I am 86% sure that Kinn knows that Porsche is bothered by much more than the punishment. I just rewatched their scene in Ep5 after Porsche returns from Yok’s bar, and if you follow their conversation closely, I think the truth of it comes out just from how they respond to one another.
Porsche: “At least they’ve done me no harm.”
Kinn: “Are you saying that I’ve hurt you?”
Porsche: “Or have you not?”
Kinn: “Don’t you forget. Your life is mine. I can do whatever I want.”
Porsche: “Then go ahead. C’mon. Do it. What are you waiting for?”
*Cue Kinn leaning in and pulling back just before their lips touch*
At surface level, they’re talking about the punishment. But the fact that Porsche tells Kinn to “do it” and “What are you waiting for?” proceeded by Kinn leaning in close makes me think that Kinn knew exactly what he was talking about. A dare of sorts. “What are you waiting for?” = “I dare you to try to violate me again.”
I also think Kinn began to sense his resolve melting under Porsche’s gaze (coincidentally, the very thing he’s been hardening himself against) and leaning in was a challenge to himself, of sorts. Through it, he is simultaneously telling Porsche that he is nothing special to him, while also trying to convince himself of the same thing. By closing the space between them, Kinn is confirming that he knows what this is really about: how Porsche feels violated. He is acknowledging what happened between them and re-asserting (to himself, mostly) his control over Porsche--when really we, the audience, know that it is the other way around. Porsche has Kinn in an emotional chokehold, and if he could see that...well, I can only imagine how that conversation would go. (I mean, can you imagine what Kinn would’ve done if Porsche would’ve closed the space between them? The man’s entire world would be rocked.)
So, yes. I think Kinn knows. But nobody wants to be the first to bring it up verbally, so they’re just trapped in this tense dance around the subject.
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i don’t know how else to describe eternal yesterday, and the profound affect watching it has had on me, other than it’s the most quietly heart-breaking show I’ve possibly ever seen. It presents its subject matter so simply and plainly in a way that makes it feel huge, overwhelmingly huge, painfully huge. It’s premise is not for supernatural drama, it isn’t played up, not laughed at or exaggerated or used to give things more unnecessary emotional weight, it simply gives physicality to the real experience of letting someone go, to having to let someone go, to having to let go, and the indescribable pain of it that you can’t truly know until you’ve experienced it. It’s a glimpse into this short period of time, less than a week, that is so private to them, and is so concentrated with emotion, that truly does feel like time stopped, holding on, the fear of the moment passing, so instead the pain of it is just dragged out. You think of course they should do this, fight for every last second they can have together, but then you come to realise this life after death, this impossible extension, its a curse just as much as it is a miracle. We always wish we could know when we are going to lose someone so we can take that chance to say goodbye, but is that easier or harder? how do we wrestle with the pain of holding on but the pain of letting go? its a situation we cannot win, its simply a situation that has to happen, and we have to let time tick on.
there’s so many moments i want to bring attention to in this series but i’ll hold back and just talk on the 4 that feel the most special to me. first, a personal one, because in so many ways oumi reminds me of myself, and never has that been more true than the line “honestly, i feel comfortable when i’m alone. and i hate myself for being comfortable”. i cant think of another character that has embodied this anxiety i have in myself so much, and so simply, this ridiculous contradiction of being so at peace in your own company and despising that peace sometimes, wishing it wasn’t so peaceful, so maybe you wouldn’t be alone, maybe you’d do something, go out there, find people and things to do, and yet all that time maybe you’d be thinking “i’d like it so much better now if i was at home by myself”. its kind of ridiculous, and maybe people like us do need a koichi to be the company in our lonely peace, but yeah... i just have never felt so seen by a show before.
secondly, that final conversation oumi has with his father, because this whole time the situation feels so insular. even though other people know, and other people love koichi, and koichi loves other people, this is about oumi and koichi, and no one can truly understand the immensity of what those two are feeling in that moment. its like i said, you cant understand it unless you’re in it, unless you’ve experienced it. and yet, at the end, this minorly present, distant father comes in and says “what you’re going through, i went through that too”. and its the kind of conversation that doesn’t happen because they’ve both experienced this supernatural phenomenon of a love one existing after death, it happens because they’ve both lost people they’ve loved, and that something thats universal, and the people watching don’t need to have experienced anything supernatural to empathise with that. its when the audience truly realise that this story might be insular to them, but the story has also been told infinite times by countless people, and such the emotion of it is both theirs and everyones.
third, i think my heart actually crumbled to pieces when koichi said someone could have 2 number 1s. its his phrase, he loves mitchan the most, mitchan is his number 1. and its only given more weight when oumi says it back, and even more so when we hear his ending lines, about always wanting to be number 1 to someone, and that someone being his number 1 too, and how much of a miracle that is. for that same person, knowing he has to leave that person he loves the most, to say you can have 2 number 1s, saying to oumi its ok, you can move on, in the future you can have people that are precious to you, thats so fucking beautiful, and is an act of such love i cant even put it into words. you can feel so guilty sometimes for moving on from a loved one, for even feeling like you’re replacing them, so that gesture, that permission, that almost request, to not lose happiness and love because you’re losing them, to let yourself be happy again, because thats the biggest gift you could give to those you lose, thats just beautiful.
