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#i’m just. in fucking awe that this is a Real Man that Exists
artbyblastweave · 1 year
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I saw a post a couple of days ago that said one of the most important things about Steven Universe, thematically, is that everybody in the core cast has done at least one completely morally unjustifiable thing, regardless of how likeable or sympathetic they are otherwise, and that this is important to understanding the show thematically. This is true. 
But it also reminded me of one other thing I really like about Steven Universe, which is that it’s the emotional-toxicity equivalent of all those posts about how cartoons have to come up with unimaginably worse forms of death and violence in the course of avoiding getting censored for depicting plausible forms of death and violence.  All of the ways in which SU characters cross those emotional and interpersonal lines are wrapped up either in their fantastic abilities or their bizarre life circumstances in a way that makes it all esoterically awful and often much more existentially horrifying than any of the real-life dynamics it’s alluding to. You’ve said nasty things to people in the heat of the moment but you’ve never shapeshifted into the guy’s dead wife to twist the knife a little more. No violation of bodily autonomy is ever gonna involve contriving a situation in which the other party will believe that it’s necessary to fuse with you, body and soul in order to do demolition work. The most toxic relationship in the world isn’t gonna involve imprisoning someone at the bottom of the ocean for several months and only emerging to participate in humanoid-sacrifice rituals. Your codependency will never last 8,000 years, be frontloaded with a faked death you’re biomechanically incapable of confessing to, and end with your partner’s suicide-by-childbirth. Your worst roommate situation will never end with one party stealing the apartment and taking it to the moon. Et al. Et al.
I don’t remember where I was going with this, precisely, (and I may have drifted sideways from the original discussion topic of crossed lines per se, but whatever.) I mean part of it’s funny because it exists in a series with tons of mundane, non-metaphorical examinations of interpersonal issues, like everything to do with Lars and Sadie, or Sour Cream and Marty. And there’s an extent to which I’m just describing how cartoons are written. But there’s something special about how Steven Universe does it. Something delightfully fucked up about it all. I think maybe part of it is that it’s a considered and embraced fucked-upedness, none of this is just an ill-considered fridge-logic by-product of something else they were trying to do. Like for every one of these, someone in the writers room probably went, “Man, this has some fucked up implications,” and then everyone would go, “Yeah!” and hi five and put it in specifically because of that. Great Show. Great show
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ham1lton · 17 days
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wrong number.
pairing: charles leclerc x reader (no faceclaim)
warnings: nothing. maybe just ignore my awful photoshop skills. also is this based on a real interaction of mine? yes. this is just a crackfic, don’t take it seriously at all please.
summary: the one where y/n gets a new phone and tries to text her auntie… only her auntie is not the other one at the end of the phone.
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liked by yourbffsuser, friend1user and 5 others.
yourusername: it finally happened… bertha kicked the bucket and i had to buy an…. i…. i…. iphone 😔😔😔😔😔 funeral being held on monday at 10pm.
yourbffsuser: welcome to the 20th century girl.
bff2user: we were sick of having to debrief over the phone when imessage exists.
-> yourusername: bertha is dead and you celebrate… you laugh…. you will rue the day….
-> yourbffsuser: girl fuck bertha 😭😭😭😭😭 you’ve had that thing since bush was in office.
-> yourusername: i need to update my family with my new number but i will be back…. (bring food to bertha’s funeral).
-> bff2user: ofc we will bae 😘
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liked by yourbffsuser, friend1user and 7 others.
yourusername: thank you all for showing up to bertha’s funeral. it was exactly what she would have wanted. the food was incredible… extra salty because of my tears but that’s alright….
yourbffsuser: girl fuck the food, who is that guy on the right??
-> yourusername: aunt julie.
-> bff2user: no way that’s aunt julie be real… is that the guy you were on facetime to at the funeral?
-> yourusername: unlike you… he appreciated my grief. he understood it… he lost a phone once too…
-> yourbffsuser: NO WAY YOU TALKED ABOUT BERTHA TO HIM…. YOU GONNA BE BITCHLESS FOREVER OH GOD 😭😭😭😭😭😭 I’M NEVER GONNA BE AN AUNTIE 😭
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liked by yourbffsuser, friend1user and 15 others.
yourusername: haters said i could never do it.
bff2user: said you could never do what? get a man?
