#i went to the woods to live deliberately

[hamletthedane]

I hate the “Thoreau’s mom did his laundry” criticism so much, it drives me crazy.

Henry Thoreau did not go to Walden Pond because he thought it would be a fun adventure. He went into the woods because he was deeply depressed and burnt out. He was running from the horror of his brother and best friend recently dying in his arms, and the haunting memory of causing the Fairhaven Bay fire. His friend Ellery Channing literally gave him the ultimatum of either taking some time off to write and think, or else be institutionalized.

I think Thoreau’s mother saw her depressed son choosing to retreat into a small cabin in the woods, and was worried about him. Of course she did his laundry - just as Ralph Waldo Emerson probably brought him firewood and bread. These were not chores of obligation to support a “great” man, but services of love to help their deeply depressed 28yo son and friend.

And if you ask me, there’s a lesson in that - to “suck out the marrow of life” and “live deliberately,” one must also accept help offered from the people in your life who love you. There is no true transcendentalism or individualism without love and friendship behind it.

#Thoreau #he was 28!!

[gutsby]

Trigger Tease

Pairing: Mob!Bucky x Reader

Summary: Your honeymoon from hell takes you straight to a strip club south of Madripoor, where Bucky teaches you how to give a lap dance, shoot a gun, and kill a man all in one night—and maybe agree to have his baby, too.

Warnings: 18+. Unprotected piv. Oral (m! & f!receiving). Sex in a sauna. Sex in a strip club. Praise & degradation. Breeding kink. Daddy kink. Double homicide. Dickriding. Beefy, mob boss Bucky hates birth control and bad men—loves babies and killing HYDRA operatives for his wife.

Descriptions of violence throughout

Part 1 | Part 2 | Part 4

Roleplay was fun—even vital for a marriage like yours.

Only instead of assuming the role of sexy masseuse, strong and strapping CEO, hands-on handyman, or some naughty professor with a knack for after-class punishment, Bucky got to play a bloodlusting assassin.

‘Winter Soldier’ didn’t have quite the same ring as most pornographic tropes, but that was no matter. What counted now was making the shot, and getting it right.

You sincerely hoped you wouldn’t fuck this up.

It was no secret that the Barnes’ bloodline was steeped in dealing, stealing, gunslinging, and laundering cash. Staggering privilege, too. From the sandy shores of Curaçao to Luxembourg and Guinea-Bissau, any living heir to the dynasty could have expected to find safe refuge and respect just about anywhere that they went. It was all but engrained in their DNA at this point.

All that is to say, Bucky had no trouble finding a foreign hideaway in a pinch. He liked the Swiss Alps the best.

After your short and sweet conversation with ‘Joey’ over the phone—HYDRA hijacking the intercom system—he and Sam and Steve had made the split-second decision to reroute the plane to Zürich, and now you were here.

72 hours into a four-day ticking time bomb and totally clueless as to how you might stave off impending death, and mitigate other casualties, the best that you could.

The stress fucking with Bucky made it worth it, though.

In between breakfast and the start of your husband’s early briefing that day, you’d found yourself situated in much the same way you’d been spending a lot of time lately: pinned against the wall of a wood-paneled sauna, Bucky’s broad shoulders supporting both of your legs as he buried his face deep between your thighs. You sighed.

“Hold still,” Bucky grunted, voice muffled as he tried to keep your slick, squirming body in place above him.

You yelped and seized a fistful of his hair when he wedged his tongue even further inside you, nudging your clit with his nose almost too teasingly and deliberate.

“I can’t…help it,” you bit back, ignoring the brief glare you earned from your husband as soon as you said it, “Your tongue’s just so— s— James!”

This time, Bucky let out a full-throated groan when you yanked on those poor wet locks of his—‘Gonna make me bald by next Christmas if you keep doin’ that, honey’—and he pried his head from your legs just long enough to knock you flat on the sauna bench close by.

The western red cedar seared hot on your skin, already flushed from the exhaustion wrought by Bucky’s tongue; you hardly had the strength to hold yourself up when he pushed you onto your back and crawled over your body.

“How ‘bout my fingers, doll? Can you take a couple’a those for me?” Bucky crooned above you as he stroked your hair, bathed in pure sunlight pouring in from the windows. His voice was a touch more sympathetic now.

After all, this was your third orgasm of the morning. It really wasn’t fair for him to use that biological weapon of mass destruction he liked to call his tongue when he knew how sensitive your clit would get from just one ‘O’. Even his hands might be too much in your current state.

Bucky was busy peppering your skin with kisses, working his way from the base of your neck to the crown of your head, when you whimpered and tried to fight a smile.

“Finger,” you corrected him, “Just one finger, Barnes.”

You would’ve thought you’d just thrown your wedding ring in his face and told him to eat shit. Just one?

“How’s one finger s’posed to stretch you out for my cock, huh? Practically had you screamin’ when I stuck it in last night,” Bucky wasn’t one to hide his amusement, grinning even bigger when you swatted him on the arm.

“Who said anything about your cock?” You tried to keep cool as Bucky’s fingers trailed right back down to the place you felt yourself throbbing, aching for his touch, “You have a meeting in ten minutes.”

“Meeting doesn’t start until I say so, my love,” Bucky reminded you just as his index ghosted over your folds.

In truth, he was willing to play this game any way, and for however long, you wanted it done, so long as he was the one bringing you pleasure all the while. Be that his cock, his finger, or all fucking five on one hand, Bucky just wanted to get you off. It was far better sustenance to him than the whole fucking meal he’d eaten that morning.

Bucky kept it down to one digit and lightly circled your bundle of nerves when he sensed you were ready.

You gripped his forearm and shot a quick look between your legs, still in disbelief as to how he could make you feel this good so soon after you’d cum twice before. You felt his lips drift over to yours and steal a few kisses.

“Always doin’ so good for me,” Bucky praised, moving his finger in circles. When you whined against his mouth, he pressed it even harder, “Such a good girl for daddy.”

“James,” you breathed, clenching your legs together.

“Everything OK?”

“Uh-huh.”

More than OK, in fact. That delectable coil of sweet, euphoric release was already swelling gently in your tummy. Bucky moved his finger even faster.

“Tell me how it feels,” he murmured low in your ear.

Bucky loved seeing you try to articulate your feelings—relatively fresh and new to your world, still—while he was giving you pleasure. Adored the way you winced and whined and arched your back into his touch as a whole blustering hailstorm of sensations crashed over you.

He sank his tongue in your mouth as he kissed you, as if trying to extract the words from between your lips. Your response, in consequence, came somewhat stifled.

“Mm— feels so, oh—” Your voice broke off in a moan when Bucky tightened his circles, “—so good, daddy.”

“Wanna show daddy how good and cum for me?”

Bucky knew by the way you were whimpering under his hand that the tendril in your stomach had almost tripled in size. It wouldn’t take much to tip you over the edge.

“My sweet girl,” he said, rubbing your cunt at the same time he was stroking the back of your head, gently, “Feels so nice down there, doesn’t it?”

You rolled your hips against the bench and nodded. Your breaths were short and ragged, panting helplessly into Bucky’s mouth when he adjusted his hand just a little: pressing the pad of his thumb to your clit, with his index moving down to your entrance. Pushing inside you.

“Another,” you choked, not thinking.

Bucky met your desperate gaze and nodded, knowing this was exactly what you needed to make it over the precipice.

Still, he wouldn’t be Bucky if he didn’t tease just a bit.

“I thought my wife wanted one finger,” he hummed, brow pinching inward.

“No, no.” You could’ve shrieked when he curled the digit, “Want more— Bucky, please, please, I need more.”

Again, your husband appeared to nod in understanding, but his fingers didn’t budge. He worked his thumb a little faster and watched you writhe on the seat beneath him.

“How many, honey? Don’t wanna hurt my baby.” His words were all kindness, it seemed, but his tone laced with shameless condescension—the kind that said, yes, I know you need this, and no, I won’t indulge you just yet. Bucky was the worst when he wanted to prove a point. You could’ve ripped at his clothes and torn them in two if you weren’t both stark naked and shrouded in steam.

You opted to pull at his hair instead.

Bucky winced, but the smirk never left.

“I said how many?” he pressed again.

“Three. Four.” Fuck if you knew.

Your husband raised both eyebrows and hummed, a single finger still plunging in and out of your cunt at a rapid-fire pace. He teased the tip of another at your entrance and smiled even more when you whined.

“Needy little thing, isn’t she?”

“Bucky—”

“Just wants to fuck daddy’s hand to get herself off, hm?”

Bucky didn’t bother to mask his sweet, degrading tone any longer as he talked down and teased you to no end. It drove him half-insane to see you squirm around, rut your hips, let him say the filthiest fucking words he could conjure up, and just bob your head to whatever he said. His impeccant wife and her insatiable needs—Bucky couldn’t even begin to express how turned on the sheer dichotomy got him. He stared in your eyes, all glossy and soft, and felt his cock stand even more rigid on his belly.

He didn’t give a shit if he’d taunted you enough or not; he just shoved his middle and ring fingers alongside the first and clenched his jaw to start fucking you hard with all three.

Your whole face contorted with pleasure, tinged with the faintest shade of discomfort at the tail end of it. You’d forgotten how big his fingers felt all together.

“Bucky,” you whined, mindlessly clawing at the wrist that was moving back and forth, fast, between your legs, “B-Baby, slow— slow down a little.”

But Bucky was deep in the zone. He knew you wanted it too—sensed that you liked to play it safe when it came to your pleasure and grew a little timid at times it got to feel too much—and he needed to talk you through it.

Rather than turn his head and keep to himself as he got you up to your peak, Bucky pressed his face down to yours and nodded again—this time with a tender sincerity.

“Feel a little stretch down there, huh?”

You didn’t have to say anything, just whimpering in time. Bucky kissed your forehead and let you fold into him as his fingers wreaked havoc down below. He kissed you again, and again, and in between kisses, mumbled,

“That’s daddy’s sweet, needy little slut.”

“My perfect fucking wife, so good at taking my fingers.”

“Gonna be nice and stretched out for my cock, hm?”

Every syllable spoken aloud was like a brand new catalyst for your impending release. You barely nodded your head, opened your mouth and whined pathetically, but that’s exactly how Bucky wanted you. Exactly how you needed to be, bucking your hips in time with the cadence of his fingers fucking inside you, and soon, those whimpers were turning to moans as that soft little helix inside you reached its breaking point.

Bucky brushed once or twice more against your sensitive spot, and suddenly you were coming undone all over him—crying his name, clawing his skin, squeezing your legs so tight around his wrist you feared you might snap it in two, and then getting kissed again, over and over. Bucky soaked in your every sound, and the few tears that would inevitably spring to your eyes, like sweet nectar.

You were still moaning, curling your tongue feebly against his own and leaning into him as far as you could, when your husband slipped three fingers up between your mouth and his and pushed them past your parted lips.

“Suck,” Bucky said, clenching his jaw as he watched you, “C’mere, honey, taste your cunt on my fingers.”

You took him in and sucked your arousal off his fingers just like he asked. Took him by surprise and dragged a mindless, lazy, half-crazed and careless tongue all over his hand, where your juices had no doubt collected too.

That slutty, fucked-out look you gave him—like your brain had all but fallen out of your head with the orgasm he’d given you—was everything Bucky could’ve wanted.

He climbed on top of you and took the base of his cock, rock-hard and weeping tears of precum from the tip, almost drunk from the feeling himself. His mouth hung open as he dragged himself over the seam of your cunt.

“I need to fuck you now.”

Bucky’s words couldn’t have hung in the fog-infested air for more than a millisecond or two before he had you back in his arms and carried to the far end of the sauna.

At the door—or, rather, on it—with your back flush against the wood, you felt Bucky pin you in place with his hips and press his erection to that soft, cramped space between your bodies. You tightened your legs around his middle and sucked in a breath when you felt him pulse.

Then the head of his cock was circling that slick, taut ring of muscles like all hope for his future happiness lay there: right between your legs in the softest and sweetest recesses of your body he could reach. His eyes could’ve been engulfed in flames and still not betrayed a fraction of the smouldering desire that lay behind them now—he drank you in with a single look and sighed.

“Can I— do it, now?” The term ‘fucking’ swiftly lost all lustre when he was an inch from your heat and ready to press in; he just needed to be in you, a part of you, now.

“Yeah,” you breathed. You pressed your forehead to his.

Bucky ran his tip once more down your slit and had just begun to ease his hips forward when a moan snagged in his throat. He braced you firmer against the door, letting your arms drape over his shoulders, and was just about to slide his length inside of you, then—

Thump, thump, thump.

Three knocks in quick succession.

You jumped, the sudden raps reverberating up the door.

Bucky held you to him, tight, and planted a hand beside your head as if to hold the whole frame still. Then, through gritted teeth,

“What the fuck do you want?”

“Need you downstairs. Now.”

It was Sam.

“Can it wait?”

“No.”

Bucky frowned. Scratched the wood surface reflexively.

“Can it…wait?” he tried again, tone laden with a silent but pointed, ‘Is it urgent enough to drag me away from my wife when I’m less than an inch away from being seven inside her?’ Evidently, Sam got the gist, or was just keen to get him out, because he returned, quick:

“Yeah. Legal’s here.”

‘Shit’ was Bucky’s wordless expression below you.

Then a ‘Shit, shit, shit, just shoot me now’ kind of look that raised an eyebrow on your own frazzled face.

Wasn’t the arrival of Bucky’s legal team a good thing? He’d been agonizing for days, badgering Sam and Steve to no end over when they’d hear back from his retinue, and here they were. You couldn’t ask just yet, as your husband was lowering you to the floor and stepping back from the door, chest racked with a shuddering breath, but you wanted to know. You reached for a towel.

“Fine. Fuck. I’ll be right out.” As it was, Bucky had chosen to forgo the dry-off altogether and just started chucking clothes on his body, eyes roaming all over.

You turned from the sound of Sam’s retreating steps and found him moving fast, graceless—shoulders hunched, head bowed, pants wrestled almost angrily up his legs. He found his balance, barely, bracing his weight against the sink, then nearly tore the porcelain fixture off the wall with how hard he kicked it trying to get his left shoe on.

He muscled into his dress shirt and flushed bright red.

In a second, you had either side of the crisp white button-up between your hands, frowning.

“Any reason why we’re so upset?” you asked after a beat.

Bucky puffed a short breath over your head as you secured the first button. Then the next. Then the next.

“What? Apart from the fact I’m not balls deep and about to give you your fourth orgasm?” he grumbled.

You shot him a look.

“I mean it’s— not ideal, getting a visit at a time like this,” Bucky continued once he’d sufficiently contained half a smirk and could don a more serious look, “If we were getting any good news they would’ve just called.”

Hell, great news could’ve made it in an email. The whole aggregate of his legal team taking the trip from Brooklyn to Zürich meant that shit had most likely hit the fan in a big way. Bucky wasn’t thrilled to learn the ‘how’ just yet.

Instead, he cupped your cheek in one hand and brushed his thumb along its curve once you’d made it to the last button of his shirt. He started to lean in, hoping to delay the briefing downstairs with a quick diversion to your lips, but he stopped about an inch away from your face.

You’d lowered your touch, slipping it under the band of his boxers. He was still as hard as you’d felt him last.

Bucky let out a grunt when your fingertips grazed the soft tufts of hair adorning that part of his abdomen. He sucked in a breath when they sank even further.

“I’m sure we’ll be fine,” you said, voice dulcet and slow as you wrapped your hand around the base of his shaft.

Again, a sound rumbled deep inside Bucky’s chest, and the thumb resting on your cheek stirred. In fact, it had no other choice—your head was starting to move.

Descending, slowly. Sinking to the floor in front of him. Positioning yourself right above the bulge in his pants.

Now Bucky’s palm was laying flat on your head, resting light as it ever had while you drew him even closer.

“Baby—”

“Yeah?” you hummed, just then tugging him out and bringing your mouth to the swollen, leaking head. Bucky gripped a good handful of your hair and rutted his hips without meaning to, and you smiled, “Can’t have my husband showing up hard as a rock to his meeting.”

You were right. There was no way Bucky was getting rid of this wood without the help of his hand or one of your holes. And, under any set of circumstances, he would’ve much preferred the latter to the former. He groaned when you took his tip to your lips and stroked him softly.

You made remarkably quick work of the man with just a minute or two, your mouth, your hand, and a tiny bit of spit—a record-breaking feat, Bucky had thought to himself with some embarrassment. But you weren’t concerned with his stamina in the slightest, focusing instead on the ways in which you might maximize his pleasure in the same way he’d done for you. Stretching your lips, loosening your jaw, and taking him down as far and as frequently as you could manage without gagging around him, you had him good. Deep. All but aching for release as he took a firm hold of the sink behind him.

“That’s a—fuck, that’s a good…fuckin’ girl.”

You bobbed your head once or twice more, flitting your gaze to his face, and felt the warmth unload in ropes—glazing your throat and every soft, square inch of your mouth as he did. Practically flooding your tongue with his cum. Bucky groaned and made a fist in your hair.

“Baby…shit,” came the sound of disbelief under his breath when you pulled off just enough to breathe.

You were careful how you took in air; flaring your nostrils the slightest bit, feeling a twitch at the corners of your lips as you tried not to smirk. Then, with an obscene sort of precision and purpose, you gave something else a try.

You stuck your tongue out at Bucky to show him the warm, oozing load he’d just left in your mouth.

Your husband’s response was immediate: evidently, he loved nothing more than a show of himself inside you, displayed like a prize between your two rows of teeth. You watched him grit his own to suppress a moan.

“Fuckin’ hell,” he seethed. Still reeling from his high.

Then he paused, in awe for a second, before dropping one finger to your mouth and swirling his touch along the sticky, opaque puddle resting over your tongue.

You closed your lips around him, snug, and held his gaze.

A weaker man might have come undone. Bucky just let out a breath and smiled.

“If you wanna play show-and-tell with my cum I can find someplace to put that, doll,” he said, low as ever, then,

“C’mere.”

You didn’t need the powers of telepathy to understand what he’d meant. Should’ve known better than to dip your toe in the cumplay game with a man who arguably harbored the world’s biggest breeding kink and really wanted to knock you up. The realization had you back on your feet in an instant. Having swallowed fast, pried your lips off his digit with a pop, and licked the corners of your mouth, you rose without the threat of a second thought.

Your pale yellow dress was the first thing you grabbed—the first thing Bucky tried to yank off of your body when you’d slipped it up your legs and staggered backward.

“Not happening, Barnes,” you giggled, pretending not to see him advance when you stepped back.

But Bucky had never been big on civility in times like these. He lunged forward and nearly tore the barely-zipped frock off your frame, eliciting a shriek and another arch look from you as you started toward the door.

You were amazed you made it through—your husband had had to stop to tuck his dick back in his pants before stumbling after you—but when you took off down the hall, you knew it was only a matter of time before you heard his footsteps thundering fast after your own.

The tips of your toes had just barely grazed the first step down the stairs when hands seized your hips. You yelped.

“BUCKY!”

Whether on account of your own practiced agility, or the fact that Bucky’s palms were still sticky and slick with his sweat, you managed to wrest yourself out of his grip just long enough to get a start down the stairs.

“COME HERE!” Bucky boomed loud, trying his hardest not to laugh as he chased after you.

You screamed without meaning to. Yanked your wrist out of his reach when you’d made it to the bottom of the stairs and felt your husband close the distance in quick. You tried to be firm, insistent, primed with the kind of fine and unfuckwithable attitude that signaled you meant business. You didn’t, though—the series of giggles bubbling up in your chest said as much.

You descended the last step with a hitch, almost losing your shit within a foot of the landing, when Bucky scooped you up in his arms and held on tight. His lips were at your ear in a second, breaths coming in quick.

“Hell, I’ll give you one right here, honey,” he sneered before flipping you back around to face him.

He pressed you flush to the wrought iron railing, then over it, pushing you back bit-by-bit until you had no choice but to jump and latch your legs around his hips.

“James Buchanan Barnes, if you don’t—”

“Give you a baby right now?”

