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#i will simply... not tell anyone
sergle · 6 months
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(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild
omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?
I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!
#sergle answers#long post#LONGEST POST ON EARTH I'M SO SORRY#saying all this out loud only takes a few minutes but typing it... girl this is a BOOK#clearly I have thoughts on this Online Drama but also this isn't online!#these are people who exist in real life. and compromising a person's safety bc he criticized you for stealing tiktoks#is a real life thing. this isn't confined to online spaces! you can turn off your computer to get away from An Argument#but someone going to your house?? that's absolutely terrifying#and all of this is just because he's been telling her to credit the creators. it could have been resolved so simply.#I hope he takes legal action against her bc he genuinely has grounds to do so.#and I can't imagine how terrified and upset I would be if someone was outside my door. filming my house for their audience.#also the 'what if the roles were reversed' argument is rarely made in good faith... but she's already brought up the topic.#this would be getting even more coverage and the optics would be Even Creepier if a strange man with millions of followers showed up#at the home of a woman- just bc she criticized his videos- filming her home address for all to see and trying to get her to come outside.#It's just as creepy that sssniperwolf did this as it would be coming from ANYONE else#it's been downplayed bc her being a little skinny woman means that A Man shouldn't be threatened by her#which. even if she wasn't going to Do anything. any one of her rabidly loyal online followers MIGHT. she's not the only one who could go to#his house now! anyone could show up.#sergle.txt#Jacksfilms#Sssniperwolf
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gwinwe · 5 months
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there will be poems
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fosliie · 11 months
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Happy Pride Month fellas!! You guys are crazy if you think for a second I ain’t gonna do a pride post with the most goofiest husbands ever ❤️🧡💛💚🩵💜
+ silly Sam & Max sketches and a lil sona pride doodle :]
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ohitslen · 10 months
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College (uni??) AU catering to my own interests as it should always be hehe :)
#projecting my major on Vash because them mfs who have changed from the med field majors to that one have some tragic things to tell#and also because I think that Vash would be such a wonderful designer I don’t know why it’s a gut feeling#Nai the law major because of course he would have you seen the guy#he would be a personal injury lawyer because lore#fun fact Nai rested for a semester after the incident with Vash while Vash took two.He never told Nai he would be changing majors#so it was a big big shock for him. they fought again but yk I’ll explain more on that if anyone is interested#as to Kni and WW I thought it’d be funny if they shared a common subject that required a lot of team assignments#and they can NEVER work out together. being an absolute nightmare to the rest of their group#separately they are great to work with. even if Kni can come off as too bossy sometimes he is actually a great leader#and WW would always deliver things on time exactly as it was asked from him#but Kni and WW just never really matched. Kni was too rude at times when WW made a mistake and WW would always clock him if he passed a line#like insulting his reasons for wanting to study security#one day Kni tells him at the beginning of a new semester where they both have unfortunately landed on a shared subject again#“you are not suited for that sort of job Wolfwood. you should simply give up and why don’t you go play role model to your little kids’’#then WW beats him again and then is like hey yk what you’re kinda right. and changed majors and he feels so much more at home studying#education/teaching than security. he fucking hates some things but the end goal makes it worthy#Trigun Uni! AU#because I don’t know how differently a college and a uni work#trigun#vash the stampede#nicholas d wolfwood#trigun stampede#vashwood#trigun fanart#wolfwood#vash#Nai saverem#millions knives#lenssi draws#pen!
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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scoobydoodean · 4 months
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1.08 Bugs
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bijoumikhawal · 6 months
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hello! i hope it's alright to ask you this but i was wondering if you have any recommendations for books to read or media in general about the history of judaism and jewish communities in egypt, particularly in ottoman and modern egypt?
have a nice day!
it's fine to ask me this! Unfortunately I have to preface this with a disclaimer that a lot of books on Egyptian Jewish history have a Zionist bias. There are antizionist Egyptian Jews, and at the very least ones who have enough national pride that AFAIK they do not publicly hold Zionist beliefs, like those who spoke in the documentary the Jews of Egypt (avaliable on YouTube for free with English subtitles). Others have an anti Egyptian bias- there is a geopolitical tension with Egypt from Antiquity that unfortunately some Jewish people have carried through history even when it was completely irrelevant, so in trying to research interactions between "ancient" Egyptian Jews and Native Egyptians (from the Ptolemaic era into the proto-Coptic and fully Coptic eras) I've unfortunately come across stuff that for me, as an Egyptian, reads like anti miscegenationist ideology, and it is difficult to tell whether this is a view of history being pushed on the past or not. The phrase "Erev Rav" (meaning mixed multitude), which in part refers to Egyptians who left Egypt with Moses and converted to Judaism, is even used as an insult by some.
