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#i used to just think it was a unique thing
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How can you consider yourself any sort of leftist when you defend AI art bullshit? You literally simp for AI techbros and have the gall to pretend you're against big corporations?? Get fucked
I don't "defend" AI art. I think a particular old post of mine that a lot of people tend to read in bad faith must be making the rounds again lmao.
Took me a good while to reply to this because you know what? I decided to make something positive out of this and use this as an opportunity to outline what I ACTUALLY believe about AI art. If anyone seeing this decides to read it in good or bad faith... Welp, your choice I guess.
I have several criticisms of the way the proliferation of AI art generators and LLMs is making a lot of things worse. Some of these are things I have voiced in the past, some of these are things I haven't until now:
Most image and text AI generators are fine-tuned to produce nothing but the most agreeable, generically pretty content slop, pretty much immediately squandering their potential to be used as genuinely interesting artistic tools with anything to offer in terms of a unique aesthetic experience (AI video still manages to look bizarre and interesting but it's getting there too)
In the entertainment industry and a lot of other fields, AI image generation is getting incorporated into production pipelines in ways that lead to the immiseration of working artists, being used to justify either lower wages or straight-up layoffs, and this is something that needs to be fought against. That's why I unconditionally supported the SAG-AFTRA strikes last year and will unconditionally support any collective action to address AI art as a concrete labor issue
In most fields where it's being integrated, AI art is vastly inferior to human artists in any use case where you need anything other than to make a superficially pretty picture really fast. If you need to do anything like ask for revisions or minor corrections, give very specific descriptions of how objects and people are interacting with each other, or just like. generate several pictures of the same thing and have them stay consistent with each other, you NEED human artists and it's preposterous to think they can be replaced by AI.
There is a lot of art of the internet that consists of the most generically pretty, cookie-cutter anime waifu-adjacent slop that has zero artistic or emotional value to either the people seeing it or the person churning it out, and while this certainly was A Thing before the advent of AI art generators, generative AI has made it extremely easy to become the kind of person who churns it out and floods online art spaces with it.
Similarly, LLMs make it extremely easy to generate massive volumes of texts, pages, articles, listicles and what have you that are generic vapid SEO-friendly pap at best and bizzarre nonsense misinformation at worst, drowning useful information in a sea of vapid noise and rendering internet searches increasingly useless.
The way LLMs are being incorporated into customer service and similar services not only, again, encourages further immiseration of customer service workers, but it's also completely useless for most customers.
A very annoyingly vocal part the population of AI art enthusiasts, fanatics and promoters do tend to talk about it in a way that directly or indirectly demeans the merit and skill of human artists and implies that they think of anyone who sees anything worthwile in the process of creation itself rather than the end product as stupid or deluded.
So you can probably tell by now that I don't hold AI art or writing in very high regard. However (and here's the part that'll get me called an AI techbro, or get people telling me that I'm just jealous of REAL artists because I lack the drive to create art of my own, or whatever else) I do have some criticisms of the way people have been responding to it, and have voiced such criticisms in the past.
I think a lot of the opposition to AI art has critstallized around unexamined gut reactions, whipping up a moral panic, and pressure to outwardly display an acceptable level of disdain for it. And in particular I think this climate has made a lot of people very prone to either uncritically entertain and adopt regressive ideas about Intellectual Propety, OR reveal previously held regressive ideas about Intellectual Property that are now suddenly more socially acceptable to express:
(I wanna preface this section by stating that I'm a staunch intellectual property abolitionist for the same reason I'm a private property abolitionist. If you think the existence of intellectual property is a good thing, a lot of my ideas about a lot of stuff are gonna be unpalatable to you. Not much I can do about it.)
A lot of people are suddenly throwing their support behind any proposal that promises stricter copyright regulations to combat AI art, when a lot of these also have the potential to severely udnermine fair use laws and fuck over a lot of independent artist for the benefit of big companies.
It was very worrying to see a lot of fanfic authors in particular clap for the George R R Martin OpenAI lawsuit because well... a lot of them don't realize that fanfic is a hobby that's in a position that's VERY legally precarious at best, that legally speaking using someone else's characters in your fanfic is a much of a violation of copyright law as stright up stealing entire passages, and that any regulation that can be used against the latter can be extended against the former.
Similarly, a lot of artists were cheering for the lawsuit against AI art models trained to mimic the style of specific artists. Which I agree is an extremely scummy thinbg to do (just like a human artist making a living from ripping off someone else's work is also extremely scummy), but I don't think every scummy act necessarily needs to be punishable by law, and some of them would in fact leave people worse off if they were. All this to say: If you are an artist, and ESPECIALLY a fan artist, trust me. You DON'T wanna live in a world where there's precedent for people's artstyles to be considered intellectual property in any legally enforceable way. I know you wanna hurt AI art people but this is one avenue that's not worth it.
Especially worrying to me as an indie musician has been to see people mention the strict copyright laws of the music industry as a positive thing that they wanna emulate. "this would never happen in the music industry because they value their artists copyright" idk maybe this is a the grass is greener type of situation but I'm telling you, you DON'T wanna live in a world where copyright law in the visual arts world works the way it does in the music industry. It's not worth it.
I've seen at least one person compare AI art model training to music sampling and say "there's a reason why they cracked down on sampling" as if the death of sampling due to stricter copyright laws was a good thing and not literally one of the worst things to happen in the history of music which nearly destroyed several primarily black music genres. Of course this is anecdotal because it's just One Guy I Saw Once, but you can see what I mean about how uncritical support for copyright law as a tool against AI can lead people to adopt increasingly regressive ideas about copyright.
Similarly, I've seen at least one person go "you know what? Collages should be considered art theft too, fuck you" over an argument where someone else compared AI art to collages. Again, same point as above.
Similarly, I take issue with the way a lot of people seem EXTREMELY personally invested in proving AI art is Not Real Art. I not only find this discussion unproductive, but also similarly dangerously prone to validating very reactionary ideas about The Nature Of Art that shouldn't really be entertained. Also it's a discussion rife with intellectual dishonesty and unevenly applied definition as standards.
When a lot of people present the argument of AI art not being art because the definition of art is this and that, they try to pretend that this is the definition of art the've always operated under and believed in, even when a lot of the time it's blatantly obvious that they're constructing their definition on the spot and deliberately trying to do so in such a way that it doesn't include AI art.
They never succeed at it, btw. I've seen several dozen different "AI art isn't art because art is [definition]". I've seen exactly zero of those where trying to seriously apply that definition in any context outside of trying to prove AI art isn't art doesn't end up in it accidentally excluding one or more non-AI artforms, usually reflecting the author's blindspots with regard to the different forms of artistic expression.
(However, this is moot because, again, these are rarely definitions that these people actually believe in or adhere to outside of trying to win "Is AI art real art?" discussions.)
Especially worrying when the definition they construct is built around stuff like Effort or Skill or Dedication or The Divine Human Spirit. You would not be happy about the kinds of art that have traditionally been excluded from Real Art using similar definitions.
Seriously when everyone was celebrating that the Catholic Church came out to say AI art isn't real art and sharing it as if it was validating and not Extremely Worrying that the arguments they'd been using against AI art sounded nearly identical to things TradCaths believe I was like. Well alright :T You can make all the "I never thought I'd die fighting side by side with a catholic" legolas and gimli memes you want, but it won't change the fact that the argument being made by the catholic church was a profoundly conservative one and nearly identical to arguments used to dismiss the artistic merit of certain forms of "degenerate" art and everyone was just uncritically sharing it, completely unconcerned with what kind of worldview they were lending validity to by sharing it.
Remember when the discourse about the Gay Sex cats pic was going on? One of the things I remember the most from that time was when someone went "Tell me a definition of art that excludes this picture without also excluding Fountain by Duchamp" and how just. Literally no one was able to do it. A LOT of people tried to argue some variation of "Well, Fountain is art and this image isn't because what turns fountain into art is Intent. Duchamp's choice to show a urinal at an art gallery as if it was art confers it an element of artistic intent that this image lacks" when like. Didn't by that same logic OP's choice to post the image on tumblr as if it was art also confer it artistic intent in the same way? Didn't that argument actually kinda end up accidentally validating the artistic status of every piece of AI art ever posted on social media? That moment it clicked for me that a lot of these definitions require applying certain concepts extremely selectively in order to make sense for the people using them.
