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#i work best with visual references
kit-n-kamoodle · 8 months
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Heya! Do you have any tips or tricks for a water / background tutorial? Like the way you draw it!
AW MAN I wish I had something concise and insightful to give on background processes, but to be totally honest I've been doing a LOT of experimentation the past while on how I want to do them! my process lately has been a lot of throwing spaghetti at the wall and seeing what I like, and it changes a little every time HAHA
specifically for water though, I find it extremely helpful to visualize its shape and flow as materials such as long, straight hair or flowing fabrics, which helps me break it down into workable shapes vs. one nebulous mass. you can see the thought process a little in this recent piece of mine - the ripples and shapes are VERY similar to how I draw straight hair. In terms of rendering water, I've found that paying attention to the reflective qualities helps breathe so much life into it - again, below you can see the dusty greens of the forest setting this piece takes place in, the reflection of skin tones and the indication of cloth/body beneath the surface!
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magneticflower · 5 months
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Question for SOC fans: When reading the books, were you able to picture Inej's parents? If so, what did you imagine them to look like?
I want to draw them for an idea I have but I'm incredibly bad at coming up with visuals in my head for characters we don't get much description on (or any description for what I remember) so I'd greatly appreciate anyone that happens to have come up with an idea of what they look like replying to this!
Bonus question: What do you picture Colm to look like? I've got a pretty good idea for Aditi but curious to how people pictured him as well.
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nanaslutt · 5 months
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oh my god please make another part of gojo teaching us that was so good holy shit
Gojo teaches you how to touch him<3
Pt. 1 here
contains: fem reader, guided jerking off, experienced gojo, size kink if you squint, so much dirty talk, corruption kink, overstimulation, first time making out, gojo walks you through everything, cum eating
MDNI
°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔
“Wanna learn how to touch a dick?” his question rang in your ears like a flash grenade had gone off. He was referring to himself right? You had to remind yourself how to breathe at how anxious his question made you. Touching yourself had made you embarrassed and self aware enough as it is, so touching someone else? The thought made you feel mortified.
Gojo must’ve picked up on your anxiousness because he used his big hands to rub comfortingly up and down your forearms, “Hey, if you’re not comfortable we can always stop here, you’ve already done so good.” He comforted.
Gojo might be unserious 99% of the time, but when it came to making you feel safe, he really nailed it. You came to the right person in asking for help with this kind of thing.
"N-no, I think I want to its just.. I dont know what im doing." You confess, even though he already knew. Gojo giggled, making the weight on your shoulders lift a bit at the sound, "Baby, I know, thats why Im gonna teach you, if you’ll let me." He smiles, leaning his body forward so you could see his face-- the visual of him smiling eased your nerves slightly.
"Right.. but what if I'm still not any good?" You say, shyly. "I almost came in my pants just watching you cum so.. I'm pretty sure you will do juuust fine." He confessed, making you huff out a laugh. "O-okay, what should I do?" You asked, turning your body so you were facing him, reaching over to grab your previously discarded panties while you waited for him to answer.
"The first thing you can do is forget about these," Gojo took your soaked panties from your hand, making you scoff as he twirled them around his finger before pocketing the fabric as quick as he snatched them, "The view of your little pussy is so cute, don't want these to get in the way of this eye candy." He praised, making you blush and look away from his intimidating gaze.
He brought his hand up to your face after pulling his hand out of his pocket-- caressing the side of your cheek comfortingly, "Come here." He instructed, sliding down on the headboard so he was propped comfortingly against the pillows, "On my lap," He adds when you hesitate to move twords him.
You situated yourself comfortably on his thighs, right under his crotch, you placed your hands on his lower stomach, staring at his intimidating bulge while you waited for his words to come. "You wanna start by touching it over his pants, just like you did for yourself." He instructs, speaking generally.
You picked your hands up from his stomach, hovering them a couple inches over his crotch before taking a deep breath and biting your lip. "How should I.. touch it?" you ask uncertainty laced in your words. "Wrap your hand around it the best you can and rub," He tells you, placing his hands on your thighs and rubbing his thumb on your skin for comfort.
You held your breath before you made contact with him, making him hiss air into his lungs through his teeth at the feeling of properly being touched after so much tension. You softly rubbed him up and down, gulping at how big he felt in your hand. "You can rub a little harder, it's not gonna break," He laughed, making you blush and whisper out a quiet 'sorry' as you briefly made eye contact with him, quickly averting your gaze back down to his crotch.
You gripped him through his pants, stroking him rougher now but still slowly, up and down. You took a peek at his face from under your lashes, watching him lick his lips and blink rapidly, his eyes focused on your hand at work on him.
"Yeah, yeah, just like that." He praised, keeping his eyes glued down between the two of you. You felt your face heat up when his cock jumped against your hand, it felt so hot even through his pants. The thought of seeing a real dick, unobstructed by fabric was making your head spin.
The man underneath you truly thought he would've came the second you touched him, it was a miracle from the heavens that he had managed to hold back and not bust in his pants at the first contact.
Your inexperience turned him on to no extent. He just loved the idea of corrupting you, showing you all of the amazing things you could feel, everything that you've been missing out on. He swore he would ruin you for anyone else—make you addicted to him so you never even thought about doing this with anyone else.
"D-does this feel good?" You ask genuinely, you had noticed his expressions and reactions to your touch—and they seemed like good ones—but you had no idea how someone was supposed to react when you touched them like this, hence why you asked for his confirmation.
"Feels better than you know." He grinned, his body running warmer the longer you stroked him over his pants. "It feels so big." You confessed, unaware of how your words went straight to his head and dick.
"Yeah?" his smirk grew as he felt his own ego inflate at your words, not like he needed that. "Yeah.." You meekly replied, "It keeps twitching too," you told him like he was unaware. "I know baby, means you're doing a good job." He praised once more, making you pull your bottom lip between your teeth.
"Wanna see it?" He asked after he deemed that you had been touching him outside his pants for an adequate amount of time. You swallowed hard, stilling your hand on his cock as it continued to jump under the weight of your palm. "Yes, please." You answered, sliding your hands up his shirt and feeling his hard abs before you slid them back down to hold onto the hem of his pants. "Should I take your boxers off too, or?" You question, hesitating.
He smiled at you, giving you a short nod. You grabbed his pants and boxers alike, beginning to pull them down his body— gojo lifted his hips up to aid your efforts, jaw dropping in an open-mouthed smile when his hard cock sprung up and slapped against his abdomen.
Your mouth opened in a small o shape, running dry at the sheer size of his now unobstructed cock. There was a string of pre that had already dropped down against his abdomen, connecting the two.
It looked as thick as it felt, a nice upwards curve to it, and the tip was flushed a pretty pink color. It was the prettiest and only dick you’d ever seen.
“You like what you see, cutie?” he teased, making his cock jump as you stared between the appendage and his penetrating gaze. “Fuck.. y-yeah.” you confessed, feeling yourself start to throb between your legs at the new visual.
“Go ahead an touch it, the same as you did before.” Gojo instructed. You slowly reached out, wrapping your hand around his length, noticing that your fingers couldn’t wrap all the way around his girth.
The man underneath you couldn’t resist as he thrusted his hips up into your hand, biting his lip at the direct contact. “Your hand is so fucking soft” He praised, “Go ahead and spit on it for me, it doesn’t feel very good when it’s dry.” he told you.
The gears in your head were still turning at what you were actually doing right now. Without saying anything, you leaned down a bit, collecting the saliva in your mouth before you spit right onto his cockhead, making him gasp.
You brought your hand to his tip, rubbing it around in circles before sliding your hand down the length of his cock and coating it in your spit, easing the slide. “Fuuuck, just like that, shit-“ Gojo cursed, tipping his head back against the pillows and squeezing his eyes shut.
“S-squeeze harder at the tip,” he instructed, remembering he was supposed to be teaching you, so staying silent and moaning probably wouldn’t do you much good. “T-the tip is more sensitive than the rest of the cock, so make sure to pay more attention to it.” he tells you.
“Is it kinda like the clit?” You ask, which makes him giggle before he responds, “Sorta..” he answeres, staring at the ceiling in thought before he continues, “Yeah actually, pretty similar, but if you spend too much time on just the tip it can get a little too sensitive.” He explains.
“Sensitive how?” you ask, continuing your slow but heavy strokes on his cock, using the knowledge he just told you in squeezing harder against his tip. “Why don’t I show you?” he says.
“Take one hand and keep stroking me just like you’re doing, with the other, lay your palm flat- yeah just like that- then curl your hand over the entirety of my tip, and rotate your wrist in circles.” Gojo instructed, digging his nails into your thighs prematurely as he braced himself for the intense overstimulating pleasure that was about to come.
“This won’t hurt you right?” you ask, getting your hands into place but keeping them still as you awaited his answer. “You’re so sweet~” he cooed, “I’ll stop you if it’s too much.”
With that, you started, quickly jerking the length of his cock while rotating your wrist over his dick in quick circles. Immediately his body started reacting, back arching and abs clenching uncontrollably as he bit his lip and dug his nails deeper into your skin to keep himself grounded.
“K- haaah- keep g-going-“ he moaned out, his legs jerking and twitching underneath you as you kept up your antics. “Fuck! f-fuck-“ The white haired man squeezed his eyes shut as his body spasmed without his permission.
Your cunt was throbbing at how you were able to bring a man as strong as Gojo to this state. “Ngh~” he was whining and moaning against the sheets, head thrashing back and forth as he tried to keep his voice down.
You never wanted this to end, you finally understood what he meant when he said he was worked up from just watching you play with yourself, as you felt your cunt clench, slick dripping down your leg from your tight hole.
His large hand came down to stop your wrist, panting heavily he spoke, “O-okay, okay- fuck, that’s enough.” He groaned when the pleasure quickly became too much. "S-sorry, are you okay?" you choked, once again making him smile at how sweet you were. "I'm just fine baby, it's just a little overwhelming," He said, releasing your wrist and placing his hand back on your thighs.
"Did so fucking good though, listened just like I told you to." He smirked, gripping your thighs and making you look up at him through your lashes. You pouted out your bottom lip a bit in embarrassment, trying your best to not look away from his intimidating gaze. "Alright, class is back in session, go ahead and pick up where you left off." He continued.
You released your hand that was caressing his tip, going back to jerking him off steadily with the one hand. "Don't forget about the balls either, you just wanna massage them softly," he instructs after a couple seconds of your continued ministrations. You nod, acknowledging his words before you spit on your other hand, and bring it down to his warm balls.
"Oh shit- haha- didn't even have to tell you to spit." He says, amazement laced in his words, "You had n-nothing to worry about, you're doing so fucking good." He reassured when you started to expertly roll and massage his sack in your hand, timing your motions perfectly with the jerking of his cock.
"Cmere baby," He asked, growing needier and needier at the more stimulation you provided him with. You tilted your head at him, confused, making him laugh. "Come give me a kiss, pretty thing." He clarifies. You hesitate slightly, You've kissed one or two people before, but you've never made out with anyone per se, which is what you were assuming Gojo wanted right now.
"Follow my lead, I'll show you how to make kissing feel as good as sex." He boldly said, making you blush. You released your hold on his balls, opting to place your hand against his hard chest for stability as you leaned forward, not stopping your ministrations on his cock. He gave you a toothy grin, his big hands coming up to grab your waist before he opened his mouth, huffing out a small laugh before he pressed your lips together.
He immediately took the lead, moving his lips against your own, massaging his soft lips with his. He groaned into the kiss, which made you reciprocate the sound, whining into his mouth. Where you normally would've pulled away by now, Gojo instead opened his mouth against you and pressed another kiss to your lips, repeating the action, and continuing the kiss.
You unawarely squeezed his cock harder at the stimulation, you had no idea that kissing could feel so erotic. When Gojo felt your fist tighten up around him, he pulled back half an inch from the kiss, panting slightly against your lips before he spoke needily, "Faster baby, give it to me faster." He rushed before conjoining your lips once more, rougher this time.
You felt him poke his tongue out and lick against your lips, "Open your mouth for me, baby," He said to you between kisses, to which you complied. He took this new opportunity to lick his tongue into your mouth. You thought French kissing would feel gross and unpleasant, but this was nothing of the sort, it really felt like he was fucking your mouth. He expertly massaged the inside of your mouth with his warm appendage, making you throb between your legs.
