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#i want to find the fic for you
forgetful-nerd · 7 months
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The best tmnt crossover fanfictions have this interaction I swear. These fanfics are feeding my soul.
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scoupsofjisung · 2 months
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˚ ༘♡ ⋆。˚ texting bang chan happy father’s day (best dad of 7 kids fr)
🧸 paring: bang chan x f! reader
🧸 warnings: mentioned implied possible pregnancy as part of a joke, brushed past v quickly
🧸 author rambles: i’m just having fun at this point guys, and i have the most schoolgirl crush on chan thus my urge to flirt with him and threaten everyone and anyone for him. maybe surprisingly, gift giving is my lowest love language, however it’s an easy way to show u care fr. go pick a flower from outside and give it to someone u love asap 🫵
masterlist
blog info post!
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fiendishartist2 · 5 months
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guy who doesnt dance x guy who will drag you onto the dance floor
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muffinlance · 3 months
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Wait, what’s going on with Embers???? That fic has been on my read later list since 2021, what’s happened with it???
Brief overview, then I'm likely never touching this topic again, because this is not a Drama Blog:
Context: Embers is a super old AtLA fic that was written during the early fandom days, read widely at the time, and was the origin of the widely-used fanon name of "Wani" for Zuko's ship (kind of by default that it was one of the first popular fics to give his ship a name, I think?), even though most fic writers don't seem to realize it's from there anymore.
"What's Going On": I used to include a link in all my stories to it, because I believe in crediting other writers for borrowed elements, and I was using "Wani" in all my fics. But BOY did I not want to be sending readers that way anymore, so I've adopted a new name for Zuko's ship, and removed all Embers links.
None of the criticisms about Embers itself are new; I'm assuming they date back to when the fic was being written, because this isn't an "it aged badly" thing, this is an "actually yeah this gets worse the longer you think about it and I shouldn't have ignored my bad feelings just because some of the worldbuilding was interesting" thing.
An Incomplete List of Why I Made the Change:
I don't actually like the story that much anymore, and don't want to rec it
I tried to re-read it recently to see if some things were as bad as I remembered and it turns out they were So Much Worse Oh Yikes. More specifically, the treatment of Katara and Aang and their respective cultures has... rather a lot going on. One example: The Fire Nation and Air Nomads are both given multiple backstory elements in an attempt to make the average Fire Nation soldier's participation in the genocide/war in large part the fault of the Avatar and the Air Nomads themselves, and also fully justified from the Fire Nation perspective. And I do mean fully. One of its core tenants is "People from the Fire Nation (and only people from the Fire Nation) who don't follow orders Literally Die, therefore murdering pacifists and babies and continuing the war (and their regularly scheduled war crimes) is the only thing it is physically possible for them to do". I cannot emphasize enough how literal that is.
Also the name "Wani" means "Alligator" and is... objectively a pretty lame name for Zuko's ship? Where's the personality, where's the deeper meaning, where's the resonance with Zuko's themes? @tuktukpodfics initially thought I was calling the ship "Wanyi", and that's what I've switched to, because it is Objectively So Much Better. In their words: “Wànyī (萬一): Literally ‘one in ten thousand,’ ‘perchance.’ Used grammatically in Chinese to mean ‘what if’ or ‘just in case.’ I think a ship called ‘The Perchance’ is perfect for a boy clinging to false hope.”
TL:DR; I don't rec Embers anymore, because I don't actually like the story anymore, and there are things about it that get worse the more I think on them. I've removed links to it and renamed Zuko's ship to "Wanyi" ("The Perchance") because our boy deserves a ship name that reflects his character arc.
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luxaofhesperides · 5 months
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We Are Robins meeting to Signal apprehending Danny ; requested by @zylev-blog!
“Hey, Danny. How are you feeling?”
Danny gives Duke a tired smile, his head falling back against the wall. He’s sitting up today, which is good. It’s definitely an improvement from the many days Danny was unable to do much but lie down and grit his teeth through the pain as Duke checked on the gunshot wound. It’s a good thing Danny’s a meta with a healing factor, or nothing Duke could have done would have saved him.
As it is, the wound was severe enough to keep Danny vulnerable and unable to move on his own without making it worse. Though Duke has looked, he hasn’t had any luck in finding whoever did this to Danny. He hasn’t brought it up to the rest of the We Are Robin gang, but only because Danny only let him help if he kept it between the two of them.
What’s another secret? If it lets him stay close to Danny and make sure he’s healing well, then he’ll keep quiet and carry on the search by himself. He’s got plenty of practice in doing things on his own.
“Busy out there?” Danny asks as Duke sits down next to him, dropping his backpack onto the ground. 
“Yeah, it’s tough with the cops after us, but someone needs to help Gotham and with Batman gone…”
A pained expression crossed Danny’s face. Eyeing him carefully, Duke opened his backpack and pulled out a few protein bars and sports drinks for him. Once Danny takes them and began eating one, Duke takes out the first aid kit, always kept at the bottom of the backpack, and sets it in front of Danny.
The most he can do is offer supplies and company at this stage of Danny’s healing. He gets twitchy and tense when Duke tries to tend to his wound, and seems to have plenty of practice in patching himself up. 
He didn’t answer when Duke commented on it once, so Duke let the matter drop. 
Metas may have legal protection, but that doesn’t stop people from targeting them. Duke has no intention of pushing Danny into remembering unpleasant things while he’s already wounded, hiding out in the upper corner of an abandoned warehouse taken over by a group of homeless people. Most aren’t inside during the day, choosing instead to be out with the rest of the city, which leaves them alone. 
Duke keeps an eye on the ground floor of the warehouse, making sure no one comes in while Danny tends to his wound. When he peeks back, he can see that it’s much smaller than it was the night Duke found him, crawling down an alley with one hand clutching his side, tears slipping down his face. There had been so much blood that Duke was sure he had just stumbled upon someone dying and froze, horrified. 
And then a shout down the road prompted him to move, hauling Danny up and helping him into the warehouse to hide. 
