Tumgik
#i wrote so much im so sorry
tubbytarchia · 3 months
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The bloodied moon cried for you, but you only heard the stars The weeping moon then bled for you, but you only saw her scars
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howlonomy · 2 months
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Monster Clover, like this is so awesomecool.
They're such a little beast and it is amazing and please i need more, like written text even i just need the juicy lore and emotional moments that are circling in ur brain.
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HAT: RETRIEVED!!
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newromantics · 1 year
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THE FIRST LIVE PERFORMANCE OF CHAMPAGNE PROBLEMS - 3/17/23
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ganondoodle · 5 months
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so, inspired by the warm welcome the captain received with that rough doodle i posted, i made an updated design for Ki'ita as well (basic and with clothes)
i removed the piercings she had bc considering that they spend the majority of their time in arctic waters i think having metal directly in your skin is a bad idea, no matter how thick your blubber is; i also gave her typical white markings a green hue bc ... i liked how it looked and makes them stand out a little more
(i will not repeat what i wrote on the post about the captain but wanted to add a bit of more info about Ki'ita herself)
(i dont have ALL of their backstory done yet but) the captain and Ki'ita worked together in another organization, one in which the father of the captains child also worked at, before being betrayed and barely managing to escape, after which the both of them founded their pirate crew (possible name is the Solar Pirates bc of their solar powered boat stuff); since the captain had her daughter shortly afterwards Ki'ita managed most of the organisational matters at first, including the construction of their base on an abandoned island they had initially fled to
over the years they invented the solar powered ships that allowed them to gain control over a large part of an important trade route, leaving normal ships (mostly) alone but attacking those of hunters and similar, rescuing demons and mutants, even some humans from them, most of which also join the crew and it quickly lead to them becoming their own little community
Ki'ita does not like to spend alot of time among large groups of people, no matter how much she cares about them, and her originally being from norther lands gave her the idea to explore, and if viable, do underground missions in those norther areas to disrupt the infrastructure the hunters had built in recent years and overall keep the crew informed about things that may otherwise stay hidden; with each of their travels her time absent from the base increased but the patience of the captain is wearing thin so its likely a serious talk is underway on Ki'itas third solo mission she nearly died due to entanglement in abandoned nets made by hunters from an unknown material that she could not break, the massive scars on her tail especially come from that, only surviving bc the date they were supposed to return to the crew had passed and the captain grew to worried about her and made the entire crew rush into an emergency search, including the captain herself and her toddler, who were not suited for the cold climate just like the rest of crew, taking a huge risk that Ki'ita still feels ashamed of for causing; they stayed within the base for a whole year afterwards, not just to recover but also as a silent apology, taking time preparing herself to ensure theyd not get into a situation like that again
(before departing on their next mission the captain gifted her a sword with the blade made from the material of the net, a wooden handle, bc of the cold, and a blue wrap around it reminiscent of the captains striking blue teeth; a reminder of what had happened, a means to defend herself when their strength and teeth are not enough, and also a promise to always return again)
the oldest members of the crew know Ki'ita well and treat her like an old friend, among the newer members she has more of a .. cryptic status, the mysteriously absent vice-captain who only appears every few months or so out of thin air, throws a big party, sleeps for a few days and then vanishes again, the only hint to when they will return soon again being the captain getting noticably grumpier
(OC art, Ki'ita, she/they)
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mylarena · 6 months
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thinkin abt soap being able to touch ghost, unlike literally anyone else on base. like, even gaz and price get minimal leeway on it. the medics act like hes a feral cat when treating him. theres rumors that he once broke a guys wrist for patting his arm.
but then soap shows up, and hes like, Ah Nah Man, Itll Be Fine!
and punches him in the shoulder and says 'save ya a seat, sir!' and sees the momentary flash of shock from his absolute fucking audacity before he turns and ignores the absolutely killer glare he gets as he walks away
then ghost pats his arm before he leaves the camera room, leaving soap too shocked to do anything but give him a weak thumbs up as he walks away
then soap pats his shoulder before climbing onto the helo out of las almas
and thats just the start.
people around base see soap bump shoulders with ghost while walking down a hallway and everyone can only look on in horror as ghost-- does nothing. huffs and rolls his eyes, but does nothing.
and anyone who witnessed it are simply not believed when they tell people about it.
but they know.
then it happens again, and more people see it, and then its flying around the base in whispers and gossip.
"soap gave lieutenant ghost a shove and he didnt even react!"
"he sat next to him during the brief, and he was pressed right up to him!"
"they were sitting across from each other in the mess, and, you wont even believe this, but they were playing footsies! soap was stealing things right off of his plate! and ghost just let him!"
and ghost starts being more open to other peoples touch, too. nothing even fractionally as close to what he lets soap get away with, but price gets to ruffle his hair in the 141 common room in the rare occasion that ghost is without his mask. gaz can throw an arm around his shoulder without being growled at like a fuckin dog.
the next time a rookie accidentally bumps into him, theyre terrified for a moment that theyre either going to be booted off the base for disrespecting their CO or gutted like a fish, but ghost just nods stiffly to their frantic apology and steps to the side to walk right past them.
and, even wilder than everything else, ghost is seen initiating contact with soap. patting him on the back (making soap beam like the sun), ruffling his hair (causing soap to borderline giggle), grabbing him by the chin to tilt his head to get a better look at a wound over his eyebrow (making soap look up at him with a gentle expression, settle a hand over his wrist, and softly reassure him that he's okay.)
and it says a lot that eventually when someone says that they walked into the gym late one night and caught ghost and soap pressed chest-to-chest with soaps arms hooked up and around ghosts neck and ghosts hands on soaps hips, people dont immediately dismiss it as something entirely unbelievable.
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cobblestone-butch · 5 days
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jus saw ur post ab sculptor etho muse joel, ik u got forcibly ejected from the writers room but if i make another writers room will u write it /hj
hey tysm! I ended up writing a little something so it will be below <3 this is mostly just Cleo helping Etho realise what might be going on with his struggles to sculpt. I hope people like and mostly that anyone who knows anything about art would write for it too (I know nothing!)