You remembered his words; which had told you to follow his lead; as you reciprocated, darting your tongue out and intertwining it with his, and it felt even better. "Mmmmm" Gojo hummed against your lips when he felt your tongue join the fun. Hips lips suddenly attached to your bottom one, slowing down the kiss briefly as he sucked it into his mouth and bit it between his teeth, smirking before he let it go, chasing your lip as it bounced back to your face.
You had switched up your technique on his cock just seconds ago, rotating your wrist over his entire cock, and pulsing your grip to imitate your pussy walls, giving him harder strokes when you slid your hand down him; you were having fun with it, and it must've been working.
Gojo pulled away from the kiss, allowing you to sit back up as he panted heavily, his cock was steadily dripping more and more pre onto your fingers, easing the slide against his cock while you jerked him off. "Did you like that?" He asked, referring to the kiss. "Y-yeah, I didn't know kissing could feel so good," you replied honestly, making him smile.
"I know~ made your pussy feel all needy again, huh?" he said, having noticed the wetness that was coating your inner thighs, his words sending a wave of sudden awareness through you, making you want to cower away. "Aww, don't get shy on me baby, look at me," He started, "I'm the one getting my cock jerked off, about to fucking burst," The man giggled, "If anyone should be embarrassed it's me~"
"You're about to cum?" You asked, those words being the only ones that made it into your dizzy head. "Yeah, and it's all cos' of you, didn't even have to give you that much i-instruction, you're a pro." he praised, making you look away from his gaze and instead focus on his cock in your smaller hand. "You wanna make me cum?" He asked.
"Wanna watch you cum.." You replied, making him laugh breathlessly as he felt your words go straight to his balls, "Oh don't worry, you will," He informed you, tipping his head back once more against the pillows, and letting himself really feel as you stroked your fingertips along his lower abs, while keeping the steady and mind numbing pace on his cock.
"Fuck, wish I was cuming inside your pussy," He suddenly moaned, catching you off guard with his words as he gripped your hips with his large hands. "Would fill you up so fucking full." He babbled, inching closer and closer to his high with every stroke, slightly thrusting up into your warm hand.
proofread-----
"If I try hard enough, your little hand starts to feel like your perfect fucking cunt," He groaned through his teeth, "but I just know you would be so much warmer and wetter- fuck-." He moaned at his own words, working himself up as he dropped his chin forward to look at your hand on him, his jaw opened in a small o shape.
"You want that? Huh? Want me to split you open on my cock and fill you up with my cum?" His words had gotten so filthy and shameless, and so fast, it was giving you whiplash. You nodded meekly, not trusting your voice right now as his words alone made you feel like you were going to cum. But that wasn't good enough for Gojo. "Gotta hear you say it baby, need you to tell me you need it." He groaned through his teeth, making your body move above him as he thrust his hips upwards, helping you fuck his cock with your hand.
"Y-yes Satoru I want it." You said, meaning every word, "What do you want?" He rushed out, trying to hold back from cumming to hear you say those magic words. His balls and shaft alike were twitching so strongly against your hold, getting ready to release his seed. "W-want you to come inside me, please give it t-to me." You blushed at your own words, the embarrassment worsening when he groaned shamelessly at them. His pretty eyes rolled back in his head as his orgasm crashed down on him. "Fuck- coming-" he warned before you felt his warm seed start to cover your hand.
Long rope after rope of his cum coated your hard, making you moan with him at the erotic sight. His abs were clenching under your hand, body twitching and back arching slightly, similar to how your own did when you had cum, as you fucked him through his high. You kept jerking him off even after the spasms of his body ceased, and his cock started to soften in your hold.
His large hand shot up and gripped your wrist harshly. "C-careful," He laughed, heaving air into his lungs, "It's so fucking sensitive right after we cum." He said.
"Shit s-sorry," You blushed, releasing his dick from your soiled hand as you stared at his seed that covered it, amazed by how much there was. "Don't be sorry baby, I haven't cum that hard in my life, and all just from your hand" He laughed, rubbing his large hands up the length of your torso while he let himself catch his breath, his soft cock resting against his tummy.
An idea popped into your head, remembering how he had sucked off your cum from your own fingers after he made you finish, and it made you wonder what he tasted like too. Absentmindedly you brought your hand up to your mouth, not paying attention to the man below you as he watched your every movement with bated breath, knowing exactly what you were about to do.
You let your tongue poke out from your open mouth, licking up his seed at tasting him on your tongue. It was bitter, but not overwhelmingly so, there was something almost sweet about it, which made you suck your fingers completely into your mouth, swallowing his seed that coated them.
Gojo watched with a slack jaw at the show you were putting on, his cock twitched to life as he watched you eagerly lick up his cum. "Fuuuck." He drew, bringing your attention back to him as you popped your fingers out of your mouth, giving him a small smile that made his brain short-circuit.
"I have so much to teach you." He grinned, caressing the side of your face as you closed your eyes, and leaned your face into his hand.
pt.3
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astronicht · 21 days
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Okay I'm almost done with Fellowship, here's an incomplete list of shit I noticed and thought was buck fucking wild on my first ever read-thru: medieval edition.
In literally the second line of the book, Tolkien implies that Bilbo Baggins wrote a story which was preserved alongside the in-universe version of the Mabinogion (aka the best-known collection of Welsh myths; I promise this is batshit). This is because The Hobbit has been preserved, in Tolkien's AU version of our world, in a "selection of the Red Book of Westmarch" (Prologue, Concerning Hobbits). If you're a medievalist and you see something called "The Red Book of" or "The Black Book of" etc it's a Thing. In this case, a cheeky reference to the Red Book of Hergest (Llyfr Coch Hergest). There are a few Red Books, but only Hergest has stories).
not a medieval thing but i did not expect one common theory among hobbits for the death of Frodo's parents to be A RUMORED MURDER-SUICIDE.
At the beginning of the book a few hobbits report seeing a moving elm tree up on the moors, heading west (thru or past the Shire). I mentioned this in another post, but another rule: if you see an elm tree, that's a Girl Tree. In Norse creation myth, the first people were carved from driftwood by the gods. Their names were Askr (Ash, as in the tree), the first man, and Embla (debated, but likely elm tree), the first woman. A lot of ppl have I think guessed that that was an ent-wife, but like. Literally that was a GIRL. TREE.
Medieval thing: I used to read the runes on the covers of The Hobbit and LOTR for fun when I worked in a bookshop. There's a mix of Old Norse (viking) and Old English runes in use, but all the ones I've noticed so far are real and readable if you know runes.
Tom Bombadil makes perfect sense if you once spent months of your life researching the early medieval art of galdor, which was the use of poems or songs to do a form of word-magic, often incorporating gibberish. If you think maybe Tolkien did not base the entirety of Fellowship so far around learning and using galdor and thus the power of words and stories, that is fine I cannot force you. He did personally translate "galdor" in Beowulf as "spell" (spell, amusingly, used to mean "story"). And also he named an elf Galdor. Like he very much did name an elf Galdor.
Tom Bombadil in fact does galdor from the moment we meet him. He arrives and fights the evil galdor (song) of the willow tree ("old gray willow-man, he's a mighty singer"), which is singing the hobbits to sleep and possibly eating them, with a galdor (song) of his own. Then he wanders off still singing, incorporating gibberish. I think it was at this point that I started clawing my face.
THEN Tom Bombadil makes perfect sense if you've read the description of the scop's songs in Beowulf (Beowulf again, but hey, Tolkien did famously a. translate it b. write a fanfiction about it called Sellic Spell where he gave Beowulf an arguably homoerotic Best Friend). The scop (pronounched shop) is a poet who sings about deeds on earth, but also by profession must know how to sing the song or tell the story of how the cosmos itself came to be. The wise-singer who knows the deep lore of the early universe is a standard trope in Old English literature, not just Beowulf! Anyway Tom Bombadil takes everyone home and tells them THE ENTIRE STORY OF ALL THE AGES OF THE EARTH BACKWARDS UNTIL JUST BEFORE THE MOMENT OF CREATION, THE BIG BANG ITSELF and then Frodo Baggins falls asleep.
Tom Bombadil knows about plate tectonics
This is sort of a lie, Tom Bombadil describes the oceans of old being in a different place, which works as a standard visual of Old English creation, which being Christian followed vaguely Genesis lines, and vaguely Christian Genesis involves a lot of water. TOLKIEN knew about plate tectonics though.
Actually I just checked whether Tolkien knew about plate tectonics because I know the advent of plate tectonics theory took forever bc people HATED it and Alfred Wegener suffered for like 50 years. So! actually while Tolkien was writing LOTR, the scientific community was literally still not sure plate tectonics existed. Tom Bombadil knew tho.
Remember that next time you (a geologist) are forced to look at the Middle Earth map.
I'm not even done with Tom Bombadil but I'm stopping here tonight. Plate tectonics got me. There's a great early (but almost high!) medieval treatise on cosmology and also volcanoes and i wonder if tolkien read it. oh my god. i'm going to bed.
edit: part II
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letoasai · 5 months
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dp x dc Chronos part 5
Part 1 - Previous - Master list
Diana was furious. 
She’d known her young uncle for only a handful of hours but here she was, ready to go to war for him. Perhaps that was what her grandfather had meant earlier, his words still ringing in her ears. 
I have a task for you, Diana. One i do not think you will turn now but i’ll give you the illusion of choice.
Perhaps it was less an illusion and more her grandfather merely knowing ahead of time how she would react. If Danny was to be believed – and he did seem such a trustworthy boy – his Clockwork knew every path one could take. 
She knew there were still questions to be asked, but Danny had been able to tell her a great deal before his eyes began to droop and she insisted he try to sleep. The curtains to the room had been left open and she watched as his eyes happily glazed over at the sight of open space before him. It had only taken minutes for him to fall asleep. 
Now she had a lot of work to do and she planned to get as much done while Danny slept as she could. 
She entered the conference room with a quick stride, many members already present for the meeting she had ordered via text. They’d learned that some equipment didn’t work well around Danny. Visuals were blurry at best and audio crackled into something indistinguishable. Diana had instead been texting information to Bruce and Kal to look into while she focused on the boy. 
“Were you able to find anything?” She asked immediately, not elaborating on which fact she was talking about. She’d sent them so many little snippets that she didn’t really care where they started. 
Batman just grunted, and despite wearing his cowl, she could see just how unhappy he was. 
“You’re not going to like it, but you expected that.” Superman said, papers laid out in front of him. He wasn’t the only one doing his research. 
Green Lantern and Flash were still there, the latter looking like he was having an existential crisis over the topic of ghosts. 
Martian Manhunter had also arrived, his frown informing her that the others had caught him up on what had been happening. 
“Can we confirm the truth as Danny has laid it out for us?” She asked, taking a seat. 
“Oh, yeah.” Hal muttered, rubbing a hand down his face. “Constantine will arrive later, but he could confirm the new High King of the Infinite Realm went by Phantom. Never heard him sound so horrified as him learning that someone had punched a hole into another realm in their house though. Inter-dimensional war crimes on our end are stacking up.” 
“Our end?” She asked. 
“The GIW…” Bruce began, sounding a mixture of exhausted and livid. “Are completely out of their depth and did not have the authority to just name a species unidentified to the rest of us as non-sentient. If the Infinite Realm retaliates, and John thinks it’s a possibility, it won’t just be aimed at the GIW alone but the entire dimension. That makes this more of a mess for us to clean up than it already was.” 
They’d already decided to help, that was what they did. But there was a difference in lending a hand and righting a wrong and taking responsibility for someone else’s fuck ups because they had to. 
“Can we prove it?” Diana asked. 
“Absolutely.” Kal nodded. “Honestly, for a government agency, their security is a joke. There was a backdoor already in place. We can ask Danny about that later.”
Diana nodded, certain the information would be good in his hands. She turned her attention back to Bruce. “The Fentons?” 
There was a certain level of disgust that tried to choke her out in that situation. Danny had been so hesitant, the betrayal fresh and painful. She had lived in the World of Men for a long time now and it had as many delights as it did drawbacks, but to learn what Danny’s parents had attempted to do to him left her burning to seek them out herself. 
His mother had lost her privilege to refer to herself as such.