-> yourusername: no… haters said i could never cook.
-> yourbffuser: girl you can just use my name. no need for codewords 😍😘💕
charles_leclerc: you proved the haters wrong babe.
-> yourusername: thank you honeypot 😘🤤
-> charles_leclerc: now can you change my name in your phone from aunt julie?
yourbffuser: wow… your bitchless ways captured him… teach me your ways professor.
-> yourusername: barbie tingz 0:35 :)
-> yourbffuser: GIRL FUCK YOU 😭😭😭
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transmascissues · 3 months
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next time someone tries to tell me people don’t demonize and act violently toward trans men and transmascs, i’m just going to make them read this reply i got to a positivity post that was specifically about trans manhood and transmasculinity. this is basically just every negative thing people say no one says about us rolled into one message that’s aimed directly at us.
and as if this isn’t enough on its own, their whole blog is full of this disgusting shit. it seems to be dedicated to it, actually. (fair warning, don’t look at the next two screenshots if you don’t want to see even more genuinely awful transphobia.)
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you can say what you want about how they’re probably just a troll or baiting or doing this for attention but the fact remains that, regardless of their true intentions, these are real things that a real person is saying about trans men&mascs, publicly and proudly and to our faces because they want it to do damage.
i’ve dealt with people like this before, on a much closer level. when i was a teenager, i had a grown woman come into my dms just to send me very graphic and detailed instructions on how to kill myself. literally entire paragraphs with all of the steps she wanted me to take. before i blocked her, i told her she was lucky she sent it to me and not someone more vulnerable, because otherwise she might have real blood on her hands. she just sent the whole thing again.
we can argue all day about infantilization versus demonization, erasure versus hypervisibility, what counts as violence, what words we use to talk about our oppression, and so on. but the reality is, whether you believe people want us dead or not, they clearly do, and a lot of them really aren’t making any effort to hide it. at this point, if you can’t see it, it’s because you don’t care about our lives enough to look at the reality that’s right in front of your face.
before you do anything else, block this person. don’t engage with them directly, don’t give them the satisfaction of the attention they might be fishing for, just block them. but don’t forget that they exist either, especially if you’re not a trans man or transmasc yourself. don’t just block them and move on and forget that there are real people out there who will say these things about us, who genuinely enjoy the thought that their actions might have deadly consequences.
because these are the people you empower to come out of hiding and start being blatant about their hatred when you insist that no one wants us dead, when you openly mock us and demonize us and try to cast us out from the community that we were supposed to share. when even our own people decide we’re an acceptable target, these bigots throw a fucking party because you’ve just told them they can get away with murder as long as it’s our blood on their hands. this particular blog was started recently, and i guarantee it’s not a coincidence that they started it in the midst of a rise in online anti-transmasculinity.
it really is telling, how much hate a positivity post has incited. y’all can’t stand when we talk about the bad things that happen to us, but you hate our happiness even more.
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borderlinebelle · 3 months
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Tumblr Live: it’s not that serious. By BorderlineBelle
Literally I met mutuals of 10+ years on tumblr live.
The hatred over tumblr live was over the top and insane… it truly wasn’t that serious.
If you can stand to be thought critiqued, stay. 🙂
Yes, they robbed us of all our personal info, that’s our choice. Basically.. that’s every single app ever. Wake up. Everyone is just choosing their daddy to participate in this society, which exists ONLINE in equal measure.
Ya’ll bend over to SOME cloud daddy collection somewhere.. unless all your family photos hit printer ink 🫨 why is this the hill you were willing to die on?
Tumblr Live was good.
People hung out, did hobbies, met mutuals, discussed old and new tumblr, made new friends, shared art and music and passion and hobbies…
Before the flood of MeetMe folks… (which was awful. as an OG… I get it) .. it was a chill place to hang out.
The active and consistent and LOUD trolls made it so negative and latched on and like the USUAL TUMBLR PIRANHAS… wouldn’t let it GO.
You made a hashtag and shopped it day and night. Like why???
#TurnOffTumblrLive … was wild.
I consider myself part of the few who supported EVERY FANDOM.. kinda 😅. I’ve been on tumblr for my whole life and before that and I try to be a GOOD community member!