"So, first things first! Why do you want to learn to pose armour stands, Etho? Have you got a specific project in mind?"
There's an awkward pause.
"I only ask so I can get a good idea of what to focus on. It's just good if we start our work with something you're already interested in, right?"
She's never seen Etho look so... Nervous. Learning can be a vulnerable thing, sure, but Etho has never been shy with questions and comments and the unknown the way some people are. It feels wrong to turn to insults, light as they may be, to ease the attention - they're at a complete loss on what to do other than let him work through whatever he's feeling.
"Nothing, there's nothing... Specific I had in mind. It's... I tried sculpting."
"Okay that's good. That's great! What did you like about sculpting?"
"I didn't like sculpting."
Cleo laughs, a mix of confusion and genuine amusement, "Alright! So why do you want to learn 'armorstandography' then?"
Etho is still looking down, picking what she now suspects to be dried clay or quartz from his clothes. His shoulders drop a little from their previously hunched state though, which is a good sign.
"I just figured that maybe it would be easier. N-not that what you do is easy, I mean, you're clearly very skilled, and that's why I've asked you-"
"Etho, slow down, it's okay. I am perfectly assured in what I do and how much effort it takes. But still, I appreciate it."
"I thought maybe something with color would be more, familiar? I like vibrant colors and how they go together, and sculpting out of quartz is so... Lifeless."
Cleo shakes her head, "I won't teach you, Etho."
Etho snaps his head upwards, looking for some sign that it's some dry British humor he's missed. Cleo's face is even more stony than his recent attempts at sculpting.
"I won't teach you", they repeat, "Not for that reason. Color won't inject life into what you make, Etho. I won't teach you something that isn't true."
"Uh huh..."
"And besides, I don't think I believe you. I bet your sculptures have plenty of life in them." Cleo sees a frown pull on Etho's features, "Go on, prove me wrong."
---
Etho puts his hand on the door leading to his storage area. It's a big enough space for art projects, and it's nice to hear items sort themselves as he works, frustrated as he's been with the outcome of his endeavours recently. Cleo reads his hesitance immediately, and knows that Etho won't find comfort in their reassuring words. Here, at the doorway, she pushes past him.
She's drawn to her own face first. Sat on a block is her own head, looking back at her. She sees her own soft features, big eyes and strong nose. A dozen other faces around the room, and she can just about identify them as their friends. There's one off to the side, hidden enough to not drawn attention but not hidden too much, as if he's given himself plausible deniability for doing it. Etho's problem is not that his sculptures look lifeless. Etho's problem is denial.
It takes Cleo seconds to spot and minutes to confirm - there's only one sculpture amongst the collection that properly resembles the person it's modelled after. Every other head or bust has been affected by it, flawed in different ways but for the exact same reason. They all look a bit too much like Joel. It's in the furrow of her brow, the fierceness of Scar's smile, the curl of Doc's hair. Their eyes are all bright, smiles meeting them in genuine warmth, and Cleo can see even with just quartz how skilled Etho is at what he does.
Cleo isn't sure how aware Etho is that he's making them all in Joel's image, so they opt for asking something less direct, "What do you think the problem is? With these sculptures?"
"They're all... Wrong. I just can't get anyone right, and I'm not exactly going for artistic liberty."
Cleo laughs kindly, "That's not exactly true, is it? I can see one that's particularly uncanny."
"Uncanny valley?" Etho makes the joke before she can, but it's not what she was pitching for.
She walks over to and stands behind the sculpture of Joel. "I like this one. I've definitely seen this face before I've died a few times."
Etho laughs, and it stops the ever-shifting of his feet and the picking at his hands. He runs a hand through his hair, letting it rest at his neck as he rubs at it in slight shame. "He's, ah, a vicious one, Joel. He does this little huff thing, and it sounds like a tiger- he's always in some kind of mood and it's always so big, he can't do anything calmly or slowly, you've seen how quickly he builds, and, I just thought what's the most 'Joel' face I can think of? I remembered how he looked building that TNT cannon..."
Cleo lets him talk. It's nice, after all the awkward, to see him talk to openly about all the thoughts that went into the Joel sculpture. She can almost see what he means when he says the other attempts are lifeless; the animation in his voice when he talks about Joel makes everything else pale in comparison. She doesn't think he realises.
"Do you know what a muse is?" They ask after Etho has run himself out of steam, or perhaps noticed a conspicuous lack of interjection from Cleo, a usually very active listener.
"You mean like an inspiration?"
"Yeah! Well, sort of. In Greek mythology, the Muses were goddesses, and their domains included art of all kinds. And we've sort of derived meaning from that, so plenty of artists say they have muses that inspire them. And it helps them make art even if it's not always about them."
"Uh huh. So you think that I need to find my muse?"
"I think you already have, Etho." She looks down at the head between them, and Etho follows her gaze. Joel's eyes look back at him, intense and alive and challenging. He averts his gaze, something complicated settling over him - what they shared was so long ago, in a time and place so far from here. To feel the pull of that, it feels cosmic and mythical in a way Etho naturally rejects.
It's like Cleo can see through him, always. "It doesn't have to be complicated. It can be as simple as knowing someone well enough to capture a second of their likeness. That's what a lot of my armour stands do, they're just snapshots in time. Maybe you should just talk to Joel."
"Oh, I can't do that."
"Why not?"
"He'll be insufferable about it."
Cleo actually snorts at that. "Fine then, don't talk to him. Just make more excuses to send him mail and wait for an extrovert to bring you to his base to talk, or whatever it is that you guys do."
"You're not far off, Cleo."
"Oh, I know. I have to hear all about it."
"What?! The next time I see Scar..."
---
Joel stares back into his own eyes. The head was left at the gate to his base, like something the mafia might do as a threat. There was a single sign next to it: Feel free to alter or remove - Etho. It's incredible, seeing his likeness through someone else's eyes. He didn't know his hair was so fluffy, his smile so sharp. He picks up the head with a grunt (Bloomin' heck, is this thing solid quartz?!) and moves it somewhere it can be seen, before pulling a book from the chest under his mailbox and penning his sculptor a message.