A lot of people also try to argue it isn't Real Art based on the fact that most AI art is vapid but like. If being vapid definitionally excludes something from being art you're going to have to exclude a whooole lot of stuff along with it. AI art is vapid. A lot of art is too, I don't think this argument works either.
Like, look, I'm not really invested in trying to argue in favor of The Artistic Merits of AI art but I also find it extremely hard to ignore how trying to categorically define AI art as Not Real Art not only is unproductive but also requires either a) applying certain parts of your definition of art extremely selectively, b) constructing a definition of art so convoluted and full of weird caveats as to be functionally useless, or c) validating extremely reactionary conservative ideas about what Real Art is.
Some stray thoughts that don't fit any of the above sections.
I've occassionally seen people respond to AI art being used for shitposts like "A lot of people have affordable commissions, you could have paid someone like $30 to draw this for you instead of using the plagiarism algorithm and exploiting the work of real artists" and sorry but if you consider paying an artist a rate that amounts to like $5 for several hours of work a LESS exploitative alternative I think you've got something fucked up going on with your priorities.
Also it's kinda funny when people comment on the aforementioned shitposts with some variation of "see, the usage of AI art robs it of all humor because the thing that makes shitposts funny is when you consider the fact that someone would spend so much time and effort in something so stupid" because like. Yeah that is part of the humor SOMETIMES but also people share and laugh at low effort shitposts all the time. Again you're constructing a definition that you don't actually believe in anywhere outside of this type of conversations. Just say you don't like that it's AI art because you think it's morally wrong and stop being disingenuous.
So yeah, this is pretty much everything I believe about the topic.
I don't "defend" AI art, but my opposition to it is firmly rooted in my principles, and that means I refuse to uncritically accept any anti-AI art argument that goes against those same principles.
If you think not accepting and parroting every Anti-AI art argument I encounter because some of them are ideologically rooted in things I disagree with makes me indistinguishable from "AI techbros" you're working under a fucked up dichotomy.
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Hiii can i request jamil, idia, riddle and leona have to fight with their s/o that been brainwashed (like a gas that brainswash ppl in a gas mask yk srry i cant explain things ;-;) by unknown enemy so they have to fight each other
Idia Shroud:
Horrible situation. Idia hated this trope. That’s not entirely true, watching the MC feel conflicted about fighting their love interest actually added a bit of interest into a story, but reality wasn’t the same. Idia didn’t feel anything ‘fun’ about this situation. Ortho was ready to take you down in an instant but Idia had stopped him, worried about him going overboard and potentially hurting you more than he needed to. He had already started to formulate a plan to overcome the brainwashing to at least subdue you, the only issue is mustering the courage to potentially hurt you himself during the process.
Idia has to tell you about how annoying that situation was after. He started ranting about games that just fell back on popular tropes for the sake of torturing their characters but eventually sighed, saying he had enough for an evening. He didn’t want to leave your side as much as he did want to disappear back into his room, wondering if there was a way to have you just stay in his room with him while you recovered.
Jamil Viper:
Jamil is tired of his bad luck, tired of the only things that brought him joy being taken away from him and then thrown back in his face like it was no big deal. His surprise is clear and for a moment he does think he’s pushed you away too much, that you truly were sick of dealing with someone who would never be able to go after what he wanted. It’s your choice of using magic against him rather than your words (which would cut deeper than any physical wound to him) that showed him there was something more going on, with you being a puppet on strings for some other being. He wondered if his unique magic might steal you away from them but it would be a shot in the dark, since you were aware of his ability (while the ‘you’ in this brainwashed state might not be).
Jamil is frazzled but relieved the situation is over. Looking out for both you AND Kalim was an exhausting feat, and he didn’t know why he added to his never-ending workload. He’s glad you’re back to your normal self, which still seemed to regard him in a positive light, allowing him to push down his worries for the future of your relationship a little bit longer.
Leona Kingscholar:
There’s no one who knew your weaknesses better than Leona but he couldn’t assume this would be a walk in the park. He didn’t intend to hurt you but he’d do what he had to for the sake of this situation ending sooner rather than later. Apologies could always be given after but there’s only so much he could take, seeing you like this, invisible strings attached to your limbs as you’re forced to turn against him. If he had been quicker he would’ve saved you from the invasive feeling of having your body controlled while your consciousness is present, and he forced himself to focus on the task at hand rather than the hell you might be living in as it would only make him angrier.  
Leona didn’t want to talk about it when you were back tomorrow. He hit you with an ‘it is what it is’ and moved on to your wounds, minor as they were there was still some scrapes you couldn’t get away from. You didn’t blame him and he didn’t blame himself, but he’s still not happy about having you turned against him. You were his, after all, and losing your loyalty even temporarily dealt a blow to his ego that he was desperate to keep hidden.
Riddle Rosehearts:
Riddle is alarmed at how quickly the situation escalated, flinching when his words don’t seem to be reaching you. He’s not used to being on the other side of you in a fight, even if you were to practice magic with him it was never with ill intent. He finds himself fighting against being distracted, trying to think of you as a simple misbehaving student who needed to be collared. His unique magic did make it a little easier to wrangle you in but he’s wracked with guilt cutting you off from your magic when it’s not really your own actions that caused you to be punished.
Riddle is wary about talking with you after, until he knows the brainwashing is gone and you’re back to normal. He shuffled around the actual topic he wanted to bring up which was incredibly unlike him, a fact you pointed out before telling him in the kindest words possible to spit it out. He admitted seeing you brainwashed was disconcerted, and that he’d rather never see you as an enemy again. He knew it wasn’t your choice but he’d prefer you stick close to him in the future, just so he could stop the problem before it even began.
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dokidokitsuna · 1 day
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The Diary of Penny Polendina
The other day I was inspired to try working on a different NeverFell Projects installment, one that would probably be a lot shorter and quicker to write, because it's not like I care that deeply about Penny, right??
Well, I was incredibly wrong. ^^; So wrong that I'm actually having trouble with this story now...essentially, Penny goes through a bit of a 'rebellious phase' (gross oversimplification, but that's all you get for now) and there are, surprisingly, a lot of aspects of that character arc that I want to explore. Plus, a pivotal connection with Pyrrha, the climax of which I haven't quite figured out yet...
God only knows if I'll be able to finish, or if I'll just write the first 2/3rds of the story and leave it at that. But I figured I might as well warm up by talking about the designs. ^^
Penny's new look is basically 'Disney's Pinocchio, color picked from Arthur Watts' character design'~
I didn't necessarily want her to look evil, just...bolder. Like she specifically picked 'daring' items that maybe her father or Ironwood's PR team would rather she didn't wear, at least not compared to the more innocent frilly pastels she had on before. Between the chest window, midriff, and short sleeves, she's actually showing a lot more skin than before, despite still being 90% covered up. ^^;
Those multicolored wrist accessories are prototype weapons invented by Dr. Watts, that mix and pressurize Dust from the cartridges to cast "artificial magic". This way I get to do a bit of the 'Winter Maiden Penny' stuff in this Vol. 3-locked AU~
Penny's magic usage is one of the things that stumped me when writing this story...In NeverFell, magic isn't just glowy rainbow lasers or weather powers-- it essentially allows the user access to any conceivable semblance at any time; its potential is limitless. Being a beginner, Penny would probably just come up with one signature 'spell' to use in tandem with her Floating Array...but I can't decide what I want her to do. ^^; I think I'd like for her to do something connected to dance, because I feel like that's something unique to her, the way she dances with her weapons before striking. Nobody ever points out how the "robot" in the cast is the one who chooses to spend energy on unnecessary movements that aren't even used to maneuver around an enemy; they're just cute and fun. ^^ I think that's a great encapsulation of who Penny is~
Redesigning Pyrrha is always super difficult, because her original design is so perfect. But I like this end result a LOT. ^^ I may need to adjust the pant legs a bit, but overall it feels like a very believable alt outfit that keeps the spirit of the character.