and finally, the moments in episode 6 where koichi is starting to disappear, and when people start to walk into rooms and not see him, i don’t think i’ve ever seen such a good metaphor for what its like to have a same-sex partner and for them to never truly be seen as your partner. because when that nurse walked in and was just talking to oumi, like koichi wasn’t there and yet he was, and oumi got so mad because thats the most important person in his life how dare you not see him, how dare you ignore him. i think it was him saying ignore that connected it for me, because thats what its like when you walk in with a same sex partner and you’re not recognised or seen as a couple. I thought to myself if this nurse walked in and oumi was sat with a girl, how he’d instantly be asked if its his girlfriend, but no he’s sat with a boy so you dont even bother asking, either because you dont think to or dont want to. we get flashes of it throughout the show with people not knowing about their relationship or the relationship between the teachers, how the gay is hidden. and with koichi gone but not gone, he’s like a ghost in oumi’s world, and i feel like that’s what it can feel like sometimes, walking around with someone you feel like no one else can see when theyre all you can see. theyre there but no one draws attention to them, no one wants to acknowledge them or it, the relationship, the ghost in the room, to the point you want to scream they do exist, how dare you think they dont. and when oumi gets angry on koichi’s behalf, thats what happens, thats what it can sometimes feel like experiencing homophobia. its horrid and angering and you want to scream because how dare they do that to the most important person in the world but theyre at peace with it. koichi has accepted his fate much like someone learns to accept hate and harrasment, they become at peace with it. and you can get angry all you like but that doesn’t change anything, that doesnt stop it from happening, thats what it feels like. you get that when you lose someone, you get angry when other people have moved on when you cant, you wont, you dont want to, you think why dont people care anymore, how can they be so unfair and unkind and unfeeling, which is why its shocking that themes of loss can mirror these queer experiences, where a partner can feel invisible to everyone even when their heart is beating. thats why i think this blending of actual loss and actual invisibility with queerness being hidden and unseen is just heart-breaking genius.
this show is heavy, and has honestly brought out in me one of the most condensed visceral reactions to media ive ever had. i feel sad, i feel drained, i feel broken. ive cried so much, and my sadness is physical, my heart hurts, it feels heavy. and yet... i do feel at peace. i feel at peace with this sadness because its something you have to learn to do in life. these experiences are inevitable and ive always tried to avoid these heavier shows, things i know will hurt and make me sad and feel things, where there isn’t a core of happiness, a good ending to keep you together. but sometimes it has to be embraced to see the beauty in it, because as koichi said, despite what happens, despite the tragedy and sadness and loss, at the core of the story if two people meeting and falling in love, and how that simple, human connection, that we all have, is a miracle, so treasure it.
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God I just. Cannot get over the kiss scene tonight. That's the first proper kiss like that, relatable and realistic, that I've seen on TV. It is literally truly going to live rent free in my mind forever.
But like, just. I can't say it as well as I wish I could. But they nailed it not just in acting and writing and direction but just the overall vibe, of being in public but in this little pocket of privacy with someone and the Tension hits and you can finally act on it.
Like I remember in high detail how that felt, the first time I kissed a guy like that (and had realized I was definitely a couple shades of queer, but was still figuring it all out lol.) And it was awkward and stiff and I initiated but like. Did not know how because yes that was also my first kiss at all, so like. Literally the scene in ofmd is so accurate even down to that. There's no tongue and it's pretty tame but you can *feel* the want behind it, with the implication that later they will figure out how to get more wild with each other lol (to note on that re: comparison to my own experience, y'all remember how I've referenced nearly fucking a guy in HS in a school computer lab during a late after school project? Yeah, that was also that first and most important kiss lmaoooo.)
Like and that relatability aside, it's just. This is an important TV kiss! Like, in a way that way in the future a museum might note it in an exhibition abt old TV (like we had at the local museum recently, it was v cool) and the fact that I'm alive at a time to witness it!! Is cool as hell!!!!
I'm stoned so this is written far too train of thought, my apologies for that but it is what it is I am afraid
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It took me until this week to realise how much season two has changed my perspective on... well almost everything Good Omens.
I finally rewatched season 1 for the first time since Neil broke my stupid little heart. Honestly, I had convinced myself that I was over the heartbreak.
Do I torture myself on this website on a regular basis? Yes. Do I refuse to read fics without a "hurt/comfort" tag? Yes. But I was fine. I was healing. I was good. I was over it.
Did episode 3 hit differently after everything I'd been through after S2? A bit. But nothing I didn't expect.
And then there was S1E6. The Ritz. Nightingales. And I just wasn't ready. I had heard that song a thousand times throughout the last few weeks. But context does seem to matter. Because here I was, three notes in, sobbing mercilessly.
This scene used to be a safe space for me. A warm little patch of sunshine to curl up in, when I felt down. It was hot cocoa on a rainy autumn day. It projected to so much love and comfort. And now it's all twisted.
The contrast to S2E6 couldn't be sharper. Oh, what a beautiful web of similarities Neil has woven for us. Here are our two favourite idiots, smiling at each other, so in love, not a care in the world, because the world is safe and they are toasting it. Yet I know, what the future holds for them. I know, how incapable of truely communicating they are. I know, how they will break each others hearts, paving each others way to hell with all the best intentions.
You have to hand to Neil. He really knows how to tell a good story.
I haven't dared to listen to " A Nightingale sang in Berkeley Square" in the last week. It will take me a good long while to work up the courage again.
I don't even know, how to end this mess of a post. I just hope, Neil will bring the song back in season 3 and make it be all fluffy and comfortable and lovely again.
To the world, my friends.
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