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rrogueamendiares · 11 months
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Artblock ft. assorted unfinished triguns
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sukunasdirtylaugh · 3 months
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always a god never human II satoru gojo
tags: post shibuya au, alt au where satoru is cursed to be blind, fluff, argument, angst, regret
word count: 4.5k
note: I wanted to write something that could encapsulate what being human is for satoru in the best worst case scenario. some of you might love this as I do, and thank you for your support. also, I made a reference to odysseus and the cyclops so I think I got it right (I haven't read the odyssey in nearly 10 years). also forgive me and please correct me if I got the kikufuku part wrong. will make a part two if this comes out well (I already have it drafted).
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satoru gojo had been exposed to curses for as long as he could remember. first, as a boy, then as a student in jujutsu tech, and finally as a friend and instructor to those around him; but he had never been directly cursed.
not until now.
"you may remain as the strongest, satoru gojo, but your strength will be the only thing to hold you. no one but yourself will disinter it, so don't waste your time searching for something already set as destined." he recalled.
"love will be your salvation yet damnation, for you will cry for your shortcomings and failures. no one but you will carry this burden. let it remind you of this day, of the battle in which you never, truly won."
he always wakes up in a cold sweat afterwards. with the erratic beating of his heart and the tears running down his cheeks, satoru clings to himself, pressing a hand to his heart so as to remind himself of his current position. the back of his throat feels rough like sandpaper, and he licks his lips before reaching for the glass of water he's reserved for nights like these.
he drinks nearly all of it, his heart heavy before his fingers fish for his phone by his bedside.
"hey siri," he speaks, voice hoarse, "what time is it?"
"it's 3:24am."
with an exhaled huff, he puts his phone to the side, making note to remember where it is in the morning. as he lays his head down and focuses on the feeling of blood rushing to his fingertips, arms laid out side by side and fists clenching and unclenching, he sighs.
tomorrow will be better, he tells himself, but it has to change, whispers the other.
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"now listen, don't give me that look, it's serious!" your frown causes utahime, your longtime friend of 4 years to shake her hands out to grab your attention, causing you to stifle a smile from your face as you hide your lips behind your cup of tea. "I have a job proposal for you, from a friend. and I think you'd like the pay."
utahime had always been sensible on the topic of money. knowing your constant struggles as a college student and now graduate, seeking to find new sources of income to keep up with bills and student loans, the sorceress felt compassion for you, a friend of hers who has grounded and guided her through frustration after frustration; work and romance related. she's never had the luxury of normalcy to a life like yours, she knows, so doing this was in her best interest for your benefit.
she tells you she has a friend who has decided to take up reading. problem is, he's blind.
"he's not a child, though he acts like it sometimes, but he's not some prune old man either. he's around your age so I'm sure talking to him along with your patience won't be an issue."
besides the generous pay for your time, 6 hours a week for $500 as a starting salary, there was something about this arrangement that left you with a good feeling in your heart. and it wasn't because your client was blind, no. it was the sheer opportunity for growth, in doing something you loved and doing something someone wanted to partake in. so on the day of your arrival you dress your best, hair neatly combed with a pearl diadem and academia as your outfit inspiration for the occasion. "he lives in a secluded home," you recall utahime's words, "up on a hill, or cliff. I don't know. it's always cloudy over there," and you can make out the home on the hill. it's quaint, and you feel thankful for having picked the clothes adequate for the weather.
it surely looked like it was going to rain, so you quicken your pace until you're at the front door, standing still as you swallow the lump at the back of your throat. you were no psychic, but the way your heart churned and palpitated let you know something was about to change your life forever.
"you must be the girl utahime sent, I'm satoru. please step inside," you absentmindedly take in the smile he gives you, taking no answer from you before he opens the door to let you in. he wears a pair of black glasses, contrasting to his snowy hair and porcelain skin. wearing casual loungewear neither of you dare to touch one another in the sense of exchanging a handshake out of respect, or fear. it all feels formal, too formal as if this were a job interview or more.
"it's quite cold outside, isn't it?" after you step inside and change into a pair of slippers that are slightly too big for you, satoru shows you to where you would read to him.
he makes conversation rather well, you find, but there is slight awkwardness in the interactions but not in the way he moves around the house. as he moves up the stairs, he has a hand against the wall as he takes each step with precision, knowing when and where to step. you're fairly quiet, but polite in your conversation with him, until you reach the space he calls his 'study' which is just a room with a large window accompanied by books and belongings.
"you're probably wondering how on earth a blind guy has a clean place, right? well to answer your question, housekeeping."
"I wasn't thinking about that," you answer softly biting the inside of your cheek, "I was just admiring the window."
there's a momentary silence between the two of you. either satoru is surprised by your reply, unrelated to his blindness, or you have struck a sensitive chord, however, his nod makes you think otherwise.
"it is. before I was blind, I'd come here as a teen. house is mine, so even the doors are nice in here." and when he hears you agree, he smiles. "anyways, I'm sure utahime told you the basics about this, yeah?"
"yes."
"great. there's a book on that table to your right. you can start reading that one." as he walks, he takes a seat on a chair across from you. he patiently waits until you sit down again to ask, "before we start, would you like some water?"
"yeah," you breathe, "that'd be great actually."
"there's a few water bottles under the table next to you," he informs, making himself comfortable on the chair, limbs spreading comfortably as you take out a water bottle and glance at the book in your lap.
"this book is about malaysia," you read the title, "is that somewhere you'd like to visit one day?"
"maybe," he says, "it was from a friend of mine."
"did he go to malaysia?"
there's a long silence in between the innocence your question and his answer.
