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#i was going to draw them in order of the books
blusocket · 18 hours
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I've seen some people express some confusion about what Fortnight is about, why it opens the album, what's happening in the video, etc, so here's my attempt at an analysis. For the most part I'll be referring to the characters in the video with the names of the people playing them (Taylor and Post) but at times I'm going to be making direct reference to the events of Taylor's personal life and referring to the muses by their names (Joe and Matty) for the sake of clarity and simplicity.
The song itself uses the suburbia conceit as an extended metaphor for the beginning of her relationship with Matty (he's the neighbor she runs away to Florida with, Joe is the cheating husband.) For more eloquent and detailed thoughts on the narrative of the song you can check out Jaime @cages-boxes-hunters-foxes's post here.
The video is really dense, and I'm not 100% confident in every aspect of my interpretation, but I feel pretty sure that it's making extensive use of visual metaphor in order to tell roughly the same story as the song, just in a different setting. To start, Taylor wakes up chained to a bed in a white dress.
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To me this suggests that she's been driven mad by being left at the altar, and is now trapped, surveilled and controlled, in a type of asylum. This represents the end of her relationship with Joe--waiting for a marriage that never came, feeling trapped, mentally unwell etc.
She then takes 'forget him' pills which reveal Post's tattoos on her face when she looks in the mirror.
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This represents Matty (the "miracle move-on drug") and shows that he made a mark on her while she was still in the asylum--that is, still in her relationship with Joe. Additionally, in the wide shot where we see the mirror, its size and shape are very reminiscent of a one-way mirror, often seen in interrogation rooms and psychological experiments, further reinforcing the idea that Taylor is imprisoned here.
She then is able to go to the typewriter room and do her work, creating art about how she's feeling, shown by her repeatedly typing "I love you, it's ruining my life" on the typewriter. She's still in pain and feeling trapped. While there, she encounters Post and they create art together, which creates beauty and color in her life. The blue and gold obviously reference her writing about Joe, but the fact that her work is gold and Post's is blue may be a deliberate choice to draw parallels between Matty and Joe, as she does on numerous songs throughout TTPD.
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The next scene, where Taylor's hair is down and she and Post are wearing the same black coat and pants, takes place inside her head (symbolized by the shape of the papers they're laying on.) She is dreaming about them being free and creating art together, represented by the papers surrounding them and book she's holding, which has the word "us" written on the cover. She's writing their story before it's begun.
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She then reaches for his hand in her fantasy, accepting and asking for this relationship
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Then we see that she's being studied and experimented on--the results of the lie detector test read "I love you, it's ruining my life." Her pain is an object of fascination.
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Interestingly, Post is part of the group experimenting on her, but when the experiments begin to cause her pain, he liberates her.
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This inspires Taylor to destroy the place where she's been trapped, which we see through her opening the filing cabinets that cover the walls and destroying the mirror. I also find the shot of her standing still while papers burn around her interesting and significant; I interpret this as Taylor destroying her own work about Joe. By choosing to leave, she is metaphorically burning--rejecting--the story she wrote about them.
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Finally, Taylor and Post enter the dangerous outside world together; the rain echoes the lyric "I chose this cyclone with you" on the album's title track. While I do feel the meaning of Post being in the phone booth is somewhat ambiguous, the framing and the accompanying lyric--"I've been calling ya but you won't pick up" suggest that he's attempting to communicate with her but can't reach her. They are free of her prison, but still separated.
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Then, he hangs up the phone and reaches for her hand, and she takes it. The final shot of the video is a close up on their linked hands, presenting us with a cautiously optimistic ending--they are lost and vulnerable in the middle of a storm, but they have each other.
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I feel this is a somewhat less sinister, for lack of a better word, portrayal of the start of Matty and Taylor's relationship than is suggested elsewhere on the record, though I believe Post's character being part of the group experimenting on her is significant and the editing creates some ambiguity about exactly when and why she decides to break free. But I hope this clarifies how the video sets up the beginning of this story, the fallout of which is then chronicled over the course of the rest of TTPD.
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sage-nebula · 3 days
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WatcherTV Debrief
I said I was going to write down all of my thoughts yesterday, but I was simply too tired after work. So I'm going to do so now, in a post that is likely going to be very long, but hopefully will still be worth the read for some of you anyway.
TL;DR: I believe this is a very poor decision on Watcher Entertainment's part and it is at the very least going to cost them a huge swath of their fanbase, if not their entire company in the long run. And at this point in time, I myself will not be subscribing.
With that said though, I don't want this post to merely be a rant about how much I dislike the decision, so I'm going to start off by looking at things from their perspective and explaining why, although some people in the fanbase might feel betrayed, none of the three (yes, three, because Steven, Ryan, and Shane were all equal parts of this decision) personally betrayed anyone in the fandom. If you're still angry, I understand that seeing what might seem like a "defense" might be upsetting, but again, I hope you'll find some value in it regardless.
All of that said, that plus my extensive criticism of this decision is going to be long, so let's go beneath a cut.
First, let us state the obvious: Watcher Entertainment is a media company -- a business -- and Shane Madej, Ryan Bergara, and Steven Lim are not your friends. They are business owners first, and media producers + actors second.
I italicized actors to draw attention to it, because this is something that I think gets . . . not forgotten, per se, but pushed aside in people's minds when they consume video content online, particularly when that video content is on YouTube, which originally began as a point and shoot video upload website that was meant to give anyone and everyone the ability to upload their vlogs or silly little videos. The term "parasocial relationships" is one that has proliferated across the internet, but I think the issue here -- with Shane and Ryan in particular -- is not only that people are thinking of them as "friends," but also that they are thinking, "These are their authentic selves, this is who they really are, I know them." And the fact of the matter is, that isn't true. Shane and Ryan are actors. What we see in their videos isn't their authentic selves. We don't know them.
Now, that isn't to say that it's all a lie. It isn't quite the same as, say, Ryan Gosling or Leo DiCaprio playing a role in a film. But every internet celebrity (and that is what they are at this point) presents themselves in a particular way to their audience. Even in the Pod Watcher podcast, where ostensibly they're having Just Friendly Conversations About Whatever's On Their Minds, they're mindful of the fact that their audience is listening, their audience is judging, their audience is making gifs and fanart of moments they like. They're acting. They're playing up personas to keep fans engaged, to keep fans coming back for more.
So Shane and Ryan (and Steven, when he can be) are actors. You don't know their true authentic selves, and you never have. Anything they say has to be taken with a grain of salt, because they are saying what they want you to hear. Even their live shows are rehearsed. And what this means -- that they only show you what they want to show you -- is that they did not betray you, because they couldn't betray you. They don't know you, just like you don't know them. Betrayal is not possible here.
To that end, Watcher Entertainment is a media company -- in other words, a business. And businesses must generate not only revenue, but profit in order to stay afloat. Now, I don't know what Watcher's financial books look like right now. I have seen people throwing around a lot of numbers about what they have to make from Patreon, from ticket and merchandise sales, et cetera, but without looking at the expense reports, the bank statements, and the budget sheets, it's difficult for any of us to say just what state Watcher is in financially. We can guess, but that's the best we can do.
That said though, we don't have to guess to know the very basic principle of running a business. A business has to, at the bare minimum, break even. Ideally, the business would profit, so that they can not only do things like pay their employees fairly, but also so that they can expand and grow. Any business requires money in order to make product, whether that product is food, an item that you can purchase, or entertainment media that you consume as a viewer. As nice as it would be if Watcher could make their content without needing money to do so, they can't. Even independent YouTubers, including video essayists and Let's Players, require money to make their content. The equipment, in both purchasing and upkeep, requires money. The games (for Let's Players) require money. Internet and electricity bills, food, books needed for research, props, et cetera -- all of that requires money. No matter how simple a video may look, it still requires money to make. There is a reason that most people aren't able to make YouTube a full time job, and it isn't because they aren't talented; it's because it is a deceptively expensive venture to get into.
So with that said, even without knowing Watcher's current financial situation, it does make sense that they need money to run their business, purely from a "businesses need money" standpoint. This is common sense. This is why things like Watcher selling merchandise, having sponsored ads, having a Patreon, et cetera always made sense. And it is possible, too, that even if their present financial situation is okay, that they are thinking about the future, and costs they are likely to be incurring within the next year.
I don't know how many people within the fanbase listen to their podcast, Pod Watcher, but I do. A few episodes ago, Steven revealed that he wants to open a Malaysian restaurant within the next year. This is his dream, to bring Malaysian culture to the United States with food. This is an amazing dream for him, it's wonderful for him, I wish him success in this venture.
However, running a restaurant -- and not only running one, but building one from the ground up and running it -- takes an astronomical amount of time and energy. This is time and energy that Steven is currently expending keeping Watcher Entertainment afloat as the sole person in charge of managing their financials. (He has the official title of CEO, with Shane and Ryan having stepped away from that title In Name Only to focus on production, but the job that Steven is actually doing is CFO -- Chief Financial Officer.) So when Steven announced that he was going to be opening a restaurant within the next year, what I heard was, "Oh, Steven is leaving Watcher within the next year." This is supported, in my opinion, by Steven saying things like how Shane and Ryan will get free drinks whenever they visit, and then hastily tacking on fans can have it, too. He was trying not to show that he was leaving just yet to the fanbase, but the writing is on the wall and they all know it.
What this means is that when Steven leaves, they will need to find someone to replace him. Either Shane and/or Ryan will need to step away from producing and acting in their shows to take over CFO duties (which the reason why they stepped away is because they handled CFO duties poorly while Steven was better equipped for it, so I doubt either of them would like to do this), or they will need to hire someone to do that for them. The lowest CFO salary in LA I can find is $140k/year, and that isn't including benefits. Since Steven helped found the company, it's doubtful he's making that much, but his replacement won't be a founder and will likely want competitive compensation. There is a good chance that, considering this, Shane, Ryan, and Steven feel pressured to bring in a lot more money than they're currently doing right now.
And I understand all of that. I have supported them where I can; yesterday I literally wore my $80+ Mystery Files jacket to work, which felt a bit bitter after the news broke and I realized I wouldn't be able to watch future seasons of said show. I overpaid for a denim jacket because I wanted to support them. It's not as if I don't understand.
However . . . here is where the criticism begins.
To begin with, there is an old saying: you have to spend money to make money. To go back to my previous statements about how even smaller scale YouTubers spend money to keep producing videos to keep their channels afloat, what this saying means is that if you aren't going to put any money into your business or product, you aren't going to have a business or product to generate any revenue. However, some young business owners take this to the extreme, and figure that if they pump tons and tons and tons of cash into their business at the start, it will start to generate revenue more quickly. What ends up happening is that they overspend, sometimes even despite their best efforts not to, and end up not being able to claw their way back out of the red in the end.
Unfortunately, that is what I think that Watcher is doing with their new streamer.
Let's be clear: There have been valid criticisms about how they seemingly over-budget on shows that don't need to have such high production values or budget. Someone mentioned that their Let's Play show (I don't watch that one because horror games are uninteresting to me, so I don't remember the name) credits something akin to 26 people, which is silly when you consider the fact that there are independent Let's Players who are able to produce content themselves. Of course, you have to remember that the LPers on YouTube are editing their own videos, which Ryan and Shane probably aren't able to do -- but even then, that would be one or perhaps two additional editors. The number of people they have working on that particular venture does seem excessive.
With that said though, those 26 people were already employed and being paid, so having them work on the Let's Play show was likely not a new business expense. The streamer, however, is a completely different story.
First, they had to have paid likely multiple people to build the WatcherTV streaming website for them. Granted, I could be wrong since I have never used Squarespace, but I find it difficult to believe this is something Squarespace would be capable of handling. So unless they already had experienced programmers on their staff, they would have had to hire programmers to build the streaming website. They would also need to pay for hosting the streaming website, which includes not only the domain, but server space for all of their videos, and videos take up a lot of space. Previously, YouTube hosted all of their videos. Now? That needs to be on Watcher, and server space and maintenance is not cheap.
So they are paying for programmers, domain name, server space, server maintenance. They are also going to need to pay for security. Not only do they need to be concerned about any potential DDoS attempts, but more importantly they need security to ensure that they can't suffer a data breach and lose the credit card information of their subscribers, something which happens all the time to other companies. Now you may say, if it happens all the time and those companies are fine, Watcher will be too, right? Well, does Watcher have lawyers on retainer? Because litigation can be raised against companies with insufficient website security that puts customers' financial information at risk, which means Watcher could find themselves facing a lawsuit if their streamer is hacked and credit card information is stolen.
So they will need to pay for systems administrators to not only build security for the streamer, but also maintain security for the streamer, because cyber attacks evolve each day and it is a constant battle against them. It is possible that whatever third party they partnered with to build the streamer for them bundled all this together (if that is the route they went), but either way, services like that do not come cheap -- and if they do, you are not getting a service of value.
So what this comes down to is that Watcher Entertainment has likely spent a ton of money they allegedly do not have to build this streamer, taking the "you have to spend money to make money" adage to the extreme. Their hope, near as I can tell, is that they will generate enough revenue from the streamer so that they will be able to recoup the cost of building and maintaining the streamer and generate profit. However, judging by the reaction from the fandom, I think that is unlikely.
As everyone knows, the reaction to this news has been abysmal. While some of the responses toward Steven and Ryan in particular have been racist vomit, I do think there are valid reasons for why this news has been received so poorly. These reasons include:
Watcher built hype for a week, with a countdown timer and everything, teasing an announcement as if it were a new show or similar "gift" to the fandom, when in reality it was the news that the fandom would now have to pay for content that was previously free.
Patreon subscribers are expected to continue paying the same amount, but for far less content than before. Access to the streamer is not included in the basic tier; they'll need to double their cash output.
Many fans are international fans who can't access the streamer at all without a VPN to switch their location to the United States. Even if they want to pay, they are barred from doing so, meaning that Watcher Entertainment is shutting a large portion of its fanbase out for the foreseeable future.
Watcher took a very patronizing tone with their audience in both the announcement video and their Patreon letter. In the announcement video, which was fourteen minutes long when the actual pertinent information took half that time to deliver (if that), they began with a long diatribe about their careers and how much YouTube meant to them, and how sad they were to leave it -- as if they had guns held to their head, and weren't making this decision of their own volition. This is condescending; it implies they believe their audience is stupid enough to believe they were backed into a corner and have no choice. In the Patreon letter, they had a line that read, "And part of that change includes a bit of news that will surely be met with some fits of sobs- we're bringing Watcher Weekly+ to a close. We know. We know." Again, this is patronizing language. They are talking down to their fans, and assuming their fans will be heartbroken by losing a behind scenes the video, or whatever Watcher Weekly+ is. This arrogant, condescending tone does not help soften the blow of being told they are going to pay the same amount of money for less content.
As you can see, the way that Watcher Entertainment executed the announcement that they would be moving future content behind a paywall was abysmal, and the fanbase reacted accordingly. Provided that the anger isn't empty and that the current fanbase sticks true to their word about not subscribing (either out of principle, location, or because they can't afford it), Watcher Entertainment has lost a huge chunk of expected revenue directly out of the gate. And it's possible that they expected this; they had to know they would be shutting out international fans (at least for a time, presumably) and that there would be fans who couldn't afford it. But it's possible that they felt that there would be enough fans to support and subscribe anyway (hence the arrogant tone about people sobbing over losing Watcher Weekly+; that attitude screams of "you're so devoted to us you will do whatever we ask no matter the cost"), and also that they would be able to pick up enough new fans that it would cushion the blow of losing old fans.
Here is where the next problem lies.
Watcher's current subscription model is $5.99/month or $60/year. If you go monthly, you end up paying $72 for the year, so the annual plan is the better deal by $12. When you compare pricing to other streaming services, this may not seem so bad at first; it's on par with DropoutTV, and it's cheaper than Netflix, Disney+, and other big names such as those.
The difference, though, is that all of those other streamers -- DropoutTV included -- have far more content than Watcher does, meaning that the customer (and keep in mind that we are customers, we are not friends, and truly we are not fans when we are paying them money for product from their business) gets more bang for their buck.
I have seen the argument from defenders of the streamer in fandom that say, "So you care about quantity over quality?" And this argument is flawed for several reasons:
There are plenty of quality TV shows on other streaming platforms. DropoutTV has Game Changer. Hulu has Schitt's Creek and Abbot Elementary. Peacock has The Office and Parks & Recreation, so on and so forth. Watcher Entertainment has good shows, but they are not the only good shows in the whole of the media industry. Dare I say, they aren't even the only good shows on YouTube.
While Watcher does produce shows of high quality, their shows have tiny seasons of only six episodes each, and their seasons are spaced out months apart. They also cancel their shows without warning or announcement, meaning fans can wait (and wait, and wait) for a new season of a show they like that will never come, because Watcher dropped the show and didn't bother making official word on it. If you go through Watcher's entire content library (which is easy to do even if you like all their shows, and even easier if you only have a handful of shows you enjoy), then you will be paying for a streamer that you do not use for months on end while you wait for the next batch of six episodes that you maybe want to see if, again, you don't like all of their shows. (I myself only follow five: Puppet History, Mystery Files, Too Many Spirits, Top 5 Beatdown, and Ghost Files.) That is money you have spent on a service you rarely use. In other words: money wasted.
That last point is particularly important when you consider that Watcher Entertainment hopes to draw new customers in to subscribe to their streamer.
Pretend, for a moment, that you have never heard of Ryan, Shane, or Watcher before. You are browsing YouTube, and you come across the season premier of season three of Ghost Files. You enjoy it, so you think, oh, I would like to view the rest of the season. You learn that the rest of the season is on a streaming service called WatcherTV, which only hosts series that Watcher themselves have produced. Their library is very small right now. New episodes for ongoing seasons are weekly, they only have one season airing at a time, new seasons have month long gaps between them. This service costs $60 a year annually, or $6 a month ($72 annually). You've never seen any of their other shows before, and while you could technically afford it, it's not as if money is no object to you. You'd likely have to give up a streamer that has a much, much larger selection of shows and movies you already know you like to give this one a shot. (This one that, mind you, doesn't work outside of your internet browser, so you can't watch it on your television either.)
Would you do it? Really put yourselves in the shoes of someone who has no familiarity at all with Shane, Ryan, Steven, or their shows before that moment. Would you choose to pay $60 for a streamer with low accessibility, and a tiny, infrequently updated library? Especially if it meant losing access to so much more?
It isn't just that numerical value of the price that makes it a bad move. It's the price relative to the product being offered. Watcher's own fans, who love their content, are fiercely divided over whether to subscribe, with many saying they won't. In what universe does someone who has never heard of Watcher sign up to pay them that much for so little offerings? Particularly when they'll only be advertising via YouTube, and infrequently at that given that they'll only be posting season premiers?
(And this is not getting into how they were originally going to pull all of their content before the backlash. Yes, they walked it back -- but not only did they say in the video that the content would only be live until May 31st, but the Variety article says that the company originally told Variety that they would be pulling content, only for Ryan to issue a statement saying they wouldn't do that after. Meaning, they walked that part back because that's the part they could walk back. They have undoubtedly sank far too much money into the streamer to back out of that now. It's way too late.)
Businesses need to make money. Steven, Ryan, and Shane are business owners who are trying to make their business profitable. But I believe that this was one of the worst ways to go about it. I'm not saying that I know exactly what they should have done instead. I don't have all the answers. But I do know that from the terrible execution of getting everyone excited only to tell them (in the most patronizing way possible) that they would now have to pay for a previously free service, to deciding to sink a bunch of money into a streamer that they seem to have done no market research on beforehand and that they don't have the content library to support, this absolutely seems like the wrong way. Moving their content to an existing streamer like Nebula would have been a better move, in my opinion. (And it would have prompted me to actually sign up for Nebula, since there are several video essayists I haven't followed there . . . but I would have followed Watcher, since it would give me access to Watcher content and the content of those video essayists I've been missing.)
But what's done is done. As I said, I think at this point Watcher Entertainment has jumped off the cliff and they didn't do so with a bungee cable. I don't think they can walk this back. I'll be interested in seeing if they succeed, but I have very strong doubts they will.
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eggyrocks · 17 hours
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congrats on 500 followers 🫶🏻 can I get #40 and Kageyama? they’re meant for one another
ur so right for this one it's so aggressively kageyama
500 followers special: #40: "Have I entered an alternate universe or did you really just crack a smile for me?"
kageyama x gn reader, university au, tutoring, jock x nerd dynamic kinda if u squint, fluff, not proofread
written content masterlist
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Tutoring is a job. It's a job that pays money. Albeit, pretty shit money, but money nonetheless. So they are going to smile and correct the essays and offer advice and they are not going sit there and pout over how much their student absolutely fucking hates them.
There's not a doubt in their mind that Kageyama would not be here if he didn't have to be. He does not care about his grades. He does not care about the material he writes about or even what he's writing (that much is clear from his essays; they have no point of view and are random regurgitations from text books sloppily thrown together to meet the word count).
It's very obvious to them that Kageyama is there to meet the minimum grade point average required in order for him to stay on the university's volleyball team.
So every Wednesday he ends up in the library with them, watching as they completely massacre his first drafts.
Their red pen draws a lazy circle around his third paragraph. "See, this portion here is in complete contradiction to the point you made earlier."
Kageyama, as he usually does, offers a slight grunt in response, his eyes narrowed at the essay before him, as if it's some sort of challenge for him to conquer.
He's not the best with words. On the page or out loud.
"And in this paragraph here, you're just summarizing again," they explain, red pen making a mess of the paper. "There's no sense of organization, and the way you start to deviate from the argument you laid out in the opening paragraph is gonna make your professor think you don't understand the text."
"I don't understand the text," Kageyama says, matter-of-factly, but there is a twist in his mouth and a slight dusting of pink in his cheeks.
They stop, and blink up at him. Their pen drops, and they lean back in their chair. "Okay, well when you're reading, what are you thinking about?"
Kageyama takes a moment to think. It's one of the things about him they appreciate-he thinks about every question posed to him. He doesn't ever say anything just for the sake of it, or because he thinks it's what he should say.
They appreciate that, among other things. Like the veins in his forearms and the size of his hands and the shade of blue in his eyes when he focuses.
Those things, they really, really appreciate.
"Usually, I'm not thinking about what I'm reading," Kageyama eventually replies, snapping them out of it. "I'm usually thinking about practice."
He's such a jock, they think to themselves, and try not to think of what exactly that makes them.
"Well, that's the main problem then, you're trying to dissect something you're not actively engaging in," they tell him, pushing the paper back towards him. Their hour's almost up. "I'd go back and try to reread more actively."
Kageyama frowns, and if he wasn't constantly frowning and sighing and grunting around him, they would think it's cute. "Okay, I'll try."
They give him a nod. "Text me if you need help going over the text next time instead of reviewing a new draft. Not due for another two weeks, right?" Kageyama gives them a nod in confirmation. "Right, so we'll have time. And try not to stress, okay? Your essays are getting better than when we started these sessions."
He freezes in place. If his cheeks were pink before, they're bright red now. "They are?"
A small smile forms on their face. "Yeah. I can tell you're getting more confident with your writing."
Kageyama's eyes are wide for a second, and then they find his hands, which are knotted together on the table in front of him. "Yeah, well, you're a really good tutor. You make it easier to understand everything."
Now, they can't contain the grin that spreads. The praise is one thing, but the way he's blushing and flustered in front of them is an entire other thing. "Really? This whole time I thought you hated me."
"I don't hate you," Kageyama counters quickly and quietly. "You're just a lot smarter than me. It's intimidating."
They pause. "I don't think I'm smarter than you," they muse, leaning back in their chair, and Kageyama's eyes flash up to them. "There are tons of different ways to be intelligent. Just because I can write essays doesn't mean I'm a genius. And isn't that what I've heard about you? You're some sort of genius volleyball player?"
Kageyama still won't look up at them, but the corner of his lips tug up into a slight, barely-there smile. "Yeah, I guess so."
They don't focus on his words, though. They lean forward over the table and try to get a better look. "Holy shit," they almost gape. "Have I entered an alternate universe, or did you really just crack a smile for me?"
It doesn't drop. They half-expected it to. But instead, his smile remains, and Kageyama looks up at them, still blushing and hands still pressed together. "I am capable of it, you know."
It's cute, his smile. Unsure and nervous, like the way he can be, sometimes. "I'd like to see it more," they admit to him.
