#i really do think there's more good aspects than bad aspects in this

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

#answers to asks #illustration #art advice #art help #drawing #digital art

[katyusha454]

I think I've found the most tragic ship in BG3 and I need to rant about it

I've seen a decent number of people discuss and write about Dark Justiciar Shadowheart, but they always focus on what she's like post-game when she's fully committed to Shar. Which is a fine thing to focus on! Especially when you're writing smut where she's a mean domme. Post-game DJ Shadowheart is a fascinating character. But I feel like people neglect to consider what she's like during the transition phase of Act 3, where she's become Shar's Chosen but hasn't yet Done The Thing that caps off her personal questline. And there is SO MUCH potential for angst and drama during that time frame.

IMO the most important aspect of this stage of her development is that she is not evil yet. She simply made a single bad decision and now she feels like she's in too deep to do anything but double down on it. She's spent her whole life trying to "fake it 'till you make it" and she's only just now starting to transition out of that and into sincere belief. All the misgivings and insecurities she's shared with you are still there, just buried deeper. That desire to love others and do good hasn't yet been completely stamped out. In my Dark Justiciar Origin run, I try to do good things whenever possible as long as I can find a way to rationalize it as benefiting Shar. (but I still ended up saying enough evil-sounding things to make Minthara incredibly horny for me)

So where does Karlach fit in?

Well, turns out when you play as Origin Shadowheart, Shar doesn't make you break up with your partner. In fact, Shar says absolutely nothing to you about your romantic situation. This is really weird if you're romancing anyone other than Karlach, but I think it makes perfect sense for Shar to tolerate a relationship with Karlach for the time being. It's the ideal opportunity for Shar to prove a point. Karlach is dying, and no matter what Shadowheart does, this relationship is going to end in painful loss. Shar wants Shadowheart to fall in love with Karlach only to have that love abruptly ripped away from her. It perfectly demonstrates everything Shar believes about love: that it's fleeting and will always hurt you in the long run. Better to just avoid it entirely so you don't get hurt.

And Shadowheart knows all this. She's studied Sharran scripture extensively, after all. She knows that Shar is trying to teach her a lesson, she knows that the longer the relationship lasts and the more emotionally intimate it gets, the more the end is going to hurt. So why doesn't she break it off? Partly it's because she loves Karlach and doesn't want to end things; she's probably in denial at least a little bit. But I think it's also partly because she's a bit of a masochist. She thinks she deserves to suffer because she knows, at least subconsciously, that she's still not a very good Sharran. She can see the loss coming and she hopes the experience will bring her closer to Shar.

You'd think Karlach would be unwilling to put up with DJ Shadowheart's fanatical bullshit, but personally I think Karlach would stick it out for a whole mess of reasons. Number one, she can still see the good in Shadowheart and she refuses to give up on her partner. She's clinging tightly to the hope that Shadowheart can still be redeemed, even though she probably understands that it's a long shot at best.

Number two, she blames herself. When you play as Tav/Durge or another Origin, Shadowheart will have a conversation with you before deciding what to do in the Shadowfell. But if you play as Shadowheart, none of your companions says a word to you. In the context of this ship, I choose to interpret that as Karlach being too trusting. She's seen the good in Shadowheart, after all. She's so certain Shadowheart will do the right thing that she doesn't think she needs to speak up. It's not until too late that she realizes what Shadowheart needed was for someone to say "hey, are you sure about this?" So now she feels she needs to make up for that failure somehow by continuing to try and nudge Shadowheart in the right direction even though it seems impossible.

And number three, Karlach's just plain lonely. As fucked-up as this relationship is, she's still getting companionship and intimacy, and she doesn't think she has time to cultivate a new relationship if she breaks up with Shadowheart. She wants someone to be with her and hold her hand at the end, even if that someone is a brainwashed cultist.

In sum, both of them know that their relationship is extremely unhealthy; that it's hurting them now and will hurt them more in the future. But they both refuse to end it for their own reasons. And good gods, the ANGST. ARE YOU FEELING IT NOW, MISTER KRABS?

#baldur's gate 3 #baldur's gate iii #bg3 #shadowheart #karlach #shadowlach #dark justiciar shadowheart

[nekropsii]

“Bad Representation” is actually a topic I’m really passionate about and interested in, I could talk about it for ages. The way people handle “Bad Representation” as a concept is genuinely fascinating, too, so this is both an analytical fascination and an anthropological one.

For clarity, I thoroughly do believe there is such thing as “Bad Representation”, especially when it comes to expressions of pure bigotry from the person doing the representing… But I personally think everyone’s bar for what counts as “Bad Representation” is set a little bit too strictly, has no real account for capitalistic and/or historical restrictions - For Example: Language and common understanding of queer identity being far different in the 1950’s than it is now, and Studio Meddling - and also, interestingly, tends to take no account for the opinion of those getting “represented”, or the idea of individual satisfaction.

There’s been many, many times where a character is objectively pretty bad representation by modern standards, but discussion surrounding it takes no account for the concept of Resonance. Sometimes a character is not “Good Representation” as an objective concept, but they are relatable, likable, and quite fun to watch. I’ve seen quite a few instances of people talking down to the mentally ill or disabled for enjoying a Slasher in part because of their disorder/disability, or queer people for enjoying Hays Code villains. Sometimes a character isn’t written kindly, or isn’t written well, but they really resonate with you… And that counts for something.

One of my favorite characters - one who has helped me come to terms with my cPTSD and OSDD - is a representation of PTSD + DID that is objectively not very good. He’s basically a Vietnam War veteran, who gets an Alter in the middle of the war that is basically a self defensive Murder Mode. It’s literally the PTSD from The War and Evil Alter cliche, but there’s just some aspects that really hit for me, like the fact that he’s considered the nicest, kindest person in the cast, and the alter is portrayed clearly as being in constant self defense mode, thinking he’s still in the middle of the war, and also being quite silly. There’s several details I view as being done pretty well, a whole arc about him grappling with his mental health in a way I find quite fascinating and visceral, and I enjoy him quite a lot! But many would agree that he’s “Bad Representation” because of the War PTSD and Evil Alter tropes. Even I agree that those things kinda suck, but that’s not stopping the fact that this character has meant a lot to me, and that I really would not be the same level of okay with myself if I hadn’t discovered this character.

I’ve caught flack for this. I’ve seen many other people latch onto a character who is not executed very well because they find them personally relatable, or are using them to figure some things out about themselves, and also catch flack for it because the character is not “Good Representation” for a group as a whole. No account for Resonance, no account for Individual Experience. It’s a fascinating lack of a sense of nuance.

I think people have forgotten - or perhaps do not realize - that criticizing a base concept, or base execution of a concept, is different from criticizing individual experience. It’s like the difference between criticizing the makeup industry vs. criticizing someone’s personal choice to wear makeup. It is good to point out when something is written or executed poorly, but you do not know the reason why that one individual disabled person enjoys a poorly written character who shares their disability. I would even say that they probably know more than you do that it’s written badly, because they have lived that character’s disability and you likely have not. I think you should maybe step off if a blind person really likes Terezi or something. You do not need to patronize them by telling them that she isn’t “Good Representation” because her quirk isn’t screenreader friendly, and that her blindness has a magical workaround. I think they already know that these are facts about her that are true. They like her for a reason, and that reason is Resonance.

#homestuck #media analysis #disability #representation #bad representation #good representation #nekro.pdf #nekro.txt

[callsign-rogueone]

intimacy alphabet - b.s.

Brennan Sorrengail x reader words: 1.4k-ish 🏷: NSFW. all of it. I tried to keep this gender neutral again and I think I succeeded? mentions of penetrative sex, oral, fingering, soft d/s dynamics, the usual stuff. It took me a while to figure him out, but I think I'm onto something here. lemme know -- always down to discuss my main man. some more spicy bren coming soon, hehe

A = Aftercare (what they’re like after sex)

he's a very responsible and caring guy -- he’s making sure you’re okay, mending any bruises or soreness he might have caused and cleaning the both of you up, giving you soft affirmations and I-love-you’s all the while, especially if he was rough with you. helps get you dressed in clean clothes and then it’s cuddle time. 

B = Body part (their favorite body part of theirs and also their partner’s)

his hands — because you like them so much, and because you make the prettiest sounds when he touches you.

your hips — he loves grabbing them to pull you closer, digging his fingers into the softness there when he’s fucking you, kissing them before he goes down on you…

C = Cum (anything to do with cum, basically)

he likes to cum inside of you a little more than he should. he’s still in denial about what that means, though. 

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

he’s thought about messing around with you in the assembly room, and he really likes that idea, but he has a reputation to maintain, and it would probably make his work a lot more difficult— he already has a hard enough time getting work done in his office, his mind often wandering to the things you’ve done in there.

E = Experience (how experienced are they? do they know what they’re doing?)

you’ve had plenty of practice with each other over the years. he absolutely knows what he’s doing. he’s not a naive college kid anymore, he’s a man, and he fucks like it. 

F = Favorite position (this goes without saying)

bending you over the desk in his office and giving it to you nice and deep and a little rough, your cheek smushed into the tabletop and your nails digging into the wood — if you mess up the papers or scratch the desk, he can just mend it back, anyway. and of course he’s putting up a sound shield, so you don’t need to muffle those cute little whimpers while he uses you.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

he’s pretty serious but he loves to tease. likes watching you squirm and drawing things out until you beg.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

very clean guy. he’s doing some routine maintenance. and yes, it does.

I = Intimacy (how are they during the moment? the romantic aspect)

he’s a very caring and giving person, and that definitely extends into the bedroom. he can be incredibly tender and romantic with you if the mood is right, but sometimes you both want things to be a little rougher, and he’s very good at that too. 

