways, and sometimes he'll tell you to stop because he just can't handle feeling so much right now. It's best to stick to mostly surface level stuff and ease carefully into the deeper, more meaningful observations.

The sweeter your words, the more his mind races with fears that you are idealizing him and eventually you'll come to see him for what he really is- and then abandon him. Fears that he'll come to depend on your kindness only for it to be ripped away, whether by you or by circumstances beyond his control. Fears that you don't really mean it, that you're just manipulating him the way he did to others. Deep down he hopes and trusts you're sincere, but it's just so hard to accept when Cazador's voice is in his head, countering all of it. This is all so new to him, so unknown. And the unknown is terrifying. He gets frustrated that your kindness does this to him, he wants to be able to embrace your words, he's so impatient to heal and finally be over this shit already. He judges himself so harshly for still struggling with all this. Cazador's dead, he is free, he has someone who truly loves him- why isn't that enough?! Why can't he fully appreciate it, is he just going to feel broken forever? He worries he'll take too long to get over his past, and you'll get tired of it and leave. Expect to give him lots of reassurance about all of this.

He doesn't like to cry around you, but over time you will lower his guard enough that he'll stop fighting back the tears quite so much. Sometimes it's a bad dream, sometimes you say something that just hits him hard (even if it's in a good way), and sometimes he has no idea what triggered it. You tell him he can wake you up any time if he needs you, but often he chooses not to wake you and just suffers through it alone. When it happens while you're both awake, at first he would roll over and face away from you when the tears started flowing if he couldn't collect himself, and you'd just hug him from behind. But eventually he feels comfortable enough to bury his face in your chest and just let it all out. When it's really bad, he'll be trembling and hugging you so tightly as he sobs into your shirt that it's almost hard for you to breathe. The best thing you can do is just be there with him, stroke his hair, caress the tears off his cheeks. It can be dicey, but eventually you learn to read him well enough that sometimes stroking the scars on his back very gently can be healing for him. There are other times though, when this will be too much for him. Same goes for kissing. Also, don't even think about telling anyone you've seen him like this. But of course, why would you?

Don't go into therapist mode with him when he's that vulnerable, and if he decides to talk, just let him talk. Hold space for him and be there with him. Afterwards, help ground him in the present and reconnect him to his senses by pointing out things in the room, remind him that it's not all happening to him right now. Realize how special it is that he feels safe enough with you to be so vulnerable. There are times when he even breaks down during sex, and he'll say that he's fine and you can keep going, but it's for the best to stop what you're doing and check in instead. He often dissociates when he's triggered, and doesn't realize something is wrong until it's too late.

Trauma isn't always pretty, and there are times when it does strain your relationship. When he's really triggered, he might take it out on you. He'll try his best to push you away, and say terrible things he doesn't mean. Perhaps things Cazador said to him. His articulate manner of speech can be sharper than his blade when wielded against you in the heat of the moment. He doesn't believe you can love this side of him, that he is fundamentally broken and unlovable, so it's a test of sorts to prove his own fears. He doesn't necessarily realize what he's doing, he's just lashing out from a point of pure fear. Trauma is an explanation for this behavior, but not an excuse, so it's important you set very firm and consistent boundaries when he gets like this. He might not appreciate it in the moment, but he will once he calms down.

It takes some time for him to feel truly secure with you, but he's getting there. In the meantime, he's starting to get a little clingy and codependent. He's not used to having so much freedom, and doesn't always know what to do with himself when you're not around. Being in your presence is when he's closest to feeling safe and at ease, and being apart for too long can cause his mind to race, especially when he has nothing to distract himself with. It drives him crazy that it gets to him so much- he's never been dependent on anyone before, and this side of him surprises himself. He hates it, which only stresses him out more. He tries to play it off, but it's very obvious he is struggling with separation anxiety. You don't want to overindulge him, but to ease his fears you decide to get a pair of magical rings. You can make each other's rings glow whenever you want- so if Astarion is feeling lonely, he can make your ring glow and you can make his glow back. Sometimes, just that is enough to get him through a rough day without you. Once he has done some more healing, eventually he will come to enjoy his alone time in a way he's never gotten to before in his life, and as much as you enjoy spending time with him, you'll be so happy for him to finally have that.

#astarion #headcanons #baldur's gate 3 #astarion/tav