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#i might actually end up writing this i have many ideas
estrellah · 7 hours
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Thoughts
Disappointed but not really surprised. TTPD is now a double album, a bloated mess that rambles on with no end in sight. This really needed an editor to trim it to the good parts, but she's surrounded herself with yes-men so that's never gonna happen. Both the music and lyrics are nothing to write home about, with exceptions that are few and far between.
The focus on MH is jarring, as well as her teenage mindset at her grown up age of 34. Get it together girl. Wanting what is forbidden, quite obviously cheating on JA, at least emotionally, the determination to stick with MH even though he's an asshole because he's a bad boy and the one who got away that she's apparently been fantasizing about for years - just *barf*. At least I'm relieved it's not a JA slander album as many fans on this hellsite were convinced it was. (I'm sure they'll twist the MH songs to be about him, somehow, of course, but idc about that. Live and let live in delusion, and all that.) The London boy is sleeping soundly. Or, he would be if strangers weren't sending him and his family/friends death threats for no longer dating another person they don't actually now.
She let the rabid stans attack Joe for so long and used the speculation for album promo but all she revealed was - he had mental health issues that inconvenienced her as she wasn't the center of all his attention (she's the queen, as she states in one of her songs) and he wouldn't marry her (he wasted her youth - as if she hadn't wasted his, and as if he weren't younger, with less financial or social power - I don't know what she's moaning about, no one forced her to stay if she was unhappy). The resolution of their relationship was mutual, and, in the long run, benefited him much more. After seeing her behaviour in 2023/24 I can just say he dodged a bullet and I hope he finds peace and someone who actually loves him, not just a warped idea of love, like she seems to have.
The first half of the album is her throwing a tantrum because people wouldn't let her fuck the nasty man in peace. The other half is better, though, with more thought out lyrics, but the original feels like she published rambling diary entries that should've stayed private. I don't know what she thought she did - well, she thought she wrote poetry, as per the album title, but she, in fact, did not - but I guess she knows people will eat up whatever shit she throws out. I saw Sheffield wrote a glowing review for RS, and a lot of people on here bending into pretzels in order to praise her genius songwriting and to find some "proof" that Joe is an asshole and that he cheated and that Taylor is a precious, innocent, helpless baby girl who just keeps getting hurt. Boohoo.
And that song about Kim - really? Just get over it, it's been years. Gloating how North is a fan and will listen to hate songs about her mother? Not cool. She's such a mean girl. Cassandra was unnecessary too, but it's way less in your face so I can let it slide... but c'mon. 2016 wasn't as catastrophic as she and her fans made it out to be, and she's just been milking it ever since to rile up the stans (she's said sth about or alluded to it on every album since rep) and wall herself off from any criticism, even when it's really warranted. I guess she doesn't realize this shit will lead to an even bigger crash and burn, and one she might not so easily come back from.
Oh, and not the billionaire pushing the million versions of the album with the exclusive songs and then just putting them all on streaming right away? The way she bamboozled the precious fans she so loves. :)
In conclusion, she's lost her marbles and this is just a product of a mid-30s woman never having had to actually grow up and mature so every tiny thing that happens to her is the end of the world. She is consumed by the mythology she created of herself, and her fans, as well as people she surrounds herself with, keep blowing smoke up her ass - she's now invincible, the best ever, the most powerful, the mastermind, the queen of everything; but also never at fault and always the victim in every single situation.
It's a 5/10 album at my most generous, and maybe her and I are parting ways. Being 4 years younger than her, I cannot believe how pubescent and petulant she sounds and how she is refusing to grapple with things and grow. But, she seems more into business than craft these days and she knows what buttons to push to get people to give her money and praise her. So, good luck to her, but I have a feeling it won't be too long before I'm reading articles about her fall from grace, and that one might just be the final nail in her coffin.
P.S. I needed to get this out, put my thoughts down, but I'll probably delete it at some point, I don't actually want it staining my blog aesthetics.
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toomuchracket · 2 days
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How will our favourite nerdy boy be celebrating record store day this weekend?
oh shit i forgot it was this weekend lol. anyway! matty will absolutely be waking you up at an ungodly hour to queue with him for the things he wants to buy - he's got a list longer than the phone book and he's still pestering you to "just have a look at the releases to see if there's anything you might want, darling, and we'll get those too", bless him. you're not totally jazzed about the idea of waking up so early and waiting in the cold, but you'll have your sweet boyfriend to snuggle into and a thermos of coffee to sip from, and really you can't be too miffed about it because matty's just too adorable when he's excited. actually, as you perk up throughout the course of the morning, i think you might even start chatting to other people in the queue and asking questions so you can write a little feature about it with matty - he knows the guy in the record shop really well, so he gets all the statistical data about how many copies of each release they ordered and how many they sold and how much of an impact rsd has on business etc etc. it's a nice time, actually, and maybe you do end up going home with a couple of records for yourself that matty insisted on buying because "firstly, i want to treat you. secondly, i'm literally already at the till it just makes sense for me to get them" lol. you buy breakfast in return, though, afterwards! and i wonder if, on the drive home, the two of you take it upon yourselves to detour past some other indie record shops in the area to peruse how busy they are and get more data for the feature you're writing, like amidst the errands you have to run while you're out lmao. i think that would be cute. and what's even cuter is you back at matty's asking "so, are any of these albums you bought any good to kiss to?" - he blushes and smiles and immediately pulls one out and says "couch? bed?", and puts it on in whichever room you'd rather make out with him in (bedroom, definitely) lol. the rest of the day is spent listening to the new albums in between eating and taking maggie for walks and just pottering about matty's house, and all in all it's just lovely. maybe matty's favourite day ever <3
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missingexaltation · 2 years
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How Eddie wins over Mr Harrington (by barely trying)
(in ten simple-ish steps)
Basically, how I imagine Steve's dad to be. I kind of think they have more in common than they don't, and maybe his son being queer is the *kick* that he needs to be a better human being (just like Nancy was for Steve).
Richard Harrington unexpectedly comes home from a business trip to find his son in flagrante delicto on his couch with an immediately antagonistic young man, (Edward, he later discovers), he waits in the kitchen, seething with disappointment and rage. Steven takes his things and leaves without a word, leaving the Munson boy to very purposefully throw Steven's house key at Richard's feet, keeping eye contact as he does so. The disrespect is blinding, and that night Richard drowns his anger in whiskey.
Days later his son comes home to collect his remaining belongings, supported by the Munson boy and his uncle. Wayne Munson is a enigma; on the one hand, clearly a soft liberal, but also a no-nonsense, sensible veteran with family values. Edward doesn't acknowledge Richard at all, too focused on guarding Steven from him. He watches his son cry like a child in the backseat, half listens as Wayne encourages him to keep in contact, and inwardly flinches when he sees Edward glare at him through the car window. He's not sure why his chest aches. Steven chose this path, he tells himself. Steven chose this.
Richard returns again to Hawkins, some weeks later, detouring past the store his son works in. He finds himself parked opposite, watching as Steven dances childishly with a female colleague through the shop windows. He's smiling and laughing and Richard's chest aches again. The passenger door opens and that boy gets in without permission. 'Stevie doesn't need you', he says, bold as brass in leather and covered in tattoos and chains, 'but he'll forgive you if you ask'. It hurts, and the only way Richard can breathe again is to invite them both to dinner later in the week. The subtle relief on Edward's face is immediate, and Richard hates himself a little less, though he's not sure why. He spends the drive home wondering at what point his son's life became unknowable.
Dinner starts awkwardly. Steven barely speaks, but Edward refuses to be quiet. He's a vocal young man, argumentative and strangely principled. They have polar opposite opinions on politics, and while Edward's not shy about his opinions, Richard is more than his equal on the topic. It's the sort of conversation Richard enjoys, trading viewpoints and internalising their differences. The evening ends on a warmer note as both Steven and Edward shake his hand as they leave. Formal. It's only a few steps to the car, but he notes that the boys hold hands nonetheless, as his wife tightly holds his. Middle ground, he thinks. They're not condoning the relationship of course, but accepting it for now. There's time for Steven to come to his senses.
Richard next meets Edward when he has to visit Thatcher's. His driver side tyre has a slow puncture, and although Edward's working on another customer's car he swaps with a colleague so he can see what the issue is. A simple 'he's Stevie's dad' gets him a family discount, and Edward changes the tyre himself when it's deemed too damaged to repair. As he works, Richard learns through his unending monologue that this job is temporary, as Edward's internship at the tattoo parlour doesn't pay, and won't for at least another year, that he needs the money now, as he and Steven are saving for their own place. Richard's immediate instinct is to give them the money himself, but knows it wouldn't be accepted. He takes comfort that Steven's in good hands at least. The Munsons seem to be a practical, friendly people.
Weeks later, when he's back in Hawkins again, he bumps into Edwards uncle, who's insistent on getting coffee and clearing the air. Richard guiltily confesses he's not comfortable with the idea of his son being one of them, that he's not sure he ever will be. Wayne simply points out that at least he's trying, and to keep trying. Apparently Edward's father didn't even do that much. Richard later relays the encounter to his wife, of how overtly proud Wayne is of Edward (my Eddie, he'd said). Richard's not felt proud of Steven for a few years now, only infuriated that he's intent on throwing his life away, but Wayne had plenty of happy stories of him too. As parents, they feel equally guilty and spend the evening drinking and reminiscing on Steven's childhood. It feels like they're reminding themselves of their son more with every day that passes.
He's still in town on the following Tuesday evening, and decides to take Wayne up on his offer and visit the bar that he recommended. He discovers that Edward's a talented musician. Even if it's far too aggressive and loud for Richard's own tastes, there's dedication, commitment and passion in each of the boys on the stage. He remembers his own music idols, how passionately they preached against the war in Vietnam, and he wonders when exactly it was that he stopped noticing the injustices of the world, when it was that his business suits became a comfort instead. He's quickly cornered by Wayne, Jim Hopper and David Jones ('my son's on the drums', he says, proudly). But they're all proud of their boys, he adds, and equally appalled by their music tastes. He goes on to say that the parents take it in turns to keep an eye on the boys each week, after what happened earlier in the year. Richard's in utter shock after hearing that there was a murderer on the loose not long ago, and plans to stay in town more after hearing that both boys were involved. He's clearly out of place and out of touch, but they're kind enough to not mention it. He buys the drinks for the remainder of the night, as penance. He has nothing else to offer, but hopes that's enough to start. His son could have died.
As is habit now, when he's in town, Richard drives past the video store to glimpse his son through the window. Further down the street he catches Edward balancing takeaway coffees whilst trying to open the door to the tattoo parlour. It takes moments to pull over and offer his assistance, and it hurts when Edward is surprised by the gesture. Richard's invited into the shop, and although Edward's busy, 'of course he has time for his father in law'. The phrase knocks him emotionally off balance, but Edward doesn't notice, simply updating him on their house hunt, and inviting them to the house warming, pending Stevie's approval. He shakes Edward's hand when he leaves, and when he turns back to his car, notices Steven quietly watching him from the window of his store. He waves, and after a moment his son waves back. He's alive, and there's hope, at least.
He and Kathleen invite the boys and Wayne over for dinner. He sees Steven smiling in the car as they arrive, and although it's faded by the time Richard opens the door, it returns tenfold when he shakes Edward's hand and greets him with 'hello son'. Richard's still very much uncomfortable (especially with how 'hands on' Edward seems to be) and if he finds himself in the kitchen knocking back a few more drinks than usual then it's his own business. It's worth it at the end of the night, when Steven invites them to their housewarming, and actually seems to want them there. He feels Wayne's approval through their goodbye handshake, and it makes him feel as though he's on the right path.
Jim Hopper lets them in through the front door. It's a small house, clean and characterless, and full of people Richard doesn't know. In the yard, Steven's at the grill with some other boys his age, and Edward is in the middle of the lawn, spinning a curly-haired teenager around like he weighs nothing. They look happy. Settled. Edward spots them first, waves them over and starts introducing them to the other adults. Steven brings them drinks, is beaming behind his sunglasses. (He can't remember the last time Steven smiled at him.) Hours later, when they leave, Edward shakes his hand and thanks them for coming (for trying, but that's unspoken), and Steven hugs him for the first time in so, so long, burying his head in Richard's shoulder like he used to as a child. Kathleen cries on the drive home, and he's not much better, but they're happy tears. He's a slow learner, Kathy too, but they're learning.
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thormanick · 27 days
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All the Kavetham/Haikaveh ideas I don't have capacity to currently write, a very detailed list:
(Which I am humbly placing here before you. Be warned: this post is an incredibly long one!)
1. Fatui!Kaveh AU, where the night before the meeting happens between Kaveh and Alhaitham at the tavern, Kaveh gets a deal from Fatui representatives to work on a huge project in Snezhnaya. Kaveh is sceptical about it, but decides to accept the offer during the dialogue with Alhaitham (seeing himself as a burden, Kaveh decides that he will cause more trouble to Alhaitham than the Fatui, thus he decides to accept their offer even if it seems too good to be true). He tells Alhaitham about his decision to leave for Snezhnaya, and so the two relatively amicably/peacefully part their ways (not without Alhaitham testing Kaveh's reasoning a bit, but Kaveh's resolve remains strong).
