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#i wrote an essay
bloomeng · 9 months
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“Genshin character designs are bad.”
You really can’t navigate through the Genshin fandom without hearing this take. It’s stale at this point, but it’s…. also true. Except that’s usually not what people are actually saying. The true question up for debate: Are Genshin character designs ugly?
It irks me because there is validity to the original statement, and yet the conversation immediately moves into the territory of strictly opinion, leaving the true discussion never to be had.
So I’m having it… with myself…. in the form of a long post, because actually I find Genshin an interesting character design case study.
Before I really get into it I must address the elephant in the room; are Genshin’s character designs colorist?
Yes. Moving on.
Okay, okay, I’ll address it a little, Genshin has a problem with colorism. It’s a fiercely debated topic and honestly it’s one of the only real valid discussions I see around Genshin’s designs. That being said, I have nothing new to add to the conversation. If you don’t know why, sorry I’m not qualified to answer that, but you’re in luck because tons of qualified people have explained it across all platforms.
What I am partially equipped to talk about is character design. I’m no expert but I have taken a few formal classes on the subject, so I do have some insight to share. Character design at its core is usually quantified by how much of a character’s personality can be clearly determined from sight alone and how recognizable their silhouette is (though I’m not gonna touch on that today). Now there’s a lot of factors that go into both, but the fundamental thing that contributes to both is something known as shape language.
Shape has meaning. What that meaning is often depends on culture factors that determine your associations, but the Western simplification of shape is that circles are good-natured, rectangles/ squares are reliable, and triangles are energized. (these are my own personal words for them, there are countless ways to go about describing these associations) Shapes are then combined with each other to create more complex associations, and so on and so forth. It’s impossible to create a character without evoking some form of shape language, because art at its core is just shapes. The classic example are the round shapes seen in Mickey Mouse, though often times it’s far more subtle, like how Barbie has soft, round lines in her hair and face, but her hourglass figure is comprised of triangles to tell you she’s sexy, but the soft curves say she’s sweet not sexual— and it quickly gets very complicated. Basically character designs are rarely comprised of one shape alone, and when combined the “vibes” they evoke become complex.
So what does this have to do with Genshin? Genshin has poor shape language. The most obvious example of this are the faces. Genshin has same face syndrome, which I partially contribute to budget constraints with the models seeing as they reuse them over and over. Though it also has a lot to do with Genshin’s need for their characters to be conventionally attractive. Everyone must be beautiful and, as the current trend in anime artstyles dictates, not look a day over 12. The only thing that changes is the eye shape, but even then, it really doesn’t. There’s diversity between the male and female models, but calling it diversity seems generous, because they are practically the same. All the viewer has to go on to differentiate between faces are the expressions (and color but we’ll get there), which are also limited by the models.
The poor quality of the shape language continues into the bodies, seeing as the only thing that really changes is the height, not a lot of room for show casing contrast. (Also body diversity is just a good thing to have for the sake of having body diversity.) Visual contrast is one of the key things good shape language should deliver. It’s within this contrast that the viewer will have the opportunity to compare and thus make these associations. One character design may tell you things based on previous knowledge but it’s like an experiment without a control group.
Then we get to the character’s outfits and hairstyles. While it’s true there is a fair amount of diversity in clothing, the shape language continues to falter. Genshin characters have so much going on constantly in their designs that it seems like that should provide plenty of opportunities to showcase personality. Unfortunately what ultimately happens is that the details compete amongst themselves so much that they overshadow any sort of unified message they might have had about who this character is. Basically there’s too many different shapes. They don’t create a pattern and therefore don’t form any strong associations. You can have a good design with a lot of details but they should communicate a pattern together. A design is not good simply because it has a lot of detail. I will say there are definitely times where the clothing and hair do actually come through to tell me stuff about the character, but overall this over designing tends to be a detriment.
Genshin’s hair while in different styles usually relies on the same type of pointy strands and blunt edges.
(these characters were randomly selected to prove my point that you can quite literally pick any character in genshin and they will have at least one of these two components)
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On their own pointy strands might tell us something, but considering every character has them, the pattern within a single character is rendered moot. “If everyone’s super, no one is.” Of course how they choose to wear their hair does speak to the character but its effect is limited when the structure of the hair is fundamentally the same. And then when you consider that the styling of many of these hairstyles doesn’t actually say a whole lot, it becomes obvious that Genshin is more concerned with creating hair that stands out. The problem is that details, asymmetry for example, normally tell us about the character, but considering so many hairstyles utilize asymmetry, it looses its meaning. Overall I will say I think Genshin is more of a 50/50 toss up on whether or not the hair suits the character.