She didn’t care what the circumstances were. Capture and torture with the intentions of vivisection was inexcusable. The target being a child made it all the more heinous. Diana knew Batman would understand without her saying a word. 
“Run of the mill mad scientists. They might have been onto something once when it came to energy but their bias took over. Even if they had been correct about ecto-entities, their language is incredibly inappropriate. No licenced and competent science journal would be associated with that.” He stared at her unhappily. “They’re lunatics. The fact that their children grew up in their home is outrageous.” He hit a button on the remote and a location appeared on the computer screens. 
A bricked house on a street corner, enormous Fenton Works sign taking up most of the front. It was an eyesore, but not as much as the sci-fi looking shuttle sticking out of the roof. The OHSA violations alone should have had the building condemned and there was no way permits had been granted for any of that construction. 
It was a supervillain's dream and not the least bit subtle. It should have been a crime in itself for the town to allow it to remain in a residential area and was shocking that no calls to Child Protective Services had been made. 
Yes, Danny was an exceptional being, but Diana understood now all the likely scenarios where he could have died in that house. Danny had called his death an accident, but she wasn’t so certain about that. “They were the ones to hurt him.” Diana said, hating how her throat was tight. She was already emotionally compromised. 
“Yes, i know.” 
Diana’s attention snapped back to him. “How?” 
“Simple reasoning. They are unstable ghost hunters with questionable science. Danny was removed from his home for his safety. Chronos said he needed a guardian. That doesn’t paint a pretty picture.” Bruce muttered. “Either his guardians couldn’t care for him, or shouldn’t care for him.” 
She felt her shoulders relax somewhat, knowing that such a logical conclusion should have occurred to her too. She really was worried about Danny’s recovery. “We can add it to the file i know you’ve created, but i’d prefer if no one asked him about that at this time. This last attack only happened several days ago and it is still fresh on his mind.” 
Bruce’s eyes narrowed, always a hound when it came to sniffing out abused kids. “This last attack?” 
“They’ve been after him for a while.” Diana hummed, though she’d only had a vague example or two since Danny hadn’t wanted to get into it. She couldn’t imagine how he’d just returned home every day to parents who tried to capture his other persona. 
“We must factor in his identity.” Martian Manhunter approached them, having been listening. J’onn had been doing his own research the last several hours. He laid down a startlingly clear picture of Danny in his white haired ghost form. A print out of an Amity Park newspaper article. 
“What is that?” Bruce frowned, sliding it closer to read. 
“The hero of Amity Park. Phantom. The articles are biased and unfavorable, but that is not the current accepted public opinion. Phantom protects the living from ghosts. He also protects the ghosts from the ghost hunters.” J’onn explained, voice carefully neutral. “Phantom appearing other places, perhaps shouldn’t coincide with where Daniel Fenton ends up.” 
“A name change could be warranted. If that’s what he wants.” Bruce adds. 
J’onn gave a single nod. “It’s a great deal of pressure on one teenager's shoulders. Being a king of a realm on top of that…” 
It was silently agreed upon that Danny deserved this break and Diana was going to get it for him.
“It was only a matter of time before something had to give.” Diana said, turning enough to speak to everyone in the room. “Well he won’t be dealing with all of that alone now. We start with dismantling the GIW, appealing the Anti-Ecto Acts, and smoothing over our relations with the Infinite Realm.” 
“Only that much, huh?” Flash muttered, trying to wrap his head around the science of ghost hunting. 
“Why not get some of the kids involved. Young Justice, maybe?” Hal was rubbing his eyes, not looking forward to the consequences of this mess. “Once he heals it might do him some good to be around others closer to his own age. People he wouldn’t need to hide half of himself from.”
When put like that, Diana could only agree. 
“I’ll mention it to him.” “I’ll get the information i have to Lois.” Clark said, sliding his papers into a binder. “If public opinion of Phantom is already decent in Amity Park, then we’ll up the exposure to put pressure on our oblivious government.” 
“I’ll take a few of the GIW facilities.” Bruce muttered, but he had that familiar tone that said he was about to let his children go buck wild. “A little recon…” he added vaguely. 
Before anyone else could put in their own two cents, the sensors went off, exactly how they had before Chronos had arrived. A paranormal knock of sorts before the very air seemed to split in two, a glowing green portal building around it. 
“Here we go again.” Barry muttered, each of them surrounding the portal as they’d done early for safety’s sake but they were less inclined to fight immediately. 
As J’onn was seeing it for the first time, he remained near Diana, keenly watching the portal manifest. It wasn’t Chronos who stepped out though, it wasn’t human at all. 
From the portal stepped a creature that Diana didn’t have the name for. Bipedal, humanoid, but beast like in appearance. Horns on his head and spikes from his tail made of ice were noticed secondary to his arm of ice that still encased his bones inside. His fur was white, his claws could easily kill and he was covered by a kilt and cape. 
What gave Diana pause as the bag slung over one shoulder, the tell tale signs of a medical cross across the front. 
“Who are you?” Superman asked, more polite than their earlier run in with her grandfather. 
The creature, a ghost presumably, held himself rigid. He was doing a great deal to make himself appear smaller then he was but his gaze was assessing. He was ready to fight if necessary. 
“I am here for His Majesty, the Great One.” Was his response. 
Diana stepped forward, deciding this was exactly what she suspected. “I am Diana. Granddaughter of Chronos who Danny fondly calls Clockwork. You are Frostbite, come to check on Danny, yes?” 
All of his attention was on her now, but he seemed to see what he wanted in her after locking eyes. “I am. Frostbite, Ruler of the Infinite Realm’s Far Frozen. I have come to see Our Savior the King, as his primary physician.”
“He’s a doctor.” Flash whispered. 
“Fascinating.” J’onn muttered, sounding a little winded by whatever he was sensing. “He is who he claims.” 
“I’m relieved.” Diana muttered, approaching him with a smile this time. “Please come with me and i will take you to Danny. I’m afraid we did what we could but his unique biology left us questioning our choices. He is resting in a private room.” 
“Did something happen to setback his recovery?” Frostbite asked, serious over the care of his charge as he followed Wonder Woman out of the conference room without so much as a glance back at the other heros. 
“Excitement, i believe.” Diana offered. “He may have been a little too excited to show off his alternate, living form and seemed to forget his condition.” 
Frostbite actually snorted. “Sounds like him.”
“I did not realize how badly wounded he was. We had been talking about our arrangements and he was answering my questions about ghosts. He appeared sore, but fairly pleased to speak with me. Given what he had just been through…” 
Frostbite grunted his agreement. “His heart is soft, but his will is unlike anything i have ever known. Many of us saw this tragedy coming, but he insisted on seeing it out for himself, hoping for a favorable ending.” 
Diana cracked her knuckles out of habit, that anger still simmering. “He will be safe in my care, i assure you.”
“The Great One is the rightful King to our realm, but many forget he is still just a child.” Frostbite said, eyeing her even as she led him through the Watchtower. 
“It is not something i am likely to forget.” Not after she’d seen how small he was in their medbay bed. “He’s resting but weak, you can help?” 
“As long as he has not taken more damage, i’m sure i can.” Frostbite said, a gentleness to his voice as they stopped at Danny’s room. Diana went in first to prove the area was a safe one but that may not have mattered given how quickly Frostbite followed her. 
He was at Danny’s bedside in an instant, having somehow moved passed her without knocking into her. He could have gone through her for all she knew. For all he seemed to be a hulking beast, Frostbite was nothing but gentle as he examined Danny. He looked over any and all work that had been done to Danny since his arrival, and checked the bandages across his torso. He went as far as to grab the clipboard on the foot of Danny’s bed to read, having no trouble understanding the medical jargon. 
From his medical bag, he pulled out several small bottles, all of them growing a toxic green. Injections were given to the teenager, and it didn’t seem to matter that he was in his living, dark haired form. 
“Has he explained to you what it means to be a halfa?” Frostbite finally asked, breaking the silence. 
“Only in vague, teenager terms.” Diana said. She’d been quite sure that Danny’s flippant attitude was more a coping mechanism than anything.
Frostbite just hummed. “Then i will have to fill you in.”
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blissfullyecho · 1 year
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how to create a leveling up/dream girl/rebranding plan 🤍🍸🖤
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establish your aesthetic
first thing’s first, you need to know where you want to go in life and what is your “aesthetic”? do you want to be giving “classy, businesswoman”? what about “nyc socialite”? of course these are just examples, but you should know what type of girl you want to embody. remember, you don’t have to fit a narrative, but you should have a general “aesthetic” that you want to be associated with. even if it’s 50 million different aesthetics, it’s whatever makes you, you.
visualize yourself/life
get inspired by making a vision board (physical or digital) and add to your board (if digital) daily. i find that this helps you stay in alignment with where you want to be in the future. you have to stay in that frequency and remind yourself of what’s next to come… because this new life is what’s next to come.
start with habits
please refer to my “starting your leveling up journey” post, but basically— you should create 1-3 habits for each of your goals and work on them until they become second nature. then when you’re ready, start implementing more habits that are aligned with your goals.
create routines with your habits
can you incorporate some of these new habits into a morning or evening routine? we all know that routines are important— they almost become our personalities and they set the tone for the day and night, and even the next day. for me, i know i’m only inspired to exercise in the morning around 10am, so exercise is part of my morning routine.
create daily + weekly goals
let’s say part of your journey is learning a new language. a daily goal could be learning one new vocabulary word in that language. your weekly goal could be knowing the alphabet in that language. use this method for all of your goals.
don’t overwhelm yourself with goals, routines, and habits
start slow; don’t overwhelm yourself. if you want to work on one goal at a time, then work on that one goal. burnout is real and it’s very hard to get back into the swing of things afterwards. i understand most of us are impatient when we just want to be a different version of ourselves, but it’s going to take some adjusting. i suggest not working on more than 3 things at once, but if you can work on more, go ahead
be a part of a community to keep you accountable
tumblr and facebook groups in my opinion are the best ways you can connect with other women who are working on the same thing. you can inspire one another, bounce ideas off of one another, and it’s super fun. you might want to even document your journey online.
set milestones and have a reward system
let’s say you would like to lose or gain weight, no matter the number, focus on 5-10 pound increments. when each milestone is successfully completed, reward yourself with something nice. maybe it’s getting your nails done, or splurging on a product that everyone on tiktok keeps talking about. apply this to any of your goals where there are milestones to get to.
don’t waste the day
you should not have any “zero days” meaning… you should be doing at least one thing everyday to reach a goal(s) you have. it doesn’t matter if one goal was to maintain a more organized, clean environment— do your dishes, set the trash out, clean up the hair from the bathroom sink, etc.
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dduane · 2 months
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For those coming here from this post about ST:TNG s1e6, "Where No One Has Gone Before": here's "the door into starlight* (not)." [Insert sound of writer snickering here.]
For non-Middle Kingdoms readers: This was a straightforward visual in-joke on my part, a reference to what in the MK universe is also known as death’s Door—the gateway to the last Shore, where “the Sea is starlight”; where those newly dead, or awaiting rebirth, recover from the stresses of human life before moving on… or back for another round of the greatest Game.
Nobody took the slightest notice of what I was really doing here, which is just fine. That's how the best in-jokes work. Have fun, but don't break the narrative for the joke's sake. To the casual viewer, this just looks like a cool visual that slots nicely into the ongoing narrative of Enterprise crew having some very strange experiences. Suits me. :)
Meanwhile, I deeply love what Patrick Stewart did in terms of the "touching-things" moment ("right, this is real, this is okay...") and the look of unnerved mistrust he bestows on the poor Enterprise's innocent turbolift after the fact. Brilliant stuff: no writer could ask for better. :)
*The title of of a rather delayed book about which MK readers are pleased to remind me from time to time. :)
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books · 4 months
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Writer Spotlight: Jamie Beck
Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.
Can you tell us about how The Flowers of Provence came to be?
I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 
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(Photograph: Jamie Beck)
How do your photography and writing work together? Do you write as part of your practice?
I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 
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(Photograph: Jamie Beck)
You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?
I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 
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(Photograph: Jamie Beck)
Do you remember your first photograph?
Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!
You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?
I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 
How did you decide on the order of the images within The Flowers of Provence?
Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 
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(Photograph: Jamie Beck)
How do you practice self-care when juggling work and life commitments alongside the creative process?