J = Jack off (masturbation headcanon)

I don’t see him handling things himself very often. if he feels the need, he’s finding you for help — or calling you into his office, where you’re going to take care of it together. 

K = Kink (one or more of their kinks)

re: the above,,, he has a mild free-use kink… he loves the idea of either one of you dropping everything to please the other whenever they ask. it’s usually him asking, but it goes both ways — if you walk into his office and tell him you need him, he’s putting down the paperwork and strategy plans and getting on his knees for you without hesitation.

mild authority kink (more on that later). 

dare I say a tiny bit of an innocence kink? especially if you’re younger than him… I wanna write an age gap fic for him so bad ughhh 😩

L = Location (favorite places to do the do)

we’ve established that the office is at the top of the list along with your bedroom, and the attached bathroom (over the counter in front of the mirror, in the shower…) not really anywhere else.

M = Motivation (what turns them on, gets them going)

bat your eyelashes at him and call him Lieutenant Colonel in that sweet, innocent  voice and there’s a very good chance that you’re going to be face-down, ass-up in the next ten minutes.

also, if either of you had to be away from the other for more than two days, the moment you’re reunited + the revolution business is handled and you’re behind closed doors, you’re fucking.

N = No (something they wouldn’t do, turn offs)

he doesn’t want to seriously hurt you or cause you pain. he knows that he can mend any injury, but he’d really rather not have to in the first place.

O = Oral (preference in giving or receiving, skill, etc.)

he will never ever refuse head from you. he fucking loves it. it’s the ultimate stress reliever for him. holds your hair back for you and tells you what a good girl/boy you are, how pretty you look on your knees for him.

happy to return the favor, and really good at it, too. he purposely keeps his hair just long enough for you to tug on when he’s making you feel good.

P = Pace (are they fast and rough? slow and sensual? etc.)

he can do both, and does them well. fast and rough when he’s mad / jealous or if you’re being a brat, slow and deep and loving when you’re reunited after being apart, after a near-death experience, or whenever either of you needs a little extra TLC. 

Q = Quickie (their opinions on quickies, how often, etc.)

they happen quite often, but they’re never quick enough — you always end up late to whatever you have to do afterward. the other assembly members know not to go to his office to find him if he’s late for a meeting. he’ll get there when he gets there; right now he has very important things to handle.

R = Risk (are they game to experiment? do they take risks? etc.)

there was more experimenting when you were younger, and still figuring things out. you know what you like now, but you still manage to surprise each other every now and then. he’s learned a lot from your romance novels, especially the pages you’ve bookmarked and the things you’ve highlighted etc etc.

S = Stamina (how many rounds can they go for? how long do they last?)

his stamina is pretty high. he fucks. he can go an easy 2-3 rounds every time, but you don’t feel the need to go all night anymore. however, if you make a joke about him getting old, etc., he’s going to have to prove to you that he still has it, and fuck you until you cry / apologize.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

I could see modern!Bren liking to use a vibe / etc on you, but I don’t think such a thing exists in FW. 🤷🏻‍♀️ 

U = Unfair (how much they like to tease)

he loves to tease, namely pretending to not understand your vague pleas for him to touch you, etc. or making you repeat yourself when you’re struggling to form words because he’s making you feel good. 

V = Volume (how loud they are, what sounds they make, etc.)

he’s usually not too loud, mostly just some soft panting / groaning / praise. cannot shut the fuck up when you go down on him though. sounds really pretty when he cums. 

W = Wild card (a random headcanon for the character)

loves loves loves making out with you. he could do it for hours, if you both weren’t so needy / constantly under time pressure being revolution leaders. it’s just so nice to sit in his lap and kiss him, holding each other close and letting your worries and stress disappear for a while. 

X = X-ray (let’s see what’s going on under those clothes)

he’s built so nicely. he’s strong and muscular, but still a little soft and perfect to cuddle with. has a fair few scars on his body, including one over his heart from the arrow that nearly killed him in the battle of Aretia. you kiss it every time you see it, as a reminder of how glad you are that he’s still here with you. 

Y = Yearning (how high is their sex drive?)

pretty high, but you certainly aren’t complaining.

Z = Zzz (how quickly they fall asleep afterwards)

if you’re in bed, then pretty quickly after cleanup etc. if you’re anywhere else, he’ll usually have it in him to either make the hike upstairs to your room, or to go about your day after a few minutes of cuddles. 

#brennan sorrengail #brennan and duchess #fourth wing #fourth wing x reader #brennan sorrengail x reader #18+ #smut #mine

[imagitory]

Hey all! So recently Wish was added to Disney+, and I thought it might be a good opportunity for me to watch it again for the first time since I saw it in theaters. I asked you all what I should write about after watching it, and in the end, the top answers were an analysis of the criticism surrounding Wish and something focusing more on the positive aspects of the movie, rather than just the usual mindless bashing.

So that's what I intend to write! A look back at some of the common criticisms I've heard about the film, and how much weight they actually have.

Now, before we begin, I should put in a disclaimer -- I don't particularly like Wish as a film. I think it had ridiculous amounts of potential that were likely hampered by corporate decisions, but I personally find it to be one of Disney's weaker animated films. That being said, as promised, I will make any critiques I do include as balanced as I can, and I will try to include praise where I can too.

So let's start!

"Asha is a badly written character because she has no character arc."

This is a critique I actually found on a list also discussing valid criticism of Wish, and I knew I had to include it, because even BEFORE I rewatched the movie, I thought it was a bit unfair. Because here's the thing: there are plenty of good films, Disney or otherwise, where the main character doesn't have/need a character arc. All of Walt's original three princesses, Snow White, Cinderella, and Aurora, don't have character arcs. Ariel doesn't have an arc either -- instead her father Triton is the one who goes through a change of heart. Neither does Pongo, or Basil of Baker Street, or Robin Hood. Indiana Jones doesn't go through any real character development in Raiders of the Lost Ark, yet he was interesting enough to inspire a whole movie series! with mixed results. The important part is that even if a main character doesn't develop personality-wise, we should still be able to root for them and want them to achieve their goal. We don't want Cinderella to be abused by her stepfamily -- we want her to find someone who loves her and will take care of her the way she takes care of others. Although it can be more interesting to give your characters an arc while they pursue their goals, it isn't necessary to tell a good story or write a compelling character. Sometimes a story can be more focused on how their life circumstances or environment changes around them.

Another criticism this leads into is the idea that Asha is just another "quirky female lead" a la Rapunzel, except without any background that justifies it. And well...plenty of people griped that Anna was too much like Rapunzel, when Frozen came out. I saw people compare Moana to both Rapunzel and Mulan, when her film came out. Mirabel was also compared to past Disney heroines like Anna and Rapunzel. Even before Wish came out, people tried to argue that Asha looked just like Isabela Madrigal, which was just ridiculous. There's plenty of bad-faith criticism out there that'll shallowly associate one character or story element with one trope exclusively without looking at any nuance or detail. And I think most people would agree that truthfully, none of these female characters are the least bit "the same," no matter how much someone might try to all boil them down to "the quirky Disney female lead." And, like the others, Asha has traits that set her apart. The big one for me is her bent toward social justice, which is something we haven't really seen in a Disney leading lady since Esmeralda in The Hunchback of Notre Dame. Even so, I admit that Asha's quirkiness isn't as justified by her backstory as the trait is by Rapunzel's isolation or Mirabel's "outcast" status in her family, and that does make it so that her characterization has less depth than those of some of her counterparts'. Does that make Asha a bad character? Of course not. If you like Asha as written, that's totally fine. Underdeveloped doesn't have to mean unlikable.

"There are too many characters in this movie!"

Even I've been a bit guilty of thinking this. I still feel as though the film would've saved a lot of space if some aspects of Asha's friend group had been redistributed to other characters. Like okay, you want to reference the Seven Dwarfs in Asha's inner circle, but give them all distinctive personalities? Have her mother fill the Bashful role, and cut Bazeema. Have her grandpa be Happy, and cut Hal. Have Valentino be your Grumpy role, and cut Gabo. Have Star play your Dopey, and cut Dario. Suddenly you only have three characters -- Simon, Safi, and Dahlia -- to introduce in that kitchen scene instead of seven, and you've also now given Asha's mum, grandpa, and sidekicks more personality as well!

That being said, the amount of characters truly isn't the problem. The real problem is time. Because let's be honest, we can ALL think of media with a large cast of characters we've become strongly emotionally invested in. The Lord of the Rings -- The Avengers -- Hazbin Hotel...but the difference is how much time the audience is given to get to know all of these characters. Even Snow White and the Seven Dwarfs, which has a cast of eleven, ends up leaving the Prince and the Huntsman rather underdeveloped compared to the Dwarfs. We don't ever learn the Evil Queen's whole deal or even her name, and she gets a lot of focus! With Wish only being ten minutes longer than Snow White with a cast of fourteen, it's little wonder the filmmakers struggled to have all fourteen of them leave a strong, unique impact. Even when I first watched the film, I didn't feel anything negative toward Asha's friend group -- if anything, I was happy to see a Disney animated female lead with a friend group of her peers, since the closest we'd gotten to that previously was Hiro in Big Hero 6 and Mei in Pixar's Turning Red. All of Asha's friends had the potential to be very interesting people, and that's why it's sad that we didn't get to see more of them and have the chance to become invested in them as individuals.

"Magnifico was actually right the whole time! Asha is the REAL villain of the story."

I see this one a lot, both from people who disliked the movie and fans who stan Magnifico, and as much as I won't give anyone a hard time for liking Magnifico, I think this view isn't really fair to either character or to the story the filmmakers pretty clearly wanted to tell. And sadly, as much as I want to be positive, I think this interpretation comes about partly because of inconsistent writing on the filmmakers' parts.