I want to take a moment to point out a couple hair style designs in Genshin I think are really lovely and work very well.
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And now I would like to do the same with some outfits.
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(honorable mention to Bennett for being over accessorized in a way that actually tells you about his personality (goggles, a scar, bandaids, work gloves, utility belt), to Barbara for somehow mashing the concept of a nun and an idol together, to Klee for her childish whimsy and finally to Scaramoche for the sheer amount of subtle character growth motifs fit into all three of his outfits (the cultural stuff is really cool too))
Genshin I will say does a great job of creating and repeatedly using the elemental imagery as well as Khaneira’ah’s star. I also appreciate that every Archon has that ombre hair shift that glows during their burst. Makes them feel unique.
I think Genshin shines the brightest when they successfully incorporate cultural elements into their designs however, the only nation that does this with any sort of consistency is Inazuma. Inazuma’s aesthetic is so instantly recognizable. No one dresses exactly the same, but there are common through lines in the shoes, the style of the armor, and patterns in the clothes. (The design aesthetic is so strong that even after Scara got a Sumeru makeover he managed to keep elements that were clearly identifiable as Inazuman) Every other nation falls short in this department. I will give credit to the knights as there is some level of consistency in their designs, mostly in the metallic detailing; not quite a uniform but there is some commonality. Liyue does have cultural influence that definitely shows but it suffers from an overall lack of consistency in aesthetic, and doesn’t lean into its Chinese inspiration the same way Inazuma does. Mondstadt on the other hand is just vaguely European, but also half the time not even.
And then there’s Sumeru. I distinctly remember looking at the full Sumeru cast the first time and thinking that none of the them looked like they came from the same place. (It’s almost as if Sumeru is based on a bunch of separate countries that are culturally very different.) Pretty much no character has any real ties to any any real culture, but instead they just sorta grab vague elements. And at its worse just leans into orientalism (Nilou and Dori). I think personality wise the designs do a fairly stable job of saying at least something about their characters (Dehya and Kaveh). The designs do well individually but between the vague references and inconsistencies they falter. (I will say Cyno’s whole design being a reference to Yu-Gi-Oh is both hilarious, charming, and also mildly appropriative.)
On the topic of appropriation I think it’s important to note that Inazuma suffers from this too. While I absolutely love the way a lot of Japanese elements were integrated, outfits like Yae Miko’s shrine maiden garb bring forth this sexualization of cultural dress that I’m not particularly fond of. But then again you can also critique Rosaria’s sexy nun design for the same thing.
I also want to touch on something briefly because it’s important to note, but it’s a separate, much bigger conversation; Genshin, like anime, falls into a trap of catering their style to lolicon and shotacon enjoyers. It’s the reason all the characters look so young, why all the age discourse exists, why they refuse to confirm ages, and why all the children with the toddler model have some weird age work around. I don’t like it. It’s gross.
Another brief mention because it’s its own conversation; the female characters in Genshin are often over sexualized. Their clothes are skin tight, they almost always have weird random cut-outs, their skirts and dresses are designed to show off their breasts and asses, and all of their designs are high fem regardless of their personality. Give a female character baggy pants Genshin I dare you. Dori doesn’t count, she’s a toddler model in just a bra. I don’t have a problem with a female character being hot, but when that’s the only requirement…. it’s tiring. The classic female character design video game debate…. yah.
I think my overarching issue with Genshin’s clothing design is it says nothing about whose these people are. What jobs do they do? What do these accessories say about them personally? Take Yanfei. She’s a lawyer, yet nothing about her outfit speaks to that in the slightest. I remember the first time I sat down and looked at all the playable characters with a friend of mine. I didn’t play at the time and we thought it would be fun to see if I could guess their personalities. As you can imagine I did pretty poorly, and that’s because these designs just don’t suggest a whole lot.
And then we get to color.