“—get off of me!” You were laughing now, squirming when he nipped at the space just below your ear.

One more second and he might’ve convinced you. Your Bucky was persuasive like that, too smug and self-assured for his own good but one hell of an advocate when he wanted to be. At length, he opened his mouth to take an even bigger, teasing bite, when a voice cut in,

“Barnes.”

He stopped. You froze. Together, you reluctantly turned your heads in the direction of the sound and found a keystone conference table situated at the far end of the room—seating a dozen-odd faces with identical, muted expressions of surprise. Mild discomfort, for some.

Wild discomfort for your mother and father, you saw.

Bucky set you down and simultaneously yanked the hem of your dress back into place. Flashed a smile for the ages and snaked an arm around your waist as he started to lead you over.

“Nat! Hi,” he tried, far too casual, “Long time no see.”

You bit the inside of your cheek hard and hoped like hell your husband had remembered to zip up his pants.

The woman at the head of the table—the source of the voice you’d heard—raised a brow. One cherry-red curl from her sleek, cropped bob threatened to fall out of place as she tilted her face to regard you both. The smile Bucky proffered had done nothing to repair her glare.

Some wordless exchange passed between the two of them, and next, you felt a hand directing you to a seat across the way—Steve. Smug as ever. Smirking just then.

The empty chair beside your mother. The horror.

You were dimly aware of some introductions being made on your behalf and a round of awkward, disjointed congratulations around the table. Greetings from Nat, Sam, Steve—conceited little shit—a few you knew as Bucky’s groomsmen, a couple members of the security detail, and several more friendly, unfamiliar faces, including a smartly dressed blond named Sharon. Your husband had taken a seat by the latter at the end of the table.

“Momma.” You weren’t sure why you felt the need to whisper when the attention had turned back to Natasha and other matters, but you did, “Where have you been?”

Your mother and father were perched in their chairs like prisoners. There were no shackles to be seen but an air of discomfiture and compulsion bound to their every feature. You couldn’t be sure if it was humiliation on your behalf—they had just witnessed their son-in-law promise to put a baby in you for all present to hear—or something more.

For once in your life, you hoped it was just the prudish, sex-averse tendencies of the two rendering them silent.

You tried your mother again when she hadn’t responded.

“Momma.”

“Now is not the time.”

Her voice was clipped. Abrasive.

You knew better than to test that tone another time. You sank back in your seat and let your gaze roam the table, flitting between your father and Bucky a few more times than it probably should have. Surely, your dad, who had screwed Bucky over to hell and back, obliterated your wedding, and jeopardized your lives for a few more million in his pocket would have warranted some sidelong, hateful look from your husband. A glance or a stare, certainly something to show that he knew, and hadn’t forgotten.

No—Bucky was occupied with Sharon at the moment.

You watched your father twist his signet ring on his pinky, jerking the gold back and forth as if hoping for it to break, or save him. He didn’t look at Bucky, either.

“Natasha Romanoff is the Barnes’ retained legal talent for all things maritime crime and narcotics trade-related. Some estate planning, too,” a voice rumbled beside you.

You made a low ‘Hm’ to feign understanding of whatever the fuck Steve had just said, and nodded.

Then, when your eyes wandered left again,

“Sharon Carter, criminal liaison and kingpin informant. Been in bed with the Barnes’ as long as I can remember.”

He really couldn’t have used a worse string of words if he had tried. You cocked your head just slightly and stared at the pair. You considered holding your tongue.

“And she’s been in bed with Bucky how often before?” You’d decided against self-restraint for the time being.

Steve blinked a little harder.

“What do y—”

“I’m not asking if, but when, they fucked,” you interrupted.

Steve blinked again, as if to clear a string of cobwebs from his eyes, and couldn’t quite find the words to answer your question. Either the truth or some half-baked crock of bullshit—there was no in between.

“Once,” he answered, at length. Honest.

You figured as much.

In any other situation where you were faced with one of Bucky’s former fuckbuddies, you probably would’ve felt more than a twinge of jealousy. Might’ve even cast a dark look in the girl’s direction and willed her not to even breathe the same air as him. Then you remembered you weren’t fourteen years old and could behave with some modicum of maturity when it came to some old flame of your husband. They weren’t even sitting that close.

You winced when Bucky gave her shoulder a playful squeeze, though. That facial tic you couldn’t control.

“So to recap,” Natasha announced, having just plodded through a few dull formalities up front, “Barnes got the intercom call from Schröder at 1500 hours, Friday.”

Every head nodded.

“Schröder gave Barnes exactly ninety-six hours to recover the $90 million lost in the…mishap, in Brooklyn—” Natasha’s eyes flickered to your father no longer than a second, “—and today is Monday. We have twenty-four hours to come up with the funds, or face the…penalties of Schröder’s exploding offer. Whatever those may be.”

You knew what ‘those’ were. Ms. Romanoff was either too kind or too diplomatic to say it, you reckoned, but the threat Joey Schröder had made to Bucky had been patently clear: procure the cash or your wife’s family dies.

That was why you’d been so surprised to see your mother and father seated at the table that morning—Schröder had further stipulated that there was to be no contact between you and your parents in the time it took to come up with the money. You’d been completely cut off, in the Alps, since the day of the attack, left to wonder without reprieve whether HYDRA’s bloodless henchmen had taken hostages of your parents, let them abscond to Brooklyn, or simply killed them both and sent the rest of you all on a wild goose chase to get hold of the money.

Now if they’d only had sex once, why was she looking at him like that?—The intruding thought couldn’t be helped when you peered over again—Surely the most platonic and professional working relationships didn’t call for looks like that.

Shut the fuck up. Shut the entire fuck up, please.

The lives of those closest to you were on the line and all you could think now was how well you compared to this random woman in giving Bucky head? Brain fucking rot.

You scrunched your nose and turned back to Natasha.

“…and up until this morning, Schröder’s whereabouts were unknown,” she continued, careful as she spoke.

It seemed that part had caught Bucky’s attention, too, because he was tilting his head away from Sharon and shifting his gaze to the woman at the head of the table.

“And now?” he cut in.

“I’m getting there, James.”

Sharon smiled a little at that, tracing her nail on the notepad in front of her. She muttered something to Bucky, who disregarded her remark entirely.

“Do we know where Schröder is?” he barked.

Across the table, Sam shifted in his seat. He glanced to Natasha, then Sharon.

“I believe we have modestly reliable intel—” he began, only to have his speech mowed over by an impatient, increasingly irate Bucky.

“No. No— we don’t do ‘modestly reliable’ for this, Sam. We either know where the fuck the guy is or we don’t.”

That last fragment seemed to hang in the air a couple seconds longer than needed, and a tense silence fell over the table. It took a new voice—one you hadn’t heard much at all yourself—to reignite the conversation.

“I know it,” Sharon said, “I know he’s in Madripoor.”

Madripoor? The make-believe safe haven for terrorists? You couldn’t tell if she was kidding at first. Then Bucky flitted a look to the side, and his expression was grave. Natasha’s, too. Maybe there was a Madripoor after all.

“Or he will be there, most likely, tomorrow night,” Steve interjected. The hands that had been folded neatly in front of him were now tapping a light and mindless beat on the table, “He’s got the Foxy Den rented out for a…thing.”

Bucky rolled his eyes.

“Where else but a titty bar would Joey host his ‘things’?” he muttered just loud enough for everyone to hear.

So Madripoor was real, and it had strip clubs. Wonderful.

It seemed Natasha was keen to regain control of the conversation, because she presently broke in,

“Keep in mind that time is of the essence—a private flight from here to the Indonesian archipelago is sixteen hours minimum. We most likely can’t afford to fly private, b—”

“Since when the fuck can’t I afford to fly private?” Bucky spat.

You hated how short and plainly nasty he was being to all those around him. If you hadn’t known any better, you might’ve thought these folks were at fault somehow, but they weren’t. Your father, the real culprit, was sitting right under Bucky’s nose, and he wouldn’t even look in his general direction. Your husband flared his nostrils with a new surge of indignation, and Sharon patted his hand.

“She’s not talking finances, bub,” the blond started, “She’s saying your jet is on a no-fly list, we don’t have time to charter a new plane, and there’s a hefty fucking bounty on your head if you ever set foot in Madripoor. We need to get you on a commercial flight, undercover.”

“Fuck that.” Bucky’s response was reflexive. He rose fast.

If your parents could have appeared any more stiff and uncomfortable you might have mistaken them for two charming, thoroughly terrified wax figures. Your father continued to fiddle with his ring as he watched Bucky.

Natasha tensed as well. As soon as Bucky was up on his feet, pacing around at the end of the table, she was urging him to relax, Buck, this isn’t anything we haven’t done before—sit down, please. Bucky didn’t sit, and he most certainly didn’t relax, but he did kick a stool across the room.

“I am not going back to that shithole.”

The stool tumbled onto its side, one leg splintered in half. You made a mental note to look into some anger management classes. Your parents, along with most of the table, flinched at the crashing sound, while your husband stood, supremely agitated, and did not even regard the broken chair. He turned away from Natasha.

“Yeah, well, that ‘shithole’ is our only hope of getting Schröder behind bars and you out of custody, Bucky,” Natasha called as he started to pace away.

“The fuck’s that supposed to mean?”

Bucky tilted his head to the side. He contemplated snagging a bottle of Macallan 25 off the bar cart by the window but decided against it.

“Have you been listening to a word of what I’ve said all weekend?” Natasha returned, almost as biting, “Turned on MSNBC or CNN or any other news outlet in the last forty-eighty hours?”

She dropped her own notepad on the table and scanned the area in search of something else. Sam and Steve took that as their opportunity to jump in.

“Bucky,” Sam started, calmly, “There were over a dozen foreign attachés and two heads of State at your wedding, half of whom are now being hospitalized for injuries they sustained in the attack.”

“So?” Bucky snapped.

His eyes were already trailing back to the cart.

“So you think the U.N. Security Council was just gonna let that slide?”

“Two-thirds of its members have been up in arms, practically chomping at the bit to get someone pinned for the fucking thing—that leaves you or Schröder on the chopping block,” Steve chimed in.

“So one more federal probe. What’s the big deal?” Bucky hardly realized he’d taken a tumbler in his hands.

Just as he’d turned to pour himself a drink, guided more by bare muscle memory than anything else, Natasha raised a manila folder—the item she’d been looking for. He’d filled his glass half full when the folder was flung his way like a frisbee. He narrowly saved himself a papercut—or ten—by ducking his head, almost spilling his drink.

“The fuck, Nat?!” he bellowed.

“Extradition, Bucky. Search warrants for your Brooklyn residence, all your money service businesses up the Eastern Seaboard, and a whole hell of a lot of other financial records that we do not need dredged up in this mess.” Natasha pointed to the folder on the floor, which had just spilled a litany of documents at his feet.

“Let them.” Bucky wasn’t fazed by the warrants, walking over them as he drank, “I’m not going to Madripoor."

This time, it was Sharon's turn to roll her eyes as she swiveled in her chair to face Bucky. She was turned from you now, but you could almost smell the smug, knowing look she raked over your husband as she uncrossed her legs and leaned back.

"We don't have time for this," she said, coolly, "If you have any hopes of getting the Counter-Terrorism Committee off your ass and Schröder in custody, you'll listen to Nat."

Bucky paused, weighing her words in his mind before meeting her gaze again. He brought his glass to his lips and drained it.

Then, perhaps feeling a bit emboldened by the idea that she was the only one to have shut Bucky up—to have made him listen, as it were—Sharon piped up again. You didn't need to see her face to know for certain there was a smirk etched across it,

"Don't look so glum, honey. We have no choice here."

It startled every last soul at that table, yourself included and Sharon especially, when the cup in Bucky's hand sailed across the room and shattered on the edge of a cabinet close by. Before the glass had so much as splintered and scattered half of its jagged shards along the floor, your husband was stalking, then stopping, then looming over Sharon with an implacably dour look. And a jaw set tight as you'd ever seen it.

"My choice," he seethed, so low the words almost came out in a murmur, "is to protect my wife. Whatever you, or Natasha, or anyone else has in mind comes second to that. Do you understand?"

Sharon nodded that she did.

A hushed silence fell over the room once more, only now its duration was greater, and the cause of it—your red-faced, fuming husband—had turned his back to the group and was retrieving from the bar cart another glass. Another drink. Natasha followed his path with a vigilant eye.

"Bucky," she said.

Bucky didn't answer. Filled his new glass to the brim.

"Bucky," Natasha tried with a little more volume and vigor.

Your husband lifted the cup to his mouth and started to guzzle, against every shrill and helpless plea from his liver, you guessed. You wanted to object, to take leave of your seat as quick as you could and knock the thing out of his hand before he could finish, but Natasha had you beat—not with any physical act but a word to slow him down: "Barnes."

Then, a few more to get him to stop entirely:

"Look. Over there."

She pointed to a slip of paper somewhere at the top of the shuffle.

Bucky shifted his gaze to the floor. You saw him lick both corners of his mouth, bathed in whiskey residuum and a light, nascent spatter of stubble. He looked almost menacing in spite of the grin that kicked up.

"What's this?" he murmured.

"The terms of Schröder's newest offer. The one he made this morning."

Bucky's second glass was discarded in an instant.

He dropped to his knees, seized the paper in his hands and pored over the bare, 11-point Times New Roman typeface like it was the single most precious set of words in the world to him. There were several mountains of text, and you sensed he couldn't begin to under the legal jargon with just one cursory look.

"What? What's'it mean?" Bucky wouldn't tear his gaze away, even as he shouted to Natasha.

Your own eyes probably should've been fixed on Bucky, or in your lap, or out the window, reflecting in silence on what the fuck could be going on and why it felt as though things were suddenly coming to a perilous head. Instead, you pivoted to Natasha. Her face was tilted to you.

Then she spoke to Bucky, still crouched on the floor a few feet away from her, but she kept her focus on you. She spoke carefully.

"Schröder won't take the money, Bucky."

"What?"

Bucky's gaze combed over the page, desperate to make sense of what was printed in front of him—"The hell's this all mean, Nat, tell me what it means and what he wants, for fuck's sake."—and he flipped the document. Read some more. His eyes flitted from line to line in a full-blown terror.

Then the eyes stopped in one spot.

Bucky stood.

Fisting the letter in one hand and making a wild, inarticulate gesture with the other, he probably could've seared a hole in Natasha's head with the force of his stare. She refused to meet it.

"This is a joke, isn't it?"

All of a sudden, your father leaned over your mother to you,

"We can make it work. We can keep you—"

"Hey. Don't talk to her. Don't fuckin' look at her. Is this—"

"—safe. We'll keep you safe, darling, I swear."

"—some kind of sick fucking joke?!"

You stared at your dad in disbelief. Bewilderment. Then you chanced a look at Bucky, who had all but gone blue in the face as he approached your father from the opposite end of the table, letter still crushed in his hand.

Your father averted his gaze.

He knew.

You saw him flick the gold signet on his pinky once more, and for reasons you didn't yet understand yourself, you couldn't look away from it, or him.

Surely this scared-shitless son of a bitch could speak to you now. He'd have to. There was no way he wouldn't when the problem was staring him right in the face and his son-in-law was practically apoplectic with rage in front of him.

Something clicked in Bucky's brain.

He knew.

Your husband’s breath caught with the full weight of the realization, and he blinked. He didn’t hesitate; he simply sidestepped Sam and Steve—who had stood as soon as they saw the look of understanding cross over his face—and he seized your father. You heard a scream, most likely from your mother, and you saw Bucky swing, but the act barely registered as real until his fist first cracked against your dad’s skull. Again. And again. And again.

Somewhere in the raucous din and sounds of punches, kicks, and muffled groans, a discharge of blood, and the dim recognition that some of the stuff was dousing you, too, you managed to make out several words, disjointed:

“—FUCKING KILL YOU—SOLD HER—SOLD HER?!”

Roleplay was fun—even vital for a marriage like yours.

Only instead of assuming the role of sexy masseuse, strong and strapping CEO, hands-on handyman, or some naughty professor with a knack for after-class punishment, Bucky got to play a bloodlusting assassin.

‘Winter Soldier’ didn’t have quite the same ring as most pornographic tropes, it was true, but it was an alter-ego he’d been given from his earliest days as a made man. A caricature of himself that was to represent everything he did and was capable of doing in places like Madripoor.

You didn’t know that side. You didn’t like that side.

It was Bucky, and it wasn’t—pummeling your father’s face in the ground after learning that he had offered you up, again, in satisfaction of a debt. Sparing no feelings when he spoke to Natasha, Sam, Steve, Sharon, or anyone, making clear his wife’s safety was paramount.

Maybe you were meant to feel proud. Or flattered. Or safe. But oddly, the longer you’d stared at the bloodied, bruised fist he held above your father’s face and the half-deranged look of anger on his own, the more you began to wonder if the fury was for your protection, or simply a knee-jerk response to the thought of losing a possession. A mere object that he couldn’t bear to part ways with.

You had thought long and hard about where the Soldier stopped and Bucky began. No matter where you landed, you were far from comfortable with the conclusion.

Now, even as you stood two feet away from the man in an upper-level lounge of the Foxy Den, roughly half a day removed from the whirlwind turn of events that almost sent your father to hospital, you hardly knew what to say.

“Zip me up?”

The closest thing you’d had to conversation in hours. Bucky obliged.

You viewed your new dress in the mirror from the side and made a face. Pretended to examine the tight black number but were really just zeroing in on the sight of Bucky’s knuckles as he dragged the zip up your back. He hadn’t bothered to mend his hands, and you hadn’t thought to offer to bandage them up. You tried not to stare.

The hands paused at the top of your dress and froze.

Then crept back slowly, taking the zip along with it.

“Wanna—?”

“Bucky!”

One low groan, followed by a palm to his worn and wearied face. When you spun around, he didn’t move.

“Are you serious?” you bit.

“Will you talk to me now?” Bucky retorted.

To be fair, neither he nor his Winter Soldier persona knew how to solve the silent treatment from a pissed-off wife. This was brand new territory—being ignored for hours on end—and frankly, he had thought a playful request for sex might make you more amenable to conversation.

He had thought wrong.

You stared daggers at his handsome face and raised a finger as though to warn him, then stopped. Opened your mouth as if to speak, then appeared to decide against it. A steady, pulsing bass from the floors below was all that could be heard, and momentarily, you were reminded of why you were all here in the first place:

Locate Schröder. Corner Schröder. Capture Schröder. Bring the bad man to justice—or else just pump the motherfucker’s head full of lead and be done with it.

You weren’t too familiar with the particulars of the plan, but that had seemed to be the heart of it. Bucky never intended for you to stray from the safety of the lounge upstairs, where half of his team were casing the club through dozens of surveillance cameras, and he would likely take off with Sam and Steve the second you’d finished dressing. Now would be the time to talk.

And you planned to. Eventually.

For now, though, you’d let him sweat it out.

You had long envied women with effortless sex appeal and charisma. The kind that seemed to be made for the stage, capable of transfixing any audience, or individual, with little more than their aura alone. You’d never felt a fraction of that allure emanate from yourself before, personally, but looking at Bucky now brought you as close as you’d ever been. He was enthralled by your every move, he was intrigued at all times, you could see.

He was visibly aroused before you had even touched him. You knew it was cruel and unkind before you were even fully conscious of what you were doing, but you did it.

Someone had to teach this man how to control his anger—and his urges—somehow. Who better than you?

You drew closer to Bucky until your fronts almost touched.

“Baby,” you murmured. Simple, nearly plaintive.

Bucky blanched. Could it be? Had his bullshit gambit actually paid off and made you want to talk, or possibly do more? His hands immediately went for your hips, but you were quick to shove them off. You poked one finger to his chest and shook your head.

“We can talk,” you said, measured.

You pressed into his sternum and pretended not to see a short-lived look of defeat, followed by confusion, cross Bucky’s features. He let you walk him back a step or two.

“Okay. What about?”

Where the hell could you even begin?

“Sit first,” you urged him.