The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 
What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?
I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 
Which artists do you return to for inspiration?
I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 
What are three things you can’t live without as an artist?
My camera, the French light, and flowers, of course. 
What’s your favorite flower to photograph, and why?
I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 
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(Photograph: Jamie Beck)
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pigdemonart · 1 year
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Battle Subway Depot Agents (by pig-demon)
When I made designs for these guys last year I didn’t really think they needed colored references/master post, but since then I’ve drawn them a lot! Also people have added them to their fanfics and drawn fanart! So I figured it was time I made a post for easy ref. :]
These designs are obviously free to use, just give credit (and link me your work if you're comfortable, because it makes me happy to see!) All I request is to stay respectful to their pronouns and skin colors, ya knooow… 👍 note: The pokemon on their cards are all companions, not the ones they use on the Battle Subway. Except Jackie...the litwicks are just there to fill space/give them company.
More info under cut:
Edit: Important disclaimer:
These are again my designs/interpretations for the agents. Please don’t treat them as canon or as the only, quintessential designs for these literal background npcs. Many people have done takes on them before and after me, even back in 2010. It feels silly to ask, but due to past experience, I ask that you please DONT hunt down anyone that does a different take on the depot agents!! 👍
Tags:
I'm gonna start tagging them individually, but for now all Depot Agent comics and art on this blog are tagged under Depot Agents.
Height chart:
I’m not too strict about heights, so I don’t really care about actual measurements. Here’s an approximation of what I tend to visualize though:
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Sexualities/Gender Identities: I don't have official labels for each and every agent because I like keeping things fluid for characters to develop these traits on their own. However, as a queer person, I enjoy designing characters who are also queer, therefore I can safely say none of these characters are straight. The ones who are set in stone are Ramses (gay man), Cloud (lesbian woman,) Jackie (non-binary.) Furze uses he/they pronouns but their gender is undetermined. I also welcome anyone giving the agents a different gender identity to suit them (as long as it's done respectfully.)
Notes about each agent...
Cameron:
- Cameron dyes parts of his hair blonde and keeps other parts in black. This is because he is a big fan of Elesa and her fashion choices.  - Though there have been a few occasions to meet his idol, he is always way too nervous to approach her, feeling deep down that he'll mess up somehow. - He practices modeling poses in secret. He loves flourishes and flare, but is simply too insecure to put it on display. - Of his coworkers, he gets along the best with Furze. He's the easiest to talk to because Furze will do most of the talking. - Cameron is easily intimidated — even mean Pokémon can make him nervous. Though, his two worst fears are being left in a room alone with Jackie, and being left alone in a room with Isadore. - He takes advantage of his height to sometimes hide behind some of his coworkers. - Cameron is much better at Pokémon battles than he gives himself credit for. Emmet and Ingo were pleasantly surprised by this, since Cameron was promoted to fit a temporary role on the Battle Subway. They happily made him a permanent member when he proved himself capable. - His Dwebble (Pebby) is secretly very strong, and rushes to protect Cameron when it can. Cam sometimes thinks Pebby helps him feel more confident in himself too.  - If he stumbled into any of his coworkers outside of work, he would simply explode of embarrassment. - He is the youngest child and only son of his family. He lives in his own apartment in Nimbasa.
Cloud:
- Cloud (like Ramses) knew the twins when they were very young. - She used to be an ace trainer in her youth, even going so far to compete in the Pokémon league. Winning and becoming the champ was the most important part of her journey, but something happened along the way that changed that outlook. - It seems with age, her competitiveness has mellowed out. However, she maintains an intense energy when battling.  - Her favorite types are Psychic and Flying types. Swoobat (Sweetie) is her ace.  - Her favorite hobby is baking, and she often bakes sweets for the crew. She knows all their favorite flavors by now! - She prioritizes keeping a friendly relationship with all her coworkers and thinks of them fondly. She considers Ramses family after all the years of working together!  - She is a big fan of Brycen's movies and can recite the lines. - She lives with her wife in Anville. - Cloud loves doing maintenance work both at home and in Gear Station. She enjoys bringing her own tools and industrial flashlight.
Furze:
- Furze only has one volume setting (mid loud,) but he finds himself feeling right at home when talking to either one of the twins. - Furze has ADHD, and this is reflected in some of his habits, most visibly is his fidgeting when sitting still for too long. - He rides a bike to work every day. When he is late, Cloud clocks in for him so he doesn't get in trouble. - This is a kind of a guy that sits crouched gargoyle style on chairs. Only outside of work, of course. Bad posture could get him in trouble. - While working on the Battle Subway, there will be times Furze feels sorry for his opponents and offers to quietly let them pass anyways. This...has also gotten him in trouble. :[ - He went to the same elementary school as Isadore in Castelia. Though Isadore seems to have forgotten their short-lived acquaintance, Furze has not. This is part of the reason Furze claims they are in fact good friends!!! - Furze is the middle child of a big family. He lives with his mom and takes care of her, along with his many Darumakas and Darmanitan. All of his Pokemon have famous trains names. - He collects model trains. Naturally.
Isadore
- Isadore had plans to become the station master the moment he was hired as a depot agent, but alas... (sad trumpet sound.) - As a youth, he was more interested in science and engineering over Pokemon battles. He enjoys the strategizing aspect, at most. Not so much the competitiveness. - In addition, his Pokemon are all rescues and not used for battling. He's had his Watchog (Winston) since he was in his late teens. - His Electrode (Gregor) and Voltorb (Leonard) were rescued from the likes of Team Plasma. - Isadore admits he understands Pokemon better than humans. This has been apparent his whole life. - In spite of acting like a sitcom villain, Isadore cares about the management of Gear Station and the safety of the passengers to an incredible degree. He sees it as a personal life goal to assist in the management of Gear Station, as well as the success of the Battle Subway. - Though it pained him to become a subordinate to the twins, he begrudgingly accepts it for the greater good. - His almost militant efficiency certainly made up for his years of antagonizing the twins before they became the bosses. Ingo and Emmet understand this better than anyone. - Isadore keeps tabs on all of the staff members. So he very well knows all their birthdays and makes it a point to celebrate it. This is by no means a -happy- or -festive- event. It's just customary. - Like Furze, he was originally from Castelia, but now resides in Nimbasa. Isadore's only family is his mom and she lives in his childhood home with their Stoutland. - Isadore would have probably been voiced by every glasses guy ever J. Michael Tatum had he not already been cast as dear Emmet lmao
Jackie
- Jackie is a mystery and they like keeping it that way. When they talk, it's practically impossible to determine what is a lie or truth, especially if the subject is themselves or their background. - They love scaring Cameron the most and will ask to be paired with him whenever possible. They claim Cameron is their "favorite coworker," while Isadore is the least favorite. - It's plain to see why -- Jackie is the only one that doesn't passively tolerate Isadore's tirades. - Though my comics sometimes may allude to Jackie being a ghost/supernatural, this is not confirmed nor canon. I just personally enjoy toying with the concept. : ) That being said...
- Item #: SCP 7453
- Object Class: Euclid
- Special Containment Procedures: The ████ ██████ is ██████ within ████-██████. - Ingo and Emmet choose to not question anything about Jackie, since it's clear they're one of the more efficient workers. However it can be a safety concern... - Cloud and Ramses have worked with Jackie for a long time, though they've forgotten somehow. They believe Jackie is a new hire since they appear to be young. - Anyone trying to make sense of Jackie's employee records simply can't bring themselves to any conclusions. It's better to ignore the inconsistencies. - Jackie has never been seen to leave Gear Station. Jackie has never been seen in anything but their uniform. Jackie has never been confirmed to eat, drink or blink. Jackie knows your secrets. Jackie thinks it's... amusing.
Ramses
- Ramses sometimes misses having a full head of hair, but he thinks his signs of age make him look distinguished. (he is correct.) - Ramses is sort of the "mom friend," making sure everyone's concerns are heard, as well as trying to keep the peace whenever a conflict might arise. - If another coworker is feeling low, Ramses will try to cheer them up with a lighthearted joke or offer advice if they'd like it. - When the twins were promoted to bosses of the Battle Subway, Ramses cried because he felt so proud. - In most circumstances, he is a very simple and logical man. He is quick to find solutions and tries not to fret over the little stuff. It's not good for his heart after all. - His ace is his Pikachu (Musa,) though the mouse is more of a lap pet now. At home, he also has an Audino (Sara) and a Manectric (Nubi) who keep Ramses' husband company. His Klinklang (Moli) is the only one of his personal pokemon that accompany him to work nowadays. - Ramses considers Cloud family. They are best friends and love having family gatherings outside of work. They also gossip a lot, and don't mind when Jackie decides to join. - Ramses jokes about looking forward to retirement, but really doesn't want to leave until he is physically incapable of working anymore. Gear Station is like a second home to him.
In-Game Quotes
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The most important reference of all are their in-game quotes, of course, so I'm adding it to the post. A lot of their personality traits can be extracted and interpreted from these few lines. And I personally love that about Pokemon NPCs -- there's a lot of room to explore and play with. Some appear very obvious. Cameron practically announces that he isn't ready for the battle that's about to ensue and seems genuinely surprised to win. Furze comes out the gate talking about the subject they actually care about, which is their job and their love for trains. The two of them are very easy to understand. Now, Ramses lines allude to a gentle and simple personality. He views himself with humility, and maybe even with a bit of humor comparing himself to a train and to his opponent to a station. If he loses he shows no signs of disappointment, he just accepts defeat with one last honest quip. It s also amusing to see the Depot Agents all use train metaphors to describe themselves since it falls in line with how Ingo and Emmet talk.
In comparison, Cloud does the same thing calling herself the terminal instead. Immediately, she is way more daring, though still keeping a sense of professionalism. To me, it's obvious she is competitive as she even admits she was expecting to win ("Ah...I didn't see it coming.") Jackie's lines are fun since it's up to interpretation if they are being literal or lying. It's almost like they are more interested in confusing/creeping out their opponent than actually beating them. To me, it gives off a mischievous vibe. Isadore's opener "There are only two roads in life." is a curious one because it almost feels like he is trying to be philosophical. Definitely a guy who views himself as an intellectual, regardless if that’s true or not. I like to think it's a saying he really believes in, and it applies to his life. The road he likes (long route) vs the road he hates (shortcut) -- fighting tooth and nail to become boss vs biting his tongue and accepting Ingo and Emmet as the Subway Masters.
Those are just my thoughts on how I write these characters. Please have fun playing with these lines too!
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noneorother · 6 months
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Oh my god, season 2 is The Tales of Crowley Hoffmann
I guess this has to be a series now too. Part 1 l Part 2
When Aziraphale wants to perform a show-stopping magic trick in S2E4, he is shown the "Professor's Nightmare," a rope trick, and references "Prof Hoff himself" at the end of the minisode.
Because we love double meanings so much around here, I decided to actually watch the Powell & Pressburger epic opera film "The Tales of Hoffmann," assuming it was the another P&P easter egg and the other Hoffmann (not the magician) that was being referenced.
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One, this movie is unhinged. Two, this season IS The Tales of Hoffmann. Allow me to explain...
There are shot for shot quotes literally everywhere throughout the season.
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P&P The Tales of Hoffmann (Automaton Ball) & Good Omens Season 2 "The Ball"
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P&P The Tales of Hoffmann (Hoffmann watches Stella perform) & Good Omens Season 2 "The one with the zombies"
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P&P The Tales of Hoffmann (Clerk in Automaton Ball) & Good Omens Season 2 "The Ball"
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P&P The Tales of Hoffmann (Tale of Antonia, Hoffman & Antonia) & Good Omens Season 2 "The Clue Crowley & Aziraphale"
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P&P The Tales of Hoffmann (Prologue) & Good Omens Season 2 "The one with the Zombies"
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P&P The Tales of Hoffmann (Tale of Giulietta Banquet scene) & Good Omens Season 2 "The Clue Banquet scene" *By the way Hoffmann wears a goatee for this tale
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P&P The Tales of Hoffmann (Prologue "Dragonfly dance") & Good Omens Season 2 Prologue "Before the Beginning" *This is Stella and un unknown devil drangonfly, NOT Hoffmann
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P&P The Tales of Hoffmann (Tale of Antonia) & Good Omens Season 2 "The Clue"
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P&P The Tales of Hoffmann (Tale of Antonia) & Good Omens Season 2 "The one with the Zombies"
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P&P The Tales of Hoffmann (Automaton Ball) & Good Omens Season 2 "The Ball"
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P&P The Tales of Hoffmann (End credits through Hoffman's glasses) & Good Omens Season 2 end credit scene.
