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#i start to feel guilty
aoarcturus · 3 months
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Miss Lily Evans the ICON :))
(also omg look at me finally posting again!!!)
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samipekoe · 5 months
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anyone mind if I continue to go insane
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felsicveins · 4 months
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Jumping on the bandwagon where people resurrect Creek to be whatever the fuck they want
AU where he winds up as Velvet and Veneers assistant after talking his way out of being eaten
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thresholdbb · 4 months
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How it started:
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How it's going:
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black-quadrant · 8 months
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you won't be "too much" for the people who are right for you. you'll be good enough and you'll be loved for the things others didn't value in you.
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anistarrose · 1 year
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the thing I keep coming back to about TAZ Balance, I think, is that there's heroes — lots of them, even — but there's not really a hero, not a singular one. when our characters try to save the world all on their own, and oh, do they try, their arcs — while eventually culminating in happy endings, for the most part — are, at the time, cast as tragedies. lone heroes, in TAZ Balance, are invariably tragic heroes.
Lucretia can't gather all the Grand Relics and defeat the Hunger on her own. Barry can't find Lup, much less sway Lucretia from her plan, on his own. Lup, crushed by guilt, sets off to neutralize her greatest mistake without even facing her family as she leaves, and that decision sets the story into motion in the first place. their intent to spare their family, to shoulder the burden alone so no one else will have to, fixes little and leaves them isolated. lonely. trapped.
even Magnus, rustic Folk Hero of Raven's Roost, fails to avenge the community that took him in. he sets off on a solitary mission to do so, never opening up about his pain to even his closest friends, but he never sees Kalen again. yet, maybe not too late, he learns, or rather, remembers — the strength to protect and avenge others comes from the strength to ask for help. the last thing helping anyone is trying to do this alone.
Lucretia assembles the Bureau, and as soon as she sees a way, brings Tres Horny Boys back under her wing. Barry, the very same day that Lucretia recruits them, sees the Phoenix Fire Gauntlet surface, and realizes it's time to put his trust in his family again — he shows himself to them soon after, and even with him putting up a facade, that's progress. and Lup, with endless time to reflect, is possibly the first of all of them to see where she went wrong. she won't be making that mistake again.
there's not a singular hero of the story, because taking on the burden of saving everyone is no task meant for one person. there's "our heroes," Tres Horny Boys, and there's the secondary, "secret," but no less important heroes who complete the ranks of the IPRE, but none can defeat the Hunger — nor reunite their family, nor vanquish an old foe — without leaning on each other, and on the new bonds they forged on this cycle. leaning on Johann, Kravitz, Team Sweet Flips, and the whole ensemble; every single connection that convinced them not to flee but to fight.
accepting that none of them can, that none of them should, be the hero alone — that's what averts the tragic end. the Hunger, terrible as it is, is wholly united, sharing and amplifying each other's despair. the only way to victory is to rely on each other, to care for each other, to learn how to be cared for, and to let your loved ones grant you hope.
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soni-dragon · 14 days
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aftermath
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lucky-fy · 5 days
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For the Laicion nation (aka, me and three other people)
I had this illustration commissioned (a big thank you to @lunehowls) for my werewolf AU Laicion fic (still a WIP).
The general pitch is as follows :
AU in which Laios never got to meet his sister again, putting his life on a whole other path, a more desperate one. A military deserter with barely a coin to his name, Laios hitches a ride on a boat to one of the elven continents, where he learns about magical tattoos that binds one’s soul to a wolf’s, effectively making them artificial werewolves. Illegal magic be damned, this feels like the answer to… everything.
In the process, he learns about the existence of an illegal fighting ring in one of the elven cities, where beastmen gladiators gather. Freshly tattooed and without anywhere else to go to, Laios decides to head there, where he meets Lycion, an elf and artificial werewolf gladiator. If they first bond over a simple shared meal, by spending time together (sharing the same room in the barracks, maybe the same bed? gasp) they find that they have a lot in common, notably a shared distaste for the body they were born in, a dysphoria partially remedied by becoming a werewolf.