Pyrrha is another one of the stumbling blocks in this story, because I'm now forced to create at least one malleable personality trait for her-- i.e. one that isn't intrinsically tied to Jaune and/or the plot. Something that she could actually take into a meaningful relationship with a different character... I had the idea to expand her "I'm sorry!" gag into a real guilt complex, where she has trouble letting go of instances where she's made mistakes or hurt someone. In this case, dismembering Penny 1.0 and essentially ending her life. :T She seeks out 2.0 in a desperate effort to make things right, and ends up helping her with ...things, and growing as people or whatever, and all that other stuff I have yet to write. ^^;
I just realized that Pyrrha could use her polarity semblance to pull Penny towards her in a situation where they need to reach each other...that's so cute. ^^ I gotta remember that~
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libraford · 2 days
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I'm going through a similar "oh this ISNT normal" thing about reproductive health and luckily I'm seeing a gynecologists relatively soon
But I've been having extreme pain like someone has been stabbing me randomly in the cervix since I started puberty and everyone either called me a liar, looking for attention, or said it was normal. Turns out it it's not any of that and could be a few things like endo or cpos
I'm kinda pissed off
So anyway, solidarity
I'm angry for both of us, holy shit.
When I was younger and they would make us run a couple miles in gym class, I would have to stop because of joint pain and when I complained that my knees hurt they would say 'its just a charliehorse.' So I went on thinking that everyone's knee caps would just slide out of place every once in awhile and it was normal.
I found out that a 'charliehorse' is a localized muscle cramp and that my problem was the unique consequence of underdeveloped cartilage from a childhood illness. So I would be frozen in pain for a few minutes while I worked out the problem and people would look at me weird while I was doing it and I would say that it was just a charliehorse, its fine.
So for the past 20 years, I've been feeling a sharp, brief pain in the abdomen during my periods, and I was told that it was just cramps and that I'd get over it. Because it was understood that a sharp, brief pain similar to having a bone temporarily dislodged is a cramp.
I have been fucking suffering for no goddamn reason because people think I'm being dramatic.
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communistkenobi · 1 day
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Hi, genuine good faith question if you'd like! How is TOS racist? It was my understanding that the OG Series was like, huge for equality in media?
I’m speaking primarily about the content of TOS itself, not its historical impact - I understand it had various historic firsts in terms of having characters of colour in respectable roles, which I’m not dismissing. My experience with the discourse on here surrounding the show is that people front-load these character representations as emblematic of the show’s progressive politics. Which, if we want to go that route, TOS was contemporary to the US civil rights movement, which provides us with a handy measuring stick to see how TOS actually grapples with race, not just the presence of characters of colour themselves. I'm going to be kind of defensive in this explanation, not towards you specifically, but because I have had this conversation with people online many, many, many times, and so any defensiveness on my part is in anticipation of arguments I know will come up as a result of making the basic claim that a show made in America in the 1960s is racist. I'm also going to be copy + pasting from an older post I've made on the subject since it's been a while now since I've watched TOS so some of the details are fuzzy.
Like okay, the premise of TOS is that the Enterprise, as an ambassador of Starfleet/the Federation, is seeking out new alien life to study. The Prime Directive prohibits the Enterprise crew from interfering with the development of any alien culture or people while they do this, so the research they collect needs to be done in an unobtrusive way. I think this is the first point at which people balk at the argument that TOS is racist or has a colonial conception of the world - the Enterprise’s mission is premised on non-interference, and I think when people hear ‘colonial’ as a descriptor they (understandably, obviously) assume it is describing active conquest, genocide, and dispossession. Even setting aside all the times where Kirk does directly interfere with the “development” of a people or culture (usually because they’ve “stagnated” culturally, because a culture "without conflict" cannot evolve or “develop” beyond its current presumed capacity - he is pretty explicitly imposing his own values onto another culture in order to force them to change in a particular way), or the times when the Enterprise is actually looking to extract resources from a given planet or people, I’m not exactly making this claim, or rather, that’s not the only thing I’m describing when calling TOS racist/colonial.
The show's presentation of scientific discovery and inquiry is anthropological - the “object” of analysis is alien/foreign culture, meaning that when the Enterprise crew comes into contact with a new being or person, this person is always read first and foremost through the level of (the Enterprise’s understanding of) culture. Their behaviour, beliefs, dress, way of speaking, appearance, and so on are always reflective of their culture as a whole, and more importantly, that their racial or phenotypic characteristics define the boundaries of their culture. Put another way, culture is interpreted, navigated, and bound racially - the show presents aliens as a Species, but these species are racially homogeneous, flattening race to a natural, biological difference that is always physically apparent and presented through the lens of scientific objectivity, as "species" is a unit of biological taxonomy. Basically species is a shorthand for race. This is the standard of most sci-fi/fantasy genre work, so this is not a sin unique to Star Trek.
Because of this however, Kirk and Co are never really interacting with individuals, they are interacting with components of a (foreign, exotic, fundamentally different) culture, the same way we understand that a biologist can generalize about a species using the example of an individual 'specimen'. And when the Enterprise interacts with these cultures, they very frequently measure them using a universalized scale of development - they have a teleological (which is to say, evolutionary) view of culture, ie, that all cultures go from savage to rational, primitive to advanced, economically simple to economically complex (ie, to capitalist modes of production). And the metrics they are judging these cultures by are fundamentally Western ones, always emphasising to the audience that the final destination of all cultures (that are worthy of advancing beyond their current limited/“primitive” stages) is a culture identical to the Federation, a culture that can itself engage in this anthropological mission to catalogue all life as fitting within a universal set of practices and racial similarities they call “culture.”
This is a western, colonial understanding of culture - racially and spatially homogeneous people comprise the organs of a social totality, ie, a society, which can then be analysed as an “object,” as a “phenomenon,” by the scientists in order to extract information from them to produce and advance state (ie Federation) knowledge. The Enterprise crew are allowed to be individuals, are allowed to be subjects with a capacity for reason, contradiction, emotion, compassion, and even moments of savagery or violence, without those things being assigned to their “race” or “culture” as a whole, but the people they interact with are only components of a whole which are “discovered” by the Enterprise as opportunities to expand and refine the Federation’s body of knowledge.
Spock is actually a good example of what I'm talking about, because he is an exception to this rule - unlike the others in the crew, his behaviour is always read as a symptom of his innate Vulcan-ness, where his human and Vulcan halves war for dominance in his mind and character. Bones (the doctor, one of the main cast) constantly comments on Spock's inability to feel things, that he is callous and unsympathetic, ruled by Vulcan logic to such an extreme that his rationality is a form of irrationality, as his Vulcan blood prohibits him from tempering logic with human emotion and intuition. Now you can argue that Bones is a stand-in for the racists of the world, that Spock proves Bones wrong in that he is able to feel but merely keeps it under wraps, that Vulcans are not biologically incapable of emotion but merely live in a socially repressive culture, but this still engages in the racial logic of the show - Vulcans are a racially-bound species with a single monolithic culture, and Spock's ability to express and feel 'human emotions' is the metric by which he is granted human subjectivity and sympathy.
And on the flip side you have the Klingons - a “race” that is uniformly savage, backward, violent, and dangerous. In the episode Day of the Dove, where Klingons board the Enterprise along with an alien cloud that makes everyone suddenly aggressive and racist (this show is insane lol), the Enterprise crew begins acting violent and racist, but the Klingons don’t change. They aren’t more violent than before (because they already were fundamentally violent and racist), and they don’t become less violent when the cloud eventually leaves (because they are never able to emerge from their violence and savagery as a social condition or external imposition - they simply are that way). Klingons are racially, behaviourally, psychologically, and culturally homogeneous, universally violent and immune to reason, and their racial characteristics are both physical manifestations of this universal violence as well as the origin of it. The writers and creators of TOS are explicitly invoking the orientalist idea of the “Mongolian horde,” representing both the American fear of Soviet global takeover as well as blatantly racist fears about “Asiatics” (a word used in the show, particularly in The Omega Glory where a fear of racialised communist takeover is made explicit) dominating the world.
