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#i missed posting out of context screenshots
milesdadworth · 1 year
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jfc nrmts continues to be SO FRICKIN MARRIED
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clonehub · 9 months
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SAG officially considers cosplays of current/past media as crossing the picket line as it can be seen as supporting the studios they're currently striking against.
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(link is to a series of tweets, which include the original poster of the screenshot directly asking SAG-AFTRA what the rules are for paid/influencer cosplayers who want to support the strike)
EDIT 2 (first edit in tags): the tweet in the OP has been deleted, so I'll be shutting down reblogs on this post just so people don't take the link as a solid source when it no longer exists. For context, the original link was from a content creator who'd emailed SAG-AFTRA about guidance surrounding promos, contracts, and influencers. The response from SAG-Aftra likely wasn't 100% detailed because things were still being figured out. As for more detailed questions such as what counts as an influencer and other really specific questions I've seen in the tags, that's not something I know. Maybe emailing SAG-AFTRA themselves will help, although I can't be sure.
If the original email or the FAQ were confusing to you, it's likely that it's because both were phrased in a way that would be understandable to people who'd be likely to scab, ie influencers under specific circumstances. It's not really geared toward the lay person (which is what the FAQ will make clear by their frequent use of "influencer").
Again, the notes (and frankly the original link itself) have some that this is about influencers specifically. I missed that keyword in the OP (typo). I need people to stop acting like I'm willfully fearmongering and spreading misinformation. I read the full thread. I read the entire FAQ. It's on you if you do neither. At the time of my reading the thread, the FAQ either hadn't been released yet or had just come out. I also need people to stop bringing up Neil Gaiman's Tumblr post when SAG-AFTRA has their own Official FAQ on their strike site.
For the FAQ, it's here. It's about influencers, both union and non-union. Iirc the non-union FAQ has some ways to help that non-influencers can also engage in, like using a hashtag or generally raising awareness.
If you have any questions, please please please direct them to official members of SAG-AFTRA. Email Fran Drescher herself if you somehow can. Regardless, support the WGA SAG-AFTRA strike.
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rthko · 2 months
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to add to the whole proud faggot thing: i rmbr at age 15 me and my friend (both newly out) would say faggot all the time until a teacher told us off and my friend (v cocky) said actually miss i can reclaim it to which the teacher was like ...its still a swear word ur still not allowed to use it like its not that deep. and that was a sort of revelation like 'oh yeah this word obvs holds meaning and whatever but at the end of the day us reclaiming it isnt revolutionary its just two kids who got their hands on a new curse word to use' & ever since then i try to figure out whoevers using faggot in a useful or meaningful way vs whoever is just excited to use a forbidden word. n i think for a lot of ppl its the latter
So for context, I saw a post where someone had left a comment with Israel apologia, and someone else responded by screenshotting their blog, which has a cutesy Tumblr aesthetic, and added a screenshot of another post about what it called "Smol bean Zionism." I noticed the blogger's bio also said "proud faggot," so I tagged the post:
"Are we ready to admit the 'proud faggot' is not contradictory to the smol beanification but part and parcel to it?"
I see sentiments on Tumblr that "I call myself a faggot to scare the tenderqueers," but I think the cute harmless approach and the edgy approach are two sides of the same coin. Molly Rose on substack writes about how she as a Black woman could never get away with "tenderqueer" behavior. She writes: "As far as I can tell, the hallmark of a true tenderqueer is an unwavering avoidance of responsibility or culpability at all costs, paired with the use of social justice and personal advocacy language to ensure that lack of accountability." The real problem with this type then is not that they're too sensitive, but that their sensitivity is a tool by which they act like they could never be in the wrong. So we see a soft type and an edgy type, but both wear their victimhood on their sleeve to feign superiority and avoid any kind of interpersonal conflict. The former will invoke queerness or neurodivergence to guilt trip you, and the latter will act above it all and treat you like you're stupid for even caring. It's "enough discourse, we should be making out with tongue" when trans women try to talk about transmisogyny, etc.
With all these discussions of the "tenderqueer," It's easy to forget that "queer" was that transgressive word said to connote political radicalism, or rather, speak political radicalism into existence just by uttering that very word. And while I have heard people prop up "fag" and it's equivalents as the solution when the former has been watered down, they are not getting to the root of the problem. If the problem is that some have turned the supposed magical powers of a word into a political dead end, the solution is not to go find other magical words to replace it. I am aware and respectful of the fact that to some, these words really are a political statement, or a symbolic gesture that they're not afraid or have moved beyond past wounds. Any word is what you make it. But to get back to your point, yeah, some people have that same teenager's mentality of getting their hands on a new curse word. And it does not automatically make them meaningfully transgressive or even interesting.
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vivwritesfics · 21 days
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Fire Is The Devils Only Friend
Chapter Five
There was no such thing as making it on your own with a high profile boyfriend. That was why she kept her relationship a secret. But then after a PR fuck up, her boyfriend is forced into PR relationship and she's left on the side lines, missing him
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Carlos didn't tell her that he had bought her book. He didn't mention it when he kissed her goodbye, leaving her with Piñón. But it was in his bag as he headed to the Grand Prix.
With Rebecca Donaldson at the Grand Prix, there was very little Carlos could do to show her that he loved her. But any spare moment he got, he was reading her book. In his drivers room, in the back of the garage when he wasn't needed, he had her book open.
Fans noticed immediately. They first noticed that he was reading. But then they took notice of what he was reading. At first it was no big deal. She'd been in the garage a couple of months ago, so it wasn't the most outlandish thing in the world.
But then one fan pointed out that the book had only been released in English. He was reading the book in English!
The theories from the fans started. Well, were they theories if they were correct? The ferrari media team watched if all unfold. They knew they had to get on top of it and quick.
So, while she was sending her mother a picture of Piñón with his head on her lap, a picture was circulating instagram. She hadn't touched instagram since the day she found out about Carlos and Rebecca, and she didn't touch it this time.
A screenshot from Carlos's account, his latest post, in fact, was he and Rebecca Donaldson, hand in hand as he kissed her head, popped up below the picture she had sent her mother. 'Is this him?' Her mother had typed beneath the picture.
"Fuck," she choked, turning the phone off and throwing it to the side. Piñón went to chase after the phone, but she held onto his collar, crying against his fur.
She thought she was okay with it, but she wasn't. She hadn't been prepared for the onslaught of emotions that came with seeing that picture.
"He kisses my head like that," she said to Piñón. "I don't think we have any pictures like that together."
Of course, she didn't know the context, didn't know why that picture had been posted. She didn't know it was because Carlos had been caught reading her book, and that fans were beginning to get suspicious.
She wiped her tears and grabbed Piñón's lead. Taking nothing but a set of keys, she left their house and took Piñón for a walk.
It was therapeutic, taking Piñón on his walk. He led the way, taking her on the trail he usually walked with Carlos. The three of them had never gone together. It was usually Carlos. Normally, when she took Piñón, she was careful, avoiding main roads and potential pictures being taken.
But, today, she couldn't find it in herself to care.
"Is it my fault?" She asked Piñón as she sat on a bench. "I mean, if I hadn't been so against us being public in the first place would this have happened?"
Of course, Piñón didn't answer. He couldn't answer. He was a dog.
She thought she could do this. She certainly loved Carlos enough to try. But this, seeing another beautiful woman doing all of the things she wished she could do with him, was too much.
And even if Carlos publicly broke things off with Rebecca for her, he'd always be seen as a cheater and she'd always be seen as the other woman. It could ruin her life.
Well no, that was exaggeration. But she didn't see it that way, she wasn't going to see that way, not for a while. At the moment, Piñón was the only thing keeping her there.
Carlos was on the podium. It was a win, actually. She watched on the television as he stayed ahead of the rest of the grid. He was showing Ferrari exactly what they would miss if they dropped him. It gave her a little slither of hope.
But that hope soon dissipated. She wore a small smile as Carlos climbed out of the car. He ran over to celebrate with his team, and then his father. The father that didn't know she existed.
Behind his father, she was there. Carlos hugged her as she stepped towards the barrier. Hugging wasn't so bad; they couldn't be seen ignoring each other, after all.
But then Rebecca's hands were on his face and she pulled him in for a kiss. The camera zoomed in on them as Carlos shut his eyes, melting into her.
Fuck, she couldn't do this.
For the second time in two weeks, she packed up her things and placed them in her car. Tears rolled down her sheets as she turned the few frames full of pictures of her and Carlos around so that they were facing the wall.
Last, she grabbed Piñón's bed. He wasn't her dog, and she had no intention of keeping him from Carlos, but she was going to take him with her, keep him well looked after while Carlos was away.
And then, when Carlos came to pick him up, she'd break up with him.
Piñón sat in the back of the car as she drove to her mother's house. "Oh, buddy," she whispered. As they drove. He slept on the drive, unaware that anything was wrong. She couldn't help but be envious of him, of how unaware he was of what was going on.
Her mother opened the door as soon as she saw her car coming up the drive. "You couldn't do it, could you?" She called, watching her climb out of the car.
