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#i shouldve added a read more line huh
fishoutofcamelot · 4 years
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Yves Montand's les feuilles mortes is Merwen as Gwen ages and becomes old, memories flitting in and out of her consciousness as Merlin tends to her last moments on her death bed, her hand caressing his cheek as she says the final goodbye. Merlin clutches into her hand tight, his shoulders tremored as he sobs, losing his last friend and lover.
Dude it’s MY job to make people sad about Merwen! If you keep this up, I’ll be out of a job!!! And I can’t afford that in this tragic fandom economy.
Ngl tho, you’re absolutely right about the vibes. Although if I might add, I also kinda get a reincarnation vibe from it too.
The scene: France, 1947. WWII is finally over. Merlin, or Michon Epinette as he goes by now, is walking down a wet cobblestone street. His face is sullen. As he walks, hands stuffed into his pockets and head bowed, flashbacks are interjected into his mind. Brief snippets of his time in Camelot - meeting Arthur, hanging out with the knights, saving the kingdom. But above all, his time with Gwen. All the memories and laughs and tears they shared together. 
The flashbacks increase in frequency the further along he comes, only now they’re all focusing on Arthur’s death, Leon and Gaius and Percival’s deaths, until only Merlin and Gwen remain. Until Gwen ages and dies too, until Merlin is left weeping over her dead body. But in none of the memories do any of their faces appear. The faces and appearances of his loved ones are just some of the many things he’s forgotten after all these years, much to his distress.
Merlin shakes his head to force the memories away, and enters a bar. It’s pretty empty. Everyone is fairly quiet aside from the clanking of glasses and occasional murmurs here and there - and on the stage, a slow, morose jazz performance.
He sits down at the bar and gets a drink, watching the performance and trying not to cry over how deeply the mournful lyrics speak to him. It’s the 1400-year anniversary of Gwen’s death, and it stings just as intensely now as it did back then.
The woman singing wears a yellow dress that is elegant yet simple, back exposed and black gloves deftly holding the microphone. Her own eyes are tearful, she herself affected by her own lyrics - Les Feuilles Mortes, now that he thinks about it - and if not for some impressive self-control then her elaborate makeup might have been running.
But looking at her face, her dark, gentle face and deep brown eyes, a most profound sense of deja vu settles into his gut. As if he should know her somehow. 
But Merlin has lived for many, many years, and has met many, many people. If he’s met her before, he doesn’t remember, and likely never will. And besides, it was probably nothing important.
Still, the clenching of his heart pulls him to her. As if something terrible will happen, as if he’ll suffer a loss worse than he can ever imagine, if he doesn’t hold her in his arms this very moment.
Instead of sweeping her up and never letting go, Merlin waits for the song to end, politely applauds, and then greets her as she sits down at the bar stool next to him. Another performer walks onto the stage in her place.
They speak in French as she asks if she’s seen him before, a puzzled look creasing her features. He says that he’s just got one of those faces, and reaches out his hand to shake hers. He introduces himself using his current alias, Michon Epinette, but his ribcage screams at him to tell the truth. To tell her that his name is Merlin. He ignores the impulse.
She calls herself Guinevere Laurent, and oh how his heart aches at the familiarity of it. Another Guinevere, just as kind and soft as his own had once been. He commends her performance, admits that it had made him cry, and she tells him it has that effect on people - especially those who have recently suffered a loss. 
Ms. Laurent asks him who he’s lost, then gets flustered as she apologizes for being so forward. He instead tells her that he lost a great deal of friends. Everyone he’s ever known and loved is dead now.
“The war?” she surmises.
“Yes,” he says, because while they’re not thinking about the same war it’s still true.
She sips from her cocktail glass. “I lost a great deal of friends to the war as well. My brother Elouan, my best friend Lazare, and my father Thomas. Normandy, all of them.”
He shrugs. “If they had to die at war, at least it was Normandy.” Then, flustering - “Oh no, I’m so sorry! That was so insensitive of me. I didn’t mean -”
Ms. Laurent - Guinevere - shakes her head. “It’s fine. You’re right, though. Normandy is...heroic. As good a place to die as any. I just...I just wish they hadn’t had to die in the first place.”
Merlin has nothing to say to that, so he doesn’t. And the two of them sit there at the bar counter, nursing their cocktails - which are, coincidentally, the exact same - and ruminate over their respective losses. Guinevere Laurent is likely thinking about the second world war, and Merlin is thinking about Camlann. And both of them are thinking about after. What happens next. Where they go from here, when everyone they care about is six feet under.
While the similarity in names is likely a coincidence, Merlin can’t help but feel drawn to this Guinevere too. She speaks and acts and feels so much like the one he lost that his chest burns with sorrow. But also, perhaps, with something else too. Something he hasn’t felt in a long time.