I wasn’t actively working for every fandom 😅 but if it was a high holy holiday of your fandom or a meme or a joke that was so popular it circulated into the main highways of tumblr… that needed spreading… I of course let it roll across my dashboard. I reblogged your top chosen artists and musicians, whomever your communities had chosen … we supported. I supported. As a bit of an outliner. A sad girl yadda yadda mentally ill and sexy… screaming into the void at the porn bots 🤷🏽‍♀️ it was a niche trust me… but I did and do participate with positivity even if I didn’t get the joke.
And … YOU ALL… BURIED AND KICKED AROUND tumblr live as if she was a DiLaurentis triplet. 🤧
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It was way overboard imo. 🤧💅🏽
Some people used tumblr live for good. 👁️👁️
Then the REALLY determined trolls harassed the poor CEO guy and we ALL KNOW HE’s STRESSED. His hair is thinning. We can see it and ya’ll demand and do too much. i hope to one day sit with the man and say, “you’re doing mostly, kind of .. a fine job.” 👍🏽😬
Tumblr, in general, is one of the few places left on the interweb that maintains the primary basic deliciousness of self expression through the works of others. It remains from LONG AGO.
Don’t fucking ruin the overall umbrella of the tumblr space… with deep… leaving funny and entering disturbing… cynicism.
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Remember the LISTEN to OTHER pov’s too. 🤷🏽‍♀️🙂
Real people exist behind the cameras.
That’s all.
I’m glad it’s gone too.
2024 tumblr is gonna be shmexy.
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thecreelhouse · 4 months
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part time soulmate, full time problem
Paring: Gator Tillman x Alt Fem!Reader (she/her pronouns) || MDNI! 18+ for eventual smut
Summary:
After leaving the Midwest years ago, you finally make the choice to visit home for the holidays. What’s meant to be a quiet, boring Christmas with your family turns into being snowed in with your ex-best friend, now enemy and absolute pain in the ass, Gator Tillman.
It’s only 3 days. How bad can 3 days be with an ex-friend?
———
CW/Tags: angst, toxic banter, language, mentions of drunk driving, mentions of death/loss, Gator being an absolute fucking moron
Word count: 2.5k
Series Masterlist / Read on AO3
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Day 1
When you agreed to come home for the holidays, you didn’t anticipate it to be very eventful. Just a week with your family… and not much else. After all, what the hell else was around in Stark County, North Dakota?
Minutes after being picked up from the airport, your father had no issue letting you know some plans changed, that it wouldn’t be such a quiet holiday break at home, on account of … “business”. You never asked when he vaguely called last minute periods of time away from home to do god knows what “business”.
Doing “business” meant he was up to no good, though. You knew that much. You also knew that usually involved that insufferable Roy Tillman, and that usually meant—
“Hey, freak.”
Unfortunately, you’d know that god awful, nasally Midwest accent, doused in cockiness, with a hint of some terrible excuse of a cowboy twang in the tone, anywhere. You whip around from the trunk of your dad’s car, eyes rolling from muscle memory at the sight of Gator.
Fucking Gator Tillman. Professional douche bag, absolute unjustified asshole, persistent pain in society’s ass, and the ultimate bane of your existence.
“Piss off, Gator.” You’re rummaging through the trunk, pulling a suitcase and backpack out before letting them tumble onto the snow covered driveway.
“Can’t. I kinda live here, remember?”
“Didn’t you move out yet?”
“Well- okay, yeah, but—“
“So, you don’t live here, technically.”
His jaw set, annoyed, following it up with a dead stare and his stupid fucking vape, blowing the flavored vapor right in your face. At least it smelled sweet. Still, you stuck your tongue out with a grimace.
Nearly anything could get under Gator’s skin. That’s your entertainment for the next three days. That’s it. How fucking depressing.
Might as well enjoy what you’ve got, though.
“Whatever, you gon’ lemme help ya’ or not?” Gator reaches for your backpack, but you kick it away from him. He looks even more annoyed now.
“Nope, take my suitcase, bet your daddy reminded you to be a real man before we got here. Ain’t that why you’re babysitting me?” Your words dripped with repulsion, already fed up with the misogynist mindset still thriving out here.
Both of your fathers always took their wives on these “business” trips, but the two of you were always left behind. Gator always made a scene about not going with his dad, but that was always met with the order of watching over you, keeping you safe. All because you’re a woman.