She scowled as she grabbed Piñón. When she saw him, her mother gasped and let out a laugh. "You kidnapped his dog? That's hilarious," she said taking the dogs lead from her daughter.
Her daughter, who said nothing as she got her things from the car. Her mother could never understand this, could never understand what she was going through.
"I saw them doing all of the things that I wanted to do with him," she said quietly as she walked into the house and unclipped Piñón's lead. "I couldn't do it. I couldn't watch it, I couldn't watch him pretend to be with her while I sat at home, looking after his dog."
She scratched Piñón's ears. Piñón, who, at that moment, she'd miss most of all.
Permanent Taglist (CLOSED): @biancathecool @rewmuslupin @prettiest-at-the-party @hellowgoodbye @minseok-smaus @formulaal @darleneslane @hiireadstuff @urfavnoirette @goldenharrysworld @andydrysdalerogers @hrts4scarr @llando4norris @evlkking @lilymurphy03 @hollie911 @customsbyjcg-blog @honethatty12 @nikfigueiredo @not-nyasa
Series Taglist (OPEN):@juleswrites223 @ellessssssxzxz @itsjustkhaos @booksandflowrs @landossainz @laneyspaulding19 @sleepybrokenmelle @92spcy @khaylin27 @princessria127 @aexitizen-ln4 @russellette @cmleitora @shobaes @val-writes @rehenys @sam-is-lost @sp1rl @seasonswinter @nmw-am
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olderthannetfic · 1 year
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I deeply do not understand fandom creators who try to get people to stop reposting their creations on platforms where the OP doesn’t have an account. Asking people to credit them - absolutely! It’s reasonable to want credit for your work. But to insist that the work only be appreciated by people who have accounts on the exact platform the OP has? And to ask followers to harass any re-posters en-masse until the re-poster and all rebloggers delete the content? I’m baffled by this.
How is fans sharing your work and linking fellow fans back to your account a *bad* thing?!
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Are you new?
Most creators don't want their work reposted. They may appreciate shares from Youtube and the like. They certainly do not appreciate someone making a separate video upload or whatever.
Fandom creators are even warier, particularly about their work escaping its intended context and finding hostile outsiders. Of fucking course they do not want their work on some other platform. That's the way to get waves of harassment sent back towards that fandom creator. It also often involves lots of asspats for the reposter and nothing for the creator.
I have no sympathy for reposters crying that they got harassed over art theft. Stop stealing if you can't take the heat, asshole!
Maximum audience is what shitty influencers want. It is not the ethos of fandom. Some people seek fandom fame more than others, but there has always been a strong sense of finding your corner, not of trying to get your shit out to the entire world.
WHY THE FUCK would I care about people needing the "convenience" of my fic on their own platform of choice? I use AO3 because I support AO3. I loathe Wattpad and will certainly not want to increase its popularity with my free labor and my content.
Yes, it does annoy me when people screenshot this blog and put it on twitter. I am intentionally not on twitter because twitter is garbage. I have no desire for my own writing to increase twitter's relevance. Fandom should stop treating twitter like The Place To Be. If people feel like they're missing out by being there and not here, good!
And obviously, I roll my eyes when some attention-seeker posts my shit to reddit and gets eighty billion upvotes. If you love me so much, go give my reddit account that karma. (If you're doing your own hobbydrama writeup or something, that's different though. I'm talking about c&p posts with little of your own content.)
There are different ways of sharing, and some of them are more annoying than others. Some platforms are irrelevant to a creator, while others they actively oppose being popular. Nobody is going to know or care if you post some fan art to a private discord with your friends.
Have some god damn sense, anon.
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avernusreject · 5 months
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Warning ya'll this is gonna be a long post. But please join my descent into insanity, as I deep dive into the vague wormhole that is the durge betrayal pre bg3 timeline.
Before we start, it’ll help if you have context around the faerun calendar. There are twelve months in total, each having exactly 30 days. Additionally, weeks don’t exist in faerun. Rather months get broken down into chunks of time called tendays, which you guessed is literally just ten days. If that was too straight forward for you, don’t worry, they add in five extra days to the calendar that fall outside of the months (ngl I still have no idea where these are located) to make the full year 365 days. 
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At the beginning of the game, the nautiloid crash occurs at 20 Eleasis. Which means, the game starts in the middle of summer. Obviously, the way you play the game is going to influence the speed of events, but for my playthrough I reached moonrise towers around 12 elient (total time being 22 days). When you get to moonrise, in Bathazar’s chamber you can find his journal that explains that Kressa (the crazy necromancer chick) managed to keep durge alive. This entry is dated “two tenday ago”. But in game, that makes no sense because we know that the nautiloid should have crashed around that point. So either Balthazar doesn’t understand how the Faerun calendar works (I mean same, my guy) or we have to change our frame of reference. I think its more likely that the implied frame of reference is the start of the game, 20 Eleasis (since the developers can’t control how fast the player goes). 
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If true, durge was saved by Kressa around 1 Eleasis. Her vivisections took place after this in the following days. However, durge is taken away before the end of the following tendays (at least before 10 Eleasis).
Now when you talk to Kressa in the basement of moonrise, she states that she found durge only hours after they had been given the tadpole.
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In the fight with Orin, she states that when she attacked durge she carved out a hole for the worm (ignore the Half-Elf part, that's just from the moment Orin turns into durge during the pre-fight convo).
The part that we're missing is when specifically the tadpole was inserted into durge. But given how the game describes just how utterly fucked durge was, there's a high likelyhood that the tadpole was given to durge moments after their fight. Which if true, places Orin's betrayal at 1 Eleasis. Giving us twenty days till the start of the game.
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The piece that threw me for a bit was this piece of the narrator's dialogue when durge examines the pod, stating that durge had no idea how much time had passed.
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But the blood in the pod is still fresh enough that Astarion is able to ID it as durge & in another dialogue choice if you examine the blood further the narrator states the blood hasn't been there long enough to rot.
I think this dialogue is more explaining that durge is actively being tortured by Kressa so time feels unending (kressa being the one who put them in the pod to begin with).
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I've seen in other posts that Gortash's draft memoir explains that Orin's betrayal occurred during or just around the crowning of the brain (I don't have a screenshot of that unfortunately). But we have to take that with a grain of salt because Gortash is the definition of an unreliable narrator.
Personally, I don't think he's lying though. Orin's betrayal occurred in moonrise and there's really no other reason that Orin and durge would be in moonrise that the game has provided. Not to mention, the warden explains the last time that durge was in moonrise, they never left.
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I don't think durge came to moonrise more then once given the fact that the warden, who had clearly been there a while, had no clue who they were. I find it hard to believe their identity would be kept under wraps had they been at moonrise multiple times. Employees have to gossip about something.
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I think its likely that Ketheric, Gortash, and Durge tamed the brain in the days leading up to 1 Eleasis (like ~20 to 30 Flamerule).
In summary, the dead three had a Phineas and Ferb summer vacation by deciding to create the cult of the absolute.
And yes if you are wondering this is how I look now.
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northgazaupdates · 11 days
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Journalist Hossam Shabat responds to a problematic article about journalists in the west being unable to reach Gaza. Hossam writes,
The biggest problem is not Western journalists being unable to enter, but the fact that Western media doesn't respect and value Palestinian journalists. My colleagues and I risk our lives every day to report on this genocide. No one knows Gaza like we do, and no one understands the complexity of the situation like we do. If you care about what's happening in Gaza, you should amplify Palestinian voices. We don't need Western journalists to tell our stories; we are capable of telling and reporting on our own stories.
Context under the cut:
From the very beginning, Western journalists have neglected the people of Gaza. They focused on how resistance actions have impacted settlers, and mentioned Gaza in only the most reductive of terms. But now, as the scale of atrocities by the IOF finally becomes too great for them to ignore, these same journalists are crafting a new narrative: ‘We didn’t ignore Gaza because we don’t care, or because it was politically convenient to do so. We just couldn’t get there to report on it.’
This is a lie concocted under the weight of ever-fickle Western guilt. They deflect their accountability for creating IOF propaganda by claiming they were kept from reaching the area. However, even more than a lie, it is an insult to Gazan journalists—those still living and those murdered by the occupation.
Gazan journalists often have contacts outside of Gaza who could help them evacuate, but they chose to stay. They chose to stay and document the genocide against their people, and did so at immense personal cost. Montaser Al-Sawaf was injured and lost 50+ family members in a bombing attack, before he was bombed again by the occupation and left to slowly die in the street. Mahmoud Ziad Aliwa and Mohammed Saber Arab are still missing after being kidnapped by the IOF while reporting from Al-Shifa Hospital during the latest siege. Eshak Daour lost his brother just a few days ago.
But as they tried to share their footage and words with the world, they were ignored, in north Gaza especially. The world had no interest in the words of Gazans, but especially if they were Arabic-speaking. Rather than undertake the relatively simple task of finding a translation for Gazan sources, or contacting Gazan journalists directly in English (of which many of them speak at least a little), they were flat-out ignored. Only English-speaking journalists with massive social media followings received any acknowledgment, and even then it was extremely minimal.
