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Atlas: Taryn? Hey!
Atlas: What happened-
Taryn: Please don’t.
Atlas: Can you talk to me?
Taryn: [ strained ] What is there to say that you don’t already know? I keep asking myself why you’re so nice to me all of a sudden. Why would someone like you be around someone like me and it’s such a… Mind-fuck.
Atlas: I swear to you, it isn’t like that-
Taryn: Am I just a one night stand?
Atlas: [ stammers ] N-No!
Taryn: Convincing.
Atlas: I’m sorry it wasn’t a good enough response, I’m just caught off guard. Why would you assume that?
Taryn: Because my questions made sense the minute you walked out of that building and there was lipstick smeared all over your face. Then you gave me this look, something about it made me realize I wasn’t the first and I don’t think I’d be the last.
Atlas: [ flatly ] We didn’t even catch each other's name, that’s how little it meant.
Taryn: [ barely a whisper ] Oh now that’s incredibly fucked up… Was that supposed to make me feel better?
Atlas: Bee-
Taryn: [ voice breaks ] Was it worth it? [ pauses ] Don’t… Answer that. I’m… Gonna go now.
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What do you think of the forehead poke being a symbol of affection?
listen kishimoto had the opportunity to have sasuke showing his affection for his “future-endgame” many times. like would it be that hard to show him saying at least something meaningful about the feelings for her he’s supposed to have??? but instead of doing that he chose for sasuke to re-do something that already had a negative meaning and its stated in canon by itachi and BY SASUKE HIMSELF
and like im all for things changing meaning but how can u claim this when in canon sasuke has only done that poke when he’s leaving and putting distance aka the same thing itachi did
like the poke has always meant one thing only and thus why itachi and sasuke’s final scene is not a poke but them their foreheads touching…
tbh its not news people would rather make ten different wrong assumptions about sasuke’s actions instead of you know, actually listening to what he’s saying. it happens all the time
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[ID: an uncoloured drawing for a panel next to the publicized version. They're both from the comic Batman: Legends of the Dark Knight #194. In them, Batman is shown from the waist up. He's looking at Jim Gordon, who's off panel, with a penitent expression after being accused of something he secretly did do. He has his palm pressed against his chest and is blocking the bat emblem as his other hand is clasped ontop of it. In the initial drawing, there's a halo floating above his head as well as several tiny hearts mixed in with the lights that surround him. In the publicized panel, the hearts and halo has been removed and two speech bubbles have been added. He's in front of a terra rose background and is starting to say, “Jim, I don't even know what you're...” But Jim cuts him off, saying, “Stop it. I'm tired of this.”
The third photo is a description of the drawing from the artist's (Seth Fisher) website. It reads: This is another page that the DC editors changed: no halos or hearts around Batman, no matter how (disingenuously) contrite he is. In the final edition, the halo and heart in the center bottom frame have been excised.]
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(( Inspired by the "Aphids" comic bc the dj bro panel had me cryin: https://www.tumblr.com/coridallasmultipass/746888021783298048?source=share ))
Probably went overboard editing this and trying to add emoji subtext, telling a story, you know the deal. Also, the needles evoke a Saw 2 vibe for me, but that's awesome. I'm all about that unsettling mind game shit (not pictured, but I have a spiral on my tongue piercing bead, because I'm dedicated to the aesthetic). Speaking of spirals, yes, that is a Kamina keychain on my phone. In fact, I have all four main characters danglin' off that motherfucker. Shit's heavy, but no pain, no gain. Gotta keep these strifin' fingers in shape, brah. Anyways. I got the green stuff, so hit me up.
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do you have any tips for like... paneling? your lil comics, if i could call them that(?) with Dave are well made (to me at least) and I'd like to get into making comics! or if you know any resources that helped you. :') - sincerely, a beginner.
sorry to be answering this so late, wanted to try and give some kinda proper advice haha
so what i do is i just make my posts as long as possible so that it takes up like all of ppls dash, this means they are forced to look at it and engage with it!
no ok but for real, first off
this is just how i do things and by no means any sort of proper tutorial or anything,
most of this is prob kinda basic and intuitive stuff, but its good to be reminded of the basics and to notice why you might be doing said things intuitively so you can start doing it intentionally
so how i approach things is by picking a focus panel
whats the Punchline/Emotional pay off for the page/comic?