Color is probably the most complicated part of art let alone character design. I feel as though we all have some familiarity with the concept of color coding in character design. The classic red/blue character foils. Color often suggests specific traits similar to the way shape language does, except unlike shape language color coding doesn’t always apply. You can’t just assign a character a color and call it coding, the character has to physically have that color on them in some significant manner. For example Naruto is clearly an orange coded character. He appears in the color throughout the series, but I couldn’t classify Eren Yeager as a green coded character even if it suited his personality (which it doesn’t) because it’s a uniform everyone wears. Attack on Titan does not evoke color coding the way Naruto does, so it’s not applicable.
With Genshin color is complicated. Genshin does have an established color pattern for all the elements, but not every character wears the color of their element. Now normally I would say just having a color pattern for the elements wouldn’t be enough to justify character color coding (since it would fall back into the uniform category), but in Genshin their visions connect to their personalities, so therefore the color of the elements is connected to them. For some the color coding is very obvious (Kaeya & Diluc) and for others it’s practically nonexistent (Yun Jin & Heizou). In all honestly I don’t know what to make of this other than Genshin is inconsistent in their elemental color coding but always consistent in their high saturation. Because color is complicated and a weaker area of mine it is equally likely that I’m missing something or that Genshin isn’t coding anything and it’s all pure aesthetics.
Which brings me to my final point; aesthetics. Hoyo as a company cares that you spend money. That is the number one goal at the end of the day. That’s why all their characters are conventionally attractive, why their art style is the way it is, why their shape language suffers, and why their outfits are overly detailed. It’s all about aesthetics. As a brand Genshin cares less about their story and more about how pretty their characters look, because if their characters are pretty then you’ll spend money. It’s not like Hoyo designed characters with bad shape language because they were ignorant. They knew exactly what they were doing when they sculpted every last visually pleasing strand of pointy hair.
Which brings me back to the real question that people were actually arguing over in the first place; are Genshin characters ugly?
I can’t answer that question. I mean they weren’t designed to be ugly, but if they don’t appeal to your taste, then to you they are ugly. But it’s more important to understand that “bad” and “ugly” are not the same. Genshin character designs are bad by professional standards but that doesn’t mean you can’t like them. Genshin designs can be both bad and likable, bad and pretty, bad and cute. Those are two vastly different things. It’s the same way people adore cult classic movies. They’re not good in the eyes of a critic, otherwise they wouldn’t be niche. They’re cult classics because people like them. Personal taste is just that. Personal.
But the most important question of all; do I like the Genshin Impact character designs?
I didn’t use to but I gotta say, they’ve grown on me.
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whspermy-name · 2 months
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Me.after writing the most vile fanfic ab how.i want to kill my friend's brother ♥️
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pran autism anon here!!! hi friend!!
so i was working on a fic today and i started wondering about pran and his diagnoses. obviously, as of our skyy, his ocd is diagnosed. i figured his autism could also have been diagnosed at the same time, but since him being autistic isn't canon, we will never know. there's also a possibility of him being diagnosed with autism as a kid (in my fic, this is what happened and the reason he got his ocd diagnosis in his 20s is because he and the people around him kept attributing a lot of his ocd symptoms to autism), but a lot of his behaviours and his tendency to mask lead me to believe that he grew up undiagnosed and learnt all these masking methods as a defence mechanism. yes i spent my sociology class today thinking about pran and how likely he would be to have a professional autism diagnosis in my totally canon version of bad buddy which is basically exactly bad buddy but pran is canonically autistic and aware of the fact. as i was writing this i also realised it's entirely possible that he is autistic and just doesn't know it yet. so yeah i was wondering what your opinions on this were? if you've ever thought about it.
sorry if none of this made any sense i am tired rn
I wrote an answer to this but tumblr glitched and deleted all of taking away my entire dopamine spike with it.
But I'm here again, more prepared than ever to write my thesis: Pran probably was unaware of his autism, majorly due to his relationship with his mother and Pat.
The premise of my thesis is rooted in the ways high functioning autistic traits manifest in Pran have always been rewarded and/or neglected because of his relationship with both Pat and Dissaya.
Symptom: Executive Dysfuntion , ie, the inability to plan, monitor, prioritize, make decisions etc.
The Executive Dysfuntion that would otherwise render most neurodivergents paralysed for an amount of time they can not perceive, does little to influence both Pat and Pran. They are being run by the mutual dopamine release of having to compete. Having an external source of pressure/deadline/competition provides just enough dopamine to make both task initiation and cessation easier.