And so, Kaveh leaves for Snezhnaya, where he gets to work on several huge projects for the next several years under Sandrone. Most of them are related to construction, engineering and reverse-engineering of Khaenri'ahn and Khaenri'ah-inspired technology, and he gets barely any time to work on his personal projects (he's overworked and exhausted and doesn't get much time and opportunity to be creative; however, the payments are good and he's on his way to getting out of debt, which is practically the sole reason driving him forward. The projects get progressively more complicated and, in a way, unhinged - engineering military equipment is alright, but working with the remains of Khaenri'ahn technology, dead gods and such proves to be... mentally taxing. Everything happens very gradually though, so Kaveh does not immediately notice the true scale of where the Fatui are ready to go to achieve certain goals). Kaveh doesn't really like the work environment of the Fatui, but he does his best (the Harbingers creep him out whenever he gets to see them on a rare official occasion (he might specifically dislike Pantalone because the Harbinger keeps picking at him for his debt, given a chance), but Sandrone's a decent boss who is somewhat encouraging and invested in his work and personal projects. She might be especially interested in Mehrak's existence and operation). Overall, everything goes quite smoothly for Kaveh, even if he doesn't feel quite at home in Snezhnaya and is aware of how dangerous the Fatui can be. He does not consider himself to be paranoid, but the other shoe has to drop at some point - and that happens when the new Acting Grand Sage of Sumeru gets to visit Snezhnaya on a diplomatic mission (aka: Kaveh reconnects with Alhaitham & Co for the first time in what feels like forever). The situation gets complicated when Kaveh realizes that Sandrone encourages the reestablishment of his connection with Alhaitham specifically - and she never encourages an action if she doesn't directly contribute from it.
Feelings, emotions and shenanigans ensue.
TLDR: Kaveh's doing his best despite being restricted in his ways of work, prevented from realizing most of his creative projects and slowly but surely building emotional walls around himself because Fatui and Snezhnaya; Sandrone being a kind of decent boss with sorta good work ethic but horrendous morals who is not exactly a good influence on Kaveh's idealistic tendencies and guilt complex; Fatui being contextually horrifying but kinda normal coworkers if you don't look at them too close; Alhaitham trying his best as a political figure (Nahida help him) while also trying to get Kaveh to return home with him (because he misses him); the main conflict revolving around Kaveh and his life choices with Sandrone and Alhaitham being kind of foils to each other (with Sandrone gradually destroying Kaveh's idealistic morals and playing on his guilt to get the most out of his potential as an innovator, and with Alhaitham actively trying to resolve Kaveh's guilt and show him that, despite their arguments, Kaveh's idealism still has place in the world and can co-exist with other philosophies). There might or might not be some macguffin-esque Deshret relic that both Akademia and Fatui hunt for that eventually brings the whole crew back to Sumeru. Kaveh might or might not get a chance to meet a fragment of Deshret's spirit within the mentioned relic. But there definitely will be a happy end for everyone here (Deshret will make sure of it).
2. Calamity!AU. The new Cataclysm comes, enveloping all Seven Nations, and so Sumeru does its best to survive. The cities are ruined, and the people gather together in random places to survive. Alhaitham gets to live within one of the settlements, established by the Akademiya. While trying to survive the first wave of the new Calamity, he is also looking for Kaveh; after an argument between the two the architect left for an expedition to the Desert, right before the new Calamity began. Unfortunately, the news comes that his group should have been around Tunigi Hollow - one of the spots in Sumeru where the first wave of the new Calamity hit the hardest. There is no concrete information on whether Kaveh's group survived or not. Alhaitham, not loosing hope, does his best to find any information on Kaveh's whereabouts, but due to Sumeru becoming extremely dangerous to traverse and disjointed as a result of the new Calamity, the search stretches out for almost a decade.
One day Alhaitham helps a caravan, traversing the forests to get to one of the settlements, to fight off the monsters. Unexpectedly, Kaveh turns out to be one of the members of the caravan. Their reunion is almost cut short by the caravan's need to keep going, but Alhaitham convinces Kaveh to join him instead. The two return to the new Sumeru city settlement, where Alhaitham lives and works under the watch of Akademiya and Lord Kusanali. It appears that during his years of travels around the destroyed Sumeru Kaveh learned new ways of architectural construction that would be more efficient against the monsters, born by the Calamity. He also seems to behave quite differently, hardened by the experiences of the past years. Alhaitham proposes for Kaveh to stay with him in the city, and Kaveh accepts. The feelings, new routines, dealings with the changed versions of each other and attempts to find new pace of life in the new world ensue.
TLDR: The world might be ending and impossible to live in, but even so each new day is brighter when the person one loves is by their side.
3. Another Cataclysm!AU, where Kaveh and Alhaitham get assigned separate missions in the grander scheme of things created to prevent the coming of a new Calamity. The plan succeeds and the world remains safe, but not without heavy losses: amongst many others, Kaveh does not survive while carrying out his mission.
Decades pass as Alhaitham goes through his grieving process. Eventually, one evening on the anniversary of the Calamity's prevention, Alhaitham wanders to a place he and Kaveh used to visit together. A Ley Line disruption occurs, and he gets to see a glimpse of Kaveh through it. They have a conversation; the Ley Line apparition (a memory of Kaveh) is convinced that Alhaitham is from the future, and so they talk a lot about the Calamity, whether it was prevented, and about each other's futures. Alhaitham can't bring himself to tell Kaveh that he does not survive the Calamity, but he does tell Kaveh that his architectural legacy lives on. Kaveh commends Alhaitham on his achievements (though not an acting grand sage for a very long time, Alhaitham kept playing an important role throughout Sumeru's history, helping to keep it safe).
Eventually, their time runs out. Ley Line disorder starts gradually disappearing. Alhaitham urges Kaveh to be careful and stay safe, knowing that the Calamity (on Kaveh's side) is yet to come. Kaveh laughs and tells him that on his side, Alhaitham just told him the same words after they finished the debriefing session, related to the Calamity. He says that he was feeling very nervous, but that seeing future-Alhaitham made him convinced that they are on the right path.
And so, the Ley Line disorder disappears. Alhaitham spends some more time at the spot before returning home. Despite painful memories having been brought up, his heart feels a bit lighter.
TLDR: closure comes unexpectedly, takes many forms and does not erase the pain in an instant, but, nevertheless, it heals.
4. AU! where Kaveh and Alhaitham are both magical birds that can transform into humans (and half-humans).
They live together in the depths of Sumeru forest - a domain of a long lost God of Wisdom. Kaveh's feathers are rumoured to bring blessings, while Alhaitham's feathers, on the contrary, are said to bring bad luck or even curses. Humans, living at the edge of magical forest, kinda worship them, but also prefer not to interact with them, primarily because Alhaitham is not happy when others trespass on his lands, and because searching for Kaveh is extremely hard (he's often off working on his projects deep within the forest), and the magical forest is very dangerous on its own. So, the humans build their cities outside of the Sumeru forest, and Alhaitham and Kaveh peacefully live together in the depths of it.
Despite Kaveh and Alhaitham living together for a long time, their opinions on humanity are diametrically opposed: Alhaitham barely tolerates humans, finding them to be reckless, meddling, cowardly and deceitful; Kaveh, on the contrary, finds humans to be creative, inspiring, free and beautiful in their own way. Throughout the years, Kaveh manages to build somewhat of an amicable relationship with the humans, living at the edge of the forest: he learns more about their traditions and arts, while the humans receive his guidance and blessings in various matters of living, craftsmanship and arts. Eventually, Kaveh's knowledge and magical powers catch the eye of Lord Sangemah Bay, who resides in and governs one of the bigger settlements at the forest's border. She makes a deal with Kaveh that, despite providing him with valuable (in his eyes) experience of working with humans on some of his grandest architectural projects, costs him a lot - meaning he has to give away lots of his blessed feathers, which makes his remaining magic much weaker (and generally undermines his health for a bit). Alhaitham is not a huge fan of such approach (in his eyes, Kaveh is wasting his powers and time for nothing, endangering himself), and so a conflict between him and Kaveh breaks. As a result, Kaveh flees their home, secluding himself while he's focusing on other projects he finds curious. Kaveh keeps working with humans, and though Alhaitham certainly keeps an eye on Kaveh's wellbeing, he does not make it easy for humans to reach him. So what if there are new random magical seals, obstacles, almost-traps and riddles appearing here and there when people try to get to Kaveh? It's a magical forest, things happen! (Kaveh knows that Alhaitham does this on purpose, and Alhaitham knows that Kaveh knows, and it leads to them indirectly, and then directly bickering and arguing. The magical forest quite possibly grows very tired of them. Their friends Tighnari and Cyno certainly do, but alas.)
The new equilibrium, found by Alhaitham and Kaveh, is challenged once more when Kaveh leaves to the Lord Sangemah Bay's city to direct yet another one of his grand projects. They do not see each other for a long while. Despite all the challenges, Kaveh's relationship with Dori gradually grows stronger - the two value their partnership - and Kaveh ends up making friends amongst humans. However, not everyone is happy about Lord Sangema Bay's growing friendship with the "deity of blessings" personified. As some people come to despise her for her wealth, influence and ever growing power, so do they come to despise the bird of paradise.
When the project is complete, the time for celebration comes. Kaveh gets to attend a feast by Dori's side as a guest of honour, and is invited to stay the night in her palace before returning to the forest. Kaveh agrees: he's been spending all his days and nights at the building site, and resting a night before returning home would be nice. As the night goes on, however, Kaveh begins to feel weary and unwell - the new type of wine he was served did him no good. He excuses himself early for the night and, as soon as he gets to his bed, he's out cold.
After an undetermined amount of time (in what appears to be the middle of the night), Kaveh wakes up because of immense pain in his back.
As he gradually comes to his senses, he has a horrible realization: one of his wings was cut off when he was asleep. Alerting the guards and Dori yields no results: the intruder escaped, presumably with Kaveh's wing, and there are no traces of them left. While Kaveh gets immediately attended to, he goes in shock and, eventually, loses consciousness.
When the messengers form the city arrive to the forest, Alhaitham receives them reluctantly at first, but as soon as he hears of what happened, he rushes to the city. He ends up taking Kaveh back to the forest, hoping that its healing magic will help restore his wing. However, nothing seems to work: neither spells, nor the powers of nature, not even Tighnari's medicine. Though the wound is slowly healing, Kaveh remains unconscious for days. To get more information on what happened, Alhaitham returns to the city to question Dori together with Cyno (who's also to continue the investigation within the city once Alhaitham returns home), while Tighnari stays with Kaveh.
Though the questioning concludes that Dori knows nothing and is willing to assist in the search of the perpetrator, Cyno concludes that she was not thorough enough in ensuring Kaveh's safety and overall security of the celebration in general, revealing that Dori recklessly cut corners here and there. Furious, Alhaitham leaves Dori his cursed feather, giving her an ultimatum: she has to find the perpetrator and give them to Alhaitham to deal the final punishment. Until then, her city is doomed to slowly crumble into decay and oblivion. Dori accepts the deal.
Alhaitham returns to the forest to look after Kaveh, while Cyno remains in the city to continue the search. When Alhaitham comes back, Kaveh is finally awake. However, he remains extremely closed-off, practically a shadow of himself. The recovery process is slow and challenging, but Alhaitham does his best to support Kaveh in all ways that matter. Kaveh struggles with healing: the loss of a wing affected not only his body, but also his mental state and magic. He cannot transform, he can barely use any of his magical skills, and he cannot fly anymore, which hurts him most of all. It takes a while for Kaveh to get on his feet (quite literally), even longer to finally leave his room. He also feels guilty for being in Alhaitham's care, because he remembers all of the Alhaitham warnings about the humans he didn't listen to, and so lots of internal conflict ensues.
Meanwhile Alhaitham does all he can to try and navigate the situation. He looks after Kaveh's healing process; brings back his blueprints and equipment from Kaveh's place so that he has enough to work with if he wishes; he also (to the best of his ability) remodels their home to make it more accessible to Kaveh. Given that their natural method of moving around their house was flying (whether in form of birds of half-humans), Alhaitham now implements more adjustments for walking or climbing. (When Kaveh feels good enough to leave his room, he's amazed by what Alhaitham managed to achieve. He also helps fix some of the constructions, given he's the one with the experience in architecture.) Alhaitham and Kaveh grow closer, slowly unpacking and mending their relationship, turning it into something new and beautiful.
At the same time, Alhaitham continues to watch the forest borders - to make sure that no intruders interrupt Kaveh's recovery and their peaceful life together. One day he notices an interesting sight: a small, but beautiful shrine appeared right by the forest. He decides to investigate; upon approaching the shrine, he meets Nilou (whom he saw in the palace when he visited Dori). She explains to him that, after he and Kaveh left the city, a group of people decided to organize a shrine, dedicated to Kaveh, to pray for his recovery. Nilou explains that in their eyes it's the least they can offer for all the help that their city received in the past and as amends for the pain they have caused. Alhaitham warns her not to get any closer to the forest, but the action of people leaves a lasting impression on him.
Meanwhile, Cyno's investigation progresses. Cyno writes to Alhaitham that together with Dori they managed to find and capture the perpetrator. Questioning reveals no useful information, but Cyno suspects that there might be more to the attack on Kaveh than they anticipated. To uphold his end of the deal Alhaitham goes to the city to deliver the punishment to the attacker and to undo the curse he put on Dori's city. Before he leaves, Kaveh, scared of what might happen to Alhaitham, sews into his cloak a blessed feather for protection (because Alhaitham wouldn't accept it outright). While Alhaitham is away, Kaveh begins working on a new project: a mechanical wing.
