THE JOY OF LIFE LEGACY CHALLENGE! Generation One: The Baker Extraordinaire
There was a warmth and coziness in rolling out dough, mixing up frosting, creating masterpieces with a piping bag. Most of your days are spent whipping up new creations in the kitchen, enjoying the smell of a delicious apple pie baking in the oven. You dream of having everyone know your name and saying their cupcakes are the best I've ever had!
Every day felt like an endless loop; Suzume (Suzy) was so lost in life working her office job in a busy, foreign city. Then one day she had enough and wrote her resignation letter.
Hoping to rediscover her true self, Suzume returned to her quiet hometown of Mt.Komorebi, which she missed dearly. Her first stop was visiting her favourite childhood bakery; to her surprise, it had been closed for years and is now abandoned. Unfortunately, the previous owners were too old to carry on the business and no one was interested in buying the property...and that was when she set a new goal for herself. By restoring the bakery, she hopes to bring back everyone's memories and make many more for the future ahead!
So I wanted to play another story based gameplay alongside my postcard legacy and the joy of life legacy was the perfect choice!
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I'm already know for being very opinionated and having some Hot Takes, but I still usually keep it in line and fairly reasonable. Typical "Unpopular (but still somewhat safe to voice) Opinion" territory, where I might get some blocks and some scowls, but like, nothing major.
However I'm... gonna be posting an uncharacteristically rancid take this time.
I cannot fucking STAND vibes based design. Its become a trend lately to explain game systems by vibes, and it feels EXACTLY like the tropification of romance novels. A thing so many other people have complained about far more than I have, where so many works of fiction are now just being advertise as "Its a queer little slow burn, found family story that features enemies to lovers" OKAY, BUT WHATS THE FUCKING BOOK ABOUT?
And I feel like over the past 15-20 years, the TTRPG industry has been having the exact same issue. I can go through dozens of listings on itch.io for indie games and not see a single fucking game mechanic mentioned, and its frustrating. "This game is about gathering your friends to turn your local farm into a sustainable commune!" WHAT KIND OF FUCKING DICE DOES THE GAME USE? DOES THE GAME EVEN HAVE A GM?
And like, this isn't just about the feel good warm and fuzzy games. OSR is JUST as fucking guilty in this. "This game is a black metal death crawl through your worst nightmares." IS IT A RETROCLONE? IS IT A RULES LITE D6 SYSTEM? HOW THE FUCK DO I RESOLVE AN ACTION? DO ENEMIES USE STATBLOCKS?
If a video game showed absolutely no gameplay in any of its advertisements, only showing concept trailers and cutscenes and talking about its plot, you would probably shy away and think the game isn't worth playing if it can't even stand on the merits of its own gameplay. So why the fuck are we accepting that as the norm in TTRPGs?
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riddle, rollo, and… ace?
This kind of fits in with my other posts speculating on Masquerade part II. The previous posts were about Rollo meeting Ortho and Lilia, respectively.
***Spoilers below the cut!!***
I’ve often seen parallels being drawn between Rollo and Riddle’s backstories, which makes sense 🤔 They are both stubborn in their worldviews and try to force their idea of what is “proper and just” upon others. When their views are challenged, they spiral into rages and insist that they are correct, and that everyone else is “wrong” or “the villain”. (And, of course, on a superficial note, they lean towards fire-based magic.)
But with that in mind, now consider… Wouldn’t it be a throwback to see how Rollo interacts with Ace? All the way back in episode 1 of the main story, Ace called out Riddle for acting like a tyrant. He has continued being the voice of reason for other characters acting unreasonable across various events and vignettes, such as Ghost Marriage (to Eliza) and Endless Halloween Night (to Malleus, in Ace’s Halloween vignettes). I can 100% see Ace also putting Rollo on blast for his actions (in a Fairy Gala: If-like scenario, so same plot just played by different characters) 😂
Ace comes from a particular background which can add to the tension and drama. He is also a younger brother, has a view of magic that is very positive (he wants to be like his mage older brother), and uses his magic carelessly (ie remember when he set the Queen of Hearts on fire) or for things Rollo would deem frivolous and unnecessary (like pulling pranks on others, as he did with Deuce’s birthday present). These are all traits that make Ace very similar to Rollo’s own little brother—a brother that, may I remind you, has already passed.