Thus, more often that not, Pran wouldn't be experiencing the executive dysfuntion in presence of Pat and vise versa.
This does bring up the valid tangent of Pran's dysfuntion being visible when he gets transfered. For that, I do believe, mixed with the stress of having to transfer, the anger and hurt of leaving his entire life, the feeling of unfairness triggering his RSD and the need to have to mask for new people would provide enough context for him to attribute the dysfunction to THAT rather than autism.
Specifically with dissaya, the inability to do anything would probably have been met by "you should try again" or "did the neighbour's kid get it?". Would there have been many instances where Pran let dissaya know that he's unable to work? No. Would there have been some instances instances? Yes. Would they have instilled a sense of shame for his inability? Yes, more than what neurotypicals feel for the same inability.
Symptom: "incompetent" social skills (I WILL DIE ON THE HILL THAT DSM 5 JUST TALKS ABOUT INCOMPETENCE BECAUSE ITS WRITTEN BY NEUROTYPICALS WHO THINK THAT LYING TO PEOPLE'S FACES IS CRUCIAL FOR THE CAPITALIST HELLSPACE TO THRIVE I HATE IT SM)
When it comes to Pran, when we first meet him, he's shown to be interacting with his group of friends, he has a very nice conversation with his family and he is the class president for fucks sake. How can he be incompetent amirite???
First of all, he isn't. No one with autism is incompetent. They just have a different dialect.
Second of all, the rules to social interactions and communication is something people with autism learn after being reprimanded for their dialect, which as Anon pointed out previously, leads to a lot of masking.
The crux of masking as a concept comes to this: lying to save yourself.
Pat and Pran learnt early on, beyond their neurodivergence, that they need to lie and manipulate their presentations to save themselves from their families. Their interactions were always ladden with the awareness of the careful line they danced around; of lies and safety alike.
What takes years for us to understand, Pran speedran through. He spent a lot of his time energy trying to find ways to communicate with Pat without getting caught or hurt. And because they both wrote their own rulebook, learning other dialects became easy.
Long story short, given that they lied so much to sustain a friendship they both wanted, their ability to mask was never seen as a burden. It's just another lie. Very little emotional toll because their narrative around it is part of the larger struggle: their family. NOT autism.
Dissaya and her husband played a huge role in setting the rules for Pran, but even more so, they probably rewarded him for being poised and better than Pat (and the entire ming clan) at being respectful and correct in his speech. Regardless of his own inability to understand and the complex layers of his interactions with Pat, Dissaya taught very stern rules he needed to follow.
His and Dissaya's relationship taught him the needed communication rules to mask effectively, his and Pat's relationship taught him to navigate the guilt and dissonance that comes from masking and lying around social situations.
(Idk if I was coherent enough to explain this but I really hope my point go across)
Lastly, the question that arises then, is do we even believe Pran had autism if he doesn't struggle with the major two symptom?
The short answer: yes.
The long answer:
Struggle is not a contingency for you to qualify for a disability. Struggle may be visible or invisible. The costs of a disability may be visible or invisible.
He also had the privilege of having a neurodivergent best friend/enemy from the day he was born. And the clearly defined social language tutor of a mother.
That being said, it's not that he did not struggle, rather that he was able to build his world to minimize the costs and struggle.
The reason I so throughly believe in Pran’s Autism is because of the ways his everyday life (and P'Aof) shows the invisible struggle.
His hyperfixation with the smilies that he's used to understand and deal with emotions (symptom: emotional dysregulation, hyperfixation). His rigidity to his mechanisms (symptoms: routines and rituals). His inability to prioritize smaller decisions like going to save wai over his pens being set correctly (symptom: Executive Dysfuntion). His self rejection around being a burden and hyperindependance (symptom: RSD, Shame). His inability to let go of something that hurt him deeply, seemingly little to everyone else but a core issue for him in OURSKY2 when Pat jokes about Pran needing him.
Most importantly, he embodied Internalized ablism, one of the worst consequence of high functioning mental illness/conditions. Because we're able to be productive (barely) according to neurotypical standards it's second nature to fool yourself into thinking your disability doesn't even exist (@honeysachet bb).
But it's every single time Pran tells himself he should just take one more workload and it'll be okay. Sound with stage props and dating the actor in secret? Surely that would not be too much ??? The way he chose to take up an entire shifting of house because he felt so fucking guilty about causing Pat inconvenience (I can manage an entire transfer again whatever do you mean?) The way he visibly deflects in front of his parents mentioning not to date Pat (or Paa).