and then i try and build the rest around that
for actual Comics not every page is gonna have one of those ofcourse and thats fine
i tend to often have to many focus panels,,,, lmao(which is why my posts end up so long,,,,)
i try to group similar panels and make them smaller, it saves space, makes it so the attention goes to the more unique panels and makes things feel more sequential(or u can do like me and have too many similar panels and think, what if i just make it an animation, its just a few extra frames right,,,?<- clueless(i have done this twice now,,, the second is still a wip,,, ))
heres one of my posts deconstructed using all this, id do more of them but i dont wanna make this even longer asdsd, but i think its pretty obvious to pick up on once you know the formula lol
after that i think its mostly just clear composition and flow so things dont get confusing(like what panel(also applies to text) youre suppose to read next and such(thats easier with this cus its usually just individual panels and not full pages))
edit: oh and resources that helped me, i mostly just looked at other comics, paying attention to how the paneling was effecting the story and mood!
some comics ive looked at for paneling inspo are houseki no kuni, how they play with contrast and stuff, idk theyre all just very striking, i looked at ajin at some point as well for help with some action stuff, most action shonen are also great for that 2
so yeah, just find a comic scene that has the same vibe that youre trying to get and see how they did it, finding a few and comparing and contrasting what you feel works best
thats my thought process while doing stuff at least!
i hope this helps at least a bit haha
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Changes for wip roundup? 👀
anna!! sorry for taking so long answering this one as well!! but thank you SO MUCH for indulging my wolcred propaganda! <3
And lright this one is a MESS. I wrote it right when I was playing endwalker and I was really overwhelmed with the story™ that I made mess of this wip so like for the last few months or so I’ve been working on rewriting everything lol so I’ll give you some of my thoughts abt it and a small snippet since I can’t get anything more substantial that I’m satisfied with lol
wip roundup :)
This fic is like following right after the scions are back from the moon. I was overwhelmed with the fact that the WOL didn’t have much saying with the twins and how Fourchenault reacted to them. I was like, yeah, she’s proud of them. They deserve to know that, but also, I’m not sure she would be brave enough to do so. So well this fic starts with me realizing like “alright, thancred would get it. better than anyone” so the first part follows him seeing how she reacts to everything that’s happening with the WOL and making the connections like how he felt about ryne, etc etc
But of course,,, my excuse for this fic was Thesa’s haircut first and foremost. Basically I hc Azem to have insane long hair, and Thesa always had longer hair, and this is like the first time she cut it out and it’s incredibly short. Basically the second part goes from her having a bit of breakdown seeing the moon burning + overthinking about that image of hythlo she saw on the moon and everything that happened there and going “I need new. The final days can’t happen again, things gotta change NOW.” Until she interrupts my Alisaie like knocking on the door which is like the cannon visiting for her during that quest!!
And ofc Alie changes her mind a bit… but she still gets that feeling so this is SO SPECIFIC but like you know the whole “wrapping the red thing around your thinger so you don’t forget?” She does it with a strand of hair, just a reminder (things he has lost etc etc) and chops everything off. But then, ofc, the beginning alone isn’t enough for me so the last part is Thancred’s reaction to it, since I like to think they spend their nights together whenever they can and they DEFINITELY would want to on this one night. There is a bit of that part before any rewriting lol:
A knock on door cut off any other conclusion that Thesa would have come with. She hadn't heard footsteps down the hallway, and the beat was too light to be anyone else — though she doubted many others besides Alisaie would be awake and willing to visit after a day like this. So she calls his name lightly as she walks to the door, and from the suppressed laugh, she was sure.
“It's me.” Thancred’s voice is softer beyond the closed door. She finally quickened her pace to unlock it when he laughed again. “I hope you didn't have to crawl under the covers to-”
From the look he had on his eyes, Thancred seemed to have specific intentions for the visit. However, as soon as she appeared from behind the door and their eyes finally met, the hyur could have sworn that all the thoughts he had — along with all the rehearsed words he had cooked up - slipped his mind.
Thesa freezes for a second too, unsure how to react. Maybe she would explain later, but for some reason, she waited for his reaction to continue.
Thancred seemed entranced for a second as a smile seemed to bump into his face, and then, he made the greatest effort to move; forcing his hand up until he finally reached the messy strands. His right hand stops to her left side, with his thumb behind his ear so he could feel each of the threads between his fingers — clenching his fist to lightly pull them and feel them falling off before repeating the same thing but resting his palm next to her face.
“By the twelve.” He says in a sigh, slightly embarrassed to clearly see the situation they were in as his left hand reached for the longer loose strand and curled it around his fingers before resting his hand on the side of her face, cupping her cheeks, and finally confessing, exactly, the same conclusion of hers. “Perfect.”
He looked at her with different eyes than First and even more different than Walking Sands. Eyes that stretched far farther than he had previously seen — and yet, without missing all the admiration and affection he had always carried. Maybe slightly more, even.
"For a second I didn't recognize you," he smiled, tugging lightly on the strand with a teasing smile, which soon turned into a relieved sigh when he tilted his head to the side, finally meeting her eyes again. "But there she is."
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