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#i wanna make more fanart for this show it's too goof
erroramended-blog · 1 year
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Sketch dump extravaganza!
So, the end is near. The end of the owl house that is. I’m excited, and nervous, and happy and sad, and all sorts of other feelings all at once. This show really meant a lot to me, and this is the first time I’ve ever been THIS involved in making stuff for a fandom. It really helped me grow in both my art and my writing, so as a sort of sent off, I put together this! It’s a look back on my Owl house journey in the form of sketches I never posted, process pics, and unfinished works, along with some creator commentary!
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Starting it off with a ton of Hunter! Hes been my most drawn victim subject, and one of my top faves. Above is a number of sketches I never finished and a few alternate goof arounds. Sometimes when I feel stuck trying to capture an expression I draw the most basic version of what I wanna get across, both for my amusement and to get out of the funk. More to see below the cut.
This next one was started during the hiatus after Yesterdays Lie and never finished. It proved a bit too challenging at the time.
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That background was waaay above my skill level at the time, so this is as far as I got. You’ll notice, Willow is the only fully drawn character. I just really liked how she was coming out.
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I already wanted Hunter to be part of the friend gang before he’d even met Willow and Gus, and I wanted them all to have a fun human realm adventure hiking and having a picnic. Here are some sketch highlights.
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Hunter found a good walking stick, and then Flapjack found one too. Ghost in a cat backpack, Gus with a dandelion.
Next up is an early imagining of what Belos’s final form might look like.
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With a scared Hunter for scale. It was also related to my long running fanfic (good days bad days and all the days in between)  written during that same hiatus along with a few other arts.
Hunter was not the only character I liked to make suffer. Here are a few Raine sketches related to that fic (on the right) and a few unfinished pieces from after we met Terra (On the left)
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Next up, in a continuation of the Raine suffering. (And my terrible goofy looking thumbnail sketch on the upper left.)
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Sketches from my happy then sad Raine and Eda fanart, featuring dead (or mostly dead) Raine. Fun fact, both the content, and style used here were inspired by the short animated film Fuelled, in which a cat wife seeks revenge for the murder of her cat husband. (Ok, it was actually inspired by a Fuelled fan AMV set to Mitski’s Because Dreaming Costs Money, My Dear, but still, beautiful film, go check it out.) For a change of pace, here’s something cute.
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Big happy family with young bats, and baby Hunter. This was going to be for an unfinished fic I started in which the bats are already Raine’s adopted kids, and, unable to let baby Hunter suffer, Raine kidnaps him, and goes to Eda for help. Happy family shenanigans ensue.  Here’s a chunk of that fic. (and we’re back to suffering for both Raine and Hunter, so be warned) -- “Eda, I-I am so sorry to show up like this, but—” Raine swallowed hard, and looked over their shoulder into the distance. Fear in their eyes, like something was going to pop out of the woods and get them. “I did something...and I am in so much trouble and...and I didn’t know who else to turn to.” The kids behind them looked up at her with a mix of fear and hope. One of the younger ones clung to Raine’s pant leg, looking especially weary. “You owe me an explanation.” She said, stepping aside. “But it can wait. Get in here.” “Thank you,” They said, sounding beyond relieved, and absolutely exhausted. The kids followed them inside, and Eda paused in the doorway, looked out into the night, unsure what she was expecting to see. Nothing was out there. “Hey, Hooty.” Eda said quietly. The house demon sleepily gave a hoot of acknowledgment “Keep an eye out. Let me know if you see anything.”  With that she shut the door, and turned to face the...complicated situation she was suddenly faced with. Raine had set the youngest child down on her couch. There was a wad of bloody gauze secured to the kids ear. “Do you have any healing supplies?” Raine asked, firmly focused on the injured ear. “Anything for pain?”  
“Yeah.. uh, I’ll grab um.” she said, moving to fetch the kit. The whole situation was bizarre and confusing, but getting everyone taken care of had to be the first priority.
One of the kids followed her. 
“Do you have any food?” The little pony-tailed kid asked. Truth be told, no, she didn’t. Not much anyway. She really needed to keep more around, especially now that she had— oh, she should mention that. It’s a good thing he was a pretty heavy sleeper.
“Kitchens that way” She said, pointing “Don’t burn the place down. Help yourself to what you find. What are you, five?”
“I’m ten” The kid said “Hunter is five. I’m not five, I’m not a baby.”
“Good for you.” She said, digging through the half depleted healer's kit. “Don’t touch the bottle with the apple on it.”
“Katya,” Raine called, worry in their voice “Where did you go? Come back here please.”
“Sorry!” said the kid whose name was apparently Katya. The kid ran back to the living room, and Eda followed. She handed over the kit.
“It’s not much,” She said. “I can see about whipping up a pain potion. I gotta look up the doses for a kid — how old is...”
“I told you, Hunter is five!” Katya said, exasperated. 
“Katya, please.” Raine said, sounding more tired than frustrated. “Yes, he’s five.”
--
Next up, an unfinished crossover between Owl House and Hades Town
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Set to the song Doubt Comes In, with Raine as Orpheus and Eda as Eurydice. I never finished it because I didn’t like how it was turning out (and it was way to much work, lol.) But I still love the crossover. Some highlights below.
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Next, sketches from things that did end up finished.
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And a few alternate poses and expressions from finished stuff.
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Here’s King, and an itty-bitty Eda.
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And some post Kings Tide sketching.
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Another happy family type sketch from waaay back
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and lastly, me!
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Its me as an owl house character, featuring a spider beast form, and non-binary cape! So there you have it!
In it’s final secret title message to us, Owl House thanked us for watching, so I want to thank it back for all the entertainment and inspiration it gave me (And thanks to those who have followed, liked, reblogged and commented on my art and writing along the way.). I’m gonna miss it, and I wish it hadn’t been cut short, but I’m looking forward to its last episode. Goodbye Owl House.
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daredevilexchange · 2 years
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What’s your fannish ID? Hello! I'm Descaladumidera on all platforms. Weirdly enough I get asked sometimes where this name stems from and the short answer is that my ex and I were just goofing around. He said this made-up word, and I ran with it. It's got a nice ring to it, it's unique, and I can shorten it to Desca.
What types of fanworks do you create? I mostly draw fanarts, as I'm a freelance artist and it's my passion and job. But I also love to write fics, even though I rarely have the spoons. Creating and sharing those creations is just a fun way to connect (and I also crave the validation, sue me). The best part is posting them and making someone's day, because they have been waiting for that particular update or just needed that kind of art right now. I experience these feelings myself when I see particular creations and I just hope I can make someone else feel that way, too.
What are your favourite types of fanworks, when you’re not creating? I just love everything that makes me feel something. Be it a particularly well-made gif-set, a fan-vid of my ship of the week, a wonderfully drawn fanart, or the fic I read before going to sleep. It's just the happiness that people with the same interests as me are out there, doing what they love, and sharing it with the world.
What do you like in particular about this fandom? My current comfort characters are Matt Murdock, Frank Castle, and Peter Parker, so I, naturally, like to see them together. Since NWH I'm deeply in the Matt & Peter pit, especially with Matt as a mentor and father figure. But I also fell in with SpideyDevil and Fratt, and my brain is very happy to see nearly anything about them.
Do you like participating in fan events? I love events! Sadly I barely have the energy or time nowadays to participate. I really hope that will change in the future.
What about your creating process? Ah, I absolutely need some kind of background noise, but it can't be music or I'll sing along instead of drawing or writing, haha! I mostly have reruns of shows in the background or some let's play on YouTube. I also use a Discord writer bot to get myself into writing more and I'm part of the Marvel Art Party Discord, which is great at motivating me. Talking to friends about what I'm planning and showing them WIPs is also a huge part of my creation process, because they are super supportive and always have a kind word for me.
Do you interact a lot with other fans? I try to! Sadly I'm pretty damn anxious, so I'm always worried I annoy others with my mere presence, but I try. In the past I did collabs with people in other fandoms, so I hope this will be something I'll be doing here as well in the future.
Is there any particular piece you'd like to showcase for this post? I just created my first Fratt art—for Pride Month nonetheless—and I absolutely love how it turned out: https://descaladumidera.tumblr.com/post/687601711844556800/the-progress-video-if-you-wanna-see-more-progress I'm also working on a longfic currently, which has Matt & Peter mentorship and also SpideyDevil (with Andrew Garfield's Peter). I just. Chucked everything I wanted to read into a NWH rewrite for my own pleasure: https://archiveofourown.org/works/37712956/chapters/94152343
Is there anything else you want to tell us about yourself? I'm a mess and a soft potato. Usually I'm friendly and like to talk to others, so if you're nice to me, I'm nice to you.
Where can your fanworks be found? You can find me on Tumblr, Twitter, Instagram, AO3, TikTok, and Patreon under @descaladumidera! I also have a Carrd that I'm currently using as my website. Discord: Descaladumidera#1395 Tumblr: https://descaladumidera.tumblr.com/ Twitter: https://twitter.com/descaladumidera Instagram: https://www.instagram.com/descaladumidera/ AO3: https://archiveofourown.org/users/Descaladumidera/profile TikTok: https://www.tiktok.com/@descaladumidera Patreon: https://www.patreon.com/descaladumidera Carrd: https://descaladumidera.carrd.co/
Thank you, @descaladumidera !
banner by @context-is-for-kingpins !
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gambeque · 2 years
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wip 🏃
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ronpatrash · 2 years
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oh boy i am gonna talk about my experience with danganronpa v3 and the ending. tldr i loved it and am incredibly haunted by it! now where do i begin
First off, if you wanna get your friends into danganronpa, stream the game on sporadic discord/zoom calls with everyone (my friends and i were a group of 5), and get everyone to narrate the characters. trust me. It may take you guys months but prolonging it makes the brainrot last longer! It's crazy how quickly we formed attachments to the students too because we're all having fun with these destructive teenage characters, and we all get to hang out and goof around again like we did in college irl before early 2020 went down
did i also mention drv3 is my introduction into this bonkers series? yea. what a great way to start! I was really rooting for kaede from the start....after class trial 1 i was hooked on the series and then prozd and jay started their dr1 playthrough, so it was a great time to get started on hyperfixating on this series in may.
also after class trial 1, i went on the danganronpa wiki page so i could read more about kaede. No new fan...should do what i did. i read like one sentence about everyone's memories being fabricated and i just. stopped and tried to purge it from memory cause i really didnt want to get spoiled further ahjfjdjfdkj
also do not look up their sprites on the wiki page, or google i guess. i looked up tsumugi and.