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Stella & Aziraphale. This one makes me laugh.
There are SO MANY MORE, but tumblr has an image limit. Seriously, it's nuts.
2. It seems simple and straightforward, but it's not at all
" Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann (...) was in some way an admission(...) that they couldn’t go on making their edgy, over-the-top melodramas after the rejection and interference they’d suffered (but) there’s a case for considering The Tales of Hoffmann as one of the finest and boldest works that Powell and Pressburger produced, so far ahead of its time as a wholly “composed” film, combining visual and musical elements, that it has still not been fully appreciated... Late in his life, Powell himself said that he thought it was one of the best films that he and Pressburger had made. What makes the film so remarkable is a series of paradoxes: the fact that it virtually reinvented the freedom and fantasy of silent cinema while making full use of Technicolor and a stellar cast of dancers and singers..." - Criterion, The lives of marionettes
3. The structure of the story is the same as the show
Here is the story of the Movie** (Not really the Opera that inspired it) In the prologue, we see the dance of the dragonflies onstage at a ballet. Count Lindoff (very bad dude) is spying on both the principal dancer Stella, and the audience member Hoffmann (who's admiring her). Lindoff is behind the scenery. During her dance, Stella passes a love note to her assistant for Hoffmann. The bad dude intercepts it out of jealousy. During the intermission, Hoffmann goes down to the tavern next door, watched by his sort of buddy in red, Nicklaus. People ask him to tell stories to while away the time, and so he tells 3 stories (actually four but we'll get back to that).
We launch into 3 tales/minisodes in other times and places : 1. The Tale of the Ball of the Automaton where he falls in love with a robot. He is humiliated. 2. The tale of Venice (Giulietta) where he falls in love with a courtesan/double agent who crosses him. 3. The tale of Antonia, where he falls in love with a girl who feels trapped by her living dad, her dead mom and a mysterious bad dude (Lindoff). She is murdered in a ring of fire, but becomes a ghost and is resurrected and sent back to earth. At the end, we snap back to the tavern in the real world. Hoffmann reveals that these three women are all metaphors for how he feels about Stella, his true love. He's drunk and depressed now, thinking she never sent for him after the show. Stella arrives in the tavern looking for Hoffmann, ready to run away, but now accompanied by Lindoff (dressed as an angelic figure) who followed her. She looks to Hoffmann to save her, but he's too blinded by the fact that he doesn't think she loves him back to pick up on the signal. He gives up, and she goes back up the stairs guided by Lindoff. Her assistant (who was bribed by Lindoff at the beginning) is given the go ahead by Lindoff to go back to the tavern and taker over. They close the door to the tavern, while she walks up ethereal stairs with the bad dude. THE END.
The one story that doesn't fit into the minisodes and is told in the real world is Kleinzach. We understand by the end of this one that this is Hoffmann's self loathing about never being good enough for Stella, because Stella is perfect and Hoffmann is ugly and deformed. The main love interest attempts to steal Kleinzach's essence through a mirror by the end. 4. Powell & Pressburger recast four actors in new roles In The Tales of Hoffmann, P&P decided to recast four of the principal actors/dancers from the film The Red Shoes in new roles, wanting to recreate the magic that they brought to the first ballet film. Sound familiar?
5. Crowley is Hoffmann
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"The Tales of Hoffmann" original 1881 costume concept for Hoffmann & Crowley costume sketch for S2E3 1827 Edinburgh. Glasses are a really important aspect for Hoffmann in both the opera and the movie versions of The Tales of Hoffmann. Hoffmann is gifted metaphorical magic glasses that he wears to be able to perceive his love in a way they aren't really in real life. In the opera, he wears dark glasses to shut out the real world, not just as a metaphor. Check out a modern day version of the opera's Hoffmann costume :
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He's french and slamming a beer but you get it. Crowley also canonically loves watching movies. It would make so much sense that his minisode recountings with him and Aziraphale would resemble different styles of movie that he loves. Seeing as we see him drive away at the end as the last character, an argument could be made for him being the ultimate narrator of the story in season 2.
6. The original American release of The Tales of Hoffman had 14ish minutes cut out of it by the studio. So we all know by now that whole debacle about having the clocks jump 14-15ish minutes during the kiss?
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"The Tales of Hoffmann found an audience far wider than expected, despite Korda’s misgivings about the movie’s running time and his decision to cut 14 minutes out of the film for its American release." - Criterion, The Tales of Hoffman
I have been unable to unearth what the difference between the American & British versions of the P&P Tales of Hoffmann is, if you know let ME know. I want to know! _____________________________________
And I HAVE SO MUCH MORE. This is long enough already so I'll save the more detailed stuff for a new post.
**The opera is a whole other beast. You can read about it here, but basically there's a lot more going on in the opera because the composer died before finishing it, and multiple versions exist after the original uncompleted score got lost IN A FIRE. Anyway. Here's part 2
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krirebr · 5 months
Text
More Than This 2
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Pairing: Ransom Drysdale x f!reader, Steve Rogers & f!reader
Word Count: ~6.1k
Summary: Arranged marriages have always been used to solidify business deals among the ultra-wealthy. Your stepfather wants to be in business with Harlan Thrombey, so now it's your turn.
Warnings: Heavy angst, age difference, adult themes, institutional sexism, no noncon but some fear of it, excessive alcohol use, explicit language, the slooowest burn - Warnings will be added as needed for subsequent parts. All of my work is 18+ - Minors DNI
Dividers by @saradika-graphics
Part One
Masterlist
A/N: Another part already??? This one has just been flowing right out of me. It occurs to me that I should probably explicitly state that this will have a happy ending! Possibly very far in the future, but it will happen!! 😂😭
Huge thanks again to @paperweight91 for reading so much of this and letting me know when I was on the right track.
Visual references for the ring and dress can be found here.
Any comment, reblog, or ask to let me know what you think will be greatly appreciated. Even if it's just screeching at me. As always, thank you so much for reading! 💜
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Despite your best efforts, the next three weeks went by in a blink.
The engagement ring arrived the day after your disastrous dinner with Ransom. It was beautiful—a round diamond with a smaller sapphire on each side, set in swirling filigree. You wondered who picked it. Certainly not Ransom. Probably someone’s assistant. It felt like fire around your finger.
You’d packed up the small apartment you loved so much. Sorting everything into what you would bring and what would be put into storage – the latter category was much bigger. You sat in your living room, surrounded by boxes, and cried, with Steve beside you and Lola nervously shaking in your lap. 
Your mother took you to pick your dress. She sat on the plush couch in the appointment-only boutique and sipped champagne while you tried on dress after dress that the attendants brought you. Her favorite was an ivory satin ballgown with off-the-shoulder short sleeves, a bow at the bottom of the back, and a very wide skirt. She cried when you put it on. You told her it was your favorite too, because you just didn’t have it in you to have an opinion.
 The Thrombey clan came into town the week before the wedding. Their time was mostly spent in meetings with Joseph and his team. Meeting the new extended family was to be left for the wedding festivities.
You hadn’t heard a word from Ransom. You’d thought of texting him a few times but couldn’t see the point in it. He’d made his feelings on you and your upcoming marriage clear. Any added effort would just be torturing yourself.
Then, suddenly, the rehearsal dinner was passing without incident. It was a catered affair, held at your parents’ house. Despite being one of the two nominal guests of honor, aside from the initial introductions, you were mostly ignored, as business remained the topic at the forefront of everyone’s minds. Ransom was there, of course, seated next to you, even, but he did his best to avoid you. You were torn between intense relief for the moment and absolute terror for what it meant for your future. When you noticed him quietly ducking out, you took the opportunity to leave as well, hoping most people would think you’d absconded together. The thought made you laugh bitterly.
You spent your last night of freedom snuggled up with Lola in Steve’s guest room. You barely slept.
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Now, you sat in a plush robe in front of the vanity in the large hotel suite that sat several floors above the event hall you’d be getting married in in just over one hour. Steve sat sentinel in an armchair near you, already in his tux. People had been coming in and out all day – manicurists, aestheticians, makeup artists, hairstylists, your mother until she’d gotten called away for the pictures they didn't need you for. The female members of Ransom’s family too. His aunt, Joni, had only been in briefly, saying that the energy of the room was all wrong and she’d had to leave. Her daughter Meg had sat with you for a while, but she just kept complaining about how awful Ransom was and Steve eventually kicked her out, probably trying to spare you a panic attack. And then there was Ransom’s mother, Linda. She had been in a few times ‘to check on the progress.’ You’d tried very hard not to get stressed out by her, but she was very… severe, and you felt about a foot tall every time she looked at you. And now here she was, again.
“Darling,” she said, and you tried not to balk at the fact that you’d know this woman for less than 24 hours and she was already using endearments, “you’ll be needed for pictures soon and you aren’t dressed yet?”
You gestured to the two people at the rolling clothing rack who were carefully removing your dress from the garment bag. “We’re about to start putting it on. I’ll be ready soon.”
“Fantastic. Maybe it’s time for Steve to go then,” she cut a glance to your stepbrother.
“Not fucking likely,” he muttered. He’d been stuck to you like glue all day.
Linda’s eyebrows crawled up to her hairline. “I just think that some people might find it inappropriate for you to be in here while your sister gets dressed.”
He stood up and took a step toward her. “I’ll turn around,” he growled.
“Steve,” you sighed. “It’s fine. I’ll be fine.” It wasn’t. You wouldn’t be, but none of that could be helped.
He looked at you carefully, his eyes flitting over your face. Finally, he nodded, “OK. I’ll see you out there then.” With a quick, reassuring touch to your arm, he left. 
Linda watched him leave and once he was out the door, she turned to you and said, “You and your stepbrother are very close, aren’t you?”
Something about her tone made you incredibly wary. “Yes,” you said cautiously, “he’s my best friend.”
“Isn’t that lovely?” she said with a thin-lipped smile that made it clear she thought anything but. 
You noted her reaction as you returned her smile and removed your robe. You let the attendants help you step into the dress where they’d pooled it on the floor. They pulled it up around you and you stood still as they fastened and arranged the dress on you. All under Linda’s watchful eye, her arms crossed over her chest. When it was all done and you’d stepped into your heels, you turned to her so that she could give the approval you could feel she was dying to give.
“Well, aren’t you just a dream,” she said. Just as you were about to thank her, she added, “Although, I suppose it would be hard not to be, with all these people working on you, huh?” Her tone was warm and friendly, but you took it as the cut down you knew she meant it to be. 
Still, you smiled. “Well, we should probably get down there, shouldn’t we?”
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Everyone oohed and aahed appropriately when you arrived at the courtyard space reserved for photographs. Your mother was crying again. Joseph smiled at you, possibly the warmest smile he’d ever given you, and said “Beautiful,” but it was less like a compliment and more confirmation that everything was the way he needed it to be, like he was commenting on furniture. You smiled anyway and thanked him, then moved where the photographers directed you. 
This round of pre-ceremony pictures was reserved for the families. Ransom had already done his and then been dismissed, to ‘preserve the big reveal’ you were told. You’d been asked earlier if you wanted to do first-look photos and declined. That had been interpreted as you wanting to have the big moment when you walked down the aisle to him. Instead, you just knew that he wouldn’t give them the reaction they were looking for. You’d rather spare yourself that embarrassment. 
The thing about these arrangements was that while they were all about business and everyone knew it, people still wanted the trappings of romance. The big wedding at a fancy venue, awe on the groom’s face when he saw the bride in her dress for the first time, a joyful reception with speeches about true love. It had made you roll your eyes when you’d gone to friends’ weddings, but now that it was your own, it all made you want to scream. 
You posed with Linda and Ransom’s father, Richard, a benign smile on your face. And then it was Harlan’s turn. “You look absolutely lovely,” he said to you, kindly. “You’re going to be so good for my grandson.” You responded with that same placid smile. You wondered if anyone had told Ransom that he was going to be good for you. You doubted it. That part didn’t seem to matter.