"he did," he answers slowly. "it was always a dream of his to go, so that's why I've kept the book." you don't press him further, instead nodding and suggesting on starting.
when you open the book, you don't miss the elegant cursive writing at the top right of the page.
n. kento
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you frequent satoru's home every monday, wednesday, and friday for 3 hours every day. the pay is more than what you expect the first week, $750, but you wonder how this man can easily afford your services.
the bigger question, is how can he live alone in such a home like that? does he ever get hurt? what does he do then?
"yeah, I live here by myself." he answers your question on the third week of your employment. "it's pretty neat though. I don't have to worry about anyone misplacing anything I leave, you know?" his attempt at a joke makes you chuckle and walk up the steps behind him to his study. "are we reading something new today?"
"there's something different I want to try," he tells you, "last night, on the news, I heard there was a feud over some meso-american statue. something to do with jade material being one of the few in existence. I know this is beyond what we agreed, but do you think you can find an article on it?" you nod, affirming his request.
"great!" he smiles, relieved, "my laptop is on the desk. feel free to use it."
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you wanted to say that was the last time he asked you for a favor like that, but it was you who fueled his interest. that day, you ended up finding 4 articles, and playing 2 videos about the subject. and as a result, both you and satoru engaged in related conversation until the end of your assigned time.
every few days, satoru would inform you on something (practically asking) and you'd reply by responding, researching the questions he ached to know. it went such way that you were reading him books less and less and more article, media coverage, and conversation.
"did you hear about the experiment trials being conducted by this company called oceangate?" satoru asks, interest laced in his voice, "they're thinking about sending people to view the titanic shipwreck."
and quickly enough, so were you.
"yeah, I also heard about it. I couldn't help but read an article about it. apparently, they've done a few trials, but the company is independent, so I don't know how safe it is or if they have government members involved..."
one of satoru's favorite moments consist of the following.
"did you hear about the crime case that just happened last week? the one with the girl who survived the car accident."
"I did!" you answer eagerly, "I heard her stepdad was the last person to talk to her boyfriend."
"do you think he murdered him?"
"it's tough to say," you bite your bottom lip in contemplation, "I knew he didn't approve of him because he was an aspiring musician, but these texts came out saying he wrote to his brother, 'that man better stay away from my daughter or else I don't know what I'll do',""
"no way."
"and that's not even the worst part," you adjust yourself on your seat, criss cross applesauce. "they found dna remains in his car before his death, hair. right before the car accident. there's speculation they argued before..."
"the accident." satoru nods.
as the weeks progressed, so did your conversations with satoru. the two of you had a knack for being adaptable in your interactions with one another. you could reach a book for an hour, then talk about some recent story or just spend a whole session talking, with the mention of an article or some source always being mentioned.
and satoru burned for that. with every interaction, he found himself looking forward to what else he could bring up, and so did you, even spending time of your own researching things he might be interested in learning about.
things the both of you turned out interested learning about.
"here," satoru could feel the warmth emanate from your body (or his) as you sat next to him, your body scooting closer to his, "hold your hands, yeah, like that," placing a small statue, no bigger than the size of a wine bottle, satoru freezes slightly as you guide his fingers to glide along the edges of the statue.
"my friend managed to get this one out of the archives," you explain, "of course, I just had to bring this to you too. can you sense the material?" the corner of satoru's lips tug upwards in acknowledgement of your excitement. it makes his heart squeeze and pulse in ways that felt familiarly unfamiliar. in a good way, of course. everything you brought in his life was good. whether he could see it or not, you were always so welcoming and sweet.
"is this... legal?" he out of everyone finds himself whispering. as if the authorities could be outside his door. you giggle.
"yes," you smile, "I asked my friend if she could let me borrow this for the day, to take 'pictures'." you chuckle, "obviously that's not what we're doing, is it?" a warmth follows satoru's cheeks as he shakes his head and you smile. "this mesoamerican statue is the same material as the one we read the other week, remember?"
we, satoru's words echo in his head as he nods. "y-yeah. thank you for doing this, you know."
"of course," you smile kindly, "I figured, out of everyone who could be here, I figured you deserve this."
deserve.
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"open your hands for me, satoru." your soft voice speaks as you cup his hands, the ocean waves crash from afar. after much convincing, you managed to pull satoru out of his comfort zone. what's the point of going to the ocean if I can't see it? he asks.
well, what's the point of me reading to you and us interacting if you can't see me? you counter. and he realizes you've won.
he can smell the saltwater, can feel the wind blow through his hair and let his feet sink into the sand, but that's not what makes his heart skip a beat. your hands shouldn't feel this soft, he thinks. the way you allow grains of sand to fall in his hands feel otherworldly, holy. the way he senses you smile at him and place a shell on his palm, letting him trace the surface with his finger as you guide him makes him feel as the most enlightened man alive.
he can sense you're close, not by strands of your hair slapping his cheek as the wind blows, but by the warmth of your body. suddenly, he does not feel he is at the beach, but with the beach guiding her hands with his and feeling the warmth of what he feels is your smile.
he remains silent, you're looking at him, and he's looking at you underneath his shades. he's frozen. waiting for you to say something, to break this off as if this would never, by any of his wildest dreams, occur in any universe.
but you don't.
satoru feels his pulse quicken, breathing deepen as the point of your feet slot themselves to his, your nose barely brushes his own, causing the six eyed user to forget everything he once thought he knew of limits and boundaries. kiss me, he thinks, take me, he begs to the heavens. satoru thinks he could be captivated, deeper than any spell odysseus and his men were under at sea, but they were cursed by calypso's beauty, and he felt blessed by the touch of an angel. your touch enviable to the gods above.
when you kiss him, he feels like he just made the greatest discovery to mankind, like he's waited his whole life for this, a feeling that greatly surpasses galileo's lifelong accomplishments and napoleon's combined. no feeling, word, or sight could transcribe what it feels to have your lips slide through his, to have you softly gasp against his lips, and to have your body close to his. satoru is convinced that he has reborn, become whole by the touch of your lips which have sweetly imprinted themselves throughout everything he is.
he holds the back of your neck gently, so as to remind himself that you are here, not a dream but here with him. flesh against flesh, man and woman who share one breath.
when you both pull away, satoru feels himself begging to pull you closer, but the hands that push him from you let him know you need to breathe. and although his body cries otherwise, you speak breathlessly, a hint of a smile in your tone, "did you feel that shell? it was my favorite kind to collect growing up," and he smiles because he learns what it is to collect something as valuable as the shells, your lips.