It was then that he realized you’d been walking him toward the plush sectional couch behind him—a cozy little touch to the VIP room only marginally diminished by the fact that it was coated in liquor, coke, and glitter. Bucky sat down anyway.

You didn’t follow, choosing instead to stand as you appeared to…scratch something on your back? Your husband looked on in muted curiosity as you reached behind yourself and tilted your torso just slightly.

Then he heard a zip. A hitch. Another, longer drag.

Bucky knew he was fucked before you ever slipped the dress off your body. You were to make quick work of it, eyes never leaving the man in front of you as you peeled the fabric down your legs and off of your frame entirely. When you were down to just your underwear, you hadn’t even needed to see his face to know exactly where his gaze was likely to land—this part was new to him. You kicked the dress aside and let him stare.

To be fair, it wasn’t every day he got to see a Ruger LC9 strapped to your thigh. Hidden in plain sight now that you were stripped bare before him in just your bra, panties, and garter-like holster across the top of your leg.

“Where’d you get that?” Bucky nearly choked, eyes wide.

“TJ Maxx,” you huffed, “Where the fuck do you think?”

“I never said you could— And Sam and Steve—”

Bucky paused, suddenly aware of how indignant and stupid he was starting to sound. He had given orders to the rest of his team not to let you carry a gun under any circumstances, but here you were. If he weren’t so violently aroused by the sight of you wearing the thing, he probably would’ve been fuming.

“A couple guys from your security detail were kind enough to make an exception,” you smiled, words verging on smug, “And who’s to say what I ‘can’ and ‘can’t’ do, hm?”

Bucky looked as though he were priming himself to stand when you lifted one stiletto to rest between his legs on the seat. A silent and quasi-sweet threat in one gesture.

“I didn’t say you can’t— well—” Bucky faltered at the last.

“You just said you never gave me permission!” You threw your hands up in exasperation, “That doesn’t sound very equitable to me, James.”

Bucky let out a frustrated sigh of his own.

“C’mon. You know what I mean, honey…I just…want to keep you safe. You know that.”

“Self-defense is a pretty integral part of safety.”

“No one’s ever taught you to shoot!”

“You never bothered to ask!”

This was getting a little too aggressive and Jerry Springer-eqsue for your liking. Not nearly sexy or seductive enough to be heading in the direction you wanted. Bucky always brought the bickering out of you, but you had to stay strong. Slow and steady and all that bullshit.

So, before he could respond to your last remark, you lowered yourself over him. Brought both legs to bracket his hips and hovered carefully in place above the bulge in his tactical pants. When he swallowed beneath you and raked his gaze over your body, you felt a twinge of relief.

You sank further down. Dragged your lower half over his own and earned a groan from deep within his throat. Again, his hands flew to your waist to get a good grip, but you pried them off before they could ever fully sink into the flesh.

“What?” Impatience palpable in Bucky’s tone.

“No,” you answered simply.

“No?”

“No, you don’t get to touch me. You don’t own me.”

Your husband shifted under your body, hands helpless at his sides and masseter muscle visibly clenching beneath the skin as he gritted his teeth. He shook his head.

“I never said that I did,” he managed, after a pause, “Baby, I love you.”

“And beating the shit out of my dad was your special way of showing that?”

“That wasn’t—”

“Or snapping at Natasha. And Sam. Steve. Sharon,” you added emphasis to the last name without really meaning to, and Bucky raised an eyebrow.

“Yes. I…lost my temper, I—”

“Couldn’t control your anger. Or wouldn’t. All because my dad made some stupid deal with a man and offered me up as collateral.”

“Because Joey wants you for himself!” Bucky snapped, voice suddenly raised to a near-deafening pitch. He shifted his hips and inadvertently grazed the heat between your legs, drawing a subtle pinch in his brow at the friction, “The deal your dad made was to give you over to Schröder in satisfaction of his own fucking debt—you think I was just gonna sit by and let that happen?!”

In spite of the animosity, you pressed your body to his even harder and watched him fold—if only slightly. He breathed a sharp inhale through his nose and flexed both his hands, as if wanting to make fists. However, he knew better than to move himself around at a time like this.

“What? Like the deal you made with him?”

Your words were clipped, almost cruel. You knew it would hit a nerve in Bucky, and sure enough, he met you right where you wanted him: enraged.

“That’s fucking different,” he seethed, “I would’ve paid your father’s debt without— without anything in it for me.”

“But you didn’t, and you got me.”

“And I love you. I don’t wanna lose you.”

The abrupt vulnerability in his voice was all but agony to hear. For a second, it seemed the anger had fled—or at least been eclipsed by some softer, sweeter shade—only for Bucky to blink again, shake his head, and wear that stupid, hardened look that said, ‘I am not losing this.’ Your hands reached for his belt and started in on the zip.

“You have a real fucked up way of showing love, James.”

To your surprise, Bucky let you continue, unhindered. Blue eyes meeting yours in a cold look.

“Makes two of us,” he mumbled, shrugging his boxers and trousers out of the way anyway.

That was probably true. No person in their right mind would think fucking their husband was the safest, most surefire way to let him know they were pissed at him, but both you and Bucky were working on communication skills, still. You’d get to healthy, non-sex-fueled fights at some point.

As it was, Bucky was fumbling around your thighs, trying to pry them open even wider for better access through your panties. That you allowed, but the second he tried manhandling you over his crotch, you pushed back.

“I wanna do this— without your help,” you said, firm.

Somewhat begrudgingly, Bucky agreed. He let you line yourself up with his length, brace your weight against his shoulders, and when you paused, he made a soft, ‘Hm?’ and glanced down where you looked. Before you could remove the pistol from its holster, he set his palm atop the cool metal.

“Leave it,” he murmured.

His eyes flashed with desire. It was almost more than you could bear, despite the plain fact that riding someone with a firearm strapped to your thigh probably violated every NRA gun safety rule known to man. Whatever.

You lowered yourself onto Bucky, slow, and sucked in a quick breath as he filled you. Your husband groaned.

“Fuck,” followed shortly thereafter, almost timid to crawl out of his mouth as you sank to a fully-seated position on top of him. He gripped the armrest beside him.

When your hips first stirred, you thought the man might burst a blood vessel trying not to move right along with you. You pressed a hand to his chest and reminded him, gently but with purpose: let me fucking do this, Bucky, and he relented. Fisting the couch cushion in something close to a death grip, he nodded his head and heaved a short breath and watched you all the while, grinding on him.

“My pretty…pretty girl,” he managed through his teeth.

He was doing better than you expected. You watched his face contort with pleasure when you lifted yourself up to the tip of his cock and slide back down. You squeezed his shoulders, and you let out a low whimper yourself, and dammit all, you felt that pesky fucking knot already forming in the pit of your stomach. You glanced down and frowned, wanting this to last so much longer.

Fortunately, when your eyes found Bucky’s again, you got the sense that he was in the same boat as you: brow furrowed tight in concentration and lips parted slightly, panting in time with each one of your movements.

“Baby,” he said, the single word treading close to a plea. He paused, dropped a glance to the spot where your bodies were coupled, and swallowed. He cursed aloud, then continued, quietly, “Baby…’m’sorry.”

“Sorry for what?” You bounced a bit faster.

“For— fuckin’ hell, honey— for being a…dick.” The last part of his sentence was pierced by a grunt and a moan, but you heard it just the same.

You clenched around him and tried to keep steady. Manage a small, shit-eating grin above him, even.

“Being a dick?” you repeated, pretending not to know what he meant. When his cock grazed over a particularly sensitive place inside you, you just swallowed the moan and kept going, fingers taking hold of some short tufts of hair at the back of Bucky’s head as you rode him.

“Possessive. Controlling. Kind of a—” Bucky paused to grunt when he bottomed out inside, hands aching to hold you, “—piece of shit.”

Finally, you were getting somewhere. Not nearly close enough to cure the rage or the dark, grating impulses churning inside of him, but good enough, for now.

You reached for his hands and set them over your hips.

The next most natural thing was to lean down and kiss him—let his tongue invade your mouth as soon as he’d caught your lips and show you, with a wordless and fast-moving show of affection, that he missed you. And meant what he’d said. With his hands moving quick to cup your cheeks, hold you to him while he kissed you and stroked deep inside your walls, he gripped you tighter than he had in a while. You could feel strips of tension and desperation bleed through his every fingertip.

“Wanna…fuckin’ kill anyone who even thinks…of— fuck,” Bucky’s words were almost slurred at this point, so close to the point of release it seemed every wild and wanton thought that crossed his mind was likely to dance off his tongue, unchecked. You loved to see him in it this deep.

You also had to remind the murderous alter ego that violence was not the answer…always. You let him pull you closer, bodies pressed flush against each other while you fucked, but you made sure to tilt his chin up to yours so he could see the expression on your face as you spoke.

“Hey,” you pinned him with one stern look, “No murder.”

Bucky frowned.

“Yes murder,” he retorted.

You sighed.

This shit was worse than teaching a dog not to bite.

Instead of pulling back or being strict this time, though, you decided you’d give positive reinforcement a try. You squeezed his short locks of hair, gently, and rolled your hips even tighter to his, eliciting a stuttered groan. You bounced up and down on his cock, pulled him into your chest, and brought your face within an inch of his.

“Promise to be good, and I’ll let you cum inside me,” you murmured into his lips. Not the wisest offer you’d made to date, but one that Bucky seemed to want more than the air in his lungs the second the words escaped you. He pulled you in for a kiss, immediately.

“Fuck, you mean it?” he breathed, in between each sloppy, frenzied movement of his mouth.

“Yeah,” you tried not to grin at how eager he seemed, “You’re gonna apologize to everyone, right?”

“Uh-huh.”

Bucky barely seemed to register anyone or anything but you and your pussy at the moment, yearning for the go-ahead to let himself free inside you. With a nod of your head, you’d let him start meeting your motions with gentle thrusts of his own, and both of you were teetering precariously close to the edge with that added pressure. In spite of both your hot and heady, near-anoetic states, you endeavored to hold out a little longer, legs aching.

“Gonna try and talk to Schröder first?” you panted.

Bucky rutted into you hard, lips twitching into a frown.

“Doesn’t…deserve it,” he grunted, barely able to get the words out as he grabbed your hips and thrusted harder, “A fucking bullet between the eyes is what he needs.”

You eyed him soberly, or as serious as you could manage with the force of his strokes nearly sending you into a spiral. You fought back a moan and gripped him tighter.

“Bucky.”

“Bunny.”

Damn, that name.

“Promise me you won’t kill him—or anyone—tonight.”

“Baby—”

“Promise.”

His thrusts were getting sloppier; with his hands hoisting you just above him and his cock practically drilling into you now, speech and coherent thought were some of the toughest things to accomplish, but he tried it, anyway. Bucky would swallow his pride and accede to his wife, no matter how fucking badly he wanted to cum—and kill that Russian mob boss with both his bare, bloody hands.

He could be better than the Winter Soldier. He would.

With a rough, labored breath, Bucky pulled you in for a kiss and felt you squeeze around his cock like a vice. Still thrusting, clutching you, kissing you hard, he saw both of your releases coming in fast and had to act even quicker.

“I— I promise,” he stammered.

That was all either of you needed, or could bear, quite frankly. In the next second or two, you felt a cord snap in your lower half and a deep, punchy flurry of pleasure follow shortly thereafter, fingers sinking deep in Bucky’s shoulders as he bounced you on his cock and held you close. With your walls still pulsing around him, you felt him chase his own high at a breakneck pace, shooting his load inside you a moment later. It was bad, it was brash, it was a really fucking dumb idea to be playing around with the odds of making babies at a time like this, but it also felt good. Exhilarating, even, feeling him empty his balls in that space between your wet, aching walls and filling you up with his seed.

Maybe just one little mini-Bucky wouldn’t—

STOP.

You barely had the energy to acknowledge, much less arbitrate that bone-crushing conflict between your brain and reproductive organs, so you shut the thoughts up with a quick, messy kiss to Bucky, whose chest was still heaving from the peak of his release, holding you to him.

“I love you.”

“I love you, too.”

Maybe even two—

FUCK YOU.

The internal war wouldn’t go away that easy, it seemed.

You kissed Bucky long and hard regardless, hoping the shit would sort itself out before you really had to think. Or worry. Or plan. It was dumb and a bit short-sighted, but feeling that hot, erratic pulse between your legs did a pretty good job of making it seem just fine for right now.

Bucky’s expression was lax. Soaking in the feel of your cum-painted insides still squeezing around him, gently. Had he been anywhere but the heart of Low Town on a covert mission in a strip club, hunting down the head of HYDRA with a whole troupe of trained assassins, he probably would’ve liked to stay that way a little longer. But, as it was, he could already hear folks filing in and out of the lounge, footfalls growing heavier as his team loaded up with guns, grenades, and whatever other weapons they could fit beneath their formal attire.

“Don’t look so sad,” you said as you lifted off of Bucky. Carefully pulling your panties back into place as your husband watched you do it, practically forlorn.

“Too late,” he returned in half a groan, yanking his own clothes where they needed to be and trailing a look up your legs, “Might feel better if we tried it again, though.”

“I bet.” You pulled your dress over your head.

Your husband had just tightened his belt and was rolling his shoulders to get a knot out of his neck, it seemed.

“What are your thoughts on ‘Bucky Jr.’?” he asked casually.

“Don’t start with this shit.”

“Jamie for a girl, maybe?”

“I’ll kill you.”

Your baby talk and death threat tête-à-tête continued for quite some time—just a couple minutes, but they felt like years to you—and before long, you were rubbing the gun under your dress and casting a glare in Bucky’s direction, and he got the sense that it was time to head back to the group. He looped an arm around your waist and led you out into the main space.

The living room was little more than a makeshift headquarters at that point. You’d been expecting to see more faces, but the only ones you found were Sam, Natasha, and a few silent, beefy individuals you assumed were part of security. Where Sharon and your parents had gotten off to was anyone’s guess. You took a seat on the couch.

“Anything yet?” Bucky questioned, approaching the panel of surveillance screens with a wary eye.

“We’ve had intermittent visuals on the second floor for forty minutes or so—” Sam motioned to one screen on the left, “—but Schröder hasn’t moved. Hasn’t done anything but bullshit and booze and buy rounds for his group. Won’t even talk to the dancers, which is weird.”

From what you’d been told, the goal was to get Schröder off the second floor, up to one particular private suite on fourth, then send in an agent dressed as a bottle girl to make entry as soon as the rest of the party had arrived, keeping in contact with HQ, and Sam, via PTT earpiece all the while. The details from that point were hazy, but you’d gotten the sense that someone—or, more likely, a sizable and duly-equipped group of someones—was lying in wait somewhere in the suites surrounding them. Steve had been tasked with leading the incursion, though where he could be found, or whom he was with, remained largely a mystery to you. Recon in a bustling, crowded area with music blaring on all four sides was a formidable undertaking, and you could tell both Sam and Natasha had been having trouble keeping tabs on every player. They seemed on edge, monitoring the screens.

“Won’t talk to the dancers?” Bucky’s brow pinched in.

“Won’t talk to anyone outside of his inner circle,” Natasha said, grim, “Which leads me to think he’s not staying here long. Probably called his associates in for a speedy-quick deal because he knows he’s being tailed.”

“Hasn’t engaged with any of our undercovers?” Bucky pressed.

Natasha and Sam shook their heads. Your husband groaned.

“Then how the hell are we getting him upstairs to the champagne room? If he hasn’t budged and doesn’t look like he’s planning to stay?”

The looks on the faces in front of him said there wasn’t one readily available answer—or any answer at all. Bucky turned back to the screens and seemed to survey the whole panel, gaze cooling with the first inkling that this operation may be classed a failure in the very near future.

He barked some half-coherent babble about strategy, security, and failsafes, then barked for Steve.

And, as if on cue, Steve appeared at the threshold of the room a moment later, breathless and slightly flushed.

“Rogers, you’re suppos—” Sam started, eyes widening at something you couldn’t quite discern from his arrival.

“I know, I know,” Steve cut in, fast, “Want the good news or bad news fir—”

“Just spit it out,” Natasha said, preemptively unnerved.

“Schröder’s headed to the suite right now—”

Bucky raised both eyebrows at Steve as he continued.

“—but they won’t let Wanda in.”

‘Fuck’ was the first audible word from your husband, then Sam, in short order. Wanda must have been the agent playing bottle girl upstairs. This didn’t sound good.

“Why the fuck won’t they let her in?” Bucky snapped.

“Someone might’ve tipped his security off. Or else they’re just being extra cautious about who’s let in.”

Steve fiddled with one cufflink on his suit and tried not to appear too despondent, but the implications of this single event were huge, you could read on every face in the room. Wanda had been meant to do something important before the rest of the brigade mobilized—take some key step that couldn’t be omitted from the plan.

“So we retreat.” Natasha was not one to mince her words, per usual, “Get your guys out of the suites now.”

Bucky’s fingers twitched at his sides.

“No,” he said, sharply, “We’re not doing that.”

“Bucky.”

“We’ll get someone in there. We’ll find another way.”

Your husband was already pacing the space in front of you, and you looked on with uncertain eyes. You chanced a look to Natasha, Sam, and Steve, all of whom shared similar, albeit slightly more wearied, expressions as they watched and murmured among themselves.

“None of our people are getting up there, Barnes. Schröder’s got a goddamn sixth sense about our agents or something,” Steve said, at length.

“They’re all in masks—for a fucking masquerade—and we can’t get one person in?! In-and-out, that’s all it needs to be,” Bucky growled.

“We can’t get in there, that’s the point,” Sam sighed, “Masks or no masks, they know our people too well and won’t let us through.”

“We can at least try, for Christ’s sake. That’s what we came this whole fuckin’ way to do, right?”

When no one said a word in response, Bucky scowled,

“Right?”

There was a lull in the conversation that seemed to last for minutes, when, in reality, couldn’t have been more than ten or fifteen seconds. Tensions were high. You could tell from the look in Bucky’s eye he was trying not to lash out as he normally would, but in no time at all, you saw a fractional break in his resolve. You feared he might fly off the handle, or else compromise something that couldn’t be spared at a time like this. You swallowed.

“I’ll go.”

It was stupid.

Every face turned to regard you as if you were stupid, you assumed as soon as the words had left your mouth.

But then, much to your surprise, Steve was perking up, eyes suddenly brighter as his gaze tilted to you.

“She could,” he said, shortly.

“Should she?” Sam seemed to murmur at once.

“Sure, why not?”

“I can think of plenty reasons why not,” Natasha was quick to counter, but beneath that pensive expression, you could’ve sworn you saw the smallest degree of contemplation. Even hope, from the looks of it.

‘NO’ was Bucky’s wordless, immediate, and resounding answer as he kicked whatever furniture—a footstool, this time—was closest to him and sent it flying toward the door. It seemed that self-control of his had worn off fast.

“No,” he affirmed in a word a second later, jaw clenched, “She is going nowhere near that suite.”

He didn’t even spare you a glance while he spoke. He was too busy eyeing the others, Steve specifically, as his chest rose and fell in uneven breaths and a light, blooming tinge of pink rose the length of his neck. If it weren’t for that staunch and menacing look on his face, he would’ve almost looked cute, you mused to yourself.

But, pretty man be damned, you wouldn’t stand for being ignored. Fuck that noise.

“I will,” you returned, a little more resolute this time.

Now Bucky had no choice but to pivot to you. His expression softened some, but not by much.

“No,” he said, again.

“Yes.”

“Baby—”

“Don’t fucking ‘baby’ me, Barnes. You said someone who wasn’t an agent could make it up there, and I can do it. Or try, at least, like you just said.”

If your attention hadn’t been fixed on your husband, you probably would’ve caught sight of more than one thinly veiled smile from the group around you. Natasha, in particular, all but tickled to see someone stand up to Bucky and give him a taste of his own shit—and live to tell the tale. The sight of her boss’s eyes almost glossy in the first tender look she’d seen from him in years was almost too much to bear. Steve stood grinning beside her, and Sam narrowly stifled an exhale of amusement. Neither you nor Bucky flinched from your positions.