For a normal person, if it didn’t kill them, the wound would still be raw and bleeding, larger than any gunshot wound he’s seen before. But Danny’s wound is closing up quickly, no longer bleeding, the edges a healing pink.
It doesn’t look like it’s going to scar, either. 
“Think it’ll be all healed up by the end of the week?”
Danny glances up, then continues covering it with new bandage, large enough to cover the entire wound. “Hopefully,” he says. “Then I’ll be out of your hair and can figure out a way to get home.”
“Your folks gonna look out for you?”
“Probably. I’m not planning on telling them, though, since they’ll get way too overprotective. The only reason they’re not tearing Gotham apart looking for me is because I came here with my godfather and he told them we’d be gone for two weeks. Can’t believe he tried to kill me on day one…”
“Your godfather tried to kill you?”
“Yeah. Not personally, or anything, but he definitely hired the guy who shot me. Though he also yelled at him for shooting me? Not sure what that’s about, but I never trusted the guy and he didn’t try to help me afterwards when I ran away, so. You know.”
Duke wants to have a conversation with Danny’s godfather. Maybe bring the other Robins along to make sure the message sinks in: Don’t touch Danny.
But Danny, acting so casual about his godfather trying to kill him, would be unhappy about it, and Duke would really rather be able to take care of him than be shut out for trying to take control of the situation.
“Shit, man, that sucks,” he offers, instead of prying for details so he can hunt down his godfather. “You want a hug or something? I can’t really do much else, but if it can make you feel better about all this…”
Danny brightens and shoves the first aid kit away, his shirt (one of Duke’s old ones he offered up to replace the bloodstained one) falling to cover the bandage. “Please. I would love a hug, dude, I don’t remember the last time I felt so lonely.”
Carefully, Duke wraps his arms around Danny, leaning back so Danny could relax fully and not worry about holding himself up. Danny sighs into the hug, going fully limp as he drops his forehead onto Duke’s shoulder.
“Thanks for this. And everything,” Danny says some time later. He doesn’t move to pull away, so Duke stays as he is, watching the weak sunlight slowly move across the warehouse as it spills in from dirty windows. 
“You don’t need to thank me. I mean, I’m a Robin.” He brings up a hand to tap a finger against the R embroidered into his jacket. “It’s what we’re here for.”
.
.
.
It’s been years since he saw Danny. After he was fully healed, Duke helped him get to city limits, watching as he boarded a bus and disappeared down the road, leaving his life just as suddenly as he entered it.
After spending so much time together, quiet hours of stillness just looking out for each other, his life feels emptier without Danny in it. He knew it wouldn’t last, that Danny would go home eventually, but it didn’t make the parting any easier.
Even now, as Signal, taking a break from going on missions with the Outsiders to spend some time with the Bats, his thoughts drift towards Danny, wondering if he’s alright. In his darker moments, he wonders if Danny’s godfather has tried to kill him again, if he’s succeeded. In calmer, happier moments, he remembers Danny’s quiet stories about his family, his town, all his dreams and hopes for the future, remembers the easy company and how Danny didn’t look at him with pity when talked about his parents, just quiet and contemplative. 
Sometimes, he can’t resist the urge to look him up, but there are so many Danny’s out there that he doesn’t know where to start. He never got Danny’s last name or learned when he came from.
It’s not like he can just ask the Bats for help finding a guy he knew for two weeks before he ever joined them. They’re all busy with their own missions, and definitely don’t have time for Duke’s reminiscing. 
“Just caught sight of the truck entering city limits,” Oracle says in his ear. “It’s heading towards the Coventry.”
“On it. Any movement from the mobs?”
“None yet. I expect this to change soon. Red Hood and Black Bat are patrolling nearby if you need backup.”
“Got it. Signal out.”
His comline shuts with a little click, and then he’s grappling over the roof tops, keeping an eye on the roads in search of the truck. He doesn’t have time to think of Danny anymore, not when a shipment of new, experimental weapons is passing through Gotham. Spoiler had heard a few whispers of it and Red Robin helped find more solid details; the mobs are all looking to take the shipment for themselves in an attempt to get the upper hand in the nonstop fight for control of Gotham’s streets. 
It’s passing through during the day, visible and a good move to keep from being ambushed at night, but it’s not enough to stop mobs hoping to take out their competition with new weapons. Duke enters the Coventry just as his comline beeps once and Oracle begins giving him specific directions, along with a brief description of what the truck looks like. 
Apparently, the weapons are being moved in a U-Haul rental truck. That is… certainly a Choice™ to make for moving weapons around the country.
He follows it from the rooftops, but nothing happens. The truck passes through the Coventry without incident and takes a turn that keeps it away from Crime Alley and the Bowery. It gets to the middle of East End then pulls to a stop in the parking lot of a diner. 
Two people get out and stretch, then head in to get something to eat.
It would be the perfect time for someone to break in. Duke pulls the light over himself, manipulating it to make him disappear from sight as he looks down from the edge of the rooftop, tense and prepared for anything.
He almost doesn’t see it at first. It’s just a flicker, a flash of color, a shift in the shadows across the street. But he does see it, even if he can’t find it again, and drops down from the roof, creeping towards the truck.
Duke waits, holding his breath, off to the side of the parking lot. 
A minute passes. And then a figure materializes out of thin air, floating right behind the truck. All Duke can see is white hair and a black body suit; they’re either a meta or an alien, but either way, Duke is ready to take them down.
The figure lifts their hands and a bolt of neon green energy hits the truck, melting the back and leaving a large hole that gives them direct access to the weapons. And then they shoot again, destroying the weapons.
“Phantom!” someone shouts, and the truck driver comes tearing out of the restaurant, a white gun in his hand. His companion follows, her gun also out, and the begin shooting. 
Phantom dodges the blasts, then vanishes from sight. He reappears behind them a moment later, tackling back of them into the side of the truck. 
“No you don’t!” Duke say, rushing forward as he pulls at the shadows around him then sends them racing towards Phantom, restraining them. The driver and his companion collapse onto the ground, groaning weakly, and Duke grits his teeth. “O, send someone to look after the people moving the weapons. Apprehending an attacker now.”