The journalists of Gaza have always been there, they have always been speaking out and asking others to simply share their words. The implication that only western journalism counts as “real” journalism is insulting, degrading, imperialistic, unprofessional, dishonest, and cruel.
This blog was created due to uplift the words of north Gazans, which were not and often still are not reaching the rest of the world. We will continue sharing from people in north Gaza, but we ask that you, reader, do so as well. Do what western journalists have refused, and uplift the voices of people fighting for their survival in all of the Gaza Strip.
Many journalists post partly in English, but for those that don’t, Arabic speakers will often leave English translations in comment sections. You can also ask for someone to do a translation in the comment section, and often someone will reply. If they don’t, you can copy and paste Arabic text, or take screenshots and upload them into Google Translate. These are not perfect tools, but they give you some idea of what is being said. It’s better than simply not listening.
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lintwriting · 20 days
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I'm making this post to compile the Weibo allegations against Jullian Champenois, the voice actor for Kim Kitsuragi, since I found navigating the screenshots to be a bit confusing. I've translated some of them to the best of my ability and would definitely be open to others reviewing these translations for errors, as I am Chinese American and therefore could be missing some cultural context. I've linked to Chinese definition websites to explain some of the translation choices that are more inferences.
The rest of the translations are from 阿阮 @woon__ton on twitter, who has been in contact with the original Weibo poster to ask for permission for their translated reposts, as well as permission for my repost here.
Outline of the Weibo Post
The allegations originated from a post on Weibo by a Chinese artist. The body of the post contains a summary of their experience, and attached are:
Screenshots of their personal Instagram DMs with Jullian
A screenshot of an older post where they express feeling weary about Jullian's DMs
Screenshot of vent messages demonstrating how this experience has affected their work.
After posting, other commenters chimed in with similar experiences, and this caused the original poster to update the original post.
They first updated it with a screenshot showing them blocking Jullian Champenois
Next, a testimony from a commenter
A second testimony from another commenter
Screenshots of DMs from that second commenter
*Update: Additional testimony from the original poster
The Body of the Original Weibo Post
Below will be screenshots of the body of the original Weibo post, with translations from @woon__ton on twitter.
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(via 阿阮 @woon__ton on twitter)
This text was later edited to update about the additional testimonies and to add greater context. The added context explains how the Weibo poster could tell that Jullian Champenois's DMs were targeted, unprofessional, and sexual in nature, as the poster had gone through a similar situation before with another creator. The updated context is translated below.
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* I realized something was wrong so quickly because I had a similar experience at the end of 2019. Scott lobdell, a DC comic writer and screenwriter of Happy Death Day, came back to like my drawings and privately messaged me after I followed him on Instagram. His account at that time was nuked (chinese internet slang for when accounts get banned or suddenly have all their content taken down) [so I can't access the logs anymore], so I don’t remember the content of the chat, but for specific news discussions, you can google the keyword “Scott Lobdell sex harrasment”. This situation is very common in the industry. They deliberately prey on people from their fan lists.
For context, Scott Lobdell, from what I can tell, would hit on young female artists working at the same cons as him, both in person and in text messages, with implications of him holding his position in the industry over them.
Although the Weibo poster can no longer access the log of Scott's harassment of them because his account got banned/deleted (at least, I think that's what the usage of 'nuke' is saying, they could also be saying that their own account got nuked), they note how their chat with Jullian Champenois was reminiscent of the same conversation they had with Scott Lobdell—a man known and 'retired' for his harassment of young female artists.
Lobdell's harassment is a good example for context due to how he demonstrates the inappropriateness of 'flirting' and hitting on young female artists in professional contexts.
1. Screenshots of their personal DMs with Jullian Champenois
Below are the screenshots of the Instagram DMs the Weibo Poster had with Julllian Champenois. Note the profile picture, as his profile picture will look the same across other screenshots with him in it.
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Also note the way the conversation starts out polite, focused on both of their respective arts. Then he shifts the conversation to sexual topics, first by mentioning his explicit song, then by suddenly bringing up an explicit art account, @ken_chk, they were both following. The Weibo poster steers the conversation away from these topics.
They also mention this in the comments, but they find the fact that he asked their age, ethnicity, and sexuality afterwards to also be suspicious/sexual in nature. The sentiment being "Why would the artist's age matter?" or "Why would you fixate on me potentially being 17 years old when I've mentioned college graduation finals?" or "Why would you ask that if not for sexual reasons?"
@woon__ton on twitter notes that he is seemingly consistently looking for college aged girls, and other commenters/victims got the sense that the strange insistent questions about nationality were related to "yellow fever."
2. Weibo Screenshot of an older post where they express feeling weary about Jullian's Dms
The next attached photo was a screenshot of a Weibo post the Weibo poster had made in 2023. I'm assuming that in this screenshot that they're talking about Jullian Champenois, since this whole post is about him.
First I'll be transcribing the translation. Then I'll be clarifying the idioms/translation choices with asterisks, before giving an overall summary of the screenshot.
Feel free to skip to the 2. Summary section, as the translation clarification section is a little long.
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“It reminds me a bit of my PTSD, the last time I was praised in private [instagram] DMs it was the Scott Lobdell [situation] where [he] later disappeared from the internet for some reason[.] I don't remember the reasoning, but at the time I had suddenly felt that he was kind of creepy so I indirectly lost my interest on Jason Todd(桶 is the Chinese nickname of Todd/Red Hood, Lobdell was the writer of n52 Redhood comic). It was not a good experience haha..." * "I feel that there is a cultural difference where Chinese people may take getting sent private messages out of nowhere a bit harder. It may also be a me problem. Maybe I am a Sakura girl at heart (internet slang, sakura is the culture symbol of Japan so it’s the nickname of Japanese girl, they tend to be a little bit more shy and social in a more careful and polite way to avoid offending anyone, no negative meaning behind this). uneasy desu ('I am anxious' but using the word desu to stand in for "I am")" "I don't remember the timeline, but it seemed like someone in the industry accused him of sexually harassing young female artists." “As a result, even when I am excited, I am still very wary of people because I have become disillusioned."
*UPDATE: I have updated this post''s translation with clarification from the Weibo poster.
I translated a phrase as "pulled up carrot," but it was actually the transliteration of Scott Lobdell's name into Chinese. I translated a phrase as "climbing the wall" "bucket," but it was actually the Chinese fandom term for 'no longer liking' and the Chinese name for Jason Todd.
In addition, I translated Sakura Girl as (slang based on Japanese animation, meaning a delicately stupid young girl) but the poster has clarified that Sakura girl is not supposed to have a deprecating connotation. The focus is on shyness or politeness, not stupidity!
I will keep my first translations in the next few paragraphs in to maintain transparency and to keep some necessary information, but they are no longer accurate. The paragraphs in brackets can be skipped over.
[[[[[The full idiom goes "the pulled up carrot also pulls up mud," or the idea that investigating a criminal who was arrested first can lead to the exposure of other criminals. The same way pulling a carrot out will pull loose some dirt, exposing one person may also dig up dirt on their associates.
With the mention of "later disappeared from the internet," I think the Weibo poster was referencing Scott Lobdell, whose account was nuked and who also had privately DM'd them with praise/sexual advances. The implication could be that the last time they got DM'd like this, it was in a creepy way and they were too afraid to speak out for fear of getting attacked/exposed themselves. Or that he disappeared to avoid getting exposed. This paragraph is a little unclear.
The 'pulled up carrot' situation might also have something to do with the explicit artist, ken_chk, mentioned in the DMs with Jullian. The weibo poster clarifies in a later edit that they didn't censor @ken_chk's handle in the screenshots because ken_chk was also embroiled in a sexual scandal involving targeting his fans.
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"*About why I didn't delete the artist Ken mention in the chat history—because he was the reason why I raised the alarm. One of the reasons is that I read something about his character on Weibo about a few months ago. I just forgot to unfollow him on Instagram. I can’t find any evidence about what he did, but the Internet has testimonies, so I won't write it off." "* Regarding the artist Ken, the matter has been issued with the consent of the person involved. According to the person involved, Ken will also select fans to target. Please see the person’s experience for details"
So another implication could be that Jullian bringing up such a shady person in the DMs unprompted demonstrates his shady associations. Jullian is the 'carrot pulling up the mud' by doing so.
For context, the poster had felt the need to disavow ken_chk by clarifying that they had only been still following ken_chk by accident. Jullian still following him and even bringing him up unprompted could be a bad look in light of the similar allegations of misconduct surrounding both him and ken_chk.
I am unsure though, as I am not very familiar with this idiom, nor am I familiar with the allegations against ken_chk listed here. I could be totally misinterpreting this line of the post and the ken_chk edit, as I've had to infer some pronouns and commas that weren't originally there due to the nature of Chinese grammar.
'Climbing the wall,' in addition to cheating, can seem to mean getting over obstacles in various contexts, like getting over the firewall to pirate stuff. However, I've translated it as 'cheating' as there's the word "bucket" that follows it. Bucket is also a word for 'trash,' so it'd make sense to translate it as 'cheating trash.'