“Thought that’s why you moved out east, ain’t it?” Gator mocks you as he yanks the suitcase handle up and out before dragging it toward the house.
“There’s plenty of reasons, and you’re one of ‘em.” You follow behind him, backpack slung on one shoulder.
Gator stops, throwing a cocky smirk over his shoulder, “I’m honored, princess.”
These will be the longest three days of my life.
——
The two of you were left alone almost immediately after arriving, with your father reminding you in a sweet, yet condescending tone to make dinner every night as a ‘thank you’ to Gator for ‘protectin’ ya’’. Gator, of course, smirked at that, while you forced a smile as you bit your tongue.
Playing nice until they leave the property, you immediately drop the act with an exhausted sigh, flopping onto the couch.
“Hey, aren’t ya’ gonna do what your dad said?” Gator asks expectantly. You glare over at him through jet lagged eyes.
“Gator, you’re a grown ass man, learn how to make yourself something other than goddamn cereal.” You flip him off, and again you’re under his skin. “Not like you even have a girlfriend to take care of you, so remind me, how the hell do you survive on your own? That vape don’t count as food, y’know.”
“You’re lucky I gotta be nice,” He mumbles as the best comeback he could think of. “Y’move out east for a few years and suddenly you’ve got all the nerve in the world.”
“Yep, it’s amazing when you move to a city where misogyny and the whole ‘men are superior, women exist to serve’ mindset ain’t welcome. You should try leaving the state some time, you might learn something good for once.”
He looks offended, fists clenching a bit as he sits opposite from you. “I’ve left before—“
“Other than neighboring Midwest states, I mean.”
Gator falls quiet before taking a drag from his vape, his go-to response when he really doesn’t have one. Jesus, he looks like a douche.
“Whatever, I’m happy here.” It’s almost comical how he says it in the most bothered tone, brows knit together as he glares at you. “You coulda’ been happy here too.”
It’s your turn to deflect and dodge poorly; you slam your hands on the couch as a push to get up. “Alright, we’re done here. Keep out of my way, I’ll keep out of yours. The house is big enough, anyway. If you need me— which, you won’t— text me. I’ll hang in the guest room, so you won’t have to worry about what trouble I could get into.”
While you pull your bags upstairs, you hear the front door whine open and slam shut, then a distant roar of an engine coming to life. Wheels crunch loudly on the snow— everything is easy to hear out here. It’s so flat and… hollow.
As you get settled in the guest room, you start wondering if coming home for Christmas was even worth it at all.
Because that’s all the Midwest was to you, and will ever be. Hollow.
———
It’s dark out when Gator gets back; you fell asleep at some point, and what woke you up was the front door slamming wide open, along with some stumbling around.
Sighing, you knew what happened. The predictable situation was always disappointing, but not surprising.
Gator wasn’t an alcoholic, as far as you knew and remembered, at least. He did like to dive into a bottle when he was pissed, though. And that was more often than not.
… Okay, so maybe he did have some kind of issue with alcohol, but you weren’t going to label it, just stay out of his way.
Then, a thump echoes through the house, along with glass breaking. Another expectant sigh leaves you; you push off the bed and head downstairs to check out the commotion.
A lamp in the living room is smashed, off to a great start. Your eyes wander for a moment before you spot Gator shuffling out of the kitchen with a dustpan and brush, nearly kneeling into the broken glass scattered across the old hardwood floors.
“Gator, hey, don’t—“ He yells out as his knees are prickled with glass and ceramic shards. Too late. You carefully tip toe around the sharp pieces in your slippers to reach him.
Gator stands, leaving behind the dustpan, wincing and murmuring a “Fucking Christ”.
“You’re lucky your daddy ain’t home, he’d definitely kill ya’ f’that one.” You’re still sleepy, but manage to hold an arm out for him to balance on. Confused, he glances down, then glances back at you. “Oh my god— Gator, lean on me, idiot.”
He reels back a bit, bottom lip curling downward in annoyance. He slurs, “I don’ need your help.”
You hold your hands up, “Fine, deal with this on your own, asshole.”
You turn to cautiously maneuver back to the stairs, but his hand grasps your wrist, tugging you back in place. You hold your other arm out to keep your balance.
“M’sorry.” Gator mumbles, almost too quiet for you to hear, but you catch it.