It's the little ways in which he struggles, the otherwise cracks in his perfect picture that he learns to embrace later. But not until his after his OCD diagnosis.
Conclusion: Pran was protected from the worst of his autism's consequences because of his relationship with Pat. Pran internalized a lot of his disability and consequent abelism because of his relationship with his mother. His struggle with his autism was hidden but it still existed, inextricably linked from the epic highs and lows of his life.
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yeti-zeus · 2 months
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wow I can't believe they made cole sprouse transgender and gave him bottom surgery via murder and a tanning bed, glad to have my opinions agreed with on this one (that frankenstein's creation has always been trans)
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mopbucketwithablog · 3 months
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The worst part about homestuck is a lot of it is shit like the mayor chugging tab and Howie mandel piss bottles but then it has genuinely good writing and characterization and symbolism and other elements of literature so I can't just hyperfixate on it a little bit and move on I have to think about it constantly
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chihirolovebot · 5 months
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on a real note that bit near the end of the video was genuinely haunting. hearing somerton talk about how gay writers are erased from history was one thing (with all the irony being that he stepped on the backs of numerous underpaid, underprivileged and uncredited queer writers to build his youtube channel) but when h revealed it wasn't even somerton's quote in the first place? the worst, most crushing sort of irony. how do you lament about the erasure of gay people and gay writers in history... whilst erasing a gay writer and taking his words as your own?
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uhhh-ghouls007 · 2 months
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Something I always thought was cool about the Frankenstein story is the details of Victor creating the creature, like he’s doing it just to prove he can- haphazardly stitching and stapling limbs of strangers together to create a bastardized monster. In every movie the creature is so gnarly because he’s not meant to loved, even by his creator, and he has scars and bolts stuck in his neck (sometimes) to show it
AND something I really love in Lisa Frankenstein is that while Lisa didn’t physically bring the creature to life she dedicates all of hers to protect and nurture him back to humanity. She loves him. And she’s a professional seamstresses so when she replaces his body parts—with those of people who have hurt her, ending their lives to further resurrect the creature so he can become the partner she longs for— it’s done delicately and purposefully and intimately and lovingly. Oh my god. In this essay I will
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astrolavas · 1 year
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thinking about the... potential clawthorne woodcarving mentorship.
+ bonus cuz also thinking abt how if hunter ever met dell's palisman and got reminded of flapjack, he'd probably feel bad abt making that association cuz he knows what it's like to be seen only as someone's different version (even though the bird wouldn't mind much so lol)
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#eda having that palistrom seed.. hunter saying he wants to learn how to carve palisman... his relation to clawthornes. it HAS to mean STH js#the owl house#toh#hunter toh#toh hunter#hahaa always thinking abt hunter growing a soft spot for palismen and loving creating and bringing them to life#but never being able to replace flapjack no matter how many palismen for other ppl he carves. I'M GONNA-#:((((( :///#like he's not going to want to replace flapjack just like that rn. cuz he LOVES that bird. it's gonna be so hard for him to just.. Move On#and flapjack's a PART of him.. so very curious where they'll go with this because..... HM. HM like he serves as his disability aid almost#and he can't just REMAKE him. but he cannot also just.... ignore what happened straight away. but it's also important to heal#but whatever he decides to do i feel like he'd love to just............ create. whether it be for himself or others#BUT GAH. ANYWAY XKJSJSK wrote an essay abt this already don't need to write one in the tags TOO. so uh .. yea#little guy.. pls find happiness#my art#fanart#hunter#hunter noceda#hunter wittebane#eda#eda clawthorne#dell#dell clawthorne#dell's palisman#toh art#edalyn clawthorne#also like...... if flapjack and dell's palisman were caleb's and evelyn's palismen...... and knew each other........#and while flapjack was waiting for his new person at the bat queen's cave dell's palisman was being passed down clawthorne generations#OUUHGHHHHGHHHH they were probably friends..... they Knew each other#what's up with you you mysterious yellow bird with eyebrows...... what's your story
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midnightsslut · 2 days
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religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.
taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.
the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.
when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.
side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?
the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.
the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.
ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.