"You could come see, sometime. Me play. Volleyball, I mean. See if I'm a genius after all," he offers, only stumbling over his words a bit. "That'd make me smile."
Now it's their face that heats up. "Yeah, I'd like that."
Kageyama nods, and then stands to gather his things, swiping his marked up essay off the table between them. "I'll text you," he says, still grinning as he turns on his heel, leaving them to try and cool off their cheeks before the next student arrives.
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an: hmmmm. maybe this one was better in my head. but im not dwelling on it.
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thegayhimbo · 2 days
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Ranking The Stranger Things Tie-Ins:
Now that I've finished the reviews (for the time being), I wanted to do a ranking of all the tie-in comics, graphic novels, and books. Originally, I was just going to do a Top 5 Best and Worst List, but I figured it would be more fun to make a complete list of all the tie-ins while also giving my brief thoughts on each one (especially for those who don't want to read my lengthy reviews). Please note this is all in good fun and just my personal opinion, which can be subjected to change.
Also, this list will NOT include any of the show's episodes, video games, tabletop games, children's tie-in books, the Choose Your Own Adventure book, the Stranger Things Experience, or the stage play The First Shadow.
With that out of the way, let's begin in order from Worst to Best:
#26: Stranger Things Summer Special (See Review Here)
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I never cared for Powell and Callahan as characters. They barely have anything to do with the show's main arc, they're NOT funny, and the "bumbling cop" trope is something I've grown tired of in recent years.
The premise of this short, where both of them are conveniently present at key events during season 3 in their lousy pursuit of being "good cops," all the while having constant near-misses with the Upside Down, the Flayed, and the Meat Flayer, is a repetitive joke that quickly grows old. That's not even getting into the huge continuity errors plaguing the short and creating a bunch of plot-holes. Completely unnecessary. Hard pass.
#25: Stranger Things The Bully (See Review Here)
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This only ranks slightly higher than Summer Special because I like the artwork better, and it doesn't mess up the show's continuity like the previous comic did. However, that's all this really has going for it.
For whatever reason, they decided to make an entire graphic novel focusing on Troy and James (the bullies from season 1), and all I could think about while reading it is "This is a huge waste of time." I already didn't like Troy to begin with, this comic does NOTHING to improve my opinion of him, and considering that neither James nor Troy have appeared on the show since (and probably aren't coming back for season 5), I don't see what the point of this story was. This paragraph from my review sums it up best:
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#24: Stranger Things x TMNT Crossover (See Review Here)
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I'm sure there are fans who enjoyed this bizarre trip while embracing its absurdness and surrealism, but I am not one of them. I like TMNT and I like Stranger Things, but I draw the line at saying both properties exist in the same universe. That's not even getting into the haphazard attempts by the writers to make this comic canon with the show. Knowing the Duffer Brothers, that's likely not going to happen.
#23: Stranger Things Tales From Hawkins (See Review Here)
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The idea of doing an anthology comic focusing on Hawkins residents was intriguing, but the end result was disappointing. They should have broadened their horizons regarding which characters to focus on, and not just set the stories exclusively in the first 2 seasons.
Murray's story (Issue #2) and the Pumpkin Patch Rivalry (Issue #4) are arguably the best ones. The rest are either forgettable or derivative.
#22: Stranger Things Six (See Review Here)
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My first venture into Stranger Things comics. I've come a long way since then! :)
I remember looking forward to this particular comic to learn more about Hawkins Lab, Dr. Brenner, Project MKUltra, and the special kids............only to feel underwhelmed when I actually read it. I wanted to like Francine/Six, but I didn't find her interesting or compelling as a character, and the attempts to include other aspects of the show's lore (i.e. The Upside Down, Terry Ives, El and Kali, etc) felt shoehorned. Combined with the direction season 4 went, and it's a safe bet to say this comic is NOT canon (if it ever was).
#21: Stranger Things Suspicious Minds (See Review Here)
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Suspicious Minds ranks slightly higher that Six for doing a better job fleshing out the experiments that were taking place at Hawkins Lab, as well as giving more details about Kali, Terry Ives, the test subjects, and El's biological father Andrew. It helps that Brenner is a threatening presence in this book, and that the narrative excels in maintaining suspense.
However, similar to Six, the events of season 4 render most of this book non-canon. That's not even getting into a major continuity error regarding El's date of birth that sticks out like a sore thumb.
Suspicious Minds serves as a cautionary reminder that if you're a creator and you've planned out a major twist for your show, then you either need to have a direct hands-on approach to how tie-ins are written and approved, or you need to be willing to share that twist with those you've hired to write tie-ins for the universe you're managing.
In any case, it is PAINFULLY CLEAR the Duffer Brothers didn't share information about Henry/One/Vecna with Gwenda Bond when she worte this book (or Paul Dichter for that matter when he helped oversee its development), and boy does it show in the final product. 😖
#20: Stranger Things Kamchatka (See Review Here)
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Another example of a comic where the premise sounds intriguing, but they squander it on characters who aren't going to play a role on the show while also giving very little (and in some cases, contradictory) information about the show's lore.
While I liked the darker tone, the Cold War setting, and the spy thriller aspects, the characters didn't do much to impress me, and I was also frustrated by the lack of canon characters (Hopper, Dmitiri, Yuri, etc) who could have been in this comic and weren't. It's not bad, but it is mediocre when it didn't need to be.
#19: Stranger Things Into The Fire (See Review Here)
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A sequel that improves on its predecessor (Stranger Things Six). While the comic likely isn't canon for the same reasons Six isn't, I appreciated the personal stakes this time around, I loved the creepy gothic aesthetic they did with Jamie/Nine's hallucinations, and it was nice to see Kali utilized in this story in a meaningful way. Here's hoping the Duffer Brothers wise up and bring Kali back for season 5 because she deserves so much better!
#18: Stranger Things Creature Feature (See Review Here)
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One aspect of Season 4 that was disappointing was how little we got to see of the family dynamic with El and the Byers once they moved. It's hinted at, but not explored deeply. Creature Feature dives a little more into that, as well as El's struggles with PTSD, and gives a nice heartwarming scene between El, Jonathan, and Will towards the end that makes the short stand out.
However, the one-shot comic is sadly brief, and it may leave people frustrated about why they didn't go for a longer comic/graphic novel about El and the Byers adjusting to life in Lenora. I would've been interested in seeing that!
#17: Stranger Things The Game Master (See Review Here)
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A one-shot comic where we get to see Steve and Nancy back together after the events of season 1 while also getting a surprisingly sweet interaction between Steve and Mike that isn't them griping with one another. I don't care much for Steve and Nancy's relationship, but I did like their attempts to help Mike feel better after El's apparent death. That was enough to elevate this short.
#16: Stranger Things Erica's Quest (See Review Here)
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Not a fan of the artwork, but I was happy to witness the Scoop's Troop back together again. I also love how this short confirms Steve has played D&D before, which gives context to that scene in S4 when Dustin calls Steve asking him to be a substitute player in Eddie's D&D campaign.
#15: Stranger Things The Voyage (See Review Here)
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Major improvement on Stranger Things Kamchatka. It's highly doubtful the show will include any mention of this comic (though if the Duffer Brothers decide to bring back the Russian arc for S5, I hope they incorporate Dr. Karine as the main antagonist), but the story is scary, suspenseful, and has the kind of gruesomeness you'd expect from an R-Rated horror film.
#14: Stranger Things Darkness On The Edge Of Town (See Reviews Here)
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Having grown up reading a lot of murder mysteries, I have a soft spot for the genre. Hearing that Hopper's backstory involved him tracking down a deranged serial killer in New York City back in the 70s while also dealing with a dangerous cult was enough to get me on board with this book.
This novel isn't perfect, but it makes up for its shortcomings in creative ways. Hopper's backstory with the NYPD is fascinating, the story's focus on issues related to poverty, crime, mental health, law enforcement, and societal woes works well (even if they drop the ball towards the end), Hopper's interactions with El in the present are a highlight, and the narrative is effective in keeping the reader invested.
#13: Stranger Things Erica The Great (See Review Here)
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A light-hearted graphic novel that bridges Erica's arc between seasons 3 and 4 while expanding on her growth as a character and development as a D&D play. It was cool seeing Erica's friends get their day in the limelight (one of whom might be making an appearance in S5), and the story has enough funny moments to keep the reader entertained.
#12: Stranger Things Flight Of Icarus (See Review Here)
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I know fan reaction towards this book was cold when it was first announced, and I'll admit parts of it were hard to read given we all know how Eddie's story ends. I'm not a fan of media that teases false hope to the audience, only to cruelly yank it away.
That being said, I will go to bat for this book: It's well-written, and does a good job expanding on Eddie's character and his relationships with others (Wayne, Al Munson, Jason, etc). I also appreciate the book's themes regarding "forced conformity," and its scathing criticisms towards individuals and institutions (school teachers, law enforcement, students, residents, etc) who scapegoat and punish people like Eddie for existing while allowing (or in some cases, enabling) truly vile people to get away with being vicious and cruel towards "acceptable targets."
Considering how certain individuals on Tumblr and varying social media platforms have been treating others for the past few months, this book couldn't have come during a more relevant time.
#11: Stranger Things Halloween Special (See Review Here)
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A delightful Halloween comic taking place before season 1 which centers around the Party telling an urban legend about the Child Eater of Hawkins, which coincidentally has eerie parallels to Vecna. Creepy artwork, an unsettling atmosphere, and a fun twist at the end! :)
#10: Stranger Things Hawkins Horrors (See Review Here)
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Same deal as the Halloween Special, except it takes place between Seasons 3 and 4, and features multiple horror stories told by Steve, Robin, Nancy, Max, Lucas, Erica, Dustin, and Mike while they're all trapped in the Video Store during a power outage. The stories are scary and reminiscent of horror anthologies like Tales from the Crypt and Goosebumps, and some of them even cheekily foreshadow certain events that occur in season 4.
#9: Stranger Things Runaway Max (See Reviews Here)
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Like Flight of Icarus, this book is hard to read, albeit for a different reason: I don't enjoy stories with characters trapped in abusive situations, and this book does not pull its punches in depicting the utter hell Max suffered through living with both Neil and Billy.
That being said, I grew to have a new appreciation for Max's character because of this book, and I liked seeing her backstory, her perspective on the events of season 2, and her thoughts about the characters she interacts with. I loved seeing her relationship with Lucas develop, I liked her brief interactions with Steve, and there was a satisfying payoff in her standing up to Billy and finally regaining some control over her life. If you love Max's character, this book is for you!
#8: Stranger Things Winter Special (See Review Here)
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The closest Stranger Things will ever have for a Christmas Special (not counting the endings of the first two season finales). So many little details (i.e. the way the Party explains different Christmas stories to El and how she visualizes them, the revelation about what happened to the demodog in Joyce's fridge, etc) that make this an enjoyable read.
#7: Stranger Things Lucas On The Line (See Review Here)
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One thing I will say for the tie-ins is that I appreciate how they expand the perspectives of characters from the show. Such is the case with Lucas on the Line. It takes place between seasons 3 and 4, and explores Lucas's attempts to come to terms with his trauma, the growing rift between himself and Max, his attempts to balance his strained relationships with his friends and his desire to play basketball and break out of the "nerd" stereotype, and it gives a very brutal but effective portrait of what it's like for Lucas to be one of the few black kids in Hawkins constantly surrounded by people who are either outwardly racist or project their biases and prejudices in truly insidious ways.
There are two reasons I'm not ranking this novel as highly even though it's a fan-favorite: 1.) There are continuity errors that took me out of certain moments while reading it, and 2.) The third act (which is when S4 begins) does a clumsy job tying in with the rest of the book and its themes. I really wish the book had continued with Lucas's story up to the end of S4 instead of stopping halfway through.
#6: Stranger Things The Other Side (See Review Here)
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I always wanted to know what was going on with Will in season 1 when he was taken to the Upside Down. This comic thankfully elaborates on that and doesn't disappoint. Will's journey to survive is both intense and terrifying, and the way the comic seamlessly connects itself with the events of season 1 is to be applauded.
I have no clue what the Duffer Brothers plan to reveal in season 5 about the Upside Down and why time froze in 1983 when Will was taken, but considering they talked with the writers and artists for this comic and gave their stamp of approval, I'm hopeful the events of The Other Side won't be retconned.
#5: Stranger Things Science Camp (See Review Here)
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Who knew that when Dustin went to Science Camp, he walked right into a Friday the 13th movie? 😂
Don't want to spoil too much about this one, but I had a blast reading it. Dustin's perspective is always entertaining, the comic works as a brilliant introduction for Suzie, and the mystery plaguing the camp is genuinely interesting and has a good twist. High recommendation.
#4: Stranger Things Zombie Boys (See Review Here)
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I'm still bitter that the character of Joey Kim never made an appearance on the show despite the camaraderie he had with the Party, as well as how he gave the boys some catharsis from all the shit they were put through in season 1.
Nevertheless, I enjoyed the premise of the Party making a zombie movie, and I appreciated how it handled the characters' trauma without being patronizing. The artwork was also impressive and beautiful to look at. Here's hoping we get more comics and graphic novels like this in the future!
#3: Stranger Things Tomb Of Ybwen (See Review Here)
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At its core, the comic manages to explore an aspect that wasn't given much coverage on the show: Will's reaction to Bob's death and his attempts to come to terms with it. All of which culminates in a quest Will undertakes when he finds a map from Bob that (allegedly) leads to an ancient Viking treasure buried in Hawkins.
I don't want to give too much away in terms of spoilers, but the story is both emotional, sad, and heartwarming, and it does an excellent job reinforcing the friendship between all 4 boys while also demonstrating the impact Bob had on Will's life.
#2: Stranger Things and Dungeons and Dragons (See Review Here)
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Speaking as someone who's occasionally crafted various fantasy scenarios in my head to cope with the stresses of life, this comic was deeply relatable. The show never shied away from emphasizing the importance of D&D to these characters, and this comic expands on that by illustrating why they became interested in D&D in the first place, how they've used D&D to cope with living in Hawkins, how the events of the first 3 seasons factor into how they play D&D, and how the game evolved with them as they continued to get older. It's like the piece of media from your childhood that stays with you as an adult. Arguably the best comic in the series (so far).
#1: Stranger Things Rebel Robin (See Reviews Here)
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My favorite book and tie-in of the series. Speaking as someone who's gay, this story spoke to me on a personal level, and there were a lot of parallels I was drawing between Robin's experiences in high school and my own: The fear of being outed and ostracized. The desire to break free and explore the world. Recognizing the injustices that exist in society and wishing you could do something about them. Getting a nasty dose of reality that people you thought you could trust aren't reliable, and may even be more awful than you anticipated. Been there, done that, still dealing with some aspects of it.
It's funny because even if you take out the plot elements relating to the Upside Down, you still get a great coming-of-age story, and one that speaks to many people, LGBT+ or otherwise.
That concludes the ranking and reviews for right now! Thank you again for those who've been reading them! :)
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obsob · 1 year
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there he is......the man of the house
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crazymecjc · 9 months
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shuake week day 5 - fantasy au
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popcornsalty · 1 month
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Okay important and genuine message from me. I'm not much or often a poster on timblr but if I can give a sincere message. It's to have varied interests. Be into multiple things at once. It doesn't have to be the same intensity for all of them or level of interest or whatever. Hell not all of it has to be good. Just have multiple things to look forward to and care about
#poke post#was watching a long ass video essay recently#n it finally mqde smth click for me coz like#one of the most miserable times in my life was when i was in the ds/mp era#because it and associated content creators were all i was into! so when shit was hitting the fan a long long time before i left#i was left in just the worst relationship to what was to be a comfort#and now fast forward a few years and. its like. im reading books. im going outside. im playing games. im drawing things. i curate my time#online very scrupulous because if i dont its easy to end up sad#which for me was starting to happen w/ q/s/mp#and so i was able to leave#because i have friends and shit outside of it and things i can talk about other then it#and its so freeing#which is to say. just. try to carve out time for more then one interest or thing at a time if you can#there are things you can do!! look up top 10 books in a genre!! order them off a library!! log off your socmeds for a while!! fuck!!#its not easy but its so worth it i promise it is.#+ also moreover please always remember my friends you are never obligated to engage in things if they make you unhappy. its always okay#to check and see if something brings you more joy then discomfort#take care everyone take care of yourselves#no one else can do it for you#anyway i will now go back to. my book :3 ive been reading the g/olden compass. havent finished yet so no spoilers#feel free to ask me about it ill probably get to it tmrw#also some things im looking forward to:#more on/e piece more wi/tch hat a/tieler ram the next stream of this small streamer ive been into#the next novel by this mid author i liked as a kid-#the next ep of du/nmeshi anime#and more and more#and sometimes i forget to have a thing to look forward to#and must find something new again again#its worth it#also yea no this is incoherent hope someone gets smth out of it tho
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opens-up-4-nobody · 10 months
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...
#let me express to u perhaps The frustration of my life#i like to learn. it is perhaps my favorite thing. new information. more more more constantly#but. my fucking brain is the fucking worst. because im not fucking stupid if i can focus and process the words being said i can understand#many things. i like to learn about math and physics and chemistry and biology and anatomy... ect concepts#but the focus and the processing of words is where we have problems. because i cannot focus for more than like 5min#i blink and suddenly ive been spaced out for a sec and need to reorient. i cant prioritize what to do 1st and im constantly bouncing betwee#tasks so nothing ever gets done and im too intimidated to start learning things. and when im trying to learn we habe the processing words#problem. like my reading comprehension is so fucking bad. like i will read a book on paper and maybe retain 25% of the info if im not#hardcore trying. for a class where i had to do a ton of paper reading. i had to read everything out loud to myself. highlight important#info. write myself a summary based on the highlights and then read the paper again before i could even begin to feel comfortable in#discussions. it was so fucking frustrating and miserable. ppl will give me physical books and im like thanks i cant fucking read sorry#too fucking dyslexic. read and listen they say. u have to read and listen at the same time bc i cant pay attention and i cant read#so if i do both then maybe the info gets in. thats y i have to read aloud but i hate it and still get distracted#i mean. i probably just have an attention problem. its also really annoying that my short term working memory is so awful#bc in order to make things make sense i have to draw or write them out. i cant judt go off the top of my head or i get stuck saying thr sam#thing over and over and over. its like my ability to think is extremely shallow. but thrn i read papers and recognize concepts from classes#i took years ago and im like. fucking y cant i know what i know? my head feels so empty but info is in there somewhere#its just so fucking frustrating that i love understanding systems so much. complex annoying little systems that fit together like a puzzle#and my fucking brain refuses to accept the information im trying to get in there. so i return to a remark left on my dyslexia assignment:#intelligent when not constrained by language or time. thanks. unfortunately language is how ppl communicate#also i freak out under time pressure lol. anyway ive just been reading papers for fun this weekend and remembering y i dont: bc its agony#but also i fucking love the concepts so much and i need a good understanding of photosynthesis before August when i join a photosynthesis#lab lmao. ugh. i love learning but my brain was not buildmt#built for it. if only if only someone could podcast about the obscure things im interested in while reading directly from the source#unrelated#also its like 105 degrees plus. its too fucking hot out#thats like 40 degrees C. the sun is like a death ray
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joycrispy · 7 months
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One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.
I have a few different things to say about that. Let's unpack them.
As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.
Also: in the naked romanticism with which he views his stars.
We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'
...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'
Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.
Hm.
I'm also reminded of the M25.
The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.
That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.
Cumulatively gigantic, that is. Individually? Negligible.
But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.
It's some clever machinery. And he knows it, too:
The Unnamed Angel and Crowley are both proud of their ideas.
(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)
In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.
Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"
11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'
(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)
Hastur and Ligur don't get it, of course. That's also consistent.
Nobody ever knows what the hell he's talking about.
It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:
He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.
(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?
...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)
Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.
Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).
Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."
To me, at least, that suggests a level of attachment that seems to be rare for Crowley.
...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?
...Anyway.
There's also the matter of the crank handle.
This thing:
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This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.
The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.
He made stars with it.
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[both gifs by @fuckyeahgoodomens]
If you Google 'crank handle,' you'll get variations on this:
Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.
Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.
Stopping time. For instance.
(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)
I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.
(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)
Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?
He made stars. They didn't manage to take that from him.
Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.
Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.
...And yet.
It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.
In light of everything else I've said here, I think that's interesting.
Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?
Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?
What do we name the point to which Crowley loves Aziraphale?
...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.
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moonjxsung · 5 months
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Visions of You in Solitude
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Copyright Ⓒ 2023 by Moonjxsung
All rights reserved. No part of this book may be reproduced or used in any manner. Doing so will result in a legal takedown per the Digital Millennium Copyright Act and is subject to legal action.
Pairing: Hwang Hyunjin x fem reader
W/c: 26.5k
Warnings: erotic painting, mentions of masturbation, sex in a semi-public place (no one is around), breast/nipple play, dry humping, unprotected sex, creampie, oral sex (fem receiving), cum eating, use of pet names, drinking
Synopsis: You were hired to paint him- not fall for him. But intentions quickly shift when Hyunjin finds himself infatuated with you and learns the secrets you harbor.
18+. Mdni!
There’s something to be said about the loneliness that comes with being an artist. The repetitive cycle of translating tangibility to canvas or paper in whichever chosen medium. Fleeting muses you draw inspiration from, which quickly become burdensome as you’re faced with them every waking second of your day. Obsession with perfecting your craft, the anxieties that come with criticism of your life’s work and sometimes even succumbing to changing it entirely at the hands of someone else’s advice.
It’s very seldom even your craft at a certain point, only existing to satisfy the visual demands of others and turn a profit when displayed at a show. And it’s certainly not for everyone, not when it’s this lonely and rooted in the discomfort of personal solitude.
*
From this proximity, the blinding white walls that span the perimeter of the waiting room feel like that of a prison’s- coupled with the glossy laminate flooring and glaring white lights, you feel completely entrapped.
“They’re almost ready for you,” your boss says abruptly as he enters the room and occupies the gray folding chair next to you. “You have everything you need?”
Headcount- your black leather briefcase of oil paints, brushes, charcoal, pencils, paint thinner, old rags and your painting palette.
“The canvas is already set up,” your boss chimes in as if he can read your mind. “And there’s a seat for you. Just relax, and don’t push yourself.”
You take a deep breath, doing your best to follow his advice- but a part of you wants to get up and leave, to run away from all of this. Painting is your passion, it’s your forte and it’s been your life’s work for as long as you can remember. But being commissioned like this, for men much richer than money you’ll ever see, it feels suffocating.
They don’t tell you their names these days, nor the name of whatever organization they’re from. Last month it was an elite group of stock investors, the month before, it was a famous violinist from Japan. And today, it’s a male group, eight members with net worths that look like telephone numbers, or so you’ve been told. And it’s not that you’re intimidated, but you do get self-conscious at the prospect of people watching you while you paint. At some point, it’s like you become the model, their eyes boring into your flesh as you paint long strokes across the canvas and order them to hold still.
“Five minutes,” your boss now says, checking the time on his silver watch and adjusting it so that it sits a little higher up on his wrist.
You wish he wouldn’t count the minutes. You wish he’d stay quiet, allow you to sit with your thoughts and ruminate the day ahead of you. And yet he taps his heel in syncopation with the second hand on the clock above you, the echoing click of both driving you up the wall.
“I need a breather,” you state suddenly, sitting up from your chair and smoothing down your smock. “I need to go outside.”
“Three minutes,” he responds sterly, tapping at the glass lens of his watch and motioning to the door.
You shove your way past the double doors, past the white tiled hallway and just in front of the double doors that lead to freedom again. Two minutes.
It’s like your body is giving out on you involuntarily, your knees buckling as you grip the stair railing and steady your breathing. A quick glance around to ensure no one’s caught you heaving so nervously- and you’re too late. A man saunters down the hallway past you, his hands shoved casually in his pockets as he cocks his head to stare at you, his long black hair falling loosely around his shoulders as he does. He’s tall, and slim, with an elongated torso hugged by an expensive denim coat, his slender legs on display in black slacks and complemented by a sharp pair of boots. You don’t catch a very good look at his face, his figure blurring by as you check your watch, to the second now- you’re supposed to be inside.
You waste no more time jogging down the hallway past the figure and back into the waiting room, where your boss is angrily tapping his heel and scanning the room for you.