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right there. it was unavoidable. i knew tsumugi was the mastermind and had to try purging that memory too. fortunately, it happened to most of my friends too while they were looking for refs of tsumugi to draw hAHA
so. by the time we finished class trial 5 (and ho fucking boy. class trial 5 took us till 3am on a weekday cause we all desperately wanted to know who the fuck was in that exisal and what really happened), I had known these spoilers:
- everyone's backstories are fake, flashback lights created false memories
- rantaro's title is the ultimate survivor (idk. what it really meant. i just thought he was like bear grylls or smth)
- tsumugi is the mastermind
we were all already playing along that tsumugi was the mastermind and calling her out on her pretend bullshit during investigation for chapter 6, it was very fun
class trial 6...we were all already unsurprised when tsumugi revealed herself to be junko. but we didnt expect that she was still,,, cosplaying. we didnt expect the entire thing to be cosplay, or the previous dr games to be fictional within this fictional universe...or that everyone pregame were volunteering themselves for this truman show killing game.....or the whole undertale-esque breaking the 4th wall gameplay. that was siiiick all of that was so fucking cool
anyway. danganronpa v3.......what a nice send-off. I feel like the ending was a warning for fans who get too immersed in any form of media, but it kinda makes it funnier to think about pregame characters now. they were all huge weebs!!!!! they might've been wanting to throw away their lives cause they needed an escape! the ending leaves a lot to think about too, like how shuichi, maki and himiko are gonna cope with the knowledge that everything they thought they knew and were was a lie. i wanna draw...so much fanart. i get why people love this series now.
cant believe i thought danganronpa series was a meme cause of all the komaeda x sans memes my friends were sending. this series is great. drag more of your friends into it tbh, but uh. make sure everyone's like college-age lmao be safe with this heavy stuff
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honkster · 3 years
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Why the Dream SMP’s way of storytelling is IMPOSSIBLE to recreate in any other medium.
This has been in the back of my mind for the longest time. I think I finally got it.
People have talked about this before, and they’ve put forward some good points, and good for them – most of them are correct. It’s the way the ccs interact with each other, it’s how plot is mixed in with banter, that’s all good! I wanna put more out there.
So you know how you open a book to read, you start a new show, you sit down to watch a movie – that’s all produced by some sort of company, someone who made it specifically for you to enjoy. You expect a certain dramatic flair to it, certain cinematic choices, certain ways of writing, certain camera angles, certain reactions to things. That’s just ingrained expectations of things now.
The DSMP? Doesn’t have that.
The low expectations work very much in its favor. It’s a Minecraft role-playing server with a bunch of famous youtubers/streamers, who are all good friends and have great dynamics with each other. So when you expect “just another Minecraft video” but in stream form, or you watch the videos because there are certain people in them, you don’t expect to be dropped into extreme lore and sensitive topics, realistic situations proposed in game form, a combination of serious stuff and just fun times with friends goofing around – and you’re pleasantly surprised.
We, the fandom, are used to it a bit more now. How excellently they manage to make a serious story in such a “ridiculous” medium, how much it affects us all and gets our creative juices flowing. But even the ccs can’t predict some of the things that happen. And that’s fun.
The whole election ending the way it has? That was on us. And it made some of the most angsty content there has been in the DSMP. People still theorize about the arc and make connections to now – that’s pog!
Fundy being adopted by Eret – that sparked the whole “Fundy just wants a dad – let’s get him some love” thing that made FundyWasTaken and other Fundy+someone ships happen. I see a different person paired with Fundy every week, and somehow, I agree with all of them. I really got into Fundy because of that stream where Eret “slept through the adoption” and Fundy confronted his real dad and spent time with his granddad. That little stream gave us more insight into Fundy’s whole character (Nevermind Fundy showing off his acting skills – you go you funky little fox), but also justifies some of his actions now. DryWaters? Wanting to kill Technoblade? Fucked up reasons, but we still love him.
Phil being broken out of house arrest ahead of time – still made a great stream and Phil agreeing with Techno’s want for revenge – that made us all very happy. The SBI!!! The AE! And that’s also a thing!
That even if we do know or have predicted what’s going to happen, begged it out of the ccs basically, it is still incredibly fun to watch. Where some books/shows/movies fall short and reveal too much and end up being “too predictable”, they’re not fun anymore. I read this somewhere before, that sometimes holding back EVERYTHING from the reader, and relying on shock value to make a good story is just bad. Whereas if you progress the story naturally and let the reader make some predictions of their own and then they end up being right – that’s a lot of serotonin right there. It’s the re-readability that makes it slightly better the second time.
The DSMP takes this concept and fucking yeets with it. Letting fans engage in the story, letting them theorize and then be right, even acknowledging the fanart that was made, just engaging with the community that their roleplay created – that makes it so much more fun. I bet that even if the whole script was revealed to the fandom we would still watch every plot stream. Even if we knew vaguely what happens in the stream, we would tune in and enjoy every second of it. Because the ccs are just that good, we love them that much, we love this plot that much.
Oh and the unpredictability helps too. Tommy in exile was the vague concept of a lot of the streams – it’s taken that and ran with it in a lot of different directions. All quite enjoyable.
Having said all of that… The fact that this type of telling a story is impossible to recreate in any other medium is… kinda saddening? It is incredibly unique, and I’d say has things that not a lot of the people that produce mainstream media would even consider. “Just friends hanging out” – how would that make the script progress? “Engagement with the fandom, even considering their wishes for the characters” – but we’re telling a story here!
The only thing I can think of that would come close to the vibe, would be just a bunch of writer friends coming together, thinking up a universe and general plot, and then each deciding to write a few of their own characters in that universe. When one author focuses on their main characters, the side ones can feel left in the dust, or not fleshed out. The DSMP is just “every character can write their own story”, which takes a lot of the strain from the “main writers”. But the general thing of “just friends hanging out” would be taken away from it. We’re being serious here, why would we change the tone so quick?
With all of that in mind… I kinda wanna make some predictions? And I don’t know if they’re correct, but it’s fun to theorize. See?
1. L’manburg will die.
And not just because Techno has 54 withers. The country is cursed – it definitely is. There is little sentimental value that can be felt for a few flimsy stilts built on top of a crater. It might go out in a blaze of glory, with the withers (Is history repeating itself an interesting enough plot point to recycle a whole arc?), but it might just be forgotten. Yeah there have been some angsty headcanons about how “no one cares about L’manburg anymore, save for two people” and it just gets abandoned, but how about it just becoming irrelevant?
This all comes back to Dream, it always does! His want, need for the server to be “one happy family again”, it just means one thing. He wants the server to return to the peaceful anarchy that it was before L’manburg. No rulers, no factions, no nothing.
That’s never going to happen.
Try as he might, Dream cannot affect that change that L’manburg did to the server. The introduction of a faction, one that can exist without the interference of a higher power – why do you think so many factions have sprouted up since? And it’s not even serious factions a lot of the time, it’s just a few friends deciding to build their bases on a plot of land that they claim is a nation now. L’manburg has changed the mindset of these people, now an alliance with somebody is a political move. An alliance doesn’t exist if it doesn’t have a faction, and that faction can remain neutral for only so long.
Basically, L’manburg introduced the factions mod into the server.
And the fact that every faction now has enough relevance to hold weight in a war also means that every nation on the server is doomed to follow the downfall of L’manburg. Eventually, they will get into a fight they can’t win, go up against the wrong people, anger someone they shouldn’t have. All factions will either be destroyed, or lose relevance, until their creators, residents and such just… move on.
(And really you can go into meta and talk about real governments and compare them, but it’s far more simple than that. The server isn’t built for peace, it isn’t meant to be a relaxing place where you can just vibe, it may have been made for a few friends to play Minecraft together, but it has turned into An Author’s Curse. The curse that follows any kind of story being told – the fact that peace is boring. People watched the first streams of the DSMP because they liked the ccs, and that’s valid. But how many more people tuned in to watch the war streams because there was PLOT and there was CHAOS and there WASN’T CALM PEACE ANYMORE – that’s the curse of every writer. That you can write about someone just living their life drama-free, you can make interesting peace with characters or circumstances, but it’s always leading to one inevitable conclusion – war, drama, because people read that. And at this point, it’s just a predictable outcome. No matter how much you say that you are retired, that you’re done with violence (Technoblade), something will happen that will prove to you that you believed in people too much. No matter how “neutral” you may be in the matter, no matter how much you claim that you have no allegiance (Philza), you will be forced to pick one, because out of all the bad things, you pick the least worst one, the most appealing to you, the one that can benefit your want of revenge.
And I can go on, but this is far too deep for one simple reason – The Author’s Curse is so prevalent here because THERE ARE ABSOLUTELY NO STAKES. It’s a video game – you die? You respawn. Something gets destroyed? You can just rebuild. Sure, you’ll want to kill the person who did wrong to you, but whatever they did wrong can just be replaced, remade, recreated. So why not have wars? Why not cause massive amounts of destruction “for the plot”?
It’s literally a playground. How all authors have their little playground with their characters that they meticulously plan out, the DSMP is that playground for all of these people.
And it’s fun! Sure! I like it! I’m just really skeptical whenever someone in character says that they “just want peace”, “are retired”, “swear off violence”, “are building just a little city for themselves”. Because you can do that, nothing wrong. But eventually, no matter how much you distance yourself from all of the chaos happening, all of the wars, you will return.
Because it is just much more fun.
It’s the curse. A cursed cycle.
And everyone is in it.)
2. The prison.
I don’t have anything on the prison because I don’t have anything on the book. Yeah I’ve done a whole post where I overanalyze what it could be, but it doesn’t make it any clearer. Whatever it is, it’s made out to be a huge plot point, something that can only be revealed when the prison is finished.
Cursed. The prison’s reason for being constructed is the book, but the book is only relevant when the prison is finished. We can only wait, and theorize, as we do.
(My only theory is that the book is information about another op on the server. Or at least something related to op or creative mode. Dream only fears one thing on this server, and that’s Technoblade, so if his one fear is the most skilled player on the server, what else could give him existential fear?)
3. The SBI.
Again, I don’t have anything! Yeah the reunion seems to be going smoothly, one member at a time, but there is already conflict in their beliefs among each other. And all that’s happened is a vague “maybe one day we’ll strike”.
Is history repeating itself an interesting enough plot point to recycle a whole arc?
Is L’manburg’s destruction AGAIN really necessary to hammer home the idea that no one likes that place anymore?
I don’t know. Whatever happens, no one’s in the right. No one’s in the wrong either. They’re all not good people and that’s that on that.
4. The Clingy Duo.
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA.
That’s all.
(Okay seriously? All of these arcs are connected. You know what happens when everything seems to be connected to one another?
A giant, dramatic final showdown between the two opposing sides.
Cause it’s just Chaos vs L’manburg. Those are the sides. People that want L’manburg to exist and people that want it gone. There are no other sides, there isn’t someone who’s like “Well maybe it can exist if we do this and this” cause no one wants to put in anymore effort into this cursed country. The only people were the clingy duo and now they’re separated and everyone is just leaving and Tommy is on the Chaos side like at this point he doesn’t care about L’manburg he just cares about Tubbo but he has to convince Tubbo to leave L’manburg but will Tubbo be convinced but will Tommy even consider leaving L’manburg and breaking free from its curse AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA.
Goddamit.)
5. The Egg?
Dunno shit about it. Like the prison – it seems important, but we’re just not being given enough information. Is it a coincidence that the moment Dream commissioned the prison the Egg popped up? Or are the two directly related?