This is colonial thinking! Like, fundamentally, at its core, this is colonial white supremacist thinking. Now this is not because TOS invents these tropes or is the origin of them, it is not individually responsible for these racial and colonial logics - these conceptions are endemic to Western thought, and I am not expecting a television show to navigate its way outside of this current colonial paradigm of scientific knowledge. I’m also not expecting an average person watching this to pick out all the intricacies of this and link it to the colonial history of Europe or the colonial history of western philosophy/thought. But this base premise of Star Trek is why the show is fundamentally colonial - even if it was the case that the crew never intervened in any alien conflict, never extracted any material resources from other people, this would still be colonial logic and colonial thinking. The show has a fundamentally colonial imagination when it comes to exploration, discovery, and culture.
I think a good place to end is the opening sequence. The show's first line is always "Space! The final frontier." I do not think the word frontier is meant metaphorically or poetically - I think the show is being honest about its conception of space as an infinitely vast, infinitely exotic frontier from which a globally Western civilisation (which the Enterprise is an emblem of) can extract resources, be they material or epistemic
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tiredfox64 · 2 days
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🔆 you’re popping off. your writing rocks brah.
I was hoping maybe you could do Raiden and Kung Lao fighting over readers (fem/afab) attention. Like back and forth jabs. And like Kung Lao trying to show off, kinda talks down on raiden in front of her. where as Raiden takes a more gentle approach with helping the reader with their training, helping her with her form he’ll glance at Kung Lao knowingly. It builds a small wedge between them, so reader decides to invite both over one night. And like you know that movie challengers? Like the zendaya scene where she’s got the two guys kissing her? Like THAT. LIKE THAT. If you can do this. I’ll piss rainbows. 🌈
Are You Challenging Me?
Prior notes: I had only the trailer to work off of so I hope I got things right. Also what a statement from you at the end. It’s not bad it’s unique and I like it.
Pairings: Kung Lao x Afab reader x Raiden
Warnings ‼️: Suggestive at the end
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Even those who have been friends for so long can end up fighting over something. That something could be a girl. That girl would be you.
No one has ever seen Raiden and Kung Lao turn a friendly competition into a serious one. Constant bickering and jabs at each other that turn to hisses from nasty remarks. You would only see this kind of tension from middle school boys or some cheesy teen movie from the 2000s. Ah but boys will be boys. Who can blame them?
You are the prettiest girl they’ve ever seen. Not just that but you are tough and always willing to learn more. That’s why you train with them so much. Well, it used to be training. Things have changed since you came around. Mostly their attitude and their closeness.
You knew Kung Lao was cocky and boastful, even for a Shaolin monk. The things he did in front of you made the other monks groan in frustration and caused Raiden to shake his head in disapproval. He was always calling for your attention.
“Hey! Hey! Look! I can spin as fast as a tornado!” “Check this out! I can beat up five guys at once!” “I bet Raiden can’t strike as fast as I can! What do you think?”
That was the usual stuff you would hear. Though comparing himself to Raiden was mostly common. He would put Raiden down the moment he had the chance. It would go beyond fighting and go into ridiculous stuff.
He can eat more than Raiden. He can jump higher than Raiden. He can stay up later than Raiden. Everything Raiden could do, Kung Lao could do better. He’ll prove it again right now.
Kung Lao ran up to you and Raiden, almost crashing right into him.
“Hey Raiden, how about another fight? Whoever loses has to pay the next time we visit Madame Bo’s.” Kung Lao was hoping he would say yes just so he could beat Raiden up.
“I can’t, Kung Lao. Can’t you see we are busy?”
“Oh I see. You’re afraid of losing again. Bet you’re afraid of embarrass yourself in front of her. Don’t worry, I get it.” He patted Raiden on the back before letting out a laugh like he successfully humiliated him.
“That’s not it,” he rolls his eyes before speaking, “I’m helping her with training right now. We can fight soon just let me finish up here.”
Raiden loved to help you and you were grateful for that. Though it always seemed like you needed adjusting when it came to your form or help when stretching. Even if you are a centimeter off he had to correct you. Guess he is a perfectionist. Or maybe he is sneaky.
Raiden came behind you and placed his hands on your waist. His foot tapped yours to make it move to the side more. You didn’t notice but he gave a light squeeze to your waist. He wished he could wrap his arms around you but now is not the time. Though it would upset Kung Lao a lot.
His hands traced up your arms till they were at your head. Your face was so soft he wanted to kiss it. But all he can do now is adjust it. Raiden glanced at Kung Lao and saw he was almost seething with rage. For once he decided to be a little cruel to his dear friend.
He went down till his face was inches away from your thigh. His hands grabbed at the tantalizing piece of flesh before him and turned it slightly. Now your form was perfect.
Kung Lao couldn’t believe what he was seeing. Though Raiden’s straw hat was concealing his eyes it could not conceal that smirk on his face. He knows exactly what he was doing. He’s just too good at hiding his devilish intentions behind a sweet, kissable face.
It seems that no matter how many time Kung Lao shows off, Raiden will always be the winner here. He’s the one who gets to touch you.
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You’re not dense you can feel that something is wrong. There is tension in the air and it only appears when Kung Lao and Raiden are in the same vicinity.
You have been keeping a close eye on their relationship. They have been drifting apart for some time now. Everyone can see that. What you didn’t get was why. You were missing the signs. You missed the glances Raiden would give to Kung Lao. You missed the fact that Kung Lao would only call for your attention, not anyone else’s.
You had to do something about this. It would be a shame if their friendship crumbled over something silly. Whatever that silly thing was.
Inviting them over to your place was a great start. Though they might be shocked when they see each other at your place. You might have left that out on purpose.
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“What the—what are you doing here, Raiden?”
“What am I doing here? I should be asking you the same thing, Kung Lao.”
They both stared at each other with mouths agape. They were confused as if the possible reason was outlandish. It’s not like there is a universal rule that you can only invite one person to your place.
“What are you two standing there for? Come inside, you’ll catch your deaths out there.” You called for them.
They didn’t even realize you opened the door. But now that they do they were racing to get it. Kung Lao pushed Raiden out of the way, leaving him with a disappointed expression.
Your place was well decorated and well kept. It’s only you living in this small house. That doesn’t make it any less of a home. Your house expresses you which the boys really like. They followed you closely but realize you were heading in the direction of your room. There was hesitation, especially from Raiden. Why not just stay in the living room? What gives?
You don’t have time for this stupidity. You grabbed their hands and dragged them into your room. They always imagined being in your room , of course that fantasy always involved you on the bed and the other one not being there. Clearly none of that good stuff will happen, right?
“Alright, sit down, I need to ask you guys something.” You plopped down on your bed.
The bed is off limits in their minds. The chairs? No. The bean bag? No. The floor? Probably a safe bet.
They sat in front of you, looking up at you like loving puppies waiting to be loved by their master. That’s not the first order of business tonight. Don’t be fooled by their eyes. There is still a wedge between them.
“Mind telling me what’s got you two so bothered. Don’t act like I haven’t noticed your strange behavior recently. I’m concerned about you guys.”
They can tell that you really care just by the tone of your voice. But a silence still hung in the air. Kung Lao nor Raiden wanted to speak the truth. It’s awkward, especially with your bro there. Kung Lao’s cockiness got to him though, reminding him of who he is. He shouldn’t be afraid so he’ll say it.
“I want you to be my girlfriend.” He declared.
Well that was a shock. You know what else shocked you? Raiden.
“I want you to be my girlfriend.” He said as well.
They glared at each other after saying that. They don’t even acknowledge the fact that you were sitting there with a confused expression. It’s not usual for two men to ask you out at the same time, in the same way. It was at least straight forward. You snapped your fingers at them to bring their attention back to you. Like the good boys they are they obey.
“How often does this happen? Going after the same girl?” You asked.