Since I mentioned that documentary, I'll start by going over more modern sources. Mapping Jewish San Francisco has a playlist of videos of interviews with Egyptian Jews, including both Karaites and Rabbinic Jews iirc (I reblogged some of these awhile ago in my "actually Egyptian tag" tag). This book, the Dispersion of Egyptian Jewry, is avaliable for free online, it promises to be a more indepth look at Egyptian Jews in the lead up to modern explusion. I have only read a few sections of it, so I cannot give a full judgment on it. There's this video I watched about preserving Karaite historical sites in Egypt that I remember being interesting. "On the Mediterranian and the Nile edited by Harvey E. Goldman and Matthis Lehmann" is a collection of memiors iirc, as is "the Man in the Sharkskin Suit" (which I've started but not completed), both moreso from a Rabbinic perspective. Karaites also have a few websites discussing themselves in their terms, such as this one.
For the pre-modern but post-Islamic era, the Cairo Geniza is a great resource but in my opinion as a hobby researcher, hard to navigate. It is a large cache of documents from a Cairo synagogue mostly from around the Fatimid era. A significant portion of it is digitized and they occasionally crowd source translation help on their Twitter, and a lot of books and papers use it as a primary source. "The Jews in Medieval Egypt, edited by: Miriam Frenkel" is one in my to read pile. "Benjamin H. Hary - Multiglossia in Judeio-Arabic. With an Edition, Translation, and Grammatical Study of the Cairene Purim Scroll" is a paper I've read discussing the Jewish record of the events commemorated by the Cairo Purim, I got it off either Anna's Archive or libgen. "Mamluks of Jewish Origin in the Mamluk Sultanate by Koby Yosef" is a paper in my to read pile. "Jewish pietism of the Sufi type A particular trend of mysticisme in Medieval Egypt by Mireille Loubet" and "Paul B Fenton- Judaism and Sufism" both discuss the medieval Egyptian Jewish pietist movement.
For "ancient" Egyptian Jews, I find the first chapter of "The Story of the Jews: Finding the Words 1000 BC-1492 AD” by Simon Schama, which covers Elephantine, very interesting (it also flies in the face of claims that Jews did not marry Native Egyptians, though it is from centuries before the era researchers often cover). If you'd like to read don't click this link to a Google doc, that would be VERY naughty. There's very little on the Therapeutae, but for the paper theorizing they may have been influenced by Buddhism (possibly making them an example of Judeo-Buddhist syncretism) look here (their Wikipedia page also has some sources that could be interesting but are not specifically about them). "Taylor, Joan E. - Jewish women philosophers of first-century Alexandria: Philo’s Therapeutae reconsidered" is also a to read.
I haven't found much on the temple of Onias/Tell el Yahudia/Leontopolis in depth, but I have the paper "Meron M. Piotrkowski - Priests in Exile: The History of the Temple of Onias and Its Community in the Hellenistic Period" in my to be read pile (which I got off Anna's Archive). I also have some supplemental info from a lecture I attended that I'm willing to privately share.
I also have a document compiling links about the Exodus of Jews from Egypt in the modern era, but I'm cautious about sharing it now because I made it in high school and I've realized it needs better fact checking, because it had some misinfo in it from Zionist publications (specifically about the names of Nazis who fled to Egypt- that did happen, but a bunch of names I saw reported had no evidence of that being the case, and one name was the name of a murdered resistance fighter???)
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essektheylyss · 2 years
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Apropos of nothing, I never vibe with any Essek characterization in which he goes out of his way to try to come up with a way for Caleb to live beyond his years magically, particularly when it involves experimentation.
Essek canonically is from a culture where functional immortality is the norm, and expected, and frankly was probably pushed on him (probably in the "you'll change your mind when you're older" kind of way), and even with how normalized it would've been to him growing up, he still rejected it because he didn't want to mess with his autonomy and his interests.
Why the hell wouldn't he respect, honor, and probably encourage Caleb's preference to live out his lifespan and then go peacefully when the time came?