I don’t know. But as long as someone is finding ways to fight the Egg, that’s fantastic. Bad juju indeed.
6. Oh the Butcher Army want to kill Dream!
Hah.
Okay I’ve seen people make the case that the Army is just a bunch of people with trauma repeating the cycle of ab*se that they went through and yes.
Just yes.
And the fact that no one is actually looking at it that way and no one is there to like.. help them or even help them understand that what they are doing is just irrational, even though their reason for doing it and the result they hope to achieve is YES and the only thing that a lot of the people of the server who want peace should try to go for as well, they cannot stand up to Dream on their own. They just can’t, they will get punted into exile. They need allies, and they need powerful ones, people that have also been wronged by Dream and want him gone.
But the cycle continues, and no one knows where it ends.
(Okay but from a writing perspective? Getting rid of Dream is the end goal. It is the be all end all of all conflict, well… most of it, at least most that’s related to the supposed “good side”, or “the side that’s been most victimized”. But from the same perspective, that side is just… no longer. It has proven that is just as bad, if not worse than the final boss. I have to agree that Techno has to pay for his crimes, even though I like him a lot, but Techno did in fact cause insane damage. Yeah L’manburg rebuilt, yeah Wilbur probably caused more – still he isn’t completely free.
But that’s a discussion on morality more than laws.
L’manburg is doomed to die. Dream is doomed to be fought, and probably won against (simply because he has won far too many times already, you know how everyone seems to hate OP characters…). But the Butcher Army is doomed to fail against Dream. So how does that work?
Welp.
Is history repeating itself and interesting enough plot point to recycle a whole arc?
The answer is no.
I’ve repeated that question three times now, and the answer to it is no. No it is not. L’manburg can be destroyed again, and it can be rebuilt again, but the sentimentality that people feel for it will not remain. The cycle of history ends somewhere, and it’s not too far a fetch that it ends here.
So what happens when Technoblade, Philza and Tommy roll up to L’manburg with withers and a destruction wish, only to be met with a bunch of traumatized children with axes and a death wish?
Well, I’ll spare the details, but from a purely writing standpoint…
The two sides team up.
Think about it – The Butcher Army doesn’t care about Technoblade anymore. They’ve seen that Dream is the one pulling the strings, they know that even if they do care about trying to eliminate Technoblade again, they have to get rid of his strongest ally – Dream. But through their anger, they’ve lost their fear. You should fear Dream, he’s a fuckin op. Techno is correct in not wanting to go against him.
But after Tommy? After seeing the Butcher Army at their lowest, screeching about Dream being the villain?
Will Techno finally go past his thinking of “government is evil, always government is source of problem” and realize that Dream has the most evil government in mind for his rule?
I’m still kinda sad that Techno isn’t making the conclusions he should about Dream. But he’s starting to – and really, the SBI-Butcher Army team up is the most logical thing that could happen.
Watch me be completely wrong or miss something and I’ve got ALL of it wrong. I would love that.)
(Also it’s very funny to me that Dream is literally simping for Techno while he’s just here like “Listen bud I would stab you on sight if you didn’t have creative mode”. Dream KNOWS that Techno can and will kill him given the opportunity. Techno knows that that opportunity may never arise.
It’s a weird type of stalemate, to be sure. But goddamn is it interesting.)
Anyway... if you read through all of this... I could bake you a cookie? Thank you! I like to ramble.
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wordupcomics · 3 years
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We would like to see more about the adventures of the boys (Violet, Scoops, Becky and Tobey) when they were teenagers we really love to see our favorite team interacting with each other 💗
Hey Anon! Sorry this took so long! It took me a while to think of things and then when I did I wanted to draw them but by that point I'd already kept you waiting for a while so I only have two drawings but I have a lot of ideas I will share through text instead!
First lets do the moment with the drawings
So it starts with the gang as teenagers, all four of them in detention. The girls and the boys got detention for different reasons, and ask the other why they are there. First Becky and Violet ask Tobey and Scoops why they're there. It's a long answer, so I'll just have Becky sum it up for you
Becky:...So...let me get this straight...Scoops saw Mr. Smith and Mrs. Stevens kissing in the parking lot, and decided to right an article about it and why we should remain loyal to our partners...and then Tobey pointed out that if anyone saw that article he could damage Mr. Smith and Mrs. Stevens marriages and get in trouble. So to avoid getting in trouble you two decided to flush the article down one of the toilets in the boys locker room and it clogged the pipes and flooded the boys locker room and you two got detention for causing damage to school property????
Tobey: Yes we hear the irony that we did that to avoid Scoops getting in trouble and then ultimately got in trouble because of it
Becky: Not even on my list of concerns right now. First of all...why did you have to destroy the article? Why couldn't you have just not published it? You could have hidden it or thrown it away?
Violet: No they should have recycled it!
Scoops: What if I recycled it and someone found it? Or what if I lost it and someone found it? it would spread like wildfire!
Becky: Okay, but why flush it down the toilet??? You could have shred it?
Violet: Or painted over it!
Becky: Or used one of Tobey's robots to destroy it
Violet: Or you guys could have thrown it in my fire pit when you came over next weekend to roast marshmallows!
Tobey and Scoops (realizing they're right): ...
Becky: And secondly (Looks to Violet as they both try to choke down a laugh) Mr. Smith and Mrs. Stevens are married
Scoops: I know, that's why I wrote an article on cheating Becky!
Violet: No, you guys, they're married to each other
Tobey and Scoops: ...What..??
Becky: Mrs. Stevens wanted to keep her last name so she never changed it
Violet: They've been happily married for twenty years
(Tobey and Scoops then realize they got detention for basically no reason at all as Becky and Violet burst out laughing):
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Tobey: Oh yeah! And why are you two here, hmm? What bad thing could the two most rule-following students in the school have possibly done to end up in detention with us?
Becky and Violet (paniced): No reason
Scoops: No no no! We told you, now you gotta tell us! What'd you two do?
Violet: ....Well...Becky brought her laptop to school today so we could look at Pretty Princess fanart at lunch...
Scoops: At lunch? A teacher shouldn't give you detention for goofing off on a computer at lunch
Becky: Yeah the problem wasn't when we were looking at it...the problem was the particular fanart that just happened to be on the computer when the teacher passed by...
Tobey: ... What in the world kind of fanart were you two looking at?????
Becky: We were just looking at normal fanart! As it turns out some people one the internet are...messed up and we accidentally ran into some fanart that...um...
Violet: Will haunt my nightmares for the rest of my life...
Becky: and was ultimately deemed "highly inappropriate" by the teacher...
(Tobey and Scoops then burst out laughing):
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I'm gonna put some more scenarios under the cut!
Becky begged Tobey to read this amazing book she just loves:
Becky: Have you read it yet?! Wasn't it amazing?!
Tobey: ...Becky you are one of my dearest friends but I have to be honest with you-This was the worst book I have ever had the displeasure to read
Becky: (Yanks the book out of Tobey's hands and "covers it's ears") (Gasps) IT CAN HEAR YOU!!!
Tobey: ....please see a shrink...
Mrs. McCallister is finally ready for Tobey to meet her new boyfriend and Tobey is super nervous. Scoops gets this idea that he'll look up the guy in the phone book, call him, and pretend he's randomly interviewing people on the phone for a school article, when instead he's actually getting information Tobey needs to get to know the guy better so he knows what to expect (fun fact: this man would later become Tobey's stepdad, his name is Alex). Scoops has the phone on speaker so Tobey can hear
After a bunch of oddly specific questions:
Alex, on the other end: ...Are you a friend of Claire's boy, Tobey?
Scoops: ...
Alex: ...
Tobey: ...
Scoops: Bye! (hangs up in panic)
Tobey: SCOOPS!
Scoops: He was on to us! I panicked! What was I supposed to do???
Tobey: NOT THAT! YOU MAY AS WELL HAVE SAID YES!
Scoops wrote an article about WordGirl. He didn't see anything wrong with it...Becky did...
Becky: How could you say that about me!?
Scoops: I didn't think you'd care!
Becky: Well I do!
Scoops: I'm sorry, Becky. I didn't know you felt so insecure about this or I never would have written it, I promise!
Becky: Insecure! I am NOT insecure!
Scoops (raising an eyebrow): ... define insecure
Becky: ...
Scoops: ...
Becky: I'm leaving! (leaves)
Tobey is in the park reading, Violet is also at the park, doing an art show. She walks up to Tobey all sad and sits next to him
Violet: Hi..
Tobey: What's the matter?
Violet: Someone came to my art show and said he thought all my art was terrible...
Tobey: ...Who in the world would say such a thing???
Violet: That guy over there...
Tobey: You know he's probably just jealous of how talented you are and is masking his insecurities behind rude comments
Violet: ... You really think so?
Tobey: Oh yes, I used to do it all the time..I still catch myself doing it to be honest
Violet: Well now I feel bad for him..
Tobey: Well there's nothing you can do about him, so if I were you I'd just go and continue your art show like normal
Violet: You're right Tobey! Thanks! (leaves for her art show)
Tobey: (pulls out his remote) Insult my dear innocent friend? Not on my watch
Becky and Violet talking about Pretty Princess
Becky: I mean...I know none of it is canon but it's still a good idea right?
Violet: Becky! This is the best AU idea I've ever heard!
Becky: (gasps) I'll write fanfiction for it and you draw fanart for it?
Violet: YES!
Becky and Violet: (Excited screams)
Tobey, now officially having given up crime, is doing community service (of his own volition) to make up for his past actions. Becky, Scoops and Violet come up
Becky: How's community service going?
Tobey: It's awful! But I'm glad I'm doing it
Violet: Want some help?
Tobey: No, it wouldn't feel right
Scoops: Well, can we just sit here and keep you company then?
Tobey: ... Of course!
In high school, Violet got into acting and often performed in school plays. Her first play ever she invited all her friends to come see, and of course they were happy to watch her have fun on stage! However when they saw the play it was....horrendous. Worst thing they'd ever seen. After the play was over Violet happily came over to ask them what they thought of it. Important note: Violet and Scoops were dating at the time
Tobey, seeing Violet coming: What do I do??? I can't tell Violet it was terrible! It would break her heart! But I can't lie to her either! That's wrong!
Becky: Tobey, relax, just do what I do
Violet: Hey guys! What'd you think?
Becky: you looked like you were having so much fun!
Tobey and Scoops: Yeah you did!
Violet: I was! But what did you think of the play itself?
Becky: ...Well...honestly you guys mispronounced so many words I couldn't really enjoy it. I mean it's not your fault, no one uses those words anymore but you know...I know how they're pronounced and can't stand when words are pronounced wrong so...
Violet: Oh that makes sense! We'll work on that! Maybe you can tell me how to pronounce them!
Becky: Sure!
Violet: Tobey what did you think?
Tobey: Um...I wasn't really a fan of the genre so I probably didn't enjoy it as much as I could have
Violet: Oh, what kind of genres do you like?
Tobey: ....a consistent one...