“We can’t risk you being around him. They’re already all on high-alert,” your husband said after a calming breath.

“As are all your trigger-happy comrades waiting just ten feet outside the door, right?” you replied, “What is it, like, five, ten of them in total?”

“Twenty,” Steve interjected. Bucky shot him a look.

“I don’t care. I don’t want you up there when that fucker was just trying to— to kidnap you last week. I’m not—”

“Right. Right. Trying to kidnap me, not kill me. If Schröder wanted me dead, he would’ve made pretty quick work of that before,” you cut in, tone a touch more deliberate, “Even if he sniffs me out, he’s not gonna screw this whole deal by hurting me now.”

But the mere suggestion of harm to you had seemed to raise every hair on its end for Bucky, and then he was shaking his head, evidently more stubborn than ever.

“No, fuck. Don’t start,” he snapped with his newfound indignation, then, quieter, “Please…don’t, honey.”

You wouldn’t bow that easily.

“Why not?”

Truly, Bucky couldn’t be certain if it was the lilt in your voice, the pinch at the sides of your lips, or simply the sincerity consuming your eyes as you spoke to him, but the man could not stomach the thought of you, his own wife, being a stone’s throw from mortal danger and beyond his protection—or control, he wasn’t sure which one of the two was more dominating. Some cruel and unforgiving knot inside him came to tighten, and twist, and, nauseating as it was set on escape, the white-hot surge rose like bile in his throat. Before he could stop it, the words were spilling out through his teeth like froth:

“Cause I fuckin’ said so, that’s why. That’s it. It’s settled. You’re not allowed anywhere near him, you hear me?”

What Bucky hadn’t expected was the swift ascent back to your feet. The cool and almost careless expression as you rose, as though his words hadn’t registered at all.

He certainly hadn’t expected you to check him with your shoulder as you passed, knocking him slightly off-balance as he turned, in shock, and watched you give him one manicured middle finger over your left shoulder.

“Rogers, I’d like you to escort me upstairs.”

Worst of all, Bucky hadn’t expected Steve to listen.

Fortunately for him, the night was still young and with it, more than ample opportunity to be proven wrong again. And again.

“And again,” Steve murmured low in your ear as you walked side-by-side down the corridor on fourth floor, “If you get even the slightest bad feeling, you leave.”

“Might as well dip right now,” you muttered, adjusting your mask. Your attempt at humor fell flat with the man.

“I’m serious. We’ll be right outside and listening in from headquarters, but HYDRA is not a faction to fuck around with, or underestimate—as I assume you know by now.”

You did. Or would, eventually.

After the mask, you were busy trying to yank the back of your cocktail waitress dress to cover the full swell of your ass, not just the upper two-thirds. Unsurprisingly, it was a tougher task than you had been prepared to handle. Your new heels were tight and impossibly high, your new dress a mere scrap of pink fabric riddled with sequins and glitter, and your mask—holy fuck, were you glad Mardi Gras was not a year-round affair. Bucky had insisted on the fluffiest, stuffiest, full-face covering to ensure that no one would be able to recognize you, but in exchange for your anonymity, you had had to give up breathing, it seemed.

And then there was that vial of poison between your tits.

Sam had assured you that it was a nonlethal dose before handing it over; Steve had urged you, discreetly, to pour Schröder two for good measure. Natasha had overheard the latter and threatened legal action if he ever tried killing a target without her permission. You hadn’t spent much longer getting ready in the bathroom after that. Then you’d brushed past your husband the second you’d stepped out and strapped that last, semi-lethal ‘accessory’ to your bra before taking the lift upstairs.

As it turned out, you weren’t able to escape him entirely.

While you walked with Steve, Bucky was in your ear.

Literally—the man was talking nonstop through your earpiece and clearly had no intention of shutting the fuck up anytime soon. You silently wondered if there was a way to adjust the volume on the gadget as you ambled along.

“Honey.” There was a slightly more mechanical buzz to Bucky’s voice over your private line. You ignored it.

“So just find the cup he’s drinking from and pour the serum in?” you reiterated to Steve for the third time in the last ten minutes.

Your companion nodded, rattling off a few extra precautions while Bucky’s tone rang out a bit louder:

“Honey? You there?”

At last, you stuck your finger to the tiny flesh-colored device in your ear and snapped, “What?!”

“I love you.”

This fucker.

“I love you too. You’re still high on my shit list, though,” you answered, low and begrudgingly.

“Did I hear ‘hit list’? You’re gonna let me tap that later?”

If you didn’t have about fifteen different reasons to hate the man’s guts, you almost would’ve chuckled. At length, you muttered a quiet, ‘Kiss my ass, Barnes,’ and turned back to Steve, who was just then leading you closer to a room roped off and marked ‘EXECUTIVE SUITE.’ Your stomach did a flip as you paused around the corner.

“Right there. All you gotta do is knock and say a guy named Zemo sent you,” Steve spoke slowly, as if he were teaching arts and crafts to a five-year-old and not a woman about to embark on a high-risk sedation mission.

You nodded and took the silver tray from him carefully.

All the platter contained was an oversized bottle of Brut and a silver bucket, but damn if it didn’t feel like you were carrying the world and some change on that thing. You shifted your weight from foot to foot and turned in the direction of the door just a few yards away.

The time for painstakingly descriptive instructions and pep talks was long past you now. You nodded to Steve one last time and started to wobble over.

The entryway was flanked by two muscle-bound men. You approached with a smile.

“Hi. Zemo sent me.”

You didn’t know who the fuck Zemo was.

You hoped they wouldn’t ask, or notice how stilted and awkward you’d sounded just then. You swallowed a peach-sized lump in your throat and smiled again.

The one on the left grunted. The one on the right gave a nod. Without a word spoken between them, the former opened the door and made way for you to step over the threshold. You couldn’t help but notice both with their eyes trained straight on your tits as you passed by.

There was no way that had just worked. No pat-downs or harrowing threats? Not a single, searing interrogation into your identity or what you might be there to do?

Men were dumb, you decided, far too easily deceived by a decent pair of tits—HYDRA security personnel or not.

But you already knew that. You stepped inside.

The fetid stench of half a dozen blazing cigars and booze spilled on every surface were the first to greet you. A wave of smoke, then a bone-jostling bum bum bum to the beat of what sounded like a Don Toliver song came next. You almost couldn’t bear to make your feet move.

But then, shortly, you had to because a shrill, shimmer-doused beauty was waving you over toward the kitchen.

“Ba-by!” she shrieked, gesture growing frantic, “Bring it over!”

You walked with the tray out in front of you, careful with your steps across the sticky floor. When you made it over, where one other girl was stirring wildly at some concoction on the counter, you stopped, and had only to stand for a second longer, because the redhead that had beckoned you was taking the tray, setting it down, and grabbing something thin and pointy. You’d barely even registered it as an ice pick until the thing was thrust in your face.

“Crush it up,” she ordered, one curt nod toward a block of ice nearby. Evidently not giving a shit who you were or where you’d come from either. You guessed Wanda had just gotten unlucky, or they’d all stopped giving a fuck once Schröder’s men had really started drinking.

And drinking they had been, as your eyes surveyed the scene. Half-naked women with fully-clothed men, dressed head to toe in the finest of suits that were probably soaked through to the bone with sweat and Stolichnaya. You almost shivered at the sight of all the masked, wildly gyrating pricks, fumbling desperately through one verse of ‘After Party.’ You could vomit.

But where was your prick? That grimy little shit, Joey.

“Back of the room by the couch,” Bucky said, as if he’d read your mind.

Then a beat.

“Wait. Shit. That isn’t him. Schröder’s over by the door.”

How many tall, lanky blonds could there be in this place? You cast a sweeping look across the room and received your answer in less than two shakes of a lamb’s tail—there were a shit ton of Joey lookalikes all around.

“Careful. Mr. Schröder’s been on edge all night. Might bite your head off if you stare too long.”

The girl that was stirring had apparently caught you looking. She set the spoon aside and turned, but not before chancing a quick glance at the man Bucky had identified to you as your target. The man lifted his gaze.

You chipped away at the ice even faster.

Crush the shit, make a drink, pour the serum, and get it in him. Now. Don’t draw his attention just yet, though.

Something in your head told you to steal another look. You knew it was a bad idea, but you went on and did it anyway—and fortunately, felt a wave of relief at seeing that he’d retreated somewhere back with his friends. The ice pick in your hands made it through the last block.

“I’ll serve the shots, you bring the bottle to Mr. Pierce.”

Mr. Who?

“One of Schröder’s associates. Roll with it.”

It was Natasha’s voice now. Measured, but tense.

“He’s the older gentlemen straight ahead. He probably ordered the champagne for him and the others.”

That was Sam. You could only imagine how all of them looked huddled around the surveillance panel with the transmitter to your earpiece being passed about from person to person. The grip Bucky must’ve had on his gun, or his switchblade, or whatever weapon he could seize to make himself feel a little less helpless. But he was—as were you. And truthfully, there was nothing either one of you could do about that until Schröder was in custody. This was the first step toward reaching that goal.

So you walked with the bottle, now bathed in a tub of ice. You tried to keep steady, but the staggering drunks all around were making that tough, to say the least.

When one man struck you straight in the chest, elbows jutting out as he danced, you stumbled back a step. Nearly lost the tray for half a second, then recovered.

Until the dipshit hit you again.

This time you truly almost sent the bottle sailing for the floor, grip slipping on the tray and knees buckling underneath you as the force of the blow set you back. You bit a quick, ‘Fuck!’ in the air, seized the platter twice as hard and braced your weight against something firm behind you. A shelf, a TV stand, or something. Maybe a half-wall if you were lucky enough not to have careened against some expensive piece of furniture. You sighed.

“Everything alright?” a voice rumbled behind you.

Or a person. Yeah, a person would be pretty fucking bad to bump into at a time like this. Your whole body froze.

You turned.

“Ye-es sir. Yes, sir.” You quickly righted your tone the second you realized it was someone important.

Not Schröder, but someone who seemed to be big-name enough; you just weren’t sure who. The man smiled down at you from under his Venetian mask.

“Is this for me?” he nodded toward the tray, half-teasing.

You swallowed.

“Are you Mr. Pierce?” you asked.

The man’s grin stretched even wider.

“Nope, I’m Ward. but I can take you to Pierce.”

For the first time that night, your heart swelled with some promise. You thanked him quietly, gratefully, then made as if to follow him back through the crowd, when all of a sudden, you stopped. That heartfelt swelling in your chest halted right along with it. You almost dropped the tray.

“Schröder!” Ward bellowed.

No, no, now you were actually going to lose your shit. There was no way in hell you were keeping a grip on this silver little plate any longer without crying or screaming or shitting your pretty, pink, sequin minidress right there. You almost shrieked when a hand reached for the tray.

“Pierce got you doing all the heavy lifting, huh, honey? The bastard.” Even through his own ornate mask, you could tell Joey was grinning—glinting with conceit, as was his prerogative. He took the load off your hands.

“Take it easy now, he’s just—”

“Staring at your rack. Pull your top up, baby, please.”

The chatter in your ear had switched from Sam to Bucky at nearly lightning speed. You glanced down at your cleavage and tugged the fabric up quick, heart beating even faster underneath it.

In front of you, Joey Schröder was all teeth. A gruesome spectacle in spite of its seemingly benevolent intentions, one smile could have turned your stomach sideways. And it did—you wanted to throw up again—but you knew you had bigger fish to fry, and evil mobsters to poison. You didn’t flinch when Schröder nudged you in the shoulder and made his way ahead, coaxing you to follow.

You didn’t tense and didn’t protest. Didn’t blink when he led you straight through the party, around a few topless performers on poles, and into a backroom lounge.

In fact, your mind practically sang as he led you inside.

It was just every other nerve, muscle, and trembling tendon not under the immediate control of your brain that needed soothing. You could’ve sworn the men on the couches would see your legs shaking as soon as you trudged into the room and sniff you out on sight.

But if they had, they didn’t show it.

No one moved when you entered, save for a few lopsided grins and tilts of happy, masked faces. Sizing you up. Drinking you in. Far too easily mistakable for a band of apex predators that had just caught wind of their next meal, and not a room full of sleazy Russian mobsters. You bit back your grating disgust with a smile.

“Got a present for ya, Pierce,” Schröder announced.

A honey-blond head flecked with silver and white sat up from the sofa. Presumably the one who’d ordered the champagne.

“Oh yeah? What’d ya pay for her?” he returned, mouth curling up in a wicked smile.

Even above the booming music, you could make out peals of laughter as the men around you shared in some lewd, crude comments and several whispers exchanged between them. You would’ve liked to grab your bottle by the neck and break it over the nearest patron’s head, but then you remembered yourself, and your mission. You stilled beside Schröder and let them crack a few more tasteless jokes at your expense. Schröder chuckled and set the tray down in front of a thoroughly amused Pierce.

Then he grabbed you by the waist.

“Right. I forgot to ask—what is your price, sweetheart?” he said, swiftly pulling you up to his front.

Your hands flew to his chest reflexively. Your nose scrunched in a wince at the sound of an electric shout:

“GET HIM OFF OF HER!”

“Bucky, hey, hey, we can’t just—”

“NO! THAT’S NOT PART OF THE FUCKING PL—”

The line went silent. You scratched at the space behind your ear, trying hard not to betray any pain on your face, or the fear for what might be going on downstairs.

Clearly, you failed on both fronts, because Joey’s grip only tightened. He peered down at you, curious.

“You deaf or somethin’, sugar? What’s your price?”

You batted your eyes, momentarily struggling for words.

But then, somehow, you managed to choke out, stomach churning with bile:

“Whatever you want, sir.”

You felt your soul drain out through the soles of your shoes as you’d said it. Something fell from your face—most likely a light behind your eyes and any semblance of self-worth as you stood before the man who had tried to buy you, drug you, and kill half your family, and then pretend like you wanted to dance for him, or do more.

It wasn’t real.

It wasn’t right by any means, but it was all just roleplay.

Roleplay.

You had to keep telling yourself that as you let Schröder’s hand glide up your spine and grip the back of your neck, tilting your head up to his. It was just like your husband and his cold-blooded Winter Soldier persona, you tried to convince the increasingly frightened voice in your mind. Just like him, just like your sweet and soft and sadistic—

“Bucky,” you whispered unconsciously.

You knew he couldn’t hear you now. It was almost insane to think anyone could save you now but yourself.

“What?” Joey exhaled sharply.

You froze in fear.

“Five hundred bucks,�� you corrected your error quickly.

You weren’t sure Schröder was convinced.

“Five hundred bucks for one lap dance and some fun?” he scoffed. Then he squeezed your neck a little tighter and drew your face within an inch of his own. You could feel the hot puffs of breath, smell the rancid liquor on his tongue, but you stayed where he held you in place and tried not to grimace when he said, “That’s a damn steal.”

Your lips were shaking something awful under your mask. You couldn’t even begin to imagine what kissing this vile, soulless bastard would taste like, but you feared it might come sooner than you knew, because Joey was drawing you even more rough and tight into his chest.

Just when your mouth was less than a hair’s breadth away from his, though, you heard a woman’s scream.

Then another. And another. And another.

Before long, almost half the suite had erupted in shrieks, it seemed, and the sounds of their horror were shortly supplanted by a series of explosions. And gunfire.

Johann Schröder dropped your body like the worst habit known to man and went bounding away from the turmoil as fast as he could. This time, you did trip over your heels and took a nasty little nosedive to the ground. Fumbling, crawling, then sliding across the shag carpet on your belly with your eyes in wild search of somewhere to hide.

You spotted a coffee table and muscled your way over.

“SCHRÖDER!” a voice roared from somewhere behind.

Again, you knew better than to look, but the fear of not knowing who, or what, might be barreling your direction at any second outweighed more sensible considerations. You stole a look over your shoulder and nearly screamed.

A man with a pitch black balaclava stormed into the lounge and wasted no time setting sights on his intended target—raising a Heckler & Koch MP7A1 submachine gun to his face and firing the second the impulse struck.

You watched a once-handsome, lively, and drunk man turn to shredded, fleshy carnage in less than an instant and fall right beside your head with a thud. Your hand was your only defense to keep the shriek inside your chest, but even that blockade was crumbling fast as the blood-soaked assassin wrenched the body in the air.

The gunman tore the mask from his victim’s head and inspected the face—or what was left of it. He cursed.

You could tell from your close proximity to the blues of his eyes, and that sigh, you wouldn’t need to ask at all. You just sat there and stared, knees hugged to your chest as Bucky threw the body back down as hard as he could.

“FUCK!” he bellowed, voice flooded with rage.

Steve stumbled in with his gun at the ready. He eyed the man on the floor, then you, then a dozen other flailing, desperate partygoers trying to escape the suite all around you. You just drew in even tighter to the table.

“What happened?! Where’d he go?”

Rogers, like you, seemed unable to look away from the carcass, but for entirely different reasons. He appeared to be studying it just as your husband had been.

“It’s not Schröder!” Bucky yelled.

“Where the fuck’s he— shit.”

Suddenly, an unknown assailant opened fire on the two men from the opposite end of the room. Both dove for cover, but not before Bucky grabbed you and dragged you, full-force, behind the sofa. It didn’t seem there was time for sweet words or consolations, his eyes wide and half-crazed as they bore into yours just in front of you.

“Don’t move,” he barked, readjusting his grip on his gun in one hand and feeling around all over your sides with the other. On seeing and feeling no trauma, he nodded his head and moved his hand to your cheek, just briefly.

“Honey, I need you here—right here for me, alright? Don’t move a muscle,” he spoke low as Steve covered from above, rapid-fire shots ringing out on both sides.

Rushed and furious as he was, he couldn’t help but linger on that face a half-second longer than he intended. You were shaking your head and hugging your knees, meeting his eyes with what seemed to be reproach.

“You promised, Bucky,” you hissed through gritted teeth.

You were in shock, that was what it was, he kept telling himself. You didn’t know what you were saying, and he needed to turn away to help Steve, but then you were eyeing that body—that man he could’ve sworn was Schröder when he’d pumped him full of bullets—and you were turning back to him with unmistakable disgust.

He would’ve fallen to his knees and begged his wife for forgiveness if there weren’t more pressing matters at hand. Like your life and his, and Steve’s—and Sam’s, now, bursting onto the scene with a semi-automatic rifle of his own as he helped his friend gun down the last of the stragglers. Bucky knew he had to help them, too.

So he’d stumbled back on his feet, less conscious than acting on pure impulse, and he joined in on the gunfire.

He reckoned he liked it. However long it lasted. He just rolled his shoulders once and sent the rounds flying; he ducked and he moved and he stood and he crouched and he fired every shot as if it were as easy to him as breathing. He didn’t think. When the three of them had cleared the lounge, and Sam and Steve tore off toward the two or three remaining rooms at the rear of the suite, Bucky still wasn’t fully present in his body. All he knew was that his clip was near-empty and his side was in pain—and the room they had emptied was safe. For you.

For you—where the fuck had you gone?!

Bucky barreled past the spot behind the couch where you were supposed to have been, but weren’t, and made a beeline for the closest room over. And nothing. More empty, threadbare, and bloody rooms filled with bodies that didn’t belong to you, and shortly he was yelling for Sam or Steve or anyone in that massacred suite to help him find his wife. The breaths in his chest were heaving.

He turned once, twice, eyes roaming wildly and hand grabbing fast for more ammo. He couldn’t find any more. Beads of sweat began to collect on his brow, and just when he turned to call for backup once more, he paused.

In his periphery, he saw two forms.

He stopped fully and turned to the side.

If it was fear he had felt just then, he wasn’t aware of it. Instead, it seemed a white-hot and blinding ire had taken over, and rather than grow timid, or afraid, he went cold.

“Bucky…don’t,” you managed in a strangled, hoarse tone, throat visibly contained by a blade being held to it.

Behind you, a man stood masked and unflinchingly calm.

Bucky knew that wouldn’t do—no matter how hard or helplessly you pleaded with him then not to do it, please don’t do it, Bucky, please. All he heard in his head was the throb of his pulse, and all he saw before him was red.