“There you are,” he says frustratedly. “No more breaks if you can’t manage your time. They’re waiting for us.”
And with a deep breath, he helps you gather your art supplies, motioning in front of you to the brightly lit room. You take one breath, and then two, as you finally begin into the painting room, eight men already seated and ready for you.
*
The crowd is nothing like the stock investors, or the violinists you’re used to. They’re rowdy, and loud. They very seldom sit still, cracking jokes amongst themselves and shoving each other off the wooden stools every other minute. You do your best to keep your gaze away from them when you don’t need to look at them, trying to memorize their features in intervals so you can focus on just the canvas in front of you as you paint. But it’s nearly impossible, their melodic voices pressing you for answers and insights into your artist career.
“What’s the hardest painting you’ve ever done?” One asks, his baritone voice sounding almost startling in contrast to his bright appearance.
“There’s lots,” you reply quietly. “I’m not sure I can pick one.”
You give him a small smile, trying to memorize the freckles on his face before turning back to the canvas, hoping you won’t have to glance back over at him for the next minute or so.
“Let’s take five,” your boss says as he enters the room again, two iced coffees balanced in his hands. “Thanks, guys.”
And the men scatter to their break room, where neat trays of food are already set out for them to choose from. As the doors swing closed behind them, you watch them select from a variety of pre-cooked noodles, assorted fruits and vegetables, packs of chips and trays upon trays of desserts. They’re fed as though they’re the ones doing all the painting.
“Coffee,” Q says, setting down a plastic cup in front of you, the straw already conveniently placed for you.
“Thanks, Quinton.”
Your boss, Quinton, or Q, is a brutally honest man when he wants to be, quick to comment on your work and keep you in your place. He runs your calendar like the military, never missing an important appointment and opting you in for every profitable painting session possible. He’s another thing you find suffocating at the worst of times, always somewhere breathing commands down your neck and dragging you to every private event under the sun.
“Let me see,” Q states plainly, gesturing to the canvas with his cup of coffee. You shyly angle the canvas toward him, hoping he won’t scrutinize anything about your pacing- you’re trying to get out of here as quickly as possible, and you silently pray the art doesn’t reflect that sentiment.
But to your surprise, he doesn’t, swiping a few stray eraser shavings off the canvas and giving you a nod.
“Looks good. Remember, we just need the skin tones and facial features. The clothes and all that can be filled in later with our reference pictures.”
You nod in response, taking a generous sip of your coffee, realizing this is probably the worst beverage you could’ve picked to calm your nerves. The caffeine pulsates through you, making your heart flutter even more than it already is, and the bitter taste leaves little to salivate over.
“How much longer, do you think?” You inquire, chewing on the tip of your straw nervously.
“No more than an hour, if you keep up this pace,” Q responds. “I’m going to the bathroom real quick, have everything ready again for when I get back. Don’t make me wait.”
You watch as he gets up from his own wooden stool, placing his cup of coffee where he sits, and exits the room to the corridor once again.
You’re alone in the painting room, the white sheets that line the floors staring back at you with little eyes in the form of paint splotches. From behind the door, you can still hear the eight men shuffling about, laughing loudly and downing their snacks. And you want to leave again, the feeling instilling another sense of foreignness inside of you. Like you don’t belong here, even though you’re the painter. You feel small, cramped, even useless, as you stare down the painted flesh outlines across from you.
A click of the door closing beside you garners your attention, and you look up expecting Q to return and resume the session. But it’s not Q- it’s the same figure from earlier in the hallway, slowly making his way inside and hoisting himself back up on the wooden stool. He keeps his head down as he gets comfortable again, two hands running through his black hair and slicking it back out of his forehead.
And then he looks at you- or stares, rather, two hands resting on the exposed wood in front of him as his legs balance on the wooden beams below. You can feel his eyes burning into your figure, and you do everything in your power to avert his gaze and keep your eyes locked on the canvas in front of you. But he remains like that, staring, for several minutes, until you nervously tilt your head to catch his gaze.
You feel your heart race as you do, catching a glimpse of his flawless features as he furrows his brows in concentration. His silky black hair isn’t the only striking thing about him- he has piercing brown eyes, which narrow with such intensity as he remains seated there, unmoving and confident in his stance. His plump lips contrast beautifully against his chiseled jawline, and his lanky figure makes him look like the contemporary art statues you’re so acquainted with, like he’s formed from wire and positioned to slouch so artistically in his spot.
You say nothing to the man, opting to give him a little nod, before focusing back on the beverage in your hands. And despite his clear fascination with you, he doesn’t reciprocate, instead pulling a cell phone out of his back pocket and preoccupying himself again.
You can’t quite tell if he’s rude, or strange, or even just unaware that his presence is so uncomfortable when he’s choosing to speak through cold stares instead of words. As you watch him through your peripheral vision, you hear the familiar sound of Q’s boots click through the doorway, gesturing rapidly at you and at the canvas.
“Let’s continue,” he orders, clasping his hands together with such purpose. “Where are they?” Q then questions, his eyes darting over the quiet man’s indifferent posture. And the strange man finally gets up from his stool, making his way through the break room door to usher the others inside once again.
They follow like a row of ducks, back to their respective seats, some of them with drinks in hand as they share whispered laughter amongst themselves and make little effort to sit still. You have no trouble picking up right where you left off, the innate talent to mirror figures in front of you coming in handy as you race the clock to complete their flesh-colored outlines.
Most of them converse lightly amongst each other, holding your gaze with a more serious expression when they catch you looking over at them.
Except for the strange man.
He’s relentless in his ways, continuing to stare so impolitely at you, his eyes piercing daggers right through your soul as he cocks his head to the left, and then the right, studying your face as you study all eight of theirs. What his intentions are exactly, you have no clue, simply opting to avert his gaze when you can and keep busy with your painting.
One hour later, the canvas illustrates all eight outlines of flesh and distinctive features, highlighting the beige freckles on one man’s, the toned biceps of another, and all other features that set them apart from each other. True to Q’s reminder, their clothes are traced in outlines, but color is void of their stencils, as you still have to bring the canvas home to complete the finishing touches. When they’re dismissed for the day, the gentlemen are all led by a sculpted man with a big smile who introduces himself as the leader, orchestrating the bows and applause that are held for you.
And as he ushers them out one by one, the strange man who’s been watching you all day is the last to leave, lingering a little bit too long with his hands shoved in his pockets like he wants to say something. He loiters by the canvas for several minutes, but you make no move to angle the painting at him, usually maintaining a certain extent of confidentiality in your work to keep the surprise.
He seems to take the hint, almost nodding indirectly at you and more toward the wall, as he finally saunters out of the room with his hands still in his pockets, his strides painfully slow as he disappears from your sight.
And when you look back to the painting, you cock your head at his outline, trying to gauge whether your art properly captures the sheer sense of unnerve he instills in you with his features alone.
*
Painting sessions are burdensome. They require a lot of planning ahead of time, stocking up on supplies, scheduling around the hours-long timeframe and of course, the mental preparation of having to be stared at by rich men for several hours.
But perhaps critique sessions are even worse these days.
Your paintings are typically set in stone after the initial outlines, considering there are usually a few important figures who review your work and give you the go ahead to take it home and finish it.
Yet sometimes, you still have people complaining, pointing out unimportant features like the color of their sneakers which aren’t to their liking. It’s normally Q who fights these battles for you, refusing to allow you to make any changes since the payments are made upfront, too. But sometimes, even he caves, ordering you to pull out your briefcase and mix a darker shade of green or add more volume to the subject’s hair.
It’s the worst with investors, who put their audacity at the same level as their incomes. But with boy groups like this, you’re unsure, having never done a painting for a band prior to this one.
The finished canvas is transported in a nylon zip-up bag, held by yourself and Q as you fit it inside the truck and secure it with metal prongs. While the drive there is just an hour long, it feels much longer than the last time you traveled there, perhaps because you’re much more nervous.
And perhaps also, it’s because of the same strange man as last time, who you already know is going to have a mouthful to say. The way he lingered by your work station a little too long, wouldn’t stop staring and even excused himself from his own break early to resume his insufferable task of making you uncomfortable. You reckon it’ll be a comment about his hair, asking for a longer length or more volume. Maybe something about the stage outfit you were presented with and how it doesn’t make his legs look long enough. Or knowing his douchebag tendencies, maybe he won’t hesitate to ask for a fucking bulge in his pants at this point.
When you arrive, Q calls over the building staff to help transport the collosal work of art, while you wait awkwardly on the side with your hands shoved in your pockets. You take a moment to crane your neck and look up at the building, a tall glass monument with blue-tinted windows and cobalt text that displays the company name. It’s just as intimidating as you remembered it, instilling the same unnerving feeling that a hospital might.
When the building staff are finally making their way inside, you follow reluctantly, making yourself as small as possible behind them while they navigate the long blinding corridors. It’s an unusual feeling to be at the top floor of the building that you were just looking up at from the street below, and as you pass the windows that line the hallways, you can make out the rows of cars and people that now resemble ants from this high up. It’s as though you were never down there to begin with, like the world is different from up here, much more secluded and shut-in.
And seeing the pin boards that line the walls, with photos of successful artists and flyers for company events, it very well might be, this haunting building where dreams either go to flourish or decay.
Into the last door on the right, eight chairs lined up for eight artists who definitely seem to have flourished. The building staff set up the canvas at the front of the room, securing it into its wooden easel, and Q occupies himself setting up a recording camera which points directly at the painting and captures all eight chairs in the frame. It’s common protocol for events like these to be filmed, not always for public consumption, but for the staff to archive important commemorative moments in the artist’s name. Once the camera is rolling, Q gives you a thumbs up, gesturing to the staff to permit their exit as you make your way to the front with him.
“Ready?” He asks, clasping his hands together as he eyes the camera nervously. You say nothing in response, giving him a small nod, before taking your spot on the other side of the canvas and folding your hands behind your back.
For a few moments of complete silence, the two of you keep your gazes fixed on the clock that lives on the wall across you, the hands ticking with the passing seconds as you await the arrival of the band. Q turns to say something, seemingly disregarding it as he turns back to the wall and shifts his eyes to the door every few moments.
You wish he wouldn’t be so… anticipatory. You wish he’d just stand there, like a rock, indicating nothing of importance, so that you could put less weight into this and unveil the painting to them without any reservations.
Here’s the painting, you want to say. It took me forever, so don’t criticize it. You guys are shorter than my usual subjects. Except for the weirdo- and he stares too much.
You smile to yourself at the thought of being so candid with them, before an abrupt push of the door startles you, and you instantly straighten your posture at the sounds of boots clicking along the floor, leading the eight men who live on the canvas behind you.
One by one they take their seats, dressed to the nines this time in black slacks and collared button ups. They even flaunt ties, mirroring the businessmen you’re used to painting, and the fancy attire quickly makes you nervous as they fold their hands in their laps and fail to joke around like they did the last time.
“Welcome,” a booming voice says, as other important looking figures stand around the room and eye the covered canvas. “It’s a pleasure to have you here, and we’re eager to see what you’ve come up with.”
Applause fills the room, inclusive of the members of the band, which you finally allow yourself to look at. They sit properly, hands folded in their laps and serious expressions painted on their chiseled faces.
Except for the strange one, again, whose gaze is locked on yours. He cocks an eyebrow curiously, as though you’re the one doing the staring. And you quickly turn your attention back to Q, hoping that disregarding the men will calm your nerves a little.
“… she’s paid particular attention to detail,” Q continues, and you realize you’ve missed half his speech already.
“And we are so excited to hang her work in this renowned building as a commemorative piece for the members. Without further ado, please let’s unveil the artwork.”
As he finishes, two members of the staff tug on the beige cloth, letting it fall to the tiled floor beneath it and expose the giant portrait.
Their faces light up instantly, little “woah’s” filling the room as they rise from their seats to take a better look. They laugh at their own figures, they point out each other's and most of them even pull out their cellphones to snap photos of your art. It’s always a gratifying feeling, having a crowd admire the fruits of your labor this way, especially when you aren’t immediately met with verbal protest against your creative choices.
You take a few steps back to give some room to them, the staff talking amongst themselves and gesturing to the building where you presume they speak about where the painting will live.
“It’s a hit,” Q says, coming around to tap you lightly on the arm. “You should be very proud of yourself.”
“Thanks, Quinton,” you respond. “I’m glad everyone enjoys it.”
And the staff applaud you once more, bowing to you and lining up to shake your hand as they begin to file out of the room again.
The members stick around for a good while, unable to take their eyes off the painting as they point out each other's features and admire their own. And as they begin to leave, several of them thank you personally on the way out, giving you a bow and shaking your hand.
“Thank you, really,” the man you remember being the group leader says to you. “We are so honored to have worked on this with you.”
Another clasps your hand in his, bowing several times before speaking. “Seungmin,” he states his name politely. “Thank you, I think you really did our old group leader justice.”
“Hey!” The leader calls, and you can’t help but laugh a little in response.
The others share similar sentiments, bowing and shaking your hand as they exit, chatting excitedly amongst themselves as they make their way down the hall for their next schedule.
And when you turn to face Q, you’re met with the last member, who folds his arms in front of him coldly and eyes the painting with raised eyebrows.
Like clockwork. He doesn’t like it, he’s going to request a change be made to it and he’s going to berate you in front of your own boss.
“It’s nice,” he chimes in casually from where he’s standing.
“Thanks,” you reply, Q gathering the cover from the floor and zipping it up again.
“Just one thing,” he says now, turning to face you.
“Oh, we normally don’t make changes after-”
“I have a freckle under my eye,” he finishes. “The left eye. You didn’t catch it.”
Your eyes scan the painting, where his chiseled face and long hair stare back at you, a serious expression in his eyes like he wears in person. And then you glance at him standing in front of you again, a small brown mole under his left eye, just like he speaks of.
“Go ahead and add it,” Q says, as he zips up the cover. “That should be on there already.”
And you nod your head at both of them, unzipping your briefcase again to retrieve your paints. He’s watching you like a hawk again, towering over your bent figure as you pull out a thin tube of brown paint and squeeze just a miniscule dollop onto the back of your hand. You retrieve your thinnest paint brush, dipping it into the paint and swiping it across your skin to rid the excess from the fine hairs.
It feels as though you have to paint it with his permission, as you bring the brush to his face and glance over at him for instruction. He gestures to his eye, motioning for you to start, as you bring the brush to his canvas flesh and tap on a tiny, single dot.
He stares at it for a moment, cocking his head as though a brown dot somehow won’t be to his liking. And even Q holds his breath while he waits for a comment from the man. You begin to say something, your lips parting silently, stuck on what to remark as you await his feedback. And then with bated breath, he finally speaks, giving a small nod as he does.
“Good,” he says simply. “It’s me now.”
Q nods at him, nods at you, and then gathers your belongings as you cap the loose tube of paint.
“Do you have a card?” The man asks suddenly, and Q pauses his shuffling about to retrieve one from his coat pocket.
“Here’s her card,” he says, against your silent protests. “She’s available for commission any time. Payments are up front and scheduling is through me only.”
The man nods, thumbing the gold foil cardstock in his slender fingers, and then shoves it into the pocket of his slacks.
“Hyunjin,” he says curtly, reaching his hand out to yours. “I’m the main dancer.”
And you just nod, placing your hand in his reluctantly as you shake once.
“Y/n.”
His hands are cold to the touch, the metal of his rings feeling like blocks of ice in your grasp. He holds it there for a moment, his narrowed eyes shooting daggers into yours, before he finally pulls away and pivots to leave with the rest of the band.
And you can only catch a glimpse of the back of his head when he’s halfway out, before Q turns to speak to you.
“Looks like we may be back very soon,” he remarks, latching your briefcase once more. “I’d hold on to that brown paint if I were you.”
*
Exactly four days pass before you hear from Hyunjin again. In fact, you’ve all but forgotten about the little run-in, until Q barges into your studio while you add the finishing touches to another client’s piece.
“I have a proposal for you,” Q voices, setting an iced coffee on the table beside you while you dip your paintbrush in a muddy cup of water.
“What is it?”
“Well financially, a massive opportunity. Career-wise, much of the same thing you’re already doing.”
“Businessmen?” You question, working your paintbrush in thin strokes to add hair to the figure on the canvas.
“Band,” he replies simply. “The same band you did last week. Just one member, though.”
And you know instantly who he speaks of, your face contorting into an expression of disgust as you wash your paint in the cup of water once more.
“Hyunjin?” You query.
“That’s him,” he says, snapping his fingers as the name comes back to him. “He’s offering double what we paid last, and just for an individual piece. That’s a massive markup from what we usually charge.”
“I don’t know,” you reply hesitantly. “I’m pretty busy with this, and we-”
“I already said yes,” he states simply.
“You did? What- I thought this was a proposal.”
“Yeah,” he says with a scoff. “A proposal to get your stuff ready. We start tomorrow. And he wants you to bring every color you’ve got.”
“Tomorrow? Don’t we already have a prior commitment?”
“Already moved them out,” Q says, sitting on the chair across from you.
“Look,” he begins, sighing deeply. “I know you’re hesitant about these things. But this is the best move you can do, career-wise. Painting these famous figures is a gold mine for us. One day you could be commissioned to paint royalty, and then we’ll be reaping three times our salary.”
And you sigh, too, knowing very well that he’s right. Being a painter who gets commissioned to commemorate important characters, you know the best thing you can do for yourself is say yes to every opportunity. You’re very seldom able to, which is why you have Q in the first place. But the prospect of spending another day with Hyunjin scares you, and you’re not sure Q would consider it a legitimate concern if you brought it up to him.
“I’ll be there, too,” Q interrupts, almost as though he can read your mind. “It’s just him. One day, max, and then you can pick up your other projects.”
It doesn’t seem like there will be a way out of this one, no matter how much you pray that things will fall through eventually.
“One day,” you echo. “And then I’m tunnel vision on the rest of my projects.”
*
You can tell Hyunjin’s thought about this very carefully, judging by the way he saunters into the room with purposeful strides and slings a bag off his shoulder.
He’s dressed a little more casually today in a denim jacket and jeans, with layered silver jewelry that contrasts nicely against his jet black hair.
“Like a model headshot, but painted,” he describes his vision to you, gesturing with his hands as he speaks.
“I want it to look really serious. And maybe a cool-toned color palette.”
He’s meticulous with his requests, and you wonder briefly if he dabbles in art, himself.
“Sure, we can do that,” Q responds, jotting down a few points in a small notepad.
You say nothing, letting Q do all the talking, but Hyunjin’s eyes glance over at you briefly like he wants you to acknowledge the request. So you just nod graciously, giving him a thin-lipped smile, and begin to undo your briefcase.
Hyunjin assumes his same spot on one of the wooden stools, dragging it closer to you by its leg and propping it within eye-view of your big canvas. And then he sits on it, or rather slouches, adjusting his gaze to look straight at you and maintain a cold, serious expression.
It’s just as unnerving as you’d remembered it, having this model-looking figure pierce daggers through your soul while you mix your paints- cool-toned ones, at his request, and prepare for the hour-long trek of capturing his essence.
At least you won’t have to talk to him- or so you’d assumed from the last session you completed with him.
“What’s your process like?” He asks, his sultry voice perfectly matching his features.
“Oh,” you remark, mixing a set of paints to mirror his even skin tone. “I don’t know, I just paint what I see.”
He nods, satisfied with your less-than-wordy answer, and then he begins to prod you with more questions.
“What are your favorite art supplies?”
You cock an eyebrow at this, well aware that you have a long list you can indulge him in, but not wanting to share your secrets with this complete stranger.
“I dunno,” you reply softly. “Oil paints, and graphite pencils really.”
Hyunjin nods again, and then he glances at Q, who gives him a thin-lipped smile much like yours, trying his hardest to remain polite with Hyunjin. You know Q is likely frustrated with you for not entertaining this conversation in a more lively manner, especially considering what he paid for this session, but you’re not going to indulge him in anything except painting him- and only for this one session, like you promised Q.
And the rest of the session is uneventful, Hyunjin poking you with questions about your personal favorite paintings or inquiring about a time you messed up on an important piece. All questions which are answered with brief “I don’t know’s” or “there are so many, I can’t choose.”
And although you are trying hard to keep Hyunjin at a distance, nothing seems to faze him, his head nods and little hums serving as indicators of his satisfaction with all of your answers. He doesn’t get pushy, like your other clients often do, and he even presses Q for a few answers as he makes sense of your work.
At just past 5, the session draws to a close, as Hyunjin rises from his stool and announces he has to tend to his evening dance practice.
“It’s nice seeing you again,” Hyunjin says as he approaches you, giving a small bow as Q waits off to the side.
“Thank you,” you voice back, glancing at Q for a push to leave.
And Hyunjin extends a single hand, gesturing for you to place yours in his, as he towers over you with a curious expression.
You reluctantly place your palm in his, letting the cool metal of his rings graze your skin as he clasps his thumbs over your fingers and rubs them in gentle back and forth motions. He doesn’t bring it up for a cordial peck, he doesn’t shake it- he simply caresses your artist hands tenderly, before letting go again and turning to give Q a small bow as well.
“Take care,” Hyunjin says, pivoting to exit the room into the corridor.
And as Q pesters you with orders to clean up your workstation, you examine your own hands, rotating your own fingers around, like they might somehow be changed by his touch.
*
ON HOLD- The notes under your projects on the big calendar in Q’s office read, written in dark red pen and underlined twice across the pages.
You furrow your brows in confusion, setting your bag down as you enter for the day and ready your art supplies.
“What’s going on?” You ask Q, who’s busy sorting through a stack of invoices.
“Have a seat,” he replies plainly, gesturing to one of the leather chairs that accompany his grand wooden desk. And you do, sitting on the very edge of the chair as you await further instruction from him.
“A gift came for you,” Q says, slinging a large box on the desk in front of you.
You stand up once again, peering inside at the myriad of oil paints, sharpened charcoal pencils, new smocks, palettes and even books about artists and their works. You dig through the supplies, heart racing at the expensive choices, feeling undeserving of all the presents the box contains.
“This is all for me?” You question, baffled at the prospect that anybody could care enough about your career to indulge you in such a fine assortment of goods.
“Read the card,” Q then says, his arms folded in front of him as he nods toward the top of the cardboard box, where a simple yellow envelope is taped to the cover, cursive text scribbled on the front. Hyunjin, it reads.
You undo the seal, pulling out the small card inside, which only contains a short, cold sentence, in contrast to the warm gift.
“For the next few”, it says, not so much as a sign off or even a simple “thanks”.
“Next few?” You repeat, meeting Q’s gaze with a confused expression.
Q sighs, sitting across from you, folding his hands out on the wooden surface where you can see them.
“His manager called this morning,” he begins. “And commissioned us for another one. Except this one has a long set of rules. He wants you to use these supplies, he wants to visit your studio instead of occupy the company building. And he specifically asked me not to accompany you.”
“What?” You exclaim, angered at the sheer audacity he has, and knowing very well that you only agreed to one painting.
“That’s completely against our rules,” you continue. “Did you tell him no?”
And Q gives you a sheepish grin, gesturing to the stack of papers he flipped through earlier. “They’re offering quadruple the pay,” he says sternly. “He’s obsessed with your work.”
“So what?” You argue. “I have a ton of other projects to finish. And I’m not throwing all of that away because some guy wants time alone with the artist.”
“There’s nothing wrong with wanting alone time with an artist,” Q emphasizes.
“This is a huge sacrifice, Quinton. I wish you would’ve run this by me earlier.”
Your eyes meet the calendar above his desk again, counting the number of projects with a big ON HOLD scribbled below them. Q sighs, evidently feeling a little guilty for his own actions, and then pinches his wireframe glasses between his fingers, pulling them off his face and tucking them into the pocket of his blazer.
“I’m willing to give you 10% more than what you already make from these.”
Your gaze snaps to his, a bewildered expression on your face as you process his words.
“What- seriously? Quinton, that’s-”
“His company’s loaded” he says with a shrug. “The guy is so much bigger than I thought he was. People love him.”
And your gaze flickers between the calendar and the big red text, Quinton’s hopeful stare and at the box of new art supplies you’ll be required to work with.
Q doesn’t need to press you for verbal confirmation, knowing that the caress of your fingers over Hyunjin’s name on the envelope serves as answer enough.