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alchemania · 5 months
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Finally got enough energy to talk about Furina's SQ and while I loved her and the troupe, MC and Paimon were .... Not Great. I talked about this with friends but in Paimon's case especially, the way they interact with Furina feels like people who just don't understand trauma and depression and then engage with someone suffering from both in all the wrong ways.
Talking about how much of a downgrade her house is from the opera house, making fun of how she can't cook, pushing her to act when she's set a very clear boundary and then guilt tripping her after she's stuck to her guns, shaming her for not being able to fight well (Paimon literally talks about how second hand embarrassment is overwhelming and I'm just like ?????), telling her she's "not acting like herself" when she attempts to open up and be vulnerable....it's just really rough. That and the MC asking "is something wrong" when Furina gets sad over Poission ..like bro people died and she couldn't save them and she's tearing herself apart over it. Those people are never coming back and you know it and you have the gall to ask her is something wrong??? Of COURSE there is!!
It just feels especially odd because we literally get to see all of Furina's suffering and Paimon in particular is. SO mean? Like she was more understanding with Wanderer and Ei and THEY'VE tried to kill us multiple times!! I don't get it, and honestly I'm very proud of Furina for refusing to waver. Let her rest!! She's tired and depressed and she needs time to heal; and honestly fuck Paimon for trying to make her feel bad. Furina's worked harder than she EVER will.
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rafyki · 2 months
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I have a question, because I'm now rereading the series and I don't remember: does Nico ever find out about the Prophecy and the fact that Percy did so much to protect him from it?
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smooth-noob · 7 months
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hooooolyyyyyyyy fuck. todays entries were SO beautifully done.
hearing draculas voice again after so long was so distressing, but at the same time so exciting. everyone is going to be in the same place in only two days. i cannot even put into words how highly im anticipating the entries on the twentieth omg.
there were two specific spots where the music really dug into me--when seward and van helsing get to lucys room and seward says "how shall I describe what we saw?" that whole paragraph the music was so well fitting. and then the music when we get THE quincey morris himself had me ascending. wow.
it's so heartbreaking to hear minas concerns about jonathan only for her to apologize to lucy and hope she isnt spoiling such happy moments for her :( mina i have such bad news for you :((((
im so glad i got to take forty whole minutes out of my afternoon for this, SUCH a great job as always.
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swagstar · 11 months
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nightcord is about mental health but also what heavily affects it - the upbringing. you have 2 characters at complete diffrent ends of the spectrum - kanade who was unconditionally loved by her parents, who supported her interests and loved her no matter what; and mafuyu, who has a parent who doesnt give a shit about her interests or what she likes, only about what they want for her.
you really see an effect of that - kanade heavily echoes the love her parents gave her. she loves and loves and by god does she love. she emits so much love and care to the poeple close to her, especially mafuyu, that the only way i can describe this is motherly. not in the sense that kanade babies mafuyu but that she unconditionally loves her no matter what. even at mafuyu's lowest points she was there for her. no matter what mafuyu said or did she was always there to say "mafuyu im here for you. mafuyu i care about you. mafuyu ill help you find yourself no matter what.".
And seeing what kanade grew up with its heartbreaking for her to find out how mafuyu's parents really are. before speaking to mafuyu's mother she was determined that maybe she has to just tell her what mafuyu's she'll change her mind. maybe if she tells the truth she'll change her mind. maybe, maybe, maybe. when she finally speaks to her and finds out how mafumom really is its heartbreaking for her to fully realize what mafuyu was going through. its terrible to see that kanade got a taste of the trauma that mafuyu experienced. it really shakes her world view - not that she's innocent but that parents, compared to hers, can be so terrible and unloving. it boggles her mind that parents who are supposed to unconditionally love and support their child, be there for them no matter what, can be this terrible.
its immensely interesting to see these 2 perspectives clash and what kind of effect kanade and mafuyu have om eachother with these diffrent pasts
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heewongirl · 11 months
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kdj will 100% not date yjh easily. even if somehow yjh confesses he will reject him. this is simply a fact
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ocpdzim · 1 year
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what you’ve got to understand about working conditions in education (and also other care-oriented careers) is that if they’re shit, two things are true at once:
that does not ever excuse being cruel to a kid, no matter what
until those conditions are fixed, education will continue to suck absolute shit
this is because when working conditions for teachers are really bad, many of the good teachers who recognize when they are reaching a point where they can no longer be the sort of teacher the kids deserve due to burnout WILL quit. they will do the responsible thing and go away for their own sake and the sake of the kids. and you end up stuck w a combination of new teachers who are trying their best but won’t last long, burnt out teachers who are trying their best but have nothing left to give and therefore aren’t very effective at actually teaching, and cockroach shitheads who take out their misery on the kids.