“Couch, now.” You roll your eyes with your arm back out, and he leans on you reluctantly. You guide him as carefully as possible, helping him rest slowly. He murmurs some obscenities as his knees bend, blood patching through on the fabric from the glass and ceramic shards.
“Can you stay like that? You can rest against the couch just- just don’t move your legs or lay down, ‘kay?” He nods, face flushed from drinking.
It doesn’t take you long to find rubbing alcohol and a pair of tweezers in the medicine cabinet, but as you return, you see Gator bent over his knees, trying to haphazardly pick the glass out.
“Gator, up.” Your voice startles him, and with eyes wide, he sits back up. “Don’t make it worse.”
You quickly push what’s on the coffee table aside to sit on it, facing Gator. He forces a laugh, but it’s pretty deadpan. “Don’t I always make everything worse?”
Sighing, you position yourself to begin plucking the shards out. “Not answering that one.”
With the removal of each piece, Gator winces and hisses, a few times throwing his head back over the pain.
“You’re gonna hate it when I gotta clean the wounds.” You state, watching blood dribble from some of the open, now clear wounds.
“Don’t use tha’ shit.” He groans, head coming back up to grimace at the sight of blood.
“You’re a cop—“
“Deputy-“
“Whatever. Don’t you see blood often? Shit, you work for your dad, you definitely see blood often.”
He grits his teeth. “Shut up, you dunno what you’re talkin’ about.”
“You want me to stop helping? Because I don’t have to be doing this right now.”
Gator huffs, but he quiets down. The quiet doesn’t last long, though.
“When d’ya get those?” He’s pointing to your left arm, covered in tattoos, now slightly bare as your hoodie slumps off your shoulder.
You continue to tend to his wounds as you answer, “Started this sleeve shortly after movin’. Wanted to celebrate owning my life again.” The latter half of the sentence quiets down out of embarrassment; your life should’ve belonged to you this entire time, but you almost feel guilty for admitting how it previously felt.
Gator’s quiet for a few moments, eyes studying the art on your skin. “They’re … nice.”
You snort, breaking your focus to look up at him. “You don’t have to force yourself to be nice, Gator. You can tell me how you really feel. I’m a big girl, I can handle it.”
He shakes his head, almost childishly, “No, really. They’re pretty. They suit you.”
“Not ending that with ‘freak’? Color me shocked.”
“Can’t be mean when you’re the one holdin’ them sharp ass tweezers.” He’s only half joking, but it still earns a smile from you.
The smile drops quickly; you realize some shards are tiny, and you can’t get through the fabric of his pants to pull them out.
“Uh… Gator… you’re gonna laugh at me for sayin’ this, but you, uh, you gotta take your pants off.” You rush out the words, hoping he won’t hang onto them too long.
Even drunk, this doesn’t get past Gator. He smirks; Jesus Christ you can’t stand that smirk. It’s almost… cute, with how flushed his face is.
Ew, god, no. The fuck’s my problem?
“What’s the magic word, princess?”
You toss the tweezers aside and get up, “Okay, good luck! I’m going back to bed.”
Gator grabs your legs, strong hands clutching your thighs tightly, and you have to ignore the heat rising to your face.
“I’m kiddin’ I promise!” He tries playing it off, but his voice is pleading with you to stay. You sigh your annoyance out, kind of taking pity on him.
“One more smart-ass word or move and you’re stuck with this glass in your knees forever.”
Gator nods, beginning to stand up, but falling back onto the couch from the pain in his knees.
“Idiot, I didn’t say you had to get up.” You sit back down on the table, waiting for him to unbutton his pants. He doesn’t. “Gator, I ain’t doin’ all the work here.”
“Fine.” He undoes the button and zipper before shimmying his pants down his legs and— god, when did his legs get so muscular? He was so lanky last you saw him.
“Babe, I ain’t doin’ all the work here.” Gator mocks, pants rolled down just above his knees.
You’ll give him that one, let it slide; you were definitely staring, and you weren’t about to get in a debate about the way you ogled at his legs.
“Sit still, they can’t just come off, it’ll dig some of the glass in further. Okay? Sit still, Gator.”
“I am!”
He was, you’re just nervous he’ll do something stupid. You’re also nervous to be this close to him with his pants halfway off.