He doesn’t wait to hear a response, tightening the shadow’s grip on Phantom, who struggles fiercely.
“We can do this the hard way, or the easy way,” he says, pulling Phantom closer to him.
Phantom doesn’t answer. They just scream, the force of it making Duke fall back. His shadows dissipate, and Phantom flies up.
“Get back here!”
Duke gives chase, dropping in and out of shadows, throwing some at Phantom in the hopes of catching him again. But Phantom is fast and it takes all he has to keep up as they cross Gotham.
He thought Phantom was flying around blindly, but the way they move across the roofs and then through the streets are too confident, too focused to be anything other than someone with a destination in mind. But where? Where could they be going? If they’ve been in Gotham, then Duke would have heard of them.
A flying, powerful meta with a multitude of powers? Yeah, he would have known about them.
Phantom flies through a wall and Duke curses, going onto the roof and looking around, waiting to see them fly out. But they don’t and Duke finds a broken skylight to drop in from, landing on the support beams of the warehouse, well above the ground.
He knows the warehouse, he realizes suddenly. It’s the warehouse Danny hid in while he was healing. Duke hasn’t been back in years.
“Just listen to me, please,” a voice says behind him, and Duke tense, spinning around to face Phantom, floating just out of reaching distance. “Those weapons are dangerous. No one should have them, it’s why I had to destroy them. Please, you can’t let them get those weapons out.”
Duke stares. Something about Phantom is familiar. The shape of his face, maybe. His voice. Maybe it’s just because he’s in the warehouse again, with someone pleading for his help.
Maybe it’s all in his mind.
“Danny?”
Phantom flinches, floating back a few inches. “What— How—”
“What happened? Is it your godfather again?”
“My— Duke? Is that you?!”
He definitely shouldn’t be doing this, but Danny’s here. Danny’s here in front of him, needing help, and he doesn’t need the Signal. He needs Duke.
He pulls off his helmet and lifts his bare face to Danny.
“Oh,” Danny breathes. “Well. I guess I should have known you’d be a hero. Can you help me one last time?”
“Yeah, of course Danny. Tell me what you need.”
“Those weapons, they were first made to kill me and others like me. It’s a whole thing I don’t have time to explain. But they’ve been changed to affect humans, all types of people, as well. I can survive a few hits from those weapons, but for most people, it would kill them instantly. I need to destroy all of them and stop any further production before the rest of the world gets a hold of them.”
“That’s why you—”
“They have to be destroyed,” Danny says. “And the people making and selling them need to be stopped. I can’t do it on my own. I’ve tried, but…”
“I’ll help,” Duke says, “I’ll help. This is a big enough problem to bring the Outsiders into it. Or the Bats, but they like to stay in Gotham.”
Danny floats closer, looking painfully relieved. “Really? They’ll be able to put an end to this?”
Duke reaches for him. “Yeah. they can do it. I’ll make sure of it.”
Danny’s feet land on the support beam as his hand meets Duke’s. They balance above the rest of the warehouse, drinking in the sight of each other. Duke rubs his thumb over Danny’s knuckles in soothing circles and watches as the tension begins to fall away from Danny’s shoulders.
“Duke,” he whispers, “I’ve missed you—”
The door below is kicked open, and a gunshot rings out. 
Moving on instinct, Duke tackles Danny, wrapping him up in his arms as they fall off the support beam. They hit the ground hard, rolling a bit, and Duke tucks Danny into his chest, bodily protecting him.
“Narrows!” 
The Red Hood stands over him, menacing, a gun pointed at him. 
“Hood?” He loosens his grip on Danny. “What the hell was that for?” 
“Thought you needed back up. You chased after our guy and lost your helmet, I think I’m right to be a little worried about you. So, who’s this?” There’s a hard edge to his voice, and Duke realizes with a sinking heart that all anyone else sees is an aggressor, a meta who attacked a truck full of weapons, attacked two people, and had to be chased down by the Signal. Jason’s seeing a threat and acting accordingly, putting Duke’s safety first. 
And with his helmet off, identity clear, Danny’s even more dangerous now that he has this knowledge.
“I’m sorry,” Danny whispers to Duke. He doesn’t have time to ask for what? before Danny’s shooting another beam of green energy at Jason then taking off, flying through the roof and out of sight.
“Shit,” Jason mutters, straightening up from where he ducked to avoid being hit, then puts his gun away and kneels next to Duke. “You alright? Why’d you let him go? I thought you had him.”
“I’m fine. He’s not… He wasn’t going to hurt me. He just needed help.”
“Sure. And what are you not telling me?”
“I knew him. He’s a good person, but he’s been in danger for a long time. This was him trying to protect others from what he went through.”
Jason takes off the helmet and stares at him. Then he sighs and reaches a hand down to help Duke to his feet. “Alright,” he says, “Let’s head back to the truck. You have until then to convince me that they’re the problem, and if they are, then I’ll help you blow up more of their weapons.” He claps a hand on Duke’s shoulder, then pulls his helmet back on. “Grab your helmet. We’re wasting daylight, Narrows.”
There’s nothing else he can do, no way to search for Danny when there are other leads to chase, so Duke grapples up to the catwalk where his helmet landed and grabs it.
Just before he puts it on, he sees a flicker of white just outside the window he’s facing. He ducks his head to hide a smile. It’s almost like he’s stepped back in time; Danny’s here in Gotham, needing help and asking for it in the warehouse. 
And though so much has changed in those years, there’s still one thing that Duke will ensure never changes: he’s Danny’s hero. Above Robin, or Signal, or anything else, Duke is Danny’s hero.
This time, he has the power to actually help Danny. He’s going to make sure no one ever hurts Danny again.
“Let’s go,” he says, jumping back down to Jason, helmet on. “I’ll tell you everything you need to know.”
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daydreamerwonderkid · 8 months
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Have a JayRoy prompt I will never finish shhhh
Jason: Can you believe Bruce and Ollie right now?! Do they seriously think blowing up our phones is going to convince either of us to throw a stupid wedding?
Jason: How do they not get that the reason we went to the courthouse was to literally avoid all of this in the first place?!