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tsururoach · 2 months
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you ship ryomina because ryoji is a disaster of a bisexual. I ship ryomina because of the beauty of a suicidal boy that can love life enough that death can agree.
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toffeecoco1 · 25 days
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@perpetualgrey's comment on this post
Ok my first instinct was to laugh, but then I realised you might be onto something???
Shen Yuan is LITERALLY an impostor, who’s more far more kind and beloved by Binghe than the original. The Guanyin pendant is a counterfeit, but it carries the love of Binghe’s mother and is far more precious than any real jade could ever be.
The heartbreak Binghe’s mother felt after realising that the Guanyin pendant was fake and she’d been tricked was part of what lead to the gradual decline of her health.¹ In wanting to do something kind for Binghe, she felt that she’d failed, and this led to her demise. What is Shen Qingqiu’s entire story, but trying to be kind to Binghe, feeling inadequate at this, and dying? (More than once!!)
Guanyin is a Bodhisattva associated with mercy, kindness, compassion and unconditional love. She is a patron of mothers, and is called upon in times of fear, uncertainty, and despair. The Bodhisattva she originated from is seen as a saviour, through whose grace even those with the most negative karma can achieve salvation. Even when she is not worshipped as a goddess, she is revered as the principle of love, compassion and mercy.² From wikipedia, “The act, thought and feeling of compassion and love is viewed as Guanyin. A merciful, compassionate, loving individual is said to be Guanyin.”²
The original Luo Binghe appears never to have lost his pendant. Shen Qingqiu tells us: “It was the only bit of warmth in Luo Binghe’s dark world, always by his side, and even in the future when he was at his darkest, it could summon up his last dregs of humanity.”¹ He also states that “it was Luo Binghe’s biggest berserk button.”¹
Our Luo Binghe does not cling to the pendant when he’s at his darkest: he clings to the love he has for his shizun and to memories of his kindness, and later, to the lifeless body of Shen Qingqiu himself. His biggest berserk button isn’t when people insult the pendant or his mother, or try to take it away; it’s Shen Qingqiu: when people insult him or try to take him away.
From the start, Shen Qingqiu expresses truly unconditional love for Binghe. He spends three years showing endless compassion and kindness, actions which feel insignificant to him but are more than enough to completely change Binghe’s life. He holds no blame or resentment for the things he fears Binghe will do to him; though he doesn’t want to be tortured, he forgives Binghe for it nonetheless, before it has even happened. He sacrifices himself to save Binghe as his mind is eaten away at by Xin Mo, when he believes that Binghe just slaughtered a hundred Huan Hua Disciples, when Binghe’s reckless use of the sword is putting countless more lives at risk.³
Shen Qingqiu is a counterfeit that is more precious than the original could ever be. For Binghe, he personifies kindness, compassion and unconditional love. His regrets over his treatment of Binghe lead to his temporary demise. Binghe clings to him in his darkest moments, and he is that which Binghe protects most fiercely.
I always found the pendant’s role in the story to be almost lacking: it’s treated as such an important item to Binghe, yet in the end its return is almost anticlimactic. But perhaps this is because the role the pendant played in Bing-ge’s story has been overtaken by Shen Qingqiu. When he returns the pendant, Binghe is relieved and appreciative: but his joy seems to stem more from the fact that Shen Qingqiu held onto it and cherished him than from the pendant itself. The pendant doesn’t matter all that much to him anymore, at least not compared to how important it seems to have been in PIDW. Binghe doesn't need an object to symbolize love and kindness; he has a person to love, who loves him back.
In conclusion: Shizun was in fact the fake jade Guanyin pendant all along!
sources cited below :)
1. Seven Seas Volume 1, Chapter 1: Scum. Pages 40-41.
2. “Guanyin,” Wikipedia. There’s a lot more to her than what I mentioned here, she’s quite interesting.
3. Seven Seas Volume 2, Chapter 8: Death. Pages 154-156.
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ourg0dsal · 6 months
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Gideon Nav CANNOT Die. Hold on- I know... but give me one second and I'll explain.
So, as I said before Gideon Nav cannot die, or at least her body can't. Cause clearly (spoiler warning) Gideon Nav died at the end of Gideon the Ninth. There is no avoiding that.