In Welcome to Rosas, there is this utopic vision presented of the island -- one that only reinforces the story told to us at the beginning by Asha, of how this man who loves wishes learned powerful magic so he could found this idyllic island kingdom with his wife where he could make wishes come true. Unfortunately, for some viewers, I think that propaganda works a little too well -- making us see Rosas as a place that truly is that happy and content and peaceful. And yeah, that does make it so that when Asha sings about how she wants "more than this," that could make her come across as rather selfish and entitled. But I think there are a few things that are good to remember --

Welcome to Rosas is framed as an advertisement of sorts -- like one of those commercials you see promoting Disneyland and how magical it is, without ever bringing up how much money it costs or how many lines you'll have to stand in. Asha's guiding some new people around with the goal of convincing them to stay and give their wishes to Magnifico, so of course it's going to sanitize the kingdom and make it seem like a place you'd want to stay in. There's blatant hyperbole thrown in there for dramatic effect, like the idea that you could go to outer space. Asha even sings that you're "unlikely to be unhappy": not that you'll be happy living on this island, just not unhappy. And yes, there is a difference between contentment and true, fulfilling happiness.

Simon's friends flat-out call him boring, after he turned eighteen and gave up his wish. This foreshadows what we learn about the wishes later, which is that they're a core part of a person that they're left a shadow of themselves without. At the wish ceremony later on, we can see this in the animation of the two "new citizens" giving their wishes to Magnifico. When they think of their wishes, they're full to the brim with joy, but when they've given them up, they're left looking confused and almost bereft, and even as everyone else cheers, they look unconvinced by the crowd's cult-like "forget without regret" chant. According to Wish's own canon, you're cutting out the "heart" of who you are, when you give up your wish.

Considering Amaya says that Asha will need to keep the tea hot, listen whenever and for however long Magnifico wants to talk, and never question anything, Magnifico didn't want an apprentice -- that would insinuate he'd actually be teaching them magic. If anything, it sounds more like he wanted a personal servant to cater to his whims. And when that person interviewing before Asha disappoints him, he's left running down the hall crying hysterically. This develops Magnifico as the film's future antagonist. Already long before he uses the evil magic book, we see that he wants a subordinate to do whatever he wants without question or complaint, seemingly for nothing in return except his own approval and, I would presume, some sort of paycheck. (I mean, I'm not saying Asha was right to expect favors from Magnifico so soon, or that that kind of quid-pro-quo stuff isn't corrupt as heck, but considering she and Magnifico did seem to connect over how important the wishes were, and considering Sabino's 100 years old, can you blame Asha for opening up about her hope that Magnifico would consider granting her grandfather's wish? She never framed it as a quid-pro-quo, and this probably would be the best chance she'd have to appeal to the King directly.)

Asha is seventeen! Of course her world view is going to be smaller and more idealistic than Magnifico's, and of course her family is going to be the center of her world. At the same time, even if Asha is young, it doesn't mean her perspective isn't worthy of compassion and respect. Sometimes the young do have a more meaningful view of a situation than their elders -- just look at David Hogg, or Malala Yousafzai, or Greta Thunberg...hell, even Anne Frank! However upset Magnifico was about Asha disagreeing with and contradicting him, it does not justify how pettily he decided to shut her down. He was an adult, and a ruler besides: it behooved him to act like one.

The filmmakers clearly envisioned Magnifico as the villain. Even if you want to ignore the promos where they compared Magnifico to the likes of classic Disney villains, Magnifico is portrayed as an arrogant, vain, vindictive control freak. He thinks only he knows what's best for everyone else, has decreed that only he has the authority to cast magic or grant wishes, and knows how beautiful people's wishes are, but prefers to hoard them away like trinkets, long before realizing that crushing them gives him power. (Not to mention he looked at Asha's hand-drawn animation and actually said, "Do we call that a talent?" I mean -- excuse you!) I've even heard some people theorize that Magnifico was based off Disney's "collect-'em-all" CEO himself, Bob Iger, and not in a flattering way. His main argument scene with Asha has been compared to how creatives have felt about their corporate bosses abruptly shutting down and locking away their incomplete films rather than let them be finished or released. Admittedly Wish also goes out of its way to try to make Magnifico sympathetic by giving him the slightest of tragic backstories, having him actually trust Asha enough to show her the wishes after only just meeting her, and (later on) not giving into the temptation of the random evil magic book because Amaya asks him not to, and that definitely muddies the waters. I still have to stand by the fact, though, that one's motivation doesn't excuse their bad behavior, however much one can explain the other. Magnifico having a sad backstory or trauma doesn't mean he's justified in treating people poorly, collecting wishes for his own enjoyment instead of truly loving them and the people they're attached to by sharing them with others, or not wanting people to ever question him or his authority. Magnifico's "nicer" moments don't mitigate these things either. Nor does his role as king. Even if yes, the story could've done well to add more nuance to the idea of wishes and make clear that not all of them are good -- and yes, the story could've either made Magnifico's villainy a bit more straightforward or followed through with the idea of Magnifico being a misguided anti-villain...in this film, we only see good wishes represented in Rosas. Magnifico even calls the wishes "the very best part [of a person]" -- and so one can only presume that all of the wishes Magnifico's collected are that way. Asha even suggests (before Magnifico interrupts her) that if a wish is dangerous, they could probably address that, while still giving back the wishes Magnifico won't grant. And the wish that Magnifico explicitly calls too "dangerous" to grant is Sabino wanting to inspire future generations, presumably through music. Paranoia on Magnifico's part? Perhaps, but also unjustified, in the context of the film. When Star comes down, every last person in Rosas -- including Magnifico's wife and queen, Amaya, who presumably must know something of his trauma and understand wanting to protect their people -- feels nothing but warmth, hope, and joy: all except for Magnifico, who immediately reacts in fear just seeing the wishes moving outside of his control. This insinuates that Magnifico's perception is the odd one out -- he's the only one who's afraid and not inspired, because that alternative magic threatens his absolute rule and control. Just like he's threatened by his people asking too many questions about the wishes he's taken. Just like he's threatened by the idea that Sabino could inspire the next generation in a way he doesn't approve of. And in the end, if that random evil book did corrupt Magnifico, it only magnified what was already there inside of him -- a greedy, obsessive need to hoard things away all for himself and to control others.

Again, for those people who see Magnifico more sympathetically than the filmmakers intended, I can understand why. Wish has two very conflicting ideas of who Magnifico is supposed to be, likely because it was compiled from dramatically different script drafts. But I feel demonizing Asha or ignoring the film's overall message about the value of people being free to chase their dreams to try to prop Magnifico up is misguided.

"Wish is bad because it's 'woke.'"

I almost wonder if I even need to say anything. This sentiment is so disingenuous, it seems like I should really be able to let it speak for itself. Ironically enough, though, I would actually argue that one of Wish's biggest shortcomings is that it isn't as revolutionary as it clearly wants to be.

For one, the culture of Rosas -- inspired largely by Spain and the Mediterranean -- is really never explored. We get no real influence of either of those cultures on the soundtrack aside from a few mandolins and a flourish of castanets now and again, unlike how Encanto embraces Colombia or how The Princess and the Frog celebrates New Orleans with their music. There's a lot of diversity in Wish's cast with a biracial lead and her colorful friend group (including Dahlia, who has a crutch!), but that would be a lot more meaningful if that diverse cast of characters had had fully fleshed-out personalities and relationships that made us emotionally invested in them, such as how Turning Red handled Mei and her friend group. We have aspects of social justice in Wish's storyline, sure -- but as much as you can draw parallels to Wish's story and the writers' strike that had been going on earlier that year and I think those parallels are striking, a film that clearly dealt with so much corporate oversight and meddling almost couldn't commit to making their villain a True Evil sort, and in the end, Rosas doesn't even do away with the absolute monarchy at the end of their supposed "revolution": it just shifts leadership from its King to its Queen. (And yes, I acknowledge saying "no more royalty" is a message that Disney, of all companies, would be hesitant to put out there, but you can't deny, it would've been both ballsy and different.)

Does this mean Bob Iger was right, that Wish is proof its creative types are focusing too much on message and not on entertainment? No. I'd say the bigger problems with the film were more likely caused by corporate interference -- you know, like hiring some popular pop composers to write songs that can be repackaged into other projects easily rather than primarily tell the story and develop the characters. Or deciding that our main female lead has to be able to do everything on her own without "too much help" from her main co-star (LOL, pun) because "feminism." Or defanging the villain with similarities to the company's CEO so he won't scare the kiddos. Or even animating the film at the exact same time as you're writing it like you previously did with Frozen II, to save time and take advantage of the 100th anniversary timing.

Even so, I sadly can't help but feel that Wish is "woke" largely in a performative sense. It features people who look different from each other and it talks about revolution and positive change, but it really doesn't go far enough to depict diversity in a way that people can get really excited about it or inspire deep thought and even maybe positive change in its audience. That's not focusing too much on message and not on entertainment -- if anything, it's more indicative of not giving the relevant and timely themes and the diverse culture enough focus.

"The meta Disney references are awful."

This one I think really is much more subject to personal taste. I've heard quite a few fans say how fun it is to find all the Easter eggs for other Disney projects or even to theorize how Wish could be connected to those movies in some kind of Disney Cinematic Universe. Personally I'm not in this camp, but that doesn't mean that I hate all the references included. The film opening with the exact same kind of text from Snow White and the Seven Dwarfs actually made me smile. The Sleeping Beauty-esque drawing style in the storybook was pretty. Even the Seven Friends as an idea I thought was cute, when I first saw the concept art for them.