*
Your studio is particularly messy on Wednesdays, housing all of the project paraphernalia from the days prior. Today is no exception, canvases that sit on easels lining the walls and cans of paint thinner spread out on the tarps. You make your best attempt at shoving everything against the wall, creating a clear pathway for Hyunjin to stride into the way he always does. And you set up your canvas prior to his arrival, getting all of your necessary supplies in place to avoid the awkward few moments of setting up while he watches you so intently.
He’s a punctual idol if you’ve ever met one, arriving at 5pm on the dot, expensive-looking sunglasses shielding his eyes from the barely visible sunlight outside, and a black beanie pulled over his head. He looks like he could be a security guard of his own, the all-black attire even more unsettling as he makes his way inside.
There’s a reason you never house clients in your own studio- the reason being it’s small. It’s office-sized, large glass windows on one side of the wall that overlook a sea of greenery that’s now overgrown with all the recent rains. The floor is gray concrete, stained just about everywhere with swatches of paint and charcoal pieces. And the two tabled surfaces that are available are covered in art supplies, the color of the furniture now indistinguishable as they house tubes of paint, brushes and cans of thinner.
“You can put your bag on the chair there,” you say as he walks in, his hands still shoved in his pockets.
He does as told, setting a designer crossbody on the folding chair by one of the tables, and then he stands confidently, observing the room as he awaits further instruction.
He takes long strides around the perimeter of the room, leaning closely into the existing canvases to study your techniques. But he says nothing, remaining much quieter than last time, the only sound coming from his heeled boots as he moves elegantly around the studio.
“I’m ready,” you say, and Hyunjin turns around to face you. He cocks his head slightly, and then he brings one hand up to pull the beanie off his head, letting his brown tresses fall loosely around his handsome face, not requiring much adjustment as they seem to fall in disarray so perfectly. He pulls his sunglasses off as well, folding them between his plump lips before tucking them into the pocket of his jeans as he finally stops to look at you.
He looks as handsome as he always does, his unreal features looking as though he was modeled by a painting and not the other way around. You feel small in front of him, and unimportant, as he approaches you and stops just in front of your much smaller figure.
“How do you want me?” Hyunjin asks, cuffing up the sleeves of his black knit sweater.
“It’s up to you,” you reply to him, giving a small shrug as you speak.
“This one’s your call,” Hyunjin retorts. “I want it from the artist’s vision.”
And you can’t help the blush that creeps up on your cheeks, feeling embarrassingly flustered at the idea of someone caring even slightly about your vision. Everything’s from your client’s vision- the outfits, the poses, even the adjustments they request following the painting’s unveiling. It’s very seldom that you’re able to provide any directions to the standard of your vision, and though it’s unexpected, it’s a little endearing.
“My vision?” You echo, tapping your fingers on your chin.
You glance around the room at the supplies you have on hand, nothing special, but definitely materials you can work with.
Without replying to him, you pull forward one of the folding chairs, setting it down in front of your easel and gesturing to it.
“Could you sit on the top part? Like, on the back of the chair?”
Hyunjin nods, climbing up onto the chair and balancing as he takes a seat on the back part. It’s a little unstable looking, but Hyunjin seems to manage just fine, spreading his legs casually and running his hands through his hair.
“Your hands,” you chime in, taking note of the silver watch he flaunts on his left wrist. “Could you rest them on your knees?”
“Like this?” Hyunjin questions, sprawling his palms out over his kneecaps.
“Not quite,” you reply. “A little more like…”
And then without warning, you take both his hands in yours, positioning his elbows to rest atop his kneecaps so that his hands hang loosely in front of him. He cocks his face up to meet your gaze, the same intense expression he always houses, and you take a step back to admire the position.
“Exactly like that,” you say to him. “Tell me if you get uncomfortable and we’ll take a break.”
Hyunjin shoots a small smile, perhaps more of a smirk at you, as he sits still and watches you begin to paint in long strokes along the canvas. Your movements are fluid and impetuous, but every stroke proves itself more robust than the last, painting a clear outline of Hyunjin’s seated figure as he keeps his eyes on you. And maybe it’s because you’ve chosen his pose this time, or because it’s your third time doing this with Hyunjin, but you don’t feel nearly as uncomfortable anymore, keeping your attention on the painting and disregarding any implications that might derive from his cold stare.
“I wasn’t sure which brand of oil paints you preferred,” Hyunjin says suddenly. “So I bought you three kinds.”
“Oh, yeah,” you reply softly. “Thank you for the gifts. You really didn’t have to.”
“You have a talent,” Hyunjin voices. “I hung the last one up in my own studio.”
“You have a studio?” You question, remembering Q had previously mentioned something about him being an artist.
“I do,” Hyunjin answers. “It’s nothing like this one, just some canvases in the shared dorm we have. But I paint in all my free time. If I wasn’t here right now, I’d probably be painting.”
“That’s interesting,” you reply. “I’d love to see your work someday.
And Hyunjin doesn’t hesitate to pull his phone out, navigating to his camera roll to show you some of his pieces. He flashes you a painting of a bouquet of roses, placed in a glass case atop a table. Another showcases a city street, scribbled cars and people that line the pavement. And a whole gallery of them depict people- couples, in particular, in all sorts of romantic poses. Kissing, hugging, embracing with such passion and force, almost consuming each other with their visible desperation for one another.
“They’re beautiful,” you say, in awe at the technique of his art. You weren’t expecting him to be so good, for someone who doesn’t paint as a full-time career.
“Thank you,” Hyunjin replies, stuffing his phone back into his pocket. “I’ve learned so much from you.”
“Me?” You retort with a small chuckle. “I highly doubt that, your stuff is very unique. But I’m flattered that you’d say that. Thank you.”
Hyunjin keeps his gaze on yours for a moment, cocking his head to the side as though he’s observing your features. He doesn’t say anything, his eyes narrowing and widening again as he takes in the sight of you dabbing a little more olive paint into his complexion. And then he straightens his back, steadying himself on the chair with two hands gripping the sides.
“When was the last time you left this studio?” He inquires with a smug expression. He sounds a little more serious now, and his tone of voice makes your heartbeat race.
“I don’t live here,” you reply plainly. “I leave every day.”
“When was the last time you escaped?” He then clarifies. “When was the last time you weren’t confined here for the purposes of work?”
You furrow your brows, trying your best to keep busy with your task and avert his gaze.
“This is my job,” you say sternly. “I don’t want to escape.”
“I’m a dancer,” Hyunjin states matter-of-factly. “I don’t live in the studio at the building. Sure, the bright lights and the walls of mirrors help with the choreography. But sometimes I dance in my dorm. And sometimes I dance in a big grass field when nobody’s watching.”
You pause your brushstrokes for a moment, finally meeting his gaze as he stares down at you. He raises one eyebrow, waiting for an answer, which you fail to provide him with as he leans forward once again and clasps his hands together.
“You feel trapped here, don’t you?”
And suddenly his words infuriate you, the sheer audacity of him to walk into your studio demanding all these rules from you, like your boundaries can be overlooked if they’re bought. And who is he to pry into your life like this, knowing next to nothing about you except that you’re a painter? It’s blasphemous- offensive, even.
“I’m not trapped,” you say, standing from your stool and backing away from him a little. “I love my job. I can quit whenever I want to, and this is my passion.”
“Who are you when you’re not painting these portraits?” Hyunjin inquires, and your eyebrows contort into a much angrier frown.
“Who are you to imply any of this, anyway? You’re an idol. You’re the one who’s trapped in the confines of a million rules- are you even allowed to be here right now? Who are you when you’re not putting on the mask of a completely different persona?”
You exhale frustratedly as you finish, taking a moment to catch your breath, and trying your best to avoid his gaze. But when you meet his piercing eyes again, he’s smiling, a wicked expression on his face like he’s amused at your lashing.
“I’m glad you asked ,” he says simply.
“What?”
“I’d assumed it was part of your vision, to maybe scratch below the surface of the flesh outlines you paint. I know there’s more than meets the eye to your work. You have this passion about you.”
“Passion?” You reply nervously, now fiddling with the brush still in your grasp.
“Mhm,” Hyunjin responds casually. “Like you want to lash out. Go on, get it off your chest. I won’t mind.”
And you say nothing again, shrinking back into the confines of your wooden stool as you swirl the brush around in the same mug of water and dip it back into a dollop of paint.
“I’m sorry,” you voice to him. “I don’t treat my clients like this. I hope you’ll forgive me.”
Hyunjin’s shoulders sag a little, as though he was waiting for you to keep the chaos alive in this little studio. He just nods, and then he assumes the same position as earlier, his knees spread in front of him and his hands resting comfortably on his knee caps as he slouches forward.
You resume the task of shading in his skin tone, adding highlights to the elevated portions of his face and glancing over at him in intervals to confirm where the light hits him.
“I’ve learned so much from you,” Hyunjin says for the second time tonight, and you’re still unsure what he means by it. “I think we could learn a lot about each other.”
And the studio falls silent for the remainder of the session, as he allows his eyes to bore into your soul while you translate his being onto the canvas in front of you. Or at least the parts that are able to be translated.
*
Your calendar is blocked off for the remainder of the week for other clients, Hyunjin rescheduling his sessions as he prepares for a performance overseas.
Your heart sinks a little when Q announces the schedule change to you, secretly praying you haven’t completely ruined your artist/client relationship with Hyunjin. He’s definitely a little odd, and he can be pushy when he wants to be. But he’s undeniably more intriguing than the investors you’re used to housing at the studio, telling you stories of his dancing and inquiring about all your favorite techniques every chance he gets.
He’s the first client who’s ever uttered the word “vision” when it came to yours, and not his, and you can’t let go of the value it added to your last session with him. You had yelled at him, ordered him to stop projecting his thoughts onto yours and asking personal questions. But it was the first time you felt alive, somewhat visible to a client as you painted them. His eyes pierce through your soul, every tangible inch of it, and not just the empty shell of who you are when you’re not existing so loudly. And Hyunjin seems like the only catalyst that allows you to exist loudly these days, even Q walking all over you like you’re an extension of his tedious ways.
Although your last conversation didn’t go quite as smoothly as you’d hoped it would, Hyunjin’s words continue to circle your mind relentlessly, your heart trying to make sense of them no matter how hard you try.
“Who are you when you’re not painting these portraits?”
It’s a fair question, and it doesn’t necessarily have to be a discourteous one, either. Maybe he’s genuinely curious about the woman you are when you’re not following Q’s orders. But where has Hyunjin pulled the implication from that you’re anyone except for the person assigned to produce these portraits? You’ve given him no reason to think anything of you besides the well-mannered, focused painter you are. And to imply anything else would also, by extension, imply he knows something about you.
“I’ve learned so much about you,” he had also said to you, twice in the same session. And can one really learn from two, three sessions of watching an artist paint? Sure, if he was more focused on your technique and your mannerisms rather than staring at you so intensely. But he hadn’t seemed to be interested in much else, simply keeping his gaze on yours and asking base-level questions about your artist career.
If anything, you could learn a lot about Hyunjin, who has the whole world at his disposal and walks around this place like he owns it. He speaks of you like he’s trying to study you. He wants to learn from you, despite being the one wielding much more knowledge and wisdom than you could even begin to fathom. True, you don’t escape this studio- and you don’t utilize it without the intention to work. In fact, your work consumes you most days, your personal life just a microscopic dot in the grand scheme of this arrangement.
But Hyunjin seems to think otherwise, his generous gifts and his fascination with returning seeming to imply something else. Like he wants to learn from you, or like he’s convinced he already has.
In apprehension, like he knows you.
*
“Where are we going?” You query when Hyunjin arrives next, quickly ordering you to gather your supplies and ushering you to the door.
“We’re not painting here today,” he says plainly.
“What? No, Hyunjin I don’t paint anywhere except for-”
“The studio or a company,” he finishes. “That’s the issue. I want to take you somewhere more lively.”
“I can’t be around people,” you respond. “I don’t… it’ll just mess up the whole process.”
“Do you trust me?” Hyunjin asks suddenly, his hand extending out to yours for the briefcase you grasp.
What a simplified question- absolutely not. You don’t trust him, that’s the issue with leaving the studio. You’re still not sure of his career as a whole, you’re not sure why he’s so adamant about breaking all sorts of rules and you don’t know anything beyond his name.
“No,” you reply. “I don’t think I trust you at all, actually.”
And Hyunjin just smiles, stepping forward to take the briefcase from you.
“Good,” he replies, the same amused smile plastered on his face. “That means there’s still a lot I can teach you.”
He watches you slip on your coat, undeniably confused, but in a trance-like state obeying his commands, like your heart won’t let you hear your brain’s protests.
Hyunjin doesn’t drive. He doesn’t need to, having his own personal chauffeur at his beck and call, able to go just about anywhere in the evening during his allotted hours of free time. Ones he normally spends in the studio, watching you paint.
You sit quietly on one side of the fancy black car, your hands folded neatly in your lap and staring at the passing blur of city lights out the window. Hyunjin occupies the other, one of his slender hands resting atop the briefcase in an attempt to steady it whilst the driver makes sharp turns and brakes a little too harshly.
You watch as the city roads turn to one long paved road, surrounded by tall grass and trees. And this path goes on for a while, maybe 20 or 30 minutes, as you remain in comfortable silence. The driver seems to be acquainted with the road, turning every way he needs to, no form of navigation telling where to go, simply having memorized the route. And Hyunjin doesn’t seem tense in the slightest, humming softly to himself as he taps his fingers along the leather surface of the briefcase.
The fork at the end of the road signals the stopping point for the driver, who hits the brakes, but doesn’t turn the car off. The keys remain in the ignition as he comes around to open your door, guiding you out with one hand and bowing graciously to the both of you.
“One hour,” Hyunjin says to him, sliding him a generously folded bill.
The driver nods, occupying his spot in the driver’s seat, and you watch him make a U-turn before driving off down the path again.
The environment is quiet, much quieter than any spot back in the city. It’s nothing except for trees and tall grass that sway with the gentle evening breeze, the sky swallowing up a now orange sun as nighttime begins to over both of you. If you squint, you can even see the mountains from here, some of them lined with little yellow lights, probably vacant buildings or farm workers. And the birds sing their last songs of the day, mellow tunes that harmonize with the growing chirps of crickets.
“It’s pretty here,” you remark to Hyunjin, who stands looking out at the view with his hands tucked in his coat pockets.
He doesn’t reply for a moment, his long hair swaying with the breeze. And then he tilts his head in the direction of the briefcase, nodding once.
“Paint what you see,” he orders.
You nod reluctantly, scrambling to open the briefcase and set up your supplies.
“Do you want to stand there? Or… do you prefer something else?”
He smiles, a little amused at your rushed state, and then he shakes his head.
“Not me,” he clarifies. “The view. Paint what you see.”
You swallow a lump in your throat, stopping your movements and pondering the words for a moment. You haven’t painted a view in god knows how long. Your skills are rusty, your techniques are skewed and the whole concept of it makes you shudder.
“The view?” You question back. You take a moment to look at the view again- there are possibilities everywhere. Green grasses that resemble paint strokes themselves, a deepening blue sky with strokes of blues and blacks, stars like paint splatters and trees with sponge-painted bushels. The art is everywhere, the possibilities are vast and endless with a view like this one.
“The view,” Hyunjin echoes. “Don’t take it too seriously. This isn’t some company's order to paint me. I just want to see the world through your eyes.”
And you nod, once, Hyunjin helping you latch your sketch pad to the easel as you mix a myriad of blues and greens together on your wooden palette.
He flips through your sketch pad for a little while before stepping away, nodding at the pages upon pages of art unlike any of your portraits. When you think he’s going to move, he doesn’t, remaining in the same spot and nodding his head at the works. And you feel a little shy, a little confused at why he’s taken so much interest in the work you complete on the side, work completely unrelated to any of your portraits. When he reaches a blank page, he meets your gaze with a small smile, nodding his head once at you as he finally moves out of the way.
And then you finally begin, hesitantly, as Hyunjin finds a spot in an undisturbed part of the grass, sprawling his long legs out in front of him and pulling out a sketch pad from his own bag. He angles it away from you, beginning to make long, generous lines with his charcoal pencil, peering over at the trees every now and then to gauge their shape. And you remain there, a comfortable silence among both of you, as you both capture the view in your respective visions.
The technique comes back to you instantly, like motion memory, quickly sponging leaves into the trees and pulling the dark sky from its draped position over you to plaster it onto the canvas you work on. Blues, greens, glittering whites for the night stars and fantastic shades of chartreuse and viridian find their homes on the canvas, so carefully placed and mirroring the view you overlook. You emulate the shadows, the waning glints of light, even the sounds seem to live on the picturesque view where time stands still in the confines of four walls.
Hyunjin doesn’t disturb your work flow- in fact, for most of the time you remain there, you cease to remember he’s even working on a sketch of his own, his delicate figure disappearing among the trees as your peripherals shut him out and bring nature to the forefront.
It’s only an hour you’re there, like Hyunjin had promised, before he’s returning to your spot and standing behind you to look over your shoulder.
“Beautiful,” Hyunjin states dramatically. “Beautiful, and spectacular, and shining.”
You chuckle lightly, wiping the brush on your smock and tucking it away in one of the front pockets.
“Will you sign it?” Hyunjin asks, cocking his head a little to try to find where your signature currently sits, but finding nothing.
“Oh, yeah,” you respond, bringing a charcoal pencil to the bottom right and scribbling a quick signature.
He scans the painting once more, tracing a finger over the corner where you’ve added your signature, and then he gives a small nod before meeting your gaze.
“This one’s my favorite,” Hyunjin tells you. “Because it’s entirely your vision.”
“The ones I make of you are my vision, too,” you explain, and Hyunjin shakes his head with a small smile.
“I like how you see the world. Not how you see me. Or anybody else, for that matter.”
And you find yourself blushing again, unsure if his intention is to fluster you with his poetic words, but well aware that he’s having the effect on you regardless.
“Thank you,” you echo politely. “I like this one, too.”
Your gazes remain fixed on each other for a brief moment, the grass now standing still as the night falls over you, stars glittering in the black sky and the crickets singing their nocturnal songs.
For the first time since meeting him, Hyunjin looks less cold at this proximity to you, his entire demeanor exuding softness and comfort as he smiles at you. Maybe it’s the black puffer coat he wears, the collar pulled up to his chin to keep warm from the frigid winter night around you. He wears his glasses, too, these ones a thicker black frame, pushed high up on his face and a little dorky, admittedly. But it’s also because he seems kinder, more warm and welcoming. There’s no existing rush to capture him any which way- in fact, there’s no pressure to capture him at all. And maybe when you’re not translating his model-like appearance onto canvas, you’re able to step back and admire that he’s soft under his hard exterior, he’s so gentle and human.
At first, you debate telling him, a sudden urge inside of you to apologize for your presumptions of him and admit that he’s slowly become your favorite client to be around. Maybe he’s right- maybe you do have a lot you can teach each other. He lives a life of lavishness, entertaining varying aspects of his idol career and serving a role of great importance to those who know him. And he is certainly of importance to your career, being your highest-paying customer and the one you’ve painted the most now. But he plays a role in other parts of your life too, allowing you to try new techniques, entertain your vision, circling your mind with his poetic words and his strategic motions. All lessons which allow you to grow outside the confines of your studio, too.
But you settle on silence, not wanting Hyunjin to think too boldly of you. Maybe he’s like this with everybody he crosses paths with. Choreographers, vocal coaches and painters alike. Maybe he’s simply as fascinating as he looks.
As you study him again, the sound of a car engine interrupts you, and you turn around to find Hyunjin’s driver has returned as promised. You bring a hand up to shield your eyes from the bright headlights that illuminate the whole field, as Hyunjin helps you gather your supplies again, securing the canvas in its case and transporting it into the backseat of the car with the driver’s help.
Hyunjin holds the door for you this time, ushering you inside, and then he comes around to slide into the backseat next to you.
“I think it’s going to rain,” the driver says as he puts the car in reverse.
You crane your neck to look at the sky through the tinted windows, dark blue clouds that loom overhead and seem to make the night even colder.
“I have one more place we need to stop at,” Hyunjin says suddenly, sitting forward to make eye contact with the driver through the mirror.
The driver nods in response, as if the last location is a secret kept between them, as he begins down the dirt path again in silence.
*
“Ever been here?” Hyunjin questions, as he holds out a hand to guide you up the stairs. The steep concrete stairs lead to a grand crested marble doorway, a bronze statue out in front and dimly lit lamp posts that illuminate the sign overhead.
Museum of Modern Art.
“Once, a long, long time ago,” you respond. “I think I usually steer clear from galleries since I don’t show my work at them.”
Hyunjin chuckles softly, stopping at the front door and meeting the gaze of a security guard, who promptly strides over and opens the door just an inch.
Hyunjin pulls out an ID, and a folded paper of some sort, and you watch as the security examines it briefly before nodding. It’s only then that you realize the museum is closed for the evening, the only person around behind the night security, but of course that rule doesn’t apply to Hyunjin, who can get in just about anywhere with the flash of a smile.
“It’s the only way to visit with no one else around,” Hyunjin says, confirming your theory. “They let me stay as long as I want. Sometimes I draw here.”
You nod at his words, giving a small smile as the security eyes you intensely, and then he opens the door to guide both of you inside. Hyunjin removes his coat, slinging it over a nearby coat hanger, and he flaunts a white knit sweater with his dark jeans, looking cozy in contrast to the dark winter night outside. He holds your sketch pad tucked under one arm, and then he skips excitedly to a room behind a curtain.
“This one’s my favorite!” He exclaims, giggling softly like a child might. “Do you know they’re all made out of recycled materials?”
And you brush the curtain aside, being met with the sculptures he speaks of, neutral-toned figurines that appear to be made of paper mache, all resembling people. Their forms hold each other, mimic ballroom dancing, and even embrace each other in a tender kiss as they stand tall in the center of the room.
You watch as Hyunjin snaps a few photos with his cellphone, craning his neck to view them at a better angle, and then he turns to face you.
“What do you think?” Hyunjin asks.
“They’re beautiful,” you reply. “They kind of remind me of your drawings.”
He shoots you a flustered smile in response, touched that you’ve even remembered what his drawings look like. And then he graciously bows as he ushers to another room.
“I think you’ll like the next one.”
The next room behind another dark curtain is a gallery of paintings, all of them abstract forms of art that experiment with different colors and mediums. You take a while in this room, sauntering down the row of canvases and observing how each one captures something completely different from the others. Some include only cool-toned shades, their strokes much smaller and overall more somber. Some play with warm tones, long generous strokes that capture passion and heat. And some mix both, two stories dancing in harmony on one canvas, contrasting light with shadow and love with regret.
As you cock your head slightly, observing the way the colors are so evocative from this proximity, Hyunjin comes to stand next to you, cocking his head in a similar fashion and taking in the same details that you do. And if someone were to stand behind you, maybe both of you would mirror the painting, too, two hues of life and recluse working in perfect harmony alongside each other.
“Nice, isn’t it?” Hyunjin asks, and you hum in response.
“Yeah. I love these colors.”
Hyunjin nods, giving the painting a last once-over before nodding in the direction of another curtain.
“Come on, I want to show you this last one.”
The last room houses a little bench, where Hyunjin occupies the left side and pats the spot next to him. You take a seat, your hands folded neatly in your lap, as you observe the colossal painting in front of you.
It’s a watercolor painting, one amorphous shape at a far distance, yet at this proximity, the tangible outline of a figure, sat with legs pulled to the chest and crouched in a position evoking such sadness.
The cold blue hues highlight the shadows which define body parts among the pile of limbs, the curve of a breast, the almost indistinguishable outline of a leg, aspects you have to really squint hard to make out. But the colors complement each other so artistically, and the figure in the painting looks so melancholy, so longing for something more than the confines of the canvas she lives on.
“Isn’t it beautiful?” Hyunjin voices, and you nod, swallowing as you remain quiet.
He pauses for a moment, his voice hitching in the back of his throat, before speaking again.
“The artist was a child prodigy,” he begins. “Apparently they painted all their life and then became a sort of recluse into adulthood. No one’s seen a painting from them since. This was their last big project.”
“Interesting,” you remark quietly.
“Yeah,” Hyunjin replies. “And their art is always titled around themes of loneliness and solitude. Every painting kind of feels like a puzzle piece leading up to their disappearance from the art world.”