Next, it was time for your own family. Your mother and Joseph, together and then separately, and then Steve joined you for the full family. Once that was done, the photographers started to dismiss you, but you stopped them. “I want a few with just me and Steve.”
They looked at you and then Joseph and Linda, “That’s not on the list of required shots.”
“I don’t care,” you said, “I want them.”
“Darling,” Linda started, and you wanted to growl, “I’m not sure there’s time.”
“I don’t care,” you said again, “everyone can wait the five minutes this is going to take. I’m the bride, I doubt they’ll start without me. Isn’t today my day?”
Linda took a step back and nodded to the photographers but you could feel her watching you as Steve stepped up to you. “And people think I’m the troll,” he said, low enough for only you to hear. 
You smiled, possibly your first genuine smile all day. “You are the troll,” you said. “I’m the sweet one who does what she’s told without complaint.”
He snorted, “Sure,” and turned his head as the photographers directed. 
When it was all done, you took a deep breath and tried to prepare yourself as everyone but you and Steve began to make their way back inside.
“You ready?” he asked, concern all over his face.
You shook your head. “Not even remotely.”
He looked over your shoulder. “I know–” he began but stopped for a moment before he started again. “I know that if she had lived, we never would have met, but I still think, sometimes, about how much my mom would have loved you. Just as much as I do.”
“Steve,” you gasped.
He grabbed both of your hands. “You are the strongest, bravest person I know and you can do this.”
Your eyes welled up as you squeezed his hands, feeling like you’d completely fall apart if you let go. “I don’t know if I can,” you whispered.
“Hey,” he said, oh so gently, “all you have to do right now is get through the ceremony. That’s it. You don’t need to think about what comes after. Focus on what’s directly in front of you. Nothing else. Just walk down the aisle and say I do when it’s your turn. That’s it. You can do that. I know you can do that. I wish you didn’t have to, but you can.”
 You took a deep breath. And another. And then you nodded. “I can.”
He smiled, big and genuine and still more than a little sad. He pulled you in for a hug, exceedingly careful to not mess anything up, and said again, “You can. I know you can.”
Someone stepped out of the big French doors leading into the vestibule your party was gathering in and waved frantically at you. Another deep breath. “OK,” you said.
He just nodded and guided you back inside.
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Joseph walked you down the aisle. It wasn’t your choice, but this day had always been more about him than it ever was about you, so of course he would be the one to walk you. You would have chosen Steve. But you also would have chosen not to do this at all. 
The walk was both agonizingly long and much, much too short. Ransom waited for you at the end of it, dressed in a designer tux and devastatingly handsome. You searched his face for anything, but he remained completely stoic, his eyes hard. You had to look away.
There were so many people gathered to watch your life change forever. As you gazed over the faces of the people seated on your side, you weren’t sure you recognized even half of them. You realized with a jolt that this was the most alone you’d ever felt, in this hall surrounded by hundreds of people, all eyes on you.
So much sooner than you were ready for, you’d arrived at the front, Joseph placing you in front of Ransom and joining your hands together. Ransom’s hands were soft and his grasp wasn’t nearly as harsh as you’d expected. You took a deep breath—every other thought since you’d stepped into the hall was to remind yourself to keep breathing—and met his gaze. It was still hard, but, maybe, maybe there wasn’t hate there.
Maybe you just didn’t know him well enough yet to be able to tell. 
The ceremony went quickly. You struggled to focus on the officiant’s words. It was like you were in a sort of fugue state. But you repeated after him when you were supposed to. You said ‘I do’ when you were prompted. You played your part.
Ransom did too. You’d half expected him to just not show up at all, or walk out part-way through, or something but he was under the same familial pressures as you, you reasoned. At the end of the day, you all just did what you were told.
Before you knew it, it was done. There was a ring on your finger and one on his. You barely remembered placing it there. You registered the officiant saying “I now pronounce you husband and wife. You may kiss the bride,” and stared at Ransom. You expected him to swoop in and take what was his, but he paused. There was a clear question in his eyes. Shocked, you realized he was asking permission. As subtly as you could, you nodded. He gave a barely perceptible nod back and then he was kissing you. It wasn’t chaste, exactly, but it certainly wasn’t passionate either. Open-mouthed, but no tongue, and done quickly, the faintest taste of whiskey on his lips. Everyone applauded.
   The processional music started and you began to move without even realizing it, Ransom right beside you. And in that moment, when you had nothing else to focus on, no other immediate job to do, everything hit you. Holy fuck, you were married. This man beside you was your husband. One of your knees buckled and your steady leg caught the edge of your dress and just as you were sure you were about to go down, someone grabbed your hand and you felt another hand on your opposite hip, holding you up. “Wait to collapse in private, if you can,” Ransom murmured to you, dryly, then basically carried you the rest of the way down the aisle. 
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You were both ushered into a small sitting room off the main hall for a moment of privacy as your guests were moved into the ballroom where the reception would take place and before you would take pictures with your new husband. Once the two of you were alone, you tried to steady your breathing and shove down the panic clawing its way up your throat. You were married. It had actually happened. It was real. You steadied yourself on the bookshelf beside you and tried to think about what Steve had said. Focus on what was directly in front of you. You’d gotten through the ceremony by doing that, so now it was just pictures and the reception. That was all you had to worry about. You could do that. You could.
“You good?” Ransom’s voice cut through your internal monologue and you turned back around to face him where he was standing on the other side of the small room, pasting that fucking smile on your face. 
“Yes, I’m fine. Today is just a lot. But I’m fine. Thank you for helping me, before.”
“Well,” he smirked, “I couldn’t have my new wife embarrass me thirty seconds in, could I?”
Your smile went brittle and a small voice in your head chanted fifty years of this but you tamped it down. Pictures and the reception. Pictures and the reception. That was all you had to get through right now.
There was a light knock and then the door opened. One of the photographers peeked in, a camera in their hand. “Sorry to interrupt,” they said. “Just wanted to get some intimate, candid shots, before we go outside for the formal pictures.” Their eyes moved between you and Ransom and you knew they were measuring the space between you.
You shook your head and tried to keep your tone friendly. “No need, just the formal ones are fine.” You didn’t need any more documentation of this day than was absolutely necessary. 
“Oh,” they said, surprised, “well, Mrs. Drysdale wanted–”
“Linda can fuck right off,” Ransom interrupted. “We’ll come outside now.” He shouldered his way past them and out the door. You just smiled and followed him, the photographer chasing after you both.
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The pictures went quickly, you both seeming to want them over with as fast as possible. He didn’t say much to you, aside from the occasional exclamation like, “Jesus Christ, is this skirt big enough?” when he tried to move around you or pose behind you. The photographers kept trying to get you to look at each other, but when you did, it clearly didn’t give them the result they wanted, so they moved on quickly.
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Afterward, you were escorted into the ballroom, where your entrance was met with applause. Your face was beginning to hurt from all the placid smiling you’d done all day. 
You blanched when you realized that you and Ransom were the only ones seated at the head table. You wouldn’t have anyone to talk to. 
There was still some time before dinner would be served. You could already see people beginning to make their way toward you to offer their congratulations to fill the time. A server appeared at your table and you asked for a glass of champagne. Ransom requested his usual scotch then added, “There’s an extra hundred in it for you if you make sure I’m never holding an empty glass tonight.”
You could see the disaster waiting to happen, so you tried a quiet “Ransom,” as the server left, not really thinking before you said something.
He let out a hollow chuckle. “If that’s the kind of wife you’re going to be, let me tell you right now, this marriage isn’t going to work. I don’t respond well to nagging.”
You took a breath, “I wasn’t trying to nag,” you said, “I just–”
“Ransom!” a loud voice interrupted you. You looked over to see Ransom’s uncle, Walt, approaching your table. You’d been introduced to him very briefly the night before. “Congratulations on finally growing up and settling down,” he said, once he stood in front of his nephew. You felt Ransom stiffen next to you, but his face just had an obnoxious smirk on it. Walt’s eyes briefly cut to you but then returned to Ransom. “Although, she’s pretty young, isn’t she?”
Ransom rolled his eyes, still smirking. “Well, it’s not like I picked her, is it Walt? You got a problem with it, go tell Mom or Grandad.” 
You bit your lip at being spoken about like you weren’t sitting right there. But you knew better than to cause a scene, so you quietly said, “Excuse me,” and left the table. Neither of them seemed to notice, locked in a hostile stare-down.
You’d only made it a few feet when someone you didn’t recognize was pulling you aside to offer their congratulations. You smiled and politely nodded through it and when it was done you were grabbed by someone else and then someone else. You crossed paths with Steve briefly before you were both pulled in other directions. You only got a break when they started serving dinner. You got back to your seat to find Ransom sitting alone, sipping his scotch as full plates of food were placed before you. You didn’t have much of an appetite.
You picked at your food and mostly moved it around the plate, while Ransom ate hungrily beside you. Neither of you said anything. After the second course was served, the speeches started. Joseph mostly spoke about the two families coming together and all the opportunities that represented. You wanted to stage whisper to him that it was customary to at least mention the couple at some point, but then he sprinkled Ransom’s name in. A brief mention of how proud he was to be gaining a son like him. You wanted to laugh. They barely knew each other. As if Joseph cared at all about what kind of man he was giving you to. You were finally mentioned at the very end as he toasted his “beautiful stepdaughter and her new husband. To a long and fruitful marriage!” You wanted to break something.
Harlan, for his part, was much more focused. He, of course, referenced all the new opportunities this would bring, it was why you were all here, after all. But he mostly talked about his grandson, how much he loved him, all the potential Ransom had, and once again, how good you were going to be for him. You wondered if you just started screaming right there, what people would do. 
As for Ransom, judging by his body language, he seemed to enjoy both speeches just as much as you had. You wondered if the rest of the guests could feel how miserable you both were and just chose to ignore it. Probably.
When the speeches were done and the tables were cleared, it was time for your first dance. Ransom made it clear by the way he stood up that this was the last thing he wanted to be doing. You tried not to let it bother you, it wasn’t like you were especially excited about this either, and kept your head held high as you came around the table to join him. He took your hand to lead you onto the dance floor and you were once again surprised by the way he held it gently when you’d half-expected him to drag you out there.
You hadn’t chosen whatever song you were about to dance to. You could’ve, probably, but you’d begged off of most of the decision-making for the day, unable to drum up an opinion on any of it. So you had no right to complain as the opening strains of “At Last” filled the ballroom, but you had to stifle an eye-roll anyway. Of course, they went for something that romantic, that cliche. They were all lucky you didn’t burst out laughing.
Ransom pulled you in close with a hand on your lower back, as you put one of yours on his shoulder and he took your other hand in his. It all felt strangely respectful, the way his hand didn’t wander from the small of your back and he held you close but not too close, with plenty of breathing room between you. You weren’t sure how to wrap your head around it, what it all meant.
He was a good dancer, most likely the product of formal dance lessons as a teenager, just like you’d had. It made it easy to keep your polite smile in place as all eyes in the room were on you.
“You’re good at that,” Ransom said.
You shrugged. “A variety of dance classes since I was seven.”
He chuckled. “No, I meant the smiling thing.” When you just looked at him, confused, he continued. “Unless you’re much dumber than I think, you hate this just as much as I do. But look at you, that smile hasn’t dropped all fucking day. You’re having such a nice time, aren’t you? Being the good girl they all expect you to be. Can’t ever let them know you’re upset. Oh no, that just isn’t done.”
You nearly tripped, but you had the good grace to keep going. You kept your face pleasant to everyone watching as you gritted out “And what am I supposed to do instead, huh? Glower and glare because I didn’t get what I wanted? Be an asshole to everyone? And where exactly would that get me? We’re both here, Ransom, stuck in this. At least my way of dealing with it doesn’t make anyone else’s life more difficult.”
He chuckled again. “No one’s but mine,” he said, but instead of just irritation, there was a glimmer in his eye, too, that you couldn’t begin to interpret. It was almost like part of him was having fun. 
The song ended, fading into the next, and more couples joined you on the dance floor. Keeping your hand in his, Ransom led you back to the table, depositing you there and grabbing his drink, before disappearing amongst the tables. 