By and large, the references I tend to see more favorably are the ones only hard-core Disney/animation fans would pick up on. This might make me sound snooty, but I still personally enjoy references like Star's design being based on one of the star cherubs from a discarded Snow White sequence far more than I do the more blatant ones like Magnifico crushing a dream about a "perfect nanny" or the boy dressed like Rosasbound!Peter Pan. I guess for me, the first kind of references feel more like homages, rather than things that are deliberately supposed to make you think of other Disney movies you could be watching instead of this one. For other people, though, thinking of different Disney films while watching Wish is fun, and it reminds them of how much they enjoy those other movies too. It's good, clean, nostalgic entertainment. And well, Disney has put plenty of Easter eggs in its work before, though usually a bit more sparingly.

So yeah, I think ragging on the flood of Disney Easter Eggs in Wish is a bit unfair. As much as most of them aren't for me and I would've been happier with a lot less of them, I know there are other people who find joy in them, and I'm happy they do. The animators working on this film undoubtedly had a lot of fun including those references too, and I don't blame them! It's fun to create art celebrating what you love with like-minded people.

"Wish's songs are all terribly written."

Now up to a certain point, I could just say exactly what I said against the last criticism -- that this really comes down to personal opinion. Unlike meta Easter eggs, however, music is an art form, and there is real craftsmanship to it -- hell, people study music theory for a reason. And as several Youtubers have discussed before, there are real structural problems to how a lot of these songs are written. In some cases, it's an issue of cadence, where the way the words are sung don't sound like how they'd be naturally spoken aloud. In Knowing What I Know Now, for instance, sometimes the singers use the wrong emphasis on certain words, just based on where they land in the song, such as when Asha sings about Magnifico showing his "TRUE col-ORS in SHADES of GREEN," even if people don't naturally emphasize the second syllable in the word "colors." In other cases, it's over-stuffing a line with words so that the melody line isn't as memorable, such as in This Wish where the amount of syllables per line are all over the place and sentences get cut in weird places --

Isn't truth supposed to set you free? (9) Well, why do I feel so weighed down by it? (10) If I could show them everything I've seen, (10) Open their eyes to all the lies, then (9) Would they change their minds like I did? (8) But when I speak, they tell me, "Sit down!" (9) But how can I when I've already started runnin'? (8) Oh, this is where we've been, (6) But it's not where we belong, (7) And I may be young, but I know I'm not wrong... (11)

There are also cases where the songs barely use any actual rhymes in favor of half-rhymes or worse twist themselves into pretzels just to make an actual rhyme, such as in I'm a Star, with lines such as "When it comes to the universe we're all shareholders // Get that through your system! (Solar!)" and "Ooh, I'm a star! // Watch out, world, here I are!" (Excuse me while I cringe.) And then of course, most infamously, there are the redundant and otherwise weird lyric choices, most commonly cited in Magnifico's And This is The Thanks I Get?!, such as "I got these genes from outer space!" and "I let you live here for free and I don't even charge you rent!"

By and large, people have not responded as well to Wish's soundtrack as they have for many other Disney musicals. It could also be argued that the songs don't tell the film's story as well as they could've. The most egregious example of this is At All Costs, which is supposed to be our villain and hero singing about the beauty of the wishes the first has collected, but was literally written as a love song first, just because Julia Michaels wanted to write a song that could be played at people's weddings even if the movie in question didn't feature any romance. Even This Wish was written well before the script was finished, and this is when we can tell from all the concept art released by Disney that this movie had been dramatically rewritten at multiple stages of development.

And yet even with this, I still see people making animatics for At All Costs featuring their own characters or Asha and the discarded Starboy concept. (And yes, we'll come back to that.) I still see fan-made music videos featuring This Wish. Hell, even I have some of Wish's songs on my IPhone, and I listen to them actively! Knowing What I Know Now, as much as I see what's technically wrong with it, is still a bop for me. However much I had to take a full-on sanity break after listening to I'm a Star a second time, I do enjoy This Wish and At All Costs, just on their own. I don't think This Wish (reprise) is a bad musical or thematic climax, especially if one considers Magnifico's fear that Sabino's wish was to inspire the next generation through music, and it ends up being a song -- sung by his loving granddaughter -- that ultimately defeats our antagonist. I don't think any of Wish's songs really help tell the story as well as other Disney songs do for their films, but I still think there's room for personal taste here. Music -- like all art -- still has an element of subjectivity. It isn't a science -- yes, there is talent and skill involved that can only be mastered with practice and hard work, but there's still a bit of magic that comes with the finished result, and as much as it might not be popular with the masses, that doesn't necessarily make something worthless, or that public consensus can't change. Tchaikovsky famously hated the work he did for The Nutcracker, as did the critics of his day, only for it to go on to become a staple of holiday entertainment and ballet productions overall. Plenty of cult classic films like Labyrinth and Heathers didn't make a lot of money or get lots of praise when they first came out, but soon enough they found their audience.

"The animation is lazy!"

There's actually a much better video discussing this, made by a real professional animator, and I think I'll just let him handle this.

One thing I want to touch on, though, is Jennifer Lee's commentary about why Wish ultimately wasn't done in 2D animation --

"What happens in hand-drawn is that you have the incredible hand of the artist, but also limitations in what you could do on screen. What happened in CG is you'd have incredible, boundless opportunities, visually, that elevated it — even to the point for some — into realism, which is not what we wanted to do. The more important thing to us was to have a way to find technology that can do everything. Connect to the true vision of the artist, but bring in technology that could finally take away limitations."

-- and yeah, I'm not going to lie, this sentiment leaves a really bad taste in my mouth. The idea that hand-drawn animation somehow limits what art you can create is mind-boggling for anyone working in animation to think, but especially for someone working in Disney animation. I can't help but feel like Uncle Walt would've been ticked if he'd heard anyone suggest this. Anyone who loves animation I think would be annoyed by it, and I'd say people like Hayao Miyazaki continue to prove that Lee's thought process isn't true, considering that his hand-drawn film won the Oscar for Best Animated Feature the same year that Lee's Wish was passed over by the Academy altogether. To be fair, though, this is more a reflection on certain Disney leaders' dismissive attitude toward the medium that built their company as well as the vast majority of the films they're supposedly celebrating, rather than any condemnation of the hard-working animators who worked on Wish. And yes, although no one can argue that Wish ultimately doesn't look as good as its animated peers like Sony's Spiderman: Across the Spiderverse (which was made with half the budget Wish was), that's more the fault of a flawed vision on the part of the filmmakers than anything. It's certainly not indicative of a lack of talent, resources, or caring from the animators themselves.

"Wish would've been so much better if it had featured a love story between Starboy and Asha!"

Okay, let me pop this bubble right now --

None of Disney's official releases have ever indicated Star was going to be Asha's love interest.

The concept art featuring Asha and human!Star? Yeah, that exists, but there's nothing strictly romantic in any of those concepts, like them kissing or even hugging. At All Costs originally supposedly being a love song for Asha and Star? As touched on above, nope, it was even more of a cynical corporate decision than that -- the songwriters just wanted to write a love song that they could repackage and use elsewhere, even if there was no love story to go with it. The thing about Asha and Star supposedly being soulmates? That's derived from a comment in the artbook from Wish co-writer Allison Moore, talking about Asha and Star in their current forms, and so therefore the sentiment was intended platonically --

"Now Star and Asha have an emotional journey. They are soulmates."

And well, just based on a good chunk of the Disney animated films that had come out prior to Wish featuring male and female leads -- Zootopia, Moana, Big Hero 6, Wreck-It-Ralph -- there was really nothing definitive to suggest that our two central characters were going to be romantically linked. And even if Star and Asha were going to be love interests, that still would've been no guarantee of a better movie -- you'd still need compelling, well-developed characters, if you want to likewise have a compelling, well-developed relationship between them. And as I've argued in the past, a movie doesn't need romance to be good. If someone could feel sincere platonic love between Star and Asha as their actual movie selves, then any romance between them wouldn't be needed. I truly believe the only reason that so many people have gotten so hung up on the idea of a Star/Asha romance is because that original platonic "soulmates" idea Allison Moore and others envisioned just didn't ring true for them. They saw more love and interesting chemistry between the original concept art versions of Star and Asha than they did between any of the characters in the finished film...and so they've built upon those flickers of love with their own imagination and then built that mental image up into something that I don't think the filmmakers probably ever intended.

I must be honest, it was kind of a slog, watching Wish for a second time. I stopped multiple times to take notes, unable to just sit back and let the movie wash over me. Even so, I truly appreciate how much time you must've spent to skim through this way-too-long analysis, as well as the votes you all cast in that one poll of mine! I love analyzing Disney, and as much as I don't love Wish, I do think it provided great fodder for new fan creations and has amazing potential as an educational tool about both good storytelling and film-making. And if there are more criticisms of Wish you'd like me to discuss, please feel free to reblog this post with them! Thank you for your support!

To close us out...if you love Wish, then keep on loving it! Don't let anyone -- including me -- tell you otherwise. I don't think a film that was truly the worst thing ever would've attracted as much attention or overanalyzing as Wish has received. And for those of you who are still dissatisfied with Wish, here's a list of films I compiled that you can watch and enjoy instead!

For Starboy/Asha stans...Stardust!

For both Starboy and Chris Pine stans...Rise of the Guardians!

For those of you who love the idea of storytelling magic...Whisper of the Heart!

For those of you hungry for a diversely cast, "woke" fairy tale...Rodgers and Hammerstein’s Cinderella (1997)!

For people looking for a colorful, family-friendly musical...Wonka!

For avant-garde animation fans...Guillermo Del Toro’s Pinocchio!

For modern CG animation fans...Puss in Boots: The Last Wish!

