i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.
picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.
it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.
and then he gets to the sword.
demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.
but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.
when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.
the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.
and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.
the language of this wretched sword reflects the state around these two monsters.
luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.
instead, he hears this:
"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."
but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.
"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."
"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."
"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."
"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"
somehow, this is worse than if xin mo was actually eating away at his brain.
weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.
xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.
it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.
sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.
maybe he's the delusional one. maybe this is xin mo's way of getting to him.
maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.
"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.
hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."
xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.
...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.
(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)
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How Leo’s role as face man prevents him from confiding with his team
Watching throughout the entire series we see Leo constantly keep up with his role as the face man of the group
While on missions he can use his charisma and persuasion in order to get people to go along with his plans without letting people know what he’s really thinking
But he never seems to put it down
•Leos Emotional Guard
At first glance Leo’s entire personality revolves around being lenient laid back and chill, and to everyone else it makes him seem like a very open book, and that’s why the face man role works out for him
But it means that no one is really aware of anything beneath the surface. They never bother to ask because who would need to?
However, this also includes Leo’s family
Despite his chilled back personality Leo is one of the most emotionally guarded ones out of all of the brothers
Throughout the series we can see little moments of vulnerability from each members of the family, digging deeper into their emotions and their insecurities and then go on to discuss said feelings and gain some form of comfort or closure from their family. Most notable ones shown below
Donnie in “Donnie vs Witch Town”
Raph in “Anatawa Hitorijinai”
Mikey in “Hidden City’s Most Wanted”
April in “Always Be Brownies”
Splinter & Donnie in “Turtledega Nights”
•How Leo is Different
Similar to everyone else, Leo is shown to have these moments sprinkled in too but they never occur with his family
The two most memorable moments we have are shown in “Portaled Jacked” with Senor Hueso and during his one-on-one conversation with Casey
Why these two characters and not one of his close family members?
Because it’s easier talking about problems to strangers and people who don’t know you as they have no previous knowledge or connotations of you to fall back on and there’s no feelings of burden or guilt if you believe the topic will never be discussed with them again. There’s less feelings of consequences that comes with being vulnerable towards people who don’t know you well. Because if you open up more to the people who do, the risk that their opinion of you will change gets higher
Then we add in the fact that Leo is already extremely guarded of his emotions. He doesn’t want his brothers to think less of him because he already isn’t confident of his place in the team already and thus doesn’t confide in them
•Deflecting with Humor
And then the two moments where we do see little slips in Leo’s carefully constructed masks that occur around his family, which we can find in “Minotaur Maze” and “Many Unhappy Returns”
He ends up immediately backtracking and deflecting with humor, thus changing the subject and preventing anyone from delving into it further and reacting to the quips instead
“You know it’d really help me if you guys said that I was your champion.” “Just open it!”
“This whole situation was my plan all along. If it wasn’t, then why’d I ask your tailor to make me this outfit?” “So we could both perish looking super fly?”
What makes it worse is that Leo has such a habit of doing it that his family expects it, which then causes them to believe there’s no underlying issues beneath the surface and thus don’t react accordingly. (with the addition that both parties had valid reasons for being upset with him at the time)
But it causes a situation of Leo internalizing his emotions, and if he doesn’t expand on the topic himself, then his family won’t see a reason to either nor think there’s an issue to begin with
•The Movie
To add onto this point, we see Raph and Leo arguing over Leo’s role as leader. As usual Leo deflects the argument with humor and avoids the situation. But we can see during the argument that how Leo privately lets down his guard and for a second the audience is able to see how he’s really reacting to Raph’s words. However, it is apparent that Raph doesn’t see this side of him and most likely never really has
“You just don’t get it Leo”
Now as the audience it is very easy to draw to the conclusion that Leo has clear issues with his role as the leader and most likely many insecurities regarding it thus why he acts the way he does. Like any other serious situation, he copes with, he deflects with humor and tries to avoid it
This argument then implies that in the two years since Leo was made leader of the group, he never revealed his internal issues with it and never made it apparent to his brothers either because he hates being vulnerable
The face man role works for him because it requires skillful work in that you can manipulate people the way you want to without ever letting them know what your thinking. And Leo carries that role with him when it comes to his brothers and family as well. But this doesn’t work out for him anymore when he becomes the leader and communication becomes so important to the team. (I talk about this more on a different post)
Thus the events of the movie and why things played out the way they did
Naturally he learns how to trust in his team more when the situation becomes dire enough that he realizes he can no longer keep deflecting
But even after all the traumatic events that he went through. When it comes to the one time we see him really cry. He still only lets himself cry when he’s completely alone within the prison dimension
TLDR: Leo’s role as the face man is kept on both on and off duty as we find that he is really one of the most emotionally guarded out of all of his brothers as he doesn’t want to let them know what he’s really feeling out of fear that they might think less of him as he is already insecure of his placement in the group and would rather confide in people who don’t know him well over his family where he runs the risk of them treating him differently
Honestly, “Mr. Emotionally Unavailable” has some real competition ahead of him
If we were being completely blunt, all of the brothers have trouble when it comes to letting go of their real emotions, Donnie just being out of his depth with them and it being uncomfortable, Raph wanting to be strong for his brothers, and Mikey most likely wanting to focus on his brother’s emotions over his own as the Therapist of the group, but i believe the Leo definitely has the worst case out of all of them.
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memoria is incredibly close to my heart, but when i listen to it now, it's hard not to think about the undertones re: how therapy as an institution handles disability. maxwell's objective was always to help hera get back to work, to find accommodations she could function under, or otherwise to replace her. "i'm sorry you feel like you can't do your job." maxwell presents her solutions in a less hostile framing, but her methods are the same ones cutter threatens hera with in her live show performance review (re: deleting her memories) and it's something she intends to do regardless of hera's consent. maxwell's practice aligns with goddard's interests, and of course it does. there's something about therapy as maintenance, and the treatment of the disabled mind and/or body as a broken machine.
hera is used to being condescended to and taunted for her limitations ("we all have our limits. you can't do what you can't do. it's not your fault.") and that intersects with her trauma ("i can't do this. i'm not good enough.") in a way that inherently ties her self worth to her ability to be useful and perform a job. as a result, she has a gut reaction to and a resistance to anyone suggesting she might not be capable of something, or that she might need help, and that makes her constantly push herself past her limits, causing real damage. the problem is that hera is disabled, there are things she can't do, and she hasn't been given the security or compassion to really come to terms with that. no amount of ways to manage doing her job will really help the core problem; she needs to be able to separate her concept of self worth from her productivity. "we get things wrong, and we get better." is a nice sentiment, but i think it applies more to interpersonal conflict than physical burnout. hera even directly calls back to and casts doubt on that specific line later in the show.
that's why eiffel matters so much to hera. when eiffel says "you can do anything" - he believes that, he has that kind of sincere faith in all of his friends, but he means it even when it's disproven. he's seen her fail. he's seen her make mistakes. it doesn't matter because it isn't about what he expects of her, it's about who she is to him. minkowski is the commander, even when she's not. hera can do anything, even when she can't. eiffel values people, not their jobs. if hera didn't have a supercomputer for a brain, she would still be the same to him; it's who she is and her companionship that he wants. i'm not saying that what maxwell did for hera was useless - it's effective therapy that gave her a clearer understanding of herself, and a framework to understand what's been happening to her; that's extremely valuable. but that alone would not have been enough. what hera thinks of at the end of memoria, what actually pulls her through, is the support and care that eiffel and minkowski continually show to her.
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