Roy, choked up: Yeah, totally. They're totally blowing this way out of proportion.
Jason: ......
Jason: ......... what's wrong?
Roy: Nothing.
Jason: .....
Roy: It's just ... Dinah sent me some pics of some flower girl dresses she was looking at.
Roy, barely holding back tears: Lian would make such a cute flower girl!!!
Jason: *long sigh*
Jason: Okay. I'll call Bruce.
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pizzaqueen · 5 months
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Rest Stop
Written for the prompt ‘rest’ for @steddiemicrofic
387 words / rated T / pre-slash
Recreational drug use
There’s a rest stop on the decommissioned road a little ways out of Hawkins. It’s not a lot of anything, a tin roof over a picnic table, but Steve likes it. Thinks of it as ‘his’ spot, even though Tommy H told him about it. But it’s a good place to be alone. To, well, rest.
And, sure, Hawkins is full of places like that, quiet, empty places, and alone isn’t something Steve likes to be that much, but nights like tonight…
He sighs, tips his beer to his lips. It doesn’t hit him often, but when it does, it’s a restless itch; he can get away from Hawkins, from his house, his job, his nonexistent love life, but he can’t get away from that feeling. Out here he gets close, though.
Tonight, his solitude is short-lived. Footsteps make Steve tense, and a deep voice cuts through the night: “Steve?”
The tension drains; Steve turns. “Hey, Eddie.”
Eddie blinks. “I found you.” He scratches his head, nods at the table Steve’s sitting on. “Mind if I…?”
“It’s a free country.”
“So I’m told.” Eddie’s lips quirk; he sits beside Steve, pulling a joint from his jacket. He waggles it; Steve nods.
“Why were you looking for me?”
An orange flame sparks from Eddie’s lighter, catching the end of the joint. “I wasn’t.” Eddie takes a drag, gives the joint to Steve.
“You said you found me…”
“Don’t have to be looking for you to find you.”
Steve shakes his head. “All right.” He takes a hit, relishing the pleasant buzz, passes it back.
“What brings the valiant Sir Steve out here?”
“I like the quiet.”
“That a hint for me to shut my yap?”
“No.” Steve knocks their shoulders together. “I like listening to you talk.” Why did he say that? He doesn’t really care. Huh.
Surprise flickers over Eddie’s face, but it settles into something pleased. “Good.” He winks. “Because I have plenty of stories to tell.”
After a few moments, Steve says, “Well,” waving his hand, “go ahead.”
Eddie’s eyes sparkle; he starts talking, gesticulating wildly, and Steve realizes the restlessness is gone. Maybe it’s the weed. He’s pretty sure it’s all Eddie.
Okay. Something to look at later. For now, he basks in Eddie’s voice and the easy, restful feeling of being near him.
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tennessoui · 3 months
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it's been so long since i did a sith obi-wan au so like - how about an au where the sith are almost as established as the jedi (a temple, an order, followers numbering in the hundreds/thousands) but things are a bit more diplomatic in the galaxy (it's definitely tense but not all out war just yet)
so both the sith and jedi orders are alerted to a new rising power in the outer rim.....on tatooine of all places. a slave rebellion, led by shmi skywalker, has toppled the hutts. it's said that this new leader, queen of tatooine, has the Force's favor....but more importantly than that, shmi skywalker is a new galactic player, with a lot of money and a lot of support.....and a son of marriageable age.
cue both the jedi and the sith sending a delegation to tatooine - ostensibly to nurture galactic relations between their orders and the new power, but also to lowkey seduce shmi skywalker's son into marriage/a relationship because everyone knows that a parent's heart follows their children's happiness.
sith!obi-wan aka darth solence is selected to lead the sith seduction attempt. he's pretty confident - after all, he's led hundreds of seduction missions at this point, and he'd suffer a thousand different humiliations for the sake of the order of the sith who took him in after the jedi sent him to the agricorps.
the only problem is that he arrives on tatooine and shmi skywalker's son, anakin, is the most bland, boring, two-dimensional boy to ever breathe. he's completely uninterested in politics, in history, in the Force---he'd rather talk about pod-racing and--and Coruscanti daytime holo shows than anything of actual interest!
good thing the prince's manservant, kitster, is almost always hanging around. he's wrong about many things, obi-wan finds, but he's passionate. passionate and beautiful. oh, he loves pod-racing just as much as the prince, but he's fascinated by the Force and ready to tear obi-wan's eyes out over a passing negative observation on a droid. and did obi-wan mention that he's beautiful? with his golden curls and sky blue eyes and fierce scowl and broad shoulders and prominent eyebrows and even more prominent lips? the sith, as a general rule, appreciate passion, anger. beauty. obi-wan adores them as well.
but kitster the man servant isn't the person obi-wan has been flown to tatooine to seduce--he's duty-bound to seduce prince anakin. even if being around him feels like pulling his teeth out with rusty pliers.
if only obi-wan knew that shmi skywalker is more suspicious about the galaxy than she lets on. more protective of her son, too. if only he knew that her son, anakin, had a best friend growing up named kitster, who owed them both just enough life-debts to convince him to trade places with shmi's son for the length of the delegations' visit.
it's an easy sell after all -- who doesn't want to be a prince for a few weeks, no harm done?
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flowercrowngods · 1 year
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yearning hours (b-side) — in which being in love can feel like the greatest tragedy of all until you learn that you’re not alone (or: bravery, despite everything)
🤍 also on ao3
Steve comes to the quarry when he needs to think. He comes to the quarry when he needs to not think. When he needs to feel this rush of adrenaline that feels so much like monsters are real and the world has turned upside down. Except he isn’t going to die here, sitting on the cold ground, legs dangling over the abyss.
He’s not going to die, but life stops for a moment all the same. 
And Steve relearns how to breathe. How to think. How to not think. While the darkness below him swallows it all. The pale light of the moon is not enough to reach the ground hundreds of feet below, or to chase away the complete and total darkness that meets his eyes when he looks down there. 
It’s all-encompassing, this darkness, the vastness of it; Steve sometimes feels like he becomes part of it. Just for an hour or two. Just for the night. 