“Not as often as you think.” Raiden responded.
“We usually have different types.” Kung Lao chimed in.
This is weird. Somehow you were the connection between them when it came to types yet at the same time being the wedge between them.
“So…are you saying I should be flattered?”
“Aren’t you everybody’s type?” Kung Lao said it so innocently that it was smooth. He does good when he’s not trying too hard.
Think about this for yourself now. It’s no lie that you like them both. They have their own quirk that draws you in. You love Raiden’s kindness yet ability to be brutal while in battle. He works hard and is willing to guide others to try hard as well. Kung Lao’s cockiness can be annoying to others but it enriches you. It gives him confidence and the ability to think of new ideas. That razor-rimmed hat didn’t come out of thin air. There is so much you can say and love about them. But which one do you choose?
Alright, you have an idea. A weird one but it’s an idea.
“Come here.” You motioned for them to join you on your bed.
“Which one of us?” Kung Lao asked but Raiden was already up and running to your bed. Kung Lao got there just as quick as he did.
Nothing else was said from you. You only had actions. You leaned into Raiden first, bringing his head closer to yours. Your lips captured his in a passionate kiss. It was just like everything he imagined. Your lips were soft and had the slightest hint of vanilla that came from your favorite lip balm. He was practically melting in the palm of your hands as he wished this could last forever. But you pulled away, you have someone else to get to.
When you turned towards Kung Lao he has an upset expression on his face. It turned to shock the moment he felt your lips against his. That softness and the taste of vanilla enchanted him. He almost turned the passionate kiss into a whole make out session. That desperation to have you and touch you himself was building up for quite a while. He doesn’t want to hold himself back. But just like with Raiden you pulled away.
From the kisses you gave to them you came to the conclusion that you like them both equally. You don’t want to break either one of their hearts since it will break yours as well. So why not have both men. This can do good in bringing their friendship together again. It might even make it stronger. Yeah, this can work out. And you would have told them but they came to a similar conclusion as well. That will be discussed later.
For now you are more focused on their lips that are leaving kisses all over your neck. It makes your body heat rise up and causes a stir between your legs. Their hands are all over you. Kung Lao’s reaches for your neck to hold it still while Raiden’s reaches for your chest. You whimper at the sensation of their tongues lightly licking your skin. Kung Lao thinks it best to stay leaving hickeys on you. It will show everyone who you belong to. Raiden should do the same so that all know that you belong to them.
They lightly push you back against your bed. There is a hunger in their eyes. One that has built up for days. Raiden just can’t wait to hold you close as Kung Lao goes to town on you.
There is no shame is wanting this as well. Don’t hide that devious smirk from them. It will let them know to keep going.
You know what they say. Sharing is caring. And they care for you a lot.
After notes: If you’re gonna piss rainbows do it in the ditch I dug. If a skittle don’t fall out imma be disappointed. I have a sneaking suspicion that imma be asked of more from this. I didn’t want to push it beyond anything I’m sorry if you wanted more. Now I must finish eating before I mentally prepare myself for my class tonight. Adiós!
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moonbaetarot · 2 hours
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Pick a pile
what your future spouse loves about your appearance
1. 2. 3.
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Pile 1
Your future spouse loves your features So much that they can’t wait to see your beautiful features on your children. your future spouse loves that you don’t care what others think of you like you wear what you want and you feel happy doing it. someone here may work with animals. they love how you look so beautiful with little to none makeup your just a natural you may like to use non toxic or like natural beauty hacks. This person loves your curly or wavy hair. You have something unique to you and they love this they have never laid eyes on someone like you. They also love your height. Your future spouse loves the details in your face your face is just beautiful to them. There is something about a flower here idk if you have a flower tattoo or a piece of jewelry that’s a flower but they think this really cute. This person thinks you just glow you may look very pretty in nature or in the sunlight. You may dress modest or not show a lot of skin out in public and they like this. They also love the way you look in white. If you wear any type of jewelry or clothing relating to your religion or culture they think this is really beautiful as well.
Thank you for reading loves! 🤍
Pile 2
Your future spouse loves how cute and innocent you look they may take pictures of you and you hold up a thumps up or a peace sign and they think this is cute. They like your small facial features and your side profile is on point. They love your hair the way you style it or just even when you’re wearing it natural. someone here may have many ear piercings Or a belly piercing. This person really loves your “chest” if you’re a woman I’m hearing “perfect for my hands” They are making it known in this reading that they love your “chest” lol. This person really thinks your whole body is beautiful. This person thinks you look very nurturing and mothering. They love your soft features. They think you smell really good as well your sent may be very floral. Someone here may love cherry blossoms. You may wear your hair half up half down. I feel like this person thinks you’re just so perfect like they look at you and just think how did they get this way like they are so beautiful. They are very in wow when they look at you. This person is really going to love the way you look as a mom they are going to find you so attractive just doing mother things.
Thank you for reading loves! 🤍
Pile 3
They love your face when you smile or laugh you may even blush or get red but they think this is cute. I feel like they find your laugh very cute as well. This person likes the way you look in bright colors especially yellow or orange they think it fits your personality very well. This person sees you as happy and bright I feel like when you are happy so are they. You may be a lot smaller then your future spouse if your insecure about being short or skinner don’t be your future spouse thinks your beautiful like that. They love your tattoos if you have any. Im seeing a tattoo or birth mark on your back. You may look really innocent but your not like your an “angle in the street freak in the sheet” this person likes that they are the only ones that gets to see this side of you. You may love reading as well but the books you read aren’t about unicorns and rainbows lol. I feel like your face and eyes are very telling as well like they can tell what you’re thinking just by your face. this person finds you very juicy you just looks so good to them they just wanna take a bite out of you lol. You may dye your hair a lot like one day your hair is brown the next your blonde.
Thank you for reading loves! 🤍
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yannaryartside · 3 days
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SYD DEREVES AN ACTUAL MENTOR
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One of the funniest excuses Sydcarmy deniers use to say the relationship will not make sense is because Carmy is supposed to be a "mentor" for Syd. The reason why I think that is funny is because Carmy has not been her mentor for a whole second in the series. I speak about this as someone who had art mentors and teachers:
A mentor is supposed to be able to see the raw talent in their students and guide them to polish it and discover their artistic voices. The key to the whole situation is the word "guide." They are an external observer, providing clues, instruction, and evaluation but not pushing their voices so the students will become like them instead of following their own artistic impulses
Now, if I am honest, I don't think Carmy has been a mentor for a single character in the show. Maybe he recognized Tina and Richie's potential by sending them to places where they could learn new skills based on their previously displayed talents. But the only one actually supporting Marcus in his journey is Sydney, it is not like Carmy ever stopped to ask Marcus if he had any doubts about the fancy pastries he was making. Sending Marcus to Coppenage was Sydney's idea, which makes me wonder if he ever thought Marcus was ready for an experience like that or if he just approved it because he trusted Sydney's judgment. Besides recipe overview and leader of the kitchen flow, Carmy is not a teacher, and certainly not someone who has invested time in guiding people through individual creative processes.
Carmy has acted more as a counselor/motivator. He comforted Marcus on his mistakes. He has encouraged Sydney on her menu ideas (s2 only, we will talk about that later). He showed his belief in Tina's talent by gifting her the knife.
But he has not been a mentor, in the sense that Sydney's artistic voice is forever silenced by his lack of interest in deep collaboration or exploration of Sydney's unique talents. She provided a couple of recipes of her own creation, with some of his suggestions. But all of it has more the tone of a partnership than an actual mentorship. They were supposed to have equal weight on the menu before Carmy called it quits; he even let her suggest ingredients and finishes. He values her opinion. He is not trying to teach her things, if anything, he hired Sydney with a solid idea of her talents and used them to put keep his shaky shop afloat.