When Alhaitham gets to the city, he is led to the cell where the attacker is being held. Cyno and Dori are by his side for the final questioning. The man - a mere mortal (with strange red-ish eyes), one of Dori's citizens - keeps talking in circles, making less and less sense with each new word. Alhaitham lets Cyno and Dori go before rendering the punishment. When the curse (one of Alhaitham's darkest yet) is finally prepared, suddenly, the tables are turned. The perpetrator attacks Alhaitham, but his movements seem unnatural, almost like those of a puppet. Alhaitham realizes, that the man is being controlled by someone with prowess for strong, incredibly dark magic that seems similar to that of the Desert. The strange puppet manages to overpower Alhaitham in a fight, but cannot harm him (due to the protection from Kaveh's feather). The perpetrator manages to escape, taking with him Alhaitham's cursed feather (they seemed to be pleased to receive it. Alhaitham fears to think what they will use it for).
Dori and Cyno pick up the investigation, with Cyno going straight to the Desert. Dori begins reinforcing the city (her people discover that Alhaithams curse (now lifted) awakened Miasma deep under the ground. The Miasma begins to slowly spread, seemingly in the direction of the Sumeru Forest). Cyno sends back a message, confirming that strong and dark magic seems to be gathering within the Desert, possibly for the purpose of destroying the magical forest.
Alhaitham manages to get back to Kaveh and tell him of what happened in the city. In order to be able to protect the forest together with Alhaitham, Kaveh doubles down on his efforts to create a mechanical working wing. Everything works, besides the golden feathers - they need to be blessed in order to allow the mechanism to work as intended, but Kaveh does not have enough power for it. Alhaitham takes a risk and brings the feathers to the shrine, created by Nilou and other humans, so that they could bless them for Kaveh. (They are short of one feather eventually, and Alhaitham gives Kaveh one of his own, his first blessed feather, to complete the wing.)
TLDR: Kaveh works on restoring his wing and faith in himself and humanity; Alhaitham learns that humanity is not always evil. Dori and Cyno discover that the escaped perpetrator (caugh controlled by Dottore caugh) used Kaveh to get to Alhaitham to gain his cursed feather for completing some sort of ancient ritual to unseal the forbidden knowledge magic deep within the Desert in roder to unleash it on the magical forest, slumbering God of Wisdom and human cities. Kaveh learns to curse his feathers (while opposing Dottore in a final fight), and Alhaitham learns to bless his. Humans and Sumeru Forest continue to coexist peacefully. Alhaitham and Kaveh live together happily ever after.
5. Pacific Rim!AU, where Kaveh and Alhaitham used to be pilots of a Jaeger, but during one of their battles they suffered too much damage. In order to save Alhaitham and what remains of their Jaeger, Kaveh takes most of the damage by severing already unstable connection between Alhaitham and Jaeger's system. Both barely survive the encounter, but meanwhile Alhaitham manages to recover fast, the damage Kaveh has taken leaves him in a critical condition, eventually resulting in him being unable to ever pilot a Jaeger ever again (and putting many new restraints on his usual daily life).
As soon as Kaveh comes to his senses, the two have a huge fight about Kaveh's rash decision, and eventually break off their friendship. They don't see each other for a long, long time.
As the time goes on, Kaveh learns how to live with the changes that his body sustained with the help of his service dog Mehrak. Eventually he takes on a job at one of the Jaeger construction facilities (together with his friend Tighnari), studying Kaiju and creating new Jaeger modifications - though no Kaiju has been seen in the past several years, the world is still afraid of their return.
When the suspicion of the new Kaiju appearance arises, new pilot recruits and ex-pilots are summoned to the facility. There, Kaveh meets Alhaitham for the first time in years. After their fallout, Alahitham resigned from piloting Jaegers, yet now he had no choice but to return to train new recruits (and possibly resume his role of a Jaeger pilot). Now once again the two have to work together as a part of a team in face of approaching danger, trying to resolve their past conflicts and overcome their fears and insecurities along the way (when deep down they simply want to keep each other safe).
TLDR: Kaveh & service animal Mehrak is a neat concept I'd love to see more of, just as a concept in general. I think this one could be an interesting story idea centered mostly around Kaveh's day to day life. Additionally, Alhaitham who used to be only drift compatible with Kaveh but now suddenly discovers he's drift compatible with Cyno. I need more Cyno & Alhaitham camaraderie I think it would do them lots of good (at least in this specific AU setting lol).
6. Oxenfree!AU where Kaveh and Alhaitham are two ex-best friends turned reluctant coworkers (photo-journalist and journalist respectively) working on writing a piece about the disappearances of a group of teenagers that happened at the Edwards Island several years prior (timeline somewhere between the first and the second games). The radio shenanigans ensue, making the two face their past, possible futures and, most importantly, their present. (In Oxenfree tuning into certain radio sequences can temporarily mess up time-space shenanigans, just fyi).
TLDR: I just think that this setting could facilitate some character exploration that would be very fun.
7. Modern MermanKaveh!AU, post-fallout, where it's a little bit more about haunting Alhaitham (and the narrative), than being a merman. Due to an unfortunate set of circumstances, Kaveh drowns one day, trying to save someone from the water. Due to an unfortunate set of circumstances, he doesn't really die, being stuck in between (existence and death, normal life and the necessity to live in water). Kaveh manages, for quite a while even!
But of course Alhaitham has to come back and turn his world upside down once again.
TLDR: can you tell Alhaitham's quote about drowning stuck with me huh (and I made it literal lol). On a serious note... Idk, vibes??? I want to see the "stuck in the middle" Kaveh, whatever that entails. Some existential explorations. And the development of his relationship with Alhaitham, of course. // Kaveh is a merman unable to fully live the life he used to have, and Alhaitham doesn't know that he survived (for a while), alternatively "let me help to save you from metaphorical and literal drowning" Alhaitham and "I learned to live like this, this is what my norm now looks like" Kaveh.
8. Another Modern MermanKaveh!AU/DrownedGhostKaveh!AU, because I apparently have no self-control (I feel like I should also clarify that whenever I mention a mermaid, I think of them more as of ghosts of drowned people and less as mermaids-mermaids, the half-human half-marine creature ones). This idea was initially prepared for chili/zhongchi but it's been sooooooooooooooooooo long and I still haven't done anything substantial for it so I'm borrowing it from myself for myself and tweaking it for kavetham because I figured it could fit them. So here it goes,
Alhaitham is a scientist/marine biologist that moves from the city to a much smaller port town, getting himself a place in a local partially repurposed lighthouse. Kaveh is a merman, who has been dead for a long while and who's been living within local waters ever since he drowned. Alhaitham leads a very isolated life, going through a rather rough patch emotionally (maybe a badly ended past relationship and relocation from an established group of friends to a remote place brought up past negative emotions related to loss that were bottled up for a while. who knows, not me). Anyways, Alhaitham's not doing too well, but seaside walks help him unwind, even if for a short periods of time. During one of such walks, he finds an old pendant washed ashore. He picks up his find, hoping to do some research on it outside of his work time (because research is his fun-time).
He expects this to be a brief excursion into local history. He does not expect to become haunted by the ghost of a man to whom this pendant belonged to way back when.
Kaveh, in turn, is extremely excited to finally, finally be able to get out of the sea to the surface. He intends to stay ashore as long as possible and, well, if he just so gets to amuse himself by haunting a grumpy marine biologist that refuses to believe in merpeople, ghosts of drowned and other supernatural occurences - who's he to say no?
TLDR: this AU can go two ways (in my eyes): the happy ending way and probably more gothic-horror-story-esque ending. So, Alahitham is cursed to be haunted by Kaveh: for a while he's the only one who can see him, with Kaveh being something akin to a ghost. However, the longer Kaveh haunts Alhaitham, the more human he becomes (others can see him, he cannot phase through walls anymore, etc.). The curse in itself goes something like this: the cursed thing, after being picked up/taken in, cannot be thrown away and will always come back. The ghost, tied to the haunted thing, shall haunt whoever picks the cursed thing (the thing should be tied to the ghost, but may not necessarily belong to them) and drain their life energy. The ghost can become free and human again if the haunting goes long enough and they kill the human who picked the cursed object in the end during a very specific time that doesn't occur too often (proverbial blue moon, idk). If they don't kill the human and decide to let them go, then the ghost will seize to exist and the human will regain their strength. (An alternative option to the ghost dying for a less angsty au: the ghost voluntarily takes back the cursed object and returns to the place where they died, but then they will never be able to haunt anyone ever again. The effect of the curse on the haunted remain, but much weaker).
In this case, let's say Kaveh and Alhaitham stay by each other's side from half a year to a year, idk. They grow closer, eventually becoming friends and maybe more (the usual kavetham shenanigans Kaveh falls first but Alhaitham falls harder). Alhaitham's mental state gradually improves, yet overall he becomes weaker because of the curse (to the point that it becomes a serious concern), which Kaveh blames himself for. The appointed time approaches (both Kaveh and Alhaitham are in on the details of the curse), and Kaveh, seeing it as an opportunity to set Alhaitham free, manages to separate himself from Alhaitham. Kaveh is ready to return to the sea/merge with it (ah yes the classic Little Mermaid influence does anybody feel it lol). However, Alhaitham sees through his plan and arrives just in time to stop him. They have a confrontation. Eventually, they manage to lift the curse (as you can see I have not figured out exactly how this can happen but! it definitely can!) with Kaveh becoming human again and Alhaitham regaining his health. The two continue to live together happily ever after.
The other scenario is practically the same, but it's more ghothic? and abstract (and probably more suitable for the og pairing it was made for, but i'll throw it in anyways). I have not engaged with gothic literature much and thus don't have much experience in how it works/how to write it, but the idea is that Kaveh is more of a projection of Alhaitham's grief than a ghost fo a drowned person (in other words, he's definitely a ghost, but his presence is also much more symbolical). The story follows quite similar beats, except the setting of the curse is a bit different: it's more of a "kill first or be killed" thingy with a deadline. Kaveh earnestly tries to drown Alhaitham at first through various means, but the more time they spend together, the more Kaveh sees of Alhaitham's life and pain and feels sympathetic for him. Despite the curse, Kaveh tires to help Alhaitham in various ways; and it works! Alhaitham gradually begins to feel better; the two grow closer to each other (more in a platonic way).
So now the precedent is that though Alhaitham's overall doing better, the curse still preys on him, hindering his life in various ways that become more and more serious/dangerous (the curse's deadline approaches, and it tries to survive the best way it can through Kaveh's influence on Alhaitham). Eventually, Kaveh lets Alhaitham go, merging with the sea (once again, yes, it was partially inspired by the Little Mermaid). Alhaitham realizes what happened and tries to look for Kaveh, but it is in vain.
Eventually, life goes on.
Bonus Elden Ring AU (because guess who suddenly went on a lore video watching spree): Kaveh is a craftsman and one of the inhabitants of Castle Morne who managed to escape before it was overrun by Misbegotten. He's a follower of St. Trina and Miquella (he doesn't follow Miquella at first, but slowly he comes to suspect that the two are one and the same). After escaping from Castle Morne, he finds his way to Jarburg, where he is welcomed to stay and be the new Potentate.
Alhaitham is from a distant branch of Carian royal family and a scholar at the Academy of Raya Lucaria. Quite possibly explored an area of studies similar to Sellen's. Eventually he separates himself from both Academy and his family, becoming a wandering scholar.
The two meet somewhere nearby Jarburg when Kaveh gets ambushed by the same people who were trying to get to Alhaitham. The two fight them off. Kaveh, trying to help injured Alhaitham, leads him to Jarburg. The two continue living together there ever since (not without hiccups, but they're doing their best).
TLDR: this one is short and very simple because I just started diving into the Elden Ring's lore, but I just. Really wanted to make some AU for them. I also desperately wanted it to be peaceful and happy one despite it being a seeming impossibility for anything dark souls/elden ring related, but one can dream. If I were to make this one darker I'd probably expand on the duality of their two characters here, and how Alhaitham probably used to conjure spells on humans (with gaining knowledge being his sole life purpose for a long time) and has challenges with comprehending the world outside of a framework of pure logic, and how Kaveh gets an increasing tendency of escaping to the dream world/wherever Miquella is in order to alleviate his mental turmoil (maybe he witnessed too much during his escape from the Castle), and how the two have opposing perspectives on the idea of worshipping gods, and- like, there's a lot that can be done. But I also just really really really want them to simply be happy together in a jar village, leading a peaceful life.
That's it for now! Thank you for reading all of this, I can't commend your patience enough if you got to the end of this list!!!✨🎉✨
Maybe in the future I will unpack some of these aus. who knows.