He fired without a second thought.

The round just grazed the edge of the man’s cheek.

Bucky swore. Tried to fire his gun again. It was empty.

Still not thinking, much less hearing his wife’s desperate cries for him to spare the man’s life, he grabbed the smallest, sharpest object that was closest to him and charged your would-be attacker head on.

Both men fell to the floor, but only Bucky was mobile.

Only Bucky held the weapon now, as his opponent’s knife had been lost somewhere in the skirmish, and he was wielding it now faster than he ever had before, he thought—an ice pick, of all fucking things—driving it into the man’s face and neck and chest without the slightest regard for anything else.

Somewhere far outside his mind, he heard you scream. Felt you claw at his arm, grip at his shirt, make some wild, shrill, and vehement pleas that he couldn’t begin to understand in this state, and he continued. Hadn’t even considered slowing down until the man’s carotid was shredded in two and spewing blood all over his front.

Bucky couldn’t be sure how long it lasted like that; all he remembered was stumbling back, energy spent, fist still holding the pick and eyes duly glued to the body he’d just stabbed through and maimed until no life was left.

He saw you crawl over the body.

He wanted to warn you not to touch it. Lifted a hand and tried his best to form words, but nothing came out.

He watched you lift the mask.

From that point on, he was certain he had to have been seeing things that weren’t really there. Trauma-induced psychosis, he tried to assuage himself silently—that was the only explanation for the scene unfolding before him. Surely it couldn’t be you cupping that face, pinching that skin, shaking that cold and lifeless, blood-drenched frame beneath you as a sob racked through your own.

That signet ring on a pinky couldn’t have been real.

Bucky didn’t want to believe that gruesome discovery made manifest before him—in many ways, he couldn’t—but then it was painted clear as day as the cries endured, nothing changed, and a helpless, frantic wail rang out:

“DAD!”

—

Taglist: (If I missed anyone please lmk!!) @vicmc624, @she-could-never, @mcira, @kentokaze, @identity2212, @unaxv, @buchi91, @ordelixx @stinkerbelle007, @opibarnes @wilsons-striped-ties @desigirlxx, @pono-pura-vida, @geminiflanagansblog, @buggy14, @sky-full-0f-fl0wers, @buckysdoll1520, @armystay89, @minimarvelingmarvel, @kunakizen, @ghostiebby06, @blackhawkfanatic @dameron-grant-spector @sushiseoks @deansapplepie @mrsjoequinn @gyokujyn @lunaroserites @first-edition @kaybaby2494, @jaggedsi @excusememrbarnes @daisychainsoflove, @mostlymarvelgirl @diannana @shawnberry @yujyujj @urmomsalex @mrs-bucky-barnes-73 @athenabarnes @christinabae @sluttylittlewaistenthusiast @wintrsoldrluvr @bethbunnyy @i-heart-smut @dixsond @aagn360 @dahliawolfe @fantasyfootballchampion @lilyevanstan1325 @kandis-mom @thealyrs

#bucky barnes #bucky barnes smut #bucky barnes fanfiction #bucky barnes fic #bucky barnes x you #marvel #mcu #mob bucky barnes #marvel smut #marvel x reader #james buchanan barnes #james bucky barnes #mob!bucky #mob!bucky barnes #mob bucky #mafia!bucky #mafia bucky barnes

[randomgurl2326]

Today I will be honoring Neil Perry, may he rest in peace. We will never know his great face any longer.

R.I.P.

Neil Perry 🕊️

“I went to the woods because I wanted to live deliberately, I wanted to live deep and suck out all the marrow of life”

November 10, 1942 —

December 15, 1959

#neil Perry deserved better #neil perry will be missed #Neil and Todd were gay for each other #HE DESERVED A BETTER ENDING #neil perry #dps fandom #fly high #dps #dps boys #dps headcanons #dps fanfiction #dps x reader #dead poets society #dead poets society x reader #neil perry x reader #charlie dalton #charlie dalton x reader

[demadogs]

I went to the woods because I wanted to live deliberately... I wanted to live deep and suck all the marrow out of life! To put to rout.. all that was not life, and not, when I came to die, discover that I had not lived. - Henry David Thoreau

#this is so painful…. borderline homophobic #idk if theres a big overlap of these fandoms cuz they are WILDLY different from each other #one uses poetry as a metaphor for love and the other uses cannibalism lmao #but i thought of the snow scene first and then i couldnt get it outta my head #my gifs #yellowjackets #dead poets society #dps fandom #jackieshauna #anderperry #tusersimone #yellowjacketscentral #tvedit #filmedit #tvandfilm

[caltropspress]

Earl Sweatshirt: A Geography of Grief and Growth

I made myself the poet of the world. The white man had found a poetry in which there was nothing poetic….I had soon to change my tune.

—Frantz Fanon, Black Skin, White Masks (1952)

I suggest that we do not necessarily need to hear and know what is stated in its entirety, that we do not need to “master” or conquer the narrative as a whole, that we may know in fragments.

—bell hooks, “Teaching New Worlds/New Words” (1994)

Breakin’ ’em down to micro-fragments.

—Saafir, “Battle Drill” (1994)

What is asked of me is not to ascend but to descend.

—Robert Bly (1990)

1.

Earl Sweatshirt’s arc, swerving and dervishy, isn’t difficult to see, as we’ve witnessed it with him—we’re either interlocutors or interlopers, both with questionable motives. So when Earl looks back on school daze, as he does on “OD,” we look back with him (though ours is often an imperial gaze [HOW COULD IT NOT BE?]). We tee-hee and titter as we hear that “somebody tooted in the student commons,” tooted being the most puerile word for gas he could have chosen. An array of scatological options were ignored. It’s a deliberate gesture toward juvenilia. He doesn’t want his expression to be too mature, ha. He wants to welcome you to the romper room, ha. Remaining a kid until the moment he expires, apparently. So he sets the adolescent scene: the student commons. “The bell rang,” and the accused student was spared the prolonged opprobrium. In about four seconds, the student will begin to post. He “went home and argued in the comments,” channeling his embarrassment elsewhere, talking shit (shit) on the internet behind the safety and quasi-anonymity of a screen—an odd facade. He can walk right up to your avi and diss you. That’s his philosophy. The public humiliation replaced with a private self-possession. The discomfort of the crowd exchanged for the solace of solitude.

2.  DID AN ANGEL SPEAK?

The sonics of “tooted” and “student” are twee, giggle-inducing. We laugh along with the concatenation of m and n phonemes [somebody | student | commons | rang | went | home | then | in | comments]. The near-homophonous commons and comments scan hysterical. With “OD,” it’s easy to confuse adolescence with adulthood. That “somebody” committed this social transgression seems defensive. Maybe it was him—the subject, Earl, Thebe—seeing as how the rest of the song is delivered in the first-person. Embrace the Age of Immaturity. Channel the Fat Boys: Darren Robinson’s flatulent beatbox. Place it beside the disorderly lyrics that Bobbito spits: “I write my own shit from finish to start, / Diminish the heart, / I eat a knish and then I fart.” Like the Cenobites, Earl kicks a dope verse, and only that. “I keep my sentences short,” he says on “EAST.” Beauty is brevity, brevity beauty. A “brevity pack,” as Earl has referred to the Feet of Clay songs. He strives to be live ’cause he got no choice. He runs his own business like James Joyce. In A Portrait of the Artists as a Young Man, a similar flatus incident unravels. At Clongowes Wood College (Stephen Dedalus’s Coral Reef Academy), a “stout student who stood below…on the steps” by the name of Goggins “farted briefly.” Sonically, the sentence shares much with Earl’s opening line. Dixon asks, in a “soft voice,” “Did an angel speak?” But the others react with bellicosity and name-calling (stinkpot; flamingest dirty devil). Goggins doesn’t retreat home; he simply asks, “It did no one any harm, did it?” You still bet that you can harm me, but you don’t alarm me, Goggins might say another way, reprising Del the Funky Homosapien, echoplexing Masta Ace. 

3. 

Earl “watched the doppler move,” the wavelength shift—the siren song of the “toot,” something insidious—or maybe it’s just the tremors we’re feeling. Woop, woop: that’s the sound of the beast, KRS would say. The frequency shivers. The shift, the movéd doppler, means Earl is immediately older, he’s the child who “get[s] introduced to violence,” even if he acknowledges the line was inspired by his nephew on a playground in South Africa, experiencing apartheid reincarnate as a whiteboy cuts him in line for the slide. Cranly, bullying Goggins, “shove[s] him violently down the steps.” The doppler moves. It slides into violence—like the violence visited upon the MOVE compound located at 6221 Osage Avenue in Philly in 1985. Gradations of black/white. ELUCID mentions the “gray on [his] face showing age” on his Osage (2016) project. Isn’t it strange—how the youngins can turn cold, hoarfrosty, in an instant? The grayscale cover to ELUCID’s tape is graced by a photograph of Birdie Africa, the sole child survivor of the siege. The bone fragments of the MOVE children have since been used in anthropology courses at UPenn and Princeton—case studies. It’s a good trope. Fascinating stuff.

4.  TRYIN’ TO TRANSFORM YOU BOYS TO MEN LIKE DAYCARE

When JuJu of the Beatnuts asked, You want pain?, he wasn’t referencing the dramatical-traumatical pain Earl negotiates—JuJu’s question posed a ruffneck and ruffian pain on “Watch Out Now.” Somewhere closer to Marcy, where Jay-Z’s streets was watching. Earl clocks minutes, anaphoric with what he watches (I watched the doppler… / I watched a child…), much like Dylan’s portentous hard rain in which he saw endless racialized visions: “I saw a newborn baby with wild wolves all around it”; “I saw a black branch with blood that kept drippin’”; “I saw a white ladder all covered with water.” For Earl, the ladder is a slide. The saw is watched. Witnesses all.

5.

In “Theory as Liberatory Practice,” bell hooks writes that she “came to theory because [she] was hurting”: “I wanted to make the hurt go away. I saw in theory then a location for healing.” hooks says that she “came to theory young, when [she] was still a child,” citing Terry Eagleton who argues that “[c]hildren make the best theorists.” Children, Eagleton insists, possess “a wondering estrangement.” No wonder, then, that “since a jit” Earl has found no use in “giving up.” He rather make it make sense. 

6.

I beat you to the point. Having gained experience, there’s nothing you can tell Earl that he doesn’t already know, that he hasn’t already seen. He’s seen enough, had enough. He doesn’t await the mob’s pursuit; he places the noose on himself, he RE: DEFines it within his own lexicon. His noose, therefore, “is golden.” He’s a young youth, rockin’ the gold [noose], DEATHWORLD goose. He speaks with criminal slang, with a split tongue like ELUCID. Where ELUCID was “true and living, actual—no dull axes, owner of all heads,” Earl is “true and living, lonesome,” with no skulls to keep him company. He has to square up with the “pugilistic moments” on his own. 

7.  I AM OLDER THAN I ONCE WAS AND YOUNGER THAN I’LL BE

I’m thinking of “The Pugilist at Rest” (1991) by Thom Jones, whose epileptic protag describes a “grainy black-and-white photograph” of the bronze statue called The Pugilist at Rest. The pugilist, with a pocketful of mumbles, has “slanted, drooping brows that bespeak torn nerves” and a forehead “piled with scar tissue.” Torn nerves and scar tissue—sounds like the physical manifestations of grief. And, yes, Earl has grieved, and he continues to grieve—as listeners, we’re accustomed to his grief pedigree, as per Ka. In the past, Earl was “panicking a lot”—he just “want[ed] [his] time and [his] mind intact.” That’s a cold fact.

The narrator of “The Pugilist at Rest” readies himself for a cingulotomy—a psychosurgical procedure that will “cauterize a small spot in a nerve bundle in [his] brain.” In other words, he wants to keep his mind intact. The neurosurgeon promises the operation will lift “the heaviness of a heart blackened by sin,” which is what convinces the narrator to agree to it. Good grief, he thinks, he’s been reaping what he sowed. He “can’t go on like this,” barely living “with a deadening sense of languor,” a phrase which calls to mind Earl’s lethargic, slugabed flow. Feeling insane in the membrane, like he’s a Soul Assassinated, exploring the depths beneath his whooligan behaviors. 376 was a brothel. “Good and evil are only illusions,” Jones writes. In anticipation of the surgery, the protag considers the worst-case [so what, so what] scenario: “If they fuck up the operation, I hope I get to keep my dogs somehow.”

8.  MOURNING & MEDICINE FOR MELANCHOLIA

Grief carries its own antidote along with it.

—Charles Brockden Brown, Wieland (1798)

“Grief is the door to feeling,” Robert Bly says. But Earl, on “Grief,” told us he “ain’t been outside in a minute”—and that minute, whether we’re speaking with criminal slang like Nas on “It Ain’t Hard To Tell” or not, is an eternity. Earl hadn’t crossed that threshold, hadn’t kicked in that door. MIKE would realize it much later on “No Curse Lifted (rivers of love),” how you “had to walk through the grief,” even if it “was the worst feeling.” In 2015, though, Earl found these passageways distorted. Like the undulating photograph on the cover of his first mixtape. Like the blur-obscured selfie on the cover of Some Rap Songs. Like the static-scrambled cover of I Don’t Like Shit, I Don’t Go Outside. Earl’s dealt in fragmentary confuzzled noise for a full career. He’s been standing on the corner, red burnt, moving down alien lanes paved by GBV, greenthinking to himself. It ain’t hard to tell that Earl “don’t act hard” and yet is a “hard act to follow.” The density or opacity of his exterior notwithstanding, grief don’t come easy. “As men,” Bly says, “we’re taught not to feel pain and grief as children.” So Earl spits somnolent, numb-tongued and slack-jawed. Like he said on “Cold Summers”: muffle my pain and muzzle my brain up. 

“I’ve been alone in my shit for the longest,” he spit on “Grief,” and in work as recent as “Vin Skully,” he’s still figuring out “how to stay afloat in a bottomless pit.” Bly says that “we receive something from our father by standing close to him—something moves over that can’t be described in material terms.” Bly speaks of being in a “conspiracy with his mother” from early on. Earl finds himself “thinking ’bout [his] grandmama” while he wallows and lies in a bottle. “Grief” catalogs all the things his mama taught him. Earl’s work, of late, is autodestructive. He peels away and pastes back haphazardly. He vibes with this Bly shit: “If you can deny something so fundamental as grief in the whole family, you can deny anything. And then how can you write poetry if you’re involved in that much denial?”

Bly goes on to quote Alice Miller, the psychoanalyst who gave us The Drama of the Gifted Child (1979): “When you were young, you needed something you did not receive, and you will never receive it. And the proper attitude is mourning.” Mourning is the proper attitude, not blame—mourning. Mourning makes its way through moaning and mumbling—Earl’s current intonation. On “Grief,” he “cut the grass off the surface [and] pray[s] the lawnmower blade catch the back of a serpent.” Philip Larkin’s poem “The Mower” (1979) leans more literal: “The mower stalled, twice; I found / A hedgehog jammed up against the blades, / Killed. It had been in the long grass.” Larkin’s speaker genuflects before the innocent critter, recalling how he “fed it, once.” Now, he mourns how he has “mauled its unobtrusive world, / Unmendably. Burial was no help.” Earl, of course, is less forgiving of the serpents in the grass. They’re threats, not friends. Still, a void opens up when the mower—(and let’s not forget the lawnmower is a modernized scythe)—does its mowing. Grief is the door to feeling, and on the other side:

Next morning I got up and it did not. The first day after a death, the new absence Is always the same; we should be careful Of each other, we should be kind While there is still time.

9.  NOBODY KNOW WHO MADE THIS WELL, FOR IT WAS HERE WHEN I WAS BORN

“Come get to know me at my innermost…”

Riveting, Earl raps. Earl raps are riveting. We fix to the flow—riverrun, past Eve and Adam’s. We’re invited to know Earl, to become familiar, and his “innermost” is a constant vacillation between optimism and [afro]pessimism. The sudden switches—these switches on bitches like fixed with hydraulics—establish what Danny Schwartz, writing for Rolling Stone, called an “uneven terrain.”

Earl’s “family business [is] anguished,” and that’s recognizable. We’ve known Earl (on “Chum”) with the “pendulum swinging slow” and low. He holed up, hostage-like, in his “heart’s bottomless pit.” Poe’s “The Pit and the Pendulum” (1842) brand of captivity. “I was sick,” that narrator says, “—sick unto death with that long agony.” Something tells me there should be an exclamation point there (SICK!). Earl Sweatshirt was down, down, down. “I was in the fucking pits for like 10 months post my pops dying,” he said in an interview. The Spanish Inquisition ain’t shit.

But for these countless downs, “OD” tracks the ups like naloxone in the nasal membrane. “Now I need atonement,” Earl notes—he makes a case for reparations. He “sets the goal[s]” like some motivational speaker. If “half [his] wings is broken,” he can “spread the other for [his] brodie OD.” Somewhat circumspect as he’s “tiptoeing,” yet the approach is laden with “too much love.” Even when his “sister showed in a rut,” he’s joining arms with her and “getting over, sending up.” That rut she walks—like Eudora Welty’s worn path (1941)—is a path through the pinewoods, and she’s suddenly Phoenix Jackson. “She was very old and small,” Welty writes, and she moves “with the balanced heaviness and lightness of a pendulum in a grandfather clock.” Even with her pentium processing and pendulum low, she swings back up—the rise of her namesake. She screams phoenix, her feathers and flames are one skin. “Living in the moment,” Earl raps, and his craft is bars. “You been corrupt”—and, sure, who hasn’t?—but you recover with “some ginabot.” Welty’s Old Phoenix surveys a spring “silently flowing through a hollow log.” She bends and drinks and says, “Sweet gum makes the water sweet.” It’s the equivalent to Earl putting “shilajit in his sippy cup,” which is “healing cuts revealingly.” And, yes, from a “sippy cup,” so we’re back to toddling around again (“Since a jit,” he says). “I can’t give enough,” Earl raps, his last winding-sheet made of nard and myrrh. 

10.

We crouch and teeter, caterwauling along the ledges, for we’ve got these clumsy feet of clay. This is the intended effect[/defect]; this is the rubble of what Earl calls the “crumbling empire.” This is us feeling the violent vibes of the “death throes” he speaks of. Why would we expect anything to resemble traditional song or rhyme structure when the earth quakes, civilization trembles, and Earl’s dungeon shakes? His chains have fallen off. The tenor is tremors. He’s living the trife life—hell on earth—but still living. Earl’s done trying to not look down—he embraces an outer appearance which scans dour; he deliberately gazes into the pit, inviting the vertigo, for it “haunts the whole of existence,” as Fanon says. But Frank B. Wilderson III promises a “vengeance of vertigo.”

11.

Gallons of rubbing alcohol flow through the strip, and Earl’s lips. He’s “refilling the pump”—his heart, yeah—but with a sawed-off shotgun, hand-on-the-pump posture. There’s “no concealing it,” not even with a concealed carry permit. He brandishes right back at “the enemy up in arms bearing snubs.” The mood swings; been down so long it looks like up to him. The turns require tourniquets. This is some Battle of Dak To torture—somewhere between Retaliation and the Heavenly Divine. Emotional turmoil seems violent by design, and Earl’s “memory [is] really leaking blood.” Fear not, the blood is “congealing, stuck.” Like Havoc says, “The Mobb rollin’ thicker.” Prodigy cites it, too: “This ain’t rap—it’s bloodsport.” But Earl has known that all along—he’s been “mobbin’ deep as ’96 Havoc and Prodigy did” since 2013.

12.

HipHopDX’s Kevin Cortez referred to listeners having to “sift through the muddle” in order to appreciate the bars, but where muddle suggests a disorderly conduct, a kaos network, Earl’s style, more appropriately, models. The woozy, wavy, and inner-conflict-war-torn vocals model an abstraction that anticipates the listener’s loyalty. This is what I’ve got, brief and cryptic as the gesture may be, the model says. Writing for NME, Dhruva Balram described Earl’s lyrics as “slurred,” but slurry is the form.