There also remains the unaddressed and unresolved conflict of episode 5 in which Ace expresses disbelief that Deuce unlocked his unique magic before he did (the duo spent episode 6 mostly knocked out). Ace must be harboring some frustrations that he was not able to keep up with his rival and friend in spite of being so sure that he would be the one to surpass Deuce. These are circumstances which make Ace uniquely like Rollo—feeling upset that he does not have his magic sooner, and some unspoken disappointment and guilt wrapped up in that.
So imagine Ace being one of the people to confront Rollo 🤡 and when he’s chewing him out, all Rollo sees is an older version of his dead brother talking back and disapproving of his actions. As the SSR trio of the current Masquerade event point out, would Rollo’s brother really have been happy knowing that he’s going to such extremes, and using his brother’s death and the claim that he is “saving” others to justify it? And now here comes Ace, telling Rollo all of that right to his face while also emulating a similar energy as his brother once did. It’s like Rollo’s brother has come back from beyond to grave specifically to tell Rollo he’s disappointed in him, to tell him what he’s doing is wrong-and that would still set Rollo off, sending him into a fresh fit of rage for similar reasons as Riddle. (Yes, we are coming full circle and bringing it back to Rollo and Riddle parallels.)
Because if what they’ve been doing all along was actually wrong instead of right like they’ve been viewing it... What did Riddle do all that studying in isolation for? Why did he have to conform to these rules all his life, only to now discover that he was wrong? Why was Rollo saddled with this burden of magic, and a unique magic which will always remind him of his younger brother’s ashen end? Why did he have to stew with all of these complicated emotions while everyone else openly indulged in the sin of magic?
“Then what was the point of it all…?” What was the point of all of their suffering?! Was it all meaningless? Were their efforts worth nothing? Are their feelings and personal experiences up until this point just... pointless? Neither Riddle nor Rollo would automatically take responsibility for their own actions, nor accept fault for their harsh worldviews, so they both lashed out in anger instead.
And not only that, but there’s also a bit of Rollo in Ace--that upset associated with not being inadequate or not being able to measure up to expectations, something that Rollo never acknowledged about himself. We get brief glimpses of Rollo doubting himself, implying that his magic is a burden or a curse, or claiming that he was not able to save his brother. Yet Rollo only continued to blame others for this and tried to overcompensate/overcorrect for what was ultimately a dissatisfaction he had with himself, rather than with the world. Ace could help really drive that home as he’s escorting Rollo down the bell tower (as he’s not very tactful with his words), with just a dash of understanding his situation--because Ace is likely confused in his own way, still trying to discover what makes himself “unique”, just as Rollo is left confused about where to go from here on out.
sahdbaodbsada I just think there’s something potentially interesting to be explored between Ace and Rollo! I also just love it when Ace does a good call out 😂
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Family and the Institution of Alice Academy
Was thinking about this ever since someone (I forgot specifically who, sorry) posed a question like this in the GA discord, asking about (I think) Natsume's extended family or something like that. It was a really interesting concept that I've been thinking a lot about since it was brought up, so here are the thoughts I've accumulated. I'll try to be concise but I have a LOT of thoughts and my brain is messy.
My general opinion at the end of all this thinking I did is that I don't think Academy students typically have very close familial ties after graduating.
I think the most apparent reason for that would be that students are expected to graduate when they are twenty years old. Our main four are exceptions to the rule, coming to the Academy pretty late in life. Most children are taken early, as toddlers or even babies. Natsume, Ruka, and Hotaru's families did all they could to avoid Academy scouting. Mikan was entirely accidental--if she had never met Hotaru, she might have never even found out she was an Alice to begin with. That being said, most kids were separated from their families at a very young age, only to be allowed to reunite with them once they're already adults. For many students, they've been away from their parents for close to two decades.
On top of that, the Academy doesn't allow visitations or phone calls and severely restricts letter communications. Only one child from each class is allowed to return home for one week each year, and that one week does not do much to make up for all the time spent at school.