Later another victim who responded in the comments accounted that by sexually harassing them, Jullian Champenois was also potentially cheating on his girlfriend that they knew he had at the time, lending more credence to the idea that wall climbing comment is about Jullian, though I am still unsure.]]]]]
2. Summary Section
I think this post was first made right after Jullian first messaged the Weibo poster with the innocent messages about their art back in October 2023, months before the more recent sexual DMs from him on March 30th, 2024.
Despite the polite nature of these October DMs, the Weibo poster was weary of Jullian's DMs in this first 2023 post, mentioning how in the past they had gotten similar DMs from Scott Lobdell, only for those complimentary DMs to later be revealed as openings for sexual advances. Their 'PTSD,' as they put it.
In addition, they note a potential cultural difference between Chinese netizens and Western/English-speaking ones. It might be a bigger deal in China to get send someone DMs. Maybe it's more intimate/intimidating/professional, in contrast to it potentially being more casual in the West.
With the summary out of the way, I do want to say that some Western netizens have responded to the later DMs with the sentiment of "these are not examples of harassment, just flirting in bad taste," but this could be related to the cultural mismatch the poster mentioned here.
Getting flirted with in the DMs is very normal to a lot of people in the West, as 'sliding into their DMs' is synonymous with flirting, but perhaps in China, either this is not the norm or Jullian's type of flirting is not the norm, especially within the context of a professional art account.
If you find yourself thinking the same way as those western netizens, I'd ask you to reframe Jullian's DMs less as a casual instagram DM, and more like a work slack or LinkedIn message from a colleague/client, as the DMs we have been/will be talking about are in the context of their own work or hiring him for work. This should help you get a better sense of why the victims felt uncomfortable.
3. Screenshot of Weibo poster's vent messages demonstrating how this has affected their work
The next attached photo was a screenshot of vent texts. I'm not sure the context of the texts, but the content is definitely about their regrets with Jullian Champenois.
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Why shouldn't I just be frank and rant a little? I want to be so woke (as in another way to say clear-headed, not related to American progressive slang) that you'll see me awake, anaesthesia-free on the operating table when they cut me open[.] Do you get me[?] Well Any way you look at it, I'm miserable On top of all this, I've got a big graduation project that's in comic form. That comic was adapting the poem that is currently acting as my temporary nicotine replacement for my disco elysium withdrawals*** So I would listen to [Jullian Champenois's] songs at the time God, it hurts so much Luckily, my nicotine replacement was for another character (they're probably saying that the poem reminded them of another disco elysium character, not Kim Kitsuragi, hence their relief) For a moment there, I was thinking of to talking to him about my graduation project and about disco elysium.
*** So I'm making the assumption that the original poster is talking about a graduation project that they're working on. Since they're an artist, it's a comic that they're making. They then say something about an original poem. They use the word that means "original" in the context of adaptation, like the original book a movie is based off of. So the full phrase is 'the comic's original poem,' which I'm taking to mean that they're adapting a poem into comic form.
This is relevant because I think they're trying to say that the poem is currently the thing they're obsessing over while waiting for more Disco Elysium content. They use the term "meal replacement," which seems to be a Chinese fandom term referring to the content people look at during a fandom drought—like people hitting the end of all the Disco Elysium content out there and deciding to check out Pathologic, since they've heard that game scratches the same itch.
So I think this screenshot is supposed to be them venting their feelings about how this situation with Jullian made them feel. They want to be clear-headed about his actions, even if it makes them feel miserable. And they note how his actions have tainted their experience working on a Disco Elysium-inspired comic.
1. Screenshot of the Weibo Poster Blocking Jullian Champenois
After talking with other commenters, the Weibo poster posted their closing remarks with Jullian Champenois, especially noting how he used their work and their interest in his work as a pretense for flirting with them instead of genuine artistic interest.
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2. Next, testimony from a commenter
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(translation via 阿阮 @woon__ton on twitter)
阿阮 @woon__ton also notes that "If anyone questions why I didn't release the screenshots, it's because this fan suffered severe trauma and was unable to provide the original chat log."
3. A second testimony from another commenter
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Hello blogger, I also suffered sexual harassment from Jullian at the end of last year. Because my friends know that I like Disco Elysium very much, [they] said [they] could give me an autograph. I was very excited and happy at the time. A few days later, Jullian himself said that he could add me on WeChat, so I could directly tell him what I wanted him to sign. I was so happy and felt very lucky. After that, he was always very polite and took the initiative to chat with me, but within a few days he started to sexually harass me. I can't find the chat records from that time, only one or two that were sent to friends. I was very disillusioned at the time…so I blocked him, but he added me on New Year's Day. After I saw your Weibo, I remembered this incident again. He was really disgusting… I loved Disco Elysium so much, but he ruined it all. Okay, I hope you can share this. He is a habitual criminal and has yellow fever, and likes to chat up Chinese girls. At the same time last year, I searched for his name on Weibo and found that many people who followed him on Instagram were greeted by him. Everyone thought he was very nice, but that‘s not the case. When I first added him, I didn't expect him to talk to me a lot. Because it was such a surprise, I expressed a lot of my love for Disco Elysium and Kim. He asked me if I knew about Kim's sexuality. When I told him that I knew, he emphasized that he was a straight man, and then asked a lot about exchanging private information. After he sexually harassed me, I couldn't even tell him off for it because my friend was_____, I was waiting until he left _____ before I could block him. After I rejected him, he was still interested in striking up another conversation. I said that I knew he had a girlfriend, and it was very strange to do this. He said that his girlfriend didn't care and knew that he was doing it, which 'was its own kind of fun.' Made me feel very sick.
4. DM Screenshots from the Second Commenter
This commenter then submitted DMs that Jullian had sent them. The original poster has shared them, noting that the profile pic is clearly Jullian's.
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This commenter also commented that the friends they had mentioned also had similar experiences with Jullian Champenois, which could push the number of victims to 4+.
I'd also like to share a comment on the original Weibo post from this same commenter:
"This incident did not affect my playing of Disco Elysium (the voice will be turned off hhh), but I really felt a huge spiritual pain, like my faith was completely shattered, like the statue of the Innocence in the church turned into a smelly rotten rag."
Additions
In addition, there is a testimony from a third person not attached on the post, which @woon__ton posted on twitter. It can be found here, and it outlines how an anonymous user paid Jullian in a professional context to voice for a product for her, only for him to make an unprofessional advance on her. Although the harassment is not directly shown in the WeChat screenshot, his apology for his inappropriate behavior is shown.
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This testifier would like to remain anonymous.
*5 Update: Additional Testimony from the original poster on Weibo
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The original poster is emphasizing the predatory nature of Jullian's DMs, differentiating them from the "just awkward flirting" narrative that some Western/English speaking people have had in response to these allegations.
First of all, his "yellow fever" aspect of specifically asking about Chinese girls, who are often fetishized to be more shy/submissive/less likely to talk. But in this case, it's also him specifically being inappropriate with people for whom there is a language/cultural barrier, making it harder for them to speak out—either due to a literal language barrier between them and his Western audience, or the plausible deniability of all this being a 'cultural misunderstanding' (which is very unlikely, since Jullian has apparently lived in China and therefore is very aware of the norms there).
Second of all, his usage of a professional/work account to make sexual advances. Again, comparisons to the Scott Lobdell situation should be made, as they highlight why it's sleazy to use their work as an excuse/opening to make sexual advances on someone. Not only does it cross boundaries, but it's also not treating the artist with the respect they deserve as someone just trying to work.
Closing
The Weibo poster would prefer if people not follow them on Weibo over this situation, as they posted the situation on their work/professional art account, and it is painful for them to see too many notifications about this.
They also note that they still love Disco Elysium and Kim Kitsuragi and that the allegations against Jullian Champenois should not reflect on the dev team of Disco Elysium, as there were also women working on the team, etc.
With this post, I've tried my best to accurately convey the sentiments of the original poster of the Weibo without commenting on the proof or the legality or what the ramifications should be or how we should interpret this, etc (beyond a quick mention of a potential cultural clash). I'll update the post with better translations if something comes up or if anybody mentions any suggestions/clarifications.
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solalunar-eclipse · 3 months
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Okay. Okay, I don’t normally do this, but I’ve been wanting to do some sort of analysis post recently and the Sonadow shipper inside me grabbed me by the throat and pointed in Netflix's direction, soooooo...let’s have a look at some clips of Sonic and Shadow interacting in Sonic Prime, shall we? (Putting this under a readmore because of all the images.)
The first clip comes from this post. (I don't know how to add that particular gif to my post, or else I'd put it here too, but oh well. I'm analyzing the first one, to be specific.)
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So, we begin with Shadow walking away, saying “We’re going after Nine”.
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Sonic then reaches out to stop him (with his right hand, despite the fact that he has to reach all the way across his own body to do so, possibly suggesting that Prime!Sonic is right-handed?). This seems to be just before Shadow’s noticed, because he’s still moving forward, looking resolved now that he’s decided what to do.
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Shadow sees Sonic’s hand, and looks at it with an expression that seems…mildly irritated, but not outright angry. It’s about halfway between his “resting grumpy face” and his “actually angry face”, in my opinion.