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with nearly 3 months of knowing you, there was a shift in satoru's chest one wednesday morning as you excused yourself for a call.
"...of course I don't! you think I want to live with him?" you ask, voice laced with disgust, "I won't be tied down like that again and you know it, Kiro. I'll be cursed if I have to be with someone like him again. you know I'd never stay for someone like that. It's dead weight on my shoulders, and I won't have anything but pity on him." your words, from the end of the hallway send daggers at satoru's heart.
"yes, I'm at work, what else do you want me to do? It's not like I can just fly my way to you in such a short amount of time. you should have told me..." a long pause, "yes... he's blind," another long pause, "I get paid on the 26th, but my boss won't let me work on the 25th, so you can sleep in my bed while I get home. and wear something under the covers, okay?" somewhere, somehow satoru wanted to tell himself he was not hearing things correctly, that you were still the same girl he knew to be around, but when you returned after your call, something was definitely wrong with you.
"so, how was you call?" he asks, feigning interest, "everything ok?"
"yeah, fine, thanks." you breathe, tired, opening the book in your hands, "chapter 21, the last spring."
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one week later.
as much as he wanted to deny it, satoru was beginning to think you had changed. what was it? was it him? the kiss? the way he grabbed you? or have you finally had enough of these little visits that could have been masked as pity for a young man like him?
when the 26th passes, he does not ask what your plans are. as much as he wants to ask, he thinks it's not of his place to ask. is he doing the right thing? he doesn't know. it certainly doesn't ease the unpleasant feeling bubbling in his stomach.
"do you have a favorite treat?" you ask. caught off guard, he nods.
"kikufuku," he tells you, "when I was in high school, there was this elderly couple that had a kikufuku stand and they used to have the best ice cream fillings."
"I thought kikufuku was cream based?"
"It was, but not to them. their ice cream filling was one of a kind."
"when was the last time you had some?"
he laughs, "years ago. I'm pretty sure they ended up closing because the wife died, and she was the only living relative who knew how to make it."
"that's too bad."
"I know, but at least they were happy doing what they did." satoru then changes the subject, shifting the focus to a lighter topic.
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on december 6th, satoru recieves a call.
"I told you, you don't have to call me sensei anymore," satoru groans, throwing a wooden sword towards yuuta, catching it flawlessly.
"why not? you've always been my sensei. or would you rather us call eachother cousins?"
"you're right," answered satoru adter a long moment, earning a laugh from his former student. "so what was it you wanted to talk about? clearly it was not to train, so what is it?"
"I just wanted to see how you're doing."
"well you could've just called..."
"you haven't trained with us in a while," yuuta sighs, "everyone. we don't really know what you're up to these days."
and he was right, but satoru would never admit it.
"what?" he asks, almost faking offense, "can't your sensei go on vacat-"
"-utahime sensei says you've been in your home a lot," he clarifies, "only few of us know. toge, panda, yuuji and I."
"what about megumi?"
"he's kind of in his own world," yuuta sighs, placing his weapon down before taking a seat next to gojo in the training room. "he knows things haven't been easy."
"you've kept an eye on him and yuuji like I asked, right?''
"to a degree," he admits, "I can't have them open up so freely because I'll always be their upperclassmen, but you... you're..."
"I get what you're trying to say." he answers flatly.
"you do?"
he nods.
"can I walk with you to your home?" yuuta asks, "there's another thing I'd like to ask, personally this time."
satoru finds himself agreeing with his younger student, what else could he do besides that? as the two walk, satoru finds himself giving advice he didn't think he could give, advising the student on what shall become of him now that he's already over age and in his own right to choose his destiny.
as he advises his pupil, satoru finds himself wondering the same for himself. he's turning a year older in 2 more days, what will become of him? what will he do? what does this mean in relation to kenjaku's damned curse? it aggravated him. upset him how everything felt so secure, almost ideal weeks ago, but now his life felt back in square one, returning to his home that he had grown used to be alo-
"surprise!"
not one, nor two, but several familiar voices called from the inside of his open, making satoru freeze in shock.
"surprise! we thought we'd surprise you sensei" panda's voice rang.
"he's right!" another voice, yuuji's appears, "we thought about making a little get together with our favorite sensei..."
"obviously someone had to plan this," satoru turned, stunned when shoko's voice came into play. "you?"
"no," she chuckles, turning to you but you quickly shake your head, reaching for utahime, "it was utahime!" you call, "she wanted to plan something nice for you."
"aww well aren't you sweet?" he grins tauntingly at utahime who can't help but send daggers your way as shoko muffles her laugh.
for the duration of the party, satoru is accompanied by his co-workers, friends, and students. he hears more about what they've done. what travels they have accomplished, and what romances some of them have experienced all while they share laughs. all while satoru searches for yours.
you stand a respectable distance away from him, deciding it would be best to let his friends and students take over since he hasn't seen them in so long. you weren't as special as they were, only having known satoru for the least amount of time, a part of you felt like a stranger. not that anyone made you feel left out, no. everyone was kind to you and even appreciative for your presence. however, you spent a whole majority of the party not talking to satoru, as if you weren't there.
when it came time to cut the cake, everyone who was an adult was nearly drunk. the students, all joyously supervised by ichiji laughed as they shared a group photo. yuuji, satoru's student mentioned something about adding the photo as his lockscreen, causing everyone to burst out laughing from ichiji's protests. everyone looked happy, with a twinkle in their eyes as the end to the party came to an end.
the students and ichiji were the first to leave, then shoko and utahime finding balance in one another, leaving you alone with satoru in his home.
"you didn't drink, huh."