And finally, probably most obviously -- for those Disney fans looking for a loving tribute to 100 years of Disney Animation with a bunch of Easter Eggs and good humor...Once Upon a Studio!

Much love to you all! 💛

#disney wish #wish (2023) #wish critical #disney #opinion #analysis #oh boy here i go

[inamagicalhallucination]

the day the entire bsd fandom realizes that perhaps atsushi thinks dazai’s a good guy and likes him is becuz for the most part, dazai’s been pretty good to him 

#dazai: takes atsushi off the street - helps him deal with his grief - encourages him - puts trust in atsushi even when atsushi doesnt trust #himself - keeps atsushi away from the darker aspects of himself #some of yall: i can believe atsushi is so disconnected from reality that he's deluded himself into thinking that dazai is a good person #<--- do you realize how dumb that sounds #Dazai Osamu #bsd dazai #dazai and atsushi #bungou stray dogs dazai #atsushi nakajima #bsd atsushi #hot take of the day: atsushi understands dazai more than the bsd fandom #because so much of the bsd fandom thinks about dazai the same way dazai thinks about himself and either labels him as a grrrr bad evil guy o #r a sexy no feeling monster #both of which really ruin his character #wait second hot take of the day #stop dumbing down atsushi becuz u don't like dazai being able to show different parts of himself to different ppl #bungou stray dogs atsushi

[aropride]

Whhenever i get really scared like reallyyyyy scared or when i get really lonely i consider reconverting to christianity. and like gaslighting myself into believing in god again. just to have A Guy whos super powerful and also loves me and is looking oit for me

#text #im not actually doing tbat. because cjriatianity deginitely did really bad things to my feveloping brain #but i do consider it everry couple months or so. bbecause theres sometning wrong witj me #but like. i hate xtianity 😭 the type i was raised in specifically anyway #there are cool xtians and stuff and tberes aspects of the religion that istill find beautiful/comfoeting/whayever #but i also disagree with some fundamental aspects so not really a good match for me i think HAHA #abd like theres other religions but i also dont beljeve in god really so. yknow. #well i think mostly im looking for comfort and community more than religion #so i should probably just get really into weed or something.

[torchickentacos]

So. I had been listening to a song and thought, 'Huh. This is going on for a while, isn't it?" So I checked, and.... hm.

#I DIDN'T KNOW YOU COULD HAVE A 37 MINUTE SONG #WHAT THE FUCK DEFTONES????????????? also long tags i start rambling about random stuff. as I do. #listening to their sophomore album. not as much a fan of it as some of their other stuff but it's still fun #i've really enjoyed exploring their discography more #even though I don't pay much attention to the lyrics #some music is mostly about lyrics to me but others it's just vibes #this is vibes to me #it is good noise!!!! #rather than something I'd take time to really listen to on a lyrical level. no meaning I really care to pick apart as of right now #Their lyrics seem somewhat sparse and like separate trains of thought anyways rather than cohesive stories within a song #not a bad thing at all!!!!! I like it. just an observation #but again I am saying this after liking a few main songs and only just now diving deeper into the discography #so maybe i'm entirely wrong!!!! #but it is somewhat shattered and meandering rather than start to finish like your bluegrass. not the linear storytelling aspect to it #not at all to say they're meaningless though because they aren't #just a bit more vague or winding and fractured about how they deliver that meaning I guess. #but again I can vibe with that #i do think a lot of rock songs tend to put more emphasis on emotion and sensation over story but that's a whole thing i won't get into #partially because it's past 1 am #but also partially because I don't have the actual intelligence on the topic to back myself up. it's purely anecdotal #just something I noticed #which could very easily be skewed by the type of music I gravitate towards within the genre for all I know #but again. 1 am. not the time to dissect the theoretical... uh.. methodology i guess? of how I would go about measuring that. #it's soooo interesting but I am not well versed enough to really discuss it BUT I WANT TO BE #goddamn it I wish I had been more. uh. well in high school. I would have loved the analysis stuff #shakespeare actually is very fun to read!!!!! but that gets into a whole other thing i have about how schools tend to teach stuff like that #they suck the fun and theatrics out of it #and it's the fun and fascination that drives kids to want to pick it apart and think about it. #but again. whole other topic. goodnight i am cutting this off here before i keep going about random shit

[cold-neon-ocean]

2, 9 for LOK?

✨ love your fandom ask game ✨ 

2. A headcanon you weren't sure about at first but have come to like!

Ooh this one is kinda tough~ I'm generally rather removed from the fandom at large so I actually don't really know of a lot of popular headcanons out there, let alone ones I initially didn't like and came to like~ I really only ever consumed content about Baatar and Kuvira as they're my favorites, and with them I'd either like a headcanon outright, or dislike it outright. I will say, at least in the limited fan content I've consumed, there is a common idea of Baatar having gone to university in Ba Sing Se for a period of time. I've seen at least 3 folks use that in their writings for him, and while it was never something I was "unsure" about, I didn't initially include the idea in my version of him. I don't know who penned that headcanon first but I was always hesitant about being seen as "copying" anyone lol. I do like the idea though, especially with my very codependent versions of Baatar and Kuvira, some time apart like that during their "good years" would be rather interesting, since they have been in each other's lives for most of their lives, Baatar choosing to go where Kuvira can't follow- even for a short period of time, I can see her holding against him for a little while. Especially with her preexisting abandonment issues.

9. A ship that isn't your OTP but you enjoy

Once again I'm pretty singularly invested in Baatar and Kuvira but there are definitely some canon and fan ships that I like! Canon wise I'll always have a soft spot for Bolin and Opal, just because they're cute and I like the potential dynamic it creates with Baatar specifically. A lot of it is pretty contingent on my rewrite versions, but what can I say, I'm a bit of a sucker for puppy love. Lyn and Kya was an early ship I'd see in the fandom that I always was like *Kermit nodding gif* ooh yeah I like that, and I've also seen Lyn and Bumi which I also really like, but I never really delved into fan works of either admittedly. I'll confess that lately the crack ship of Baatar and Zhu Li has been on my mind, but definitely not as a positive ship in any way, more like a mutually waged psychological warfare that they aren't even trying to hide from each other kind. I don't remember what sparked the idea- I'm not usually one for crack ships as I tend to be pretty single-ship through and through, but it's been a fun dynamic to think about, especially the kinds of conversations they'd have.

#Ask Matsu #LoK Thoughts #[ The Baatar/Zhu Li thing is something I'd love to play with but it definitely would not be canon to my main AU lol #as fun as that would be Baatar does not expend any more energy on people than he needs to save for Kuvira and to a lesser extent Bolin #But the idea of him and Zhu Li waging war with each other behind the scenes is very interesting to me #especially with her really just trying to get information she can use against them out of him #and he's fully aware of that and just letting whatever happens happen to both see how far she'll take it but also to keep the leash drawn #in the event she actually choses to do something drastic #also for the sake of clarity Kuvira would be 100% fully aware and find it entertaining on a number of levels #her and Baatar do not keep secrets #she was probably the one to be like “lol you should see where that's going” #though I do think Baatar and Zhu Li would have some very interesting conversations #they're in very similar positions and I'm sure he'd wanna know why she put up with Varrick for so long #i mean he'd have a good guess but he'd wanna hear what her rationale is in her own words #and on Zhu Li's part she wants to know what twisted Baatar up so bad #but she'd also find a lot of his viewpoints about being a non bender rather gratifying #because he's willing to say out loud what a lot of people don't want to hear #I didn't meant to go on about that singular aspect lol but it's something I've been thinking about a lot lately #and crack-ships are rather new for me so this is uncharted territory #does this even count as a crack ship tho? maybe not #it definitely started out as “hehe the two glasses people on the train” but now it's like “hehe psychological warfare” #idk maybe it still counts lol ] #orangepanic

[pantestudines]

having a "former gifted kid" type mental spiral

#i say this because the spiral is actually about how much i hate the word and the general culture around giftedness #mostly because its incredibly inconsistent between schools so people often mean different things when they say it #but also because in my specific case its certainly not a gift but like. what am i supposed to call it. #its literally a neurodivergence in my case that has had many effect postive and negative on my life. but its also a school club. #and its also nothing! before the advent of like modern standardized public education i wouldve just been a curious kid #Without modern public education im not sure i wouldve even been different from other kids. maybe a little socially awkward still but idk #and like. Am i really different from other kids? am I now as an adult different from my peers? Occasionally i will get told as such #how the fuck am i suppose to talk about how much being seperated from my peers and held to higher standards sucked #when the name of the reason why this happened might as well be 'gods specialist little boy' #none of the things that make people think im smarter are really all that useful day to day. and most non-gifted people are like. still smar #i happen to be good at memorizing the kind of facts schools test you on as children #but is that just because i was told as a kid to be good at school and so i tried hard to do that? #even if I am uniquely good at that #does that really make me more intelligent than the high school dropouts who can fix cars like its nothing? #in fact i would say they are at least wiser than me for picking something practical to be smart at #at my school being gifted usually implied you were a little neurodivergent and bad at socializing #often our gifted kids were actually failing classes because they were smart enough to realize they didnt matter #(not me but still) #but at some schools being gifted just means you were an avid reader or were pressured by your parents to maintain perfect As at all times #so if i say. wanted to talk about how being 'gifted' has often made some aspects of academia like hating emails and having time blindness #and not having a good friend network and having many unadressed issues around not really knowing how to make friends #if i wanted to talk about that. and i say 'I was gifted growing up and this sucked' #the person on the other end might hear 'oh woe is me im so smart and this makes my life so hard' #AND FURTHER STILL #on tumblr especially 'former gifted kid' has kindve become parlance for 'guy whining about nothing' #or even 'person who they were told was smart but is actually kinda dumb' #which... yeah! theres a reason many former gifted kids are like that! thats kindve my issue with the program in the first place! #it takes otherwise relatively normal if well achieving kids and tells them they are gods specialist little children. #THIS CANNOT BE HELPFUL TO ANYONE? like whatever chance the kids had at seeming normal has been stripped away #and they now also think they are the smartest person in the room in every situation