13.

If the empire can deploy Orwellian technologies of repression, its outcasts have the gods of chaos on their side…

—Mike Davis, Planet of Slums (2005)

So if we’re giving ourselves over to the woozes and waves, we’ll just as well find ourselves lost. Let’s go—like those tourist books run by students—and let’s wander eastward. Follow our napkin-scrawled directions and disorientations to a somewhere elsewhere. Let’s go east for a second, for a spell, on a lark, in the dark (word to AKAI SOLO). Earl’s bloodwork contains “pieces of slums”—or more aptly, [sLUms]. He’s hand-to-hand with that Jungle Boy MIKE, but also the god Mike Davis. “[T]he cities of the future,” Davis wrote, would be “constructed out of crude brick, straw, recycled plastic, cement blocks, and scrap wood.” Just the same as an Earl Sweatshirt verse is built—under the tutelage and overstanding-sharing, symbiotically, with MIKE. Davis says our cities aren’t “cities of light soaring toward heaven,” but a world that “squats in squalor, surrounded by pollution, excrement, and decay.” Smells like somebody tooted in the student commons. Smells like a slum village, something we’ve smelled before—possibly coming straight from the slums of Shaolin. 

14.  ACID EASTERNS

Earl trekked to the East and squinted into “one beacon in the dust weaving”—like Clint Eastwood arriving out of the hazy horizon ether of High Plains Drifter (1973). But Earl is heading to the East, blackwards. And though Brother J claimed you can’t define what’s direct from the East, Jeru told us on The Sun Rises in the East that you can’t stop the prophet either. So on “EAST,” Earl traverses a tricky terrain—it’s tricky, tricky, tricky because it’s an acid western landscape: an acid eastern.

The path isn’t direct or linear—it zigs and zags like rolling papers, and stimulates the same. “Double back when you got it made,” Earl says at the start of his journey “EAST.” The objective is to talk sense condensed into the form of a poem like Special Ed once did on “I Got It Made.” Instead, Earl’s poems—his L=A=N=G=U=A=G=E poems—skew [non]sense, go form[less], and vaporize rather than condense. Lyn Hejinian in cinnamon Timbs: “constant change figures / the time we sense.” The narrative is hallucinogenic (note: “how the story careen against the bars”). Earl’s bindle contains “thirty racks and weed [with] no fat in the collard greens.” That’s how he gets funky on the mic like an old batch. That’s how he gets sincerity on the mic: “Off top it’s me—no cap, / I don’t bottle things.” That buck that bought a bottle could’ve struck the lotto, maybe. But Earl’s “canteen was full of the poison [he] need[s].” He gets where he’s going like El Topo, bereft. The “trip was long and steep”—that being an acid trip—so let me see you try to ride a horse into the chasms of the canyon.

“EAST” is a death meditation, a grand duel between Dantean and Donneian lyric voices [he damn-near well should’ve double-tracked the vocals]. In a 2015 interview with SPIN, Earl is asked about the worst thing he did that year, to which he replies: “Umm…acid?” He elaborates: “I took it at a time when I really didn’t need to be taking acid. I had like a fucking existential crisis at, like, four in the morning. But it was tight. We reeled it back.” Jodorowsky called El Topo (1970) an “eastern” in that it “incorporat[ed] ancient eastern wisdom in the materiality of American cowboys.” For Earl, it’s more a rhinestone cowboy—he holds the cold one like he holds an old gun (as evidenced in the “EAST” music video). DOOM was no stranger to grief, of course, and the rumors persist regarding the bad acid that precipitated Subroc’s early demise (“Bad Acid” also being the original title for “December 24”).

Estranged Earl, alienated—a high plains drifter (not Clint Eastwood, though) who rechristens a town “Hell” through a baptism of blood. Like the Beastie Boys’ version, Earl pulls out a pair of pliers and pulls a bullet out of his chest. He pulls through, true and living. “I’m long distance from my girl,” Mike D raps, so he’s “talking on the cellular,” but Earl is more alienated than that—beyond racking up roaming charges, immersed in dead zones. He “lost [his] phone and consequently all the feelings [he] caught for [his] GF.” Relationships can’t be sustained in these bleak and barren locations. All the blood has been drained from the ruddy faces—sanguine scenery. In his essay “On the Acid Western,” Jonathan Rosenbaum discusses how the subgenre “refuses to respect or valorize bloodshed.” Memory really leaking blood. Congealing. Stuck. To paraphrase Rosenbaum, Earl’s acid eastern “formulat[es] a chilling, savage frontier poetry to justify [his] hallucinated agenda—a view at once clear-eyed and visionary, exalted and laconic, moral and unsentimental, witty and beautiful, frightening and placid.” Earl’s “innocence was lost in the East,” and obsessives speculate whether this refers to Samoa or New York City—how far east we going? Countless spirit-questers pit-stopping at ashrams, searching for that Gifted Unlimited Rhymes Universal guide. 

“I wait a beat,” Earl says. His canteen stays filled, auto-replenishes. His “cognitive dissonance shattered” and the “necessary venom restored.” Jodorowsky reportedly once taped snakes to his chest for an experimental theater performance. As if it matters if you think it matters anymore. Or, as ELUCID says, “Words mean things but don’t have to.” Acids and bases. Occident and Orient. Western and Eastern. Up is down.

15.  NOTHING LIKE US EVER WAS

Earl’s “EAST” accordion beat—or whatever Orkes Gambus Al Fata instrumentation is at work—is more madcap than madvillainous. In my head is Erick Sermon, though, speaking about how “the flow slow…like a jazz player, or someone on the accordion” on “Knick Knack Patty Wack.” But I’m less concerned with the flow of air through bellows—compressing and expanding—than I am with Earl’s rendering of wind. (Somebody tooted.)

“Let the dead be dead,” Carl Sandburg says at stanza’s end in “Four Preludes on the Playthings of the Wind” (1920). Later, he reports, “The only singers now are crows crying.” And so Earl, a lonesome crow, reminds us—and himself—that “the wind get the ashes in the end” on “December 24.” The whining, wheezing consonance of /-nd/ in “wind” and “end” manages to evoke both the wind itself and the circularity of life. The bar whooshes and whips until we’re at our end, the terminus. That circularity, that full circle: ashes to ashes. “We are the greatest city,” Sandburg repeats, “the greatest nation: / nothing like us ever was.”

Global winds be blowin’—[Of the Soul]—and so billy woods cites that same line on “Haarlem”: “Thebe said the wind get the ashes in the end, bruv.” Check the configuration of the rhime: 

The wind | gets | the ashes | in | the end   {birth}                    {life}                {death}

Even that get does work—whether it’s the violence of Death Grips’ “get got”; Too $hort threatening you to “get in where you fit in”; or the satirical sadism of Keenen Ivory Wayans’ I’m Gonna Git You Sucka. The wind wins out—it gets what it wants. On “EAST,” the wind—infinitely personified—“whispered to [Earl], ‘Ain’t it hard?’” It ain’t hard to tell that it is. How about some hardcore? Yeah, we like it raw like M.O.P. But those burns yield ashes. In Adrienne Rich’s poem “The Burning of Paper Instead of Children” (1989), she struggles with the words she uses, knowing “[t]his is the oppressor’s language / yet [she] needs to talk to you.” I know it hurts to burn, she writes, but writing is no less ardent. “The typewriter is overheated, my mouth is burning.”

Let me bring it back to Robert Bly. “In the ancient times,” Bly says, “the movement for the men was downward—a descent into grief. It’s referred to in the fairytale as ‘the time of ashes.’” Ashes, he explains, is the “code word for the ‘out of it’ time.” 

We know what it is like to take ashes in our hands. How light they are! The fingertips experience them as a kind of powder… Ashes, we note, find their way into the whorls of our fingertips, cling there, make the whorls more noticeable, more visible, more clear to us. We can take our own fingerprints with ashes.

Ashes, then, aren’t simply for the wind’s taking—ashes are for us, are necessary for us to transcend the grief the boys, the men, and the man-child experience. Bly points to the various cultures that have used ashes in initiation rites: “Ashes Time is a time set aside for the death of that ego-bound boy.” Ready to give up, so you seek the Old Earth. The elders cover your face—even your whole body—with ashes “to make [you] the color of dead people and to remind [you] of the inner death about to come.” Consider Earl’s ashen white face produced in the negative imagery of the “Grief” music video.” “The word ashes contains in it a dark feeling for death,” Bly says. “Ashes when put on the face whiten as death does.”

Earl Sweatshirt is a far cry from knocking blunt ashes into caskets.

16.

Feet of clay, hands of light…

—Moor Mother and billy woods, “Furies” (2020)

For Cheryl I. Harris, Earl’s mother, the feet of clay refer to a vulnerability we all possess no matter how formidable we may appear to become. Earl invokes the King of Babylon’s dream, a dream of an idol “meant to represent all the empires of the world,” echoing Sandburg’s imperious “greatest nation.” Earl believes “we at the feet of clay right now…We posted up live from burning Rome.” Imagine the ash pile. So Earl is here, ostensibly, to turn the disco into something dismal—how Mtume becomes “MTOMB” with its entombed sonics, as if he’s rapping from within a wall, the victim of some Poe immurement. 

17.

“I remember woods,” Earl raps on “OD.” “I remember Endom when he wasn’t remembering much, / I remember love healing the ruptures.” I remember is also the refrain and title of Joe Brainard’s poem-memoir, a term which aptly describes much of Earl’s recent output. Brainard’s memories bum-rush into the present:

I remember a dream I used to have a lot of a beautiful red and yellow and black snake in bright green grass. I remember painting “I HATE TED BERRIGAN” in big black letters all over my white wall. I remember liver.

If Earl recalls love “healing the ruptures,” then he also likely recalls Fanon: It is essential to convey to the black man that an attitude of rupture has never saved anyone. But Fanon also speaks of young Black men “maintain[ing] their alterity. Alterity of rupture, of conflict, of battle.” Earl, “feeling rushed, grew up quick.” He echoes Biggie, who “grew up a fucking screw-up,” and Raekwon, who “grew up on the crime side” (though Earl’s mama taught him, as we know from “Grief,” how to avoid the pigs, persecution, and prosecution). Eyes on the clock, Earl acknowledges this “trip around the sun” is his “25th,” so “give it up”—his survival alone deserving of a standing [on the corner] ovation. He celebrates life with “gin and rum.” Again, notably not gin and juice—murder was never the case. The only death is the inner death, the death of the ego-bound boy, that Bly describes. Earl’s gin is the drink of be[gin]ning, of genesis (“Light them Phillies up then…”), of Super Nintendo, Sega Genesis, when I was dead-broke, man… “We wasn’t supposed to be alive,” Earl says, yet here he stands.

18.  RUMINANT

Stare at the Feet of Clay album cover—an evocation of folkloric imagery: a Grimm forest with gnarled tree branches—and the enchanted, diabolic goat lying in wait. Earl’s parasocial following speculate G.O.A.T., of course, but I’m more inclined to mythopoeic possibilities. The Feet of Clay goat glares like Baphomet but frolics like a faun over fractured beats. “OD,” Earl has stated, “brought [him] up out of [his] little wreck”—a wreck of wracked nerves. Adrienne Rich encourages “diving into the wreck” (1973).

I am blacking out and yet my mask is powerful it pumps my blood with power.

Earl’s right there with her, submerged and blacking out, but still surviving: Really leaking blood, but refilling the pump.

In her essay “Teaching New Worlds/New Words,” bell hooks invokes Rich’s struggle to navigate the “oppressor’s language.” For hooks, as a Black writer, managing that is even more difficult and historical. “I think now of the grief of displaced ‘homeless’ Africans, forced to inhabit a world where they saw folks like themselves, inhabiting the same skin, the same condition, but who had no shared language to talk with one another, who needed ‘the oppressor’s language.’” hooks explains how Black folks have “remade that language so that it would speak beyond the boundaries of conquest and domination.”

Earl Sweatshirt, especially in his later work, has “altered [and] transformed” English, just as “enslaved Black people took broken bits of English and made of them a counter-language.” The emotional wreckage is also a linguistic heap of fragments—micro-fragments, if we’ve learned anything from Saafir. Earl, in the tradition of his ancestors, “put[s] together [his] words in such a way that the colonizer ha[s] to rethink the meaning of the English language.” “The grammatical construction of sentences in these songs” by Earl, just as by the spirituals of hundreds of years prior, “reflect[s] the broken, ruptured world of the slave.” That crumbling empire Earl mentions was faulted by feet of clay.

At the Museum of Contemporary Art in Los Angeles in 2019, sharing a dais with his mother, Cherly I. Harris, Earl spoke to this lineage directly: “Rap music is slave music—the modern-day iteration of it. Slave communication had to be encrypted. You got a code.” He shifted: “If I know what I’m saying…I can teach it to you.” On Feet of Clay, Earl is teaching to transgress. “I’m cracking my own code,” he says to an audience member during the Q&A, “how it comes out garbled…,” and then he trails off, as if making a deliberate effort to keep his answer cryptic.

hooks always saw language as “a site of resistance.” This included the incorrect usage and placement of words—she called such practices a “rebellion.” Weaponizing syntax. hooks recognized rap music as a continuation of this fight—the latest [sound]clash, hip-hop artists as rebels without a pause—while still acknowledging the collateral damage it might cause.

Rap music has become one of the spaces where black vernacular speech is used in a manner that invites dominant mainstream culture to listen—to hear—and, to some extent, be transformed. However, one of the risks of this attempt at cultural translation is that it will trivialize black vernacular speech. When young white kids imitate this speech in ways that suggest it is the speech of those who are stupid or who are only interested in entertaining or being funny, then the subversive power of this speech is undermined.

Or, as Earl once said on “Chum,” “Too Black for the white kids and too white for the Blacks,” an axiom he’s come to loathe. Perhaps Fanon had the better bar on this subject: “The white man had the anguished feeling that I was escaping from him and that I was taking something with me. He went through my pockets. He thrust probes into the least circumvolution of my brain. Everywhere he found only the obvious. So it was obvious that I had a secret.”

Despite the pitfalls (and, yeah, the pit is bottomless), Earl’s words play [wordplay] a part in retraining minds, all while exorcizing his own demons through a steady diet of ashes and fractures. hooks promises us that “in the patient act of listening to another tongue we may subvert that culture of capitalist frenzy and consumption that demands all desire must be satisfied immediately.” Through his embrace of a language that indulges in passion and cerebral coding, Earl “heal[s] the splitting of mind and body” so common within Western metaphysical thought. Earl Sweatshirt speaks “words that do more than simply mirror or address the dominant reality”; he builds blips into a reality that is worth the rewind.

Images: Dead Man, dir. Jim Jarmusch, 1995 (screenshot) | Teen at 1990s computer photograph, Unknown (c. 1996) | James Joyce, Age 2, Unknown | ELUCID, Osage album cover (2016), photo by Michael Mally, Philadelphia Inquirer | The Boxer at Rest, bronze statue, Palazzo Massimo alle Terme, Rome, Italy (330-50 BC) | Alphonse Legros, The Pit and the Pendulum, second Plate (1861) | High Plains Drifter, dir. Clint Eastwood, 1973 (screenshot) | Subroc on an Apple IIc, Unknown (c. 1987) | Earl Sweatshirt, “Grief” music video, 2015 (screenshot) | Arthur Rackham, The Water of Life, Grimms Fairy Tales (1916) | Dead Man, dir. Jim Jarmusch, 1995 (screenshot)

#earl sweatshirt #underground hip hop #rap #backwoodz studioz #elucid #billy woods #moor mother

[joelswritingmistress]

You Scare Me, Professor: Chapter 2

Summary: The reader is taking graduate classes at a local university in the wooded upstate New York. She is drawn to her professor, Dr. Joel Miller, though she is also inherently aware that he has something dark about him that she can't quite put her finger on. As the reader's attraction grows deeper, she has to decide whether to endure the danger or run away as fast as possible.

Eventually Pairing: Professor Joel Miller x f!reader

In jest, I quietly blamed Dr. Miller for wanting to fall asleep in the second class I was taking at the University the following evening. Dr. Stevenson did not have the immediate, gripping hold on me the way Dr. Miller did. Not only was I exhausted by the time the five o'clock class rolled around, but I was constantly comparing this stodgy, mundane individual to all of the lively traits his coworker possessed. It was unfair really.

I had made it, however. I managed to get through to seven o'clock without rudely letting my head fall flat on the desk in the stuffy, thermogenic confinement in the University's basement.

“Get me out of here,” I whispered to myself as I crossed into the hallway. My eyes sought out the stairwell at the far end of the corridor, though when the elevator doors swung open as I passed by, I couldn't resist the free ride.

A small group of students piled out, each on their own individual device and not seeming to care if they were in each other’s company or not. I felt for my own phone in my jacket as I entered and turned to hit the “1” button that glowed a pale yellow.

“Hold on..” A hand snuck its way in through the large, steel doors that threatened to close, and I stepped farther to the side to allow the stranger to enter. Only it wasn't a stranger - not really.

“Oh..” The one syllable left my mouth when I recognized it was Dr. Miller who was now standing beside me as the doors closed. The word was entirely misplaced and I knew I wouldn't have said that if any other human being had accompanied me on the elevator right then. Except maybe John Stamos.

“(Y/N), right?” His voice was made for phone sex.

The fact that I had that thought even remotely in the most hidden depths of my brain made me blush. I even contemplated what was wrong with me.

“Right.” I gave a small, closed-mouth smile and attempted to mind my own business.

“Who's class did you just come from?”

“Umm..” I drew a blank. His presence, and my instant attraction to him, took me completely off-guard. “Uhhh..” When my eyes lifted to hit his, I could tell there was amusement that lingered behind the surface. “Dr. Stevenson.”

“Mmm..” It was an obvious mutter of disapproval, though he didn't dare elaborate as he subtly rolled his eyes along with the brief, fleeting response.

“My thoughts exactly.” I gave a laugh and looked up at him again, shoving my hands into the pockets of my black, L.L. Bean winter coat. I hoped by agreeing to his subtle denunciation I didn't come across as the prissy, know-it-all type that undermined authority figures.

When the little bell chimed, indicating we had reached the first level, I wanted to make some excuse to stay there. There was nothing logical. Once the doors opened I would have to get out. Still, I wanted so badly to carry on a conversation with Dr. Miller. At the same time there wasn't one worthwhile conversation starter I could think of.

I opened my mouth to speak again but then quickly went with the generic, “I'll see you tomorrow in class.”

Dr. Miller gave a nod and I crept out of the elevator with a deliberate reluctance that I couldn't prevent. A look over my shoulder showed the elevator doors closing again and Dr. Miller’s figure was slowly stripped from my view like an actor on a stage at the final curtain.

I could breathe again. For a second. It suddenly dawned on me that I had never revealed to him my name.

(Y/N), right? I relived the simple, half-a-second question he had asked over and over again in my mind until it transformed from a quintessential expression to a resounding shout.

He has a class list, I reminded myself. With at least forty-something students, I added.

There was no way he could have known who I was without a little investigation. The thought flattered me. Surely, others might've been a bit uneasy over the revelation but not me. Not right then.

There was an unwilling pull at the corner of my mouth that I tried to fight off, though soon a wider grin made home on my face. I still stood there staring at the elevator for a moment and realized the down arrow was glowing.

Down. I stood there for a moment. Dr. Archibald had gone back down where he had just come from. Had he simply taken the elevator ride to…

I couldn't even finish the thought with any sort of realistic element to it.

Cocky, aren't we? I knew there wasn't a chance he had taken the elevator up one level and back down simply because I was on it. He most likely forgot something and went back down.

Big metal butterflies had suddenly made home in my stomach. I was so modest that I yielded any possibility that this could be true. Through my own eyes I was so incredibly customary that someone couldn't possibly want to go out their way to find out more about me.

I wouldn't mind him stalking me. The fact that this was my first naturally-occurring thought had to say something. The palpitations knocked at my chest cavity again and I swallowed hard as the down arrow suddenly stopped glowing.