"I don't really drink in social events." you shyly admit, scratching the back of your neck as satoru does not face you, looking towards the door where utahime and shoko left not long ago.
"you thought you were social?" his words take you by surprise.
"I, um.... I talked to your friends." you say, "they were very nice."
"I barely heard you."
"that's because you were probably occupied talking to the others-"
"-you didn't talk to me." he finds himself saying in annoyance.
"I didn't want to take your day away,"
"from who?"
"you."
"there's nothing to take from me."
"yes there is," you tell him. "your attention. you haven't seen your friends in-"
“they all pity me.”
“what? no they don-”
“-you’re not blind. people don’t… they don’t look at you like some pity animal, just waiting for you to fuck up.”
“you are not a pity....”
“oh yeah?” he breathes, ragged. “then why the fuck did you agree to read to a blind man?”
there was some silence, regret pooled at the back of your throat and then a shift in your weight as you stood. 
“I’m sorry,” you whisper. I like you, “I- I’m sorry.”
“I’m sorry too,”
“I- are we…?”
“I don’t think we should be seeing each other,” he expresses. “not for a while,”
“a while?”
“yeah, a while.’’
“do you… want me to leave?”
“I think it’s for the best.”
“Do you want me to come back monday?”
“I don’t think so,”
when you left, satoru's jaw tightened, hands now fisted by his sides and a body so rigid one might think he were frozen in place. satoru stays like that for several moments, eyes nearing a burning sensation as he focuses on where he would imagine the door is, almost expectantly waiting for your return as if this were a dream.
but it wasn't.
and as the minutes pass, he paces his living room. hands running over his hair.
he had done wrong.
"ichiji," his voice almost broke, dry and borderline desperate. “I…” I think I fucked up, “I want you to pick up y/n. She just left my place, but she doesn’t have a car.”
"I already did," he says, "she said just that."
“Did she tell you anything?” he finds himself expecting.
“not really..."
“how did she look?”
normal? Ichiji wanted to say, didn't you just see her? but the tone in satoru’s voice confirmed that he did something to leave you so quiet after the party. 
“she was quiet,” he tells him, “...maybe she was tired from the party. you know, she organized it herself.”
“she... what?”
“yeah. utahime helped her bring the cake. she needed someone to drive while she carried the cake because she didn't trust anyone to hold it the 20 something minutes it took to get to your house. she told me she was trying to look for someone who knew how to make ice cream kikufuku and ended up finding the niece of the old owners of a shop she said you used to frequent. after long convincing, she was able to get the niece to help. I’m pretty sure she made the cake, with the help of the niece of course. she also made the dinner, and even had shoko bring in the drinks along with candles that your friend forgot to bring, — so I guess she was just tired, right?”
Satoru was speechless. unsure if it was the fact that you did so much for him or the fact that he had never heard, in his entire life, hear ichiji speak for so long with such conviction, it was everything he needed to hear.
right? the words in satoru's mind, head pounding with everything and anything relating you. and on the other side of the line stood a confused yet almost concerned ichiji.
"hello? are you still there?"
"yeah," he answered dryly, "is... is she home safe?"
"of course, I dropped her off." but it sounded like, why wouldn't she be? to which satoru felt like it wasn't a good enough answer. he needed to see, hear that you were okay. and he was afraid that he was regretting his words so easily.
"satoru," now serious, ichiji's words pulled him from his thoughts, "are you still there? what happen-"
"-I fucked up," he choked, "I... I said things I shouldn't have..."
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randomminty · 7 months
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I heard its her birthday and had a sudden urge to draw kirararararararrara
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soranker · 5 months
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hi….! any chance we can see your art process ? it’s fine if not! i was wondering if u do a sketch before your lines or you just skip directly to lineart? your art is very beautiful!
HI!!! AUGGHHHJHH THANK YOU SOOOO MUCH T__T my art style is kinda simple imo so my process is pretty bare-bones ^^;; there's not rly much too it!! it also kinda changes depending on how uhhhh lazy im feeling in the moment HAHA
probably around half of my drawings are straight to line art bc they're rly just doodles or things i decide to draw without any planning (but also im kinda impatient so i try to skip the sketching step if i can LOL...). but if i DO have a specific pose in mind for a drawing, i'll start with a sort of mannequin sketch or loose pass, then depending on how messy it is, ill either do the lineart pass on the layer on top or duplicate the sketch and then clean it up.
and then my coloring process is not sophisticated at all i just create a new layer and then paint bucket tool away LMAOOOO
here's an example of a drawing where i did sketch first ^_^
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idkwhatimdoingbutslay · 8 months
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… I can’t imagine that we actually watched the same show. Like I REALLY AISNSOSNWKMEJDND
hold on I’m gonna need to calm down.
Let me just make a list of why I disagree and at least organize my anger. Long post incoming.
Vander was friends and had a deal with Grayson. The sheriff. Idk what else to even add to that
Caitlyn is more than a cop and Arcane isn’t copaganda. Genuinely don’t know what kind of progress some of these people are looking for. Real allies are a necessity for real progress.
SILCO IS A CLASS TRAITOR. HE FUNNELLED DRUGS INTO THE UNDERCITY AND PUT POOR KIDS IN FACTORIES FOR THAT DRUG FOR PROFIT!!! HE PAID THE ENFORCERS TO LET HIM DO IT WITHOUT CONSEQUENCE
Vi is not as much as an activist as you would like to believe
WHY IS EKKO NEVER EVER BROUGHT UP IN THESE CONVERSATIONS????
Silco was not good for the Undercity
Silco was not a great guy. Ekko had to build an entire separate hidden community for the people he hurt and stepped on for his own benefit
Caitlyn is ignorant and naive. That’s ok. That’s what character development is for.
Loving imperfect characters like Silco and Jinx then hating characters like Vi and Caitlyn is peak media illiteracy to me
FOR THE LAST TIME: VI DIDNT ABANDON POWDER!!!!! Silco literally wanted Vi DEAD for trying to stop him from killing Vander??? How could you possibly say silco was there for jinx when Vi refused to be???? SHE WAS IN PRISON BECAUSE OF HIM???