#if you made it till the end you're officially a hero#sorry for so many words lol#genshin impact#afinna explores teyvat#genshin impact kaveh#genshin impact alhaitham#kavetham#haikaveh#alhaitham x kaveh#genshin impact writing#genshin impact writing ideas#magical birds au my beloved (can you tell lol)#maybe one day#one day i might write it#i was sure i'd never write the inquisitioner x witch kavetham AU but guess what#istg the first chapter should be ready sometime this year. probably. i hope. i dream of it...#pacific rim au is also something i just cradle gently in my hands. weird apocalyptic-esque setting but make it more a piece of life thing#in order to better unpack the relationships between people and various internal turmoils#and the fatui au!!! i want fatui to be weird menacing coworkers that end up being weirdly decent!!! sometimes!!!#idk i just think kaveh and sandrone could be a great work duo#and just the interactions with others could be sooooo much fun#anyways hope these ideas are. decent#also lowkey i need more dori-kaveh-alhaitham shenanigans#like alhaitham is canonically banned from seeing dori as far as i remember [well. blacklisted from the market or something similar]#granted it's probably bc he's with the Akademiya but like. Are We Sure [glances at Kaveh's debt]#anyways i just think there can be some exploration done here lol#also a hot take probably but. we need more 'Dori the Scary Businesswoman that Seems Inhumane But is Actually Wise'#like I want her to push others to their limits for mutual/personal gain BUT doing so knowing exactly when to stop and not cross the line#she is The Monkey's Paw for people who come to her. anyways i just find her interesting#yay that's it thanks for reading all of it have a great day byeeeeeeeeeeeee!
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ichthyorelationships · 11 months
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an idea i invite anyone else to write about / run with lol....
the premise that The Change gets all messed up for alberto, say it's something that can happen from stress, &/or happens rarely and you just have to wait for it to resolve itself....used as some parallel to struggling through some emotional turbulence / upheaval / questioning / Realizing Things, etc etc
#luca 2021#pixar luca#alberto scorfano#another idea i've failed to write for & so invite anyone else to run with: ciao alberto but what if he peaces out by swimming off lol#ends up in a coastal town maybe an hour's swim from genoa. but not Getting In Touch w/anyone for a while b/c plausibly he thinks that#giulia may not be a fan of him now by extension; just being too embarrassed asf to reach out to luca kinda lol....luca off doing his own#thing just fine & alberto not wanting to write him now like b/c i Ruined Everything again ahaha....#and by ''not in touch w/anyone for a while'' who knows. months; a few years even....might stumble across news of him b/c like.#say more sea folk are coming to land / more humans know abt them & not many places are as [harpoon]ly from the start anyways#portorosso exceptional in that way....maybe where alberto settles down they're like legendary but also considered Good Luck anyways lol.#anyways like some people know of him who might; say; swim down to portorosso. have their own teen who knows a teen who mostly lives on land#most convenient re sparking [wow could they mean Our alberto] if he doesn't go so far as to take up an alias lol. but why would he....#that difference in that massimo might figure that however alberto was surviving before; he could continue to do so now; but even though tha#is some comfort it's still Not Actually Enough....feeling way more Parentally towards alberto than his biological dad like that; obv#and anyways re: this [The Change gets messed up] idea it's more of an inconvenience lol but one that could still have some significance#like if he first finds out the issue exists via hopping right into the ocean; failing to change forms; never being human form'd in water b4#thee worst....crash intro course to the experience of drowning. observation of How Humans Swim / being able to grab any part of the boat...#and besides That unpleasantness it's like; hey. where's my nonhuman form at#or; of course; being in sea form even while dry....especially if he's still dealing with Nonsense on land. which is presumed.#&/or if there's an upswing in nonsense b/c of Other ways you're Othered...ofc we can consider like; tfw you're a gay fish & maybe that's no#something that on its own would be like Aah until it's like well a) i kinda wanna do things that would make this Visible and b) i've learne#that humans also Have Issues about this kind of thing....#appropriately my tablet was also all thrown off. no pressure sensitivity; input sensitivity overall was rough#but i would've had to restart my laptop about it lol like eh i'll just work around it
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itsbebebe · 8 months
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Okay but like im returning to an old doc where i was thinking about an ace attorney au where somehow the original UR-1 trial goes well (eg neither simon nor athena in prison) and while the phantom is thought to be the culprit of the incident they do not get imprisoned and are still out there. Calling it the Better UR-1 AU (unless someones done this idea before ig).
In the aftermath of this Athena is adopted by Aura and Simon. On the Blackquill siblings' end this would be because Simon persuaded Aura to (cuz of course simon would, what do u expect from the guy who would go to prison for this girl). On the legal end i think that the care system would think it'd be easier than the paperwork and disturbance of sending her overseas to live with relatives and its not even out of the blue if Aura and Metis were in a relationship. Besides, if Phoenix can adopt Trucy that easily, then the care system in this universe isn't too strict anyway.
Athena also would not therefore have the same motivation to go into law, and this instead would lead to her becoming a prosecutor (going to Themis with Junie for the qualification) to help Simon catch The Phantom.
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gallawitchxx · 2 years
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✂️ barber!mickey & shaggy!ian ✂️
here's the 9th installment for this week's @galladrabbles prompt: star by @celestialmickey
catch up/read in full HERE -- updates weekly!
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Christ, he needs to get a fucking grip. 
Still, audacious as it was, it was a future. 
It's been a while since Ian's thought about a future. 
"'Ey, I'm gonna spin you around, ok?" Mickey says, landing a timid hand on Ian's shoulder.
It’s electric.
Then, Mickey’s crouching in front of him, smelling like smoke and mint and something a little sweet.
He reaches for two pieces of hair, measuring them against each other, but also looking at Ian with such intensity that he can’t help but wonder if this is the moment people talk about—when the stars align.
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fivefeetfangirl · 9 months
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Me clutching my 5 fic wips while not having updated on ao3 since 2021: guys I promise I promise hand on my heart I'm a fic writer I love to write I swear on my grandma's grave I'm a fic writer I write fics
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cryoexorcist · 2 years
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you ever have a rare ship that you adore so much you’ll take any crumbs for it even though it’s so rare it never crosses anyone’s mind but your own?
haha yeah...
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hydrostorm · 2 years
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ive had this idea for a fic that i just love the premise of... we are talking like slice-of-life anime type stuff. alucard maria and richter just got through the tough winter and spring is starting, so they have their first big meal together with plants and herbs they foraged as well as small fish and other things they gathered in the forest, marias job is to gather all the food and then richter will cook it, and alucard is just beginning to accept them as friends and accept their place with them but not enough to really know how to help at all so they just sit alone kind of awkwardly but is secretly wondering about what theyre doing
maria can tell that alucard wants to get it on it but doesnt know how to initiate, so she has alucard come with her to forage for food and maria gives lessons kind of, telling alucard the best places to look and what kind of things are edible, so they help out and end up being very good at spotting where food might be (also i just now had the idea of ALUCARD HELPING OUT IN WOLF FORM) and so they come back with a ton of stuff and alucard feels very fulfilled
at this point in their relationship, alucard and richter have hardly worked through the hostility that grew between them during the winter, though maria had them each realize their hostility was foolish and so when they talk its just kind of tense even though they forgive each other
alucard is very curious as to how richter will be able to cook a meal over a fire with such limited resources but richter had learned from maxim how to do just that, and so she does, and maria can tell that alucard is curious about the process but doesnt know how to initiate and so she suggests alucard help richter
im kind of obsessed with the progression of all three of their dynamics, this would be the first time they all three work together on something and the first time that alucard feels any sense of purpose after sotn and it surprises them a lot because theyve never experienced this kind of life even before lisa died, all they knew was living in that castle
like literally somehting so beautiful to me about alucard finding purpose in just LIVING. like just living as a person
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3hks · 2 months
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How to Write REALISTIC and SMOOTH Dialogue
In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!
*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***
>> Keep your characters in character:
Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)
Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!
>> Take the situation into consideration:
This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.
If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.
>> Don't take too long with their words:
Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.
If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.
*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***
>> Having a variety of dialogue tags:
This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!
Examples:
Beginning - She tilted her head, "What are you talking about?"
Middle - "Oh," he blinked, "I actually never thought about that."
End - "Wait up!" She exclaimed loudly, waving her hands around.
>> Using no dialogue tags to create a smooth conversation:
Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.
Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.
*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***
Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.
>> Pauses and stutters:
When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.
>> Filler words and slang:
Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!
Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!
*** CONCLUSION ***
Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!
If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!
Happy writing~
3hks <3
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scarletlizzard · 29 days
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Inked Desires - Part 2
Read Part 1 right here
Summary: After your one night stand with a stranger turns into a regular hookup, feelings begin to develop between you and Natasha. A night out at the bar with your friends has her begging wanting more with you.
Pairing: gp!Natasha x fem!Reader
Tags MINORS DNI: natasha has a dick, buff out this world & covered with tats and piercings, little bit of yearning and pining, mentions of alcohol, smut, blowjob, unprotected sex, breeding, begging, miscommunication
Masterlist
A/N: Part 1 blew up like crazy! I never ever thought I would EVER get that many notes. Especially for, essentially, a smut piece I wasn't used to writing. After being asked a few times, I agreed to make a part 2, buuut I've been in a (bad) writing rut lately. So I wanna shout out the person who gave me so many good ideas and an actual plot to work with. Y'all can thank just her for there actually being a part 2 cause there almost wasn't one 🙏 Thanks for helping, kisses for your big brilliant brain.
Hopefully, she and y'all like it? It's a bit longer. Let me know what you think, please, and thank you thank you so much for reading 💞
That being said, there will be a part 3 😄
"Split? Like down the middle?" Kate asks with a look of shock on her face. You walk in step beside her along the concrete path on campus.
"Right down the middle," you laugh and adjust the bag on your shoulder, thinking back to just a few days ago when Natashas skillful tongue worked its magic on your body. Your cheeks heat up at the memory.
That first night you met, Natasha had given you a kiss goodbye and gave you her number before you took a very drunk Kate Bishop home. Since then you had seen the redhead multiple times over the course of the last few weeks. Neither of you seemed to be able to keep your hands off of each other. Each time you met it was for sex, and even the time she had taken you to dinner it ended with you getting fucked into her mattress again.
You knew the basics about each other, where you lived, eachothers jobs... the more you thought about it the more it upset you. The physical level the two of you were on was heavenly, but really, well, you barely knew her.
Kates voice interrupts your thoughts as you enter the English building, and you stop walking as she does.
"What was that?" You ask, looking to the smirk plastered on her face with curiosity.
"I said, speak of the devil," she chuckles and nods her head in the direction of a very tall Natasha striding your way. "See you in there," Kate says and walks into the classroom, leaving you in the hallway.
You want to drown in the sight of her, wearing dark jeans and a white t-shirt with old, dirty vans on her feet. You smile, trying not to drool at the way you can see the pops of color show from underneath her shirt or the way the sleeves seem too tight against her biceps as she grips the strap of her backpack.
"Hey there..." Natasha greets you with a smile, head pointing down as she stills before you. "Been a few days, haven't heard from you," she adds, her eyes baring into yours. You want to slap yourself for not replying to her text by the almost hurt look in her eyes.
"Well it hasn't even been a week, you miss me already?" You ask her with a little tilt of your head up at her, biting your lip as you see a blush spread across her cheeks. Her hand moves to the side of her neck, scratching at the ink awkwardly.
"No, no. Wait, I mean -" She lets out a sigh and shakes her head as you giggle at her. It was interesting, the difference in her appearance verses this nervous demeanor. "Maybe I did?" Natasha raises an eyebrow, the silver ring lifting higher.
"I might have missed you too," you shrug casually and watch as her face eases back into a smile. "I'm sorry I haven't texted, I've just been so busy with school and work." You point to the classroom next to you that Kate had entered. She follows the direction and nods.
"No worries, you're a busy lady. I actually took Mr. Furys class last year. Maybe I could take you for a coffee and give you some tips? Or maybe just um, talk?" Natasha asks, her tone quiet as she looks down to you.
You smile at the sincerity in her eyes. "I'm free after this class?" You take a step back, towards the room and match the wide smile on her lips.
"Sounds perfect," Natasha nods, and you can't ignore the way your heart speeds up in your chest. Instead of taking another step away you walk forward, leaning up on your tip toes to press a soft kiss to her cheek.
Natasha can feel the burn on her cheeks, the affect you had on her drove her wild. You lean back and smile at her flustered state, leaving her alone in the now empty hallway.
An hour and a half later, you emerge from the classroom, the butterflies in your stomach fluttering around at the sight of Natasha sitting on the floor. She had a book in her hand, closing it the moment she saw you and Kate walking towards her.
"Have you been sitting there this whole time?" You ask and tilt your head, watching the way her muscles flex as she runs a hand through her auburn hair.
"Uh, maybe?" A small blush hints on her cheeks, and she smiles at you and your friend. "I'm Natasha, by the way," she says and holds out her hand in front of Kate.
Kate chuckles at the formality, and you hit her arm, giving her a look. She shakes Natashas hand, "Kate... nice to finally meet you," She smiles back and looks next to her at you. "I'll see you tomorrow night, you should invite your friend."
You roll your eyes at Kates tease but nod and tell her you'll see her later.
"Coffee?" Natasha asks, and the ridiculous grin on her face is enough for you to agree to just about anything.
As you walk side by side, you can't help but admire her gentle personality. This woman, covered in tattoos and piercings with an intimidating gaze, was the complete opposite. She spoke to you about her schedule and that she was in school for sports medicine with a glint in her eyes.
"Like physical therapy?" You ask her curiously. You watched the way her face lit up at your interest, and she beamed down to you.