The cold air that hits his face makes him shiver for a second, and reminds him that he used to think the darkness at the bottom of the quarry had a life of its own. Hell, maybe it does. With what they’ve seen, what they’ve fought, who’s to say there’s nothing down there? Maybe that’s what draws him here so often. 
Does the living darkness know his secrets like the darkness in his room does? Does it listen to him, does it care? They’re stupid questions, Steve knows. But they carry a hopefulness he wants to preserve. Something that survived the Upside Down, that survives the nightmares and the flashbacks and the post-traumatic stress, as Hopper and Owens call it. 
There’s something primal about sitting on the edge of such vastness, so much so that it makes his heart beat faster, his breath come shallower, like he is just a second away from falling. Like he has to savour this; this second, this moment, this life, because beyond it, around it, below it, there is only darkness. 
He takes a deep, shuddering breath and lets it all out until his lungs ache. The silence is absolute. He feels like the only person on the planet — but not in the bad, painful way that’s been hiding in the back of his mind for as long as he can remember. 
If he only breathes like this for a while longer, lets the feeling settle, lets the thoughts come and bring emotions with them, he knows that soon the tears will fall.
Tears, because he shouldn’t have to sit at the edge of the quarry in the dark of night just to be able to feel. Tears, because he forgot how to be a boy, how to be a person, about three years ago. Almost to the day. Tears, because they all did; but he’s Steve. He can’t let them see. Wouldn’t know how even if he wanted to. 
And tears, tonight, because just hours earlier, Eddie fell asleep while Steve made dinner. His arms were curled around the pillow Steve had leaned against all afternoon, and Steve just stood there in the doorway to Eddie’s room, the smell of fresh pasta mixing with that of leather, paperback books, tobacco and laundry detergent that is so purely and wonderfully Eddie that Steve just wants to catch it in a mason jar and open it whenever he needs a dose. 
Eddie had fallen asleep, and all Steve could do was look at him. Smile on his lips, ache in his heart that only grew in ferocity until all he could do was leave. Because friends don’t watch their friends sleep. Not like this. Not with their hands twitching by their sides, curled into fists to stop them from reaching out and trailing over soft, warm skin. Friends don’t… They don’t. 
So Steve left, pasta untouched. Heart unravelled. Words unspoken. 
He left and sped off until he reached the quarry, a safe place to piece himself back together again — but he doesn’t have the heart to leave out Eddie. So every time he comes here and puts the pieces of himself back together, he puts Eddie in the centre. He always does. It’s what keeps getting him in this mess. 
But it’s still the closest he’ll get to bravery after the Upside Down; admitting, if only to himself, that he likes a boy. Allowing himself to cry about it. To breathe in and breathe out and have the truth unchanged, unchallenged, undoubted.
He’s still breathing when the all-encompassing silence is interrupted, joined by the unmistakeable sound of tires on gravel. Seconds later, headlights illuminate the night, his arms, the edge of the quarry, but still not reaching beyond that. The car comes to a stop but Steve still doesn’t move, doesn’t turn around, just hopes that whoever it is will just leave him alone. 
Lights go out, the engine is killed, followed by the sound of a car door opening and being closed far too gently. 
Steve isn’t too surprised when steps approach him slowly, nor when they come to a stop beside him, chasing away some of the cold that’s been resting over him like a blanket.
Instinctively, he knows it’s Eddie. He just doesn’t know why. 
“How’d you know I’m here?” he asks into the void, still unmoving. 
“Just knew,” comes the reply, and it sounds so soft, so gentle, so understanding that Steve fears he might fall apart and have to rebuild himself once more. Twice in one night. Wouldn’t be the first time. Won’t be the last. “Why’d you leave?” 
Because otherwise I’d have crossed the distance and fallen to my knees, brushed a kiss to your forehead and told you dinner was ready. Because otherwise I’d have slid down the doorframe and watched over you, watched you, and the firework of a person that you are even in your sleep. I’d have fallen in love and I’d have fallen, fallen, fallen. So I needed to go where falling is not an option. 
Instead of saying any of that, Steve only shrugs. “Just did.” 
It’s lame and unfair, he knows, but talking to the darkness is so much easier when there’s not an audience, and Eddie just… he can’t know. Any of that. 
“Can I join you?” Eddie asks then, and Steve can hear it in his voice that he would leave if Steve said no. 
Maybe that’s why he doesn’t; just nods and scoots to the side a bit even though there’s enough room for Eddie to sit just anywhere. 
But he doesn’t sit just anywhere, no. He sits down rather clumsily — for which Steve can’t blame him, it is a little scary in the dark, and one wrong move could be your very last — and ends up with his arm and shoulder pressed to Steve‘s, their legs so close he can feel Eddie‘s warmth through the denim.
It’s too much. It’s not enough. It’s dangerous, so close to falling, and Steve scoots to the side, breaking contact. Breathing carefully.
Eddie‘s eyes are on him, he can feel it. He doesn’t react. It hurts, his entire body aches with how close he wants to be. But it’s too much, even for himself to bear. Putting all that on Eddie would be enough to take them both down to the bottom of the quarry, and lower still.
So he swallows. All the words he cannot say, all the thoughts that lump together and clog his throat.
“Are you okay, Stevie?” Eddie asks, and Steve just shrugs again.
“Sure.”
“Right,” Eddie whispers, then sighs. It’s not a heavy sigh or a judgmental one, but it makes Steve flinch all the same.
Too much. Too fucking much even unknown.
Silence falls over them, the quarry working its magic — or its curse — even on Eddie Munson. Steve wonders if it suffocates or liberates him, but he doesn’t dare to ask. It would take too much explaining for the question to make sense, too much revealing himself, too much of… Just too much.
He wants to ask. To say something. To scoot back over again, closer to Eddie, and lay his head on his shoulder, bask in his warmth and withstand the magic, the curse, the darkness.
Withstand it, because that’s what Eddie does. He is brave, despite everything.
And Steve is just the boy who sits with darkness at night because he doesn’t know how to be brave anymore, not when there’s no question of life or death. He forgot all about everyday-bravery.