Violet: (laughs) You're so silly Tobey! Scoops! What'd you think?
Scoops: ... Um... I loved it of course! I mean, you were in it! And I love you! So how could I not love it!
Becky, having learned from the WordGirl stuff, later told Violet the truth and explained that she didn't like the play at all and only liked that Violet seemed so happy doing it. Violet took this well. Tobey and Scoops however...:
Scoops: PROBLEM PROBLEM PROBLEM!
Tobey: What?
Scoops: The school paper wants me to review the school play! I can't say it was good, that goes against my oath as a reporter! But I can't say it was bad either, I already told Violet I loved it!
Tobey: Ask someone else to do it
Scoops: No one else has the time to take on any more assignments! What am I gonna do?! I don't wanna upset Violet!
Tobey: um...uh...could you post it anonymously?
Those actions eventually lead to Scoops and Violet breaking up (don't worry, they did get back together years later)
Scoops took his and Violet's break up particularly hard, and Tobey tried to cheer him up by finding weird things happening in the city for Scoops to write about. It didn't help a whole lot, but Scoops appreciated Tobey trying to cheer him up. Meanwhile Becky, who by this point all her friends knew she was WordGirl, essentially tried to fix Scoops and Violet's now ended relationship, and between trying to help them, school work, hero work and family life, she ended up stretching herself a little too thin to the point that all her friends had to do an intervention and tell her to stop because it wasn't good for her.
I've mentioned before that Becky's necklace in Word Up in significant and special to her. This necklace was actually made by Scoops, Violet and Tobey. Note the fact that her friends made it isn't the reason it's so important to her, but it is sweet they took the time to make it for her.
For one of his birthdays Tobey invited his friends to a demolition derby. When his friends said they thought it odd he'd be into that, he stated it was his new outlet for seeing destruction now that he was no longer doing crime.
Hmm that's all I have for now! If you are wanting more and have any particular questions or ideas, feel free to send more asks! If they are a little more specific I'll probably get to them a little sooner
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dragonsareourfuture · 3 years
Text
Yoosung/GN!Reader — Muse
AHHHH WHY ARE ALL THE FANDOMS I GET INTO DEAD OR DYING??? Anyway here’s some Yoosung fluff with an artist reader who made a work of art with him as the subject. Begins with headcanons, ends with a lil oneshot. Enjoy!!!
- Yoosung would absolutely go nuts if you were to paint or draw or even just sketch him! As soon as he saw the image you sent of it through the chat room he nearly let out a yelp of joy.
- He’s internally freaking out, he can’t figure out what to tell you that would perfectly encompass how he feels. Just anything he types he’ll have to backtrack because no, it’s not good enough!
- Because of how long he takes though, you might get worried that he didn’t like it and is trying to find a way to let you down easy. In regular Yoosung fashion, he would never just outright say he hated it.
- But after a while, he still can’t think of anything to say, so he sends a picture instead — in it, he’s smiling like a goof, eyes turned to crescents and partially filled with tears. He’s using a hand to hold half of his face in astonishment (and definitely not to cover at least some of the blush he’s sporting). As he’s said before, no one’s ever loved him romantically before, let alone decided to use their talents to create art with him as the subject.
- Along with the picture he sends a little message that reads “I...I’m speechless...! In a good way of course! It looks too good for me to say with words!”
- He feels super sad that he can’t see the painting in person yet and probably calls you about it, asking you to send him more pictures of it until he can get his hands on it.
- He’d just be so grateful and want you to know that, the sweet baby <3
- Count on him asking for a fanart of his favorite LOLOL characters or his avatar after he discovers the true extent to your talent. “Only if you want to of course!”
. . .
Grand doors swung open, giving way to the chilled air outside. The sun was lower in the sky than it had been when the party first began, now brushing against the trees that dotted the skyline. Soft, golden light shone in your face, leaving you to blink away the slight discomfort it caused and keep your gaze angled to the pavement. You almost couldn’t believe you had been there for so long, still filled with energy and partying with your previously strictly virtual friends as all the guests you had managed to rope in left one by one.
By now, there were only a few cars in the lot, all of them belonging to you and your fellow RFA members. You tugged a soft hand along with you as you made your way down the walkway of the party hall and to your car.
A soft chuckle caused you to look behind you, acknowledging the person you could officially call your boyfriend as he asked you, “(Name), where are we going? The other members will worry, y’know.”
“Aw, but you want your present, don’t you?” You responded, a smirk playing on your lips as you turned back around. You reached into your pocket and pulled out your car keys, clicking the button that made your lights blink and the passenger’s side door unlock.
“Present? You didn’t have to— oh! The portrait!” Though you couldn’t see him, you could practically hear the bright smile accompanying his words. You knew he wouldn’t forget. He had been asking when he could finally get his pretty hands on your artwork since you sent him a picture over chat. He didn’t include that part about his hands being pretty, but you thought it was necessary.
You popped open the car door, hiding the contents from his single-eyed gaze with your back. “Now, I made sure it didn’t get too roughed up on the drive here, hence the wrapping—“ a canvas wrapped in a sheet was presented to Yoosung. He brought his hands together in anticipation. “—plus this makes for a cool reveal, don’t you think?”
“Yes! I wanna see it!”
“Okay, okay! Ready?” You inquired teasingly, merely fingering the drapes covering the canvas and pulling it down agonizingly slow.
Yoosung pouted childishly and reached forward with too much speed for you to stop him, tearing the sheet from your work.
You stomped your foot jokingly. “You’re no fun, Yoo.” Your smile faded when he didn’t respond. “Yoosung?”
You inspected his expression for any sign of anger, despair, annoyance — really anything that would have pointed to him being unhappy with your work in any way. But what you were met with was more confusing than anything. His expression was quite unreadable, and with one eye being covered by ivory bandages it was even more difficult to get a read on what he was currently feeling.
But the eye that you could see was transfixed on your work. His mouth opened and closed, like he was trying to say something but couldn’t for an unknown reason. Perhaps it was the same reaction that he displayed over text when you showed him for the first time — just speechlessness. You hoped to the gods that was the case. You didn’t know what you would do if he suddenly hated it.
“Honey, what’s wrong?” The nickname seemed to snap him from his stupor. Up until now it had mainly been him that used nicknames like that.
“Oh! It’s nothing it’s...wow....I mean no one’s ever really done this for me before!” Yoosung reached out to brush his fingers against the canvas, feeling each individual stroke of your brush, each bump and dent in the paint in what you swore was disbelief.
“I’m sure Rika’s done something similar.” You shrugged.
The blonde college student smiled sadly. He nodded. “Rika has done a lot for me, that’s true. But this...it’s so you! It’s so unique in a way that can only be you and I don’t want you to ever think that isn’t good enough. Okay?” His expression had grown progressively more serious, more determined to convince you of the value of your efforts. You felt the slight burn of tears meeting your eyelids, pushing them back down with a couple of blinks.
“Okay...I won’t. I promise,” You assured. You looked down at your hands, remembering you still held the portrait. You thrusted it towards him. “Here, it’s yours anyway.”
“Wh...mine? (Name), you know I love it but I couldn’t...! You worked too hard on it for me to just take it!”
“Yoosung, don’t do that self deprecation thing, ‘kay? I made this for you. I worked hard on it because I wanted to give you something I’m proud of.” You paused, waiting for any sort of reaction. All you got was Yoosung’s hands drawing themselves closer to his chest, twitching with uncertainty. So, you pushed your bottom lip out and pouted with obvious exaggeration. “Please? If you don’t I’ll be sad...”
Your boyfriend rolled his eyes playfully, finally reaching out and wrapping his fingers around the canvas and lifting it out of your grasp. He smiled down at the image of himself. It looked just like him, but your unique style influenced the way you painted his features in the best possible way. He could tell exactly which photo you used as a reference. He was looking straight at the camera, or viewer in this case, with a side-eyed gaze. In the left corner was the bouquet of red roses he had bought specifically for that picture. Specifically to ask you to be his.
“Why are you so mesmerized?” You asked, chuckling at how Yoosung stared at the painting in awe. “You’ve seen it before.”
“Yeah but this is different! Seeing it in person is so much better!” He defended quickly.
“I got it, it’s okay, sweetheart.” You shut and locked your car door, arm finding its way around Yoosung’s back as your hand found purchase on his waist. You pressed a delicate kiss onto his temple. “I’m really glad you like it.”
“Of course I did! Oh! And I bet the other members will too! Can I show them?”
A laugh broke through your lips. “Obviously. But if any of them ask for a portrait too they have to pay me first.”
“Oooh so I get special privileges?”
“The boyfriend of the artist always gets special privileges. It helps that you’re too damn beautiful not to paint. You’re like my muse.”
You couldn’t believe you hadn’t got to see Yoosung flustered in person before now. And it was glorious, if you did say so yourself. The classic tinge of pink dusted his squeezable cheeks and ears and he let out a small whine of indignation.
“If you keep saying things like that I’ll combust from embarrassment!”
“Better make sure I say more things like that, then.”
Yoosung whacked you with the canvas.
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schnozzbun-art · 3 years
Note
WAIT WAIT I HOPE ITS OK TO ASK BUT NOW I WANNA KNOW WHAT YOU THINK OF THE DISPENSABILITY OF SOME PARTY MEMBERS AND HOW IT REFLECTS BRADS VIEWS
Sure!
Now keep in mind, this interpretation comes from my own experience playing Painful and isn’t the end-all be-all of Brad’s psychology. This was just my takeaway. Cool? Cool.
So anyway something that LISA does which I love is how a lot of the ‘story’ isn’t limited to game’s literal plot, but the player’s experience with playing the game (known as a game's ludonarrative). And something I enjoy doing is interpreting my experience of playing the game and interacting with the game mechanics as a short-hand for how games the characters in the game view of the world.
Take for example how the more party members you get the more beleaguered the “x joined the party” fanfare gets. To me it always felt like Brad giving less and less of a shit of who joined his gang because he was just so tired and needed any help he could get in finding Buddy. 
We get the sense that Brad isn’t SUPER close to his party in other ways. Let’s talk themes. Painful is very much a game about isolation, and it achieves this feeling by having Brad always be by himself in the overworld sprite. It gives the feeling that you're travelling all by yourself in this wasteland.
But, there's a contradiction. Because a key component of Painful’s gameplay involves recruiting companions who have unique personalities and fighting styles. Canonically you technically always have your guys with you, since in major story parts the story will make use of the fact you're travelling with a lot of people, but this isn’t reflected in the game’s overworked since it’s just Brad. You only can have a limited amount fight with you in battle, and you can switch your party out in bars like a PC in Pokemon.
And I remembered wondering while I was first playing: “Well how does that work narratively? I get the game is going for this tone of isolation, but it feels like due to this game-mechanic of collecting companions, it's shooting itself in the foot. You’re not actually alone. You always have people with you. How does that work?”
But THEN a friend of mine pointed out: “Well even though that's the case, you could very much interpret that as the way Brad is viewing these men he meets. Even though he Needs them to get through the wasteland and reach his goal of saving Buddy, he views them purely as a means to an end, as pawns, because he's learnt he can't afford to trust people too much if he wants to survive in the brutal wasteland.”