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He looks over at Sonic himself with a slightly angrier face (mainly made evident by the fact that the point in the middle of his brow is actually touching his muzzle instead of resting above it).
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Then he looks back at Sonic’s hand again (in a pose that I swear is slightly different from the last one even if it doesn’t look that way). The only real difference is that he’s just looking down a little more. The effect of these last three images in actual motion, though, is a blink-and-you’ll-miss-it glance at the hand, up to Sonic, and then back to the hand. It's sort of a "huh-what-huh?!" motion, I think. To me, this gives off extremely strong “what the heck is even happening right now?!” energy.
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For completion’s sake, I’m going to finish out the rest of the gif with these last three pictures. Shadow pulls away from Sonic at this point (which, fair, Sonic did grab him out of nowhere and he’s not normally very touchy-feely although this may be disproved in the next gif), and it may or may not have felt like a small punch to the gut for me to see Sonic’s hand outstretched like that, but anyway.
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Shadow shifts into one of his patented I’m Trying To Be Cool And Aloof Despite Being An Adorable Three Foot Tall Hedgehog poses, complete with an eyeroll. He doesn’t actually seem that upset about Sonic touching him, however, I think it’s probably more the context of the situation. Shadow keeps insisting that Nine is a threat that needs to be stopped, and Sonic keeps preventing him from doing that, so his frustrated reaction seems to have much more to do with why Sonic touched him than the fact that he did so at all.
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And, least but certainly not least, a cute contemplative (and still slightly grumpy) expression from Shadow. (He’s just adorable!! Aaaaaaa—)
Now then! Let’s move onto a really, really big one…
…The Hug™.
The post that I got this clip from actually has some really good points that I’m going to discuss further, so please go read that first! It won’t take long, and also everything the OP says there is absolutely true.
Ready? Here we go! (Please excuse the slightly crunchy pictures...the only way I was able to get this level of detailed analysis was by recording the gif, scrubbing through the frames, and taking screenshots of specific moments, which naturally led to some artifacting.)
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So, what's just happened prior to this frame was Rebel Rouge saying happily, "Sonic, you're okay!". Sonic, like the goof he is, does not acknowledge this in any way, fully focused on introducing his boyfriend to his other Shatterspace pals. Instead, he's just looking over at Shadow. Notably, Shadow is instead looking up at Rebel. I'd like to think this is because Rebel has the most put-together and leader-like behavior out of the Rouge counterparts, so he could be waiting for her to continue speaking and give instructions or commentary on the situation, like she does with Team Dark in the games. That's just my take, though, he could just as well be generally on edge—he is in the middle of a battlefield, after all.
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Smear frame!! This is included for the expressions as well as for completeness…but mostly for the expressions. Look at how big Sonic's eyes are. Look at how excited he is. He's so hyped to introduce his best rival to everyone. Shadow, meanwhile, looks like he just bluescreened out of pure shock. Sonic's yanking him over so fast he's all blurry, but we can see that his expression is basically 0—0 right now. He has been Touched and he is being Moved and he has not had time to process Why.
(Notably, however, he doesn't break the hold, despite the fact that he definitely could...)
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Now, they’ve both settled into place (although ‘settled’ may be the wrong word for Shadow, haha). Sonic is doing what I can only describe as beaming—just look at him! He has a big smile on his face, and he looks almost proud to be introducing Shadow. It really shows how much Sonic values and respects him. (*sobs*) Shadow, meanwhile, has shifted from “what is happening” to “oh Chaos I am being held I am being hugged?? What??? Physical contact? Why????”. He just looks so stunned by the hug, it’s too adorable! More specifically, in addition to the obvious fact that his irises and pupils have shrunk and that he has very stiff posture, if you look very closely at the gif as well as at the following pictures, his ears are also standing up a little straighter and his quills have pushed back slightly, possibly prickling at the sudden contact? Interesting…
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Here, we can see Shadow’s ears relax now that he’s processed what’s going on, and his quills have more of a visible curve to them instead of sticking out so much. He’s also glaring off to one side in a position that could either be interpreted as frustration at his current situation (though not so much that he’s willing to push away!!) or as embarrassment. Personally, I think it’s a little of both. Sonic, meanwhile, is still smiling like the sweetheart he is.
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Now, we’re getting into the frames leading up to Sonic leaning into Shadow (aka one of the most precious moments of the show). Honestly, I don’t have too much to say about this one, except that Sonic is moving in a way that he would normally while talking right now (shifting around, because this boy has loads of energy) so I have a feeling Shadow probably doesn’t expect the cuddles that are coming his way, ehehe.
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The Smush begins!! Shadow looks like he’s quickly resigned himself to his fate, but also decently irritated that he’s essentially getting side-snuggled in front of everyone. This could’ve been another part where he shoved Sonic off himself (goodness knows he did it before in Avoid the Void), and yet he doesn’t, leading to the best part of this whole moment!
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Sonic, you smug hedgie. Shadow’s already letting you hug him, don’t push it with that smirk! Shadow does have his eyes closed here, suggesting to me that he is at least a little bit annoyed by now. Again, though, I think this has more to do with the fact that he’s essentially in front of an entire crowd, none of whom recognize or know him. I’ve seen someone else point out that Shadow gets more closed off in Prime when he’s around people aside from Sonic, so honestly, the fact that he’s putting up with this at all sure is…something. (Shipping goggles on: it could be because he appreciates Sonic’s affection enough that he’s willing to cope with the embarrassment if it means the cute annoying hedgehog next to him will hold him a little longer :] )
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Okay, so this is really difficult to see, but look at Shadow’s wrist protectors in this image as well as the last one. See how there’s less of them visible in this picture here? That’s because, as the person who posted this gif noted, Sonic moves his hand up and down Shadow’s arm twice after cuddling up to him like this. It actually moves Shadow’s entire arm and shoulder up and down with the movement, making it look a little bit like a friendly rub or shake. Sort of like “hey, look at my grumpy friend, isn’t he great?”. Meanwhile, Sonic’s still looking smug, but I’m now wondering if it’s a bit of a knowing look as well? I mean, this is the one friend of his who’s truly known him for more than a few days. I’m wondering if there’s a bit of “‘ey, Shadow, c’mon, don’t be so shy! You’re my pal!” vibes here, partially because he knows it’ll annoy Shadow and partly because he just knows how Shadow is but wants to drag him into his circle of friends regardless. (Look at how much Sonic cares about Shadow, trying to make sure he’s included! So cute!!)
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THE PAT. Two of Sonic’s fingers are lifted up here, which he then uses to give Shadow a light tap on the arm. THE AFFECTION. THE OBVIOUS CARE AND FRIENDLINESS IN THIS ONE SIMPLE ACTION. SONIC CARES ABOUT SHADOW SO OBVIOUSLY IT HURTS ME TO WATCH. MY HEART. No matter how many times Shadow puts up walls, Sonic smashes them down. After all, Shadow doesn’t get to be the only one who does things like keeping Sonic safe or helping him stay grounded! Sonic’s not going to pretend those things just didn’t happen—Shadow cares about him in his own awkward, emotionally constipated way, and Sonic is reciprocating. You can’t stop him, Shadow!
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I’m skipping the smear frame here, just because Sonic and Shadow basically pop up and right into this position. Sonic’s two fingers come out of the tap/pat and straight into the peace sign, and now he’s smiling even more than he was at the start of this whole thing. His eyes are all big and shiny too—he’s clearly very happy to have introduced Shadow, and perhaps also quite happy that he’s getting this moment of prolonged physical contact with Shadow. Now, while Shadow’s shoulder is still kind of smushed upwards, which could indicate stress in another circumstance, it seems to me here that this is mainly because Sonic’s hand is pulling it upwards slightly. (Although, I’m afraid it does appear to be the case that Sonic and Shadow are approximately the same height in Prime—remember, Shadow’s ears aren’t as perky right now as Sonic’s, and the ears are really the only height difference between them here.) Shadow’s expression, however, is honestly quite neutral. Despite his previous discomfort (part of which, I just realized, could be because Sonic essentially was pushing him off balance. Shadow was tilted pretty far to his left, which could be a little awkward of a position to be in, especially for an extended period of time), he doesn’t look bothered at all, instead just quietly existing in this situation. Most of the irritability in his expression comes from his angular eyes and his aforementioned “resting grumpy face”, honestly.
(I couldn’t find any gif that includes this next part—probably because the camera cuts away from Sonic and Shadow here for a moment to show the general confusion of the Shatterverse folks—but when it cuts back, Shadow is still standing there with Sonic’s arm around him. Heck, he looks willing to continue standing there for however long Sonic stays next to him, only pulling away when Nine comes back and makes noise, reminding everyone that we’re in the middle of a battle for everyone’s survival here. And when he does pull away, Sonic is dragged with him, which is probably mostly for laughs, but does also imply that a) he was holding onto Shadow pretty tightly and b) he wasn’t expecting to have to let go even AFTER Nine made himself known.)