But Eddie didn’t. He’s still there, still smiling and laughing and teasing his way through life and into Steve’s heart and soul.
And Steve doesn’t know what to do with it. Doesn’t know what he can do with it. Doesn’t know how to ask.
It’s no surprise, then, that it’s Eddie who does.
“What are we doing, Steve?” He sounds a bit resigned about it, and it makes Steve hide away in himself even more, focusing on the darkness beneath him rather than the light beside him — they both leave him blinded at equal measure, but one of them doesn’t ask him questions to which he doesn’t know the answer.
“What do you mean?” he asks after a while, his voice a little off. He doesn’t know what he’s feeling. Apprehension, maybe. Caught. Uncovered. Exposed.
Beside him, Eddie sighs again, just a little bit, but Steve has always hated that he keeps making people sigh. Makes him feel so fucking small, so incredibly useless.
He raises one leg from the abyss to rest his chin on his knee, because suddenly he feels so heavy that he needs the physical reminder that he’s not about to fall. One foot on the ground. Steady, secure, a great illusion for now.
“Sorry,” he whispers at last, because Eddie hasn’t said anything, has only sighed and created a silence that’s so loud it can probably be heard at the bottom of the quarry, and Steve feels like the silence is his fault this time.
“What for?”
“Dunno,” he confesses, lies, concedes as his house of cards begins to crumble for some reason. The heaviness wanders from his throat down to his heart and settles there, making a home for itself, casting out all the lightness that usually comes when he’s around Eddie.
But it seems he’s reached his breaking point. It seems he can only pretend to be okay for so long, pretend not to yearn and ache and long for intimacy and tenderness. It seems he can only put himself together again, rebuilding himself around Eddie at his centre, until it would break apart for good. Burst out of his heart, dismantle him piece by broken piece until all that’s left is a broken boy, yearning.
And so he can’t stop the tears even if he wanted to. They’re kind in their silence, streaming down his face without demand for sobs or sniffles. Just breaking free, a simple displacement reaction. Following the physics of emotions.
“Hey,” Eddie whispers, reaching out to wrap an arm around Steve’s shoulders, pulling him into his side. There’s that warmth, that touch, that gentleness he’s been craving — and there’s that sob he’s been suppressing. “Hey, Stevie, it’s okay. You’re okay. You can talk to me, you know that, right?”
He shakes his head into the warmth of Eddie’s neck, wiping dejectedly at his tears.
“No?”
“No,” he whines, sighs, groans, annoyed with himself.
“Don’t want to? Or can’t?”
Both. Neither. All at once.
He shrugs again, still leaning against Eddie.
Eddie, who turns his head slightly and brushes his lips over Steve’s hair in what can only be described as a kiss. Except, it can’t. It couldn’t. It isn’t.
Steve begins to shiver against him — maybe he’s cold, maybe he’s overwhelmed, maybe he’s both and neither and everything all at once.
“I’ve got you, Stevie.”
And then Eddie kisses his head again, and he stills.
“You can’t kiss me, Eddie,” he says, voice still thick, but steadier this time. No more sobbing, no more whining. Just a broken boy, yearning. Always, always that.
Eddie freezes where he’s holding Steve, only his arm still moves in soothing, rubbing motions — warming him, holding him, saving him. Always, always that.
“Sorry,” Eddie says this time. Except it’s wrong. It’s so wrong, and Steve leans back to look at him. It’s impossible to make out his expression in the darkness, but he tries nonetheless.
“Don’t be sorry,” he whispers. “Just…” He gestures vaguely, not quite sure what the just entails. Just mean it. Just do it right. Just don’t do it out of pity. Just leave me alone until I’m over you even though we both know I never really will be.
“Just?”
Steve shrugs. Whispers, “I don’t know.”
“Don’t hide, Stevie.” Be brave, Stevie. Be brave like me.
God, how he wishes. How he longs. How he aches.
“You don’t have to hide, not from me.”
Steve huffs and says, before he can stop himself, “Especially from you.”
Eddie pauses and Steve freaks out a little bit, even before Eddie asks, “Why?” He sounds wounded. Small. He shouldn’t sound like that. Never.
“Because you’re gonna see otherwise.”
“See what?”
That I’m completely and utterly in love with you. Besotted. Enamoured. All the big words you like to make fun of. All of them and more.
“Me.”
There’s a beat where nothing happens. Maybe time stops, maybe reality resets itself, settling in more comfortably in anticipation of vulnerability’s fallout.
And then Eddie takes his hands, reaching for them in the darkness and finding them with ease. Like he’s done it many times before. Because he has. Just never like this.
“Steve,” he begins, and Steve wants to run again. To hide, to confess to another void, and make Eddie forget this conversation ever happened. “I think I already do.”
What? No. No, you can’t.
When Steve doesn’t respond, Eddie continues, seemingly gathering himself and his thoughts as he goes. Always so much stronger, so much braver than Steve.
“I already do see you. The way you smile at me, light up the whole room with it. The way you hug me, always a little too long, but never long enough if you ask me. I see you blushing, I see you going out of your way for me, and… And I think, if you knew how to look, you’d see the same in me. Because, uh. Because I like seeing you. And I like… I like you. Not in a friends kinda way. In a way where I wanna sit beside you all night and talk about deep shit, but I wanna run my fingers through your hair when we do. I wanna play with your fingers when we do. I wanna kiss you when we do, because there’s deep, heavy, traumatic shit everywhere, but there’s also you. And I don’t want one without the other. I want you. In that exact way that I see you looking at me, wanting me, too.”
Eddie swallows, a little breathless beside him like Steve’s not choking on emotion himself.
“Tell me I’m wrong,” Eddie whispers then, pressing and desperate and knowing. “Tell me you don’t like me in a way you think you shouldn’t. Tell me I don’t see you.”
He shakes his head, slowly, frantically. “I can’t.”
“Because it’s true?”
Steve’s nodding now, just as frantic, leaving him disoriented and falling, only anchored to Eddie who’s still holding his hands.
“Yeah,” Steve gasps, rasps, whispers. “It… I’m. I don’t.” It’s he who swallows heavily now, needing a second or an eternity to process Eddie’s words. “You really mean that?”