Silco’s manipulation is working wonders on y’all
Embracing all the outrage without at all looking out for the people harmed by bigotry is not activism
SILCO IS A CLASS TRAITOR x929282929394
Caitlyn was the first person in years to show Vi kindness and care. She listened and stuck by her and took care of her after Vi was locked up for years and beat up by cops (i wonder what led her to be thrown in there?). Cait being a cop stopped being a point of contention once Vi recognized her naivety and genuineness.
NUANCE NUANCE NUANCE. ITS NEVER EVER BLACK AND WHITE
The only way I can see Vi touching ‘class traitor’ in season one was the shimmer raid. Guess who the hell put those kids in there in the first place.
Just hanging out with Caitlyn isn’t being a class traitor if Vander’s allowed to be friends with Grayson.
Critical thinking is very necessary for watching shows like Arcane
What the hell did Silco really do for the Undercity???? What changed over the 7(ish) years he was basically in power of the place? All I’ve heard was he made the air cleaner, which would be great except for, you know, shimmer and the child factory workers
Jinx is unwell and feeding into it like this in a fully serious manor would not help Arcane as a show at all
What do you want Arcane’s message as a full show to be? ‘Screw cops’? That’s a little boring and unproductive isn’t it?
CAN WE TALK ABOUT EKKO AND HIS IMPACT PLEASE???? x9382728283
Caitlyn is trying to make Piltover and Zaun a better place. Is that not allowed? Am I missing something?
Caitlyn and Vi’s arcs have only just started. Season one is basically fully set up except for characters like silco and Jinx. This is far from the end.
Genuinely think Vander would appreciate Vi for being friends (using this term loosely because they are in love) with Caitlyn considering he was the one who was opposed to war and Vi wasn’t.
Silco should NOT be your idea of Undercity independence and respect. He oppressed the Undercity the same way the Council and the Enforcers did. He helped no one but himself, his team (barely) and Jinx.
You’re allowed to like and dislike any character you want but pretending like Silco is better for the Undercity than others is just so ridiculous to me. Everyone is of course completely allowed to like Silco, but we can’t pretend like he’s this stand up guy. If you have to pretend like he was, maybe you don’t like him as much as you think.
“Because Cait’s pretty” is also incredibly incorrect. Go check point #14.
Vi never stopped loving and caring for Powder. Powder’s mental health issues were amplified and utilized by Silco because he couldn’t even heal himself.
If all of your opinions of Caitlyn and Vi start and end with “cops suck” and “class traitor” then you genuinely don’t respect Arcane as a show enough to show you nuance.
The misinterpretation of characters is just so … it’s like you go out of your way to love and/or hate characters no matter how much they show you who you are.
Your closed mindedness is clouding your judgement and making you out to seem like you don’t actually want the Undercity’s triumph, you want Silco and Jinx’s, even if it means ruining the Undercity. And that would be fine because father/daughter evil duo but trying to say you’re all for this duo because you want what’s better for the Undercity when they continue to hurt it is simply not correct and very harmful (to fictional characters in a fictional universe 😭)
Only being able to understand how Silco and Jinx were oppressed and therefore should be able to not just destroy Piltover but also Zaun is not the eat you think it is
Why is Viktor never called a class traitor? I think he's great (I also think Silco and Jinx are wonderfully written) but we hardly saw him in the Undercity/ interact with people from the Undercity plus he killed someone (Sky) from there (accidentally)
EDIT TO ADD ANOTHER POINT: Caitlyn has shown little to NO malicious intent and has no real negative impacts other than Jinx’s attachment issues and insecurities being amplified by her mere existence. Again, this is her story and development. Throughout the season she is exposed to reality and recognizes her and her peers/ families wrongs. I have no idea what you want from this character. Should Piltover just be gotten rid of in the story? Then what? Should Caitlyn have just never gotten involved and continued to embrace her privilege? Should she have left Vi in prison and stay ignorant?
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tobisiksi · 3 months
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I'm aware that the message of the final episode of saiki k (when he finally stopped the volcano) is that you may not know your friends completely, everyone have thoughts or things about themselves that they hide for fear, shame or more reasons but that's okay
you will never know a person completely and it doesn't need to be something bad, it's something normal, the thing is that you must accept that fact
maybe wait until the other is ready to spill the tea or just accept that you may never know
saiki's friends may not know saiki completely, at the end they accept it in the episode and wait for him to be ready because that's what friends are for
at least that's the message I got
but damn
I wish they were a little bit more insistent
I know that it could had been a cliché ending if he revealed his powers on the last episode butbutbut
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capricores · 5 months
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i love being friends with earth sign placements (sun/moon/asc/venus) so much. you will not find better friends. the way they're so caring, attentive, nurturing, kind-hearted?! the fact that they initiate and plan things for and with you?! the way they listen so well and give amazing yet gentle advice?! the way they remember all the little things about you and your interests and give the most thoughtful gifts and remind you in small ways that they remember everything about you?! i hope every earth sign placement is having a great day and knows just how positively impactful they are in their friend's lives!!!!!! we love you!!!!
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bonebabbles · 6 months
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God the new ultimate guide sucks
It's not JUST the awful art, either. The art's just worth mentioning because even if the book's info had been terrible or contained nothing new, really cute art can make it still worth having.
But, no, it's even full of recycled lines we've been hearing for years like "Bramblestar Can Match Squirrelflight's Fire Not Contain It," and that's when it DOES get everything right. These entries leave out major, important details (making them bad summaries) and are sometimes even straight-up incorrect.
SUMMARY THOUGHTS
Leafpool is said to have watched Brambleclaw kill Hawkfrost to save Firestar-- but for one, no, she was not there because Ashfur was still leading her and Squilf towards the scene. For two, no, Brambleclaw did not kill Hawkfrost just to save Firestar, it was self-defense. Hawkfrost had him pinned and was going to kill him.