And I just LOVE that kind of stuff—using game mechanics as a way to infer characterisation. So yeah to me I always thought the fact that there’s no real game mechanic involving Brad talking to his teammates and the fact he’s always alone in the overworld screen meant that Brad ‘in-universe’ was pretty taciturn around his party. And it makes sense. He’s just not much of a people person, he’s emotionally allienated due to dealing with his own anxiety of finding Buddy and powering through the occasional hallucination, and he’s aware of the reality that his party members CAN leave him or die at any moment. Hell don’t get me started on the Russian Roulette sequence! Surviving in this world, whether Brad likes it or not, depends on him treating his men as dispensable. And that’s really really tragic :(
I read Brad as someone who preferred not to form attachments to his party due to a combination of him not really knowing how, and a part of him which knew it would only hurt him in the long run if they ever died/left/betrayed him.
(That being said though I do LOVE fanart showing Brad getting along or goofing around with his party members. Let him live a little!!! 🥺 )
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factual-fantasy · 4 years
Text
Answering 14 Asks. Ranging from advice, to my characters, to the rules for drawing fanart. (I’m allowing it now btw)
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..You know? Since the last time this has ben mentioned I started thinking.
I would love to see fan art of my characters, and now I know you guys want to draw them. Originally I didn’t want anyone to draw my OCs for my own safety. This post goes into detail on that. But I’ve been thinking.. and I think I might’ve found a way to let people draw fan art of my ocs without exposing anything. With rules. If what you plan to draw “breaks the rules” that means that its one of those “exposing things” I talked about.
Man I am such a sissy. I just don’t want to be bashed for anything. But okay look, here are the “rules” for my fan art.
You absolutely are allowed to draw my characters in one of these categories.
Draw a character that you like posing or smiling to show them off.
Cool action scenes! Most of them are soldiers after all.
Interacting with some of the real team prime members is 100% okay. Especially Volvo and Ratchet because they're supposed to be friends.
Drawing Brown Suburban and Bash Buggy hanging out with the other Wreckers!
Drawing two or more established friends goofing around and having innocent fun. 
Drawing a character with an established sad backstory being sad or crying it out. With or without someone that has been established as their friend.
Redrawing scenes that I have already drawn to see it in your style.
If I have mentioned a character likes something, you could draw them with it. An example would be Ranger looking out over a river because she loves water.
You’re allowed to draw me with the characters, although I am kiiiinda a fourth wall break? I’m not really supposed to exist in their world.. So, if you really wanna, you can draw me, but I wouldn't encourage it.
Ones I would not be okay with though..
Drawing my characters getting drunk/drinking. <:/ Not on board with that..
Drawing any of my characters, wearing, talking about or supporting anything political or controversial.. Whether it be over the top or subtle.
No uh.. no ships please, Red Van and Suburban are okay but nothing overly sexual please. :}
No fourth wall breaks please. I know I have had my slip ups but I would like to keep a wall up in between their world and ours. I.E no drawing yourself with them..
Well uh.. that’s about it I suppose. You can basically draw anything, Just no ships, nothing overly sexual or political and keep the fourth wall breaks to a minimum. I myself need to work on not breaking the fourth wall.
I guess that’s it. So if you want to draw fanart for me, and it “follows the rules”? I am bouncing off the walls excited to see what you make for me! Link to their character sheets is here, keep in mind it may be edited now and then.
I am officially giving my fans permission to draw my OCs as long as it “follows the rules”, Have fun drawing!!
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Escort would be like, 
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When it comes to digital, I use a small Intuos pro Wacom tablet. The model is PHT-451. I’m just reading things off the back of it here. It looks like this.
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When it comes to traditional drawing, I use nothing but the finest Walmart mechanical pencils and sketch books. I also usually have a standard pink school eraser on hand as well. :}
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Hmm.. If they could use a bouncy castle.. Well,
Brown Suburban and Suburban wouldn’t use it for the same reasons. They’re both too big and it would just make them tired. However, if the the kiddos wanted him to, Suburban would just shrug and hop on.
Miata would be on it before its even fully blown up. She’d love bounce houses.
Escort wouldn’t use it because he’s old and weak. Trying to jump up and down like that would tire him out super fast and would just make him ache probably. Poor baby, he’d probably want to though.🥺
U.M.Dragster would be hopping on it before it was fully blown up along side Miata.
A.T.Dragster would like it but would pretend not to.
Green Truck and Vega wouldn’t do it because they’re old and that would really tire them out. But Vega would want to even though he really shouldn’t.
Red Van would like to jump with the kids, but she cant. After what those cons did to her knees.. she can barley walk, let alone jump. repeatedly.
White Truck would love to jump on a bounce house and would have a ton of fun with it. Although due to his size and strength he would probably get tired faster than Miata and U.M. would.
Beluga and Jeepy would love to, and they would. But just like White Truck, they’re big and would get tired pretty quickly I feel.
With enough coaxing, Honda would like to jump on the bounce house too. And she would have a decent amount of energy left over.
Ranger would say she doesn’t want to and wouldn’t go on it. But she lowkey actually wants to join, she just doesn’t want to seem silly.
Volvo: No.
Bash Buggy would probably want to, but would shy away. He cant see people all that well and parts tend to fall off of him. He imagines he’s not all that clean either so he wouldn’t want to get the bounce house dirty and covered in bolts and screws.
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A Decepticon.. that one ugly one.? And I know which one?? 
I actually don’t know which one. I know its not one of mine, because I’ve never drawn them before.
I know its not Knock Out, because he was designed to look attractive. Its not Break Down because he’s not ugly and he’s..... uh, dead..... Its not Soundwave because you cant see his face. Its not Shockwave because.. well, I don't think he’s ugly. Is it Megatron? Starscream?
Who are you talking about???
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Its weird how Bash is the idiot when Bulkhead was the one who asked, “Were you killed??” and ALL FOUR OF THEM were relieved when he said he lived.
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Isaac sounds so cool! I really like how you structured his character, he sounds like a really fun guy, and yeah, I bet they would really get along swell XD
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Well here’s the thing, I can only really tell you the age of the real cars and how old I imagined them being in Transformer years. The reason why is because I don't know how long Cybertronians live and cant use any of the other characters as a reference.
Bumblebee is seen as the youngest, and Ratchet I think is seen as the oldest. Like Teenager vs elder kind'a thing. If I knew how old they were, I could compare them to my OCs and give you a proper age.. but I cant find any info, so this’ll just have to do for now. <:{
Now, normally I have a rule of thumb that I follow. The characters Cybertronian age should at least match up a little with their car age. 40 years is really old for a car, so the character should be really old in robot years. 40 years would translate to like 50 or 60 in Cybertronian years if you get what I’m saying. So, Here’s the age of the real life cars and how old I imagined them to be in Cybertronian years. From oldest to youngest.
Green Truck was made in 1972, he is 48 years old. I pictured him being in his late 50s, coming on 60 years old in Cybertronian years.
Vega was made in 1974, he is 46 years old. I pictured him being in his mid 50s somewhere, in Cybertronian years of course.
Brown Suburban was made in 1978, he is 42 years old. Despite him not being that old in real life, I thought of him being ancient in Cybertronian years. Like, he’s closing up on 90 or something and yet he’s still super strong and in fighting condition. The idea was that Bulkhead and Wheeljack were surprised to see him on Earth, they both kind’a though he had died of age by then. 
Escort was made in 1986, he is 34 years old. Not too old, but I portray him as if he’s reaching his 50s in Cybertronian years.
Suburban was made in 1988, he is 32 years old. I always pictured him being somewhere in his mid forty's in Cybertronian years.
Bash Buggy was made in 1990, he is 30 years old. I kind’a pictured him being somewhere in his 30s actually, so that works out.
Red Van was made in 1993, she is 27 years old. I thought she could be in her very early 40s. Like 41 or maybe 42 years old.
Miata was made in 1994, she is 26 years old. I always pictured her being like in her early twenties. Think 22 to 23.
I haven’t talked about him yet, but Duck Truck was made in 1996, and is 24 years old. He’s one of the Decepticons, his year was written down so I figured I’d add him in too. I always pictured him as a younger Cybertronian, like in his 20s somewhere.
Jeepy was made in 1996, he is 24 years old. Which is actually how old I always pictured him being. Young and full of spirit, probably about 24 years old in Cybertronian years.
Ranger was also made in 1996, she is also 24 years old. But I pictured her being somewhere in her late 30s, closing in in 40.
White Truck was also made in 1996, he also is 24 years old. But I pictured him being rather young, maybe just getting to 20 or a tiny bit older. Not quite at 24 I feel.
Volvo was made in 1998, he is 22 years old. But I feel this old crank pot would fit being around 30 to 35 years old better.
Honda was made in 2000, she is 20 years old. That’s just about how old I imagined her being, maybe a little older though? Maybe 23 to 24 or something.
Beluga was made in 2004, she is 16 years old. I always pictured her being closer to her big sisters age though, so maybe about 20 to 22 years old.
Then... there’s the Dragsters.. and here’s the thing.. U.M.Dragster was made in 2006, so he is 14 years old.. he is our youngest car. Then there’s A.T.Dragster, she was made in 1969, which makes her a whopping 51 years old and our oldest car to date.
This is where I broke that age rule.. I wanted these two to be twins for a multitude of reasons. But how could they be? One is 14 and one is 51, how can they be twins? So I thought okay, they cant be twins, period. ...but they at least need to be siblings, their history demands it. But how would that work?
There are 37 years of age in between them. If they were siblings they couldn’t have grown up together because of the age difference, so there wouldn't be that sibling bond.. But that’s what I want for them at least, is for them to be siblings that grew up together.
So I figured I had two options. I could either follow the age rule that I had structured for everyone else, and just either make them related in some other way other than siblings, or make them not related at all..
Or.. I could completely break the rule so that these two could be siblings.
I’m sure you know which one I went with. I couldn't justify them being twins though because the age difference still bugged me, so they’re just siblings.
A.T is supposed to be in her late 20s, and her little brother U.M is in his early 20s.
When it comes to the real team prime?
I imagined Optimus was like.. in his 40s or something?
I imagined Ratchet is in his 50s somewhere, maybe closing in on 60?
Bulkhead might be somewhere in his 30s.
Wheeljack could be in his 30s too, but I always saw him being a little older than the others.. maybe closing in on 40?
Bumblebee always came off as like a teen, but realistically he might just be early 20s.
Arcee seems like she might be in her late 20s somewhere.
Smokescreen seems to be early 20s, not sure if he’s older or younger than Bumblebee though.
I felt like Ultra Magnus could be in his 40s, but he’d be younger than Optimus I’d guess.
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Ohh! That’s a clever one! :DD Well lets see, let me go through the list. XD
Suburban would probably tell you about the war itself, not really about his past specifically. Like, he’d tell you how the war started and what his job was as a medic. But he wouldn't tell you any of the gruesome stuff or much else, for his own sake and yours.