Hope.
Merlin ventures out his broken heart and cracks a joke, trying to lighten her spirits. For the life of him, he will never be able to remember what the joke is, but it does its job in making a tentative smile splash onto her face. 
Warily, with an uneven and rough voice, she murmurs out a joke of her own. He won’t ever be able to remember that one, either, but he laughs just as quietly and genuinely as she did.
After an hour their laughter has transformed into something loud and unending, and it fills up the entire bar with an orange, jovial mood. Other people are talking amongst themselves with more liveliness than they had before, and now Merlin and Guinevere are not the only people smiling in here. Even the scrunched-faced bartender is cracking a grin.
It feels familiar. It feels like he’s been in this situation before - laughing with someone as loudly as possible to chase away their mutual pains, until their desperation turns into sincerity and sincerity into passion. 
For one glorious evening, Merlin allows himself to exist in a fantasy world where Gwen isn’t dead, but sitting right next to him. It’s weird and wrong, for sure, but he can’t help pretending that Guinevere Laurent and Guinevere Pendragon are the same person.
The crowd raucously, drunkenly cries out to Guinevere for an encore, begging her to give them another song. She shakes her head and says she’s done for the night, and all her songs are too sad anyway, but the crowd remains insistent. 
Merlin nudges her shoulder with his own. “You can do this, Gwen.”
And for some reason, just locking eyes with him is enough for her to acquiesce.
She dusts off her dress and reluctantly shuffles onto the stage once more, and the current performer steps aside to let her have the microphone.
Guinevere discusses something with the people manning the instruments, and after a moment they appear to reach an agreement of some kind. 
As the music swells to life, she casts one final glance at Merlin. He nods encouragingly, and she nods back, then closes her eyes and begins.
“Je suis seul ce soir,” she sings in a soulful cadence.
He loses himself in the music, lets the medieval nostalgia consume him like a snake devouring a field mouse - and just as the snake’s venom strikes the mouse, so too does a heartbreaking realization strike Merlin.
He called her Gwen. He referred to Guinevere Laurent as Gwen, his Gwen.
But she’s not. She’s not his Gwen.
His Gwen is dead, and she’s not coming back.
Suddenly, the whole world flares harshly at him. The lights are too modern and bright, the music is too loud and lively, the crowd is too busy and young. And Guinevere Laurent stands on the stage, eyes closed as she sings from the heart. 
And it’s not Gwen. It’s not Gwen, it’s not Gwen, it’s not Gwen, and the reminder of this truth is a slap to the face. Gwen didn’t dress like that, didn’t speak that language, didn’t sing in French bars or drink cheap cocktails. 
Gwen died. She died in pain, and she died gasping for air, and she died pushing him away in fear because her senile mind could not recall who he was. She died afraid, surrounded by faces and places she didn’t recognize, tearfully asking for a brother who had been dead for decades.
But even despite with all the differences, Guinevere Laurent looks so horribly similar to Gwen, back when she was young and innocent. The similarities, the memories, are enough to shatter whatever shaky pieces of his heart he had managed to cobble together.
Merlin presses a trembling fist to his mouth as tears pierce their way through his eyes, clouding his vision and sapping his body of any resolve it might have had. 
He fumbles out of the bar to get away from it all, lest the agony bubble out of him like blood. The cold air stings his cheeks, but the bitterness of it provides a momentary distraction from the memories left behind in the bar.
Determined to find some other hole-in-the-wall at which to drink and forget forget forget, Merlin stumbles away, not even bothering to wipe away the curtain of tears shuttering his face.
But back in the bar, Guinevere Laurent begins to remember things. As the melody holds up her heart, as the fondness that ‘Michon’ had born within her chest lifts her ever higher, flashes of a distant life spark in her mind. 
A boy with an impish grin, stuck in the stocks but still shaking her hand. A young man with a colourful scarf, sitting on a hill and braiding flowers into her hair. A friend, back pressed to hers as they both hold swords and fight to defend their kingdom. A companion, holding her wrinkled hands and helping her get up the stairs.
The name whispers into her mind. Merlin.
But as the final notes of Seule Ce Soir  rumble to an end, as Guinevere opens her eyes in the hopes of soaking in the rays of her old friend’s presence, she finds no sign of Michon - Merlin - and instead a vacancy in his place. 
Thanks for the ask! <3
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FOLKLORE FIRST THOUGHTS
ft. very little editing LONG SONGS! LONG SONGS! AESTHETIC TITLE! 63 MINUTES!