Hyunjin says nothing as your eyes dart around the room, swallowing nervously as you ponder what to say. And nothing comes to mind, nothing that won’t make you seem crazy, or irate.
And then before you can protest his actions, he flips open your sketch pad he’s kept tucked under his arm all this time, flipping through a few pages until he’s nearly at the end. He stops at one of your paintings, cool aqua hues filling the paper in the same manner as the one hung on the wall.
“It’s you, isn’t it?” Hyunjin finally says, and you realize he’s turned to face you now.
You stand up at this point, smoothing down your blouse and turning away from his gaze.
“Sorry, I have to go-”
You search for an exit, unable to locate one amidst the dark curtains and the dimly lit room. And the only thing you can think to do is walk back the way you entered, beginning back through the abstract painting gallery as Hyunjin follows behind you.
“They’re amazing,” Hyunjin says. “You have a talent. Your paintings were always my favorite-”
“Please, stop,” you interrupt, your heart beating erratically as you make your way past the paper mache sculptures.
“Why did you stop making them?” He asks, now standing still in the entrance, the security guard on high alert as he watches Hyunjin’s stressed demeanor.
“Sorry,” you voice to the security guard, bowing to him. “I have to go, thank you so much.”
And without turning to look at Hyunjin, you push the doors open, making your way out of the museum and onto the concrete steps. It’s raining now, hard, like the driver had predicted, and you march right past his parked car to one of the taxis parked by the curb.
The cab driver takes an address from you, punching it into his navigation system as he begins to drive down the street, and you pray he can’t hear the quiet sniffles coming from you in the backseat.
As he pulls away from the curb, you glance out the window at the museum, where Hyunjin’s now shoving past the door and standing still, his hands dropped at his sides and a hurt expression on his face.
His hair falls damp around his face as he lets the sheets of rain wash over him, his driver exiting the vehicle in a rush to get Hyunjin back into the safety of the car.
But he remains there, unmoving, his hurt gaze fixed on yours, as you turn a corner and fall out of his sight.
*
And just like the sessions were uneventful before Hyunjin, they’re much more uneventful after him, too.
Putting the sessions on hold for Hyunjin is nothing, his life full of vibrancy and color when he’s not spending an hour or two with you in the evening posing for a painting. It’s time he fills with extra dance practice, vocal training, spending time with his members and even doing art of his own.
But for you, it means returning to a life of mediocrity, requesting stock brokers to angle their big heads in a more appealing manner so you can capture every one of their unsightly features. You’re ogled at by salesmen, disrespected by accountants and not a single one of them could give a shit about your vision.
A part of you wants to call Hyunjin and apologize, to explain that he was out of line in his approach to identify you and catch you so off-guard. But you’re mostly angry at him, for having ruined something so beautiful you took pride in every week. Now he’s gone, the sessions put on pause until further notice and your life forever changed by Hyunjin, though he’ll keep living his life of lavishness despite being the source of all your pain.
“Now that we don’t have Hyunjin on the books after this week, I need you to resume the work on Mr. Lee’s painting. Let’s not lose sight of the ones we started prior to his pieces,” Q says, as he flips through a clipboard of printed schedules.
“This week?” You echo in question. “I thought sessions with Hyunjin were put on hold until further notice.”
“They were,” he responds. “After your last session this week. He’ll be here tomorrow evening. He’s your last client of the day.”
“Tomorrow?” You repeat, pausing your brush strokes as you turn to look at him. “He requested to come in tomorrow?”
“Yeah,” Q replies with furrowed brows. “Why, is there a problem? I already told him yes.”
“No, that’s fine,” you reply, rotating the brush around in your fingers as you think over his words. “Tomorrow works fine.”
Despite the sessions being put on hold, you’ll still have a moment to explain yourself to Hyunjin and make amends. It might not get you exactly where you were before all of this, but the thought of letting Hyunjin part ways thinking you despise him makes your stomach turn. You’ll still get a moment alone with him to rekindle the state of your friendship.
… Or so you thought. When you arrive at the studio the next day for your last session, Q is still there, organizing papers at one of the tables and still dressed in a fancy blazer and tie like he never left from this morning’s session.
“Quinton?” You call, setting your purse down and toying with the hem of your shirt.
“Yes?” He responds, not looking up at you.
“Are you… don’t you normally sit these sessions out?”
“Oh, I forgot to tell you,” he says casually. “I’ll be sitting in on this last one. I know they were put on hold pretty abruptly, and I wanted to be around for your last one.”
You give him a small nod, protesting his actions mentally. You won’t get a minute alone with Hyunjin after all- not with Q watching you like a hawk. You want to scream at him, to tell him he has to leave and that he’ll be permanently disrupting the client-artist relationship you’ve developed with your highest-paying customer if he stays and taints the room with his overwhelming presence. But he largely determines the success of your career, whether you like it or not. And requesting Q’s absence will most certainly point to something more going on between you and Hyunjin.
“Right,” you reply. “That’s fine.”
You wish Quinton wouldn’t be so… mechanical. You wish he could trust that you’ll get the job done, despite any existing tensions between you and Hyunjin. You wish he wouldn’t pretend to care about being present, when in reality you know he just wants to make sure it wasn’t you who screwed something up. And you wish he would leave you alone with Hyunjin to make amends the way you know you need to before you part ways with him.
When the door opens once again, you both turn your heads to look at Hyunjin, who strolls in with casual strides, his hands stuffed in his pockets. His gaze falls on Q, and he furrows his brows together, finally looking at you, with a confused expression on his face.
“Welcome!” Q says obnoxiously. “I’ll be sitting in for this session, I hope you don’t mind.”
Hyunjin shoots him a thin-lipped smile, giving a subtle nod as he slings his bag off.
“Sure,” he replies. “That’s fine.”
He assumes his spot on the same wooden stool, crossing his legs and folding his hands in his lap, and then he turns to meet your gaze.
“How do you want me?” Hyunjin asks. He sounds more somber than the other times he’d asked the same question, his voice trailing off a little as he waits for a reply.
“This is good,” you say, taking your own seat and beginning to work light strokes across the canvas. You start with his jawline, the same chiseled jawline you’ve gotten so used to painting, working a robust angle where the crook of his neck meets his cheeks. Then his eyes, the piercing intensity of them, narrowing involuntarily as he poses with such skill, the same eyes which have graced the covers of magazines and album covers. His lips, plump and rosy, forming a small pout as he remains silent. And the outline of his luscious brown tresses, which fall beautifully around his face and soften the rest of his features.
He looks so enchanting this evening, like he’s straight out of one of the paintings at the museum. And your anger feels almost completely dissipated once he’s in front of you like this, just a pressing urge to be alone with him so you can communicate properly.
“Looking good,” Q says as he comes up behind you, his hands folded behind his back.
Hyunjin’s eyes dart over at Q’s standing figure, glancing over at you again while you paint. You attempt to shoot him an apologetic expression, wanting to tell him it wasn’t your idea to have Q here watching your every move. But you can’t properly convey your emotions to him with Q practically breathing down your neck.
“Beautiful work”, Q chimes in, nodding as you add the color to Hyunjin’s hair.
You can feel yourself getting frustrated with him, wishing so badly you could at least ask him to wait on the other side of the room like he normally does. But he remains there, crowding around you as you work and filling the room with his awkward presence.
“I’ll drag up a chair,” Q says with a small chuckle. “So I don’t have to stand.”
And both you and Hyunjin watch as he pulls up a folding chair, dragging it along the floor in one painfully slow motion, the sound of the legs screeching against the concrete floor as he places it next to you and takes a seat.
Hyunjin’s eyes meet yours again, cocking his head slightly as though he’s asking why you’ve allowed Q to be so overbearing today. But none of this is according to your plans, either.
“Go on,” Q urges. “You don’t have to wait for me.”
You hadn’t even realized you’ve stopped painting, grasping your brush between your fingers as you watch Q adjust in his seat and gesture to the painting.
“I think we should take a break,” Hyunjin says finally. “My leg is cramping a little.”
“Of course,” Q echoes back. “We can take five. There’s a vending machine out by the front door. And the bathrooms are on the right, by the-”
Q can’t even finish his sentence before Hyunjin’s shoving his way past the door, taking long strides away from the studio and waiting outside. He pinches the bridge of his nose in deep annoyance, letting out a deep sigh as he ponders the evening’s events so far.
“I’m going to use the restroom,” you tell Q, setting your brush down and following Hyunjin. “I’ll be right back.”
And you follow his footsteps, pushing on the door to meet him outside, where he stands with one hand on his hip, the other massaging his temples frustratedly.
He looks angry, as you predict he would be, but you approach him anyway, fiddling with your thumbs as he stays quiet for a moment.
“I organized this last session to speak with you,” Hyunjin says in an annoyed tone. “I should’ve known you’d invite him.”
“I didn’t invite him,” you say quickly. “I didn’t even know he’d be here, I swear. He just stayed, and he was insistent on sitting in.”
Hyunjin finally drops his hand at his side, meeting your gaze, a softening expression on his face.
“I didn’t mean to scare you off,” he finally says. “I overstepped my boundaries. I’m just here to pay you for art. Not prod into your personal life.”
“I know,” you say back. “I wanted to explain to you, but…” your voice trails off, remembering this is technically your last session with him. And judging by the way everyone speaks of him, it’ll be near impossible to contact him again after this.
“It seems like I missed my chance,” you finish, referencing Q’s persistence.
Hyunjin glances around for a moment at the overgrown plants that line the studio windows, still damp from the evening rain. It looks like a jungle out here, the plants providing no clear view through the windows and instilling such a peaceful sense of privacy.
“Could you stay a little longer?” Hyunjin questions. “After he leaves. I just want to talk to you before I go.”
You think over his proposal for a moment- Quinton is punctual at leaving right past the hour mark. He never stays longer for hours than he needs to, but he’s no stranger to you utilizing the studio to finish up some of your work after hours.
“Sure,” you say finally. “Just pretend you’ve left after the session and I’ll tell him I need to stay longer. Don’t wait near the parking lot or he’ll see you.”
A somber smile grows on Hyunjin’s face as he nods in response.
“I’m going to call my driver and tell him I’ll be longer than the original session. Meet you back inside.”
And you make your way back into the studio, where Q is busy shuffling through papers at the table.
“Ready?” He asks, already taking strides back to his stool, positioned far too close to your canvas and Hyunjin’s seat.
“Yeah,” you reply, sighing a little as he occupies the seat next to you and glances around the room for Hyunjin.
“He’s taking a phone call,” you explain to Q. “Just give him a minute.”
And Q pushes his glasses further up his nose, humming in response as he observes your painting again.
“You’ve really mastered his features,” he comments, scanning over Hyunjin’s painted outline. “Even his eye mole is already there.”
And you scan the painting too, at the little mole painted just below Hyunjin’s left eye as he requested.
“Yeah,” you reply. “I guess I have.”
You wouldn’t forget it, because everything about him occupies your mind, much like his figure lives on your canvases.
*
It’s just half an hour more before you’re finished with Hyunjin’s painting. It’s still lacking some detail, like the contours along his face and the buttons of his cardigan. But they’re all details you give yourself time to finish later, before you wrap up your final piece and gift it to Hyunjin.
Q is relentless in his micromanaging for the remainder of the session, making useless comments about your techniques and asking Hyunjin about his own work. Hyunjin’s answers are all short and echo his clear annoyance, desperate to finish the session in order to speak with you privately. But you both remain collected in your manners, graciously conversing with Q and reaching the end of the session.
Q reviews his invoice documents as Hyunjin slings his bag on once more, standing by the door as though he’s ready to leave.
“Payment was finalized today, and your sessions are on hold until your tour is completed.”
“Thank you,” Hyunjin responds, bowing graciously. “It was a pleasure to work with both of you. I’ll be back when we’re done overseas.”
“Don’t hesitate to reach out!” Q calls, as Hyunjin makes his way past the door. He waves Q off with a small smile and then turns the corner until he’s out of sight.
“Well, there goes your best-paying client,” Q remarks with a deep sigh. “We have a lot more to pick back up on. I know Mr. Lee’s paintings are still in progress-”
“Thank you, Quinton,” you voice to him. “We’ll talk scheduling tomorrow. Please just get home safely.”
“You’re not leaving yet?” He queries, already pulling on his canvas bag and hanging his clipboard from a thumbtack on the wall.
“I’m going to finish the details while I still remember them. I’ll only be an hour longer.”
Q shrugs, making his way pivoting on his white canvas sneakers and giving you a small wave.
“Call if you need anything,” he says plainly. “Make sure to lock up.”
“I will,” you echo, craning your neck as you watch him finally exit past the door and jog down the stairs. You can’t see Hyunjin anywhere, but Q doesn’t seem to notice him if he’s still around, starting his car and speeding out of the parking lot.
And not even a full minute passes before Hyunjin makes his way back inside, shaking water off his hands.
“I stood under one of the gutters,” he says in a disgusted tone. His hair is stringy wet with rain water, and he chuckles when you meet his gaze with an amused smile.
“You’ll have to let me paint it like that, someday,” you respond, and he laughs lightly.
You take a seat on the folding chair previously occupied by Q, and Hyunjin assumes his same spot on the wooden stool. For a moment he says nothing, observing your face as you tap your fingers along the metal of the chair below you. There’s not a sound in the room between the two of you, with the exception of a small creak coming from the wooden stool as Hyunjin adjusts his long legs. He runs his hands through his hair nervously, and then he licks his dry lips with his tongue before speaking.
“I have something for you,” Hyunjin says suddenly, his voice echoing around the empty room.
He stands up to pull his bag off the floor, and then he digs around in it for a moment before pulling out his sketchbook. You watch as his slender fingers open the spiral-bound cover, flipping past pages upon pages of sketches and paintings. He flips close to the end, and then he stops, bookmarking the page with his index finger before turning the book to face you.
“I’m sorry if you don’t like it,” he says, keeping the book shut in anticipation. “It’s just something I drew.”
And then with bated breath, he opens the book out to you, adjusting the page in your view to give you a clear sight of its contents. It’s a carefully drawn sketch, of you, standing in front of an easel with a brush in your hand. Painting, like you always do. You recognize the scenery around you as the spot he took you to the other day, the long charcoal streaks perfectly capturing the grass that surrounded you and the tall trees that overlooked the hills. Although it’s a sight familiar to you, it also feels so foreign, seeing yourself through somebody else’s eyes. It feels peculiar to remember people also perceive you while you paint. It makes you feel less unimportant, a little more visible.
“Wow, Hyunjin, this is…”
“Do you like it?” Hyunjin interrupts.
“It’s so lovely. Really. I feel like I don’t deserve this.”
“You do,” he’s quick to respond. “You’ve drawn countless ones of me. And of so many other people. I wanted to gift you one of your own.”
You run your fingers along the thick paper, watching as Hyunjin tears it along its perforation and hands it to you.
“Please, keep it,” he urges.
And you bow once in response, turning to set the drawing along with your bag so you won’t forget it.
“Thank you,” you finally say. “I love it. I’m going to hang it with all my favorite art.”
Hyunjin smiles in response, a breathy chuckle escaping his lips, and then he shoves his hands in his pockets again, leaning against the wooden stool as a silence falls over you both.
For a moment, you ponder what to say to him, wanting to explain the events from the other evening, but unable to verbalize anything amidst your nervousness. Any way you think about it, you fear Hyunjin is going to get mad, especially considering you’d just walked away from him in the face of confrontation. But you also couldn’t help it, his accusation coming so suddenly and so boldly, regardless of it being based on any sliver of truth.
“I’m sorry,” Hyunjin breaks the silence. “I don’t know if I was right or not. But it wasn’t my place to ask you.”
You nod at him, initially planning to divert the topic. But you can’t any further, a growing urge inside of your chest to unveil the truth to him, knowing he’s already pieced this much of it together.
“It is my painting,” you say finally, your voice shaking a little. “I specialized in those ones before portraits. They kind of gained traction when they were first unveiled, and a lot of galleries picked them up. But they drew a lot of criticism, and it became so draining to be the topic of people’s judgment. I think being perceived so heavily just kind of… scared me off. So I shifted to portraits instead, and I no longer do public showings or galleries.”
Hyunjin doesn’t react in a shocked manner, nor does he press you for questions immediately. He just nods, taking in your words, and then he meets your gaze with a concerned expression.
“I learned so much from you,” he explains. “When your paintings were unveiled at the annual art show across the city, I was so mesmerized. They’re why I started painting, too.”
You chuckle lightly, shrugging at him as you slouch back in your seat.
“Yeah, well, I don’t do them anymore.”
You think over your response for a moment, and then you stand up from your seat, too, furrowing your brows together.
“How did you… know it was me?” You question, cocking your head slightly.
“I had a hunch when I first saw your painting techniques. But I also knew it the moment I saw your other paintings in your sketchbook,” he explains. “My favorite painting of the series is printed out and taped to my locker in our dance studio. It just felt like you. I paid attention to your art for years. I was bound to know it when I saw it.”
You nod for the umpteeth time tonight, making sense of his words as you think back to the signature you drew in front of him back in the field.
“I’m sorry I figured it out,” Hyunjin says finally. “I know this was an elaborate plan to remain anonymous and shift your focus to a new form of your work. And your portraits are amazing. But you have a real talent for those older ones. And the whole series just… it changed me.”
“You don’t have to be sorry,” you tell Hyunjin, looking up to meet his gaze at last. “If anyone was going to find out, I’m glad it was you.”
“You are?” Hyunjin questions, and you hum in response.
“As a client, you have this really interesting way of making me feel seen. When I’m around you, It feels a lot more comfortable from the businessmen I’m used to. It’s like…” your voice trails off as you struggle to finish your sentence. “I feel like I did when I was painting my old stuff. I can see the world beyond just portraits for a little bit.”
Hyunjin says nothing, his eyes flickering down to your lips and back at your eyes once more, which are wide with curiosity and passion as you speak. It’s such a sight to see you talk about your art with this level of devotion again, color in your face once more as you attest to your life’s work.
“Tell me,” Hyunjin begins. “Why are all your paintings so lonely?��
You chuckle softly, shrugging up at him.
“I am lonely,” you say simply.
“I’m lonely, too,” Hyunjin remarks.
And your expression turns serious again, your eyes not leaving his intense gaze as he flickers over your parted lips and takes one step closer to you. He’s towering over you at this point, a strand of hair falling into his face as he lets himself lean into you a little more, just barely grazing his lips over yours.
“Can I please kiss you?” Hyunjin asks so politely, his voice coming out in a whisper as he stops himself from pressing his lips to yours while he waits for an answer.
“Yeah” you finally reply in a whisper of your own, almost on your tippy toes to match his towering height.
And then without another second to waste, Hyunjin closes the gap between both of you, leaning down to press his plump lips to yours and embrace you in a tender, desperate kiss.
He tastes like mint, his lips working against yours with no particular rush, yet his mind still running rampant with thoughts of having you as close as possible. It feels so wrong kissing him here, in the studio you strictly use for the purposes of completing your work-related tasks and nothing more. But with Hyunjin’s lips on yours and his slender hands snaking around the small of your back to pull you closer, it also feels so thrilling, instilling a sense of desire deep within you that can only be fulfilled through acting upon the emotions rooted in your innate fascination with Hyunjin’s entire being.
And you feel visible right now, so tangible when Hyunjin’s nimble hands are running down the sides of your waist and sprawling his delicate fingers along your flesh. It’s you kissing him here, not some shell of who you are when you’re capturing the essences of millionaires on canvas. You’re not the scribbled outlines in Hyunjin’s sketches of couples consuming each other with such passion, though you mirror them. It’s you, child prodigy artist turned portrait specialist, and Hyunjin, in all his fame and splendor, who chooses to spend his free time with you in this studio teaching you about yourself the way you learn from him, too.
Hyunjin’s hands move to tug off the fabric of your cardigan, slouching it off your shoulders and letting it fall to the floor, where it piles in disarray among the white tarp that houses loose paints. You’re pretty sure there may still be wet paint on its surface, but you don’t care, your body desperately arching into Hyunjin’s tall frame as his hands cup your cheeks to kiss you even deeper.
You can barely reach him while his frame looms over you, only able to reciprocate his kisses on the tips of your toes as he takes full control of you with his mouth. And Hyunjin seems to take notice of this, intertwining his hands in yours and pulling you down with him as he sits among the tarp and sprawls his legs out in front of him. You bestride his lean figure, balancing yourself on his lap as he adjusts himself on the concrete floor, and you both laugh when you take note of the admittedly uncomfortable positioning. It’s not meant for lovers, this dinky studio and its cold, concrete flooring. But it’s nothing that can’t be overlooked when his lips are back on yours, kissing you breathlessly and tucking strands of hair behind your ears. You can feel him smiling into the kiss, an indication by Hyunjin’s definition that he’s wanted this so badly. And he knew it from the moment you walked into the company building the first time, nervously preparing yourself out in the hallway like you weren’t going to be an absolute pro at your craft the way he now knows you are. He also knew it every time he observed your paintings, both your old ones and the newer ones that capture Hyunjin with such ease, every minute detail that builds up his intense stare only to break him down and soften him, translating this multifaceted version of him only you seem to visualize. And he gains confirmation of it when he’s finally acting upon his urges, your hands snaking around the back of his neck and moving in tandem with his hungry kisses against yours, grasping at his flesh like you’re trying to prove to yourself he’s real, too.
His sweater is the second article of clothing to go, your bodies only separating from one another briefly as you guide the knit fabric off over him and discard it beside you in the tarp. Your hands find his torso reluctantly, running your fingers along his flesh as though asking for his permission. And Hyunjin smiles when you do, placing his hands over yours and pressing down a little firmer for you, so that you can feel every inch of his toned body. He wields the body of a dancer, delicate curves that run along his sculpted obliques and highlight the years of intense training he’s done. His body feels strong underneath you, but he still feels soft, his touches exuding the gentle fondness he possesses for you.
And you’re kissing him again, all while his hands find your tank top and he separates to undress you, pulling it off over your head and tossing it aside. His hands are quick to find your breasts, splaying them over the mounds of your chest and massaging gently as his kisses turn hungrier. You can feel him getting hard underneath you, and you can hear his breath hitching in the back of his throat as he struggles to contain his growing bulge while you straddle him. But you indulge him even further, undoing the clasp of your bra with your own hand as you continue kissing him. Hyunjin doesn’t notice until your hand reaches out to toss your bra aside, a gentle rustle emitting from beside you as it joins the pile of discarded articles of clothing. And he separates to take in the sight of you, raised goosebumps along your bare skin and your nipples aroused for him, the cold air grazing over your chest as you wait for him to resume his touches. Hyunjin gasps a little, leaning forward to take one in his mouth, and then he begins to suck harshly as his tongue swirls around your bud generously and trails saliva along your skin. You moan at the sensation, Hyunjin digging his fingernails into the small of your back and leaving little crescent marks as his sucking resumes harshly, soft moans bubbling from the back of his throat, too, as he stays latched to you. And then he pulls away to give attention to the other one, his teeth grazing the tip of your nipple before sucking again, his eyes shutting as he relishes in the taste of your skin in his mouth. Hyunjin’s hips rock gently against you as he does, chasing the friction of your legs around his crotch as he grows even harder beneath you, desperate for some release. And then he pulls away finally, breathing heavily, his eyes wide with lust and a bead of sweat dripping down his forehead. You bring a thumb to his forehead, swiping the bead off his blushed skin, before cupping your hands around his cheeks and bringing him in for a kiss.
“Please let me fuck you,” Hyunjin says sheepishly against your lips, groaning lightly when he feels you squeeze your thighs once against his crotch.
“You want to?” You ask teasingly, massaging your hands up and down the sides of his neck as he nods eagerly.
“I really, really want to,” Hyunjin responds, shutting his eyes as you squeeze your legs again and pepper his face in kisses, trailing from his forehead, to his cheeks and down his neck. Hyunjin leans back on the palms of his hands in a state of pure bliss, taking in the sensation he’s only dreamt of until now. And when you nibble down on his neck, beginning to suck a small bruise into his skin, he sits up suddenly, his hands finding yours and pushing you away gently.
“Wait,” Hyunjin says. “I can’t… do hickeys. Company’s orders,” he admits, a little defeated, and you nod your head quickly.
“I’m sorry,” you remark. “I totally forgot.”