"Yeah, exactly that. If all else fails, I'll just be a personal trainer," she lets out a small chuckle, and you take the second she holds the door open for you to admire her toned body.
"How do I sign up? I need a good workout partner," you say with a flirtatious tone, brushing against her as you walk inside. You relish the blush on her cheeks and the small smirk on her lips as the smell of fresh coffee hits you.
"Didn't get a good enough workout last week?" Natasha replies.
"Oh, I had a great workout... but if I had a personal trainer, I'm sure I could get a good workout in at least a few times a week. Isn't that recommended?" You look up to her, seeing her neck redden and her eyes darken.
"I would definitely recommend that," Natasha mumbles as the two of you walk up to the counter.
As Natasha orders, you can't help but notice the change in her posture and attitude. Suddenly, she was standing straight, an impassive and series look on her face. Her tone was low as she talked to the woman at the counter. Natasha turns to you and nods for you to order. You do, and as she hands the woman her card, you smile up at her.
"Thank you for getting this for me," you say gratefully, watching her melt under your gaze. The smile was back, and her eyes came to life again. It seemed she had a soft spot for you.
"Of course, it's my treat," she says and walks you to a small table in the corner.
From there, you spend the entire rest of the evening actually talking and getting to know Natasha. As you already knew, she works out religiously, and you told her how lucky you felt that she had skipped her workout today just to sit down with you. She got her first tattoo at 18 and loved it, so she just never stopped getting them. The first piercing she got was on her eyebrow, and the same there, she just kept going.
It felt as if you were sitting in front of a whole new person than the one you met just weeks ago. The one who pile drived you into the mattress at a party and left you weak in the legs and sore the next day. Natasha was kind and sweet, funny, and surprisingly shy. Any time you made an attempt to flirt or give an innuendo, she would chuckle shyly and blush the slightest.
There were a few times you even had to squeeze your thighs as you thought back to that night. Any time her tongue would wet her lower lip or her eyes would travel to your neck. She loved your neck, you noticed. Every time you had hooked up her lips would go straight for the skin there, nipping at the few small freckles that adorned the area.
"That's a long time to be friends with someone," Natasha states as you finish telling her about yours and Kates relationship. Best friends since the fourth grade, completely inseparable.
"It's nice to have someone so close, who knows me so well. Especially since I'm an only child," you reply and watch her brow lift.
"Oh really? I have a sister, Yelena. She bugs the hell out of me, but I love her to death. She goes to the college just a couple of hours from here. Actually," Natasha looks at her phone, checking the time. "I'm supposed to meet her soon... she came home for the weekend."
You nod slowly and look around, realizing everyone had left and the two baristas were cleaning up. As the two of you stand, Natasha suddenly towering over at you, you feel a little disappointment in your chest. You were having more fun with her than you thought, and you found yourself not wanting to part.
"Hey, Kate and I are going to this bar tomorrow night. A few of our friends are getting together. Joes?" You say to her, smiling to yourself as she once again holds the door open for you.
"Yeah, I've been there a few times before," Natasha says with a grin, standing outside the coffee shop with you.
"If you want, maybe you and Yelena can meet us? You don't have to, of course, but..." You trail off.
"I will definitely be there. Text me a time?" She asks, and you nod happily. Natasha leans down, and you think for a second she's going to kiss you, but her lips land on the soft skin of your cheek. You put your hand on her arm as she does, feeling the tattooed skin burn underneath your touch.
****
Joes Bar is crowded, but that's to be expected on a Saturday night near a college campus. A local alternative band plays loudly on the small stage on one side of the room, and you find yourself on the opposite side sitting at the bar. Kate is nearby talking to friends and a few strangers, but you only had one person in mind.
You glance at your phone again, seeing no notifications. With a sigh, you finish your second drink, ordering a third as you contemplated the possibility she wasn't going to show up. This is why you didn't do this type of thing. You don't hook up with hot strangers. You don't get coffee with gorgeous, sweet women. You stayed to yourself, guarded your heart, and let yourself be safe from any type of rejection or heartbreak.
But God Natasha was worth breaking your rules.
You found your way back to reality as the bartender handed you a drink and said thank you before grabbing it and removing yourself from the bar stool. As you turn, you bump into someone, almost spilling your drink on them.
"Oh shit I'm so sorry!" You apologize, shaking the liquor off your hand as you had spilled a little on yourself.
"It's okay, I was just trying to squeeze in next to you," the woman says, and in your tipsy state, you raise an eyebrow. She seemed about your age, dirty blonde hair, and a familiar grin on her lips. You definitely hadn't seen her in here before.
"I was just getting up, actually. You can have my seat. Is that an accent I hear?" You ask curiously, moving out of the way so she could take your place.
"Yeah, I still have a bit of an accent, I was born in Russia. Lived there for a while," she says and nods. She then orders two drinks before turning back to you.
"Wow, you're a long way from there. You go to school here?" You ask her and sip your drink, feeling Kate stand behind you.
"No, but my sister does, though," the blonde smiles and grabs the two bottles of beer from the bartender. She looks at you and extends her arm towards Kate to hand her a bottle. You give her a confused look.
It's only then you realize, as an inked hand reaches over you to take the beer, that it's not Kate standing there, but Natasha. You turn instantly and look up, a habit your neck was quickly getting used to doing.
"Well, well, look who showed up," you say and take your bottom lip between your teeth. Natasha smiles at your words, noticing the way you take in her appearance.
If it was possible, Natasha looked hotter than ever. She wore a black t shirt underneath a leather jacket. Her flaming hair was behind her in a braid with a few loose strands framing her face.
"I see you've met my sister, Yelena," Natasha chuckles and nods in the direction of the blonde woman.
"Nice to meet you, Y/N. Natty here hasn't been able to shut up abou-" Yelena is cut off by Natasha flicking the bottle cap at her face, a stern expression on the older woman's face.
You smile at the siblings' banter, watching Yelena laugh and shrug innocently. Whether it be the alcohol flowing in your bloodstream or the way Natasha looked at you, you slide your hand into hers. She tenses at first, not used to the public display of affection from you, but quickly relaxes as you intertwine your fingers with hers.
"Come on, come meet everyone," you say and tug on her hand in the direction of Kate.
You find them huddled around a pool table, watching as Kate lines up the pool tip to the cue ball with one eye closed. Carol stands leaning against her own stick, shaking her head and putting out the cigarette she smokes into the ashtray on the edge of the table.
"Anyday, Bishop..." Carol groans, earning a laugh from the group.
"Seriously, how long are you going to take?" Peter chimes in.
Kate ignores them and continues to stare intensely at the 8 ball. Her arm begins to pull back to take the shot, but as Yelena comes into focus on the opposite side of the table, Kate is finally distracted by the beautiful blonde. The cue ball misses her target completely, rolling across the table and sinking into the pocket.
"Scratch!" Carol cheers and high fives Monica. Kate looked up at Yelena, her lips parted as if she was going to speak, but no words came out. Carol then steps up to the table and sinks the 8 ball, ending the game with a dramatic bow.
You smile at the group, raising an eyebrow at the silent state of your best friend. "Guys, this is Natasha and her sister Yelena," you say, receiving waves and friendly greetings from everyone. You introduce them to the Romanoffs a little more before they rack up for another game.
"You any good?" Carol nods to Natasha, who gives a humble shrug.
"I'm decent," she replies with a smirk on her face as she brings the bottle to her lips. Carol hands the pool stick over before going to get drinks for the group.
"Hope you're good, Romanoff. We still haven't beat Y/N," Peter says begrudgingly. You only hum in response as Kate hands you her stick, positioning yourself across the table.
"Is that so?" Natasha watches with playful eyes as you skillfully break, the balls rolling in different directions along the table and a few of them sinking into the pockets.
When you lean up, you smile and reach your hand up to pat her cheek. "Good thing you didn't bet anything," you chuckle.
After a few back and forth turns, Carol returns with shots, to which you all cheer and take at the same time. The alcohol was definitely settling its way into your system now, and you were hot to the touch each time Natasha had to lean down to take her shot. Between the focused look on her face and the way the pool stick slid between her fingers, it was enough for you to want her right there.
You step forward next to her, looking at the direction of the shot she was trying to take. "That's a tough one, baby," you say to her, the term of endearment catching Natasha off guard.
Her body visibly tenses as she looks to you with a visceral reaction and swallows hard. You feign an innocent smile, taking a mental note to call her that again just to see her reaction. Natasha misses the shot and curses under her breath.
"That's not fair," she says and shakes her head as she stands tall. The red head removes her jacket, finding that the room was getting hotter.
You shrug and easily pocket two more balls on your turn. When you look to Kate to make a comment about the shot, you realize she's strayed from the group, chatting up Yelena. With your friends being in their own worlds at the moment, you decide to have a little fun with Natasha.
"You're not so bad, you know. The others have a hard time keeping up with me," you smile as she leans down, and your hand rests on her back, rubbing over her shirt.
"Y/n," Natasha mumbles, the blush on her cheeks evident she enjoyed your touch.
"Yes, Nat?" You pur, watching the muscles flex understand the fabric. Knowing you had this type of effect on her gave you a sense of power that only made you hungry for more. Your hand slithers underneath the bottom of her shirt, nails scratching at her back. She misses. You smile.
"You're a cheater, you know that?" Natasha says in a playful tone, her body naturally leaning towards you.
Your hands rest on her stomach, "I don't know what you're talking about." You lean up and plant a soft kiss on her lips, smirking as she leans down and melts against your mouth. "I'm just having fun," you whisper.
At that, you step away from her, crossing over to the opposite side of the table. You lean down more than you need to, and you don't miss the way Natashas eyes dart back and forth from your breasts to your neck. She finishes another bottle, and you can tell you've stressed her out by the way her hand grips the glass.
You continue to do the same thing for the remainder of the game, teasing her with every shot she took and making sure to bend in front of her any chance you could. It came down to the 8 ball, and you had to admit, you were dragging the game on longer than you needed to.
"Last one," you sigh and put your hand on the back of her neck as she leans down. Your fingers squeeze gently as she clears her throat, trying to ignore the shivers that run down her spine every time you touch her. You lean down with her, your lips brushing against her ear. "Good luck, baby," you whisper and kiss her cheek.
Her neck gets red at your words, and her grip on the stick only tightens. You think it'll snap in half with how hard she holds it. Natasha quickly shoots and misses, causing you to raise an eyebrow with just how quick she took the shot. Instead of stepping back, she continues to stand pressed against the table. "All yours," she mumbles and holds her hand out to the table, shifting uncomfortably as she stands.
You line up the shot and sink the black ball easily, looking up at her with a wide smile. She only gives you a small smile back with a nod. "Aren't you going to give me a victory kiss?" You ask as you step back to her.
Natasha hesitates for a moment but finally turns to face you. Your hands move up to wrap around her neck, your body pressing against her front as she leans in. Before your lips can touch your eyes, widen the slightest. You now realize the reason for the sudden uncomfortable physical shift she had taken when you felt her bulge pressing hard against you.
"Oh... was I teasing you too much?" You ask with a smirk on your lips. She rolls her eyes and moves to pull away, but you don't let her. "What was it?" You ask her.
"What was what?" She replies, her hands moving to your waist. You press your body further into her and relish the hiss that leaves her mouth.
You search her eyes, thinking to the moment her demeanor had changed. Suddenly, there was that power-hungry feeling again when you realized the reasoning. The fact that you could get her hot and bothered by a simple word leaving your lips, by your voice alone, and the thought of you driving someone like her mad. Natasha was weak in the knees for you, and she struggled internally with the way you made her feel. She wasn't used to it.
"Why don't you let me help you take care of your little problem... baby, " you whisper to her, feeling her shoulders tense above you. "Come on." You slide back and take her hand in yours, leading her away from the pool table and towards the bathroom.
As soon as both of you are inside and you lock the door, the two of you are on top of each other just like the first night you met her. Natasha kisses you feverishly, like she'd never been kissed before, with your back hard against the door. You welcomed her tongue into your mouth, moaning as the two halves wrap around your own.
With one hand, you hold onto the front of her shirt, gripping tightly, with the other you slide it in between your bodies, letting yourself grope the hard bulge in her jeans. Natasha lets a hint of a whimper leave her lips, one you hadn't heard since the first time with her, and you smirk into the kiss.
"What's the matter, baby? Do you need some help?" You ask innocently, lips ghosting hers. She breathes heavily and nods as your hands move to undo her belt.
"Sweetheart... please," she says, and you decide in that moment that you need her to say that again. Just the idea that this strong, formidable woman could so easily melt in your presence made you thrilled.
Her hands rest on either side above your head, pressed flat against the door as you slide her pants down. You can see the precum dampening a spot on her underwear, and you feel yourself get wet at the sight of it. She needed you, bad.
"Please, what?" You ask, your hand moves to grab her through her boxers, and you stroke her length through the thin fabric.
"Fu-fuck," she barely breathes out, eyes searching yours. Natasha hadn't begged a day in her life, but she would happily beg for you. She was at the point right now that she was willing to get down on her knees and beg for you. You made her desperate.
"Please touch me, please. You feel how hard I am for you? Just -" You squeezing a little harder makes her gasp before continuing. "I need you to touch me. Please, sweetheart... please, " she begs. You smile at her words, enjoying the way her body melts at your touch and the way she begs for you.