[autisticcassandracain]

I really. Should sit down and figure out what to do with Shilo in my Fourth World canon

#Shilo norman is the fourth world character most aggressively screwed over except for maybe forager #It's hard for me to get a hold on him and that's because no two takes on him have been remotely the same #And I dont want to default to mr miracle v1 canon like i normally do bc shilo's backstory in that REALLY didnt age well #I like the source of freedom's take on him best I think but it completely loses his connection to scott and also fuck n'vir free #That leaves like. Mr miracle v2's shilo. Which is just. #Well. Choices were made #There's a reason most ppl have ignoreed mr miracle v2's take on shilo's personality and backstory and just kept him becoming mr miracle #I think my biggest problem with Shilo is that what I find interesting about him is not at all a character angle canon wants to explore #Ie I like the idea of Shilo as a mortal among gods #What does it mean to pick up a mantle that's shared with/was previously held by a god? #I rlly liked the initial thing in mr miracle v2 where rhey made him create his own tech for the suit bc he didnt have a motherbox #To me that's FAR more fascinating as a concept than what they ultimately ended up going with re: motherbox accepting him #Which I always found badly executed anyway like I think it was a really bad move to try and draw direct parallels between shilo and scott #I'm sorry a teen runaway mom leaving her newborn kid at the doorstep of an orphanage is not a betrayal!! Tf did you want her to do!!! #Anyway. Moving on #And then the source of freedom did away with the godly aspect of the mister miracle legacy entirely #And I rlly do like how cutting out scott enabled the story to focus on thaddeus brown and issues of race #The source of freedom is a very good take on shilo but still #I cant help but feel dissappointed nobody has rlly seemed to see shilo the same way as me ie a man among gods #Idk I still havent read all shilo comics im missing some notable exceptions so maybe I'll find it yet #But this lack of interest in framing shilo the way I believe would be the most interesting rlly does make it hard for me #To figure out what to do with him in my canon #My posts #Shilo norman

[schtroumpfcurieux]

i love how following the media, who is close friends to who change

For exemple, with Smurfette, in the comics she's bestie with Vanity. In the first cartoon, she's good friend with Great Smurf, and in the new cartoon, she seems to be good friend with Glasses Smurf (that last one is quite funny, knowing that in the first cartoon it kinda feels like she despises him). The new cartoon seems to push a 'besties Prankster and Vanity' that other medias don't, in the same way the 80s cartoon had 'Glasses and Clumsy(mixed with Dumb) have some kind of friendship' that the other medias don't really have.

Another thing that's very cool is the change in how characters act

Prankster Smurf in the new cartoon is basically a kid, in the first cartoon he seems to only care about pranks and jokes to the point of showing a lack of empathy, and the one in the comics, while still loving pranks, feels more mature in a way. And let's not forget Smurfette who, as 'the girl', will be very different in her character following when the media is from.

#i find it cool to see the differences #i think that we could make cool analysis in how the characters get represented following the time period #evolution of the character tropes and cliches and what we want kids to see #like in the new cartoon the characters fit our modern cliches linked to the smurfs' names #and some of the characters are written to be more childlike for kids to relate to them #+ written so good qualities shine more through them with the idea that kids will want to imitate the characters #contrary to the first cartoon where the flaws are more showed #and it works more on the basis 'kids will see the good actions rewarded and the bad actions punished so they'll know what's best to do' #meanwhile the comic is really just 'haha funny little blue people go through wacky adventures' #'be nice and respectful rather than mean and resentful i guess. anyway wanna read a story where we make fun of cops' #ok the comics have some life lessons aspect to it #but it's way less 'be a good person' and way more 'here something from our society that is good to know about and see its extreme' #the smurfs

[the-irrelevant-trumpeter]

i hate that i’m consuming new media atm but i feel like i can’t say anything on here bc it has some problematic content and i’m worried i’m gonna be judged for it

#like i know there’s a lot of negative aspects about the show #and while i’m watching i try to notice these things #and think critically and acknowledge why they’re bad #so i’m not just blindly accepting whatever it’s saying #but i know there’s also heaps of really good stuff in it #and i more watch it for the comedy than the plot anyway #(i know i’m being very vague sorry) #so i keep trying to convince myself that if i’m critically engaging with the stuff that’s a bit problematic or not good #it’s fine to like. enjoy myself. #and even post about it #but my brain keeps screaming ‘‘you’re an awful person for watching this!!!!’’ #and i don’t know what to do #idk i just want to talk about the cute ships and characters

[kaijutegu]

Aug ABSOLUTELY deserves the praise, @ryukikit. St. Augustine Alligator Farm is one of my favorite animal facilities, hands down. It's a pretty zoo, doable in an afternoon if you kinda like crocodilians, or an all day affair if you REALLY like crocodilians. Here are my favorite things about it and why I think it's worth supporting.

1. They keep animals in interesting social groups.

Crocodilians are heavily involved parents, but most places that breed them don't have the enclosure space to let the babies stay with the parents. St. Augustine does. One of my favorite groups was their crèche of slender-snouted crocodiles. They had the parents and then a yearling cohort and a new hatchling cohort. This aligns with how these guys live in the wild- the babies stick around longer! They have the space for it, and they are very in tune with the social needs of their animals.

Very, very few zoos can keep their baby crocs with the adults and still perform maintenance and animal health checks safely. This doesn't mean these facilities are bad- it just means that they have different management practices. And frankly, a lot of these species aren't frequently bred elsewhere. Your average zoo doesn't need a setup where you can have a multiyear crèche for slender-snouted crocodiles. Some species have better success when the young are pulled early, and some zoos are better set up to raise out any offspring separately or behind the scenes. Every facility's practices are different, and this just happens to work well at St. Augustine and be really enjoyable to see as a zoo patron.

Crocodilians are exceptional parents and very protective. It's a sign of incredible animal management practices and animals that feel very comfortable with staff that St. Augustine can do this with nearly every species they breed.

2. They understand the social needs of their animals.

Some crocodilians are social. Some are solitary. Some can live happily with a member of the opposite sex but get territorial around members of the same sex. St. Augustine pays incredible attention to their social groupings to ensure that they aren't just meeting the animals' physical health needs but their social needs as well. They do continuous scientific research about social structures in crocodilians, taking blood samples to test stress hormones and observing stress behaviors to see how group dynamics change.

For example, St. Augustine is home to one of the world's largest known living saltwater crocodiles, Maximo. And his comparatively tiny mate, Sydney. During the educational presentations with these two, they point out that even their monster of a croc needs his social group- he won't eat if she's not around and he is calmer during medical checks if he can see her. These animal share a deep and special pair bond, and they make sure to talk about how the social aspect of these animals' lives is integral to their care. It's a unique aspect of the way they talk about these animals, because he IS a spectacle and he IS a sensation, but they don't talk about him like he's a mindless killing machine- they talk about him like he's a big, complex predator with social needs like any other animal. Aug is the only facility I've been to where the emotional and social needs of crocodilians is part of the education they provide guests- and speaking of education...

3. Their demos and presentations are extremely good.

The presentations at St. Augustine are some of the best I've ever seen, and I've seen literally hundreds of animal talks on everything from aardvarks to zebras. But as you... can probably tell from my blog content, I've spent a lot of time learning about and working with reptiles. I really enjoyed all of their presentations because they are very scientific about things and avoid sensationalism. They really want you to be fascinated by these creatures and love them- but more than anything else, they want you to respect them.

Also, they do a really good job handling their ambassadors. I really enjoyed something as simple as watching an educator tell us about snakes. Throughout the whole presentation she made sure that most of the snake's body was looped in her hand. The snake was always supported and was very calm. She gave the snake plenty of head room so that it didn't feel constricted- it was just good handling all around.

But also, the presentations made it clear how much the park cares about the animals' well-being. When they do the feeding and training presentations, they make it very clear that the animals' participation is entirely voluntary. They do things differently for their 9-foot saltie and their 16-foot saltie, because the 16-footer is so large and heavy he actually struggles walking on land sometimes. They adapt their programs and his care to ensure that he's completely comfortable- and he didn't actually participate in the whole feeding when I was watching! At no point did they try to push him into anything uncomfortable; they offered, he didn't engage, and they moved on. It was a clear expression of his boundaries, and I really appreciated how much his caretakers respected that.

4. Ethical Interactions

I've been to... a lot of tourist locations in Florida that have animals you can hold. Almost always against my will! Many of them are pretty terrible, and you don't actually learn much, if anything. But I really found that to not be the case at St. Augustine. Every single animal presentation and interaction opportunity was accompanied by education about the animal's biology, habits, and- crucially- their conservation status.

When I held a baby alligator at St. Augustine, the proctors- there were two, one to ensure I was holding the gator correctly and the other to educate- were very informative about the role alligators play in their ecosystem and their conservation history. The animals were all properly banded, and one of the two proctors was there to ensure that none of the baby alligators were uncomfortable. As soon as they started getting squirmy or tense, they were removed, unbanded, and taken to an off-exhibit area to relax. And when the babies age out of petting size, they just go in the lagoon to live with others of their species. I saw one upset alligator the entire time I was there, and he was clearly upset that his escape attempt was foiled by a keeper during my nursery tour.