Of course this was the thing, in all of my exhausted glory, that kept me awake again that night.

CLICK HERE FOR THE NEXT CHAPTER

@untamedheart81 @grogusmum @amyispxnk

#pedro pascal #joel miller #joel miller fanfiction #joel miller x y/n #joel miller x you #joel miller x f!reader #joel miller x reader #pedro pascal x y/n #pedro pascal x you #joel miller x oc #joel miller gif #joel miller x female oc #joel miller x female reader #joel miller x f!oc #joel miller the last of us #pedro pascal x ofc #pedro pascal x oc #pedro pascal x f!reader #Pedro #pedro pascal characters #pedro pascal x female reader #pedro pascal x reader #pedro pascal gif

[alienvspredator-art]

REQUEST: Predator smut

Ralatioship: Male reader/ Wolf predator.

Warning: SMUT/NSWF. Minors don’t interact!!

Title: Can we have a smut fic of Wolf with a male!reader who likes a lot to tease by messing with his hair and it backfires always?

You smiled as you remembered how it all started, you never imagined that he would reciprocate your feelings, he was an elite Yautja, someone who seemed unattainable.

And you got along well, well, your relationship included a lot of pranks, you two had fun together in a love-hate situation, he made fun of how small you were and you told him that he wasn't as good a hunter as he seemed.

But oh God... how much you wanted him, all that hatred you pretended to have for him disappeared when you focused on his body, his chiseled abdomen and his strong arms, as time went by the jokes diminished, suddenly you acted nervously in front of him. You started to avoid his gaze and blushed when he was around.

You fell in love.

When you finally took courage and confessed your feelings to him, he just watched you, he didn't say anything and left you standing there. Thank goodness you didn't make a public statement, you were already embarrassed enough by the 'rejection'.

You didn't want to see him anymore or show your face, you wanted the earth to swallow you.

But to your surprise, Wolf looked for you at your house later and he talked to you more calmly, he explained to you that he was just joking and that he was also attracted to you, you almost hit him. Again he had gotten his way.

Now they had been together for some time, but nothing had happened, he spent his time busy hunting for him or training the Young Blood and you spent your time on other missions. When he finally returned to the house, you approached him with your hands on your waist.

“And good? Do you think we can finally be alone? “ you asked.

“I think so,” he said.

“I think so…” you repeated, you frowned and approached him, you raised your head so you could look him in the eyes, he was much taller than you. “Damn, I wish you could stay today, but I guess you have another mission, right? That's why you're so thoughtful.”

He nodded, you already assumed it, you knew him well.

“You know that I’m from the elite and that I don't have that much free time” he explained.

“And if... just for today, you stay with me.” Your cheeks burned.

He scoffed “you can't live without me.”

You stretched out your hand and reached for one of the tendrils that swung over his shoulders, the reaction was immediate, he took your wrist.

You knew that those dreadlocks were sensitive, they were an erogenous part of his body and he always pushed you roughly when you tried to touch him, as if he wanted to avoid something.

But you wished he wouldn't avoid anything.

Aware of what your decision could mean, you reached out with your other hand and lightly tugged on a pair of tendrils. He let out a soft grunt and his breathing became irregular. You continued running your hand over his face, over his jaws. He let go of your other hand.

You ran down his abdomen, his skin was so different from yours, so exotic and hot; Then you returned to his head where you deliberately pulled on his dreadlocks, causing him to let out a quite audible moan, it was a kind of low growl that caused your legs to tremble.

You removed your hands and raised an eyebrow:

“And good? I think you can't live without me either.” You said, so sure of yourself.

He growled, but he didn't seem angry, he just pushed you into the dining room, you were left with your abdomen against the wood and your feet dangling over the edge. He raised his hands up your thighs, he could already feel his hard member beginning to stand up, there were so many nights in which he dreamed of you, it was easy to get excited.

“Do you want to play dirty?” his voice sounded different, thicker, hotter, you made an effort to get up and he imprisoned your hands in yours, bringing his body closer to your back.

You couldn't take it anymore. Your body asked for him.

And Wolf wanted you too but he was worried... you were smaller, he didn't want to hurt you and he wasn't really sure if this was what you wanted. He just needed to hear no and he would leave you alone.

“It's okay” you whispered, your own member began to throb, you just wanted him to make you his and that's it. Here and now, in the kitchen, the place didn't matter to you! You only cared about being with him.

Those brief words ignited his body, you unbuttoned your pants and let them fall down your legs, he put a finger towards your hole and a moan escaped your lips when he introduced a little bit inside you, he repeated the action several times, preparing you, to It was like a wonderful torture and moans escaped your lips, you couldn't control yourself.

Wolf caressed you without haste, enjoying your body and moments later he unbuckled his belt and his loincloth fell to the floor, his member was free, he felt relieved to get rid of the pressure, you turned your head a little and he dresses; It was thick, big and ridged, much better than you had imagined and it had some lubricant on the tip.

You clenched your fists, angry at not finding anything you could hold on to on the smooth table, right after you felt the strong grip of his hands on your hips, distracting you from your search.

It was your last chance to refuse, but there was nothing else you wanted more than to be with him, you relaxed your body.

He began to enter you, his hands left your hips and placed themselves on the table.

“Shit!” He exclaimed, he was about to collapse on your back, you were so tight and he couldn't stop a growl from leaving his lips.

“F-fuck!”You said, the immense stretch caused you a wave of pleasure and pain, you once thought about not being able to bear the entire length of him, but now you couldn't think clearly.

He gave you a few moments to breathe, you adjusted your own angle on the table and then he started fucking you.

You could feel him so deep inside you, all those strange textures of his own skin, all his movements, he went in and out, maintaining a slow and long rhythm, the pain slowly faded away, you were adjusting to his girth and you wanted to. further.

“C-come on, I like this, don't stop!” You have never felt more complete, ever.

Wolf increased the speed of his thrusts, making you delirious and scream, he growled, above you, he spoke in his own language, as if he had forgotten all the English you had taught him.

You were so close...

And then you clenched your fists so hard, you felt your own release and he was still pushing into you, dragging you to a second orgasm, your inner walls squeezing his member tightly, he wasn't going to last any longer.

With a deafening roar he came inside you, spilling his seed until he filled you completely, you felt all that heat embrace inside you, flooding you, the liquid ran down your legs and Wolf was still ejaculating.

“F-fuck…” You whispered, he pulled away from you.

“I think I've won this fight” Wolf said, you rolled your eyes, you were about to complain when he pushed you away from the table and brought you closer to his chest, you were both sweaty, you were still agitated but he just held you against his body, you knew that this was his own way of showing you his affection, yautja weren't usually loving, but here Wolf was, hugging your body, because you were the most precious thing to him.

You smiled, “I love you,” you said, you weren’t sure you could stay standing, you were exhausted, but luckily, he was by your side.

#request #predator x you #predator x reader #predator x human #wolf predator #wolf predator x reader #yautja fluff #yautja x you #yautja x human #yautja #yautja x male reader #requests

[oddberryshortcake]

Twst analysis & theory- General Lilia and the Seeker of Cradles

In chapter 7 part 3, MC dreams about when Maleficent’s goons tell her that they can’t find Aurora, they also dream about Aurora being told she’s a princess by the three good fairies, but the most important connection I’ve made is what General Lilia Vanrouge and the other dark fae soldiers were doing in the woods during Lilia’s dream. 

I think the dream is of a memory of when Lilia first found baby Silver, or rather, searched for. 

Maleficent’s goons (two of whom Lilia is based on design-wise and also is emulated on his helmet) are tasked with finding baby Aurora so Maleficent can make sure her curse comes to fruition. 

It’s very obvious now that Silver is twisted from Aurora. We know he was “found” abandoned in the woods, that he was found with a beautiful ring in the shape of Aurora’s crown, and has been associated with Aurora’s aesthetic and woodland friends since the beginning of the game. 

He’s most likely a lost prince, either deliberately left for his safety or because something awful has already happened to his parents.

The fae and humans of Briar Valley do not get along. It’s understandable that there are tensions between the two, and there’s a history of conflict. 

It’s possible Malleus’s grandmother knew Silver was a human prince and, whether in war or an act of revenge, wanted Silver killed or cursed and sent soldiers and the Nightmare General Vanrouge to go find him. 

There’s a chance Lilia could hate humans during the time that the dream takes place, or he could be saying such to save face around the other guards/to please Maleficia. 

Either way, Lilia’s newest title names him the “Seeker of Cradles,” and I believe he and the other guards are doing just that. (X)

That brings me more towards theorizing and taking elements from Sleeping Beauty and connecting it to the unfolding plot. 

Lilia is out here on a search to find and possibly harm Silver…But obviously he doesn’t do that. 

He has a change of heart, or maybe he had always planned on saving Silver from harm’s way. 

He raises Silver alone in a cottage located in the middle of nowhere. Silver grows up isolated, only ever interacting with Sebek and Malleus. He recently confirms in his Broomquet vignette that he literally has no idea what goes on in the city of his own country because he’s always lived deep in the woods…Just like Aurora. (X) (notice Aurora overlooking the castle town, the same view Silver describes from his home)

Lilia seems to purposefully keep Silver in one place, with the exception of bringing him to NRC (something I’m sure he or Malleus had to arrange.) Lilia wanted Silver to enjoy Halloween as humans do, but instead of letting him interact with other humans, he trick or treated alone with Lilia, walking around their cottage. 

This is similar to how Aurora grew up isolated and alone in her own cottage with the three good fairies. They also discouraged her from interacting with other people and just like Silver, she relied on animals to be her companion. 

Lilia himself has greatly changed his appearance, from his hairstyle, hair color, and also his voice. He claims that he’s leaving the Valley to go into retirement and to avoid orders from Maleficia; we know his magic is draining- but how much of that could’ve been attributed to protecting Silver?

The good fairies made themselves humans in order to best protect Aurora, could that Lilia’s goal as well?

Silver is already theorized to be cursed, so how much of Lilia’s magic went to keeping that curse at bay? 

How much of Lilia’s magic went to keeping Silver safe? Keeping him away from the prying eyes of fae who hate humans? Who wants this innocent little prince dead?

How much of Lilia’s magic went into changing his appearance? To make a distinct difference between the general and loyal servant of the Draconia family and a loving fae father to a human child. 

I could be super wrong about all of this, but when I see the similarities, I can’t help but just think further and try to discover all the secrets. 

Genuinely hoping that I’m right about Lilia’s dream being about finding Silver. I hope we get to see Lilia become a father, and I hope Lilia has been doing everything he can to protect Silver and not because he wants to do something nefarious with him. As if he hasn’t and isn’t going to suffer enough. 

tldr- Lilia is searching for Silver under Maleficia’s orders, likely to harm him, but gets a change of heart and raises Silver in secrecy to protect him in his dream.

#twst #Twisted Wonderland #twst silver #Lilia Vanrouge #Twst theory #I feel like this one could be real I feel it in my soul #hopefully I'm not super off base

[creapysummer]

my time in the dead poets society fandom just came rushing back to me at alarming speeds when i read the line "i went to the woods because i wanted to live deliberately" in english class

#yeah now i have to go home and rewatch dps #dead poets society #dps #dead poets #anderperry #dead poets society fandom

[rrcenic]

“i went into the woods because i wanted to live deliberately” i lie, going into the woods because i dropped my credit card at some point last week and the woods are the only place i haven’t checked yet

#nics stuff #dps #dead poets society

[unclewaynemunson]

Clarkson ft. the mortifying ordeal of being known

'Where have you been, man?!'

Eddie more or less shouts the words at him as soon as Wayne pushes down the door handle, before he can even set foot in the trailer.

'Went on a hike,' he answers, shutting the door behind him and tugging off his boots.

'I was worried about you!'

Eddie is standing in the middle of the living room. This new version of him still manages to break Wayne's heart almost daily. His nephew's face is tense with concern and the line between his brows is so deep Wayne could see it from miles away. Wayne wonders if he'll ever be as carefree as before spring break again. It pains him, that thought.

'Left you a note,' Wayne says. This new version of Eddie somehow created a new version of Wayne, as well. A version who leaves notes on the kitchen table to tell Eddie where he's going at all times. A version who knows how to reapply bandages. A softer version of himself. It's not all bad, he supposes.

'Yeah, but it didn't say when you left and how long you'd be gone for. For all I knew you could've been –' He suddenly cuts himself off, not finishing that thought out loud. He doesn't have to, though; Wayne can easily fill in the blanks. In a way, it reminds him of how Eddie was when he only just arrived in Forest Hills, although he knows that the reasons for Eddie's fretting are different now than back then. He trusts Wayne, now. He knows that his uncle would never deliberately disappear to abandon Eddie.

'Sit down, boy, lemme make you some coffee,' Wayne says, stumbling into the kitchen and picking out two mugs from the collection on the wall.

Eddie flops down on the couch – Wayne wishes he'd be more careful with his still-healing body but he bites back the comment. Eddie's not a kid anymore, and he knows that saying something about it will probably only make things worse, with how pigheaded that boy is.

'Just – write down when you think you'll be back, next time,' says Eddie. It sounds bossy, almost commanding, but Wayne knows better than to make a remark about that.

'No need to worry alright,' he says instead. 'Scott was with me.'

Eddie's expression changes so fast that Wayne has to bite back a smile: the frown between his brows disappears and that beaming bright grin that Wayne loves so much appears out of nowhere.

'Scott was with you, huh?'

Wayne sighs. 'How often do I have to say it ain't like that?'

'C'mon now, your big fat crush is written all over your face,' says Eddie with a slightly malicious sparkle in his eyes as he points towards Wayne. 'And I know he's into you too, have you seen the way that man looks at you?'

Wayne huffs, averts his gaze to the coffee container in his hands.

'How many dates have you been on by now?'

'They ain't dates,' Wayne says immediately.

'Oh, right. Because you go hiking in the woods with all your friends, and you always dress up in your nicest flannels for all your friend-dinners, and you go bowling with your buddies from the plant all the time...' The sarcasm in Eddie's voice is laid on so thick that Wayne feels like he has to roll his eyes into another dimension to match that, but he doesn't have anything to say.

Eddie is right, after all: it does feel like they're going on dates. But they're not. He has to remind himself of that every time they're doing something together. He can't get ahead of himself. He doesn't know if it feels that way for Scott, too. Even though Scott told him all about how he broke up with his girlfriend last year because he “never felt what he was supposed to be feeling.” Even though Scott always smiled that particularly soft smile whenever he and Wayne met up. Even though he had caught Scott staring at Wayne's hands multiple times. Even though they had been walking shoulder-to-shoulder for hours through the woods today, sharing silences and observations and a thermos filled with hot tea that Scott had brought.

'Wayne! Hey, Wayne!'

He had been staring at the coffee pot slowly being filled, but gets brusquely snapped out of his thoughts by Eddie, who is suddenly standing right in front of him and snapping his fingers in his face. He looks pale again – paler than usual – and there's this truly terrified look in his wide eyes. The new version of Eddie.

'Sorry, boy,' Wayne says. 'Just lost in thought.'

Eddie heaves out a breath.

'Don't do that, man. I thought...' He swallows, blinks rapidly three times in a row.

'Hey, I'm right here, Ed. Right here,' Wayne says in a soft voice.

He pats his nephew's shoulder, not nearly as brusquely as he used to do when Eddie's body was still whole and untainted by wounds and scars. The new version of Wayne, who has a gentle touch – or tries to, at least. His hands aren't really made for gentle touches, but he has to adapt himself to the new version of Eddie, even if it feels clumsy when he does it.

Eddie plasters a smile back on his face, but it's his new smile, the one that's just a tiny bit off-center and looks like bright paint on the walls of a ruin; a poor attempt to cover up something broken beyond repair.

'So did you kiss him already?' Eddie asks, suddenly snapping out of it and cheekily switching back to the conversation Wayne was trying so hard to avoid, that malicious sparkle back in his eyes.

'Course not,' Wayne scoffs. 'I don't even know if he's...' Typical, how neither of them can finish the thoughts that scare them out loud, not even when it's just the two of them.

'Oh, he definitely is, old man,' says Eddie, the teasing tone fully back in his voice now.

The coffee machine has finally gone silent; Wayne pours their coffee into two mugs, adds some sugar and milk in one of them, and hands that one to Eddie before he heads over to his armchair while Eddie settles down on the couch again.

'You can't know that,' Wayne retorts weakly.

'Isn't it about time to find out, then?' asks Eddie, jabbing at Wayne's leg with his foot.

Wayne swats that annoying limb away as he mulls over Eddie's question. He has been wanting – no, longing – to find out for weeks now, maybe even months. But he wouldn't know how. The truth is such a delicate thing, in this case. And delicate isn't his area. Hell, none of this is his area; he hasn't done anything to do with feelings ever in his life. He doesn't have a clue how to do this; the only thing he knows is how to avoid getting hurt.

Instead of saying that, he shrugs his shoulders, which is enough for Eddie to convey all of that without any words.

'Well, you could mention I'm gay,' says Eddie. 'See how he reacts to that.'

'I'm not gonna do that, Ed,' Wayne replies immediately.

'Why not? I wouldn't mind.'

'I'm not gonna use you as – as bait.'

'As bait?!' Eddie repeats, high-pitched, finally completely back to being the old version of Eddie. The dramatic one that has Wayne rolling his eyes and stifling smiles.

'Jesus, what do you think an angel like Scott Clarke's gonna do? Come over here and punch me? Defile my good name?' Eddie laughs, short and sharp.

But Wayne feels his own jaw clench the way it always does when Eddie refuses to see things from another perspective.

'You just don't know that,' he simply says.

'He's your friend!'

'You can never know who to trust.' He wishes he could be naive and trustful like Eddie, that he could simply ignore that the world around him has punched him down one too many times to believe true happiness will ever be on the table for him again. But he's nothing like Eddie. Sometimes he wonders how they're even family at all. He's too old, has been broken too many times, to ever put his heart and his trust on the line again. Even though a certain tall man in a sweater vest is making that increasingly difficult with each passing day.

🌟

'You know why Eddie moved in with me?' Wayne asks.

The two of them are sat on the couch in Scott's living room. Scott remembers that story clear as day: it was the night he came to the trailer to be a shoulder for Wayne to cry on when the man was losing his mind with worry for his missing nephew. The first night they really talked to each other, had a conversation beyond grocery store small-talk. He can still hear Wayne say it: how Eddie's father failed to beat the boy's softness out of him. Softness. He knew – no, he couldn't know – he suspected what that was code for. But even if that was the case, loving your nephew unconditionally was something else entirely than being okay with... This. Scott. Scott and the feelings for Wayne that had been eating him alive for weeks now.

'His dad thought he was a queer,' Wayne continues, filling the silence that Scott let stretch out because his own thoughts were overwhelming him too much to answer Wayne's question.

Scott looks up from his own hands, into Wayne's eyes. Those piercing blue eyes, always vigilant, never missing a single detail, framed with soft lines and creases in his sun-kissed skin.

'Was he right?' Scott dares to ask, trying his very best to sound neutral, like his heart isn't attempting to jump right out of his throat.

Wayne takes his time to reply, weighing his words like he always does, careful not to say too much or too little or the wrong thing.

'Does it matter?' is his reply, eventually.

No denial. Scott likes to think he knows Wayne well enough by now to deduce what that means.

'What matters is if he's safe with you,' he manages to say over the loud beating of his own heart, still dancing around it like they've been doing for months now.

Wayne keeps holding his gaze. 'He's safe with me.'

And there's a whole ocean of things unsaid hiding behind that one simple sentence.

'Good,' Scott breathes out.

It feels like they're playing a dangerous game of Jenga together: one wrong word and this whole tower they've built will collapse and leave them with nothing but debris.

'Eddie and me... We're alike.'

Wayne's words keep floating in the air between them, fragile like the soap bubbles his middle schoolers like to blow when they're playing in the schoolyard. One sudden move, one clap, and they'll disappear into thin air.