My point is that by the time students are allowed to see their families again, that familial bond has already been severed, for all intents and purposes. That feeling of closeness and protection no longer exists. Students will feel more closeness and connection to their classmates and even to their teachers than to their parents or siblings, and as a result, I can imagine many graduates not even bothering to visit their families.
While I was pondering this, I made the connection between Academy students and the real life example of a similar situation with Janissaries from the Ottoman Empire. Basically, Janissaries were children stolen from the subjugated people under Ottoman rule. They were taken for the purpose of a "child levy", also known as a "blood tax." Some children were even willingly given by their families due to the possibility of socially advancing, and because the children were promised first class status (sound familiar?). Essentially the children were taken, forced to comply with Ottoman standards and traditions (including forced conversions and circumcisions), and then trained for military service. These soldiers would actually end up being incredibly loyal and efficient, despite likely never seeing their families again.
(Edit: forced circumcisions are particularly heinous when you consider that the children were typically at least 10 years old at the time they were taken.... so.... uh.... not pleasant.... But also interesting that the Janissaries were typically much older than the Alice children at the time of being taken.)
That level of separation doesn't endear ties; it severs them. These Janissaries--very often forcefully taken from their families--ended up growing up with very little connection to their parents or siblings. The feeling of belonging to their previous communities was gone. Absence does not always make the heart grow fonder. This was done as a means of creating a strong military force but also to disillusion subjugated communities and tear away their hope. Their children could always be taken; their communities could always be crushed, even without the use of physical force. It's a very effective tool to oppress a group of people.
(There's actually a lot of similarities between Academy children and Janissaries beside the separation of children from their families. They were also paid for their service and were high ranking; the Academy students are given an allowance and many of them, despite being stolen from their families, have a sense of superiority over non-Alices. They feel like they are treasures, and are of higher value and rank. Additionally, Academy students, especially in the DA class, are highly trained and efficient child soldiers, much like the Janissaries. Janissaries are actually a super interesting historical topic and are worth looking into!)
We can even see the effect of this distance when Yuka escapes the Academy and runs away to her family. Yuka was essentially sold to the Academy, with her parents trading her in exchange for money and status. She was very young, far too young to really understand that her parents had abandoned her. As a result, she romanticized her bond with them, and the longer she was separated from them, the more that bond became fantastical. She made many attempts to escape the school to reunite with her parents and she fantasized about seeing them again. When she finally is able to, it's nothing like she imagined. They're cold, and unfamiliar. They don't recognize her. She doesn't know her brothers. They're related, but there's no real connection.
"I shouldn't have come here."
Yuka's is an extreme example, but I'm sure she's not an exception. For most Academy students, the almost 20 years of separation from their parents would be too much to ignore. They would not recognize each other, or be close. I'm sure many parents did not sell their children like Yuka's family did, but the bond between child and family had not been nurtured the way it should have been, resulting in coldness and distance.
Because of that, I doubt most students even bother seeking their families out, or even if they do, it's to visit a few times before starting a new life with a career. That familial bond, now broken, is difficult to repair. The connections people often feel with their families or hometowns is something Academy students instead feel with each other. They are all Alices, all in the same boat together. That feeling of superiority that many kids feel means they view each other as on the same level, and I'm sure that could interfere with family connection as well.
Thus, I don't think there's many multigenerational Alice families out there with close bonds. I don't think families like Natsume's have strong ties with grandparents and aunts and uncles and cousins. Even the sibling bonds at the Academy are stunted, with the Imai and Shouda siblings being the prime examples of that.
The Imai siblings have a significant age difference, yes, but additionally the Imai parents had a very different approach to Hotaru after seeing what happened with Subaru. They refused to hand her over as easily, wanting to show her important things in life and build happy memories for as long as they could. Even when Hotaru does enter the school, it's more than six months before she even comes across her brother, since the high school and elementary school are not integrated with each other and they do not belong to the same ability class. Similarly, the Shouda siblings are in different ability classes but they have a much smaller age gap. Despite this, Sumire refers to her brother very respectfully, indicating that there isn't a particular closeness.