As far as Miata’s story has developed, she hasn’t experienced anything particularly traumatic. So she’d probably fill you in on all that she can remember.
Escort would tell you some stuff, but he wouldn’t tell you anything about what happened after the war on Cybertron. If you asked him he’d get pretty fidgety and would probably get upset.
Brown Suburban would tell you all the wrecker stories in the book, but would try and avoid the stories he thought you couldn’t handle. When it comes to his story specifically though.. he doesn’t want to talk about it.
Both Dragsters wouldn’t want to share their pasts, but might talk about their childhoods if you were nice enough.
Green Truck would probably tell you his whole life story, but would sugar coat it and gloss over the gruesome and traumatic details.
Vega would tell you everything he remembers. He would tell you about his life story, his family and his friends.. but then the story would abruptly cut, and Vega would kind’a get this.. strange look on his face. You’d ask, “What happens next?” And he would just quietly go, “..I.. I don’t know. Everything just.. goes black there. It was dark for a long time.. and then I just.. woke up.. thousands of years older than I was when I went to sleep.” 
Red Van and Beluga would tell you the happy parts of their pasts and gloss over or sugar coat the gruesome parts. 
If you coaxed him enough, White Truck would tell you everything, good and bad. But he’d be nervous or uncomfortable through most of it and it would put him in a weird mood for the rest of the day.
Honda would tell you in great detail about everything she remembers. But she would clam up when she got to the part of the story that talks about her first mission.
Ranger would tell you everything, good and bad, but would lighten it up a little bit as to not freak you out too much.
It would take some convincing, but Volvo would probably share a few interesting stories here and there. His past is not a pretty one, and he feels no reason to share it with anyone, unless its for educational reasons.
Jeepy wouldn’t tell you much. He doesn’t like to think about his past. But he would boast all day to anyone about that one time he saved someone's life or that time he got away from a dangerous situation unscathed.
Bash Buggy doesn’t like to talk about it much, but he would give you a general timeline of sorts. Like, “This happened, and then this, and then this guy came and this happened, and then this big thing happened, and a couple thousand years later I’m here.” kind’a thing.
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It was redraw of that one meme from Ice age XD
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But in all honesty, he probably has suffered enough damage at several points in his life that shut him down or at least should’ve, but he somehow got back up and kept moving.
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The first thing he did when he woke up and really processed it, was he went to go wake up Suburban and show him.
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I.. think you’re talking about this one? Haven’t seen the movie but it seems fun XD. My taste in movies is 𝒟𝒾𝓈𝓃𝑒𝓎.
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You think what you’ve seen is cute? Boi you haven’t seen what he’s like when he’s trying to comfort someone. XD
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First off, how dare you make me cry with your sickly sweet and heart felt words. Second off, thank you so much! And third, I can go over the process of how the 16 of them came to be if it’ll help. Don’t worry I’ll try and sum it up. 
So, with other types of characters all this unique personality stuff would be pretty hard.. but with these real life cars turned into Transformers stuff? It was kind’a easy for me to do this.
For one, I based the cars personalities off of the vibe that the cars always gave off to me, and their drivers personalities. The best example being Honda. I always saw the car having this sweet and gentle vibe, and her driver is the same way. So as a character, I just gave her what felt most familiar when looking at that car.
Brown Suburban has always gave off the vibe that I designed him with. The strong and silent type, but with a big heart for kids and family. *cough cough* the wreckers *cough cough*.
With Volvo I didn’t really have either things to base him off of, so I just basically copied Ratchet and shifted his personality around a bit.
With Bash Buggy though, he’s a new edition to the family. We got him this year I believe. So I just designed a bot that could match how his car looks, and a personality came with it. He could have an adventurous personality, which is why he’d be in dangerous situations and always get hurt. And then I think, “Hey! He could be a Wrecker! A really tiny one!”. The personality stuff was just kind’a there already or was easy to imagine.
Now.. their bodies.. uh.. well, I started with the same thing every time If I remember right. I would take the front of the car, take it apart or split it and rearrange it on the chest of the transformer.
With Red Van, I took the face of the car, split it down the center and spread them apart to make the breast plates.
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I basically did this with everyone else too. Just cut up the face of the car and rearranged them and put them on the chest of the transformers. Here’s Green Truck, Volvo and Vega as some more examples.
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Well, I notice now my mistake now.. You see Optimus, Ratchet, Bumblebee and Arcee have windows on their bodies. The glass parts of their forms don't just shatter and disappear, the glass windows either rest on their chests or back wings. I should have put windows on some of their chests, and not put the tires or their back so much. But eh, you live and you learn. I’ll do better with the cons.
Now, when it comes to the arms and legs of the transformers, I just drew what felt right.. I don’t know what to tell you.. I can try to show you my thought process maybe?
Red Van is square, but round, not sharp like Suburban. She is more hollow than she is dense and she is not very complicated. In looks, and in functionality. I also wanted key features of hers to be present on her body to help identify her. Such as her silver trim, her hood ornament, etc. 
So, with all these things in mind, I drew a character that matched the car and had all the mentioned features.
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The face is more complicated.. but here’s what I remember thinking.
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Its complicated.. uhg, I don’t even know if this is helping.
But basically, I based the characters off of the cars they are, the history they have, and the people who drive them. For personality and looks. 
By taking the car, deconstructing some parts of it and rearranging them on the body of the character, it makes things a little easier. And if the character is modelled after someone that already exists, it makes constructing their personality a lot easier.
Overall, this is all I can really tell you. Most of their designing was just stuff I pulled out of my aft and slapped on the paper. I have no idea how I thought of these things but I did, and now they’re here.
I hope this was somewhat informative, I know I probably didn’t explain it well or even answer your question.. If I didn’t, please. ask me again so I can actually try to help you.
Anyway, thank you for the ask. I took it as a huge compliment and it got me all giddy, XD I hope I was at least a little help in your artistic adventures. :} ♡
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marshmallowgoop · 5 years
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Kill la Kill Books!
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Got a small haul of Kill la Kill books the other day!
SUSHIO CLUB LOVE LOVE KLKL has been a glaring omission from my collection, so when I saw a listing of the book for 3,600 yen—which usually goes for 10,000+ these days—I bought it right away.
And I figured I might as well pick up a few more things while I was at it, right? To make the shipping more cost effective?
That’s definitely the only reason.
But anyway, my growing mass of Kill la Kill books and magazines has now reached 36 items.
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And I’ve talked about some of this merch before; you can find my post about the Febri volume 21 issue here, my post about Fractal 10 here, my post about the Talking About Composite books, The Complete Script Book, and The Art of KLK Vol. 3 here (and I have a whole tag for the script book, #klk-script-book), and I yammer on about the nine Blu-ray key art collection and artboard books here. I also have several essays discussing the official manga adaptation: 
Kill la Kill Manga Chapter 7
Kill la Kill Manga Volume 3, Chapters 8-17: Thoughts and Impressions
Kill la Kill Manga Volume 3: Translation Notes, Anime Differences
Kill la Kill Manga Volume 3: Worth it?
Manga Differences
And now, I wanna briefly (lol) yap about the six new additions to my collection.
Because I have a lot of love in my heart for this ridiculous, ridiculous anime.
SUSHIO CLUB LOVE LOVE KLKL
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So, I got this book for cheap because it was allegedly in poor shape and “not suitable for collection.”
(My reaction to “not suitable for collection” is always, “It’s suitable for my garbage collection! I’ll give your ‘ugly’ copies a loving home!”)
But, like? There are a couple of dents and folded corners, but the condition is really not bad at all. The art is completely intact and beautiful.
Sushio—who is the character designer for Kill la Kill—has shared much of this book on his Twitter, and I would definitely recommend fans of the series to scroll through his photos and have a look. There’s such a cute, sweet charm to Sushio’s work, and along with the polished, colored pages from LOVE LOVE that he shares online, he also shares sketches of his own fanart for the series, too.
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(Okay, maybe this isn’t exactly the best demonstration of Sushio’s absolutely precious artwork, but. It’s one of my favorites from the book. Ryuko resorting to such wild extremes to be with Senketsu again is just. My heart. Kill la Kill is actually adorable.)
In any case, I don’t think any of the content in LOVE LOVE was new to me, but there’s just really something about having the book in my hands. I know there’s such a strong desire for digital media these days, but call me old-fashioned—there’s nothing quite like holding this art and really seeing every stroke and line in person.
Being able to physically flip through the pages also makes me notice things I didn’t before. For instance, I found myself charmed by the little detail of Barazo, Mako’s father, loving and adoring Sukuyo, Mako’s mother.
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I mean, aw? It’s stuff like this that really makes me wish Kill la Kill were a kids’ show (as Sushio himself seemed to want!) Barazo is so much more likeable when there aren’t any signs of his less-than-pleasant behavior and he’s a loving, supportive husband and father.
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Seriously!
Another thing I notice from having the book now is the order in which the pages are organized. Like, I couldn’t help but be amused about how Ryuko gets her own page here...
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(Smiling for her Starketsu in the sky, right? Just like he asks her to in “Till I Die”?)
...and then the next pages have Satsuki beside Nonon and Mako (and Mataro) beside Ira...
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...which strikes me as a bit funny because this isn’t exactly how Sushio organized his Tweets of these images. There, Satsuki was next to Ryuko, Nonon was next to no one, Mako and Mataro were next to Ira, and Uzu was next to Houka:
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So, in LOVE LOVE, is Sushio deliberately trying to say something with the changed placement? Especially when it comes to the direction of the ladies’ eyes? 
Yeah???
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I kid, I kid.
(But really, it looks much better to give Ryuko her own page and not have Nonon standing next to nobody.)
Also, one of the first things that popped out to me about LOVE LOVE is how Senketsu’s pages are right next to Ryuko’s pages. As they should be.
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They belong together, okay?!
And speaking of Senketsu and Ryuko, I remember a comment years back that said you could probably find pics of your OTP with matching expressions in this book.
But, uh. Just compare Senketsu posing to Ryuko posing...
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They’re kind of different types of people, lol.
But hey, they do both make cute sneezy faces.
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As a final note about my copy of LOVE LOVE, I will say that my only disappointment is that I received the version with print errors. As such, this page of Nui...
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...was accidentally printed twice, and I miss out on this page of Nui as a result:
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There are also some minor goofs, like Mako’s arm getting cut off by the background here:
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But considering I got this beautiful thing for only 3,600 yen, I really can’t complain!
Now I just need Sushiotan 2 to complete my Sushio Kill la Kill doujin collection....
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Takepro
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This charming little volume is a collection of animator fanart for the show (and other shows). The book includes a short profile for each featured artist, and their big Kill la Kill pieces are—like all titles in Kill la Kill—named after classic Japanese pop songs. You can read and see more about Takepro here.
It’s hard to pick favorites from this doujin because there is so much adorable and wonderful artwork, but I especially love Naoki Takeda’s “ここに幸あり,” or “Here is My Happiness,” named after the song by Yoshitsu Ootsu.