Eddie nods. He can feel it, somehow.
“I don’t know what has you so scared,” Eddie begins. “Except the obvious, of course, but I feel like that’s only a small chunk of it. But you gotta believe me when I say that I mean it. I like you. So much it makes me stupid sometimes.”
Steve huffs, but it’s a smile this time. A real one. Tinged with sadness and heaviness and disbelief still, but a real one nonetheless.
“I wanna tell you. All of that. Everything, in my own words. And I will, but… Eddie, I’m—“ Steve starts with a quivering voice but shuts himself up before he can ruin this.
I’m broken. I’m not sure if I can let you. I’m just Steve. I’m bullshit. I’m…
“I’m tired.”
It has a double meaning, here at the quarry — but he doesn’t mean it like that. He wouldn’t. He couldn’t. He won’t.
“Can you just hold me?” It is perhaps the closest to bravery he’s going to get. Tonight, or always. But it’s enough. It can be enough.
Eddie hums and Steve can hear the smile, can feel how some of the heaviness inside him dissipates with it.
“Of course, sweetheart.”
Steve shivers again as he shifts, lying back so it’s only his legs, bent at the knee, that dangle over the abyss now. Eddie joins him, wrapping his arms around Steve’s middle and rearranging them so Steve rests half on top of him. It can’t be comfortable, but Steve doesn’t mention it.
They lie there in silence, and Steve allows himself to let go of the tension in his bones as he feels Eddie’s hands travelling across his back in a tender caress. He doesn’t quite believe it’s real, doesn’t believe he’ll get to keep it beyond this moment, and can’t quite savour it the way he wants to because surely he will lose this, too. Surely Eddie will realise and come to his senses and—
“Do you really mean it?”
“Yeah,” Eddie says, leaning up slightly to brush his lips over Steve’s temple. “Yeah, Stevie. I really, really mean it.” And then, after a while, “Will you come back home now?”
Back home. Home to Eddie and Wayne. Home, because Eddie cares and wants and bravely, bravely asks.
“Yeah,” Steve says.
Another kiss to his forehead. “And will you stay?”
It is Steve now who leans up, hovering above Eddie to meet his eyes through the dark. “I will. I do.” And then he slowly, carefully captures Eddie’s lips with his own, sealing the promise and receiving one in return.
Kissing Eddie is a lot like falling, he realises. But there are arms wrapped around him, holding him, never wanting to let him go — so maybe it isn’t falling after all. Maybe it’s flying.
At home in his bed, Eddie holds him some more, running fingers through his hair long after Steve has fallen asleep.
They’ll make it work.
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mamawasatesttube · 1 month
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its just like. such a shame in a way you know?? bc in the comics tim and kon genuinely have such a fun relationship. they are best friends!! they bicker but they love each other!! they have a deep bond of trust from pretty early on even WHILE they're bickering!! they learn how to communicate with each other and they have a clear arc of growing closer and leaning into each other. and yeah, we all know tim goes off the deep end when kon dies (yippee!!) but thats like... just the tip of the iceberg. kon goes to him when he feels uncertain about his powers! kon likes it when tim's "the man with the plan"! kon knows how to read him so incredibly well just from his costume! kon has a red mercy nightmare about tim dying in front of him while hating him! kon calls him his best friend SO early on, even before he knows his name!! they hang out, they make each other laugh!
...and yet in fanon they just get relegated to boomer style "i hate my wife" jokes wherein tim is always annoyed with kon for some reason, flanderized into homophobic stereotypes (why is tim always "the girl" whose virginity must be defended by her owners i mean brothers/father, in this gay relationship? let's ponder), or treated as just some default background pair who never get any characterization. particularly kon. (kon baby im SO sorry the people who brag about how they don't read comics do all of that to you.)
like... dude... this is tragic... theres SO much good here and NONE of it shows up in the tags save for once in a blue moon...
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luna-lovegreat · 3 months
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It's all "links meet aus" and "zeldas meet aus", but where's my "companions meet aus"?
I wanna see midna bash fi and navis heads together for annoying her
I mean can you imagine the sheer chaos of all the Zelda companions meeting and going on a journey together? They're all companions/guides! One of thems a talking hat for hylias sake how are they supposed to take initiative?
I think it'd be like Lu where they all just meet up, but can you imagine the chain just somehow finds out this happened (and twilight is just like guys I am so sorry about midna) (but they're also really oddly touched that all their friends met each other too)
Pretty sure midna would be the sort of leader, since the last time she was in a foreign world she just found the nearest dude and started ordering him around. By like halfway through twilight princess she was literally asking LINK to accompany her to get what she needed.
But like. 90% of the group would be fairies. Which can't heal. One is a talking hat who just needs a head? He can't go on midnas cause she throws him off with her magic hair, poor ezlo is just trying to keep up.
They also have these weird green shadows who come around? They don't talk, but there's a rock, a fish, a bird, and a lady who just appear and stab things and shoot wind water fire and lightning.
Also midnas really confused why wolf link just shows up and kills things every now and then (from botw amibo)
Fi is the one who can talk to Hylia and awaken memories and get guidance and information or whatever, but she only does this by ballerina dancing and the others are always pissed at her anyways "WE DONT KNOW WHAT BATTERIES ARE OR A WII REMOTE WILL YOU PLEASE GO BACK IN SWORD FORM ALREADY" "I detect there is a 90% chance you need a key to open this door" "wow. Your perception is unparalleled fi."
Also there's a boat. A boat. Who is also good at taking charging since he's a king, which causes some friction between him and midna, since she has to grab him by her hair to move him half the time.
And with the fairies. Again. They all offer advice mainly. And with the fairies a lot of their main role is speaking and getting attention and pitching in? They come on an intersection and there's a chorus of bells all shouting the same directions. Ezlo is trying to cover the kings ears from his place on the boats head
Also there's this ghost/spirit of Zelda that everyone just feels REALLY strong loyalty to. But she's just like this kid who wants her body back?! They try to protect her but she can turn into a purple knight and stab things so there's that. I think there's also some animal companions from ooa/oos so.