But! If you have read all the books GtN, HtN, and NtN including all of the accompanying short stories (tho I will admit I have not read The Mysterious Study of Dr. Sex yet) then there is a better understanding of the timeline of the whole story outside of just what the three main books give you. Specifically and especially with Gideon's body. But also there are many times In Gideons life were she has faced near death events or events that she should not have survived from and still was breathing on the other side.
To go in chronological order of these events, when she was first born she was found in a container held by the air depraved suit of her mother. And while ofc In the book it does state that her mother had redirected her air supply to Gideon, but it is simply being stated to cover all my bases.
Then the 200 sons and daughters massacre when Gideon was 1 (or 2 im not sure) when she inhaled poisonous air without dying. Which led ofc to the Reverend Mother and Father fearing the ground she walked. And this is a big one because, it literally creates waves in the plot. It's a defining point of Harrow and Gideons relationship. That Gideon did not die when she was supposed to.
Later in the story Gideon talks with Pal when she believes Harrow to be a murderer and openly admits to him that "she nearly killed me a half dozen times growing up" which obviously in context was to emphasize on the brutal relationship between her and Harrow. But this could also be other times where miraculously Gideon survived death when she shouldn't have. Because as we know from the first confrontation between Harrow and Gideon. Harrow doesnt hold back for her.
Finally of all the events where Gideon escapes death, this one actually happens within the main story of Gideon the Ninth. When Harrow siphons from Gideon to retrieve one of the challenge keys. And at the end when Gideon passes out, it is narrated ""ha-ha," said Gideon, "first time you didn't call me Griddle," AND DIED." Now, this could obviously just be the snarkiness of Gideon narrating. Or something incredibly clever left behind by Tamsyn Muir for a book series that is so clearly meant to be reread. But ofc to do my rounds the next line after does state "well, passed out. But it felt a hell of a lot like dying." But then immediately after "wake up had an air of ressurection." Which honestly feels like Tamysn Muir teasing the readers at this point. The question then becomes rather, which one was the tease and which one was foreshadowing/ evidence.
Now the point of listing all of these events is that in all of these cases the chances of death are so incredibly high that for most its a miracle she's alive. Ofc most notably for the siphoning trial and the poision gas, but none the less there is proof within the written story and and out that Gideon has looked death in face and moved on with maybe a headache. And it wasn't just in her child hood this is something she can just do. Some recreated in the written story! Because as Pal said. Even with the siphoning challenge done perfectly the chances of leaving Cam with severe brain damage was far to high. And Gideon didn't even suffer that.
Sadly, despite all these Gideon gets to the final battle and fights Cytherea and does die. At the hands of a particularly pointy fence. Or was it truly the fence that did her in? Rather than the lyctorship ritual that was started seconds afterwards.
My full theory, isnt just that Gideon Nav can't die. It's that Gideon Nav wouldn't have been able to die... If Harrow hadn't sucked her soul out. There are at the very least 8 seperate events that Gideon should have died, two of which were nearly gauranteed, but she was ended by a piece of metal. Yes, a very well placed piece a metal, but the point still up to that point she had faced worse a came out unscathed.
If Harrow had not completed the lyctor ritual, Gideon would not have died. Wether or not through resurrection or simply walking it off. Gideon's body has some sort of necromantic attributes to it that keep her alive. We see this in the Untitled Entry short story with Judith Deuteros that describes Gideons body, as it does not rot, cannot be injured, cannot be fed to animals forced or otherwise. And that is all before Jod ever gets a look at the body, because otherwise he would have known Gideon was his daughter before the later events of Harrow the Ninth.
And ofc during the first challenge when Harrow uses Gideon as her eyes to be able to see the construct in the other room and Gideon is able to see the thanergetic signatures that Harrow remarks should be impossible. (I assume because the process is Harrow extracting information (Gideons eyesight) from Gideon and so Gideon should not also be receiving information (the ability to see the signatures)) unless Gideon had some form of necromantic abilities, which she was tested for as a kid and apparently did not have. Alongside not having the correct attitude to be a nun of the ninth. And so we can round it out to be her body being naturally necromantic leaving Gideon without the ability to use it. (Which Is a jump from the actual point we are attempting to use, but for now this stops us from assuming Gideon as any sort of necromantic ability which is a theory all on its own. One that I personally have no evidence for or against)
Now, that I have hopefully made both my Ap Lit and Lang teachers proud with my 3 am essay, I must give you the real tragedy of Gideon the Ninth. Had Gideon not died, had Harrow been unable to complete the lyctor ritual for emotional reasons or otherwise, had Harrow not become a lyctor and killed cytherea. Gideon would have had to watch Harrow and Cam be killed, possibly even Corona, Judith and Ianthe. And then to be used for Cythereas own motives. Tamysn Muir beautifully set up the story so that the best possible outcome could have happened. Had Gideon not died. Everyone else would have. And "Camilla the sixth was no idiot" cam knew and accepted this whereas Harrow never would have. And so the unkillable Gideon had to die, and forcing Harrows hand was the only way to do it.