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In season 1, she had to put all of her energy into guiding a staff that Carmy had previously failed to dominate, and it is not like it was easy, but she managed to put everyone on the same page. When it was time for her to show her skills in providing a simple and efficient menu idea, Carmy made a whole effort to introduce a complicated plate to the staff. It is almost like he is competing with her, but again, we will talk about that later. Needless to say, nothing in s1 was mentorship at all in my opinion. She managed with all the skills she already had. Even Carmy mentioned that managing the staff was something she had previously done but didn't like to do, and Carmy never provided them with support or advice, is almost laughable. The story repeats itself in 2 when he ignores how much she needs her presence at the restaurant; he was supposed to be a leader, and he wasn't.
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Probably the thing that Carmy has taught Sydney the most is how much he believes in her, wich helps her to belief in hersef, even if his behavior rarely provides her with support for her to flourish as an artist. In 2, she picked up Carmy's work like crazy, which is not a space to create; she was merely surviving and going through a real creativity crisis.
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All of this to say is that I really hope she gets the opportunity to shine in another place, even for just a bit, and maybe get another mentor, someone who recognizes her knowledge of chemistry and encourages her to explore her voice, a resolution to her creative block in s2. This is not something bad or something to think Carmy failed Syd; artists and mentors can be a rare match, and maybe because Carmy never wanted a student, he wanted a friend/partner, and ironically, he is not very good at that dynamic either. God, when defining their relationship, Syd is the first to say "partnership," I don't think she expects him to "molde" her or mentor her. Equal creative weight.
They have introduced other chefs that I think could be the mentor Syd actually needs. I am partial to Olivia Coleman's character because I think they have a lot in common. But these other two will be cool, too. Or any other chef they could introduce.
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To finish here, I will say the only type of "teaching" I will like Carmy to give Sydney, will be of this nature:
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Anyhow, thank you for reading. Nor credited gifs in order: @chefkids, @songkangsbottomteethcirca2020
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myouicieloz · 2 days
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Bittersweet memories
Yoo Jeongyeon x member!reader
Synopsis: Jeongyeon sees you’re feeling down and suggests going to the park, while the other girls are not home.
Warnings: just a lil angsty.
Word count: 1.4k
Notes: a silly prompt I thought abt rn lol this will be the last one of the series that i post here on tumblr, i think. i’ll keep updating in ao3 (for this specific series only)
Pt.1 | Pt.2 | Pt.3 | Pt.4 | Pt.5
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“Hey, baby maknae,” Jeongyeon calls, smiling. She looks so cute, with her eyes nearly closing as she tops you with her frame. The sensation of her shadows on you is enough to make you open your eyes, sitting on the couch. “Are you okay? Your breathing is kinda erratic.”
It was a slow day at the dorms. Nearly all the girls were busy with either a group or a solo schedule, which left you, Dahyun, and Jeongyeon all alone in the massive apartment. To anyone, it’d be a perfect time to relax, run errands, or work on some hobbies. You were trying to relax, though, but such a thing was still forbidden to your mind — the thoughts started to run at an overwhelming pace as soon as you lay down on the couch, in hopes of destressing.
Thankfully, the women whom you shared your life with were more than attentive to all of your mannerisms. You didn’t even have to say anything, and they’d be by your side, caring, nurturing. Each of them helps in a unique way.
You loved your girls so much it hurt.
“Yes, unnie. Just fine.” The lie flows easily from your mouth, in an automatic response. It’s only when Jeongyeon lifts her brow that you come to realize you don’t have to do that anymore. You don’t have anything to hide — they’ve already seen all of your ugliest parts. Sighing, you add. “Sorry, it’s just, uhm, sorry. I was trying to relax, but I can’t… I still can’t focus on the thoughts too much. I get scared easily.”
Jeongyeong nods, pleased by your efforts to share your feelings with her. You’ve been going to therapy for a couple of months, and it’s been helping you to understand and deal with your feelings better. As a result, you’ve been expressing yourself better, and the girls were able to search for ways of making your routine easier each day. The engines of the big, complex clock that defined your being were slowly getting back into its place. It’s a slow, tiring process, but there’s been progress.
She sits by your side, giving you a reassuring squeeze. You took advantage of her proximity to hold her tight, hugging her even closer. Jeongyeon’s arms have always felt the safest to you. Her embrace sends warmth waves of love straight into your heart, and you smile against the woman’s skin.
“Thank you for telling me, beautiful.” You blossom under her praise, hiding your face in the crook of her neck. Her hands go inside your hoodie to trace slow, delicate circles on your bare skin, exactly how she knows it’ll calm you down. “Perhaps some fresh air will help you feel a bit better? We can go for a walk. The members will take long to come home. How does that sound?”
“Sounds perfect, unnie.” Although there’s hardly anything she suggested you wouldn’t do, simply because it’s her. “Let’s take a walk.”
Jeongyeon’s hands are cozy, and they fit perfectly against yours. You hold her delicately through all the way.
The park is the girl’s assigned spot. It’s the place you’ve cried, laughed, and celebrated together ever since your trainee days. Whether it was to go on picnics, hikes, or simply feed the ducks on the lake, you’ve grown used to having such a place as your escape route.
You’re surprised that Jeongyeon led you to the basketball court, instead of the lake. However, what surprises you the most is the ball in her hands, which she shakes side to side in awkward motions.
“What are you doing?” You frown, watching her clumsy moves.
During your trainee days, you, Jeongyeon, and Momo would sneak out of the practice rooms once it all got too much. Your managers would always find the trio here, instead, laughing their hearts out in their own little world. Neither of you knew how to actually play, but being able to move around — wasting some well-needed nerves without the need to be perfect, and just have fun in general was enough. If you concentrated hard enough, you could still hear Momo’s loud laugh, combined with your loud cheers whenever Jeongyeon managed to score a shot.
Reminiscing such memories causes a growing ache in your heart. At the time, it seemed like things were so heavy: the crushing routine of practice, the stress of not knowing whether you’d make it through the next monthly evaluation, the immaturity of being so young… You thought it was the end of the world, back then. Now, looking through the hidden memories behind those feelings is enough for you to realize it wasn’t so bad, after all. Being able to window-shop at the mall without being recognized; the thrill of finally being able to buy that Nintendo you had been saving up for forever; whispering gossip with the girls after the lights were out when you had to be up early for dance lessons, on the next day.
It’s a bittersweet feeling. Something that seemed like a life ago, coming from a version of yourself trapped in another dimension. You felt like that wasn’t yourself anymore. It was impossible to recreate such memories, and even when you managed to do so, it just felt wrong, and weird.
You desperately wanted to go back to being that girl again. And it fucking sucked.
“I thought a little one-on-one could ease up your nerves. You used to love playing before.” Jeongyeon cares about you so much, thinking about the little details of the maknae she loved dearly. Holding on to something that did not exist anymore.
Just like you were. All of them.
Your mouth tastes bitter. Suddenly, you’re no longer interested in being outside — there’s a sudden urge to just go back to your room, curl up and cry.
You used to like going to the park and playing, before.
“So everyone keeps telling me.” You murmur, kicking a rock as your fists close inside your hoodie’s pockets. “About things I liked to do before the— episode.”
Sensing you’re not interested in playing — or maybe she just took a brief look on your face. With a red nose, watery eyes, and a big pout, it wasn’t difficult to tell you were about to burst into tears. Jeongyeon throws the ball away, opening her arms to you.
It’s instant: you run to her, crying as you mutter apologies and empty promises. You wish you still liked to do all of those things. That you weren’t so utterly, completely broken. You want to go back to when you were just a little troubled but fine.
Was it never going to stop hurting? Is this ache going to last forever?
“It’s okay, baby.” Jeongyeon’s calm voice soothes you, as she runs her hands through your hair. Your sobs are loud, probably drawing attention to the little kids playing on the nearby courts, but she doesn’t seem to mind. “It’s okay. Much has changed, and that’s normal. It’s just life, baby. It’s simply life.” Gently grabbing your shoulders, the older woman brushes the tears away from your eyes. Staring at you with a serious face, she adds, “I love you, Y/n. We’re in this together, all of us. That’s what hasn’t changed: our love. Okay?”
You nod, somehow crying even more now that you are surrounded by such a strong love.