This post is long enough already (and I drafted it when I could've been going to sleep, because the force of Sonadow infected me), so I won't be doing the "Shadow saves Sonic" scene just yet (unless a lot of people want to see that). For now, though, thanks for bearing with me throughout my descent into madness over these two. And if you want me to take a look at other gifs, feel free to send them my way or put them in a reblog and I'll see if I can make the time to analyze them!
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vasito-de-leche · 3 months
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;R1999 TENNANT - General Headcanons
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Compilation of headcanons and analysis on Tennant as a character and other related things.
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I missed doing analysis like this and I got burnt out from writing oneshots, so since someone asked for a Tennant post last month or so, here we are <3
she's literally the only 5* I don't have, the woman avoids me like the plague LMFAO. because of this, the screenshots and examples will be taken directly from the fandom wikia!
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On the subject of diamonds, Laurence Tennant and the House of Tennant.
I feel like we should talk first about her father, as it will give more context as to her current personality and themes. For the sake of making things less confusing, I'll be addressing Tennant by her real name (Ada) throughout this specific bullet point!
Going by Ada's Cover profile, we can confirm that she was born in Birmingham and at the age of 15, moved with her father to New Delhi.
Thanks to the 01 Story, we understand that the Tennants moved from their homeland because of Laurence's job (mining, identifying and transporting diamonds from British India to the UK). It's also worth noting that the House of Tennant seems to be extremely valuable to the UK because of their mineral/diamond related skills and arcanum - note how Ada's father is titled Sir Laurence Tennant in the first part, and how they strip him of his title.
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But what the 01 Story fails to explain is the reason Laurence was persecuted. He's suspected of "an arcanum-related crime, thef, fraud" and other six unknown charges, that's all we know. The 02 Story gives a little more information on the crime he might've committed to have such a large bounty on his head.
"…Laurence Tennant stands accused of an arcanum-related crime, in which he may have turned a batch of diamonds into charcoal on their way to Britain through his arcane skill. The colonial government is still in search of Laurence Tennant and trying to locate the whereabouts of the diamonds and therefore cannot take legal action against the suspect at the moment."
Basically, he does the exact same thing Ada is currently known for. The year this event takes place in is also important - Bluepoch puts a lot of references to real people and events, and given how the House of Tennant lived through the british occupation of India and how they're related to the diamond mining industry, I'd like to talk about a very specific diamond: Koh-i-Noor, one of the largest diamonds in the world.
Now, as usual, I'm only getting this information from skimming wikipedia articles and anyone with more knowledge on this subject is free to correct me or add to the post!
The Koh-i-Noor is notorious for its conflicting and confusing origins, with the earliest mention of its existence being around the 1740s and that it was directly looted from Delhi. This diamond was passed around various royal figures, but we'll focus on what happened to it on the year Laurence Tennant went missing. In 1937, the Koh-i-Noor was put on the crown of Queen Elizabeth for her coronation.
For full transparency, the diamond had been in possession of the Royal British Family since 1851, so the idea that Laurence Tennant might've somehow acquired it while he was aaaaall the way in New Delhi doesn't exactly make much sense. Still, I feel like the year chosen for this event, the themes and the theft of diamonds, plus the subtle emphasis on british colonialism that Tennant's character has, are still worth discussing, to draw more parallels between the real events and the details chosen by Bluepoch.
Laurence Tennant might've or might've not stolen the Koh-i-Noor, for all we know he simply could've switched a handful of regular diamonds for charcoal using his arcane skills. To me this doesn't explain all the chaos that ensued, but it could still be a thing that happened!
My personal headcanon on this matter is that the House of Tennant has been doing this since the very beginning. Father and daughter share the same arcanum, after all. Laurence Tennant was stated to have been working in the diamond industry for many, many years - there's no way he could've missed something as important as the Koh-i-Noor. And in the context of politics, it's way easier to accuse the perpetrator of many different, smaller crimes than the big crime that could ridicule the crown or the authorities in power. I personally like to think this is what happened with the Tennants - that the Koh-i-Noor was found to be fake during Queen Elizabeth's coronation, that they finally realized Laurence Tennant's long scam, and they accused him of minor crimes to save face all while giving him the biggest fucking bounty known to man during those years.
What leads me to believe that the House of Tennant, that both father and daughter were scamming the crown all along, is Ada's 02 Story.
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Once her father disappears, he's gone for good. Ada never mentions him again, not in her voicelines, not in her interview with Pandora Wilson. Ada never seems to grieve his disappearance, which seems weird since there's nothing that hints towards them being on bad terms. As far as we know, the Tennant family is only them.
A year after Laurence Tennant disappears from the face of the Earth, his daughter follows. In 1938, Ada also escapes the authorities that were actively supervising her during Laurence's case. We don't know how old she was exactly, other than she must've been older than 15 at minimum. And if she was spotted around the 1940s with her current age being 25, well...
For someone that young to vanish without a trace despite all the constant surveillance, all the attention drawn to her family due to her father's crime - to me it seems like she learned from the best. Especially when she begins her own career of crime in Paris that very same year, using the exact same methods as her father, the legacy of her family.
This would also explain Ada's constant lying and acting. These are all things she learned from her father, someone who was never truly obedient and loyal to the people he worked with.
I would also like to draw parallels between Ada and Druvis III. It's the same argument and parallels I talked about when discussing Forget Me Not. Feel free to skip this, if you already know the deal.
Both characters, Ada and Druvis, were part of important arcanist families, known and respected for their specific arcane skills. Both of them had to leave their homes behind: Druvis, an immigrant forced to abandon her roots and traditions for the sake of assimilating into the "american dream". Ada, who moved into one of the colonies her own country was actively exploiting, an outsider and indirect participant in the mining of diamonds.
Both characters also carry their families and legacies in their names, but whereas Druvis is constantly haunted by her past and the way people continue to talk about her family, the House of Tennant is forgotten. Ada's first birthday quote states:
Many years ago, the Tennants held a birthday banquet for their beloved daughter on this day. But now, almost no one remembers this déclassé family.
The House of Tennant is gone, despite their importance in history and the huge crime commited, no one remembers them. And yet, Ada wears her family name proudly, there's barely anyone left to remember where it comes from and the weight it used to carry.
It's understandable that people recognize Druvis. But why can't people remember the House of Tennant? I don't have an answer for this, I just think it's a very interesting thing, some food for thought!
On the subject of Tennant's ties to New Delhi, colonialism and her stance on racial and arcanist/human issues.
Not to hit everyone with heavy topics, but I feel this is an aspect of Tennant that often goes overlooked in favour of her whole seductive vibes.
Now, Tennant was born in the United Kingdom, but she has a noticeable darker tone to her skin, and while her ethnicity is never stated, it might be implied that she's a woman of color. I've seen people say that she's tan because of the time she spent in New Delhi - she does have a voiceline speaking about the scorching sun - but... She left New Delhi years ago. A tan you get from the sun doesn't ... stick for a decade. That argument doesn't make sense at all to me.
Either way, while I'll be treating her ethnicity as ambiguous, I felt it was important to note out that she might not be white, especially because of the themes I'll be addressing here.
Now, first and foremost I want to talk about the way Tennant talks of New Delhi - this is not the country she was born in, nor the place she was raised, as it's implied that she was also pretty young when she left for Paris. Yet she makes no references to the United Kingdom.
New Delhi? To be honest, I barely remember anything about it. It doesn't make much difference to England, aside from the scorching sun.
This quote? This is a lie. This is Tennant choosing to lie to Vertin for reasons I'll talk about in the next bullet point. How do I know it's a lie? Because the last item you can unlock for Tennant is this.
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Cheap accessories she bought in New Delhi. And they must mean a lot to Tennant, because Pandora Wilson notes that it's impressive that she's managed to keep them until now.
The first skin Tennant gets in 1.3 is "Roaming in Delhi".
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The text reads:
Back then, whenever there was a day off, I would put on a local outfit and wander around Delhi to visit some historical sites and handicraft shops... Those days were fun. Yours, Tennant.
Clearly, Tennant still thinks about Delhi. The time she spent there must've been important to her because to this day, she still carries part of it with her.
I believe that during her time there, Tennant came to understand the way rich countries exploit others, the lengths they'll go for something as simple as diamonds. And now, knowing that she dressed up as a local and saw their way of life first hand during the british occupation, it gives a lot more depth to her character and why she seems to cherish New Delhi above all the other places she's been in.
I won't pretend I'm a history buff. Again, all this information comes from quick searches and reading wikipedia articles. I'm a person of color myself, but I cannot speak on the struggle India and its people went through.
What I gathered is that Tennant lived through the last stages of the Indian Independence Movement. And given how Tennant was spotted in the 1940's, it's safe to say that she outlived the British Raj, as India gained independence in 1947. The fact that all of these important events were chosen for her backstory doesn't seem like a coincidence to me. It makes sense that Tennant does not abide by laws and is considered a criminal - because the authorities she witnessed were anything but just and fair to the commonfolk. We must also take into account the issues R1999 introduces between arcanists and humans, which overlap with our own racial issues in the real world to a degree.