They bond :)
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poqu · 21 days
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wip,, going to go for a different coloring method/style this time >:0
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buglaur · 7 months
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uncanny-tranny · 1 month
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I've talked before about how the way people treat suicide can be unintentionally devastating to the suicidal person, but I don't think I really ever said how to avoid that.
Speaking about suicide in how selfish it "is" ("think about how you'll transfer your pain to your loved ones!") might seem like a way to put logical sense into the suicidal person, but, honestly? It runs the risk of massively increasing their shame and guilt about being suicidal. Suicide is not inherently a revenge fantasy or a way to "get back" at someone's loved ones, so when the suicidal person is treated like a criminal of a "crime" they haven't even committed yet, you can imagine how unhelpful that can become.
Instead, if you want to point out how cherished your person is, frame their relationships as something they can keep fostering.
"Your cat will miss you :(!!!!" becomes "you and your cat seem close, right? I'm sure it's beautiful having a close friend like that!" and maybe include ways that they and their cat are close and meaningful to each other, tailored to that relationship.
That's only one example, but when you shift the focus away from why that person should repent and feel guilty for being suicidal, you can instead focus on why they would live for that reason. See how you can frame that as a positive? Whatever is keeping that person tethered should never be used as a bludgeon, I think, because then you're taking away why they're living, the positivity of why they are here. Whatever they are here for should be remembered often and honoured.
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charlunday · 8 months
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it's okay to be sad. 💛
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shadeops21 · 2 months
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Rules/Recommendations for writing an Australian character/OC
(The following is just a list of things I personally feel should be included or considered if one makes a character of Australian nationality, descent or heritage. It by no means is a hard and fast ruleset, but just things that can be done to enhance a character’s flavour or add a little authenticity)
Shortened nicknames for fellow characters that follow Australian Shortening Conventions: multi-syllablic names are condensed down to one, and an -a/ah, -o, -zza, -y, or -sy is added, eg: McKenzie (or and Mc name) > Macca, Damien > Damo (Day-mo), Jeremy > Jezza.
Swearing. This is actually a common trap I’ve seen, with some Australian characters being less reserved in their language than others. This will depend on the specific background of your Aussie, as vulgarity is moreso a commonality in smaller cities and rural spaces, and less so in larger built-up cities. That said, we do tend to through the more vulgar words around with greater frequency than other cultures, with f### and c### being thrown around more freely.
Slang. Again another trap, especially with older “stereotypical” Australian slang that I personally hear more from my grandparents and older uncles and aunts and less so my own peers + 10 years. That said, some terms are still used very frequently and have no generational boundaries, including but not limited to: ute (pickup truck), bottle-o (liquor store), servo-o (service/petrol station), “the shops” (any centralised marketplace from your general stores to large malls), booze bus (roadside randomised breath testing/DUI checkpoints, some which do both alcohol and drug testing), hoon (reckless driver, typically young males in cars too powerful to handle at their skill level).
Weather tolerances. This varies based on a character’s geographical background, but you’ll find that most Australians have higher than normal levels of tolerance to extreme heat. However, those that live around the Brisbane latitude and north have decreased tolerances to cooler temperatures, decreasing the further north you go. (Personally I find myself pulling on long sleeves and hoodies after it hits 20 or cooler.)
There’s probably more here, but it’s approaching 10pm for me at time of writing, so for my Aussie followers/mutuals, please feel free to expand upon or add your own tips or recommendations to writing Australian characters in a believable fashion. Curious to see what they are!
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sunnykeysmash · 10 months
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what I wouldn't pay to see mac punch holes into the walls of the suburbs house as he's tasked with fixing something he doesn't know how to fix and meanwhile the only constant in his mind is how much he misses dennis
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purple-ravaged · 1 year
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chin up, kakashi!
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starrysharks · 4 months
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STICKERz
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