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Ransom didn’t come back. You'd stayed at the table for a bit, for want of anything else to do. When you got bored of that, you wandered through the crowd, accepting congratulations and trying to find familiar faces. You knew there were a few of your own friends in attendance, but you were afraid to face them, knowing you’d see pity on the faces of the luckily single and recognition on those who were already married. You wouldn’t see much of them anymore anyway, with you leaving for Boston the next day. You couldn’t think about that yet. Focus on what’s in front of you.
You were periodically offered champagne from a passing server and you accepted every time, leading to you now feeling pleasantly floaty. It was a nice break from just how very much you’d been feeling the rest of the day.
You arrived back at your seat, without really intending to, to find Steve waiting for you. He was staring into the corner of the room with a disgruntled expression. “I could fucking kill him,” he mumbled.
You followed his gaze and found Ransom with a group of Harvard-looking bros doing shots by the bar. You shrugged. “He’s getting drunk over there and I’m getting drunk over here,” you said as you downed your champagne and began looking around for a server. 
Steve sighed your name. “Come on, let’s sit down.”
He guided you to a chair and then sat down beside you. “Where’d you get off to?” you asked.
Steve rolled his eyes and groaned. “Dad,” was all he said. You nodded. For all that he wasn’t in your situation, as his father’s heir, he had many heavy responsibilities and obligations weighing on him. You were both caged in by this family.
“Does that mean you’re speaking to him again?” you asked, your voice free of judgment.
Even so, he grimaced. “Only when I have to.” He sighed and looked at you. “I’m sorry.”
“It’s fine, Steve,” you said, sincerely.
He shook his head. “It’s not.” He paused, then, “I wish there’d been a way for me to stop this.”
“Steve,” you sighed. It wasn’t worth talking about again.
Over by the bar, Ransom let out a loud, hearty laugh that carried over to where you were sitting. Steve glared. “You don’t deserve this,”
You shrugged. “It’s what I have, I guess.” Then before he could continue the conversation, you added, “Can we please talk about anything else?”
He looked at you carefully and then nodded. “Sure,” he said, the sympathy in his eyes almost too much for you to bear, and then launched into a twenty-minute explanation of the painting he was working on. You didn’t think you’d ever been more grateful for him. And you hadn’t even thought to ask a server for more champagne. 
The conversation only ended when your mother appeared in front of you. Steve stood up to greet her, smiling warmly, and then excused himself, squeezing your hand as he went.
“Honey, we’re going to go. I just wanted to make sure I said goodbye to you first.”
You stood up and hugged her. “You’ll be there to send us off tomorrow, right?”
“Oh, honey, no. Joseph had something come up and you know how hard it is for me to get around by myself.”
You felt the bottom drop out of everything. “You’re not going to say goodbye?”
“Of course, I am, darling. That’s what I’m doing right now.”
Suddenly, only focusing on what was directly in front of you was impossible. You were married to a stranger who couldn’t stand you. Tomorrow, you would be leaving everything you knew to go to a new home where you didn’t have anything or anyone. And your mom wouldn’t even be there to say goodbye.
“Steve would come to get you, you know he would,” you tried desperately.
“Honey, no, I can’t,” she said firmly and it took everything in you not to burst into tears. “Now, come on,” she drew you into another hug. “I’m going to miss you so much.”
“Mom,” you whispered, your voice so thick. “I don’t think I can do this.”
“Of course, you can,” she pulled back and looked you in the eye. “I know it seems hard, now, but it’ll be easier than you think to keep him happy.” She gently touched your cheek. “All you have to do is listen, and not argue too much. You’re going to be such a good wife and mother. I just know it.” 
She leaned forward to hug you again and you went stiff in her arms. Everything she’d gone through – two marriages that weren’t her choice, a husband that was so cold to her and her daughter, a lonely life. And here she was, offering you up for the same fate. You didn’t know how you were supposed to bear this.
“Have a safe flight,” she whispered in your ear and then she was gone. You didn’t watch her go. You just sank back into your chair, ready for the night to end. 
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A while later, you heard someone call your name. You turned around to see Richard. “I think it’s time for Ransom to call it a night.” You followed Richard’s gaze to see Ransom slumped over in a chair. You almost asked him why he was telling you. Then you remembered that Ransom was your husband now. Your problem, your responsibility. You nodded to Richard and thanked him, smiling at him, of fucking course. 
When you got to Ransom, he looked up at you and laughed. “Well, if it isn’t the wife!” he slurred. “We were just talking about you.” You looked over at the men on either side of him, equally drunk, and tried not to feel too humiliated. 
The crowd was thinning, but there were still people around and you could feel their eyes on you, so you did your best to keep your tone and face calm. “Ransom, it’s time to go up to our room.” 
One of his companions snickered and you were suddenly struck by what might await you in that room. You’d been so focused on just getting through the next thing that you’d protected yourself from thinking about what he might want, what he might demand, once you were alone. But looking at him now, as he struggled to stand up or get any control over his body at all, you hoped that you might be safe for this night, at least. 
Steve appeared at your elbow. “Fucking ridiculous,” he mumbled, low enough that it didn’t seem to be for you. Then louder he asked, “You need help getting him up to the room?”
You turned to him to answer, but then you saw Linda over his shoulder, watching you both carefully. You shook your head. “No, you can’t. I’ll be fine. I’ll–” Ransom took that moment to fall loudly back into his chair. He was way too big for you to handle on your own. You sighed and looked around for anyone who might help. “I’ll get Richard to help me.”
Steve looked at you confused. “I can do it.”
“I know,” you said, “but I just can’t let you. It– The way it would look,” you shook your head again.
You could tell he still didn’t get it, but he let it drop. “Ok. I’ll see you tomorrow. And if you need anything between now and then,” he sent a scathing look to Ransom, “you call me.”
You nodded, knowing you wouldn’t, as he squeezed your wrist and left and you went to track down Richard.
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After much struggle, you finally got Ransom into the honeymoon suite, Richard retreating as soon as his son was safely dumped into an armchair next to the bed. And then you were alone with him. You just stared at him for a moment, then asked, “Can you get yourself undressed?”
“ ‘fcourse,” he mumbled, then thrashed around in his tux jacket. You put a hand on his shoulder, trying to still his wild movements, then tugged off the jacket. You carefully began unbuttoning his shirt, trying to touch him no more than absolutely necessary, but he still smirked at you. “That desperate to get me naked?” he asked. You rolled your eyes and tried to keep going, but a hand on your wrist stopped you. “Hey,” he said, very seriously. He tried to lock eyes with you, but his kept drooping, as he continued. “We don’t have to do anything t’night. Not if you don’t want.”
You scoffed. “Yeah?” you asked. “Is that you or your whiskey dick talking?” You regretted it immediately, you were so tired. You waited for the insult to land, to see how he’d react, but he’d stopped paying attention, his head lolling against the back of the chair. You finished with the buttons and kneeled in front of him to take off his shoes. When that was done, you stood back up. “Please tell me you can get your own pants.”
He nodded, shrugging off his unbuttoned shirt, and stood up. He struggled with his belt for a few minutes, but eventually got it off, then pawed at his fly until he was able to undo that as well. As he moved to the bed, his pants slowly slid down his legs. You tried not to look at him, but you couldn’t help yourself. Under any other circumstances, you would find him so beautiful. It wasn’t fair. How dare he look like that and treat you like this. Just another aspect of this whole fucking mess that made you want to cry.
He stumbled to the edge of the bed and then threw himself forward, collapsing onto it face down, lying across it diagonally. Almost immediately, he started snoring. You just stood there a moment, watching him take up the entire bed. Fuck. It was fine. It’s not like you were going to sleep much anyway. You tugged his pants the rest of the way off his legs and threw them onto the pile of the rest of his clothes. 
You turned your attention back to yourself and stopped, suddenly gripped by panic. You tried to reach behind yourself and begin unfastening your dress, but the line of delicate hook and eye fastenings was too difficult to get without being able to see them. And you couldn’t reach all of them anyway. Oh god, you were going to be stuck in your dress all night. 
There was no one to help you. Ransom was out like a light and would be too drunk and clumsy even if he were conscious. Your mom had gone home. You couldn’t call Steve. He would come help at the drop of a hat, but if anyone saw him coming into your room… No. You were completely alone.
Every feeling you’d tried to push down and ignore this whole awful day came bubbling to the surface. You finally cried, your body wracked with sobs. You couldn’t control it. As you did, you still tried to wrestle with your dress, but your panic and sorrow made getting out of it impossible. So you sank down to the ground and just let the tears come. 
When you were finally all cried out, you stood up and moved to the bathroom. You took off your makeup and took down your hair, redoing it in the way you always slept in. You brushed your teeth and finished up with your skincare routine. Then you went back into the bedroom and grabbed a blanket off the bed. You moved into the adjoining living room and sank down onto the couch, arranging your giant dress around you. You turned on the TV and settled on a marathon of some procedural crime show you were pretty sure you’d seen before. You couldn’t decide whether or not you wanted the night to go quickly.
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Tag list is open
@stargazingfangirl18 @drabblewithfrannybarnes @thezombieprostitute @jaqui-has-a-conspiracy-theory @bval-1 @citronbun @ladyvenera @rebeccapineapple @alexakeyloveloki @dancer3205 @i-can-do-this-all-dayy @thecrandle
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illustromic · 1 year
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My thoughts on drawing wings (an unofficial tutorial)
Do you want to get better at drawing your favorite winged character? Do you have winged OCs? Just want to learn something new? I can't promise this post will help, but maybe it'll give you some helpful tips.
I know, I knowww, wing tutorials have been done to death. I don't care. This was initially inspired by a conversation on twitter, but actually I've wanted to write down my notes on the topic for a long time lol. Basically wings are one of my special interests so it's very important, for me, to draw them both nicely and also realistically.
On that note, let me first show you my resume *distant sound of floodgates opening*
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Like what you see? Read on! (Oh, and I will only be covering feathered/avian wings bc those are the type I know best.)
Now, I'm not here to give you a step-by-step guide on wing anatomy and aerodynamics, because there are plenty of other resources that cover this already, and I'll list my faves at the end of the post. Right now, I'm going to give you some easy guidelines and tricks that I wish more artists knew.
1: Wings do, in fact, have bones (crazy, I know) and are actually very rigid because they have to support the weight of a living creature. There are some positions you cannot physically force a wing into irl.
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2: Flight feathers are not placed willy-nilly on the wing, because then they wouldn't catch the air properly. Again, like the bones, they are rigid and strong, so don't draw them like fur or ribbons. All wings have the same pattern of feather placement, with slight variation depending on species. If you learn the feather sections, it will automatically improve your drawings a lot.
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2.5: Feathers overlap each other like a handful of playing cards, and this looks different depending on which side of the wing you're drawing. They always do this unless they're extremely untidy.
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3: The size of the wingspan is important if you're going for a more realistic design. There is no "scientifically accurate" measurement when it comes to fictional creatures, but my general rule is when in doubt, you probably need to make them bigger. Personally, for my original winged human species, I give them wings that can be up to 12 feet long each (the artistic sacrifice is that it's really hard to fit the wings on the dang page lmao, so make your own call).
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4: Get used to drawing folded wings. Most of the time, birds keep their wings folded because it prevents them from getting damaged and it conserves energy. The trick is to get good at visualizing how the joints bend and overlap (look at plenty of photos!) In general, they can fold much tighter than you think.
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5: Wings and feathers take a lot of patience to draw, but the results are worth it. I've seen so so many incredibly beautiful and skillful artworks that are---well, maybe not ruined, but still negatively affected by a pair of wings that look like an afterthought, or not even like wings at all. You have no idea how much a little extra time and practice will add to your work until you see for yourself.
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Finally, some notes on "stylized" wings: Of course it's perfectly ok to draw more simplified/cartoony wings if that's your preference!! BUT there is a difference between a stylistic choice and a lack of effort/poor understanding of the subject matter. Even cartoonists have to learn the fundamentals of realism so they know how to make their designs logical and appealing. Here are some examples of more stylized wings that I feel retain the core principles of anatomy/aesthetics:
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And last but not least: A list of helpful links I use personally for reference and inspiration!
I made this pinterest board for general artsy inspo, and this board to curate my very favorite tutorials/refs/information, focusing on the scientific aspect of wings and flight in general. Feel free to use both! (I also suggest pinterest in general for pose refs and such, but try to only practice using photos at first and not other drawings.)