This might be a reach from my part, but notice how the news from Tennant's 01 Story change when addressing her father. First it's "an official in British India, Sir Laurence Tennant", when they believe him to be missing. Later, after they issue a wanted notice, it's "senior official, mineralogist, arcanist Laurence Tennant". They've already stripped him of his title and now that he's officially a criminal in the eyes of the government, they felt it was necessary to state he was an arcanist. And sure, they also stated his previous role and his job, but as a person of color myself it definitely feels similar to the way POC's ethnicities are highlighted in media whenever they're accused of crimes.
Language and wording matters a lot, and perhaps this is why Tennant knows this, why one of her most effective methods is sweet-talking.
Either way, Tennant does speak of politics and I think her character as a whole was meant to be political given the details we just discussed. There's this exchange at the beginning of her interview with Pandora Wilson:
Pandora Wilson: What's the difference between Britain, India and France to you? Tennant: Nothing different, my beautiful lady. Pandora Wilson: What do you mean? Tennant: For me, humans are all the same, no matter where they are from. Tennant: We share the same virtues and the same weaknesses, and we can't do anything about it. They are part of human nature.
Tennant has experienced all three points of view - that of the oppressor, moving to New Dehli because her family's business is involved in the diamond mining market. That of the oppressed, both as an arcanist and from the times she disguised herself as a local to experience life as just another girl from New Dehli. That of a third party, oblivious to the issues, in a brand new country who does not concern itself with these matters and live a beautiful life in ignorance.
She doesn't see any difference when it comes to all these countries she visited, because she knows of the struggles and how stupid prejudice and bigotry are.
Arcanists, within the universe of R1999, are hinted to be an entirely different race to humans because of the many differences in their biology, with their appearance being one of the things they share. And yet, Tennant doesn't make this distinction - WE share the same virtues. WE can't do anything about it. We are all the same, no matter where we come from.
Tennant, despite the lies she attempts to sell to the world, is an extremely grounded individual, just as multifaceted as the diamonds she recreates!
On the subject of Tennant's lies.
We can't talk about Tennant without addressing her whole lying motif. I've already covered characters who aren't fully transparent with their thoughts, feelings or intentions - not necessarily deceitful on purpose like, let's say, Forget Me Not, but just misleading.
In Tennant's case, this is taken to an extreme.
She's described as a fraudster, a con artist. There's a lot of stress into the fact that one cannot trust her. Deceit runs in her family, her medium is lies, her Inheritance Skill is called "Beautiful Lie". She states that her hobby is "diddling", cheating and scamming others...
And yet, this entire act is a performance.
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This might be a controversial take, but Tennant is honest.
She delivers exactly the sort of behaviour and persona that people expect her to, the one she's built throughout the years. She's playing a character and performing for those willing to approach her despite the very red flags - because Tennant makes it extremely obvious that she's not someone to be trusted. You can see it in the way she speaks to Vertin.
Sunlight eases people's mind and endows diamonds with glowing luxury. What a perfect occasion for deceiving.
Good morning, my lady. I've prepared you fresh coffee, sandwiches, and this shiny diamond. Of course, I would never lie to you. This is a piece of cultured work. But look how it sparkles, how elegant, isn't it?
If you want to, you're always welcome at my place. I will be here, with my cleverest scam, waiting for your arrival and, of course, an invitation to yours.
This isn't to say that Tennant doesn't lie - she does that a lot, a good chunk of her voicelines are directly contradicted by her items. The voiceline in the middle is a lie. She's lied to Vertin already, when she said she did not remember New Dehli. She vaguely poses as a man...
If else, lies are to be expected when she's playing her part, when she's painting a picture of her nature as a con artist for you to fall for.
And speaking of falling for Tennant, aside from the whole counterfeit diamond scam, seduction is another aspect to her character. I don't have to go in-depth about this because everyone and their dog has seen her Insight 2 illustration, a good chunk of women who play the game did it because of Tennant's charms. Every day I look through the tag and see people talk about how Tennant was the one character that enticed them to play.
But I will point out a few other details! This is one of her voicelines.
So what's next? The young lady of the rich, resolute and courageous as she is, disregards my humble beginnings and takes her possessions to elope with me. But then, I will leave her and disappear, forever.
And this is the information given for her second birthday login.
On this day, countless maidens in Paris went dizzy with love. They all just happened to encounter an elegant, charming gentleman who gave them a "unique" invitation to a birthday date.
These fleeting relationships, her constant flattery and flirting - they're part of the performance and all the women who fall for it are willing participants. As far as I know, Tennant never steals from them, her targets being merchants and people who can afford to spend money on diamonds so frivolously.
This is why Tennant insists her behaviour is harmless, it's a game. Her conversation in the Wilderness is a perfect example of the way she operates, specifically the way she opens with:
Ironically, diamond itself is a product of lies. I merely add a new layer to it, won't you agree?
The phrase "a product of lies" is very evocative to me. Tennant more than anyone is aware of the truth about diamonds - their value is artificially inflated to support the whole market, but they're not that valuable and they're mostly sold to rich people. So she's right, a diamond is a product of lies! But this phrase could also be read differently, like the way a diamond is born from coal, or the way something so "high class" and brittle could be created through insane amounts of pressure and work. Again,
Bluepoch gives their character many, many layers, the same way Tennant adds yet another layer to the lies of a diamond.
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"It's just a lie known to everyone."
So, to summarize: Tennant is honest and upfront about her lies, she's playing a character. Her big scam is to make people fall for something so obvious - she makes maidens fall in love with her despite everything, she makes merchants buy into her fake diamonds. It's both an innocent performance and a risky game she plays. It's like her Ultimate says - she has a sincere heart, just split into many pieces.
What leads me to believe that Tennant is also a very kind-hearted woman is the fact that one of her skills is a shield. This is also something I talked about when analyzing Dikke, since she's also a very violent person whose healing skill give more insight into her character. It's the same for Tennant here!
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"People have always dreamed of such thing, no matter it's in the distant universe, or right in front of them."
These little things and the previous point portray a different Tennant altogether - she's offering a harmless, whirlwind romance to many girls out there who are willing to play along, who are enticed by the danger without knowing they're safe and sound by her side, to give them a taste of something beautiful and fleeting. She carries around a gun that is explicitly "seldom pulled out".
To end the post, I have to admit I don't have many in-depth headcanons for Tennant? At least not enough to warrant more bullet points, and I already sprinkled a few throughout the post, so that's about it from me!
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This was pointed out to me, because I missed it at first, and I appreciate being informed:
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Pretty obviously we're all going to reblog a shitpost from the wrong person now and then, or get some "helpful" rando in our inboxes telling us sourceless gossip we don't give a shit about, but this is a hell of a response. I wonder what kind of person in what kind of community would feel the need to express this sentiment so vehemently, and gain traction for it?
(hint: she's a terf, shinigami eyes isn't lying here)
A lazy scroll through her blog gives some fun context to this post:
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Peaked = bought into radfem/terf ideology
Crypto = terf that only posts coded, innocuous radfem posts, if at all
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Stealth = same as crypto, above
If you want to check for yourself, some things to remember:
A cryptoterf or a stealth terf (and many obvious, run-of-the-mill terfs) will never give you a straightforward answer on if trans women are women and will instead give you paragraphs of psuedo-philosophical bullshit meant to sound rational and comforting—with the bottom line being that trans women are inherently different from cis women. Because biology/socialization/the terf's current convenient metric of "being female." As if all women are not inherently unique from each other. If it confuses you it's working.
Many terfs are actively making an effort to come off as rational, comforting, and harmless. They will often deny terfs are a real concept, claim that gender doesn't exist or that it is not an identity but a set of social roles assigned to (cis)men and (cis)women, and ergo, trans people do not exist.
Many of them are not going to be obviously hateful, and these ones are potentially more dangerous because you will believe you can debate them. This is a trap. The terf screenshotted here is one of these.
But sometimes, despite not believing in terfs, they happily bait other people into chewing them out for being one and then cry victim when finally responded to harshly:
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zeynatura · 8 months
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Ranting about Nucani
There is something I want to express and this fandom should know.
Nu: Carnival is a Harem game but unlike most games in the genre the relationships with MC are all canon within the same story, there are no "Routes", no "Alternate Universe/Timelines", it's all 1 Main Story where you get to gradually meet all the Characters who'll be your companions, in this game named Clan members, and all of them one way or another end up falling for Eiden (MC), which makes polyam relationship canon with Eiden as the center:
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Like very few games have polyam representation, let alone a positive one, like yes the polycule it's very Eiden central but even then all the Clan Members interact with one another, as we see mainly in the time limited Events but also in the Main Story, and have friendly and amicable interactions, they rely on one another sometimes even without Eiden being involved.
But also, Aster and Morvay have a relationship established too since way before the events of the prologue of the game, Kuya and Quincy have hinted some sort of situationship (idk I don't care about Quincy and my knowledge about Kuya is limited to what happens in the story and events cause I have no limited SSRs nor have I read any of his Intimacy Rooms).