The Imais fight against this divide, and put in genuine effort into rebuilding their relationship, but it's a difficult process, and one they struggle to admit to for a long time and for various reasons. Familial closeness is not encouraged, not even within the Academy.
(Though Natsume's bond with Aoi is exploited and the school does rely on him caring for her to take advantage of him, but ultimately he is kept from seeing her. Thus, that bond is also severed despite being exploited.)
Additionally, it would make sense to me if many Alice graduates decided to, upon having children, avoid scouting, like Natsume's parents did, and thus ended up moving around a lot to escape Academy notice. Moving around like that and laying low means that you're not going to be hosting huge family reunions or inviting relatives over often, even if all the other points were moot.
Finally, I think all this creates further obstacles for Yuka's wish to "have a family." At some point she says that, for normal people, the desire to settle down with someone and start a family is a pretty modest goal, but for Alices it's almost impossible. Escaping from the school, or even graduating, is a struggle. And you can have a kid, but it's likely that child will be taken from you, just as you were taken, and by the time the child graduates, they will have no connection with you. Wanting to be a potential grandparent, for example, might seem like a definite impossibility, since being a real parent is impossible.
It's even more proof that the Academy exists as an institution to subjugate and undermine Alices, as children and then as parents. Ultimately, an Alice never has control, not as a child and not even as an adult. The pain doesn't end once you've graduated; in fact, it never does.
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All the Arina art makes me so happy. They did such a good job with it. One day when I am confident enough I will get off anon and show you my eris Arina drawings cause they live in my head rent free and that's the only acotar related thing I can draw anymore.
Can u spoil some more of the amnesia fic any crumbs really for that matter it's been weeks but I am not over it 😭😭
Okay I found it, and turns out it actually does have a title. So I threw that whole little fit for nothing. I don't remember what I shared last time, and honestly I don't know why I'm sitting on this. It's done, just languishing.
TW for child loss beneath the cut
There she was, in that beautiful white dress. And Eris was smiling, broad and unrestrained, one hand on her hip, the other holding her hand. He certainly looked like a man in love. And she….she didn’t understand herself. What could Eris have said or done that ever would have changed her mind?
“I don’t remember it,” Arina replied, tossing the phone back to Elain. She wanted to watch herself spin in circles all night, hoping something might come back. Clearly that memory wasn’t special, so why keep watching? Besides, Arina wasn’t convinced this wasn’t all some elaborate prank. It was exactly the kind of joke Lucien would have found funny once.
She might have believed that theory more had Eris Vanserra not been wheeled up, his beautiful face bruised and swollen just the same as hers. She’d been fixated on his ringless hand and the tan line where it had once clearly sat. She had the ring he’d given her—broken and ruined in the wake of the crash.
She believed they’d been together. Just like she believed he’d nearly died. Elain told him when she’d been pulled from the car, Eris’s arm had been flung against her chest, causing the break. He’d tried to protect her.
It didn’t make sense. There was something she was missing beyond her memories. Some vital understanding, some puzzle piece that, even without her memories, if she had it, would make everything else make sense.
“You will,” Elain said, just as she had been ever since Arina had broken down sobbing, flipping through her wedding album. How could she lose five years of her life. How could she forget the man she’d tied herself to, the dating, the engagement, the marriage? Beyond that, she’d missed her own life—a career, her best friend having children, moving from California up to New York.
Half a decade, just erased.
That wasn’t counting the secret Arina was keeping, too scared to admit to Elain and certainly not to the dead-eyed Eris Vanserra. When she’d woken, she’d been alone. A nurse had been fiddling with her monitor, adjusting some medication hanging beside her bed. And when Arina, confused and aching and scared, had asked what had happened, the nurse had gone for a doctor.
She’d learned, then, that outside of the internal injuries they’d had to open her up to piece back together, that she’d lost a baby. And Arina, who couldn’t even remember wanting a child, or what man that life might have belonged to, had sealed away that information.
Eris Vanserra’s child. Did he even want that baby? Had he been happy? Excited? Angry? Arina knew she couldn’t ask him, though she’d been so afraid he might ask her and she’d have to break the news that he’d lost more than just his wife in that accident.
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