“We will make new memories, and find new hobbies. We’ll do whatever it takes. It might not be as fun or shiny as the old ones, but oh, Y/n… they’re going to be even more cherished and precious, I promise.” She promises, resting her forehead against yours. And you truly believe her words.
You love her more than words can say.
“I love you, unnie. Thank you.” You laugh through the tears, glad to have someone like Jeongyeon in your life.
Turning around, you make your way back, in the lake’s direction.
“And I love you more, baby. We’ll find a new hobby, don’t worry.” Her face turns thoughtful, her glasses complimenting her frame well. “Have you tried cooking? We really need another one in the dorms, things are getting unsustainable. I had to eat Nayeon’s food yesterday! Or, well, at least pretend, since it was disgusting. Not even poor Dobby ate it.”
You let out a loud laugh, this time, giving the older girl a playful hit.
Jeongyeon was right: things were not as they once were. The past was in the past, and it might be a good thing. From now on, you’d focus on making new memories, surrounded by the love and support from your family, your friends, and most importantly, from your girls.
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h3rmess · 3 days
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gang... am I cooked?
I've started thinking of my academics in a blue lock sense and it's actually working
like if you think about it, if you currently have the desire to do well, you've already got the baseline egoist mentality.
to build that up, you need a long term goal and short term objectives to reach that goal.
so like for example, to get top grades, I'm chemistry, I need to study all the content and make sure I understand it.
then after that, you have to devise a way to get to those top grades. you need to think about what makes you able to do well on the tests, and it has to be something unique to you. that's what your weapon is.
referring to the whole "making soccer from zero" thing, by putting all of these components into practice on a mock test, if you do well it will solidify your hope in yourself which will push you to do better.
then using the puzzle piece analogy, you need to find your chemical reaction to produce good grades. you have to find what studying techniques enable you to get there and put them together to create a formula.
then by optimising those studying conditions, you can produce more top grades.
ofc it's important to have something that is continuously pushing you towards that goal, so I think it's important to find out what that is before you do anything.
they actually call me isagi btw
anyway, I was just thinking about this bc exam season is coming up, so I want to focus and do well.
be an academic egoist, everyone. it's good for you 😈😈
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saintjosie · 2 days
Note
What is the best dessert you've ever had?
in general my favorite dessert is ice cream!
some of my favs-
1) olive oil and mascarpone ice cream from this bougie place in downtown durham called the parlor. they make a bunch of really unique flavors that rotate seasonally and are made with local ingredients. also they have new flavors all the time and everything i’ve tried was amazing! there’s also dairy free options like sherbet/sorbet (idk which is which tbh), which is really good cause jess has a really bad dairy allergy.
2) a gelato flavor that i’ve only seen in italy called crema which i think it’s just cream or custard flavored? it’s distinctly not vanilla and has a really light sweetness to it. they have it everywhere in italy but i haven’t seen it a single time in america and i haven’t found anything else that’s quite like it.
3) jeni’s ice cream. i’m from illinois and jeni’s used to be a chicago only thing as far as i know but now they have brick and mortar stores in different cities and also have pints in a lot of grocery stores which is kinda crazy. my two favorites from jeni’s are “gooey butter cake” and “peach jam and biscuits”.
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chaifootsteps · 7 hours
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I think a big reason why Vivziepop's popularity in general is on the decline (besides her usual controversies) is that more and more people are realizing that she is creatively bankrupt. What I mean by that is that all she has is Hazbin Hotel and Helluva Boss, which have lackluster writing and honestly the worst version of hell ever created so far, after she just up and decided to drop Zoophobia. And the idea of all these spin off shows alone doesn't help either.
Meanwhile you have Tracy's Lackadaisy which is just cats being mobsters during prohibition era St. Louise, nothing more, nothing less and it is honestly one of its biggest benefits.
You also have artist like Fearcrowz and their works. Look at Fear's Knell, it's a horror/drama story taking place in a some sort of hospital that might be purgatory, then there's Nightlight which is a story about a town full of monsters and In-Between which is about angels and demons after a girl for some reason. Even when she recycles the same character, they at least look different enough to fit in the respective world they are in.
Meanwhile Kedi has Afterlife which is about witches and fate and the idea that what separates life and death and heaven and hell is all bureaucracy and that horror thing that is hard to pronounce, hell, and even back when AoM was still being worked on, the idea of a school for monsters and a boy who gets his entire world flipped upside down because of this revelation was very creative.
Then there's Idolo with their Bugtopia and Monsters and Girls series both of which are very creative and unique.
The point I'm trying to make is that what separates Tracy, Fear, and Kedi, and Idolo from Vivziepop is that the former are creative and have created different worlds and different stories that end and of themselves are very creative even if they use concepts and ideas that have been done before but are tried and true meanwhile you have Vivziepop recycling the same world that you honestly wouldn't know is hell unless it's spelled out to you because it looks like it could be any city in the US, the same characters being recycled for spin offs that no one asked for, not improving on her writing, and just outright stealing ideas and characters from other people and claiming them as her own.
That's another reason why her popularity is in the decline and her creativity is very stagnated. Sorry for the long rant but this is something I wanted to bring up.
Nah, no apologies needed, it's a good rant! It's true. The unfortunate fact of the matter is that even aside from the controversies, aside from literally everything else there is to not like about Viv, there's very little to appeal to anyone that isn't already madly in love with her shows.
Viv's shows exist for herself first, her existing fanbase second, and she's having a harder and harder time holding onto them.
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cardboardheartss · 1 day
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Min Hee Jin vs HYBE Scandal Interview
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⚠️DISCLAIMER! TAROT CARDS ARE NOT 100% ACCURATE! TAKE EVERYTHING WITH A GRAIN OF SALT! IF MY INTERPRETATIONS ARE INCORRECT FEEL FREE TO CORRECT ME!⚠️
Q : How are you feeling today? (QoW rx)
A : Well… I’m pissed off to be honest. I don’t know if I should be paranoid or continue fighting. I am aware that I’m causing a major uproar on social media but what else can I do?
Q : How do you feel about your secrets all being revealed lately? (5oC, 4oS, AoS, Devil rx)
A : I’m actually quite disappointed, I really didn’t think my secrets would ever be revealed to the public. I feel like running away and hiding because I’m too overwhelmed at the moment. I truly do feel embarrassed but I’m also glad I could finally be free from this company.
Q : Why did you partake in all of this shady work? ( 3oW rx, 10oS)
A : I was too impatient… I wanted to make quick money and prove to other companies that my ideas were actually unique and wil bring me successful but unfortunately my impatience completely backfired on me.
Q : Do you feel betrayed by “That guy?” (Horizontal 7oS)
A : Well… it’s 50/50 to be honest. I could say i feel betrayed but not really. I already knew he was a bad person overall, people in the industry know this guy and how much of a thief he is. But once again… I just wanted the money and now he tipped off that company.😒
Q : Do you think the reason why you got exposed was all rooted from misogyny? (7oP & WoF)
A : No lol! People in the company are just jealous their concepts and groups weren’t gaining attention and success so they decided to sabotage me.
Q : What are your thoughts on HYBE CEO’s at this moment? (4oP, 2oS, QoP, 3oC)
A : Well… they are just a bunch of money hungry dudes who wanted to steal my creations… I did not want to give them my concepts at all and I honestly should’ve been more wary because look now… we all have caused major disruption.
Q : Any words to the NEWJEANS members? (Hermit, Empress, 3oS rx, PoP rx)
A : Umm… firstly, i truly believe we all might have to part ways and I would like to apologize to all of you. I should’ve thought smarter and found safer ways to create all of our successes. I was supposed to be your motherly figure, who’d be there for you guys and continue creating beautiful projects together but instead I was really self centered and money hungry. I really don’t want to go but I have no choice but to, I’m aware it’s going to be a bit of a struggle having to heal from all of this. So many things are going to be changing for better and worse because this industry is just… full of crap but once again I am truly sorry to all 5 of you… I truly should’ve used this darn brain and my heart too.