Even though he's restrained in this shot, you can see that his full body and tail are supported, and the grip, while firm, is gentle. He's distressed, but after I took this picture, she put him in his enclosure and he calmed down immediately.

Sometimes when you have petting attractions with baby animals, those animals... don't have a happy ending. (See: cub petting.) But St. Augustine's program is fine- the gators are all aged out of wanting to have mom around, there's no declawing/defanging, and they're handled with care. And it's worth it, because people love what they understand. St. Augustine was integral in raising public awareness about alligators back in the 60s when they were endangered, and now they're thriving- largely in part to programs like St. Augustine getting people to care.

And speaking of getting people to care, let's talk about their research.

5. Shared Research Results

St. Augustine is also home to more species of crocodilian than anywhere else in North America- all of them, usually. (They didn't have a Tomistoma when I visited- that may have changed.)

Because of this species diversity, it's an incredible research resource. Having every species means that you can do a lot of work comparing their behaviors, their growth patterns, and more. They've been a major research site for crocodilian biology since the 1970s. Today, they're one of the key sites for studying crocodilian play and social behaviors. They actually maintain a blog where they post copies of papers that were written using their animals, meaning that you can actually see the results of the research your admission helps fund. You can see that right here: https://www.alligatorfarm.com/conservation-research/research-blog/

All of this adds up to a zoo that provides a unique experience, tons of actual education, and transparency about what its research and conservation steps actually are. St. Augustine's come a long way since its opening in 1893, and they really do want you to leave with a new respect for the animals they care for. Ultimately, if you're a fan of reptiles, you can feel good about visiting the St. Augustine Alligator Farm- their care and keeping are top of the line, they do a ton of innovative conservation research and support for conservation organizations, and you can see this animal there:

(Gharial from the front. Nothing is wrong with her that's just what they look like from the front.)

#long post #st. augustine alligator farm #alligator #crocodile #reptiblr

[astonmartinii]

kiss it better | oscar piastri social media au

pairing: oscar piastri x first responder!reader when oscar crashes into the barrier at monza, he thinks he sees his guardian angel, in reality he's just got a concussion and that's a first responder, but it's the thought that counts.

f1

liked by arthurleclerc, liamlawson and 1,206,700 others

tagged: oscarpiastri

f1: woah. huge shunt for oscar piastri in turn three. the australian was pulled out of the car by first responders and is getting treatment. red flag for now.

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user1: omg like my breath was completely gone, i hope oscar is okay

user2: holy shit that's the worst crash i've ever seen i'm so glad they aren't replaying it

user3: i tuned in late and i knew as soon as they didn't replay it it had to be bad

user4: thank the lord for the first responders, they were so fast i hope oscar is good

user5: i'm gonna need netflix to take the backseat on this one i can't take the dramatic editing this is already stressful enough

user6: the grosjean crash was bad enough, i can't deal with it with oscar

user7: are there any updates yet?

user8: not yet.

user9: i'm sat in the grandstand right where this was and it was literally so scary, the first responders literally had to jump on the car

user10: so so lucky that they were stationed so close to where he crashed

oscarpiastri

liked by landonorris, yourusername and 1,309,761 others

tagged: yourusername

oscarpiastri: first of all i'd like to thank everyone for their support and well wishes, i really appreciate it. it's actually thanks to y/n and the rest of the first responders that i'm back on my feet as fast as i am. big thank you to y/n for sacrificing her ability to shower comfortably to help me out of the car and avoid the flames, i am eternally grateful and mama piastri would like you over for dinner to thank you.

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user9: i'm so so happy he's okay, that crash was so scary

landonorris: glad to hear you're okay mate !

oscarpiastri: you can't get rid of me that easily norris

landonorris: woah, no joking about dying when you've only been discharged for 24 hours

oscarpiastri: sorry, skipped over that one in my contract

danielricciardo: make sure you always read that mclaren contract carefully

user11: thank you y/n for your service

user12: for real she put her leg on the line for oscar she needs a raise

yourusername: it was my pleasure to do my job and help you out oscar. and i'll always take up an offer for a mum's dinner

oscarpiastri: she'll be very happy to hear that

yourusername: text me the details and i'll be there

user13: it's so crazy to me how f1 drivers just get up and walk out of crashes like that

user14: no for real how is the medic more injured than him 😭

logansargent: you are so lucky there were no cameras when you were on painkillers cause you were talking some shit

oscarpiastri: please don't remind me

logansargent: just because there weren't cameras in the room doesn't mean i didn't record you, i look forward to my birthday present this year

oscarpiastri: you wouldn't

logansargent: you wanna bet?

user15: so like how bad do we think what oscar said was?

user16: and how much do we need to pay logan to release it?

mclaren

liked by oscarpiastri, yourusername and 609,778 others

tagged: landonorris, oscarpiastri & yourusername

mclaren: after her heroics in the first half of the season, y/n finally took oscar up and is a guest of mclaren this weekend. as a medic, y/n is one of the most important aspects of a race weekend, and it's an honour to host her!

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user17: did oscar write this caption? that man was BLUSHING in the fan questions video

user18: awwww mama piastri is also there this weekend and in a load of the pictures in the paddock they stuck together

oscarpiastri: so happy to see you again y/n !!

yourusername: my pleasure, oscar. racing is a lot more fun from the garage

oscarpiastri: i'll try my best not to crash this time, i know my favourite medic isn't on duty

yourusername: oh wow what a title, i'll wear it with pride

user19: they're such dorks i love them so much

landonorris: can someone get me some popcorn, i'm enjoying watching oscar squirm and blush all weekend

oscarpiastri: i am NOT !!

landonorris: don't worry i'm sure y/n finds it cute

oscarpiastri: can you please STOP !!

yourusername: not to prove lando right but it is very cute

user20: lando is taking his big brother role a bit too far

alexalbon: you were right @logansargent this is fun to watch

logansargent: oh just you wait until you find out the stuff he was saying in hospital

oscarpiastri: please stop telling people

alexalbon: from what i heard she was right there @yourusername what did he say logan is being a good friend (for now)

yourusername: considering i literally fried my leg getting him out i don't remember most of that day

alexalbon: UGH you people are no help

yourusername: ???

oscarpiastri: ???

yourusername

liked by landonorris, oscarpiastri and 2,560 others

tagged: oscarpiastri

yourusername: no pulling this one out of a burning wreck this weekend 👍

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user21: omg oscar's smile ??? i am faint

landonorris: do i mean nothing to you?

yourusername: i am literally oscar's guest let me rep him in peace

landonorris: booooooo if you're going to wear his number might as well ask him out while you're at it

yourusername: mind your business, i know what i'm doing

user22: Y/N?????????

oscarpiastri: i see you know my angles already, can you come every weekend?

yourusername: i'd love to but i have a lil thing called a job :(

oscarpiastri: boring, can't you be my full time personal photographer?

landonorris: and his girlfriend?

oscarpiastri: do you mind?

landonorris: what? i'm just trying to help

oscarpiastri: you are MEDDLING

yourusername: you guys done?

oscarpiastri: yes

landonorris: NO

user23: lando is a no 1 y/n x oscar shipper he's so real

user24: y/n is so much stronger than me i'd hand in my notice right this second

yourusername: believe me i would if i could

landonorris: to both options?

oscarpiastri: LANDO STOP

yourusername

liked by alexalbon, oscarpiastri and 19,056 others

tagged: oscarpiastri

yourusername: happy to be your guardian angel baby x

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user29: new f1 parents just entered the chat

landonorris: i'm taking responsibility for this happening, you’re welcome

yourusername: stop right there buddy, this was all ME

oscarpiastri: nuh uh it was ME

yourusername: i asked YOU out?

oscarpiastri: technically yes, but i asked you to dinner first

yourusername: actually, if i remember correctly that was your mum

oscarpiastri: FINE you asked me out and i'm very glad you did and you ARE my guardian angel and you ARE way out of my league

landonorris: you said it i didn't

oscarpiastri: LANDO LET ME FLIRT IN PEACE YOU NUISANCE

landonorris: woah, you've changed bro

yourusername: are we finished boys?

landonorris: yes, and for real i am very happy for you guys

user30: lando saying he made this happen is the most lando thing ever

logansargent: can you tell him to stop ignoring me now?

yourusername: soz under strict rules not to fraternize with a traitor

logansargent: I'M SORRY BUT I CAN'T HANDLE SPICE

user31: at least logan is self-aware

oscarpiastri

liked by aussiegrit, yourusername and 702,443 others

tagged: yourusername

oscarpiastri: sometimes all you need to do is flip an f1 car into a barrier and burst into flames to meet the love of your life (and give her third degree burns)

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user32: OSCAR WITH A BACKWARDS CAP TEACHING HER TENNIS SOMEONE CALL 911 I AM NOT OKAY

landonorris: okay we get it now you guys are cute

yourusername: for someone who was 'the reason we got together' you've changed your tune

landonorris: yes i am glad you have each other but that doesn't change the fact that i am LONELY and don't need to see gross couple stuff

oscarpiastri: you poor baby

landonorris: NO SYMPATHY?

oscarpiastri: i'm gonna cite all of your tomfoolery in the other comment sections

landonorris: okay fair

user33: okay but can we promise to never have a crash like that again?

yourusername: agreed

aussiegrit: happy for you kid

oscarpiastri: thank you mark :)

yourusername: so this is mark... hi?

aussiegrit: don't worry i've heard nothing but wonderful things about you, i look forward to meeting you at the next race

user34: y/n already has all of the approval oh wow

yourusername: i love you dummy (never do that again or i'll never talk to you again)

oscarpiastri: you got it, wins only from now on 🫡

yourusername: ur the champion in my heart

oscarpiastri: 🧡 🧡 🧡

logansargaent

liked by alexalbon, yourusername and 304,788 others

tagged: yourusername, oscarpiastri

logansargeant: public shaming is good sometimes. though now i third wheel with only a fish by my side