“It’s okay,” Hyunjin almost cuts you off with a kiss, leaning forward and sitting up on his knees. He guides you down onto the tarp, hoisting himself up over you so that his figure is now hovering over yours, and then his hands find your pants.
“You can do hickeys though,” Hyunjin says in an amused tone, trailing kisses down your neck the same way you did him, and latching his teeth onto your flesh to suck a line of purple bruises. You chuckle underneath him, the sensation tickling a little, but still adding to the generous pool already formed between your legs. And as Hyunjin presses into you with his kisses, you can feel his erection graze your upper thigh, once more seeking the friction of your body for some sense of relief as he longs to feel you around his hardened cock.
“Hyunjin,” you voice as he kisses you, and he hums quietly in response.
“You’re hard,” you remark, your eyes flickering to the tent pitched underneath his jeans.
“Sorry,” he replies, pulling away with a worried expression in his eyes, and you shake your head quickly.
“No, no, it’s fine,” you assure. “I just want to take care of it for you.”
And your hands find your own jeans, pulling them off your legs and tossing them aside. Hyunjin’s eyes skim over your lace panties, the trim almost see through with delicate feminine patterns, and he begins to undo the button of his jeans, too.
He kisses you as he snakes off his own pants, not wanting to separate from you any more as his eagerness grows to be as close to you as possible. And when he’s finally letting his hard cock rub against the fabric of your panties, moaning softly at the sensation, he knows he won’t be able to take it much longer if he doesn’t make love to you right here in the studio.
So his hands work to pull off his boxers, finally freeing his erection against his abdomen and gasping with the cool air grazes the tip of his cock. You slide off your own panties as well, tossing them aside and letting his cock rest against your bare flesh now, his precum painting your clit with his preemptive arousal as he ruts against you. Your flesh is slick with his arousal and yours, the existing lube between both of you allowing your skin to glide upon one another so effortlessly, the same way your lips work against each other. And he continues to push his hardened length against you until he’s halfway inside of you, your cunt taking him with no struggle as he thrusts inside of you now. You adjust to his thick girth easily, his length seemingly never ending as he pushes deeper and deeper into you. And then he gives one particularly hard thrust, bottoming out inside of you and coaxing a fervent moan out of you.
“Is it okay?” Hyunjin asks, wincing at the sensation of your walls hugging his erection.
“So good,” you whine, tears pricking the corners of your eyes. “Feels so good.”
And he begins to move in and out of you at a slow pace, trying his best to stave off the orgasm he’s already close to reaching as he fucks you, filling your cunt entirely with his long cock and bottoming out every time he thrusts himself back in.
And he tries to kiss you, but he can’t, his mouth simply looming over yours in its parted position as he echoes his moans into you and lets his saliva-coated lips graze over you. He looks like the subject of an erotic painting himself, eyebrows arched up so artistically with every thrust, melting into your touch as you run your hands through his hair. His initial dominance over you is quickly shifted to that of submission to your mind and your body, little whines leaving his lips as he lets you consume him whole and mold him between in your touch, like he’s made of clay and you’re the sculptor. His lanky body seems to extend as he sways his hips into yours, little dips from the pads of your fingers embedding into his pale skin. He folds effortlessly above you, the points of his elbows jutting out as he steadies his body over you, like he’s made of wire and positioned to balance over you so perfectly, not very sturdy, and yet bent and snapped just right so that he can remain glued to you. And if you were to climb out of your body and paint this exact moment, all you would see are an indistinguishable, amorphous set of limbs that seem to dissolve into each other like hues of paint on a palette. Two colors swirling around to make one, the two of you like primary colors that create endless possibilities when mixed together like this, offspring of a hundred different shades, painting the darkened studio around you with your yearning for one another.
And as Hyunjin brings a hand to stroke your cheek gently, a smile grows on his breathless lips as he realizes he’s brushed a thick stroke of wet paint along your skin. The indigo stripe contrasts coldly against your flesh, still glistening in its freshness like he’s just begun on a blank canvas.
“It’s paint,” Hyunjin says as you gasp at the cold sensation, smiling too, when he swipes it again with his thumb and flashes it down at you.
And you chuckle lightly below him, taking note of the bright orange streak that lines his neck, just below his adam’s apple. You’re not sure when it got there, or whether it was from you or him, but you run a finger through it too, bringing it to his cheek to rub your thumb lovingly across his face and paint it there, too. And in one swift motion, Hyunjin swipes the palm of his hand along the tarp, coating it in hues of indigo and deep violet and gray, cupping a hand around your breast to coat it in the same wet substance. And you do the same, your hand dipping generously into the myriad of reds and fuchsia paints that live below you, running a hand down his chest and painting a long stripe along his toned torso.
You both laugh, as he picks up his pace again, pushing himself to the hilt inside of you, the paints melting together with your sweat as he fucks you rhythmically again. And like two blank canvases finally being put to use, new colors blossom between the two of your longing bodies, shades of magenta and blue-gray making themselves known across your breasts and his torso. The colors are vibrant and robust, transferring life from the dull tarp of the studio floor onto blank slates of skin. You wish you could step out of your body and capture the colors forever, mix paints together into little jars and name every shade after every feeling Hyunjin’s ever given you. Longing, lust, fear, fascination, infatuation, obsession.
“I think I’m obsessed with you,” Hyunjin breathes into your mouth so desperately. “It’s indescribable, the things you do to me.”
He lets his hands intertwine with yours again, giving them a small squeeze as he fucks you a little faster now and lets his groans shift into small whimpers that escape his lips.
“Please let me cum inside you,” Hyunjin begs, his cock slipping against your cervix with ease as wettened noises of his arousal pooling against yours fill the room. “Please, please, I promise to take care of you, baby. I feel like I belong here.”
He’s a whimpering mess for you now, tears pricking the corners of his eyes as he fucks you and lets his hands explore every inch of your body. You want to cry, too, at the realization again that this all feels so tangible, that he makes you feel so seen when he’s hovering over you, placing open-mouthed kisses onto yours and letting his melodic moans fill your ears. The paint between you serving as proof that he’s touched you so desperately and wholly, creating art together in the confined space of your otherwise dull studio. And you want to feel him cum inside you, too, as a final reminder that you’re visible to him, that you’re no longer a fleeting, anonymous artist when you’re with Hyunjin. That he sees you for exactly you are, he knows your deepest secrets, and yet still he holds you, whispering words of permanence in your ear and letting you mold him like art. He’s an artist on his own, and he’s art at the hands of you, both of which draw you to him in ways you can’t begin to fathom, unlike anything you’ve felt before. And he teaches you that you’re an artist on your own, and art at the hands of a lover, both of which you hadn’t considered before Hyunjin, deeming yourself invisible in your comfortable solitude to the vast world around you. But the two coincide to echo the same sentiment that he teaches you exactly the way he also learns from you.
“Cum inside me,” you breathe desperately, grasping his hands a little tighter as he fucks you at a faster pace now.
“Yeah?” Hyunjin confirms, still staving off his orgasm until your verbal consent is heard.
“Yes,” you respond, wrapping your legs around his waist and making your best attempt to kiss him through his release. And you do, your lips moving against his in labored breaths, as he finally twitches inside of you and paints the inside of your listless body, hues of glazed white arousal filling your aching cunt as he whimpers through his orgasm.
“Fuck,” Hyunjin, breathes, giving a few more thrusts as he slows, his arousal dripping onto the tarp below you as he pulls out. And he rolls over to lie beside you, a mess of paint streaks sprawled out along his skin as his chest rises and falls with slowing breaths. The two of you say nothing for a moment, your eyes glued to a blank canvas housed on an easel in front of you.
It’s an almost blinding shade of white, begging for an ounce of color like the shades that now live on your skin. And through your heavy breaths, you picture the endless possibilities that can fill in the empty spaces above you. Grasslands, trees, oceans, clear waters and a vast, endless blue sky…
*
There is no overseas schedule Hyunjin has to tend to. You’re already aware of this, Hyunjin explaining to you that he made it up to put the sessions on hold and to keep Q from pressing him with questions.
But he resumes the sessions after a few weeks of putting them on pause, because he can’t seem to stay away from you any longer.
Hyunjin reckons he has a couple dozen of your paintings in his room now, all similar portraits of his face, portraits you capture in your signature formal essence, his face staring straight ahead or off in the distance, complete with the fine details of his long dark hair and the mole under his eye.
Only now that Hyunjin is back, Q is present at nearly every appointment. You’re not sure why things changed, and Q maintains a new stance to Hyunjin that the guidelines are based on adjusted company policies. But Hyunjin will do just about anything to be close to you- even if it means putting up with your obnoxious boss breathing down your neck every minute while you paint him.
The sessions are somehow even more unnerving than they used to be, Hyunjin still making every valiant effort to convey his obsession with you through intense stares and little gestures only the two of you can read. Q is obstinate in his ways, his gaze constantly flickering between you and your paintings to ensure everything is going swimmingly. But Hyunjin wishes so badly he could spend the entirety of these sessions alone with you, getting to break down your walls and see you for the person he knows you are when you’re not doing portraits under Q’s all-seeing eye.
With every passing day, and every passing session, Hyunjin grows a deep hatred for Q, despising the way he watches you work and chimes in to converse with the two of you. And he knows he shouldn’t, aware that Q is just your boss and nothing more. Something you’ve reiterated to him time and time again, but he can’t help it, desperate to have you all to himself every second of the day, a deep-seated longing to protect you from the hurt you’ve been dealt and wanting so badly for you to break free from the monotonous cycle you’ve confined yourself to of painting for anyone except yourself.
You can tell Hyunjin hates Q, judging by the way he doesn’t so much look in his direction when he arrives for his sessions. But you can’t convey the slightest bit of reaction in front of either of them, too scared of the prospect of what would happen to your career if anyone were to find out you’re fucking a client.
You maintain a professional composure around Hyunjin, despite the knowing stares he gives you and the sketches you catch him slipping into your purse when Q isn’t looking. At times he’s not around, you complete your daily tasks, well-mannered and organized to the clients who hire you, shooting them kind smiles and complimenting their black business attire when they show up for the evening. When the days draw to a close, Q is punctual as always, leaving just minutes past your last appointment and taking his work home with him.
And when his sleek black car turns out of the corner of the parking lot, Hyunjin slips inside like a mere shadow on the wall, quick to seduce you all over again and gift you with all of his recent sketches. Some of them are portraits of you, smiling or focused on your work. Some of them are erotic nude shots of you, lying on the tarp of the studio or touching yourself the way he pictures you do when you’re all alone. And some of them include both of you, your bodies tangled desperately into each other and drowning in your yearning and love. Sometimes nude, his hands on yours and fucking you mercilessly. Sometimes fully clothed, his lips on yours and bundled up in winter clothes. But always together, always desperate in your touches and always so tangible. You reckon he’s persuaded you into being fucked you on every surface of the dingy studio by now- against the canvases, on the tarp- several times, on the table Q typically occupies and just about every stool available to the two of you. And while Q is oblivious about why you stay a little longer every night, Hyunjin is both calculated and persuasive in returning so you two can get some time alone, time that always ends with his seed dripping out of your still-aching cunt, bodies entangled somewhere within the studio and covered in fresh swatches of paint.
He may have somewhat of an obsession with you, but life is teeming around the studio when Hyunjin is near, the colors and shapes of your work much more robust and vibrant when he’s striding around the space commenting on all his favorite pieces of yours. And you relish in stories of his days, typically spent at fan events or at dance practices. Having him return feels like having your physical figure return home to you, the world in complete equilibrium when he’s near, much less lonely than the one you’re used to.
“I could watch you do this forever,” Hyunjin remarks, watching you glide a brush along your canvas, filling in the shadows of a figure on the canvas in front of you.
And this one’s not a portrait- it’s a watercolor figure, much like the ones you used to paint back then, the technique coming back to you with ease as you highlight the convexes of a body mirroring yours and add varying hues as highlights.
Per Hyunjin’s request, you paint the figures occasionally, only because he’s repeatedly expressed his fascination at watching you complete the process in a live session. The paintings reminiscent of your old work aren’t for sale, nor are they critiqued by anyone except for yourself. And they’re certainly not done with the knowledge of Q, who would turn irate at you utilizing the studio’s supplies for anything but portraits.
They’re just for his viewing pleasure, a little exchange you indulge him in as he continues to gift you with sketches of his own.
Hyunjin’s arms snake around your waist as you paint, his head resting on your shoulder as he watches you dip your brush into a mug of water and dilute the caramel shade that taints the bristles.
“Will you add a second one?” Hyunjin asks in a curious whisper, his lips grazing your ear as you paint.
“A second one?” You echo.
“Yeah,” Hyunjin says, working a trail of kisses down the shell of your ear. “This one’s you. Will you add me?”
You chuckle lightly, dipping your brush into a warmer shade of brown and swirling it around to gather the color on the fine hairs.
“So they can resemble us,” Hyunjin says, his kisses traveling even lower. “Paint me fucking you the way you like it.”
You chuckle softly again, not missing the way Hyunjin’s hands travel to your skirt, flipping it up to graze his hands along the mound of your upper thigh.
“Hyunjin, I-” you begin to say. But you can’t answer him, shutting your eyes in pleasure as you hear him unzip his jeans behind you and position himself.
“Keep painting,” he says in a sultry whisper, pumping himself lightly behind you as he pulls your panties down.
And you try, bringing your brush to the canvas to add a second figure like he’s requested. But you can hardly make it past the first few strokes before Hyunjin’s sliding into your dripping cunt, letting his hands grip your waist to steady himself as he begins to move.
“Go on,” Hyunjin encourages, as his hips thrust in and away from your trembling figure, your hands trying their very best to keep hold of the little wooden paint brush and fill in his form.
You manage to add a subtle few streaks, beginning the amorphous outline of Hyunjin’s hair, his tall lanky figure towering over yours and taking you with such desperation.
But you don’t get very far before Hyunjin is angling your face to kiss your drooly lips, his hands now finding purchase on your breasts as he continues to fuck you. And all of this is wrong, you know very well. You’re not supposed to be sleeping with a client like this, much less one this powerful, this rich and who wields so much he can hold against you. One slip up and Hyunjin can go tell the world about how you’re the artist who disappeared to sell yourself out to rich men for all their selfish needs. And any option you have to defend yourself would never hold up against his wealthy corporation and all its investors.
But you also can’t help but give into his urges when he’s around, his lips so tantalizing on yours and his cock filling you so fully and completely when he has his way with you.
Maybe it’s not even just about the sex for you- maybe it also has something to do with his stories you live through vicariously, listening to tales of the outside world while you’re trapped in this studio or at the businesses of wealthy men. It’s also the drawings he makes for you, ones you find yourself staring at for hours after he leaves, like proof that he was here and he touched you. The drawings are you in your most tangible form, his hands on yours and his lips on the curves of your neck. It’s like a glimpse into a version of yourself that ceases to exist when he’s absent. And it’s the late hours of the night he spends asking so politely to watch you paint your older work, always so fascinated with the way your mind conjures up varying lonely figures crafted from watercolors and a nylon bristle brush. Older work you hadn’t realized you missed so dearly until you began producing it for Hyunjin again.
But you know that to Hyunjin this is just a exhilarating idea for him, to view your art the same way he carves out a couple hours each week for a museum tour or to sketch in one of his books. He probably finds it more convenient to fuck you here where nobody’s around than to stroke himself in a dorm he shares with three other men. And you can feel it in the way he so desperately pleads you to paint for him or cum for him- that his obsession with you is less about you, and more about the thought of you.
Maybe this is just the result of Hyunjin uncovering a secret nobody else paid close enough attention to connect you to. Or the thrill of you being his favorite artist for years, and realizing you’re finally tangible in front of him, real, and not disappeared like he previously took you for. You reckon it must be the same phenomenon other girls feel toward him, getting intimate with somebody they idolize, desperately cupping his face like it might dissipate if they don’t grasp hard enough. But just the thought of somebody doesn’t imply love. It doesn’t imply a mutual understanding, and it certainly doesn’t imply permanence for either party involved. When he’s gone again, you’ll cease to be real like you already are when he’s not around. And then every vision you have will be rooted in unfaltering solitude once more, your anonymous life resuming again.
“Will you cum for me?” Hyunjin asks, and you snap back to the feeling of his cock twitching in your dripping cunt as he grips your waist. “God, you don’t understand what you do to me.”
You can’t give him an answer before you feel him reaching his release inside of you, shooting thick white ropes of his cum into you and slowing his pace again as he moves your hair away from your face.
“Fuck, I’m sorry, I couldn’t help it,” Hyunjin says sheepishly as he pulls out. “Sit down for me,” he orders between kisses to your neck, trailing down to your shoulder, grazing his hands along your waist and groaning against you.
And he’s already guiding you back to one of the stools, kneeling between your legs and spreading you for him, your glistening cunt on full display for him to taste.
“Want you to cum for me,” Hyunjin whispers, before positioning one of your legs on the wooden dowels of the stool. You can’t verbalize anything to him before his tongue is darting into your entrance, lapping his own release out of you and trailing up to give attention to your swollen clit. He works you in such desperate motions, tongue working your core like a starved animal and eagerly trying to coax an orgasm out of your trembling body. When his arousal is effectively brought out of your tight cunt and painting the tip of his tongue white, he coats your clit in it, giving kitten licks to your bundle of nerves as he hums against your flesh and whispers little pleas for you to let go.
And between your pussy still clenching down around the sheer memory of his cock inside of you mere minutes ago, and his plump lips kissing all over your wettened core, you do let go for him, dribbling cum down the edge of the wooden stool and threading your fingers through his hair as he trails kisses down to your thighs in encouragement.
“So good,” Hyunjin murmurs as he comes up for air, intertwining his fingers in yours as you get cleaned up. You shoot him a little “thank you”, and Hyunjin presses a chaste kiss to the back of your hand as he nods, getting dressed once more and tucking his softened cock back into his boxers.
“Come here,” he states. “I want to ask you something.”
“Should I be concerned?”
“It’s exciting,” Hyunjin retorts.
He guides you to his same wooden stool, where he climbs upon the seat and then takes your hands in his again as you stand in front of him, pressing a small kiss to your palm before speaking.
“You know I care about you, right?” He begins, his eyebrows raised curiously.
“You’ve mentioned it,” you reply.
“And you know I love your art.”
“So you’ve told me,” you say, and Hyunjin brings your hand up to press another kiss to your palm.
“I have a proposal for you,” he then says. “And I just want you to hear me out.”
Your heart sinks at his words, already fearing the worst as you wait for him to elaborate. You pray he hasn’t done anything to reveal your identity, or to make these secret erotic sessions public, knowing you’d both never live a normal life again at either of the instances occurring.
“What is it?” You ask Hyunjin, heart racing in your chest.
He rubs his thumb along the back of your hand soothingly, trying to calm you down before he speaks.
“I privately sponsor the art gallery every year,” he begins. “I put some funding toward a painting of my choice and it allows those artists to have their pieces displayed for the winter show and make connections,” he continues.
“Okay…”
“And I want to sponsor you this year,” Hyunjin finishes, giving your hands a little squeeze.
“Hyunjin, there can't be an installment of your face at the art museum. People will get suspicious.”
“Not my face,” he says reassuringly. “Your art. Like the ones you used to do.”
And you feel your throat dry up at his words, the exact thing you’d feared coming to fruition.
“I can’t,” you’re quick to say.
“Why not?”
“Because I don’t do those paintings anymore. I can paint you, or another person or whoever. But I can’t do one of my old ones.”
“But your old ones are beautiful,” Hyunjin says. “It doesn’t have to be your old series. You can start a new one. Do something entirely different.”
“I don’t want to do something entirely different, Hyunjin. It’s a chapter of my life that’s been closed already. You know I don’t do those anymore.”
Hyunjin maintains his collected composure, his eyes softening as he speaks to you.
“You’re not happy doing portraits. I know you. You have a spark in you when you’re painting for yourself, and people love them. You deserve to be doing what you love.”
“I’m sorry,” you say, letting go of Hyunjin’s grasp and shaking your head. “I’m so grateful for the offer, but I can’t put myself back out there again.”
“You can still be anonymous,” Hyunjin offers. “Some artists I’ve sponsored choose to remain anonymous and only reveal to serious patrons of their art. I can make sure they don’t find out who you are.”
“It’s me and my art I don’t want to be seen,” you emphasize.
Hyunjin doesn’t say anything now, rising from the wooden stool and reaching for the iced coffee he’s placed on the table beside you.
“Okay. I won’t press it any further.”
He swirls the cup of ice around in his hand, and then he hangs his head in defeat.
“Hyunjin, seriously. Thank you for the offer. It’s sweet of you to consider it. But I’m not ready yet.”
He shoves a hand in his pocket and cocks his head slightly.
“Is this because of Quinton?”
“What? Hyunjin, I already told you our relationship is strictly professional-”
“Not romantically,” Hyunjin continues. “You’re like a slave to him. You do everything he tells you to do. He probably doesn’t let you leave this studio.
You’re quiet again, not answering him immediately. No, you don’t stay here at Q’s behest. But it just feels safer to follow his advice. He was just a client when you met him, but he took you under his wing to get you where you are now. He runs all your schedules, he books your appointments for you, he even gives his say on most of your work. He’s the only part of your old life that’s remained the same, despite your transition to portraits, and cutting him off would be stepping into a world completely unbeknownst to you.
“No,” you say finally, but you don’t expand further upon your stance.
“You’re so lonely here,” Hyunjin responds frustratedly. “And yet you follow orders from the same person whose job it is to keep you invisible.”
“Why should I follow your orders?” You retort.
“Because I love you.”
“You don’t love me, Hyunjin,” you reply frustratedly, finally feeling the anger overtake you as you continue your angered speech. “You love the idea of me. You love the idea of escaping your crazy rich life to try and resolve the tortured artist you’re so infatuated with. You love the idea of fulfilling somebody’s life with your presence because it’s all you do for a career. I’m not the person I was when I was doing those paintings- I do portraits now, and I work under somebody who knows what’s best for me. And you’re just a client I’m sleeping with.”
Hyunjin purses his lips, amused you would stoop that low for the purposes of declining his offer. And then he shakes his head as he speaks again.
“You’re right,” he finally says. “I’m just some client you’re sleeping with. I never tried to push you out of this line of work you hate so much, or drew you on every page of my sketch book or made love to you in every square inch of this goddamn studio. I’m not proposing this because I care about you and I want you to do what you love, it’s because I’m just a client you’re sleeping with.”
And he pivots on his heel to exit the studio, taking rushed steps toward the door as tears brim the corners of your eyes.
“Hyunjin, wait,” you call desperately.
“I see you,” Hyunjin says suddenly, turning around to face you. “I see all of you. Your work didn’t just materialize by some anonymous form. You’re a painter, a really talented one, and I don’t want you to feel this all-consuming solitude anymore. I say that because I love you, not just because I’m sleeping with you. If you want to remain invisible to everybody except Quinton, then be my guest. Just know that I tried.”
And without another word, the studio is empty again, the tip of your brush still dripping with the remnants of the warm brown color and every intention to add a second figure to your painting.
*
You don’t speak with Hyunjin any more that evening. Or the next day. Or perhaps for a whole week following the conversation, for that matter. The reality is that you want to partake in his offer, the thought of it candidly piquing your interest to paint something other than another rich man. And it would be nice to watch your art be displayed for people to see just once, rather than to live on the walls of a company where only people within a certain tax bracket will ever grace your work. But what you reiterated to Hyunjin still stands- you’re scared to venture out into the competitive world of art galleries again. Your old series was a hit, sure, but it was also torn down relentlessly by those who didn’t understand it and those who simplified it down to its medium. And it was a much harder endeavor to make people understand your watercolor forms, unlike the portraits Q advises you continue producing.
But you can’t seem to stop thinking of Hyunjin’s proposal as a whole, understanding very well that his offer is one of the kindest things he could propose to you at this place in your life. He sees you- all of you, and subsequently he knows that you’re unhappy in this monotonous abyss of adding new features to the same faces every day. The way a change for you is determined only by a shift in a client’s pose or even just an addition of their pet- it’s all so repetitive, exactly what art isn’t supposed to be.
Maybe you’re just scared of getting rejected again, or perhaps it’s that you’re scared of finally being seen again, anonymous or not, putting yourself on the map again and being perceived.