Q : Any words for the other HYBE groups? (Magician rx, Hanged Man rx, 4oW, 10oC rx, PoC rx, QoS, 9oW rx, Death rx, 4oC & 10oW rx)
A : Eh… y’all cool I guess. To be honest I really have no words to any of them. I’m just quite unhappy and critical as to how your CEO’s used my ideas for your concepts. And good luck with continuing to having disharmony amongst each other and having creative blocks as a whole.
Q : What are your plans once this situation has “calmed down?” (Emperor, KoC, KoS rx, AoS rx, 5oC)
A : Umm… right now, I’m thinking of the present. I’m still trying to take in all of this drama and even possibly thinking of walking away for good.
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runthepockets · 1 day
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I used to hang in these feminist spaces where they would (understandably) put a lot of emphasis on the wrongdoing men would do to women, the wrongdoing men would do to other men, and occassionally, the wrongdoing women would do to other women, but never the wrongdoing women would do to men. Even now I run into this a lot.
I would tell these people about all the awful stuff my mom would do to me, how shitty my ex girlfriends were, all the female bullies I had, and people just stare blankly at me and get all "well, you're a unique case" or something. Like, look, I'm no "institutional misandry is real" kinda guy, but it still stands that it's just as easy for women to look at vulnerable guys like me and take advantage of me as it is for me to take advantage of vulnerable women, even if the privilege margins aren't that wide. Women are entirely capable of twisting patriarchy to their use against dudes that they know can't fight back (think of all the male victims of sexual assault by a women who weren't taken seriously because "men always want it". In the case of me and my mom we had the whole "mini husband" thing, in the case of a lot of my ex girlfriends it was very much a classic case of emotional abuse and manipulation and in some cases false rape allegations, and if I tried to combat any of this stuff it was "he's being a misogynist" "he's slut shaming" "he's not all men'ing and speaking over women".) I mean the whole thing with a lot of radfems is that they claim to be punching up but all they really do is further dehumanize men who are at the lowest rungs of society, guys who can't fight back.
I think this stuff is worth talking about. I mean, if we're serious about putting the work in of seeing women and men as equals, that means facing the reality that there are ways in which women can manipulate patriarchal gender norms and roles for their benefit and there are ways in which men are harmed by it. Again, I think a lot of people hear this stuff (especially from a guy) and they immediately assume misogyny or bad faith readings of femininity as a whole because the well has been so poisoned now that any criticism of women by a man = female failure, but that's not true at all. The reality is I'm a straight guy who likes women and wants to get along with them and vice versa, but we can't really do that if only one of us is ever allowed to have the monopoly on talking about harmful experiences with patriarchy and gender roles and domestic violence and the harm the role of the family has on your gender. It's a two way street, feminism and masculism have to co-exist or else we're just talking in circles and blaming each other for our problems again rather than combatting the institutions that put us in these positions in the first place.
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the-sunshine-dims · 3 days
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malitae making a sculpture and/or quilt for quixis that already looks odd and mismatched so that they don't need to worry about wacking it when they touch it
awwwhhh,, i hold them so gently, at every aspect of that, (a sculpture that specifically from Malitae has such care embedded in it, in the meaning, and wanting them to see and enjoy it, not worry about accidentally 'messing it up' and maybe even inviting them to change it, encouraging them to use it as their form of expression should they ever wish)
(and the image of M making Q a quilt,, fitting as many patterns in it as possible, just to try the techniques out, and because even if it changes he thinks Q would like it, would find the design as cool as M, even if for just a moment, and wouldn't it be fascinating to see what the squares and shapes of fabric become? and wouldn't Malitae hate to send Quixis back to the cold too-colorless place they described without a blanket for warmth and a pop of color? (it would be nice for when they do have to leave, to send Q back with a reminder they don't just ruin everything, because even if the blanket decays- even if Quixis is worried it will just shred into pieces unnaturally to its little-use and they'll lose the kind effort Malitae put in, Malitae will just make them another one- different and unique and with many flaws that xe expertly puts in, because they like making things for people, even if its only used for a short time, becuase at least it was used))
(and maybe quixis would ask for materials and try and return the favor, and its not the same quilt as it was when they started, but it would be something for the two of them to stay on the island, always something to go back to, and Malitae would treasure the thing that was given to them, another addition they didnt make to the island, and they find it wonderful)
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How do you think Atshi and Dazai's relationship compare to their relationship in beast, i feel like its a topic thats been left behind when talking abt beast
Ooo this is an interesting one.
The relationship between Dazai and Atsushi in BEAST is really interesting already, I love how Asagiri didn't just make it a carbon copy of Dazai and Akutagawa in the main timeline, instead its completely unique but equally fucked up. But comparing it to the main timeline I think it is the best example of just how far BEAST Dazai is willing to go in order to ensure Oda's happiness in that universe, even at the cost of tormenting someone main Dazai really cares about.
First lets look at Dazai and Atsushi's relationship in the main series.
Atsushi has absolute loyalty, love and respect for Dazai in the main series, Dazai was the first person who ever affirmed Atsushi's right to live and might be the first person to ever offer him kindness. Dazai also works as Atsushi's motivation to save Kyouka, he thinks of how Dazai chose to save him even though he would be a massive burden to the ADA, and this gives him the conviction to save Kyouka despite her past.
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Dazai is the person who Atsushi always thinks of when he's in a terrible situation, he's who Atsushi wants to run too when he thinks he can't win a fight, in other words he makes Atsushi feel safe something he probably almost never felt in the orphanage where he was abused for anything he did.
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(from 55 mintues)
These two pages capture this perfectly
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And eventually Atsushi is able to replace visions of the orphanage director (who appeared when he was at his lowest and made him feel like he had no right to live) with Dazai giving him encouragement and the focus to keep going.
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On Dazai's end:
I think Atsushi is probably the person who sees Dazai's true suffering better than anyone else alive in the series, even including characters like Chuuya and Ango. Atsushi (very similar to Oda) will often cut through Dazai's jokes and see through to what he is really thinking.
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Atsushi is also one of very few characters to openly be kind to Dazai, off the top of my head it's only him and Oda who ever really say nice things about him to his face.
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(notice both times Dazai is surprised by this)
Atsushi is even able to pick up a hint of Dazai's past when Dazai talks about mimic in 55 minutes.
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So suffice to say, in the main series Dazai and Atsushi are extremely close, both being essentail to the others growth and a person throughout the series, I could probably go on for pages about this but for now let's talk about how BEAST twists this relationship into one of the darkest in the series.
BEAST Atsushi suffers more than almost anyone else thanks to Dazai's plan. Since he can't use Fukuzawa's ability to control Atsushi's ability, he makes Atsushi wear a spiked collar that stabs him in the neck while transformed and uses the pain of that to help Atsushi remain in control of the tiger.
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Not to mention that BEAST Atsushi, just like regular Atsushi hates being hurt and hurting others, he is constantly terrified on every mission he is sent on and hates the pain he has to go through each time.
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So why is he so loyal to Dazai? Unlike Akutagawa Dazai didn't physically abuse Atsushi until he became dogmatically loyal, he didn't need too, all he had to do was twist the suffering caused by the orphanage director in Atsushi's mind and make it work in his favour.
Trigger warning: Psychological abuse!
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This was Dazai's method, give Atsushi an order he knew he would disobey and set things up so it would lead to Atsushi undergoing unimaginable pain and suffering beyond anything Dazai could inflict himself. Dazai twisted that pain in Atsushi's mind into
"This is what it feels like to disobey me"
And since then, Atsushi has been completely incapable of not following Dazai's orders.
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Another important factor is that Dazai himself is very friendly with Atsushi, letting him call him "Dazai-san" instead of boss and giving him praise for his work. This just further cements in Atsushi's mind that Dazai is the kind, generous person who tried to help him, which makes him even more loyal to Dazai.
There's a lot more I could go over, but I don't have time right now. Overall I think BEAST really shows just how far Dazai is willing to go to achieve what he wants, the way he treats BEAST Atsushi is incredibly cruel, and then leaving him alone in a world where his only purpose was fulfilling Dazai's orders is another level of cruelty.
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