[Also if any of you knows of any other relationship that have been hinted at that i'm missing feel free to share, i specifically ask of you to refer to only canon, i know in fanon anything and everything is possible and sometimes we may be missperceiving some interactions between characters so i ask of you to take those rose tinted glasses off and see unfiltered canon, it's hard for me too ngl so dw]
All this started with some posts I saw about ppl feeling bad for Yakumo and/or Edmond to be "forced into a polyam relationship" when they are the "most romantic members" and "deserve a monogamous relationship", their words not mine, as if mono > poly , but also do you really think they're against it!?
One thing is being Clan Members against their will (which is all Huey's fault btw), having to work together to regulate the Altars' Essence (or their own) and then another one completely is involving themselves in a personal and intimate way with Eiden, which the latter they all did in their own terms and out of free will.
Also i wanna share one of the best and my fav scenes with Karu, which i know not everyone was able to experience it cause it's hidden in the Intimacy Rooms of a Limited SSR, but it expresses exactly why the polycule is consensual.
Context: Eiden has been worrying about forcing the Clan Members to be with him because he is the New Grand Sorcerer, against their will just because of Huey's magic that ties them together and the responsibility of Regulating the Altars and basically maintaining stability in the Klein Continent.
His worries began (at least that i noticed) in "Eerie Escapade" (Halloween Event), that was also the first time Garu got hurt while protecting Eiden and the first time Karu got mad at him and fronted to yell at Eiden (which is my another fav scene of Karu omg i love him so much i gotta go back and take screenshots of that but that's for another post), the second one being in "Army x Blood x Oath" (which are the screenshots i'll show u)
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Because this are the Intimacy Rooms of Garu/Karu's Limited SSR this scene focuses on Eiden feeling guilty because Garu got hurt in the past (Halloween Event) and this time he lost his memory (temporarily, due to this event's story) and Eiden blaming himself for it all and wondering if they would be better off without him, but the same can and is applied to the rest of the Clan Members, seeing how Eiden met and approached Rei while respecting his privacy and independency even tho he's also a Clan Member and the newest introduced in the story, means that the Limited Events are also canon and part of the story because Eiden seems to be growing and learning from previous Events and showing that development in future Events and the Main Story.
Karu also mentions that Garu (prior to losing his memories) was also worrying about the same thing Eiden was, like 'what if Master (Eiden) stays with us just because of the contract with Huey? :c' and he calls them both idiots because they don't communicate and fronts to fix it! (Mighty Karu to the rescue)
And talking about "Eerie Escapade" that is also the event where Yakumo's possessiveness towards Eiden shows, i'll admit i haven't seen the last room but i feel like those people i mentioned before are using it as fuel to their idea, because if Yakumo is jealous of other Clan Members interacting with Eiden and "Wants him all to himself" that must mean he wants a monogamous relationship, right?
WRONG!
That just means Yakumo is a complex person that feels different emotions specially when it comes to the most important person in his life (Eiden) other than his grandparents!
And Yakumo feels guilty for having those feelings, not because of them being in a polycule and he not wanting to be in it, but because he has trauma and sees his desires and wants as selfishness and he would never allow himself to be selfish cause he doesn't want to hurt people, he's a people's pleaser! He lives with constant fear of hurting others like the Great Serpent did when it killed many (but apparently there may be more that meets the eye, because the current event hinted that the Great Serpent actually liked humans and took care of children ???)
And Yakumo dealing with those feelings along with his yokai powers as a descendant of The Great Serpent have been the main topic of his last 3 Limited SSRs, which is great because that means CHARACTER DEVELOPMENT~
Now unfortunately i cannot talk about Edmond's Intimacy Rooms as i'm missing ALL OF HIS SSRs (why do you hate me Edmond if ily) but from what i've seen he's also pretty happy being with Eiden, heck even HIS MOM is happy his son is with Eiden!
That's right, she's the first and only parent of the Clan Members that knows and approves of their relationship, if it weren't because most of them are orphan we could get many more... i wonder if Yakumo's grandparents are aware hmmm ... and we all know Olivine's parents are gonna HATE it xD and maybe Garu's wolf pack will approve of Eiden by the end of this event.
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sgiandubh · 9 months
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Pretzel logic
I never liked funerals - who does? - and I have always tried to avoid them, under different pretexts. This is one of the moments we meet the Great Beyond and we are at our most vulnerable. It's only fair and it is not something to be taken lightly, ever.
August 10, 2022 happened a few days before I decided to give OL a try and by the time I landed in here, that YouTube live had already been taken offline, perhaps with good reason.
That people watched it should come as no surprise to anybody: it happens in all cultures and societies - Death fascinates us and makes us curious, even if it's a questionable, voyeuristic kind of curiosity. It was posted for everyone to see, on the biggest content streaming platform on planet Earth. It was posted in consideration of the ending peak moment of the COVID pandemic, to allow for more people to attend, with the family's prior consent. It was most probably shot from the organ balcony, at a respectful distance and I am being told the streaming was blurry: a good thing, if you ask me. People screeching for "more clarity" of those screenshots should, in my humble opinion, think twice: context and taboo and all that.
That people saw something bizarre in the front pew was unavoidable. That the said detail (Occam's Razor would help us conclude that ambiguous things are usually anything but...) was screenshot, edited and made its way in here and elsewhere - impossible to control. However, I have not read any disrespectful comments about the event. Nobody snarked. Nobody grinned. A hole in the plot was pointed out, adding to the whole array of inconsistencies and if I remember well, it was almost missed out entirely (a taboo is a taboo, after all) and started its career online only days after.
Was it shared ad nauseam? Maybe - but who the hell am I to judge? Again, not something you can control, unless you set yourself up as the Torquemadas of this fandom and slap everybody on the wrist with your twisted righteousness. When your people discuss the Data Lounge findings in great, lewd detail, that is called having fun and (I love that one, don't you?) gossiping, as if you were just talking about Miss Scarlett's new petticoat, not a man's reputation. When our people dare to post pictures from a public event, or published for public consumption, that is immediately taxed as being insane or snooping.
A neutral person venturing in here would call out the bias immediately. I call out your hypocrisy and have no problem doing it in writing. And I never peddled neutrality, in here: I simply peddled decency and I remind everyone I have probably never posted any pictures from August 10, 2022 (I will triple check later, but I am pretty sure I didn't). It is a personal choice and, as you know very well, I am not alone in the Shipper community. Far from it.
That you chose August 10 to post the largest, most consistent amount of content I have read on your blogs during the last six months, shows me once more what I already knew: you simply can't help yourself, can you? It's all about slap-a-shipper day, even if this community remained remarkably silent and collected, yesterday. Extremes exist, they are a fact of life: silencing them is useless and unproductive, at least as far as I am concerned.
You have once again showed me your true colors, Mordor. At the end of the day, you do not really have a problem with the pictures floating out there. What you do have a BIG problem with, is the person sitting in the front pew and you would go to great lengths - to any lengths, for that matter - to disguise it under a thick sanctimonious cloak of civic disgust. Your shrieks backfire: if anything, they confirm, not deny. And for the sake of politics, anything goes. It is, therefore, ironic, that in order to post your reasoning, you did look, in great detail and for a consistent amount of time, at the same exact screenshots and pictures you send to hell so gleefully.
Spare me the dramatics.
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teatual · 3 months
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hi! hope this is an alright question to ask, but i really really wanted to start adding IDs to my posts and stuff! im worried my IDs that ive done before are too long and detailed, so do you have any tips for ID writing? thank you in advance if you answer this!! =^.^=
QUESTIONS OF LOVE AND JOY
Tbh the biggest bit of advice I can give to anyone wanting to write IDs is that literally any ID is better than no ID even if you think it's too long. Genuinely just give it a shot and the more you do it the more you'll get a feel for it, just like any other skill!
If it's my own post, I start by identifying the type of image ("a screenshot of", "fanart of", "original character art of"), then identify the subject, then a quick verb or adjective about the subject. So
[ID: (image type) of (subject). (Subject) is (adjective and/or verb). End ID]
Yoinking my pfp: [ID: a PNG (image type) of a sticker sheet (subject) of holographic stars, moons and suns (adjective!). End ID]
Everyone who uses IDs will have different preferences for them. U could ask 20 people who require IDs for images about them and get 20 different answers. AFAIK the general consensus is that many prefer brief IDs because screen readers take yonks to read it out? But you do want to make sure you don't miss out relevant context.
IME the most accessible thing to do is write one directly under the original post (NO read more) and in plain text. small text (small text) or coloured text (coloured text) might or might not be picked up by screen readers but is gonna be difficult to read for many people with low vision, which is the main demographic IDs are used for.
uhh what else. There's a difference between an ID (image description under the post) and ALT text (embedded in the html of the image) and there's no single agreement on which is better (see paragraph 2) but sometimes a screen reader will skip the whole post if there's an image with no ALT text. Good practice is to put a very brief (1-2 sentences) in ALT text and the fuller ID under the post, like how my mutual's done it here.
There's more i could probably say but this is quite long whoops so linking some more posts about them for you here, here, here and here!
Also also if you want to make a huge difference to accessibility on your blog you can search through the notes of a post to see if there's already one (copy and paste it to your version if you want a different reblog chain! the writer won't mind!) and tag image posts with no ID as #undescribed or equivalent.
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