*
“I want a painting,” Hyunjin says as he saunters into the studio one evening, throwing off his bag and dragging a stool to the middle of the room.
“Oh- Hyunjin, pleased to see you again,” Q remarks, bowing and giving you a nervous look.
Hyunjin doesn’t even acknowledge him, keeping a stern gaze locked on yours as if he’s challenging you.
“We have the evening booked today,” Q begins. “But I’m sure we can accommodate something for next week-”
“I need it now,” Hyunjin replies. “I’m willing to pay five times your asking price.”
And you narrow your eyes at Hyunjin, knowing he’s making his best attempt to provoke you and disrupt the work you’re completing per Q’s orders.
“How do you want it?” Q then asks, not hesitating to put aside your entire evening for Hyunjin’s offer.
“I want to be in a suit. And I want to be holding a wad of cash. I want to look like an investor.”
“Interesting,” Q says, his gaze flickering to yours. “She can do it though.”
Q turns to face you, giving you a knowing look as he raises his eyebrows. “I’ll clear your calendar for today and we can stay and work on this piece.”
And Hyunjin looks to you, too, waiting for you to protest, to say something along the lines of a refusal to partake in the outlandish task. But you avert both of their gazes, readying your paint palette and gesturing to one of the stools in front of you.
“Have a seat,” you say plainly, void of any emotion or desire to fulfill the task. And by the way Q hovers over you, void of autonomy, too, Hyunjin concludes.
“How are things at the company?” Q asks Hyunjin, leaning in a little too close to you as you begin painting long strokes on the canvas.
“Fine,” Hyunjin says, not taking his gaze off yours. His eyes are narrowed like he’s challenging you, yet you don’t give him the reaction he searches for.
“You must be busy,” Q remarks, his hands folded behind his back. “It’s been a while since we’ve seen you here.”
“Yeah, and I’m sure you’re running her schedule like the fucking military,” Hyunjin retorts, cocking an eyebrow at him. Q takes a sharp breath, but he doesn’t argue, doing his best to keep in line at your highest-paying client.
“She’s pretty busy,” Q replies reluctantly. “But it’s nothing she can’t handle.”
Hyunjin doesn’t say anything, again waiting for you to chime in, but you still don’t, working on adding details to Hyunjin’s tresses on the canvas.
“This will be my final session,” Hyunjin then says, and your head snaps to meet his gaze.
“Is that so?” Q questions. “Going overseas again?”
“Indefinitely,” Hyunjin replies. “Not overseas, I’ve just no need for the paintings anymore.”
Your lips part as though to ask if he’s serious, but you can’t, not with Q here alongside you.
“I have so many of them now,” Hyunjin remarks, not taking his eyes off you. “It’s been a lovely time with the two of you, but I won’t be returning after this evening. I hope you understand.”
“Please don’t hesitate to reach out if there’s anything we can provide you with,” Q voices. “I hope we’ll remain connected with the peers at your company.”
“Oh, you will,” Hyunjin replies. “I’m sure the investors and the senior managers will love portraits of their own. She’ll have a lifetime of portraits to complete when I’m gone.”
You can feel a pit forming in your stomach, queasy at the thought of carrying on this task of capturing rich businessmen and ceasing your sessions with Hyunjin. He’s unmoving in his attempts to make you revisit your old art. But his begging has also been eye-opening, making you realize just how much you hate this line of work and having Q breathe down your neck.
Hyunjin has a point, you’re unhappy doing portraits. You love the watercolor figures you paint, you love your time with Hyunjin and the feeling of unending curiosity he instills in you. There’s no solitude when he’s around, filling every aspect of your life with such color and vibrancy like the figures you paint. And you learn from him just as much as he learns from you.
But the fear remains, the feeling of hopelessness remains, the perception that Hyunjin is only obsessed with an idea of you and that your career is far gone from the watercolor figures you painted so long ago.
And of course, that you require Q’s uncompromising presence in your life to be even close to successful. He’s the one who transitioned you to a successful career of portraits after your previous line of work fell through. And you’re not sure you can shift to a new focus without him to guide you.
“Hyunjin,” you say suddenly, garnering the attention of both he and Q.
“What is it?” Q replies, as though you’re referring to him. And you wish he wouldn’t be so… disruptive, making you lose your train of thought as Hyunjin waits for your words with bated breath.
“I’ve completed the initial outline,” you settle on saying. “It should be sent over to you in a couple days.”
And he nods, a somber, thin-lipped expression on his face as he understands you’re never going to divert from this path of fear you walk, one you’re forcing yourself to stick to.
“Thank you,” Hyunjin responds, getting up to leave again. “I’ll see you around.”
*
Private events are seldom actually private for Hyunjin. The interior of the gallery is organized accordingly so that patrons can mingle with their respective artists and all of the prestigious guests invited.
But the exterior is only private up the crowd control stanchions, where beyond it live hordes of people wielding all sorts of fancy cameras and cell phones, snapping photo after photo and analyzing every one of Hyunjin’s movements.
Hyunjin’s attending an art gallery today, the crowds murmur amongst each other, the message echoing all over the city and overshadowing the art itself, which hasn’t even been unveiled yet.
His departure from the black limousine he arrives in is met instantly with deafening screams, the repetitive click of camera shutters and commands for him to angle his face every which way. The people stop to stare at his fitted black suit, the long black hair he sports styled slick out of his face and expensive jewelry he flaunts as a clear indicator that he’s a sponsor of the evening’s show, alongside a long list of other wealthy individuals.
His hands remain tucked in the pockets of his black slacks, giving a gracious bow to the fans before making his way inside to the main event.
And the gallery is significantly more packed than he’s used to, people crowding every square inch of the marbled floors and admiring the intricate pieces of art. The curtains are pulled back neatly so that guests can roam freely among the halls, easels set up in neat rows and canvases mounted on walls to display all the sponsored works of art.
Hyunjin is quick to gravitate to the long white table pushed against the wall by the entrance, set up with generous servings of hors d’oeuvres. And in a bout of nervousness, he’s sampling the cheese platters and the varying flavors of wine, sighing as he swirls a glass of cherry merlot between his slender fingers.
He was supposed to be here sponsoring you tonight, unveiling your paintings for the world to appreciate once again, and so that he’d finally put forth the notion that you’re more than the halls of law offices your portraits exist in.
But that was three weeks ago now- three weeks in which Hyunjin failed to visit you like he’d warned he would. And three weeks in which neither of you reconnected, letting the temporary affair between you dissipate like the sketches he stopped producing of you, like the portraits he finished collecting from you. And like the hope he held onto that maybe you’d come around and entertain a life in which you aren’t so comfortable being invisible and inhibited at the hands of your Q. But that never came around, and although Hyunjin is frustrated with you, he misses you just as much, knowing very well he could spend a lifetime learning from you if only you let him. Now in the gallery he once dragged you to, where he admitted to having learned the secret you hid, he can only pray you know that he sees you for who you are, and not some invisible producer of your static portraits. That a life lived in complete solitude doesn’t have to be the answer to succumbing to your fears, even if it feels more comfortable than the perception and the critiques of others. And that although the idea of you was a lovely one indeed, he loves every part of you, not just the concept of you- and pushing you to grow was his way of making it known.
The gallery hosts are quick to introduce the paintings and their respective sponsors, a variety of them being under anonymous titles and names as they choose to remain hidden, too. But Hyunjin doesn’t wait around to listen to much of it, examining the paintings on his own in between nervous trips to the snack table, where he gets tipsy off a little too much cherry wine. It’s his first time not being a sponsor to a specific painting, instead having opted to donate a large sum to the gallery in his company’s name. But after you declined his invitation to be sponsored, Hyunjin didn’t see it fit to highlight the work of any other painting. It’s you he wants to see up there, proudly showing off your work and making a name for yourself in the industry again the way he knows you secretly want to. And he so badly wishes he could stop by your studio one last time to tell you that he’s not sure he can ever sponsor another painting again if it’s not one of yours. Your art circles his mind relentlessly, as do your words, your heart, your body and your real, tangible presence.
“Nice, isn’t it?” A voice says from beside Hyunjin. He almost jumps, the wine making him a little tired at this point in the evening, not having socialized with many people while he stands in the corner of the room and takes in the sight.
“Quinton?” Hyunjin voices plainly, scowling at his uptight demeanor as he leans against the table beside Hyunjin and crosses his legs.
“So nice to see our former highest-painting client,” Q responds. “And to what do I owe the pleasure?”
“I’ve never seen you at one of these,” Hyunjin chimes in. He then looks around the room frantically, thinking maybe you’d accompanied him to the event tonight.
“Don’t bother,” Q says, as he takes a sip of wine. “I’m alone. Just scoping out the competition.”
He’s quiet for a moment, swirling his glass of wine around in his hand before speaking again.
“She never had a portrait at one of these gallery shows. Said they felt too commercial. Of course her old stuff was shown just about everywhere. I think she was just scared.”
“You mean- you knew?” Hyunjin questions.
“Of course I knew. I led her career’s entire rebranding. Of course she didn’t love the portraits, but the money came to us like you wouldn’t believe. And coupled with her fear of these gallery walks and important figures, we had no choice but to compromise. I got her the opportunity to paint people like you. And she did all the work.”
Hyunjin doesn’t say anything for a moment, simply shaking his head and crossing his legs, too.
“She had a lot of people who believed in her art.”
Q shrugs. “She was free to walk whenever she wanted. Her fear kept her controlled, not me. I’m just another businessman for all she cares.”
And Hyunjin gives a small nod, finishing the last of his wine.
“Look, I can’t help but feel like I owe you an apology,” Hyunjin says finally. “I was just a little jealous whenever you were around. Not that there was anything going on, I just mean-”
“You think you’re the first client to have taken a liking to her?” Q interrupts. “I’ve seen it a million times. People want to take advantage and they get obsessed, and they start pulling crazy shit like offering five times the pay for a simple portrait.”
Q looks down to examine his leather shoes, adjusting the glasses that rest on the bridge of his nose. And then he sighs frustratedly before speaking again.
“I would know,” Q then says, doing his best to avert Hyunjin’s gaze. “She’s a tough one to crack. She loves her paintings, and being alone and I don’t think she’d ever give the time of day to a good man. Not even if he followed her to her next endeavor.”
Hyunjin nods at the marbled floor, and then his head snaps in the direction of Q’s somber gaze.
The way he speaks of you, the way he gets a little too close to you for Hyunjin’s liking- Hyunjin finally thinks he understands. It’s not just the fear of being perceived that keeps you from picking up your old life again. It’s the fear of abandoning Q, who so arrogantly feels like he’s owed something for helping get you back on your feet after you shifted your work’s focus.
He’s the only other person who knows your secret, and he holds it over you like it makes him more important than anyone else in your life. He reduces you to a lifetime of following his orders, likely because he’s bitter that he was never the solution to your loneliness. A wealthy businessman himself, it was Q who kept returning for paintings once not long ago, accumulating piles of your work and making every last effort to pursue you. But when he wasn’t successful, he convinced you that you were right about your fears, that it was your best move to take his advice and he’d keep you turning a generous profit as long as you stuck by him. Q was so hopelessly devoted to an idea of you, and when he couldn’t help you overcome your fears, he became the catalyst for your fears, instead.
“You and I are a lot of the same,” Q voices. “Two rich men with dreams just out of our reach. It seems money can’t buy you everything, after all.”
Hyunjin doesn’t say anything, swallowing nervously and looking at Q. And then Q shakes his head as he sets his glass of wine down on the table.
“Only I’ve never seen her willingly paint the same client so many times the way she does with you,” he finishes. “I guess she really liked being seen, after all.”
Q adjusts his glasses once more, and Hyunjin feels his heart sink at Q’s words, suddenly feeling overwhelmingly guilty for not having contacted you again.
“Could you tell her I stopped by?” Hyunjin inquires.
“Me? Oh no,” Q begins. “I can’t get in contact with her. No one can.”
“You- what? What do you mean?”
“Exactly that,” Q responds. “She told me she was done, and she walked out on me with a single watercolor palette and a notepad. She didn’t say anything else.”
“Did she say where she was going?” Hyunjin interrupts to ask, and Q shakes his head.
“She just left, and it’s been almost a month and she’s still MIA. Maybe she’ll come crawling back when she needs another rebranding.”
Hyunjin can feel his heart sinking deeper and deeper with every passing word that leaves Q’s lips.
He’s tried your cell phone- twice since leaving, and you never answered. But he assumed it to be a fleeting argument that would eventually make amends in due time when he could stomach visiting the studio again- not you running away from all of this for good.
“I have to go,” Hyunjin says frantically, chugging the rest of his wine and slamming his glass on the table.
“It was me who found her the first time,” Q says, not taking his eyes off the art across the room.
“What?”
“It was me who chased after her. After she disappeared. Don’t be surprised if she shuts you out when you finally do find her- I think I’ve already scarred her enough with my relentless attempts at persuasion.”
Hyunjin nods nervously, watching as Q cocks his head at the art, still averting Hyunjin’s gaze. And when he finally does turn to look at him, his eyes are glossy with tears, guilt painting every feature on his face.
“Could you just tell her I’m sorry?”
Hyunjin nods, though he makes no verbal promise to relay the message to you.
“Don’t do what I did,” Q emphasizes. “I think you’re the one person who makes her feel like art, herself. Don’t ruin this.”
*
“I forgot my ID today,” Hyunjin remarks to the security guard in the late hours of the evening. He’s met with a gracious bow, the same security guard opening the door and ushering him inside anyway.
“Don’t worry about it. Take as long as you need.”
The security guards all know Hyunjin very well now, taking note of the way his visits increased tenfold following your departure from the city.
At first he felt as though maybe he was searching for you when he’d come out here, any ounce of proof that you had indeed existed the way he remembered, and hopeful for the confirmation that you moved on to something new.
But as paintings cycled through their respective artists, and exhibits cycled through varying themes, it was a confirmation he never received, never finding a hint of you among the gallery. Thus, Hyunjin drew the hopeful conclusion that you’d escaped to a nicer city, worked on your old paintings again and made a new life for yourself, independently instead of under the overbearing presence of any other man. It’s what he wishes, at least, feeling disheartened every time he remembers you’ve very seldom lived any part of your professional career for yourself only.
The gallery is quiet at this hour, akin to the silent gray evening beyond its walls, and Hyunjin’s shoes squeak along the floors as he makes his way over to the curtains that veil the artwork.
New sculptures, by the same artist who had formed the paper mache ones. These ones are formed from wire and clay, the figures once again embracing each other in tender touches and dances. Hyunjin studies every careful bend and arch, making a mental note to sketch some of them when he gets a chance.
Another room houses a similar spread of modern art from before, these ones all coinciding with the warm lighting that hangs overhead, strokes along the canvases all housing similar warm-toned hues. He knows you’d love this installment and its careful attention to making use of color.
And the last room, the same little room behind a curtain, a small bench in front of a colossal canvas and just barely lit for his eyes to make out the scene.
Hyunjin’s seated before he can even examine the artwork, squinting carefully at the painting to get a better look. He even makes a conscious decision to put on his black frame glasses, making every attempt to get a proper look at the artwork in front of him.
Diluted hues of paint and water dance along the canvas, figured outlines he’s very familiar with, and the essence of solitude radiating from every brush stroke. Only this one isn’t one figure- it’s two, a warm-toned figure and a cool-toned outline holding each other in a tender embrace, their faces indistinguishable, true to the mystery of your work.
And between them, bright hues of paint, yellows, blues, magentas, fantastic mixtures of chartreuse and vermillion, all painted like brush strokes along their yearning bodies and illustrating a profound sense of togetherness, much more robust than the ever-present solitude.
“Visions of you in solitude,” reads the small bronze beneath the canvas.
As he cocks his head to make sense of the painting, he feels the leather of the bench dip beside him, indicating the presence of another patron. And at this hour, he doesn’t need to turn his head to understand who it is.
“There’s two,” Hyunjin says with a small smile, not averting his gaze from the painting.
“It felt incomplete without one.”
“Is that…”
“You?” You question quietly.
He nods in response, eyes scanning the swatches of paint between their bodies. It has to be me, he thinks. It has to be us.
“Maybe it is,” you reply. “I don’t disclose my processes to just about anyone. But you’re welcome to make your assumptions how you see fit.”
Hyunjin gives a breathy chuckle, finally turning to meet your gaze.
You look lighter- happier, as though you have the weight of your fears and reservations off your shoulders for once. Hyunjin can’t help but lean a little closer into you before stopping himself, knowing he can’t come in here to mirror the same thing Q once did long ago.
“You’re doing galleries,” he settles on saying.
“And they scare the hell out of me,” you respond, huffing a little at the end of your sentence. “But, it is nice to be seen again.”
He gives a little nod, and then his mind goes back to Q, who had asked to relay his version of an apology to you. But Hyunjin hesitates to speak of him, not wanting to taint your new art with the mentions of the old businessmen who took advantage of you.
“I’d have kept my distance if I knew how this went down the first time,” Hyunjin explains, hoping you’ll get what he implies. “It wasn’t fair of me to ask you to shift your focus. I just wanted you to be happy.”
You sigh for a moment, scanning the painting across from you, too, before turning to speak to him once more.
“Of all the clients I’ve painted, you were the first to ask about my vision. I think you do see me. And I think it was easier to say you loved an idea of me, because I couldn’t understand why you’d love any other part.”
Hyunjin nods, not taking his eyes off of yours.
“I learn from you the same way you learned from me,” you continue. “And you make me feel so seen. But I’m learning how to do that without needing you, too. Getting comfortable with my loneliness, I don’t think it’s something I was able to practice very much. At least not with…”
Hyunjin nods, not needing to hear Q’s name to know who you speak of.
“I understand,” Hyunjin voices. “And I want you to take all the time that you need. What matters is that you feel fulfilled, and that you’re not being pushed at the hands of somebody else. That’s more than enough for me to love you at a distance.”
And you nod at him, your heart swelling at his words as he turns to look back at the painting once more. The two of you stay there like that for several minutes, observing the way you’ve so carefully captured the togetherness you feel when you’re beside him. Swatches of paints that echo the color he brings into your life, and yet rooted in the solitude you’re still learning to be comfortable with. Visions of him in your own solitude, also creating a version of yourself that will continue to learn from him as much as he learns from you. And still art at the hands of him, both when you’re loving him wholly, and at this comfortable distance from each other.
And by the summer months, he’ll love you at a close proximity when you’re ready again, exchanging passionate embraces behind the curtains at galleries and making love to you in your shared apartment. He’ll continue to draw for you, and remain the biggest fan of the two-piece figures you illustrate with watercolors, capturing the same sense of togetherness and yet unwavering solitude that comes with breaking yourself down to the world around you. And the love will be reciprocated unconditionally by you, who finally feels seen at the hands of somebody who perceives you beyond just a concept.
But for now, he’ll remain right here, at this comfortable distance, allowing himself to learn from you as much as you learn from him. And the love will be undemanding, but it will be real, tangible.
[ ᴛᴀɢs: @drhsthl , @straykeedz-recs , @caitlyn98s , @moonlinos , @cottonsthings , @jaykyo , @write143 , @pinkcinnamon444 , @maximumkillshot , @auraleeknow , @skzms @coastalmaine , @venomracha , @lmhcats , @felinows , @maexc , @kang-min-joo , @liinoracha , @sealovesbts , @hanniessleepyeyes , @hyunjinsamdl , @chans1aptop , @yomomma104 , @sheraall , @kbbok , @silentreadersthings , @beomkgyu , @diorrxluvskz , @dancerachaslut , @jeannie-beannie , @heeseungshim , @weareapackofstrays , @bethanysnow , @inlovewithmusician , @kite-lee , @heartheartisa , @katsukis1wife , @minhosbitterriver , @y-ur--i , @seung-mine , @sskzlover , @bomi-ja , @crisle19 , @binniesbang , @leritzreyw , @lixiesundrop , @chopchopslide-juggalo , @vsereniasstuff , @morethancupcake , @fun-fanfics , @awillowbent , @unstiqn , @lixiesfairygf ]
add yourself to the tag list here.
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drefear · 9 months
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Imagine reader artist, who loves to draw Miguel. And the other day she's just drawing naked Miguel's body. He saw it and just smirks and say: "I've got bigger than that" or "I could show/pose for accuracy"
TW: raunchy smut, Dom!miguel, fem reader, smut with no plot.
A/N: I wrote half of this while at work and a little drunk. So here ya go. Also currently in the process of writing a part two.
Miguel’s face filled your sketchbook, his back in his spider suit, his mask, every angle you could find him at. You often sat in his office for hours while he did reports, sketching him and drawing him. You loved using different mediums and colors, giving him new features and styles. You specifically loved practicing drawing his broad body and sculpted as-
Ahem. Legs.
Yes, ok, fine, you had a small crush on your boss, whatever, no big deal.
You would purposefully finish all of your work as fast as possible so you could sit back and draw him. And because you weren’t loud or annoying, and everything was always done on time and orderly, he let you.
But one mission in particular made him stressed out, and as you watched him filling out data about the anomaly he’d just captured, he glitched his suit down his torso and injected himself with that mysterious green liquid, entrancing you for those glorious few seconds.
It was very obvious he had a nice body, duh. But you never let your mind go too far in imagining him out of his suit, scared to go into a territory you couldn’t back out of.
And now you did, drawing his torso and pecks, shading his abs, and this got you curious about more.
Lower.
Biting your lip, you sat in the cafeteria a few days later. You purposefully sat with your back to a wall, making sure no one could sneak up on you and see what you were drawing, as you drew him laying down. His arms splayed behind his head, face relaxed, as you defined his leg muscles. As you finished the piece of art, the only area you’d avoided was his groin.
And now you stared at the empty area of art, knee bouncing from anxiety about how you were supposed to draw this. You had no reference for him. Yes, you’d seen dicks before, obviously. You lived in a universe with unrestricted internet access, so it’s not like you’d never been around the block, but here you were, blushing like a 15 year old just because of a dick.
Drawing and then erasing and drawing, you repeated the process a few times before you heard someone click their tongue in front of you. You’d been so consumed by what you were doing, you didn’t even feel your spider senses or hear them come close.
Miguel stood with an eyebrow raised and his hands on his hips, eyeing you curiously. “Why are you so jumpy?” He asked and you snatched the book in front of you to your chest, stuttering some bullshit answer about too much caffeine. He just nodded and continued giving you a new order.
You got up from your seat and moved to follow him to his cold, dark lair area. As you were about to step onto his platform, you tripped and your hands flew out to stabilize your fall. As you did, the notebook flew across the floor and slid as your vision blurred from how fast you’d collapsed, getting up slowly and rolling your shoulders. You reached to where the sketch book had fallen, but it was no longer there.
No.
NO.
It was between his fingers, as he flipped through the pages slowly, eyeing your work with his brows furrowed, focused. You jumped towards him and he just turned his back, making you feel like you ran into a wall. You reached around him and he webbed your wrist to the table beside you, still not tearing his eyes from your work.
“Stop, that’s private! Give it back!” You shouted and he rolled his eyes briefly.
“It’s all drawings of me, I think I’m allowed to see-“ and his words stopped as he flipped to the newest page.
The nude drawing of him.
You gulped as his expression became unreadable, stoic, and your eyes flashed between the art and him. “I-I was just practicing forms and poses-“
“It’s… inaccurate.” He spoke lowly before your eyes blinked for a moment, confused.
“What do you mean?”
He walked to you and stood tall, bending down slightly to stare directly into your eyes. His mouth turned up at the ends and his eyes glittered with something you’d never seen in him before.
Turning the book back to you and showing you your own drawing, he smirked deeper.
“I’m much bigger.” His eyes were almost challenging you, making your blood run ice cold, and you felt his hands yank your body against his. “Do you want to see for reference?”
And then his watch made a loud sound, Lyla popping up to explain some anomaly on earth number whatever. He groaned and turned to walk out. “I’ll be back once this is done. Don’t go anywhere because When I do return, we’re continuing where we left off.”
Then he was gone and you stood, mouth agape from the whole exchange. You thought it might take a while for him to capture this anomaly, so You’d decided to go back to your own universe in preparation, showering and fixing yourself up. You bit your nail nervously as you thought about it all. Was he serious? No way, right…?