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kaiserouo · 2 months
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Tired Ghost
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kitten4sannie · 3 months
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what do you think about the idea of san having a noona/mommy kink? hehe <3
oh my godddd that baby boy would absolutely have a mommy kink grrrrrrrrr got my mind spinningggg…..
like he’d just be balls-deep in you, whimpering and crying out each time his pulsing cock rubbed against your tight walls, his heavy body pressed against yours, his wet hair tickling your face. He’d look at you so intensely, just a few inches away from your face, and purr, “Mommy, is it good for you? Am I fucking you just how Mommy likes?”
You wouldn’t even be able to think, let alone speak from the way he had you folded up in such a way that you were only able to take his cock each time he fucked it into you, the lewd shlick sounds of your now cum-filled hole filling up the room along with your joined high-pitched whines.
San would be an absolute mess, dripping sweat and drool onto you, his pretty flushed lips parted so that he could moan out, “Unnnh…aaaaah…Do you like the way I’m filling you up like this? It’s so much, fuck, I’m gonna turn you into a real mommy, huh?”
San would press kiss after kiss onto your lips and neck, slowly pulling out, only to push himself back in, inch by inch, making sure he was plugging your cunt back up with his hot load. He’d look at you with hearts in his hooded eyes, a lustful smirk gracing his lips. “Do you want that? Should I fill you up with more cum, Mommy, to make you mine forever? ♡”
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doctorjohcoy · 2 years
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[changes the background of my carrd] ah yes now i feel it represents me perfectly
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nethnad · 6 months
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thinking about time lords and their fucked up little society again and i just realized how devastating the revelation of the drums in the end of time is in relation to the master's character.
because of all the renegade time lords in the universe, i think it's the master who most exemplifies the philosophical outlook that the time lords have towards the rest of the universe. they're stuffy observers, administrators, yes - but this position is one they've decided for themselves because of this concept of supremacy over other life forms. imposed and upheld this idea that other species that lack a time sense are less-than, primitive. and the master buys into this hard.
and i mean... compared to the doctor, the master is good at being a time lord. he buys into these supremacist concepts, this idea that every other species (and especially humans) is practically a meaningless ant in the grand scheme of the universe. takes it to the extreme, yes, but its the same underlying principle. he's a good student (despite whatever chibnall might think) - that one time lord from terror of the autons (identity forever a mystery) (its brax) even says "he did receive a higher degree of cosmic science than you." the master could play their game if he wanted to. he's remarkably comfortable with being on gallifrey/the idea of gallifrey(in eot/tlotl) than the doctor ever is. where the doctor avoids the subject of the lord presidency like the plague, the master is like "well if you kill the president you ARE the president! and then you have all of gallifrey!" and when the doctor destroys gallifrey (nominally), the master tries to rebuild it in the sound of drums/last of the time lords. tries to emulate their society. honor them in his little fucked up way. he brings them back from the time war!
and what does he get for it? how did the time lords treat him in response?
they decide to implant the sound of drums in his head, stretching back until he's a child. puts this insufferable noise, this splitting headache, in his head for his entire life. all so that they may live while he dies. because he is diseased, because of them. he has swallowed the pill, bought their propaganda, he has followed the rules, he tried to rebuild them he tried. and in response he is chewed up and spit out like trash so that rassilon's god complex can survive while the universe crumbles.
how crushing must that be to someone? to have your whole worldview - that you are better, you are chosen, you are special - come crumbling down in a few short moments? to see the revered founder-god of the civilization you have so desperately tried to revive look at you and say "you are diseased," even though he was the one to poison you in the first place?
and as his heart is torn to pieces... when rassilon says "no more," and charges his gauntlet, the master - who has spent countless lives fighting death with his bare hands - does not move.
part of me thinks he does not want to.
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