Scott's first instinct is to play dumb; to protect himself and joke about how Eddie and Wayne seem nothing alike at all. But he bites the words back. Wayne's words are close enough to a confession. He knows that neither of them will say the words out loud, that it's too scary, the implications too big, the dangers still too real... But he doesn't have to stop himself from assuming anymore. He knows. Finally.

He starts reaching for Wayne's knee, clad in that stiff faded denim. But he stops himself immediately after he's barely even lifted his hand. Even though all the signs are there, he still can't completely trust his gut. His fears are still nestled too deeply. There's still that little voice in his head, warning him that if he has this wrong, he could lose everything. His job, his friends, the respect of his peers – the man he loves.

So he doesn't reach out. He stares at his own hands again, as he finally says, 'Me, too.'

He feels a hand land on his shoulder, an arm curved around his back. It turns out Wayne is much, much braver than he is.

Wayne doesn't say anything – of course he doesn't, if anyone knows how to appreciate the importance of a meaningful silence, it's Wayne Munson. They just sit there, the sides of their bodies just barely touching, Wayne's warm hand on Scott's shoulder, both sharing the same air. It feels different than any touch he's ever shared with a woman. It feels right in a way that he has never felt before.

After a while, Scott lets his head fall sideways, until the sides of their foreheads are touching, gently resting against each other. He can feel Wayne's fingers twitch on his shoulder when that happens, and he smells the heavy cigarettes that Wayne always smokes, almost entirely taking over the scent of something grassy that reminds Scott of the hikes they have gone on together, of the sun shining through the trees and Wayne's big hands digging in the earth to uncover yet another leaf or insect.

Scott thinks he could stay like this forever, frozen in time, with Wayne's touch burning in his shoulder. He finally stretches out his hand – this time not to let it land on Wayne's knee, but to grab Wayne's hand. Skin against skin. Rough, calloused fingers against his own soft palm. A landscape of veins and superficial scratches. He knows that Wayne must be feeling how the touch makes him shiver, with how close they're sitting together.

They keep holding each other, breathing in the ever-expanding silence. Two men who were born wrong and needed some fifty years to rewrite that narrative, to turn it around and get it into their heads that maybe it wasn't about them being born wrong, but rather about the world being a cruel place that would try and beat the softness out of men until they'd find themselves a place where they could be safe.

Scott is the first one to break the silence. He lifts his head so he can look Wayne in his eyes.

'So, the next time we see each other... Should we call it a date?'

Wayne has his very own way of smiling. It barely looks like a smile, so it took Scott a while until he figured that out. But it happens now: there's a sparkle in his eyes and his mouth kind of tries to hide behind his beard. He doesn't say anything, still clinging to their silence, but he squeezes Scott's hand before he lets go of it to raise his own hand and rest his fingertips against Scott's cheek, coming ever closer towards him.

His beard is prickly against Scott's skin, but his lips are so much softer than Scott would've expected; moving gently, almost as if they're asking Scott a question: Is this okay?

And oh boy, it is so much more than okay.

#sorry this became so much longer than i planned it to be #clarkson my beloved #wayne munson #scott clarke #eddie munson #stranger things #fruity ficlet

[kastlequill]

knock, knock

pairing: miguel o'hara x f!reader word count: 1.4k summary: when an unstoppable force meets a movable object tags: whumptober, first meetings, bank robbery, rescue, hurt/comfort, fluff if you squint, civilian!reader, miguel is a dork, no y/n warnings: none ao3: read here

Work was awful; always was, always would be. But today differed in its awfulness.

Usually, work sucked because of power-tripping bosses, incompetent coworkers, and asshole customers. As a banker, you had grown accustomed to dealing with not-so-nice folks who were eager to withdraw funds or deposit a fat check. Today, however, went to shit for an entirely new set of reasons.

A blaster dug deeper into the small of your back. “Do you know where the vault is or not, lady?”

Robbing a bank. How original.

“Yes, I—” God, what could you even say? It wasn’t as if the nutjob would see reason. “I have the code. If you ease up a bit on the gun, I can open it for you. No one has to get hurt here.”

The few silent moments of deliberation filled you with unease. There was no telling how triggerhappy this guy was, nor how impulsive.

“Don’t even think about playing any games. I’ll vaporize you faster than you can scream for help,” he snarled directly into your ear, the fabric of his ski mask brushing against skin. The press of the blaster disappeared, and you exhaled in relief. “Lead the way.”

And so you did.

You were in no position to play hero, not when he could pull the trigger in a split second, and certainly not when your pay was barely above the minimum wage. Dying for a job that didn’t even care to provide you with a livable salary would fucking suck.

Luckily, you wouldn’t have to.

As you started to direct the intruder to the back of the building, adrenaline mounting and mind racing, a blur of red and blue suddenly cut across the room. With its speed came a gust of wind that ruffled your hair and drew your full attention toward the flurry of motion. At the center of the chaos stood a man who you’d only ever seen on the news, whether as a still photo printed in the papers or as a shaky video on TV filmed by some random passerby.

Spider-Man. Easily beating the absolute shit out of the guy who had threatened you mere moments ago.

While they were both distracted, you tiptoed back to the front counter, crawled into the space between your chair and the desk setup, then pushed the emergency button that dispatched law enforcement. But you knew help wouldn’t arrive for at least another fifteen minutes.

The joys of living in Nueva York.

From where you hid, it was possible to glean a fragmented view of the fight, criminal versus vigilante. The latter threw the former around as if he were merely a ragdoll, and the sheer ease with which the hero did so reminded you of a cat pawing at a helpless mouse, wanting to have a little fun before the ultimate kill. They exchanged words as well as punches, but your hearing didn’t extend so far as to hear the specifics of their no doubt hostile, undiplomatic conversation.

Commotion raged on; pained groans accompanied by the subsequent splintering wood as the robber’s body crashed into another desk, followed by resonant thuds as unnaturally-powerful fists rained down on him. Spider-Man held little back and had no qualms delivering a violent retribution.

Not that you had any, either.

Finally, after what seemed to be an endless brawl—if such a one-sided beating could even qualify as a brawl—there was silence at last. Complete and utter silence. No heavy breathing from exertion, no agonized howls, no groveling for mercy.

Just quiet. The type of quiet that settled over a desolate city post-natural disaster, that permeated the air in a bloodied warzone post-surrender.

Until a throat cleared from somewhere above. “You in there?”

When you glanced up, the face that greeted you wasn’t by definition a face, but rather a mask. Red lines framed where eyes laid hidden, and the expression into which the markings configured told of slight concern. The outline of his hulking figure was illuminated by the flickering of a broken light, occasionally revealing to you a skeletonized spider emblem on his torso.

You found yourself wanting to absorb every little detail, every pattern and design, because you didn’t think it statistically probable that you would see him again. If the universe was feeling benevolent, then these kinds of events would happen only once in a lifetime. Prior to today, you’d not had the pleasure of crossing paths with Death, nor had you the good fortune of being in the vicinity of one of the most wanted men in the city.

A great deal had changed since this morning, however. And, to be quite frank, you were ready for the world to return to normal, eager for tomorrow to begin and end without misery or mayhem—

His knuckles rapped the counter overhead. “Knock, knock.”

What the hell. Was this guy for real? He didn’t give you the impression of being the funny type, but neither did he seem the kind of guy to participate in idle chatter.

“Who’s there?” you replied, curious yet cautious.

“A little old lady.”

“A little old lady who?”

“Bank telling and yodeling? Talk about being talented,” he remarked with a low whistle of admiration.

At the cheesy punchline, you crawled out from your hiding spot, stood, and stretched a bit to assuage the ache that had settled in your muscles as a result of crouching for too long. You dusted off your knees once much of the tension had dissipated then fixed him with an unwavering stare, raising an unimpressed brow.

“I’ve got one more for you.” Spider-Man put his hands on his waist and lifted his chin. While true that his features were obscured, you’d bet his eyes had become narrowed and intent, determined to evoke your laughter. “Knock, knock.”

Fine, I’ll bite. “Who’s there?”

“Police.”

“Police who?”

“Police hurry up, I need to take my lunch break.”

Lunch break.

You hadn’t had the chance to go on yours, too preoccupied trying to survive being held at gunpoint. Mortifyingly, this realization caused a salty wet trail to travel the length of your cheek, then another, and then a choked sob bubbled forth against your will.

The hero cursed something you couldn’t quite catch under his breath and sheepishly rubbed a hand down his masked face. Clearly, comforting crying civilians didn’t come naturally to him the way combat did. Although, in his defense, few had the energy to navigate a hysterical woman’s emotions after just starting (and finishing) a fight.

“I didn’t mean. . . The jokes are stupid, I know—”

“—no, it’s not that.” You waved off the unwarranted apology and attempted to put a lid on the accumulated stress that had decided to manifest in the form of frustrated tears. “I just realized I didn’t even get to eat lunch, is all. I always clock out at 12:30, but that asshole threw everything off with his shitty robbery attempt, so now it’s 1:07, and we’re only allowed thirty minutes, and I still haven’t had any food today besides a soggy bagel this morning, and I’m so fucking tired, and he pulled a blaster on me—”

The rant quickly devolved into hurried gasps for air, your chest heaving, your lungs not fully functional. How embarrassing to be rendered to a state of hyperventilation, especially since an infamous vigilante was around to witness your crumbling composure.

“Deep breaths,” Spider-Man murmured, pulling you by the shoulders toward him, your nose connecting with his sternum. To you, such was an act of humanity free from ulterior motives; this hug was the simple conclusion to everything that had transpired. A solace. “That’s it, just breathe when I breathe.”

Easier said than done, but you could appreciate the sentiment all the same. Some minutes later, your lungs had begun to expand and contract at a regulated pace, heeding his own rhythm.

“You’re okay. You’re safe.”

Safe. Was it safety, then, that caused this warm fuzziness to bloom in your chest?

You couldn’t recall when you’d last felt this comforted by another’s presence, when you’d last been this at peace in a world overrun with strife and conflict. There was no telling how long you stayed wrapped up in his steady embrace, your respirations synced. The very passage of time seemed to halt, the two of you frozen in this singular moment.

Only when the wailing of sirens began to draw nearer did he remove himself from you and vacate the premises, swinging from one building to the next, further and further away.

Only when he left your line of sight did you finally shut your eyes, preparing yourself to be questioned by the approaching news anchors and police officers.

fin.

#miguel o’hara x reader #miguel o’hara #spiderman x reader #spiderman #across the spiderverse #spiderman 2099 #marvel #whumptober #my fic #fic: knock knock

[sunsetling-12]

I WATCHED THE BALAD OF SONGBIRDS AND SNAKES AND I HAVE THINGS TO SAY

i loved the adaptation btw, of course its the hunger games franchise that we're talking about here

anyway, spoilers ahead

we dont see him making the infamous cabbage soup, but we do see the snows apartment falling apart

tigris is still everything to me, they pulled her lines straight from the books — unfortunately we don't see much of her, but hunter schafer slayed every time she was on screen

i was very confused abou the plinth prize being a thing since the beggining, but i think it made sense... idk a lot happened in the movie after coryo rescued sejanus from the arena so i dont know if they had the time

i was also very confused that the thing about the academy students mentoring the tributes was unknown until that moment in the movie, again, i think they did this to expose the most things at once

lucy gray singing after her reaping was everything to me

oh, and the snake on mayfair's back too, very girlboss of her

the scene in the zoo, when he's parading her around is a copy of the book, i liked it very much

unfortunately coryo and lucy gray barely interacted, not like they did in the book, but the scenes they had before she went into the arena were very good

i though they were going to skip arachne's death, but they didn't — they skipped her funeral, though, but thats fine

they did the scene with clemensia and the snakes but she dissappeared right after, we never got to see her skin changing to scales which i think was a miss

the explosion didn't kill as many of the mentors as it did in the book, not that they showed anyway, the only name mentioned was felix ravinstill

i loved that we got to see more of the arena than in the books

the scene where coryo rescues sejanus is the exact same and i wasn't expecting less

lucy gray doesnt kill wovey :D

she does kill dill D:

i kind of hate the fact that coryo gave her the compact with the poison inside already, it just... idk it didnt had the same impact

i missed that they cut lucky interviewing the mentors as their tributes got killed, i would've liked to se lysistrata talking about jessup and humanizing him for the capitol

the snakes scene is awesome, a lot more people die in this — including reaper, which i think was a better ending for him than the one he got in the book, he embraced his death and it was quite beautiful

lucy gray singing to the snakes was AMAZING, everything that i ever wanted

i kinda loved how coryo gave the handkerchief with her scent to the snakes, it was a very deliberate choice and not like the book that he "did without thinking straight"

viola davis as dr. gaul was PERFECT, everytime she stole everyone's moment, she's just as unhinged as she is in the book, we dont see as much, but its implied

i wished they showed her expetiments with the avoxes to get the point across on how she is, but thats fine

casca highbottom was also a little shit, love it

coryo and sejanus meeting on the train to go to twelve caught me off guard, but i like it

rachel sang a lot in the movie and i was there for it, it was perfect everytime

their reunion was sweet, i'll admit it

i wished they've show it where the covey lived in the seam, but we cut straight to where he meets her in the meadow

i loved their scene in the lake and lucy gray singing "lucy gray" (lol) but i wished she'd sing the valley song to maude ivory instead

i also loved that they made movie coryo be the only one — technically, she most likely sang it to the covey, but anyway — who heard her sing the hanging three since you know, in 65 years he'll be shitting his pants with katniss

the hanging of sejanus was so heartbreaking, him crying out for his Ma... i cried, i knew i was going to cry and i did it anyway

seeing lucy gray realize coryo also killed sejanus was pure gold, i loved seeing her visibly tensed up and starting to see him with an entire different lenses

the whole ending in the woods was just like the books, i think it made a little less ambiguous about lucy gray's end, but i liked it

(and also i always believed she lived anyway)

maybe im reading waaaay too much into tigris, but her calling snow by "coriolanus" instead of "coryo" made me think she's starting to see the man he'd become — and this man is nothing like the little cousin she loved

"snow lands on top" is the last line of the movie, perfection, if you asked me

the only thing that i didn't like was that i dont know if they made coryo as unhinged as he is in the books, because we're not in his head and reading his line of thought, in the movie he does seem very genuine and it does seem like he really likes and cares about sejanus and lucy gray — we don't see him comparing her to an object or the excuses he gives himself to like her because she's not "really district" therefore not a second class citizen — until the very end when she finds out about the whole sejanus-being-hanged-because-of-him thing

idk his breakdown kinda feels rushed in the end since we dont have the context of what was going on in his mind beforehand and i think people who dont read the book would think it came out of nowhere

aside from this, i loved the movie and im totally going to see it again as soon as i can lol

EDIT: i just fucking remembered that they dont say anywhere that the 10th Games were erased ????? why ????? is the whole point !!!! oh i would've love to hear him say "goodbye lucy gray, we hardly knew you" i would've gone insane

and also, she doesn't say "the show is not over until the mockingjay sings", and it makes me a little annoyed — like, idk where they couldve put this line, but i whish they did

#the hunger games #coriolanus snow #lucy gray baird #tbosas #tbosas movie #the ballad of songbirds and snakes #the ballad of songbirds and snakes movie #tbosas spoilers #sejanus plinth #my thoughts about tbosas movie #i really liked it

[nowherelaney]

I hate the month of December. All I can think about is a queer group of guys that went to the woods to live deliberately

#dead poets society #deadpoets #dps #todd anderson #neil perry #steven meeks #gerard pitts #charlie dalton #richard cameron #knox overstreet #anderperry

[in-flvx]

On borrowed time

A small exploration of Remus' state of mind before he takes the position at Hogwarts. Some flashbacks, reflection on the time before Halloween '81, and many memories of Peter. Remus Pov.

Inspired by a conversation with @jmagnabo92 and @fiendishfyre

I'm using very few names throughout, I hope this won't be too confusing.

Remus is sitting at his kitchen table, a half-drunken cup of coffee before him. It had been steaming when he sent out his patronus, hands shaking so hard that he nearly dropped his wand. Waiting for a return message. Anything would do. Anyone to tell him he will get to come, well, home, for lack of a better word. The place he found friends, love, safety, adults who respect him, people weaker than him. Remus sighs out a shaking breath. Every rattle, every noise outside sets him on edge, the siren song of a death omen. He had been living on borrowed time since he was four years old. And now he asked dumbledore for more.

Too often had he thought about this. If it had only been him. It should have been him, who hunted Black down. He should have been his last victim. Not sweet Peter, with the golden hair and ocean eyes. Peter, with his deep love and joyful laugh, who made friends with everyone, wherever he went. But Peter had always had a better hand at reading people, Remus supposes. He had seen the signs as well, tried to show them to Remus, who didn't want to listen. Didn't want to see. The tired eyes, the paranoia, the unkempt hair. The missions no one ever seemed to know of. The deaths of his brother, and his father over the span of a year...

An owl coos, and Remus jerks so hard that he knocks over his cup. His wand sends sparks over the table, scorching it. Remus curses, and then attempts to vanish the mess. His spell works only partly, leaving behind a dark stain, where the coffee had eaten it's way into the fibres of wood, where the darkness has become part of the table.

Peter had seen the signs, and had also seen just how much Remus' own perception was compromised. What had lead to some cruel jokes in school, was now legitimate cause for concern. It still makes him ache, in more ways than one, to have wanted like this. Peter had been brilliant. He had seen the supposed suicide of R. Black, and the later demise of O. Black for what they were, had warned Remus against becoming secret keeper for the Potters. Let him, Peter go into the confrontation with him, let Peter put a target on his own back. So when he was approached, Remus forcefully objected. So forcefully, in fact, the communication between them stopped entirely. Peter had told him, then, that he wasn't even approached for secret keeper. That the choice has been made, and that they can only hope now, that Peter had been wrong all along. But Peter always knows how to read people best, so he was right in that too. Remus had left the country for a while, on the potters suggestion, and their wallet. Borrowed their money, borrowed their time. He is so tired. If he had been there, it could have been him and Peter against Black. A united front, a team. Maybe they'd have stood a chance. Or else died as brothers.

"After careful deliberation, we have come to the conclusion that Alastor Moody is of better use on the hunt for Sirius Black. His position as teacher for Defence against the Dark Arts is thus open for you to fill. Your safety will be ensured. I'll visit with you tomorrow, to talk about accommodations and curriculum. If you have any insights into Blacks mind, please share them with me. Renew the wards on your home. Regards, A. Dumbledore"

Remus had just stared at the silver apparition of a giant Phoenix, while dumbledores deep voice finally made him relax a little. Unwilling to go into the dark, Remus just speaks a few wards around the kitchen, resolving to do so by light.

Breaking out to collect his last two victims was a very fitting thing to do. Remus should have expected it. He had always been able to so the impossible. It's one of the things Remus had lov-, no, respected, about him. And he must have learned a lot of Dark magic from Voldemort. Enough to kill a dementor, maybe? To step through solid walls? Who knew. Just two more victims, until every last family he had once had was dead. Remus and the son. He tenses again when he thinks about the son. What a Dark omen, to get him as godfather. Or maybe it's that what protected him? Breaking a vow can have weird results. He doesn't know what to tell the son when they meet. Doesn't know how to tell a child he's not wanted, has too much darkness surrounding him. Remus shakes his head at that. It's not the sons fault that his godfather is evil. It's not the sons fault that the parents are gone. What would Lyall say, if he knew that Remus feared a child for its circumstances! Remus would be civil, kind, and do his best to protect the son from his godfather. No more, no less. And when the godfather was safely back in prison, Remus could go back to his normal life. And maybe, just maybe, Remus could do what he was meant to do 12 years ago. Stand up to Black, with Peter and the Potters on his mind, to serve justice. To repay just an ounce of his life debt..

#remus lupin #sirius black #Harry potter #Poa #prisoner of azkaban #peter pettigrew

[old-school-romantics]

I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms...

-Henry David Thoreau

#henry david thoreau #words #spilled words #quoteoftheday #love quotes #life quotes #life #dark academia #books & libraries #light academia #kawaii #twisted wonderland #oldschoolromantics