At her words you slide down her boxers, and her cock twitches at the feeling of finally being released. She lets out a sigh of relief as your delicate fingers wrap around her. "Is this what you wanted?" You hum, beginning to move your hand up and down. Natasha nods, chest beginning to rise and fall rapidly at your movements.
When you stop, she looks at you with a disoriented look, eyebrows lifting as she watches you drop to your knees. You take her cock in your hand, letting your other rest on her thick, toned thigh. From here you can see her happy trail peaking from underneath her shirt, making your panties wetter. The way she looks down at you with a breathless expression and parted lips makes you want to live your life on your knees for her. Your lips kiss along the side of her length, teasing slowly with your tongue licking up it. Natasha groans with pleasure at the feeling and her hips instinctively buck towards you.
You give in, not wanting to tease her anymore tonight, and take her cock into your mouth. The moan that leaves her mouth is outright sinful, and her fist hits the door with a thud as you begin to bob your head. Your cheeks hollow out when you begin moving faster, taking as much of her as you could. When the tip hits the back of your throat your eyes sting, tears threatening to leave your ducts. Natasha pants heavily above you, savoring the moment of you on your knees for her, sucking her off.
"Look at you, such a pretty girl with my cock in your mouth- fuck," Natasha speaks low to you, her eyes dark as she watches her cock disappear against your lips. Your fingers on her thigh dig in, your nails digging into her skin to leave crescent shaped marks, at her words. "All night you've been teasing me... this is the only way to shut you up, isn't it?" She says and you moan against her, the vibrations sending her close to the edge.
Her breathing gets heavier and you can tell she's about to cum, but before she can you quickly remove your mouth, your saliva coating her as you release with a pop. You stand, not ignoring the frustrated look on her face.
"Baby, I think you're confused," you say, your hands moving to the top of your dress. "You're not in charge right now," You let out a small laugh and pull down on the fabric, letting your breasts spill out. Natashas face reddens in response, and she immediately moves to kiss your chest. You can feel the marks she leaves as her lips trail across your breasts, her skillful tongue pleasuring your sensitive nipples.
Natashas' large hands move to the bottom of your dress as her kisses begin to litter up your neck. You let her move the material above and over your hips, but stop her as she reaches your panties. "I wanna hear you," you mumble out. She lets out a huff and pulls away from your neck.
"Y/n... please." Natasha says. You only continue to look at her with innocent eyes. The fact that she would beg for you - is begging for you, made you feel instant gratification.
"Please, pretty girl? Please let me make you feel good. I want to fuck you, want to make you feel good so bad..." She begs, and you let her slide your panties down your legs. Natasha slides her tip between your closed thighs, her cock now being coated from the wetness that spread between your legs.
She slips in between your folds, waiting for your words. Her fingers dig into your hips. "You drive me so fucking insane," Natasha whispers as her head ducks to your neck again. "I could cum from just looking at you. Just hearing you say my name. You know how much control you have over me?" Her hips continue rocking against you, your thighs squeezing her hard cock. She begins to pant again, her neck red and hot to the touch as you wrap your arms around it, interlocking your fingers behind her head.
"Please," Natasha whimpers, and the sound is enough to make you moan. You needed to feel her inside you immediately, hear more of those moans leave her lips.
"Show me how bad you want me, how insane I make you feel," you finally say and lean forward to bite her lower lip. She wastes no time lifting you up, helping you wrap your legs around her hips. Your back presses against the door again and with one hand she guides her cock inside of your warm velvet walls, easily ,with how wet you were for her.
Natasha begins to thrust up into you, a feeling you had become accustomed to these past few weeks, although you weren't sure you'd ever get used to her size. She groans against your chest, nipping at the skin. The small bathroom fills with the sounds of her pounding into you, both of you moaning practically in sync with every thrust.
"So good, pretty girl, feel so good wrapped around my cock. I love fucking this pretty pussy," she breathes heavy against your skin as she speaks. You hold on tightly to her, only breathless moans escape your lips in response.
Suddenly, from the outside, someone bangs on the door, Natasha doesn't halt her descent on you. "Can you hurry the fuck up in there?" A stranger yells from the other side. Your eyes widen, a little bit of adrenaline rushing into your chest as she continues fucking into you.
Natasha smiles, now at your flustered state. "Occupied," is all she replies before her thrust picks up the pace. "You better keep quiet, sweetheart. You don't want everyone to know how much of a slut you are for me, letting me fuck you in the bathroom."
You squeeze your eyes closed as she fucks herself into you, trying your best to keep quiet. Each thrust was now hitting that special spot inside of you and drawing you closer to an orgasm. The feeling of her muscles flexing around you only intensified that feeling.
"Fuck I-I can't I'm-" Natasha stutters out as she groans into your neck, feeling your hot cunt tighten around her cock.
"Me too, Nat," you moan along with her, and your legs squeeze around her waist. "Let go, baby... wanna feel you fill me up." You watch her face twist in pleasure at your words, and the fact that it was enough to make her cum only added to your ego in the moment. Natasha grunts against your skin as she does just what you say, filling you up completely.
The sensation alone is enough to make you follow right behind her, the burn in your lower stomach blazing as you scream out her name.
"That's it, sweetheart, that's it... such a good girl for me," she coos as you fall apart in her arms, kissing your face as you breathe heavily. Your head falls against her shoulder, face panting in the crook of her neck as she holds you tightly, letting you come down off your high.
After a few moments she pulls out slowly, and you can feel the mixture of both your arousal dripping down your thighs. Natasha carries you to the sink, letting you rest on the hard surface while she pulls her pants back up and you fix the top of your dress.
"Hi," she says with a smile. You giggle, remembering she said the same thing afterward on the first night at her party.
"Hi," is all you reply, grabbing her shirt in your hand and pulling her closer to kiss you again.
****
"They have eight legs and eight eyes. How are they not scary?" Peter drunkenly speaks to Monica, who sits next to him with an amused look.
After your time in the bathroom with Natasha, the two of you had rejoined the group, and over the course of two hours, you had become increasingly wasted with the rest of your friends. As Yelena joined in on the topic of spiders, you feel Natasha rest her head back against your front.
She sat slouched back in one of the chairs that scattered near the table while you stood behind her, hands stroking her neck and massaging her shoulders. You can't help but smile down at her.
"You're so cute," you giggle and watch her brow raise. Your finger traces the dark lines on her neck.
"Anything but cute," Natasha groans, with a playful smirk on her face. "Why do you say that?"
"You're different than you look, you know? Why are you so nervous around me?" Your words slur, and she chuckles at your drunken state with a shrug, looking at the beer bottle she held in her hand.
"Must be the alcohol?" She says. You shake your head and poke her nose.
"You were drinking when I first met you, and you weren't like this," you point out and watch her swallow. You decide to move in front of her, settling yourself between her muscled thighs. As you stand in front of her, she sits up straighter, the two of you now practically the same height.
You take her hand in yours, playing with her fingers. She smiles a little as she looks at your intertwined hands.
"Maybe I was drinking that night to get enough courage to talk to you... and maybe I- maybe I'm drinking tonight to get enough courage to say I want more with you. More than... the hookups," she says and finally looks back up at you. Your heart races in your chest at her words, panic written on your face as you freeze in front of her.
That was exactly what you wanted. More of her, more of this beautiful person who was even more beautiful inside. To get to know what makes her really tick, what makes her happy, how her day was, how she likes her coffee. She wanted more, too, so why were you not speaking out loud?
"What?" Is all that comes out of your mouth.
Natashas face falls completely, misinterpreting your flustered state for a sign of rejection. She had hoped this wouldn't happen. Part of her wondered if this had just been a hook up, but the other part of her desperately hoped it wasn't.
Before the words could leave your parted lips, Kate calls over to you, taking the attention of both you and Natasha.
"Y/N, you ready to go? You can stay if you want, I'm gonna take Pete home, though," she nods to the direction of where he sat drunk rambling to Yelena.
"No, not -"
"Actually, Yelena and I have a lot to do tomorrow. We should head out too," Natasha interrupts you and stands, her hand moving to your lower back as you stare up at her with a pout.
"Are you sure?" You ask her, your hand reaching out to her side. She tenses under your grasp.
"Yeah, I'll text you later," She smiles at you, but it doesn't quite reach her eyes this time.
You nod anyways and smile back, leaning up to kiss her lips softly. "Thank you for tonight.. Hopefully, we can do it again soon?"
And while you were talking about hanging out with her, Natasha assumes you were talking about her fucking you.
"Yeah, soon," she lets out a breath and grabs her jacket, not taking a second look back at you as her and Yelena exit the bar.
***
A smile fills your face as your head hits the pillow, the soft comforter pulled over you as you lie on your warm bed and mull over tonights events. You wondered why Natasha had left in such a hurry before you could say anything, but you decided not to think too hard on it. She probably did have to go. It was early in the morning by the time you left, and besides, you would hear from her later.
Every morning, she texted you a quick and sweet text, telling you to have a good day.
Your chest swelled at the thought of it, how sweet it was that such a small, simple thing could brighten your entire day. What you assumed would happen tomorrow is that the two of you would talk about wanting more and how desperately you agreed with her about it.
But when the late morning came and the sunshine streamed through the windows, no text came with it.
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neil-gaiman · 9 months
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Hello!!
First of all, THANK YOU!!! The world has been feeling harder and more hopeless to me in recent years, and individuals like yourself help more than I will ever be able to express to bring light and hope back into my world. Loving and obsessing over gems like Good Omens, and American Gods (the novel at least, I must admit I never saw the show 🙈) have always given me motivation, sparked my creativity, and made me feel so much love for this, often unfortunately cruel, world. I can't express the solace it brings to me when the creators of the things I love are thoughtful and decent human beings. So, again, THANK YOU 🫀🫀🫀
I just finished my second viewing of Season 2 and have a question for you (my apologies if it has already been asked and/or answered and I missed it)!! 
How did you select the song "Everyday" by Buddy Holly? It is absolutely perfect on so many different levels, and for so many different threads and characters, all while still encompassing the perfect feelings of this show. I always include playlists with the stories I write, and often agonize over which song is the best choice for certain moments. You had to pick one song to encompass the entirety of it, and it truly blew me away! 
Thank you this Season and for everything you do; it really does mean the world to so many of us 🫀🫀🫀
In February of 1991 (I think) Terry Pratchett and I were staying in the Chateau Marmont hotel in LA. These days it is a very fancy hotel but back then it was pretty manky and run down. We were being put up by a film company and each morning we would fax over an outline for a new version of Good Omens the Movie and each afternoon we'd go to the studio for a meeting and we would realise that nobody had actually read what we had sent over that morning. Then we would go back to the hotel and work on trying to incorporate the studio notes on the outline they hadn't actually read into what we were doing.
We worked up in Terry's room because it had heating, and it was incredibly cold in LA that February, especially cold because I was in a chalet out in the grounds and there weren't heaters or extra blankets or anything in the chalet.
And at some point in there we were talking about music, and I suggested a few scary and ominous songs that might work to signal the end times. And Terry said "What about Buddy Holly's song Everyday? It sounds so upbeat and cheerful. But what if it was about the end of the world?" And I got all excited at the idea of Everyday being the Good Omens theme song.
So it's really just there to make Terry happy.
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gay-dorito-dust · 11 months
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hellooo, your writing is amazing so far i love it 🫶🏼
Could you do one for Hobie x fem reader, where the reader is friends with SpiderPunk AND Hobie. But she doesn’t know they’re the same person. And one day lovergirl rants about her fat ah crush on Hobie to him??
First off, thank you for enjoining my writing, I try my best with what working brain cells I have left 🤣
Ooh I love this idea very much! But I might make it a two parter cuz I defiantly went off request…oops…
Part 2
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You were just minding your business, chilling on the roof top of an abandoned apartment complex, mind a million miles elsewhere on a certain somebody when a flash of red and blue caught your eye and before you knew it; you company of one had became a company of two.
‘Heya Spidey, how are things?’ You greeted.
He shrugs, ‘the usual but what about you lil missis,’ he playfully nudges you, ‘head so far off into the clouds I’m actually feeling a little neglected over here.’ You laughed, shoving him away by his arm. ‘Oh come off it, will you? I just been thinking about this guy I’ve liked for a while now.’ You admitted and Hobie’s interest was immediately peaked.
For as long as he knew you, Hobie could barely remember the last time you had ever admitted to him in fancying someone, besides from a couple of incidences from way back that ended up backfiring; but other then that, you kinda made it a point not to talk about it, maybe in due to him thinking that whoever you did fancy at the time weren’t worth the effort you’d give had you perused them. You had often called him overprotective whenever you tell him about your crush of the week but Hobie would defend himself by saying he was merely looking out for you and didn’t want you getting hurt by some douchebag.
‘You don’t have to defend me from everything Hobie,’ you once told him as you were patching him up from beating the breaks off of your last crush because they were chatting shit about you behind your back, ‘whilst as sweet as it is but you can’t always be there to look out for me.’
‘Watch me.’ He replied, his view remaining completely unchanged. You sighed, knowing that once Hobie’s mind was made up, nothing you nor anyone else could do to change that. He was an akin to that of an immovable object when it came to his beliefs and views and it was amongst the many things you adored and admired about him most.