we have all had terrible experiences with bad teachers, many of them flat out traumatic, but for fuck’s sake please try to look at the systemic underpinnings of the problem for one minute. spitefully declaring that teachers don’t deserve good working conditions or even the right to complain about bad working conditions because ms. whoever in 5th grade was a bitch is only going to create more of her. if you want good teachers then we need an education system they can survive in
#i get so irritated w the post where like.#95% of it is a good post and then at the end op is like WAAAHHH teachers are complaining about burnout on my post about a bad teacher#like yeah no shit. if the field of education wasnt so hostile to everyone who works in it maybe they could have found a better teacher to#replace that motherfucker with. and then she would not be there to bother the kids any more.#as someone who Has had traumatic experiences w bad teachers.#its scary enough walking into a field i know is pretty much built to chew new teachers up and spit us out#hoping to be able to survive it long enough to do some good and be the kind of teacher i needed as a kid#without people acting as though it is some sort of crime for teachers to want. like. basic human dignity at work and enough money to survive#even people who are nominally pro-workers rights#you guys have no fucking idea how bad the situation is in schools right now#the reason bad teachers didnt get fired perhaps USED to be tenure#but nowadays its the fact that its rare for a school to be fully staffed *at all* bc so many teachers quit or died#so they'll hire and keep absolutely fucking anyone simply because the alternative is No Teacher. and an empty classroom#full of kids who wont learn anything except that the system doesnt even care about them enough to put a teacher in the room.#i have gotten job offers ON SIGHT from principals who know nothing about me and im literally not even legally qualified to teach yet#like before even telling them my name lmao#and im sure everyone else in town who expresses any interest in teaching whatsoever gets the same.
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bonefall · 8 months
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Hmm... Maybe Mudclaw is the sort of DF who'd be invoked by cats who feel they're owed something? You call on him if you feel lead on and betrayed, and willing to do something absolutely drastic about it - or at least, willing to do something drastic to *stop* it, no matter what it means. No matter what you have to make of yourself for it. Vengeance, revolt, defiance; refusing what is offered, lashing out against silent stars in pursuit of what you want.
(^ do not mean to sound like I'm glorifying his shit sorry I just enjoy poetics)
I think there could be something about his revolt brewing while they didn't have contact with Starclan that cats could buy into, too... Invoked for things done without word of, or in defiance of, a leader or any guiding force.
Sort of ironically I think he might be called on by cats who feel denied a deputyship they believe they should've gotten... (Ashfurs fire springs to mind, also, but I fully can't remember if they ever interacted / suspect there's may be thunderclan spirits to call for asmuch)
Everyone is giving me really abstract answers when I meant it totally literally LMAO, I don't mean like, who invokes him and why, I meant What Cool Power Can You Get If You Summon The Demon
Fire?? Like the anti-Firestar, maybe, since he sabotaged a muirburn? That would be a cool thing for Harespring, just REALLY good at setting fires, claws get kind of hot when he's fighting. A cool contrast since BB!Hare is normall such a calm dude.
Hmm... if it's fire... I may need to put him on the Firestar Murder Patrol. Fun things to do with your future husband; assassinate a political leader.
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kimchokejin · 4 months
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✨Stuck at the airport tag game frenzy brought to you by spirit airlines✨
I already got here an extra hour early and now my flight is delayed an hour so I've got some time to kill lol
Game #1: your color + your bias
I was tagged by @jiminsproof and @blueside-hobi to play this. Thanks guys, your posts looked beautiful ❤️
Ummm I know these colors don't match at all but in my defense I was identified as beige. You really can't expect me to have an eye for color or layout or anything really 🤷 also that is not even beige? Wtf is analogue? I hate this
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Game #2: on repeat
I was tagged by @blueside-hobi to play this 💕
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Sorry for the repeats I didn't feel like typing everything out lol
Game #3: Receiptify
Tagged by @blueside-hobi and @hopeinthebox to play this!
Umm I will tag @chocolatnoir @joon-rkive @cheekyquokka @courtthisdisaster @senor-hoberto if any of these games appeal to you! And anyone reading this who wants to share!
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