I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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If you're interested, here's a prompt from the ones who just shared:
"Then why did you do it?" "BECAUSE I LOVE YOU!"
No rush hehe I hope you get rest and have fun writing this!
Now, see, I could have taken this as an open prompt and went with something else, but I know you like dreamling and so I was good.
Thanks for the prompt dear! 💖 Also special thanks goes to @cuubism for actually going through it 🌻🌻🌻 any mistakes are me ignoring her wisdom or straight up forgetting to edit it. one of the two.
Dreamling - some flavor of hurt/comfort(?) 'you dare?' kind of situation going on there, 1,394w
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“I cannot fathom why—”
Dream halts mid-sentence, his outrage rendering him speechless for a precious moment in which Hob tries, fruitlessly, to come up with a way to placate him, to explain in a way that will somehow pass as acceptable to Dream. The betrayal is tangible in the air, so charged that Hob’s hair actually stands on end as if from static. It feels like standing at your front door, still safe but seeing the hurricane on the horizon, knowing that this false safety can and will change in moments. Hob cannot think of a single thing.
“You.” Dream grits his teeth so tightly that they scrape loudly, the sound of it making Hob’s own teeth ache uncomfortably. “Know.” Dream says each word as if it takes a great burden to even use human speech and not simply burn a hole in Hob’s mind. Given Dream’s past record, which Hob had recently learnt of, perhaps it does. “You know I do not ask.”
“I know.” Hob winces.
There’s no denying that he knew. Knew full well that asking Dream’s sibling for help was a guaranteed way to not only outrage him, but also land Hob a very creative punishment and the end of their long friendship.
He knew that, and did it anyway.
Would again, if he had to.
He will not apologize for that.
Dream seems to come to the same conclusion, cheeks reddening in a surprising display of humanity, of lack of control over his appearance. The darkness that creeps into his eyes is distinctly not human. Hob shudders but fixes his eyes on Dream’s, refusing to avert his eyes like a reprimanded youth. He did what he did, and he’s not sorry.
''Then.” To Hob’s surprise, Dream seems to level himself, to school the darkness out of his eyes and ask with a calm that is somehow more unnerving than his rage. “Why did you do it?" There is a finality to this question, like a judge asking for one last confession to tip the scale one way or another. There will be judgment at the end of it, Hob knows.
“Because…” he sucks in a breath, there’s a ball of nerves in his stomach and frustration, surprising him with its intensity, it feels almost like anger.
Why is he here, searching for excuses for something he believes in wholeheartedly? He doesn’t want to learn firsthand of Dream’s notorious pettiness but he’s not here to play these sort of games.
The outraged huff is stuck in his throat— he didn’t even realize he had raised his voice this much, not until the ring of it strains his ears. He is practically shouting. And he doesn’t care.
''BECAUSE I LOVE YOU.''
There’s anger in it, frustration, a measure of desperation.
“I bloody love you more than I fear you, that’s why.” His own cheeks burn, itch, tingle with the indignation of it all. “Because I’m a besotted fool who would make a pact with the devil if I had to, if it meant helping you.” He gestures curtly at Dream, then spreads his arm in an exaggerated motion of question. “Why else? Seriously, why else?!” He stops at that, breathing harshly. This is not how he had imagined, not even close. Fuck it. And fuck Lucifer, too. And Dream’s all too pleased sibling, on top.
Through his outburst Hob had stopped paying attention to Dream’s face, only his eyes, latching onto them as if they were his anchor in this universe, the only constant thing, in life, in this.
When he finally looks, really looks, he realizes with a start that Dream’s cheeks are no longer red with anger, that his eyebrows are not as tightly knitted, that his pale lips form a small and lax ‘o’.
His friend looks taken aback, pacified and…surprised.
Like he couldn’t fathom this being the reason for Hob’s supposed betrayal of trust. Like this was the last rationale he had expected to hear, like he, an Endless being of incomprehensible wisdom, is unable to conceive this simple truth. Like he’s at a loss now.
Like he’s a bloody idiot. Hob shakes his head in amazement, his own anger evaporating as quickly as it came. Yet again he wonders how it is possible to be all knowing and yet so blind, so oblivious to such a simple truth, one Hob didn’t even try too hard to hide, really.
“I know you didn’t want me to,” he softens his voice, speaking more quietly “but I really didn’t have a choice. If I could do this on my own, you know I would have, I’d do worse for you.” He smiles at Dream, he doesn’t even try to sound self-deprecating, it’s the honest truth. He would.
His hand drops by his side and he awaits then, for his judgment.
“You love, me?”
Hob doesn't know how to respond to such a simple question other than–
“I do.”
There’s nothing else to add to that, he said it all, he did it all, even Dream must understand this is no passing fancy. One does not risk their immortal soul for something insignificant. Especially not Hob. One does it when it means everything. And in this case, it did. Dream did.
Dream seems to again, come to the same conclusion.
He wilts, shoulders sagging. He looks both much older and much younger at the same time, like this knowledge has stricken him, hurt him.
“You shouldn’t” is all he says.
“But I do.” Hob answers in return.
“I see that.” Dream’s voice is a whisper carried by the breeze, gentle, endless, aching. He looks torn in that moment, the judge whose scales no longer measure in any understandable manner. He casts his gaze down.
“Just let me,” Hob says. He did not come here demanding boons, nor love, only to help Dream. “Forgive my impudent human inclinations to save what I love, and let us continue as we were. Friends. “
“Friends…” Dream repeats after him, as if in disbelief.
Dream opens his mouth to say more—to accept or refuse, Hob doesn’t know—but in that exact moment Matthew half-crashes, half-lands on Dream’s shoulder, a flutter of black feathers and barely muffled curses.
“Boss! Oh for fuck’s sake— I mean cracker’s sake— I mean what the hell— I mean you’re fine—you’re actually okay, I was sure that this time you’re like legit—” he notices Hob then, and cawing loudly he curses again “You actually did it you son of a bitch— you really did!” His wings open excitedly, brushing against Dream’s face, covering it up.
“Matthew.”
“Uh-” Matthew folds his wings immediately.
Hob looks at Dream then, the moment is decidedly broken but he has to know if he’d see him again, he can’t just go on not knowing, it’ll drive him insane. “Dream—” he starts, but Dream speaks over him.
“We will discuss this—” Dream’s lips tighten, eyes flicking to Matthew and then back at Hob. “At a later time.” He concludes rather curtly, seemingly deciding that addressing exactly what they will be discussing is not something he wants his Raven to be privy to.
“Right…” Hob murmurs, not speaking further of the topic either. It’s one thing to break Dream’s boundaries over life and death, another entirely over his own impatience and need to know. Dream wanting to see him again at all is already a damn good sign, and Hob will take it, gladly.
“I’ll see you later then, Dream” He uses the name even while not being sure he is still permitted to, that he did not lose the privilege. Dream tilts his head but doesn’t object, instead he nods once and disappears in a swirl of golden sand.
“Show off…” Hob murmurs into the empty air, shaking his head in disbelief. There’s a good feeling in his gut, he should probably be worried but he has a feeling that things will work out, that it all will be just fine. He can’t explain it, but he has learnt to trust his gut over the years. After all, it once led him to believe that he would never die.
It was right then, and it’ll be right now too. He and Dream will figure it out and will be better for it. Just like the other time, just like always.
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