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The picture features Ryuko, Mako, and Satsuki sitting together, all having a good time, and there’s just something so sweet about seeing happy Satsuki.
I also found an English translation of the song’s lyrics, courtesy of beast-senior 810:
The storm breaks and the rain falls Thorny as the women's path might be I would still keep on living with you And my happiness is here in the blue sky 
I could not tell anybody of my scars A bird of love that resided in my chest If only I wander about crying and evading A sorrowful night wind will blow through the streets 
I call out your name from the bottom of my heart Who will be awaiting me at the end of the echoes? Snuggle up to you and cheerfully look up to your face And my happiness is here in the white clouds 
Aw. This song is so Satsuki.
And speaking of Satsuki, I can’t get over how cute she and Ryuko look on the cover of this book. Like??
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Aw! 
I also am quite fond of a small piece by Syuichi Iseki, which is in a super-deformed style and features Satsuki comforting Nonon after her uniform is destroyed during the Naturals Election. Nonon cries, and Satsuki pats her head. In the background, Ira looks distressed at the display, Houka seems to be deciphering it, and Mako smiles. It’s really, really cute.
Yoshie Endo’s “僕笑っちゃいます,” or “I’m Laughing,” named for the song by Shingo Kazami, is also real cute. It depicts Mataro holding up Guts, who licks his face. It’s another one of those, “I-so-wish-Kill-la-Kill-were-a-kids’-show” kinda pieces....
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Hiroyuki Imaishi’s Doujin
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Admittedly, I don’t actually know the title of this one, but it’s a very small doujin by Kill la Kill director Hiroyuki Imaishi. There isn’t too much Kill la Kill content, but there are two pages of Ryuko and Satsuki in their respective Kamui, accompanied by some text.
I thought the text might be something about the show, but it seems like it’s actually about Imaishi’s experience working on the show. And... it’s rather sad? He talks about how he’s able to accomplish more now, but he also has to consider a lot more as well, and he doesn’t have the time and energy that he used to. It’s a lot about aging and growing old.
At least, I think that’s what’s being communicated. Here’s a transcription, though:
なんだろう。
初会社役員とか。
昔よりやれることは増えたが考えなきゃいけないことも増えて時間と体力は足りなくなっていく。
年相応とも言える。
だけどいつまでも大人気なく生きていきたいものだ。
One last interesting thing about this doujin is the material it’s made from; it’s different than any other book in my collection. I’m not an artist, so forgive me if I sound totally ignorant here, but the paper reminds me watercolor paper. It definitely took me by surprise!
SL Sketch 3
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SL Sketch 3 is a small fan doujin by Buzin. You can find most of the art in this book on their Tumblr!
Sketch 3 is a really fun collection of sketches, and I especially love the cover. I’m so desperate for art where Senketsu is acknowledged as an actual person that I’m just all heart eyes over Ryuko smiling at him here.
March 2014 Newtype
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Okay, so this one’s really a magazine, not a book, but wow. I was taken aback by what’s inside!
I’ll definitely have to look at this issue in more depth because there are a bunch of Kill la Kill goodies in here that I didn’t even expect. And I don’t think most of it has been translated at all!
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I also realized that I’ve been mixing up my Newtypes and will have to fix my resources page. But on the bright side, there is so much to love about this issue.
Like, the Elite Four Light Novel got reprinted in the Kamui Bansho, but it’s way better here because it has pictures!
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I also love how Nonon, out of all the Elite Four, is the only one who stands beside Satsuki in these illustrations.
And I don’t even know what this is (VR or something with Ami Koshimizu, Ryuko’s VA?), but it’s cute and got me smiling:
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And Ryo Akizuki, the mangaka for the official Kill la Kill manga, made a small comic about his experience working on the project. I like the little title panel with Ryuko, Senketsu, and Mako a lot:
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Plus, there’s a shiny ad for the manga’s second volume, too:
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One of the things that most caught my interest, though, is an article about the second opening song for Kill la Kill, GARNiDELiA’s “ambiguous”:
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I got so curious about this bit because I’ve heard varying, conflicting information regarding the meaning behind the song’s lyrics. On the one hand, I’ve heard that half of the song is from Ryuko to Senketsu, and the other half is from Satsuki to Ryuko. On the other hand, I’ve heard that the whole song is from Satsuki to Ryuko. But I’ve never found any concrete sources for either of these claims!
So, I was hoping the Newtype article would help, but it’ll take a lot more digging into. Still, briefly looking over the page, I did find this bit: 
そんな私の思いと歌詞が一致しました。 『キルラキル』でいう流子ちゃんと神衣・鮮血の関係に近いかもしれませんね。 
Roughly, it says, “As such, my thoughts about the song agreed with its lyrics. You might say it’s like the relationship between Ryuko and Kamui Senketsu in Kill la Kill.”
I’m not totally sure about the context here—and I admittedly don’t even know the author’s involvement in the making of "ambiguous”—but this article might explain where the Ryuko-and-Senketsu reading of the song came from. It’s definitely something I’d like to delve into more.
Because I really love the Ryuko-and-Senketsu reading of the song, okay, and I’d love some actually official backup for it!
Finally, another favorite part of the Newtype is simply all the art. Takafumi Hori’s spread is particularly great:
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(You can find a cleaner image here.)
Just... dang. I wish I got a little poster of this instead of the ones actually included in the Newtype! The artwork is just stunning.
And one of the cutest things about the Newtype is all the fanart from its readers! I particularly love the little Valentine’s Day special; there’s an illustration of Ryuko giving Senketsu chocolate, and there’s also a Ryumako piece, too!
Kill la Kill Storyboard Ep. 01
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Finally, one of my favorites from this haul is the Kill la Kill Storyboard Ep. 01. The book was included as a shop bonus for the original Japanese Blu-ray/DVD release, though I was able to win it by itself in an auction. I do think I overpaid a bit, but gosh, it’s a lovely addition to my collection. It’s just really neat to see the production process of an anime in action. I wish there were storyboard books for every episode in the show!
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Hiroyuki Imaishi’s storyboards are also just super amusing. Here is a small sampling of some of my faves (because there is so much gold in here, my goodness):
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And that’s all for now!
...I guess this really wasn’t so brief at all, huh?
Shocker.
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xanderuwu · 6 years
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for whom it may concern; here’s a letter
i wrote this long fucking rant about voltron, enjoy (click here to view on google docs)
My name is Alexander, I’m 23, and here is my sob story. I’m a bisexual trans man who grew up in a tiny village where people believed that being LGBT+ was just as bad as being a child molester. I spent the first 20 years of my life hiding my truth because of the fear & shame that was ingrained in me as a child; I was disgusted by myself. I have never gone a week in my‬ ‪life without contemplating suicide - I’ve tried to kill myself 9 times, the first time was when I was 8.‬
‪One of the main things that kept me afloat during my childhood & teen years were stories in any medium; film, TV, books, I swallowed them whole & they kept me sane. But they never made me feel goof about myself or my life. I didn’t experience the impact of good representation until I saw the first season of Glee in 2009 when I was 14 (that show went downhill as it went on too, wow). One of the main characters on Glee was gay & had an arc in the first season where he came out to his father, & his father … embraced him.‬
‪… I remember crying in bed, watching the coming out scene over & over in shitty quality on the Youtube app on my old iPod. I had never seen anything like it. Sure, I’d seen LGBT+ people in media before, but they were always either stereotype-ridden jokes, or they led miserable lives & never got a happy ending. & in so so so many cases … they died. Or their partner died. Or they got AIDS. Or they were framed as disgusting degenerates.‬
‪I’d never seen a parent accept & embrace their gay child. I had never seen a gay character who “made it” with loving friends & family. It gave me courage, it made me hopeful.‬
‪Hope is the most powerful powerful tool we have when it comes to suicide prevention within the LGBT+ community. Every day, thousands of people toe the line between life & death, & THAT is why our representation is so important. Yes, it helps normalize LGBT+ people to the cisgender & heterosexual audiences, but you have no idea how much hope & joy can blossom in the hearts of vulnerable LGBT+ people from good representation that shows LGBT+ characters being embraced & loved, finding partners, falling in love, getting that happy gay ending we so rarely get to see in media. I’m certain that that gay kid from fucking Glee of all things, saved me from the brink a few times.‬
‪In December of 2014, when The Legend of Korra made Korra & Asami the romantic endgame, I cried. Cried for all the LGBT+ kids who would, perhaps for the first time, feel good about themselves. I also cried for the child in myself who still struggles with the shackles secured around his feet from a childhood of isolation & self-hatred, because he needed it too. & then we got record-breaking amounts of well-rounded LGBT+ representation on Steven Universe, a show that not only features same-gender romances, but also explores gender & challenges toxic masculinity. & last year, Disney Channel, the fucking DISNEY CHANNEL, had a character on Andi Mack come out as gay! Freakin’ DISNEY, man! & Korra was on Nickelodeon, Steven Universe is on Cartoon Network - those are all huge traditional television broadcasters where shows have to be assessed by a whole lot of boards in order to make sure they’re suitable to broadcast.‬
‪Netflix, on the other hand, has more freedom. Many of their live-action shows have had explicit LGBT+ representation. Watching as more & more mainstream TV shows & films with prominent LGBT+ characters get released makes me believe in the change, from when i was a kid in the early 00’s to now.‬
‪I first encountered Voltron: Legendary Defender in the form of gifs, fanart, & screencaps on Tumblr. The first thing that caught my attention was Allura’s design; she’s gorgeous & I’m weak. I found out that she was from the Voltron reboot which, not gonna lie, sounded kinda dumb to me at first. I watched Voltron: Defender of the Universe as a kid, not because i’m old enough to have been a child in the 80s, but because we were a family with six mouths to feed & no disposable income that could be spent on cable TV. So we got public service television, & they ran a lot of cartoons from the 80s because they were cheap to license I guess.