Side quests are nonexistent they don't care about a village or gathering frogs for a kid they are there to save the world on a mission linear plot it is
And it's interesting because you have so many of them who just vanish and then appear to give loud advice. All at once. And the fighting skills basically fall to those weird green shadows that shoot various elements and fight and randomly disappear. Midna and spirit Zelda can fight, and Fi can too (kind of like how she fights as a sword in hyrule warriors). Also up to you if midna is drop dead gorgeous or devilish imp.
By the end they find whatever enemy so they can go back and midna is so pissed by this point that she hears the word "batteries" from Fi and goes full on fused shadow and just obliterates the jerk
***I have not played all the games so do not know or understand all of the companions and probably got some stuff wrong
Bonus: there is a child in a village named Link who does not have the spirit of the hero. He is stalked for three days until Fi decides his vibes are off and they all stop telling him he's the chosen one
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clandestine-poet · 2 months
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For context, before anything else, I myself am a lesbian.
Alright. So I don't quite know how to explain it, but Hualian really just has lesbian vibes. At least to me.
Being a lesbian is a lot of: "You girls must be such good friends!" "Do your boyfriends know you're here?" "How come I never see you two apart?" "Haha, two girls kissing? They must be best friends."
And look. Listen.
Hualian is constantly having people be like "You two must be such great friends!" from most of the other heavenly officials (until later on).
Xie Lian and San Lang at Puqi Village getting the "where's your wives?" every .5 seconds.
Xie Lian is constantly asked/talked about with "where's YOUR crimson rain sought flower?" or "If you are here, Crimson Rain is not far behind".
THEY KISS SO MUCH AND MOSTLY GET LOUDLY TOLD "there's other ways to exchange spiritual power!"
Also, there's something inherently powerful about a queer couple.
Being queer creates a space outside the norm. That unites us so much.
And it just feels like Hualian are the most lesbian-coded gay man couple I have seen in a long, long time.
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little-pondhead · 10 months
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Both Danny and Phantom have freckles. The only reason Wes can’t use this fact on his conspiracy board, however, is because Danny has freckles in the summer, and Phantom has freckles in the winter.
Every time Wes tries to convince people that Danny and Phantom are the same person, people around him being up this fact and his whole argument crumbles to the ground. He spends weeks trying to find any possible reason Danny’s freckles are on the opposite sides of the seasonal scale.
This is the only reason Danny’s identity has not been blown yet.
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methoughtsphantom · 3 months
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DP x DC
not me thinking about imaginary scenarios of ten year old Tim Drake in the ghost zone (pariah’s castle)
where Tim thinks it’s strangely soothing that despite being the only one whose steps connect to the ground, there’s not that eerie silence that befell drake manor
strange blob creatures chitter softly and nip at his hair and swooshes and wisps of wind betray the presence of an invisible ghost
which after following he realizes it’s almost like he’s trailing after the black dark shadow that is batman again
which gives him the idea that, maybe, just this one time, he can play the part of robin
that in mind Tim makes out a game of sneaking to the side of ghosts that look like they’re brooding and if they can spot him he loses
most just grunt in response (very in character) while others fuss over him and ask questions which Tim uses to infodump
he also politely asks the ghost that always asks him how he’s doing to instead say the word “report”
(the ghost looks at him weirdly but humors him and besides the answer would be the same anyways)
Tim also(!!)
gets on the case of why the walls lack tangibility when he is the one leaning on them (he doesn’t live down the time he wanted to look cool only to fall through the wall)
hyperfixates on how gravity works in the ghost zone because he couldn’t do a skateboard trick he has pulled off many many times and he’s salty about it
tries to figure out where they are getting human food from (cause it’s hot enough to be homemade but also there’s no kitchen —so how could it be) (also he wants coffee)
finds out the dude that often gives him a side eye when he finds that Tim knows how to do something (math homework), is next in line for the throne and yet doesn’t have a single “mingle and talk people up” bone in his body. (despite it his networking is a solid 7/10)
gets a ghost horse to adopt him what
discovers pretty quickly that there are rooms to which he can’t phase through (a.k.a. he’s not allowed entry) to which he begrudgingly backs off even though that stands in his way of doing a very thorough layout™ of the place (robin would)
sulks over the lack of extreme sports in the place
(Danny takes him to the Far Frozen where they go tire sliding in the snow and where tim learns how to use a skateboard skate and also that ghost ice cream is just as good as normal ice cream)
sulks again cuz he caught a common cold
also because there’s no sun or moon poor Timmy’s already screwed sleep schedule gets more messed up to the point no one knows when or where he will fall asleep
(ghosts find him in the most unhinged of places with a signature purple cloak draped over him every. single. time.)
overall, be a menace
see-> the time he threatened to build ghost weapons he’d somehow memorized the blueprints of cause Danny wouldn’t let him visit the radium girls factory but yes the renaissance period
see-> that time he went through the whole ghost energy and how to work with it book section in the library and half an hour later had a prototype of a star wars laser beam made
(note: bribing only works for hot chocolate, not for letting him keep cool-looking guns)
just tim having the time of his life
clockwork being no help at all (the ghost loves being a cryptid)
and danny trying not to get attached while he progressively gets more concerned over this chaos child he emotionally adopted as his little brother
(to fit canon cause i want it to this would just be until Danny finds the dimension little Timmy is from, then they can safely yeet the child back to the moment he first went missing)
anyways before anyone knows it’s been three months
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pigeonwit · 4 months
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im just saying katherine as a famous if somewhat controversial author, jack as the photographer of a trashy gossip mag trying to get pictures of her and davey as her stressed manager who keeps thwarting him at every turn. discuss.
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wizardofgoodfortune · 4 months
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THE SEVEN LAMPS OF ARCHITECTURE 15th century venice au by @quillingwords & @the-cloudy-dreamer
November, 1475. Hob Gadling arrives in Venice, explores a mysterious world of cosmic grandeur, trades ink-stained love confessions with his stranger, and embraces the most important lesson of all: that life is a story all on its own, past and present and an ending that isn't really an ending at all.
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