1. the 1
PIANO!!!!!!!!!!!!!!!!!!!!!!!!!! omg her voice is so soft if you wanted me you really shouldve showed IF YOU NEVER BLEED YOURE NEVER GONNA GROW OMG ALREADY A BANGER LINE OMG HOW SHE SINGS THE BRIDGE YESSSSSS THATS CATCHYYY
2. cardigan*
DEEP VOICE SULTRY OOOOOOOOOO the piano reminds me of jazz the IIIII hand under my sweatshirt baby kiss it better omg this is sexi ? OMGGGGGGGGGGGG wow the chorus and when I felt like I was an old cardigan under someone’s bed you put me on and said i was your favourite WOW playing hide and seek part omg her voice the IIIII part is sooooooooo nice omg this is hot but sad but like NICE THE STRINGS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! JADORE TELLEMENT you drew stars around my scars but now im bleeding THE STRINGS THE CHORUS THIS IS SO GOOOOOOOD IM CRYING PETER LOSING WENDY this is tugging on my heart strings... that bridge... wow... im literally crying tears rolled down my cheeks wow that was so beautiful im still crying LOL
3. the last great american dynasty
oo that twang-y in the distance im still crying from cardigan sorry all her what friends? was that bleeped? LOL [The clean version of the album on Spotify was available for me before the explicit version] omg how she sangboys you can HEAR her smiling i love it so much my precious bean THESE STORYTELLING LYRICS I NEED TO RELISTEN TO IT ALL STARLIGHT VIBES? omg i had a marvelous tiiiiiiiiiiiiiiiiiiiiime <3
4. exile (FEAT BON IVER!!!! OMG?!!!)*
i love how much piano there is in this taylor i love it thank u WHAT A RICH VOICE youre not my homeland anymore?? so what am i defending nwo? im baby STRINGS!!!! <3 this reminds me of the last time kinda duet i cri balancing on breaking bridges im not your problem anymore so who am i offending omg wow her voice is so pretty i gave so many <3
5. my tears ricochet
omg the intro is nice is that her voice? or keyboard voices i didnt have it in myself to go with grace that electronic voice during chorus reminded me of getaway car... i c u jack + the beat... in the bridge wait wake? I NEED LYRICS TO FOLLOW ALONG SKFSKDFNS TOO DISTRACTED AND CONSUMED BY THE MUSIC [I was indeed distracted and not following the lyrics so I thought the wake was connected to one of the previous songs gskng I was like who died omg dummy]
6. mirrorball
ooo this sounds pretty from the start this sounds like a gem i find on youtube at 2 am when no one is around my dear! oooo i like AW SHINING JUST FOR YOU! IN HER HIGHEST HEELS, LOVE? That's so cute i can change eerything about me to try to fit in is SO relatable her vocals r so pretti aw this song makes me smile, the bridge was v cute [Little did I know when I’d relisten and read the lyrics that this song is not one to make you smile ma’am]
7. seven
this is different! this doesnt even sound like her omg but its so nice omg the verse hehe cute THE STRINGSSSSSSSSSSSSSSSS YES big fan aw is this from kids pov? pirates poor lil bb sweet tea in the summer, cross my heart wont tell no other
this is different but beautiful
8. august
oooo yes another youtube sounding gem with the quality of the music and her voice oh wow how she sang more OMG YES louder THIS IS NICE twisting in bed sheets aw cause u were never mine oh wow after second chorus the MUSIC YES THIS IS SO NICE IM SO HAPPY AND CONSUMED one ting? huh? cancel plans in case you call... omg
MEET ME BEHIND THE MALL!!!!!!!!!!!!!!!!!! you werent mine to lose aw... this song i like a lot
omg the story telling im crying i missed this so much it reminds me of fearless era this is so wow tat resumed loudly LOL i laff but omg this is like happy but sad at the same time THE STRINGSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS I CANT THIS MUSIC IS SO NICE I WANT IT TO CONSUME ME AND JUST LISTEN TO IT FOREVER like an instrumental version. just driving. even this version. this was so nice. i missed storytelling like this. i adore
9. this is me trying
i like dis so far yes, another youtube gem ORCHESTRA my words shoot to kill when im mad i have a lo of regrets about that sphere omg at least im trying!!! wow ma'am that was so pretty ???? the build up to the bridge wow jack?