Anyways, I was obsessed with VDOTU (we’re using abbreviations now because this is getting stupidly long & typing is hard) as a wee lad, Allura was my favourite character because she had long hair & a pink uniform - as I said, I’m weak for pretty people. So in late June of 2016 I watched the first season of VLD & I was so pleasantly surprised. VLD is animated by Studio Mir; one of my favourite animation studios, & the show has writers & producers who have also worked on Korra, so that, in addition to the show being distributed by Netflix, made the possibility of clear-cut LGBT+ characters & storylines seem more plausible. ‬
‪I loved the first season of VLD. I very quickly latched onto Keith & Allura, but as I kept watching I found myself adoring the whole team. Having Pidge be a girl was cool, & I was so excited when I found out that she was voiced by a gay actress! & whoever came up with the idea of making Allura, Hunk, & Lance brown deserves a high-five. ‬
‪(We’re getting to the real meaty LGBT+ rep rant soon, just stick with me here because I wanna talk about some other gripes I have with this show first).‬
‪So, we had a show with a diverse main cast of characters, good writing & pacing, a good balance between character & plot, & gorgeous animation. I was excited to see the second season.‬
‪However, the second season was when some of the show’s main flaws popped up for the first time. That nice balance between character & plot from the first season seemed to have driven right off its tracks and straight into a bio-hazardous lake. In the first season, each character got a fair amount of attention, but in season two Hunk & Lance were just … barely there? Keith is my favourite character & I liked the Blade of Marmora stuff, but Keith’s amount of screentime came at the expense of other characters, especially Hunk & Lance. Having Keith’s entire arc in season two pretty much only involve himself & Shiro did every character a disservice. & the reveal that Keith was Galra was so underwhelming. We only saw two characters react to Keith’s alien heritage. The episode with Keith & Hunk in the Weblum was lovely, but we haven’t really gotten team bonding episodes like that since season three so :/ And oh God, the whole subplot of Allura, a black-coded character, being “racist” against the Galra is a WHOLE other mess that I don’t think I can adequately explain. Just, why. ‬
‪Season three was good, the balance between character & plot seemed to be getting back on track & the lion switch-up made for some good character development, especially for Lance & Allura. Episode four was a mess though like y'all could’ve been just a liiittle more sensitive with that kind of stuff. Also it is embarrassingly obvious that in the first two seasons, Allura was portrayed as being around Shiro’s age & the two of them shared moments that seemed to be hinting at a future romance - until, suddenly in season three Allura is at the same maturity level as the other paladins? What, is it because that was when you decided to have Shiro be gay because you weren’t allowed to kill him after season two, & so instead of doing Shiro/Allura you started pairing Allura with Lance? That’s just absolutely stellar mate.‬
‪Season four - character/plot balance swings off the rails once more & to this day it hasn’t been recovered. This was the season where y'all’s plot became way too fucking convoluted & too damn big! The plot takes so much room, OF COURSE character development suffers! Season five had the same problem, & whoops Allura has a new love interest! It’s Lotor, a grown-ass man! Great! Totes loved it!‬
‪Season six had some good moments but again, y'all’s plot left no fucking breathing room for the characters! Also, Lance’s crush on Allura is suddenly True Love now? At this point you need a fucking Excel sheet to keep track of the plot & subplots. Lotor was an asshole all along & betrayed Allura? BITCH WE BEEN KNEW! Lotor’s betrayal could be seen from miles away. Bad.‬
‪SEASON FUCKING SEVEN HERE WE GO.‬
‪You ruined Keith’s entire character. Plain and simple. Keith & Shiro’s backstory was the highlight of the entire season. And in those flashbacks we see Shiro’s BOYFRIEND! Shiro is GAY! Shiro being gay & having a partner was revealed at San Diego Comic Con in July, & fans were so fucking happy. Remember at the start of this monstrosity of a letter where I talked about LGBT+ representation in media igniting hope? That was what you saw from fans after SDCC; pure joy & hope. It was amazing, people cried because they were so happy! & the showrunners said we’d learn more about Adam & get to meet him, shit I was so hyped!
Was Shiro, the character who has struggled the most in the show, going to get a … happy ending? As a gay character? With his partner of the same gender?‬
‪…‬
‪Y'know,‬
‪There’s still probably hundreds of thousands of LGBT+ kids who are growing up in a similar environment to where I grew up. They feel the same way I felt. That … indescribable loneliness that pierces through your bones, the self-hatred & hopelessness that weighs too much, you are the deer and the headlights is every person whose approval & love you need most. ‬
‪& then you see someone like you in a story, & they are happy, they aren’t alone, because people like us aren’t destined to be tragedies.‬
‪It gives you hope.
‪VLD could’ve given that to people y'know? And maybe that’s the saddest part, that instead they chose to kill the man Shiro loved, & thus put their only remaining confirmed LGBT+ character through even more suffering. ‬
VLD killed 50% of their confirmed LGBT+ characters. ‬
‪Imagine if they’d killed 50% of their female characters.‬
They killed Adam to show the gravity of the situation, to show that with war comes death. But LGBT+ viewers don’t need that reminder. We die every day. We know war, we know that war walks hand in hand with death.‬
‪And we didn’t even really have any feelings about Adam aside from “Shiro’s boyfriend!!!” We only got a tiny snippet of his & Shiro’s relationship. From a basic storytelling standpoint, killing someone like Colleen or Sam Holt would have been so much more effective because we know a lot more about Pidge’s relationship with her parents than we know about Adam & Shiro.‬ Adam’s death fell flat because we never knew him or his & Shiro’s relationship.
‪So why did they decide that the gay characters had to lose? VLD could have made something beautiful, something that would help people. But you didn’t.‬
‪Why didn’t they?‬
‪And why, in the same season, did they suddenly make Allura show signs of returning Lance’s feelings, despite her having shown zero romantic interest in him for over a third of the series? Why did they push Keith & Acxa together, two characters who had never spoken before this season? ‬
‪They take away the prospect of a same-gender romance, & then shove some half-assed straight relationships in our faces? It’s as if they’re doing this to be intentionally cruel.
‪Even if Adam somehow returns, that doesn’t repair the anxiety & hurt they caused their LGBT+ fans. With this season, VLD gave us the same age-old tale we’ve been told since we could understand words.‬
‪Happy endings belong to straight people. Gay people are doomed to live through tragedy after tragedy until we die young.‬
‪I believed in this show. I honestly thought the slow-burn romance would be Keith & Lance. Already in season one they had the “bonding moment” that was a textbook example of how to convey romance through visual storytelling. In that scene, Lance said “We are a good team” to Keith, & that was supposedly just bros being bros? But in season six, Lance says the exact same phrase to Allura as a flirty line, so what’s the deal here?
Are Allura and Lance the slow burn? Allura had never shown interest in Lance before now, when she suddenly noticed that Lance is … nice? What … is this? Honest to God, what is happening? VLD really decided to do the guy-likes-girl-girl-doesn’t-reciprocate-but-if-guy-keeps-trying-she’ll-like-him-back-eventually thing? Ah yes, If you flirt with a girl & she ignores your advances, you shouldn’t stop & move on, you should keep pushing, that’s how VLD staff want people to treat women I guess.‬
‪Keith & Axca … looked at each other three times & now they’re in love. Very good slow burn, I cried, 11/10.‬
‪Had the straight romances at least been well-developed I might’ve been slightly less angry. But no, you killed the man Shiro loved & then presented us with some gourmet heterosexual nonsense - no really, where are your Michelin stars because this hetero bullshit is top notch, truly.‬
‪I’m not saying this as a bitter shipper. I’m saying this as someone who invested so much time into your show, only to be severely let down. VLD has had some incredible episodes, but season four & onward was a massive display of incompetent storytelling. It’s as if seasons one through three were created by a different team!
Not to mention the showrunners themselves, who have consistently been dismissive of valid concerns from fans, & when given chances to confirm that Keith & Lance’s relationship was strictly platonic, they instead remained vague, instilling hope in fans - giving people false hope to string them along so they’ll keep watching your show is cruel.‬
‪There are so many other things I could say here, but I’m running out of time.‬
‪Y'all could’ve done extraordinary things with this show & these characters. You could have made something amazing, your show could have been remembered as a trailblazer. But instead, it’ll only be remembered as a clusterfuck & as an example of what not to do, for future creators to learn from.‬
‪I don’t know how or why y'all ended up turning your show into a damn mess. I don’t really care. I just wish you hadn’t exploited the fragile hopes of LGBT+ people.‬
The only thing that can save y’all now is if season eight makes me physically shit hundred dollar bills so I can buy a fucking boat, sail to the middle of the ocean, and just scream for a good six years or so.
Thanks.‬
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tomco-week · 7 years
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Wow, our February week was really great despite the late notice, thank you so much to everyone who participated, followed, and liked and reblogged our Valentine’s Day content. This blog has surpassed 500 followers and that number is growing. So as a treat, I will be hosting Tomco Week 3 in March! Rather than following a set theme, this one will incorporate a variety of prompts so we get varied content from day to day. After that whopper of a finale, I think we need some lighthearted content.
Day 1 - March 12 - Dancing
Let’s be honest, we all enjoy a good dancing scene between our favorite characters. So give our boys the time of their lives as they dance it out, whether it be at a club, or a party, or maybe even prom or a ball or something. Any kind of dance, any kind of song, up to you!
Day 2 - March 13 - Favorite AU
Got a favorite AU? Or do you want to make up your own? Either way, get creative and show us an alternate universe’s version of Marco and Tom getting up to whatever shenanigan you please.
Day 3 - March 14 - Cultural Appreciation
Marco and Tom have their similarities, but I’m sure they also have some major differences when it comes to how their people tend to do things. Let’s explore that, whether it be through the holidays they celebrate, the foods they eat, or even just how they tend to greet a loved one.
Day 4 - March 15 - Cosplay
Oh yeah. Marco and Tom are a couple of dorks. Look me in the eye and tell me they wouldn’t cosplay. Who would they be? Haha, that’s for you to decide.
Day 5 - March 16 - Magic Practice
Star is a magic user. Tom seems to have magic as well. Marco is definitely getting involved in magical shenanigans whether he wants to or not. Why not have some fun and try to learn some things himself?
Day 6 - March 17 - St. Patrick’s Day
It’s St. Patrick’s Day, of course I gotta do a prompt for this one. How do they celebrate it? Partying? Do they get drunk? Or do they just watch other people goof off while staying a safe distance away and gorging themselves on hot wings? Note: If there is any drinking involved, please use the ‘alcohol’ tag for blacklisting purposes.
Day 7- March 18 - Horseback Riding
A favorite hobby of mine (even though I haven’t done it in forever). Tom uses a horsedrawn carriage AND he’s a royal, you can’t tell me the guy doesn’t like horseback riding. Have him take Marco on a trail! Is Tom using a skeleton horse or a fiery demon one? Is he making Marco ride a similar one? How does that go? The possibilities are endless.
I’m posting this a couple weeks in advance and will reblog it in a week or so as a reminder. As usual, the guidelines:
1. Please use the Tomco tag on everything you post for a week. You may of course use main show tags, such as svtfoe and Star Vs, since they are from the show, but just make sure Tomco is also tagged for blacklisting purposes.
2. You may also want to use ‘Tomco Week’ as a tag as well, just to make it easier for me to find your work. I’ll be reblogging everything on the relevant days.
3. You may post entries early, they just won’t be reblogged here until the relevant day comes up. Feel free to shoot me a message but odds are I’ll like it so I can find it later.
4. If you miss the day, don’t worry. I will reblog them as soon as you get it posted. Again, shoot me a message if I miss it. I’ll be tagging things by day for searching purposes.
5. I’m gonna say that NSFW is allowed, but nothing too explicit, please. I’m not going to check ages but if you want to post more mature content, just make sure it’s got the proper tags. I do want this blog to be enjoyed by all shippers, and some may not want to see explicit stuff. Let’s keep it tasteful.
I’ll accept fanart, fanfiction, cosplay, videos, heck, songs, whatever you wanna share.
Have at it, guys! :D Depending on how this goes, I may do another in April. Can’t miss Easter now, can we? But we’ll see~
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