‘Oh yeah? And who’s the lucky guy?’ He asked casually leaning back on his arms, watching as you brought your knees close to your chest before resting your chin upon them as your eyes gaze out at nothing in particular; something Hobie noticed you often do when you were particularly in your feelings and needed something to hold onto and ground yourself before you became adrift in your own sea of emotions. It was cute to see you tucked in on yourself so tightly that he couldn’t be more thankful for the fact that you couldn’t see how dopey he must’ve looked beneath his mask.
‘Hobie. Hobie Brown.’
He blinked twice, nah, he must’ve heard that wrong, surely, his hearing must be going all scewiff.
‘Hobie Brown.’ He said his own name as though it was the first time he was ever saying it. Upon seeing the way your shoulders drop and your body becoming at ease upon hearing his name, along with the way you smiled gently and how your eyes seemed to beam with newfound light which all had only helped In affirming to Hobie that he did indeed hear you the first time. ‘What is it about the guy that’s got you all up in knots?’ He asked, trying to act as though you didn’t just indirectly admitted that you’ve got a crush on him to him.
‘Where do I start.’ You started, unable to fight against your own feelings that were swelling up within your chest when an image of Hobie appeared in the forefront of your mind, he was sat on your bed, eyes closed as he allowed himself to get lost within his guitar rifts, his calloused fingers expertly transitioned from chord to chord as it were muscle memory. ‘He’s just so cool and awesome and so forthright and opinionated in his views and beliefs that he’s not afraid to back down from a fight should it come down to it.’ You tell him with a sense of fondness in your voice.
Hobie was quick to notice how your hand fiddle with one of the many handmade pins he’s made you that you always paired up with any and every outfit you ever wore, even if they styles did clash but you didn’t seem to care; Whatever the reason for you reaching for the pins were, whether it’d be out of a need to feel out the closest thing you had in regards to him or it was just something you did out of habit, made Hobie warm within his chest that soon spread throughout his body. ‘Sounds like me and this Hobie guy are more alike then I originally thought.’
Your fingers stopped their fiddling and you suddenly looked at him as though you were just now realising something with the way your eyes bore into him, Hobie thought that you might’ve developed the ability to see through the mask that withheld his identity and into him, so much so that he couldn’t help but make a comment on it, ‘stare at me any harder sweetheart and your stare might burn right through my mask.’ You must’ve been deep into your thinking as you didn’t seem to have noticed that he had spoken at all and Hobie was starting to think that he might’ve been too relaxed with you as Spider-Man that you might have started to have it pieced together in your mind; after all you were smart, more so then what you give yourself credit for.
‘Now that you’ve mentioned it you and Hobie do share some of the same attributes and habits, I’m also pretty sure your similar height wise and even though your mask muffled your voice, it fills me with a sense of familiarity that it’s hard for me to put a finger on.’ You said as you leaned closer to him until you were partially merely a breath away from each other. Hobie didn’t know he was holding in a breath until you shrugged ‘but I could just be grasping at a straws, so I won’t dwell on it as much.’ and moved away from him back to your previous position.
As much as he would’ve loved to have you figure out his identity on your own terms. Hobie would prefer it best if he were the one to reveal himself to you but the moments where he wanted to never felt right and he didn’t want to you in danger by doing so, but he knew that there’d come a time where he would be greeted with a choice in wether to tell you the truth as to who he was or continue living like he has currently and potentially loose your trust because of his lack of transparency; Hobie couldn’t bear to think of loosing your trust but just as he has always done since becoming your friend, he was merely looking out for you and for your safety as they were always his top priorities.
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mellowsaturns · 10 months
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in losing grip, on sinking ships (you showed up just in time)
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BUCKY BARNES X FEM!READER
summary: when the avengers pick up unusual activity, they realize that not all of hydra was destroyed. one unidentifiable face sends the team into a frenzy but bucky knows it. he could recognize those eyes anywhere.
warnings: heavy angst, one sided enemies-to-lovers-ish, hydra!assassin!reader, hurt/comfort, happy ending, brainwashing, trauma, guns & knives, fighting, implied kidnapping of reader when young, all the feels, misunderstandings, poor attempt at writing action
wc: 4.7k
a/n: sorry it’s been forever but i hope my fellow buckyluvrs are still here <3 i actually wrote this a long time ago but never got around to editing until recently so i guess you can say this is (from the vault) ? inspired by the idea: what-if there was another winter soldier and bucky finds himself in steve’s position this time trying to get you back to him. anyways, i hope you enjoy this one :)
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Bucky’s life was a never ending montage of gunfire and bloodshed. It didn’t matter if he was under the clutches of someone else, he still lived through the wars—the lingering smell of smoke and tang of metallic forever ingrained in his senses.
And just when he thought it was finally over—a glimmer of peace at last—it comes and steals that dream away from him.
Like deja-vu, he’s looking at faces that were once responsible for his pain.
On the screen, three Hydra officers stare back at him. All faces identified by Tony’s system. Alive. Last seen in the outskirts of some small country in Europe. Irrelevant low ranking officials that had managed to survive the fall of S.H.I.E.L.D and have been hiding and secretly continuing Hydra’s mission underground ever since. Low officials or not, it was one too many.
Bucky freezes in his spot when Tony swipes the screen. The billionaire goes on a rant saying this particular face cannot be identified, which was according to Tony, bullshit because his face recognition system is the best in the world. The rest of the team is arguing and flipping through countless files and internet archives. But Bucky knows. He knows that face and those haunting eyes that he still sees in his dreams.
“Buck,” a voice calls out. “You know her, don’t you?”
He looks up at Steve from his spot, his best friend's face worried and all knowing.
One thing about Hydra was that they were always prepared. They had backups and multiple plans ready, or else how would two heads take its place when one was cut off? Unfortunately for the world, Hydra managed to make another deadly assassin, one whose work was so discreet and nimble that even intelligence didn't know they existed.
You were a ghost story that lived in the shadows of the Winter Soldier. You were another one of Hydra’s prize possessions—less known, but just as deadly.
With Steve’s comment, all eyes are now on Bucky. A pregnant pause fills the air and he gulps before he confesses, “I wasn’t the only one.”
The room becomes tense. The war that they thought was over suddenly looms over like an unpredicted oncoming storm. “Jesus Christ, Barnes. You couldn’t have informed us about her earlier?” says Tony.
“I thought,” he says, shifting his eyes onto the ground, “I thought she fell with S.H.I.E.L.D.”
Bucky couldn’t find you anywhere after he escaped their grasp. After he joined the Avengers, he tried once again secretly using Tony’s technology but it was to no avail—it always ended up being a dead end. And for that, he assumed Hydra had put you out of your misery the day they were caught.
But the face on the screen says otherwise. And suddenly, Bucky feels very guilty.
Steve clears his throat, “Well, they were picked up not too long ago heading north. If we leave now, we might be able to find them and stop them once and for all.”
Everyone looks at each other, debating on his proposal. “What the Captain said. Everybody, suit up. Quinjet leaves in ten,” says Tony.
On the jet, Bucky stares off into space but countless questions run through his mind.
Steve walks over and sits beside him. “What’s going on in that head of yours?” he asks, voice quiet.
Bucky sighs, “I just… I thought she was gone.”
“Hey, it’s not your fault. You didn’t know.”
He looks up, wondering if he should tell Steve the truth. That he’s not brooding about the fact that he concealed you to them. After a moment, Bucky speaks up. “When we get there, let me handle her. Please.”
Steve didn’t know what kind of history Bucky had with you. But judging from the look his best-friend is giving, it’s more than what Steve could understand or even comprehend but he trusts Bucky and so, he gives him a nod. “She’s all yours.”
After scouting the area and tracing the location to a very hidden underground warehouse in the middle of nowhere, they split up. The warehouse was dark and dusty, surely abandoned, but Bucky knew better—it was their facade behind the most sinister of activities. Through the comms, Natasha announces that she has already taken care of all the troops in the West wing. Moments later, Sam reports that he has eliminated one of the Hydra officers. They wouldn’t last long. Hydra didn’t have much resources or time to rebuild—their current empire was weak, they were no match for the Avengers this time.
The only person Bucky’s truly worried about is you. The fact that he trained you, made you into what you were today already gave him the chills. He’s not the Winter Soldier anymore, but he was certain that you were still in that killer mindset that Hydra forced upon you.
Step by step, Bucky walks through the quiet hallway, the echoes of his footsteps the only noise. It’s cold here, he notices, which gives him flashbacks to those days in his dirty cell and the cryostasis chamber. Down a hallway to the next, round a corner and another, there wasn’t a single soul in the eerily Eastern wing.
But he spoke too soon, because seconds later, a garrote wire was around his neck. The swift invisible steps and the perfect pressure that was being used to quickly cut off his air supply was all too familiar. He knows this move, he taught this move. You’re here, and you’re dragging him backwards.
Before all oxygen gets cut off to his brain, he jabs his elbow backwards and hits you hard on the rib which releases the hold you have on him and sends you stumbling back. Bucky takes a moment to regain his breath but you’re on your feet again. He looks at you and for a moment he freezes, then you let out a sinister grin. “Nice to see you again, Soldat,” you taunt, before running towards him.
Bucky’s deflecting your punches one after another. Maybe he’s glad he was the one who taught you everything you know because your moves were predictable—if it were another person, there is no doubt they would’ve been on the ground with multiple concussions bleeding out already. You’re ruthless when you do a triple roundhouse kick on him. On the fourth one, he manages to catch your leg and twists it, sending you to the ground with a groan.
How familiar this scene was, Bucky thinks.
Some forty-years ago, Hydra brought a woman into the training room. There was no further instruction than to train you and that’s what he did. He could tell you were well trained already—compliant and pliable. You were good. And you were just like him, injected with a serum that made you a hundred times more efficient and stronger. In just under a year, Hydra would start sending you on missions. Sometimes with him, sometimes alone.
During training, the both of you would spar for hours, leaving each other bloody and bruised, but it didn’t matter to the overlookers, the both of you would heal in a few hours anyways.
Once you pick yourself back up, he pulls a gun out on you. “Stop this,” he commands.
You smirk, “You going to shoot me, Soldat? I want to see you try.”
He clenches his jaw. You continue to look at him, a dark look on your face that shows no sign of true recognition.
His thoughts are disrupted when you tackle him onto the ground. You kick his gun away and pin his arms down as you straddle him. “I’m going to kill you,” you declare, “I’m going to put a bullet through your head.”
When he looks up at you, your eyes are full of rage. Bucky doesn’t know whether that’s the brainwashed version of you talking or the actual you talking—maybe both.
“What are you going to do after you kill me?” he says, irritated. C’mon, please recognize me. “This is all that remains of Hydra. Half the troops are already dead. One of your new leaders is dead. In a few hours, Hydra will be no more. What will you do after that? What are you going to do after you kill me?”
“What does it matter? You’re my mission. I’m going to finish it.”
He groans at your stubbornness that was identical to his Soldier persona.
He says your name slowly. “Get off. You can walk away from this.”
You frown, but he continues, “I know how you feel. You’re feeling helpless.” He clears his throat, “There’s someone behind this version of you. I want to talk to her.”
“What are you talking about?” you utter in annoyance. “Stop stalling.”
He says that name again, with calamity and care. You want to rip out his tongue.
“Let me talk to her. Please.”
“I don’t know who you’re talking about!” you shout, grabbing for the gun that’s strapped onto your waist. “Stop talkin–”
“I was in the cell next to yours. You liked the colour green. You were wearing white when we first met. You always wanted to visit Bucharest. You hated the leaky cold showers in the Siberian facility,” he rambles, trying to remember every single thing about you in a desperate attempt to get your attention so this version of you won’t shoot him in the face.
And for a moment, it works because your hand freezes on the grip of your gun. He takes that moment to flip you over, so you’re under him now, hands pinned above your head. He takes your gun and throws it behind him.
You snarl at him while trying to escape his grasp. “I know you’re under there,” he says. “Please, come through. Please talk to me.”
Your face scrunches in pain, not from him—he would never hurt you—but from the mental warfare that’s currently going on in your mind. You close your eyes as he speaks again. “Listen to my voice, you know me, don’t you? мой милая.”
My darling.
For a moment, your entire body tenses up and then you let out a painful breath. When your eyelids start to flutter open, he finally sees the eyes he came to know and rely on—eyes he came to love.
The both of you are looking at each other unblinking. A scene neither of you expected but always dreamt about.
You break the silence with a whisper of, “James?”
Bucky slowly nods at your disbelief. Finally, he thinks. But such respite doesn’t last long, because seconds later, you hook your foot under his and flip him over and escape his grasp.
There's darkness in your eyes and he can tell that the Soldate is back and the fighting resumes.
You’re chasing him down the twisting hallway and when you catch up, you grab his shoulder and throw a punch to his jaw. He stumbles back and then a voice comes through the comms.
“Just took down the second one.” Steve. “Bucky, how are you holding up? You’ve been quiet ever since we split up.”
He’s trying his best to block your hand, which now has a damn pocket knife. Your quick movements are starting to tire him out. Maybe he taught you too well, he thinks.
“Buck? Bucky. Confirm your status, right now.”
Groaning in frustration, he taps his earpiece. “I’m fine,” he grunts. A second later, “Shit!” he huffs out as you nearly slice his face.
“You don’t sound fine. Is she with you? I’m sending back up.”