10. illicit affairs*
beautiful guitar, wow omg yes those vocals?? lil guys? or is that guitar i like oh wow yeah def an illicit affair huh this is pretty folk dis make me sad but excellent storytelling omg
clandestine meetings ooooo the BRIDGE YES omg !!!! youve shown me colours that you know i cant see with anyone else you taught me a secret language i cant speak with anyone else OWWWWWWW
11. invisible string
this is fun to dance to its so cute bad blood ? *side eye emoji* prechorus is really nice and catchy her voice is so nice ugh i like this bridge <3 is this about joe? chains around my demons one single thread of gold tied me to you!!!! centennial park blues then purple pink skies! lover <3
12. mad woman
nice piano and strings the beat o wow i hate you forever (... is this clean? fuck you forever?) UPDATE IT IS FUCK YOU FOREVER WOO! omg you found something to wrap your noose around w o w, that's so powerful women like hunting witches too; omg wanting me dead has brought you two together wow but when she sang it wow i love watching you climb over people like me wow this is pain :( the vocals in the background are so nice and add to the feeling it makes my tummy sad :(
those back vocals make me think she can still sing safe and sound live one day maybe so tha tmakes me happy though
13. epiphany
the intro feels like an epiphany lemme tell ya i close my eyes thats nice i dont understand whats happening i need lyrics to follow along but it sounds nice strings <3 does this have to do with the wake? the outro is so soothing british accent?
14. betty
country! this is country! COUNTRY! OMG SHES SINGING COUNTRY!!!!!!!!!!!!! TOO!!!!!!! LIKE ACCENT! OMG the classic storytelling... taylors so good at this my god the worst thing that i ever did was what i did to you PARDY music between chorus and bridge UGH YES JAMES! YESSSS THE SOLO BREAKDOWN yes the only thing i wanna do is make it up to you i showed up at your party? aw! (and then you kicked me out LOL) will you have me will you love me will you kiss me on the porch aw shes so talented wtf. man aw standing in your cardigan kissing in my car again stopped at a street light you know i miss you aw [this was the clear trio clue lol]
15. peace
omg that guitar yes sexi rich deep yez thats so nice
that was catchy omg (when she started) OMG IT IS CENSORED...... i talk * with my friends? GIVE US THE UNCENSORED GOODIES CMON!!! oh i just saw the one thats explicit CLOWNS TO THE WEST WEY IT US aw the rains always gonna come when youre standing with me
16. hoax
so simple, vocals and piano wowie omg best laid plan around there the STRINGS are stunning. seriously stunning wow im obsessed this is nice sad feels the guitar added agh yes omg im gonna cry it still hurts beneath my scars when tey pulled me apart im cryin.... that part im cryin!!!!!!!!! THIS WHOLE BIT the background vocals are stunning her voice :( the stirngs :( the piano :( the guitar :( the simplicity :( me saying okay and nodding while crying
Note. The asterisk was me trying to decode which songs were part of the trio, but I kind of lost track and got confused once we hit Betty / I was too distracted by it being country hahaha
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datastate · 4 years
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while i do love the new episode, ive taken some time to rewatch it and i have a few notes. these r out of order in how they happen in the ep i apologize but my thoughts r a messy mix of “I LOVE THEM!!!!!!!” and “holy shit season 7 is real. i am looking Directly At It”
- i love the bad batch, but they really are an arrogant bunch
- the “ct-1409...ct-1409...” scene (especially when rex is shocked and can’t turn away from the console) still breaks my heart
- i think i do prefer the other dialogue. well, at least, the ones where it wasn’t immediately obvious that echo was alive.
> it was great for setting up the idea rex is still struggling to cope with fives’ death and is just clinging to the remains of that one squad he chose to take in, as well as framing cody’s doubt (seen: calling rex “crazy” and the line "You have to admit, what you're saying is a long shot at best, and, most likely, misplaced hope. I need you to be focused on this."). where he also looked at rex like this:
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> while i did like that they added this!! it is a bit awkward for us to take in that information that rex believes this and, in the same episode, have this scenario completely confirmed in “Echo is alive.” imo they shouldve waited on the confirmed reveal, leaving it with the old “That was echo.” UNLESS they are going to create a conflict between cody and rex; cody’s insistent on the reason given in the unfinished episodes, that they simply found the algorithim on echo after the citadel, and he, again, tells rex that he’s got to rethink, he’s moving to conclusions in an impulsive manner. (likely somewhat mirroring how fives was told he was being ridiculous and he had to slow down, but that also may just be my hopes)
- so... that look anakin gave to rex, huh?
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> there’s already a bit of speculation on this, but, personally, i cant help but feel he was frustrated with rex for (obviously) hiding something?? i understand it could be read as his concern on why rex would feel the need to try to hide something from him, but i take the shift in his eyes as more of a glare? this would. uh. hm. show he’s having trouble keeping connections w people already. rex is indirectly helping plant Doubt in anakin when he lies abt having “nothing else to say,” which anakin has a lot more trouble with later on,,
- Hell Yes, kix and jesse interactions
> but also, kix, buddy, pal. i love you. but what the fuck are you doing joaking with jesse here instead of trying to soothe cody when he’s. you know.
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