I highly recommend this blog and this blog if you want examples of artists who draw more realism-based winged creatures!! They are both huge inspirations for me and I think you should totally follow them even if you don't plan to draw wings lol <3
If you're REALLY serious about it, my favorite ref books are: Winged Fantasy, a lovely drawing book by Brenda Lyons; Proctor & Lynch's Manual of Ornithology; and Angelus vincens by R. Spano, which is essentially an artbook by someone who (I believe) designed biologically plausible "angels" for their senior thesis.
Ok, idk how to end this lol but I hope it helped! I know it's not my normal kind of post but I'm super busy with college stuff rn and this was all I had time for. If you guys have any questions or feedback, please let me know!!!
-Aloe <3
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gyuwoncheol · 3 months
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Vantage Point | Meet the Characters & Series Masterlist
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Status: Begins tomorrow (January 20)!
Pair: Mingyu × f.reader
Summary: Pulling off the "No Strings Attached" arrangement with his best-friend-turned-best-friend-with-benefits was easy, but when a new condition is added onto the mix, Mingyu didn't realise just how much he held onto you when you finally let go.
Genre: College au. BFFs to FWB trope. Fluff, Humor, Angst, Smut [chapters with smut will be indicated and will contain the necessary warnings]
Author’s Note: Please take time to read this before starting the series ☺️
Hello, my darlings! Finally getting round to posting this after missing the commited date last time due to covid. But welcome!!! 🥳 This is the first story to my Snap Shoot universe! Before you get into it, let me just point a few things. This is the first time I'm ever creating a universe with interwoven stories, and while I've done SMAUs before, this is the first one I've done for SVT and the first time I'm also this adventurous about it. It's definitely very different from what I post on here but I'm having lots of fun putting it together. I know it goes without saying, but I'll say it anyway, this is very much a work of fiction. This is an AU. While Korea may be the assumed setting for this series, it is not explicitly defined. I'm also trying to avoid using lots of Korean cultural references (maybe except for food) such as use of honorifics like "hyung". While many of my other works refrain from over-describing oc's physical features, you may find that in this series (and universe), oc's features will inevitably be defined. You'll find that the visuals of the characters and the aesthetic of the photos/social media posts will be Korean/ Asian. It's a SMAU, so i'll have to place photos and these photos must maintain consistent. I absolutely do not mean any ill intention of being non-inclusive (I don't even fit the same aesthetic as oc).
Again, it's a work of fiction, while I want you to relate to oc, kindly also allow me breathing space to build the character. If you feel uncomfortable at any point in the series, you are very much welcome to stop/unfollow. As mentioned, this is a SMAU, but it contains several chapters which are purely written narrations. All edits (texts, social media posts, etc.) were done by me, however some photos (esp those of Y/N) are from the web, if they are yours, please let me know so that I may credit you or remove the photo. The texts are all done on light mode. Deal with it. This follows a FWB trope, expect lots of smut and suggestive content— specific smut warnings will be available in chapters where they are present, along with other necessary warnings. This series will have lots of fluff and lots of crackhead nonsense humor. I hope you guys enjoy this as much as I enjoyed writing it.
Biggest shoutout to my dearest friend @wongyuseokie who has been nothing but supportive through all of this and through all my dramatic Mingy-induced meltdowns. I love you more than you’ll ever know ♥️
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Meet the Characters
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Mingyu: Sophomore, studying Film & Photography, yn/Camie's best friend since childhood
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Yn: Sophomore, studying Film & Photography with Mingyu, Mingyu's best friend since childhood. Nicknamed "Camie" by her group of friends for her highly concerning camera collection/obsession.
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Seokmin: Sophomore, studying Film & Photography, same friend group as mingyu and yn, Mingyu & Wonwoo's housemate
Soonyoung: technically a year older than the 3, but currently a Sophomore with Gyu, Cam and Seokmin after shifting into their major
Wonwoo: Junior, studying Film & Photography as well, Mingyu's guy best friend and housemate in The Man Cave, a brotherly figure to OC, Soonyoung's former classmate in highschool
The Man Cave: shared house near their university where Mingyu, Wonwoo and Seokmin live, and Soonyoung often crashes.
✨Other characters/members will come as the series progresses.
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Series Masterlist
To be populated as each chapter is posted. There is no posting schedule. Chapters will just get uploaded as they come.
Teaser
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five 🔞
Chapter Six 🔞
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
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Tag List!
@strawberryya @idyllic-ghost @septemberskies @ladyblablabla
If you want to be tagged as each chapter comes out, do send me an ask or reply to this post so I could include you in the tag list 😊
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morebird · 3 months
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Do you have any tips for how you draw faces so good? Besides just visual references? Do you ever free draw them? I've been trying to figure it out but it's been frustrating to try to find the write way to start I feel the more I practice the more complicated it gets
Is.... the way I draw faces that good? I feel like a lot of you see the final artwork and think that it looks this good from the very start, when actually my art with only the line art looks goofy af, at least for me.
I am going to bare you my soul anon, because I think all the lighting and shading makes everything look better than it actually is:
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So here it is Mr. Priest himself in various stages of progress, as you can see the face with only the line art is nothing special, the lighting and shadows is what makes it great.
Now for the advice part. For me at least getting the right shape of everything helps. Forget it's a face, it's just pieces that have to fit together. Don't just look at the shape of each part, but also the space between each of them. I wish I had some examples but most of the times I delete that layer once I have a good sketch. But here is a simplified version of what I do:
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So I guess this is an advice of how to properly use visual references. I don't draw without references, because I don't trust my brain, some things are fine to draw from memory but faces aren't one of those things. Also this is just me and how I do things, doesn't mean you cant learn and draw from memory.
Maybe your problem is not the same as mine, for me all the individual pieces are easy to draw but it's all of them together what messes with my brain, so with a rough rough sketch I have everything in its place and then I can work on making it "pretty"
This is without getting into perspective, because that's something that I don't know how to teach or explain and it takes some time to get it right. I have been drawing Destiny stuff for 3 years from all kinds of crazy perspective so after all of that practice drawing a face in a 3 point perspective is not that complicated. References help too 😅
I also would like to mention, I am not an expert or professional. I am still learning too, so maybe this is not the best way to approach things. I know that there are multiple more correct ways to draw faces, with all the circles and lines but that never worked for me. I tried to learn it like that, got frustrated and stopped. And then I started treating faces as robot parts that all have it's place and shape, and it worked.
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juliametzgerart · 3 months
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I have shared versions of this on other platforms before, so I might as well make a tumblr edition: here some tips for MtG portfolios I gathered and might be interesting for some people who follow me. 1. Since this is a trading card game, here comes the obvious one first: Always keep in mind that these are card illustrations, they have to be readable in super small. Which means that strong silhouettes and value structures are a must have. If you work digital, check the zoomed out version on regular basis, or even have some jpgs to check their thumbnails in your file browser. That can give you an idea about their readability. Traditionally you can of course take some steps back, or take some photographs to look at smaller previews on your devices. Also: print illustrations often come out darker than their screen versions, be careful with your darks! It's rather easy for things to go muddy, even if they look good on screen. In doubt, increase the brightness a bit. It's okay to have different versions for screen and print to meet their needs.
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2. Be versatile about your topics and compositions. Zoom in, zoom out. Don't fall into the trap of your own comfort zone zoom level of showing things, or one way of doing things. It can be positive to offer purposefully unusual options.
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3. Be aware of the focus. If you have a magician with a staff, ask yourself if the card is about the staff(artifact), the mage (creature) or perhaps even the spell. The composition and focus of the illustration should shift accordingly! Clear action is important for readability – since that is not just visual hierarchy here, but also storytelling. Which brings me to the next point: 4. Good narrative matters, but mechanics matter even more. So, again, be very aware of your illustration's focus. You can potentially add extra elements for the story to make it more fun, but it should not get too convoluted, and even less should it distract from what the card it actually about. If you come up with your very own ideas for a portfolio this is of course much more open than if you work from a description. But you can find a bunch of official MtG descriptions online which are super useful for training.
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5. Show care. Plan the illustration, get the references in place. It's the best time to get good habits in place, and really finish the pieces. Don't make them weaker by going too fast, that is not convincing. It just lets people assume worse things for tight deadlines. This does not mean everything needs to be rendered to death - but shape design should remain thoughtful and purposeful even where soft and lost edges are used.
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6. It's potentially okay to have your specific stylistic or thematic niche. It can mean less assignments at times, but can also mean more special ones. It's cool though for your voice to be visible as long as the other needs of the product are met.
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7. Never stop using those references. Get them, make them, use them - take them seriously. (at least for any of the more realistic styles). It's one of the most repeated tips for any student to actually just use more references. They do a ton to get complicated things like anatomy and lighting right, but also cultural references and versatility. Many of the best Magic artists also make the best references – it's not a coincidence. Learn from the people who have already established themselves, they have great wisdom to share. 8. Your quality has to match the current roster. Yeah, sorry, no way around that one. You need at least to be as good as the currently "worst" artist in the roster to have a chance. And the ADs need to be sure that even on a bad day your art can meet their quality bar. Which is the reason why you likely need several art pieces at the required level, to prove it wasn't just some lucky fluke. Though once you're really there, that also means a bit less pressure to perform, since you're likely comfortable at your skill level and can only go up from there.
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funshape · 5 months
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i saw someone in a post i made about wdw parks history lamenting the 20000 leagues under the sea ride that closed down and i have GREAT news i have been WAITING for a chance to talk about this
i would love 2 take this chance to bring to the wider public's attention TOKYO DISNEYSEA, aka the best disney park objectively- at this park, they actually have a modern incarnation of 20k leagues but updated with a lot of very clever engineering tricks and a gorgeous steampunk-adjacent aesthetic but one with a lot more whimsy. its aesthetically a lot like the tommorrowland at disneyland paris, actually
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they even have the kraken still in there! updated to seem a lot more visually menacing. i believe the eye on it even moves!
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and hey you know how 20k leagues in its original incarnation had a lot of issues with people finding the design of the subs claustrophobic since the seating was so cramped? that's been updated too! you can clearly see that this ride vehicle was designed with the comfort of larger groups in mind, while also still feeling like its a rusty old submarine.
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ok this is cool right. like surely thats cool on its own-
yeah no this ride is also connected to a journey to the center of the earth ride. and not a dark ride either this thing is almost comparable to a roller coaster combined with a dark ride. its a really unique ride system.
also the ride itself is built into a volcano structure with a beautiful waterfront in front of it (beautiful waterfronts are disneyseas whole thing actually)
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ALSO the ride is really notable for having this GIANT CREATURE ANIMATRONIC in there thats REALLY reminiscent of the alien encounter animatronic! (or at least the documented records of it)
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and the coolest thing is the entire park is brimming with this amount of creativity. you see, disney doesnt actually own the tokyo resort. they dont have complete control that they do over, say, the orlando resort. the oriental land company owns it because they own the land it was built on. so instead of disney mandating them to put certain things in, they license their properties to them. i assume that because disneys grip is a lot more loose on this park, the designers are able to take a lot more creative liberties and experiment with this sort of stuff (not entirely sure on that, but given just how different this park feels from anything else disneys ever made i can only assume that'd be the case. if anyone knows any other details on how this park turned out like it did aside from this, lmk!)
like, even the areas that are licensed have very creative things going on with them - look at this little mermaid area thats designed to resemble the architecture of the castle from the film
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and even the area for the toy story ride is gorgeous, its designed to resemble coney island era carnival boardwalks!
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this whole park is so fascinating to me because its very evident that the designers for this park repurposed a lot of the concepts they never got to make. even the parks name is a reference to a cancelled west gate to disneyland called disneysea, which is, like the one in tokyo, a sea/maritime themed park. and even outside of that, if youre at all familiar with disney history you can clearly tell which cancelled projects the designer of this park were inspired by!
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this is concept work of the og disneyland disneysea^
i dunno, this whole park has captivated me a lot when i was younger because its like a bunch of these crazy passion projects the engineers were rooting for for years that only existed within concept art finally brought to life after years, maybe decades. ive always found it really beautiful that the creative team behind these parks found a way to make their ideas truly work in a park. i think its a shame that more disney park history enthusiasts straight up do not know that this park exists just because it's not one of the US resorts since those always get all of the attention in discussions of wdw history. hopefully this post can change that!
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