“No!” he says, “Don’t send anyone. I can handle her.”
In truth, he’s struggling right now—your stamina has always been better than his—but he’s worried that you’re going to accidentally get hurt and even more agitated when people appear. His main priority was keeping you safe. Fuck the mission statement they talked about back on the Quinjet.
You’re angry—no, you’re extremely angry at him. It doesn’t take a genius to tell. It’s a mixture of pure rage from both the brainwashed and actual you.
He supposed he deserved it. You should be angry. Because for the longest time, it was you and him.
Other than turning you into a ruthless assassin just like him, an unexpected companionship also formed during those hazy in-between moments when the two of you weren’t frozen or on the metal chair getting fried by those machines—during the times when he was just Bucky and you were just you, two unfortunate innocent souls that shared the same suffering.
They weren’t pleasant moments. It was dehumanising. It was getting shoved into draughty cells with nothing but a blanket until it was time to train or time to embark on a mission. Luckily, your cells were next to each other and it made the endless nights a little more bearable. He was a little off-putting at first, but when he yelled at you to stop crying because they would torture you even more for it, you knew he meant well.
During your shared time together, glimpses of your true selves would seldom come up and you would tell each other about the little bits and pieces of a life once known. And the both of you would hold onto each other's memories and stories in case the other forgets.
And whenever they prep the two of you for the chamber due to there being no current missions for the time being, the two of you would look at each other—a look of longing with the secret squeezing of each other's hand before going under.
Despite the absolute awful situation the two of you were in at the time, the both of you were hopeful for the next shared moments together. Because even when all hope was gone, you had each other. And that was good enough for the two of you.
He misses you. So damn much.
“Shut up,” you mutter.
He didn’t even realise he said it outloud. “Well, I do,” he admits, his back hitting a wall.
“You talk too much, Soldat,” you say, creeping up on him. “I ought to cut your throat.”
“I’m sorry I left you with them.”
You halt in your steps and your jaw ticks. In a second, you pounce on him, your knife against his throat. He’s gripping your hand to stop you from continuing your job.
He says your name again. You’re pushing but he’s pushing back just as hard. “I’m sorry…” he repeats, “I’m so sorry.”
The desperation in his voice… You glance up at him slowly and he sees the pink forming in your eyes and your trembling lips. “What are you doing? What are you doing to me?” you whisper.
He sees the internal war behind your eyes once again. Bucky gulps for a moment before letting go of your hand, trusting that you won’t do any actual harm, and moves his hands so he’s cupping your face, firm enough so you’re forced to look at him. You look into his eyes for a second, then a minute, and for a moment, everything stops. Your breath hitches, because those eyes… those arctic blues… you know them. You fell in love with them many years ago.
A realisation washes over your face, one that Bucky doesn’t miss. You’re back.
The first tear falls. Then the second. “Bucky.”
“Hey, sweetheart,” he whispers.
You let out a small cry before you press the blade harder against his neck, your grip a vice from his betrayal. He could feel the sharp cold metal pierce through his skin ever so slightly, but he doesn’t try and stop you.
“Give me a reason to not kill you right now,” you grit through tears. “You left me. You left me behind to rot alone. You promised me. You fucking promised,” you say, voice laced with venom and so much hurt.
Bucky’s heart breaks at the sadness of your voice. Because he did promise. There wasn’t much to do in the cells other than throw around false hope. But whenever he told you he was going to escape one day and that he was going to take you with him—it didn’t feel like false promises at all because it wasn’t, and you knew it too.
Until he broke that promise and left you all alone.
“I didn’t mean to,” he says, voice breaking. “I didn’t mean to leave you there with them.”
“I waited for you,” you cry. “Day and night I waited for you to come back. Even when they relocated, I waited for you because I knew you’d find me.”
You remember that day clearly. Everyone was in a frenzy when the death of Alexander Pierce broke out and that they could not locate the Soldat. For a moment, you could taste your own freedom because government officials would come anytime now and finally arrest all these criminals. But right when they came, a few Hydra officers managed to escape and took you with them, and when you woke up, you didn’t know where the hell you were. But even then you didn’t lose hope because James Buchanan “Bucky” Barnes, the name you committed to memory, was going to come for you just like he promised.
Until days, months, and eventually, a year came with no sign of him.
You were angry at first, but it slowly turned into worry because what if something bad had happened to him? But what do you know? You were stuck in this building and only went out whenever they spoke those trigger words to you. And you were always under their watchful eyes, giving you no chance to even attempt an escape. Surely he would never break his promise to you so something must’ve happened to him, you told yourself multiple times.
But he was standing here right in front of you. Alive. We’re under attack, your handler said to you moments ago, Kill the Soldat before he kills you.
“You’re a liar. You never cared about me,” you hiss.
Sometimes, it got too much. But whenever reality was a bit too hard to endure, Bucky was there, always reaching his hand out to you through the metal cage, which you took and held tight. And it meant the world to you, that someone cared.
“All those moments, did it even mean anything to you?”
He uses this opportunity to pull your arms down slightly, knife finally away from his neck and his eyes start to sting from his own tears. “They meant everything to me. I care about you.”
You look up at him with a defeated expression and Bucky never wanted to punch himself in the face more. “Then why? Why didn’t you come back for me?”
“I did,” he chokes out. “When I escaped, the first thing I did was go back for you, but the facility had already been raided and there was no one there. I checked every inch of the building.”
Bucky had never felt so scared, because what if the government took you too? They would never understand—framing you as a villain even though that was far from the truth. But there was no news of your capture, so with a breath of relief, Bucky continued to look through other known Hydra facilities.
“I tried my best looking for you, but I also had to be careful because I was a wanted man at the time. When months passed by and there were no clues, I thought that maybe you had escaped. I was in Bucharest waiting for you. Remember how you said you always wanted to go there? I knew that if you escaped, you’d find me there. Even when you didn’t show, I never gave up. Steve… I think I told you about him once—he found me, he helped me and cleared my name. After that, I still searched for you but it all ended up being dead ends. And…” he pauses for a moment, “and so I thought you were dead. I should’ve tried harder. I’m sorry.”
He had mourned you and blamed himself endlessly for it.
He knows he should’ve asked for help, but instead, he took this task upon himself until it got too much—because that was the one thing he struggled with the most, asking for help.
When his side of the story finally comes to light, you break into a sob. “I don’t expect you to forgive me,” he says, “but please, drop the weapon and let me help you.”
You swallow hard at his confession. He never stopped looking for you. You didn’t even consider how hard it must’ve been for him after everything and yet you’re lashing out on him.
“How are you going to help me?” you say. “I’m a mess. All you have to do is say those words and I turn into a weapon.”
Twelve. Ember. Fragment. Nine. Academy. Order. Frigid. Yearning. Blue.
Those were your trigger words.
“I got you out of your trance, didn’t I?” he says with a gentle smile.
Hydra needed you to rebuild their empire and they relied on those nine words to do so. To them, those nine words were your greatest weakness but one of them, the last one, the one they liked to spit out in vexation, was also your greatest strength—your salvation.
Blue.
You think back, moments prior, when all he had to do was use his voice and all you had to do was look into the blues of his eyes. Hydra can repeat those words all they want, but Bucky would always be able to bring you back.
At that, your grip relaxes and the knife finally drops onto the floor, it’s noise ricocheting off the walls.
“There’s a place called Wakanda and I know someone there who can help you. Her name’s Ayo and she’s amazing. She helped me overcome my words.”
He brings his hands back up to cradle your face and you shutter at the familiar touch—at the calluses on his palms. “And I think you’ll like it there. It’s quiet and there’s so much… green.”
You let out a small laugh through your tears but doubt still fills your mind. “But… all the things I did,” you whimper, “I did such terrible unforgivable things. There’s… there’s so much blood on my hands.”
Sadness flares around his heart. It was all so familiar. He knows the feeling.
“It’s not going to be easy. God knows how long it took for me to believe that none of it was my fault. But let me be the first one to tell you,” he says, wiping your tears away with his thumb. “None of what you did was your fault. You were a victim.” He swallows a deep breath, “There are going to be days where it’ll be too much too bear and there are going to be nights where all those casualties will haunt you,” he admits. “But… but you’ll get there. Someday, you’ll learn to stop punishing yourself for something you didn’t do.”
And he vows that he’ll help you every step of the way.
You breathe out slowly, digesting all his words. “You can trust me,” he tells you, “I won’t let you down this time. I’ll be here.”
Blinking up at him, the small hesitant part of you so desperately wanted to say, “How can I trust you?” but his eyes were telling you everything you needed to know. Because it was filled with nothing but honour and truth.
He breaks away from you and reaches out his hand. An invitation. You stare at it for a while, then you slowly lift yours and brush your fingers amongst his before grabbing it tightly—a truce of sorts, a promise. He squeezes back in return, a loving smile on his face, just like all those nights many moonlights ago.
Your breath hitches when he pulls you into his embrace, your face burying perfectly into the valley of his chest. He wraps his arms around you in urgency, in fear, almost afraid you’ll slip out if he doesn’t.
“It’s over,” he mumbles into your hair.
Because two floors down an explosion erupts, finishing off the last remaining garrison of troops. Three hallways down, Natasha sets fire to a room that contained the other small red leather book that held those nine suffocating words written in Russian. Outside, the last Hydra officer attempting to flee falls to his knees from an arrow to the chest. And the only hope they had left to rebuild their regime was safely in Bucky’s arms.
He pulls away and uses his thumb to rub gently across your cheek, “It’s over. The war is finally over.”
Now that the worst is over, Bucky’s hopeful. There will be other conflicts to come, that was just how it worked, but this one, the one that held you and him underwater for years was finally over. War always took too much, but this time, it gave something back. Because among the ashes and ruins you came back to him, no more oceans in between.
“What do we do now?” you press nervously. You were taken at a young age and spent years in the Red Room before you were sold off to Hydra. Like Bucky, you’re in the wrong time period, there’s no one to go back to.
There’s so many things you could do, Bucky thinks. You can finally start living the life you deserved, the life that was taken from you too early. He’ll have to explain all this to his teammates but he knows they’ll understand. They treated him so well, there’s no doubt they’ll show the same kindness for you. Then, he’ll go with you to Wakanda, get rid of the words, maybe stay there for a while so you could heal—maybe show you the goats he took care of during his time there.
You’ll probably adjust to the 21st century better than him—you won’t need to start off with a flip phone, that’s for sure. He’ll make you listen to all the great records and watch all the movies you missed out on. There’s so many things he wanted to do with you. He knows you have no memories, no recollection. It didn’t matter, Bucky thinks, he would make new memories with you, ones worth cherishing and remembering. If you’ll have him, of course.
But first and most importantly, “Let’s get you cleaned up, okay? Then we can talk about it,” he says, rubbing the grime off your nose.
He grabs your hand and heads for the exit. But before he does, you pick up your knife from the floor and in one quick motion, you spin around and throw it. The knife embeds itself into the wall a few metres away, right next to a prying face. You stand in front of Bucky and stare at the intruder with a murderous gaze and Bucky’s heart races at the thought of you still wanting to protect him after everything.
The blond raises his arms up in surrender.
“Steve,” Bucky says from behind and you briefly recognize that name. You turn around to look at him and he meets your eyes, nodding. You relax your stance.
“Hi,” Steve says, voice slightly hoarse. “I hope I didn’t interrupt anything.”
Bucky scoffs at him, as if he wasn’t eavesdropping the whole time.
Steve looks at the both of you, then a gentle smile adorns his face. “C’mon, the rest are waiting outside for you both.”
You step forward. This is it. Freedom. A new life. Bucky notices your hesitation as you suddenly stop in your tracks. Intertwining his fingers with yours, he squeezes with reassurance. You take a deep breath, then the two of you follow Steve to the exit, leaving behind the smoke and memories of your old life.
Outside, the sun comes up slowly but surely on the horizon, painting the awakening sky a gentle warm hue of oranges and pinks.
A new beginning awaits.
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coyote-nebula · 1 year
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To everyone who has lush fields ripe with story ideas but is struggling to go out and actually harvest them with your writer’s scythe: that’s alright. There’s a reason.
I see writers despairing or making self-deprecating jokes about how many wips they have, as if the ability to come up with the idea is equal to the ability to finish it out into an end product.
It isn’t.
A lot of our ideas come about, not because we were determined to be productive writers, but because daydreaming is an internal escape from life’s demands.
Writing is a demand, too.
Resting and relaxing are basic needs, unlike the high level, abstract satisfaction of being creatively productive. That’s why you might daydream (which is a mild and normal form of dissociation) ideas that you feel good about, and then struggle to research, write the words, fill plotholes, check grammar, revise— all the critical thinking and executive function things involved in creation. Your basic needs must be satisfied before your higher needs can be met effectively.
So, if you’re daydreaming about your stories extensively to mitigate stress, it’s expecting a lot of your stressed self to return from fantasy land, sit down in the cold hard real world and do the hard work to write masterpieces of literature. Those operations are at opposite ends of the spectrum.
Writing is hard. Making yourself feel guilty is only going to make it harder. You don’t have to atone for entertaining or distracting your mind by making that available to other people. Daydreaming is a valid end in itself.
Don’t feel bad about having ideas but not being able to write them. Scribble some notes if you can, if you want, but above all enjoy the escapism and take care of yourself first. The words will come after.
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