They're REAL cute about Leafpool's death, too, neglecting to mention WHY the Sisters needed to be saved at all and just saying Leafpool's "generosity" lead to her death in that cave-in.
I'm not even going to get into everything on Bramble's entry jesus christ.
Sagewhisker's entry is ESPECIALLY fucken' dandy, framing Yellowfang's Secret like she was simply waiting patiently for Yellow to realize her 'destiny' and not actively shoving it on her at every opportunity.
Leopardstar's entry states that romantic interest in Tigerstar was part of her motivation. "Perhaps she'd hoped he would be her mate" please speak to a woman irl for once in your life.
Gray Wing's entry forgot that the reason he "blamed himself" for Bright Stream's death is because he was literally staring at his big strong brother too much and tripped on a root in front of him. It IS his fault she died.
Clear Sky/Skystar's entry is just obscene. "He regretted abandoning his son and after a fire, he encouraged him to live with him" instead of "saw his teenage child was useful now and bullied and belittled the kid and his uncle into letting Thunder come with him." "Retaining his fierceness towards his cats and outsiders which caused his son to leave" instead of "murdering, brutalizing, and abusing everyone around him caused Thunder to leave." I'll just say this tho; "Fierce" is an interesting way to spell "Cruel."
It's interesting that they don't point out that a major part of Jagged Peak's arc was proving he was "Just As Good" as every other cat in spite of his disability, thanks to his introduced-and-pregnant-in-the-same-book wife becoming his life coach, only earning Clear Sky's respect after being allowed to physically lead a patrol in Blazing Star. Instead they frame him finding his place through taking care of kits, which... was something he seemed to resent in the actual series, considering how the books suddenly treat Gray Wing's protective treatment of him as a terrible thing in Blazing Star because he "didn't give him a chance". But at the same time I actually strongly dislike Jagged Peak and his messy, frustrating character arc so I'm not really UPSET with it. Just... noting it. I suppose this is the official direction they're taking away from it?
Shadowstar's entry is barely even 3 paragraphs yikes.
SHORT STORY THOUGHTS
And if you're wondering if the 4 brand new stories they smooshed into the end in a desperate attempt to make the rush job worth buying are good? No. Of course not. They're all slop.
Story 1: Firestar and Graystripe
First one's a marginally cute story about Graystripe and Firestar which is setting up the framing device linking the mini-tales together. They both remember this situation where Firestar fell into a ditch wrong. The punchline is that Thunderstar remembers it perfectly and they're both like, "WOW! Too bad Thunderstar's memory sucks!"
It's not terrible, but it does feel a bit pointless. But, hey, if you want more Firestar and Graystripe in the series that tosses them fanservice at every turn, who am I to judge?
Story 2: Dovewing and Ivypool
The next one is the Dovewing/Ivypool reconciliation passage everyone's talking about. It's... fine, but immensely dissatisfying to me.
Dovewing is apparently having problems adjusting to her Clan, grapples a little bit with the fact she has no friends but is going to be finding meaning in helping tigerHeartstar "bring the new ShadowClan into existence." She ultimately decides that she needs to talk to her sister, and begs for reassurance that Ivypool believes in her, feeling that her support can help her get through this difficult time in her life.
I think its biggest problem is that Dovewing was not the right choice for the POV here.
Dove was never the one responsible for the rift in their relationship. Ivypool is. Ivypool is the one who was jealous, willing to sabotage anything that would put Dovewing closer to Tigerheart, and continues to be generally aggressive towards her. So when Dovewing is reaching out to Ivypool in hopes of them reconciling, it feels wrong because Ivypool is the one that should be reaching out to Dovewing. SHE is the one who has some things to apologize for, and to show how much she loves and misses her.
It's even kind of frustrating, because Dovewing can never catch a break. She has to have these problems to force her to reach out, Ivypool even ends up suggesting that she leave and come home and take her kids with her, but in the end even a LITTLE bit of assurance from her aggressive sister helps.
I feel super bad for Dovewing, man. She deserves better than this cheap writing. What was the point of such an unsatisfying, rushed reconciliation, shoved into a crummy field guide, when we KNOW from the newest book that they're just going to use tension between them as part of the drama anyway?
shouldn't have even been written, imo. Even ends off with, "They'll always have each other :)" which is so... cliche. It's TIRED. Are any of you really happy with just getting a retconned platitude in a good-for-nothing field guide, instead of seeing complicated, INTERESTING feelings in a main book?
Story 3: Alderheart and Twigbranch
A tale of Cherryfall getting sick during TBC and Alderheart sneaks back into the territory to treat her. Also Crowfeather has a scene where he yells at him. Charming.
Twigbranch comes up with a diversion while Alderheart does his work, which is cute. It's a fine story.
Story 4: Clear Sky
Trash. Three dogs spawn in the middle of a gathering so that Skystar can have an uwu big boy sendoff saving his grandkit. Then he goes to StarClan and throws a fit because they can't give him ANOTHER life, becoming so upset that he attacks the nearest woman. Naturally, Shadowstar brushes it off because it's not the first time Clear Sky has pummeled her in the midst of an adult tantrum and this book series thinks violence is fine if their favorite sadboy does it.
Then Gray Wing brings him to the magic mirror pool where you can see the living, to confirm that Star Flower is ok and that makes him feel better.
Then it launches into Firestar saying "ouuuugh yum I LOVE the taste of his butthole. Clear Sky is so misunderstood, He Just Loved Too Much."
to which Graystripe responds, "Yes, he was a good and amazing person and his farts smells SO good, and can you believe that some people think StarClan punished his Clan for his arrogance? As if he ever did anything wrong, ever?"
Firestar, indignant, refutes it with, "Ugh!! StarClan would NEVER be interesting, we don't punish living cats we just float around and make vague, frustrating prophecies that do nothing but pad the word count. Why cant ppl understand that, gosh."
who wrote this? Gray Wing??
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ninesugars · 11 months
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some stories you’re like. the point was never ever ever the suffering. it was about the love that overcame. you understand
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warblercore · 8 months
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muppet of a man
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