As you stood in the bathroom mirror, the sound of a portal opening cut through your mind like a knife, making your body rush into your living room. You gripped the towel tight around your torso as you saw Miguel walk out of the colorful dimension behind him and into yours. The portal closed and with that, his mask disintegrated so you could see his face. A bit tired, he still had a less-than-enthusiastic expression on.
“I thought I told you not to go anywhere.” He repeated and you stood stuff as a board, now a bit scared. He took slow, calculated steps towards you as your head tilted back to continue watching him. “Inaccurate and disobedient. I have a lot to teach you, don’t I?” His index finger hooked under your chin as he smirked and grabbed your hand with his free one, pulling you into your bathroom. He looked around for a second before hitting a button on his watch and letting the fabric disappear.
You bit your lip as your eyes took full advantage of his exposed skin. “You- it-“
“Yeah. I know.” He grabbed your wrist and spun you around, bending you over your counter with your hand breached against your back. “Now I want you to really study how I fuck you, so that you get a good look at how big I am, and how easy I can maneuver this body.” He whispered into your damp hair and pushed down, then ripping the towel away and throwing it out of the bathroom completely.
His eyes stared down at your weeping cunt and he licked his lips. “I’ll be tasting you another time. Today, I want you to really feel my size.” He was cocky, and he had a right to be. His dick was huge, almost alarmingly big.
The tip of his cock pressed against your entrance and you clenched your jaw. “It’s gonna hurt, but I’ll go slow. That way you can feel good and still learn.” He cooed in a teasing tone and your eyes found his in the mirror, watching intently as he began to push into you. The sudden width he was stretching you to was mind numbing and your knees began to buckle, but he just held you up with one hand, the other still guiding himself into you.
“Coño, your sucking me in so nicely, might not even need to slow down.” He spoke and your eyes were rolling back from his words, to which you snapped out of once his hand that was holding you up held your face harshly towards the mirror. “No slacking, little girl. You better keep your eyes on my cock.”
Halfway inside, and you were already fluttering around him, on the verge of orgasm. “That’s it, sucia, cum on my cock. It’ll be the first time of many.” You shivered at his words, feeling him sink in further and immediately orgasming. The rolls of pleasure washing through you made him grunt as his hips couldn’t help but rut into you harshly. The lack of prep had you feeling everything he was giving you, hyper aware of your insides wrapping around him.
“Mm, wanna fuck me back? Grind back onto my cock? Paciencia, Nena.” He instructed as you kept trying to get him in further. Wrapping a hand around your torso, he tweeked at your nipples and made you gasp from the sensation. “That’s it,” he mumbled.
Finally, smirked, he chuckled darkly as you tried once more to thrust backwards. “Fine, you asked for it.” He met your eyes in the mirror, now blood red and swirling with the threat as he snapped his hips forward and forced the rest of him into you, making you gargle out a strained sound in shock and pleasure. The pain was beautiful, and began to subside quickly as you felt him twitch. He hit every spot and more, feeling new depths and points of pleasure.
Tears welled in the corners of your eyes as he started a slightly faster pace. Your body jiggled from the movements and the sound of skin slapping against skin filled your apartment, your mouth hanging open as your eyes never left were his dick was buried into you. He smiled, enjoying the way you watched his cock disappear into you over and over, and you felt the pressure building once more. How he bullied your cunt and grinned while doing it made you burst, tears breaking free and a scream ripping through you as your pussy squeezed him.
“Fuck, so tight.” He groaned, head now falling back and he kept going, beginning to chase his own high. Your mind had shut off now, fucked practically stupid on his cock and he rocking into you mercilessly. His speed was unmatched and he moved to pick up your hips to meet his, closing the gap your height difference had created, and finally having him slam into you until his hips met your ass, making you choke on your own oxygen from the absolute brutal beating he was giving your cervix.
He slid one hand to the back of your neck and pressed you further into the counter top of your sink, forcing your pert nipples to meet the cold marble and you cried out more, barely able to push back against him now as you were trapped between his body and your bathroom’s confinements with only your top toes touching the floor. Your face was streaked with tears as he grunted and let out ragged breaths.
“The perfect little pussy, so perfect for my cock. You can take it, little artist. You wanted to draw my cock so badly, now you have the perfect image to do it. Fucked deep inside of you. Draw us like this for me, yeah? I wanna see it everyday. Or should I just fuck you every day instead?” His words tumbled from his mouth like an avalanche and you could feel his cock about to burst, making you teeter over that cliff as well. “That’s it, strangle my cock. Cum all over me, niña, paint me with your cute cunt.” He demanded and you obliged, feeling a shooting electric sensation rip out of you. Suddenly, you were both a bit wet between the thighs and he was mesmerized by what he saw. Your juices squirt all over him and he came instantly after seeing that, pounding into you as far as he could and forcing his cum the deepest it could be inside of you.
Both of you were unmoving as you caught your breath, a layer of sweat covering you both as you stared at each other in the mirror. No words could describe what had just happened and Miguel smiled once more, which prompted you to ask.
“What?”
“You need to get a mirror by your bed. Because I want to do this to you every day.” He watched your eyes widen in the mirror in front of you both as he licked your neck from behind and sinking his fangs into your soft skin, jutting his hips once more and making you realize he was still hard.
“For art purposes.”
Part two is out!
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bunn-iiii · 3 months
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what mutual am i (made by me cause I thought it would be fun) ASK GAME
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[Picture ID: A drawing with 12 circles all different colors and labeled different things, bullet points follow under them.
the first circle is a deep purple with light purple glitter particles. It's labeled "purple glitter" and the bullet points under it say: "fabulous", "I love your aesthetic very much", "you do have an abnormal amount of microplastics in your blood though".
the second circle is a neon green with a lighter green wave around it. it's labeled radioactive. the bullet points for it are "some sort of creature", "you give bioluminessence vibes".
the third circle is a medium pink with dark green leave and a stem on the top. it's labeled starberry. the bullet points are "I think we should bake together", "flower crowns possibly".
the fourth circle is a light seafoam green labeled seafoam green. the bullet points are "maybe a little snobby", "calm yourself", "I don't know why I still follow you tbh", "Maybe I'm just reading you wrong".
the fith circle is multiple colors, in order from top to bottom: very light blue, sky blue, yellow, red, black, purple, pink, to light pink. it's labeled do you like the color of the sky. the bullet points are "you're always on tumblr", "hits post limit daily", "you should go watch some tumblr history videos if you haven't already".
circle number six is a brick pattern labeled throwing bricks. the bullet points are "you're my resource for all of the things happening in the world", "probably really punk or at least an Anarchist".
circle number seven is a red panda's facial fur pattern labeled red panda. the bullet points are "so soft", "very small", "you're so cute", "my favorite silly".
circle eight is a light off white color labeled cu- I mean creme. the bullet points are "Hey there", "I mean you wanted to-", "slash jay".
circle nine is a deep gold color with a light shine to it labeled stay gold. the bullet points are "book reader", "how do you read so many", "pretty cool", "also a nerd".
the tenth circle is a medium purple with a light purple heart in the center. it's labeled my favorite purple. the bullet points are "you're my favorite person on this hellsite", "why are you here, you're so nice", "are you a people pleaser".
the eleventh circle is a bright pink with pastel pink stars labeled barbie dream house. the bullet points are "nostalgia.", "do you live in the past I swear you do", "are those rose tinted glasses comfortable bub".
the final circle is a black color with a red blood splotch. it's labeled Gerard Way in the 2000s. the bullet points are "popular mutual", "I think you're pretty neat and also kind of scary", "probably really sweet but I'm still intimidated". /.End ID]
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justporo · 5 months
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Headcanons about living with Astarion
I thought about some of this lately and since yesterday's warmup got out of hand... (Behold him lounging:)
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First things first, if you think living with Astarion will be neat and organised just because he himself always looks put well together: you are in for a surprise
This man - as much as he cares for aesthetics - tends to be messy
Especially since it's been forever that he could actually have and keep stuff, so expect books everywhere, cups left on surfaces, stuff laying around on the floor (and let's be honest, growing up as a noble before didn't teach him anything about being domestic...)
He'll learn though, especially when you reach a point where you could almost throw stuff at him (but he still struggles with it and him buying so many books surely doesn't help)
Astarion is basically cat: lounging everywhere - no surface is safe! Although a comfy sofa or chaiselongue are preferred spots!
Especially when you've sat somewhere and it's still nice and warm and smells of you; "Was that your seat, darling? Well, not anymore!"
But then he would pull you in with a chuckle and have you cuddle up on his lap and also refuse to let you go ("Love, I've only just gotten comfortable, you can't leave now!")
What he lacks in order he makes up with style - to a point it might make your blood boil: "Astarion, please, I couldn't care less if the red of the drapes matches the pillow cases!" "Yes, well, darling - don't take it personally - but I wouldn't have expected you to care anyway." Then he has to dodge several pillows being flung at his head)
Astarion leaves little notes for you to find, like for example if he's gone to run some errands or maybe just because - to tell you he loves you; at some point it kind of becomes a game of him hiding notes somewhere in the house and waiting how long you take to find them - scolding you if you take too long! ("My sweet, a trained donkey would have found it by now! Open your eyes, love, you can't possibly be that distracted by my beautiful face!")
Astarion learns about companionable silence with you - obviously he's very chatty and you love nights just wasted away with talking and joking - about everything and anything; but he also learns how pleasant it can be to just sit there, all cozied up with you and feeling the deep peace of easy silence with you
That or spending some quality time together: him spending time with reading or doing embroidery, you with drawing, also reading or anything else - as long as you're together
At least for a while Astarion really enjoys having a place where he can just... be; obviously this eager little vampire can't sit still forever but he revels in the knowledge of having a place he can always return to, somewhere to be safe and comfy, somewhere he can always be with you
Alright - at least that's how I could very well imagine living with Astarion might be, hihi. This man keeps living in my head - by now I'm sure he's changed my brain chemistry forever, for good...
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burnedwriter · 1 year
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living with Alhaitham and kaveh.
A/n:sorry for taking so long college work has started to pile up and i got caught up with it.
warnings:threesome,exhibitionism,bj,rough fucking,overall smut
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sfw
🌱🏛suprisingly they are good roommates to live with when they arent fighting like an old married couple atleast.
🌱🏛Reminding kaveh that hes late for his classes,upon saying that his expression of pure shock and stress never stops making you laugh,as he hastily grabs his stuff that are scattered aroumd the house
🌱🏛kaveh is on the category of the messy roommate that leaves his architecture project papers all over the house and then doesnt remember where he has put them and thinks that he losts them,while Alhaitham is a cleanfreak and has everything where it should be and in order.
🌱🏛there isnt a week that hasnt passed by that you and kaveh havent  messed in some way with alhaitham.From making his items ‘’disappear’’ and convicing him that they were never there to begin with and hearing alhaitham say ‘’it was there a couple of minutes ago,i remember where i put it’’ to placing drawing on random pages on his books,you can always hear a small breathy laugh come out every time he sees one.
nsfw
🌱🏛kaveh has made some sex related furneture hidden deep in the house and away from the usual one,that you all have used more than once,alhaitham might midly dislike kaveh but he has to admit that kaveh is for sure creative and dirty minded.
🌱🏛threesomes?roommates with benefits the answer is yes.
🌱🏛kaveh challenged alhaitham on who is better at fucking you and with that the war began andthe winner was alhaitham without a doubt,since he started to get creative with the position and the places you two did it.
🌱🏛starting with One time alhaitham fucked you against one of the windows,the lighting at the perfect angle so kaveh could see you both from afar  while he was coming back to the house.Upon seeing that kaveh was pissed off that he was left out and adding more gasoline to the fire
🌱🏛and in return kaveh fucked you against the couch minutes before alhaitham was going to come home just so you could get caught by him,kaveh smiled hearing the sound of keys unlocking the door.there have been multiple times you have had a threesome and tonight was one of those days.......
🌱🏛Sadwiched between the two men,with  kaveh filling your mouth with his cock while alhaitham  pounded into you from behind ,mercilesly rolling his hips.Strong arms holding your hips in place to keep you in place.
‘‘you look so beautiful with my cock wrapped around your lips dear’‘kaveh teased a hand placed in you hair brushing them off of your face,reaveling lustful eyes looking up at him.
kaveh jerked his hips hitting the back of your throat over and over again,gagging sounds filling the room as well as groans and moans from the men.
‘‘i dont think our pet can say a lot right now’‘you hear alhaitham say his thrusts never slowing done but becoming more sloppy,the knot in your stomach starting to grow stronger and stronger with each thrust alhaitham did pushed you closer to the finish line.
feeling kaveh throb in your mouth as well as alhaitham twitching inside you indicating they are close themselves to their orgasm and with one last stroke both men reached their climax including you with alhaitham filling you up to the brim with his seed and with kaveh releasing inside your mouth,you could feel the warm sticky liquid coming down your throat as you swallowed.
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astonmartinii · 6 months
Text
a spoonful of sugar | oscar piastri social media au
pairing: oscar piastri x fem chef!reader
cheffing it up all over the calendar
MASTERLIST | TIPS
yourusername
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yourusername: WOAH WHAT IT'S OSCAR'S HOME RACE WEEK? that mean's it's time to whack out the aussie cook book mama piastri got me for christmas and man this fish has a cool name. BARRAMUNDI is a fish very commonly used in aussie cuisine (real ones know it from masterchef australia). so here i've pan seared it with some herbs and some lemons and take it from me it SLAPS, but you know what i hope slaps more? oscar this weekend... LET'S GO BABY
[as always this recipe is on my website and will be in my 2024 f1 calendar recipe book coming out soon]
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user1: FAVES OMG PARENTS
user2: my favourite thing is where i read intently all of y/n's recipe and continue to make pot noodles
yourusername: pot noodles are good i can't even be mad
oscarpiastri: can confirm it did in fact SLAP
yourusername: oh wow piastri stamp of approval that's basically a michelin star
oscarpiastri: tbf i would eat a roll of paper towels if it was you who gave it to me
yourusername: okay.... I'LL TAKE IT
user3: can we please study these people cause why is saying you'd eat paper towels is the pinnacle of romance
user4: i NEED the recipe book STAT
landonorris: i was on board with this whole cooking thing but FISH IS WHERE I DRAW THE LINE
yourusername: oh boy we got a BABY ON THE LINE
landonorris: i'm allowed to like what i like my MUM said so
yourusername: bro is an elite athlete and exclusively eats chicken nuggies
landonorris: @oscarpiastri tell your girlfriend to stop bullying me
oscarpiastri: i'm on her side buddy maybe explore the culinary world
landonorris: that's it i'm going to HR
yourusername: try it girly the mclaren HR team LOVE my food
user5: the dynamics since oscar and y/n got comfortable in the sport are my favourite things
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oscarpiastri
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oscarpiastri: first time on the podium at my home race and the feeling is unreal. so thankful to have my family and love of my life around me, lets keep building on this !!
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user7: THANK THE LORD MCLAREN KEPT THEIR SHIT TOGETHER IN 2024 OSCAR FIRST WIN COMING IN FAST
yourusername: I AM TOTALLY FINE ABOUT THIS AND I AM NOT SOBBING UNCONTROLLABLY BECAUSE I AM SO FUCKING PROUD OF YOU AT ALL TIMES I LOVE YOU SO MUCH
oscarpiastri: I LOVE YOU TOO SO MUCH AND I LOVE SHARING THIS WITH YOU AND SEEING THE WORLD WITH YOU AND REACHING OUR DREAMS TOGETHER
user8: are they good?
logansargeant: from the man currently waiting for them to go to dinner and can hear them yelling this stuff to each other... no they are not okay and i don't think they ever have been
yourusername: LOGIE BEAR I AM SORRY I CANNOT CONTAIN MY LOVE FOR OSCAR
oscarpiastri: jealous bitches gonna be bitter
logansargeant: ??? excuse me
oscarpiastri: i'm sorry i got excited... love you logan (just not as much as y/n)
user9: this comment section is once again making me want to sneak into an F1 after party :(
user10: they're just going to dinner they've not even started drinking yet 😭
landonorris: i am proud of you mate - why is y/n dancing around in the kitchen in an apron that says "this chef FUCKS"
yourusername: fashion. (it says oscar piastri in small print right under that)
landonorris: i didn't need to know that
oscarpiastri: let her dance it makes the food taste even better
landonorris: there's definitely no fish right?
yourusername: no fish by order of the fussy child
landonorris: bullying online and in person @maxverstappen1 @charles_leclerc @logansargeant STEP IN
maxverstappen1: eh i'm good i'm looking forward to dinner
charles_leclerc: you're on your own with this one lando
logansargeant: i've learnt not to cross y/n
user11: the piastris invited lando, logan and the rest of the podium? i am soft
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yourusername: a big post podium celebration dinner at the piastri house to celebrate oscar's home podium. first off, super duper proud. second, since it was a strictly no fish evening, i decided to go for classic aussie meat pies and grilled kangaroo LOL but there was only clean plates at the end so i'll defo consider adding it to the recipe book
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user12: i am getting a sugar rush this is so sweet
logansargeant: thank you for having me, a solid 9/10 - one point docked because kangaroos are cute
yourusername: wait until you run into one on a cold, wet evening
oscarpiastri: they are actually very scary and have a stealing problem
yourusername: tbf i think we all have a stealing problem
oscarpiastri: you definietly do ... cause you stole my heart
logansargeant: EW NOT ON MY COMMENT THREAD
user13: i'm so lonely
maxverstappen1: i definitely did not think i was going to eat kangaroo this week but here we are
yourusername: did you like it?
maxverstappen1: i was shocked at how much i did
oscarpiastri: babe get that on the review cover of the recipe book this guy got three championships that has to mean something
yourusername: good idea i'm on it
maxverstappen1: ???
landonorris: you fed me kanga and roo from winnie the pooh? Y/N YOU FED ME KANGA AND ROO FROM WINNIE THE POOH?
yourusername: you eat chicken all the time and you don't feel sorry for chicken little
oscarpiastri: she ate you up there PUN INTENDED
landonorris: i've learnt my lesson i'm giving up here
charles_leclerc: i for one had a blast and will be asking for y/n to cater my birthday party
oscarpiastri: FOR A PRICE
charles_leclerc: you her guard dog or something?
oscarpiastri: duh? have you seen her?
yourusername: i would love to (idk monagasque cuisine though so give me notice)
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yourusername: IMOLA, IMOLA MY HEART LIVES IN ITALIA AND MY STOMACH LIVES WITH ITALIAN FOOD. for real. the track is cute and whatnot but the real star is the pasta, the pizza, the gelato but most importantly the PASTA. here is two dishes that'll feature in the imola chapter: a burrata dish and a ragu !! oscar (and lando) certified so you know it's good, oscar even helped so it's defo beginner friendly!!
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user17: is it a collective f1 driver experience to be ass at cooking
danielricciardo: yes
maxverstappen1: yes
oscarpiastri: yes
landonorris: yes
charles_leclerc: YES
oscarpiastri: if i'm slow this weekend it's because i couldn't stop eating the ragu sorry mclaren
yourusername: i made sure no gelato until sunday so please don't take me out back and shoot me over giving him pasta
mclarenf1: bring some pasta for social media admin and no one has to know
yourusername: deal
landonorris: this is a public instagram comment section
charles_leclerc: why is mine always so darn crunchy
yourusername: inpatient, common amongst you drivers. oscar was once so impatient when boiling an egg he got it out and it was just watery egg
oscarpiastri: you said you wouldn't tell anyone :(
yourusername: no babe i'm proud !!! you've come so far
oscarpiastri: it's true i made my own omelette the other day :)
yourusername: and it was yummy
oscarpiastri: and it was yummy :)
user18: the positive affirmations in this relationship really keep me going
yourusername: he IS the MOST beautiful racer in all of the lands
oscarpiastri: she IS the PRETTIEST chef in all of the kitchens
oscarpiastri
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oscarpiastri: not the race we wanted in spain, but we're still in good spirits and in the conversation at the top of the standings! also helps that when you get taken out of the race your girlfriend shovels the BEST paella ever into your mouth until you finally smile
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user19: bro got a girlfriend and personal chef all in one
yourusername: food is my love language and when babe gets twatted into the barriers by SOMEONE i will personally feed him some of his favourite food
user20: she's holding back
yourusername: PR said i couldn't say anything...
oscarpiastri: i love youuuuuuuuu and i love your paella i think it's laced with crack
logansargeant: @fia GET HIS ASS
yourusername: LOGIE BEAR?
logansargeant: i'm sorry, we're pretty desperate for the p7 here at williams
yourusername: i respect that
oscarpiastri: Y/N????
yourusername: MORE PAELLA
carlossainz55: big respect for the paella, definitely looks authentic
yourusername: OBVIOUSLY IT'S AUTHENTIC DO YOU THINK MY QUALIFICATIONS ARE A JOKE
yourusername: lol sorry thank you actually SPANISH F1 DRIVER APPROVED PAELLA
oscarpiastri: @fernandoalo_oficial can we get another good review please and thank you
fernandoalo_oficial: looks good, need a taste to be sure
yourusername: it's coming your way (please return the tupperware tho please)
mclarenf1: you'll come back stronger oscar 💪
oscarpiastri: fuelled by love and paella
yourusername: fuelled by VENOM AND THE WILL TO WIN AND CRUSH THE COMPETITION
oscarpiastri: and that 🫶
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note: here's a short and sweet one that MAY return to finish out this fictional season ... i also just love this kind of set up for an imagine. it's a lil short i know but the CHRISTMAS CRAFTS ARE COMING IN FAST AND THE CROSS STITCH CHRISTMAS CARDS ARE SLAYING THE HOUSE DOWN
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iosagol · 4 months
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The Boy and the Heron, lads
*lying facedown on the sofa*
Spoilers, all the spoilers
So can we talk about the cyclical nature of life and death
The way the past and future are linked to one another and just because the past doesn't get to be the future, it doesn't mean that's bad
"In the future I am dead," Himi says, essentially. "I am not afraid. You have seen me as I want to be remembered, and I have left books for you to open and leave open, and even though I'm not going to be alive anymore, I once was, and I loved you."
The fact that Himi's little sister is no more recovered from the grief than Mahito
she's grieving too over her sister, but her sister's husband is now her husband and did she really want this to happen? and she's having this baby
It's a lot to handle because someone she loves just died and right after this she's bringing a new life into a vicious world in the middle of this war
And she has this boy now that looks like her sister
so she goes into the forest looking for that peace that isn't at home
and just she's lying in that room with those circling…. fans? Fans made of bandages(?) just spinning around her it's a cycle of hurt and patching up wounds and getting hurt again and patching up wounds until her stepson is webbed in it and she's webbed in it and both of them are so in pain and trying to patch up their wounds and it doesn't do them any good
The fact that in order to find his mom, our boy Mahito has to go into the Secondary/Underworld and he has to get a fish and he has to survive and draw water and go looking for this woman and descend into the abyss and come out again and he has to shun power
It gives Spirited Away, almost, except Chihiro had to learn to mature in the sense that she had to consider others and respect and learn manners
she has to respect others
meanwhile Mahito has to learn to forgive himself for not saving someone he loves
he has to respect himself and stop hurting himself and be open to love again
So he's just... Living, for the most part, it seems. He's gutting that fish and eating jam and butter on bread and also soup and he has to bicker with Heron and drink tea and steer a boat and observe the complexities of life and death
He's living and healing
But really, there's no balance to the Secondary/Underworld the greatuncle made because he wanted every creature to thrive within it
And if all you have is life on top of life, then creatures are going to start killing each other
The pelicans are starving because the fish can't be eaten, they turn on the waro-waro, the humans rush to protect the waro-waro, both sides are burned
happiness for one and all is competitive, it's cutthroat
The fact that coming home looking scraped isn't enough, Mahito has to slam a rock into his head
He says it's to prove he fell down, but really that's the biggest mark of human violence
And he does it to himself maybe because he's just so angry with himself for being alive and well, while his mother isn't, and he needs to level that playing field to feel better
Self-flagellation
The overboldness of the dad, how he packs all his human gear and tries to elbbow his way into the Fae and it does him no good
how he tries to solve his kid's problems by again elbowing his way in and that also does nothing
The fact that our boy Mahito realizes something is wrong with the old ladies on sight
something about them is very inhuman
when he first sees them the look on his face he knows something is up because he's meant to go into Faerie and he doesn't have the preconceptions of the adults and he has to see the signs
I ugh
Ugh it's so beautiful, all of it
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