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user35: i am SCREAMING

yourusername: oh florida boy, your time will come (don't put that fish pic on your tinder, i know you want to)

logansargeant: girls love fish?

yourusername: trust me they don't

logansargeant: is this just because oscar is bad at fishing?

yourusername: DELETE IT FROM YOUR TINDER PROFILE NOW OR THIRD WHEEL FOREVER

user36: what is going on here?

alexalbon: god logan this is tragic, how did you expose him and end up with a fish as your date

logansargeant: but is the size of the fish not impressive?

alexalbon: no, take y/n's advice

oscarpiastri: fine, you're forgiven. only because y/n found it cute, if she found it weird it would be you found at the bottom of a lake

logansargeant: ???????????? there was a chilli oscar

oscarpiastri: stop hiding behind your american passport, i'd eat that chilli for you

logansargeant: but it all worked out?

oscarpiastri: thankfully for you

yourusername: is it bad that this is kinda sexy?

logansargeant: he threatened to murder me?

yourusername: he's so protective 🫶

oscarpiastri: hehehehe thanks babe x

logansargeant: i give up.

note: WOAH two in one night? i am on a roll. anyhow, do enjoy, i love oscar so much so glad he extended !! xx

#f1 imagine #f1 x reader #f1 instagram au #f1 x you #f1 #oscar piastri instagram au #oscar piastri x you #oscar piastri #oscar piastri imagine #oscar piastri x reader

[arcadia345]

Sextrology notes🥀

MINORS DNI🔞

Not a real astrologer this is just my observations and experiences ‼️

Book a reading❤️

Aries/1st house eros composite- could’ve gotten into the bedroom quicker than expected(or at least tried to), if not then regardless the sex is ROUGH. Lots of sweat and friction burns, bruises from the night before 🥴 “Everyone KNOWS that he f*cks you.” Vibe you can’t hide behind the tension with this one lmao. Could be your first time in a way? I had this with the first yt and the first black girl I’ve been with

Taurus mars/eros- kiss/rub their neck and see how quickly they fold😎 they adore nice smells vmuch bad smells turn us off so bad but if you smelll good I swear we’ll remember you and your sent FOREVER. We also love physical touch we love a good body rub we like all our senses to be aroused. I try to at least keep one hand on my lovers/ vice versa😭#clingy we’re also possessive of our partners to a extent

Gemini/3rd house eros esp in composite have the most fun in bed. Usually a short term relationship doesn’t have to be tho. You two will try new things together sexually. They’re very lighthearted and curious and down with whatever😌 they’ll try anything at least once😏. Mental and oral stimulation is a must here. Definitely prone to sex with more than one person at a time

Eros in Aquarius/cancer,4th/11th combination in composite every time I’ve had this with someone they changed my perspective on life/sex I swear😂 the sex was so mind blowing 🤯 just thinking about it got me stuck. Me and the first girl I did it with have this in composite and omg I did not know I was THAT into girls till she popped up(even tho I’m pans)🥴 my first time feeling sparkles during sex ✨(a man could never 👎)you might feel emotionally vulnerable with them and they might not be your type fr that’s why the sex is so shocking like dang I didn’t know you’d have me feeling like this now I’m stuck. Unforgettable. We also used toys

Cancer eros/mars have a creampie obsession or they lovve boobs ofc, they tend to match the same energy as their partner sexually wise but they can get really really freaky if you ask them nicely 🤭

Leo mars/eros- they love to put on a show in bed, they could be really playful/teasing/loungeful before the act. It’s like they love to tease you until you can’t take it anymore forcing you to make the first move( you need to show them how badly you want them) They look so hot all the faces they make🥵 esp when ur taking a quick break in between and they look so effortlessly good, if the chemistry/sex is good they’ll probably ask if they can record cuz they’re not gonna waste storage on some wack 💩 you can definitely learn something from them

I’ve had Leo in Eros in composite with someone and they’re the only person I needed to take a plan b with after the deed🧍🏽‍♀️

Pisces eros- likes to dive into the taboo side of sex, sex for them could cause them confusion instead of clarity most times. They like to fulfill their fantasies I feel like they have more opportunities to do that than others. The only guy I know with this said he had like 20 bodies??😟 but I’m pretty sure it’s only that high cause they never come back for seconds🤣 perfect example he needs to do some healing before he tries to sleep with someone 🧏🏽‍♀️

Neptune aspects to eros like to be under the influence while having sex. They get really sleepy also

Just like Aquarius eros they like to record/ have cybersex/have a audience

I love how everyone always says scorpios are the freakiest 😂😂😂(they’re up there tho) and us cancers/virgos/taurus just chuckle 🤭

Cancers literally speak to ur soul in the bedroom. We bring out desires that you never knew you had. We’re literally the sign of the motherrr like we really know what’s best for you (us). That’s why they always come back for more🤣🤣 and plz don’t let them have mommy issues they’ll be stuck for life

Virgos😂😂😂😂😂 nobody talks about how the ♍️ symbol looks just like ♏️ (aka they hide their crazy/freaky side very well) they’re adaptable and they aim to please, if you’re satisfied then so are they. And they’re sooo good with their fingers and mouth like Geminis.

Tauruses they need to be satisfied before anything like being fed and taken care of before the deed, but once they see you deserve their time or loyalty they turn into a demon for you😈 drunk and love vibes buss the windows out ur car then have makeup sex yk? But ngl if their underdeveloped they may give ♍️ vibes to their partner instead

Libra Mars/Eros I’ve only had bad experiences with this one but they were sags so plz understand where I’m coming from. They love the IG baddies with the bubble 🍑 and cute aesthetics. They love “plastic barbies”/ dolls . They’re in love with the idea of love. Definitely have more than one person on their roster. They LOVE lingerie and pastel laces esp the men yk they fw it when they don’t take the panties off just pull them to the side🤣Depending on their chart I wouldn’t associate with this eros/mars their standards are unrealistic and problematic :/

Now composite libra in eros is a different experience for me, it feels like a romantic comedy, the head over heels vibes before you even make it to the bed🥰. These two could enjoy being in each other’s presence more than having sex? Like they genuinely enjoy eachothers company sm they kinda skip over that part sometimes lol. Also other people could try to intervene with you two?? In a sense 👀

Also most every Virgo/libra/sag guy (except 3, I think it’s more likely to happen if they’re underdeveloped signs)I’ve fw never liked to give head??? But it was mandatory that they received some???😃 the excuse was always they’re not in the mood/ that’s dirty/ their mouth hurts??💀💀💀 so my 🐱 is too dirty to eat but clean enough to f*ck? but ur 🍆 is clean to do both???🤣🤣🤣 neverrr again this why I’m gay asf now Chile

Sag mars/eros 😂 good luck trying to tie them down. They’re the most promiscuous/adventurous when it comes to sex. They love trying new things really down with whatever! Car sex, or just sex in public in general 😵‍💫 I promise y’all they dgaf. Also these people will change your way of thinking, a catalyst of self development. For me they were always the fboy that made me learn my lesson 😭. They push you to evolve.

Capricorn/10th Eros composite- sex definitely isn’t something you two rush into. Could be more on the reserved side at first. It may be mandatory that you build a deeper connection/commitment before anything sexual happens. It could be a while before anything sexual happens. There could be an age difference here as well. One person could be unexperienced. If you have this with someone and the sex isn’t that great the first time please don’t give up on them 😭 the more you get to understand eachothers bodies the better the sex will be. Bdsm could be a thing here. The type to tie you up/restrain you/ f*ck ur brains out and call you out of ur name but have mini wellness checks in-between. Edging and age play could be a thing. You two could start a OF👀

🍆 indicators

Look at their mars aspects it’s very important. I’ve seen a lot of 🍆s yall so ik what I’m talking about 😂 the biggest one I’ve ever seen had Mars ☌ Jupiter like HUGE🫣😰 harsher aspects to Jupiter is what you want to look for. Now if he has aspects to Saturn but none to Jupiter…… it’s probably on the smaller scale 😭this could also mean good stamina/ hard to climax.

Mars ☌ Uranus surprised me which is on point 😂 very freaky placement uhm their 🍆s look pretty most of the time usually has a curve, definitely gonna hit you with some unusual positions that all feel weirdly good🥴

Mars ☌ Neptune is a less common aspect I’ve seen could have more length than girth but they’re really long. I feel like this is the unsolicited 🍆 pic sender💀 the ones that think everyone needs to see their🍆🙄/ people could fantasize on how they are in bed

🐱 indicators

Honestly idk any I feel like every 🐱 is good if you know how to please it right😌 but the ones that don’t need any assistance is 8th/12th house placements fs esp Jupiter/Neptune/mars. And prominent water signs in the chart

Pisces/12th house Eros in composite ‼️⚠️‼️ definitely not something to take lightly. The energy you two share is sacred. Very spiritual experience I don’t recommend this placement if you’re not aligned on a spiritual level. Lies/hidden motives could be involved. The f*ck you back to sleep placement. Sex so good you both sleep like you work 3 jobs after. I swear he put me into a meditative state while having sex I had to snap out of it 😭 also he was only person to make me orgasim ever to this day our bodies just blended so well together like water💧also he loved my feet?? Bon appetite!

Just experienced this composite again and it’s literally the samee feeling omg the discreetness and blurred lines/taboo feeling, the way our bodies just work so well together ommmg😩 we love to watch eachother? Sexting/stalking placement. And he loves my feet too💀. Sleep is really prominent here.

That’s all for now💋 just wanted to post for my 3year tumblr anniversary 🥹❤️

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