“I can do it,” He mumbles, reaching to pull them down. He’s quicker than you, surprisingly, even while drunk, but of course, what you warned would happen, happens.
“Fuckin’ moron, I said sit. Still.”
He blushes at your order, pulling his hands back to let you do the job safely.
It takes a few minutes, but slowly, you’re able to remove the fabric from his knees. You let his pants pool around his boots, trying your hardest to focus on his wounds.
“Call me ‘babe’ again and I’m gonna deck ya’.” You murmur, working on the near-microscopic shards in his skin. “How’d this break anyway?”
You knew the answer, but you wanted to hear him admit it, even though the truth would infuriate you.
Gator has no problem telling you, though. “Too drunk, forgot the lamp’s there.”
Alright, he confirmed it.
Inhaling slowly to calm yourself, you ask, “You drove home drunk?”
“I didn’t have another way home.”
Angry, you yank a shard out without compassion; he hisses from the pain.
“You could’ve called me.”
“You don’t have a car here.”
“You could’ve called an Uber.”
He scoffs with a playful smile, as if this is all a silly mistake. “Like that exists out here.”
“Asshole, you could’ve killed someone.” You’re trying your best to focus on finishing this up, but you just want to stab the tweezers into his leg instead. Somehow, you hold your actions back, but not your tongue. “You remember what happened to my baby sister, huh?”
Gator remembers. How could he forget? How your sister barely had her license when the accident took her? How you began to withdraw from life, distancing yourself from everyone—
“I could fuckin’ strangle you right now, Gator.” You’re biting back tears, roughly plucking shards out. He takes the pain, he knows he deserves it. “And we both know your daddy would get you out of a DUI if it came to it.”
He sits silent, face losing color. This got dark, fast, and he was too intoxicated to even think about the consequences. But no amount of alcohol in his system would keep him from realizing he really hurt you.
“I ain’t forgivin’ you for this one.”
“I don’ expect ya’ to.”
You finish helping Gator’s wounds sloppily, throwing the bottle of rubbing alcohol at him. “I got most of ‘em out. Clean your own wounds, scumbag.”
Gator can’t bring himself to respond, look at you, or move to try and clean the cuts. You quickly sweep up the mess before dumping it into the trash and silently heading up to bed.
Gator doesn’t leave the couch that night.
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rallamajoop · 1 month
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On Mia Winters, misogyny, and abuse
As should be pretty obvious by now, I love Mia Winters. I honestly think she’s one of the most compelling characters in this whole damn franchise.
But let me make clear: you don’t have to love her. Mia’s canonically done a lot of shady shit in her time, and her relationship with Ethan has real problems. There are perfectly viable interpretations where the only thing really holding it together is his own denial. Only I never seem to get to read any of those takes, because the most common characterisations Mia gets in fic are an irredeemable monster, or a cardboard cutout who exists only to be written out as quickly as possible. And to write Mia out to that degree doesn’t just do her character a disservice, it does Ethan a disservice, and a big one.
The amount of Mia-bashing I see out there in this fandom turns my stomach. It’s not just the slash fans who’d rather ship Ethan with another dude. I have seen Mia loudly bashed in tags on het or gen fic in which she does not even appear. I have seen male fans reviewing these games on youtube who treat her the exact same way. But it’s never more frustrating than when that hate comes from the same fans who’ll turn around and talk about characters like Chris or even Lady Dimitrescu (she who canonically abuses her and murders her servants, and, y’know, eats people without a shred of remorse) like they’re perfectly forgivable and have done no real wrong. And don’t get me wrong: I love Lady D, but I love her because she’s magnificently evil. Mia? Mia’s a whole lot more complicated.
But to really explain why this hate makes me so uncomfortable, I’m going to have to start with the start of Resident Evil 7, and Mia’s very first scenes in this whole franchise.
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Let me quickly summarise the opening of that game. A man whose wife disappeared without explanation suddenly gets a message about her whereabouts. He travels to an isolated location, breaks in, and finds her. She denies ever sending him that message, and seems incredibly distressed that he’s there at all. They fight. It ends with him sinking an axe into her neck and shooting her several times with a handgun. But see, he didn’t do anything wrong! It was all self-defence! She started it! She was acting crazy!
If you didn’t spot it, the whole opening of RE7 reads uncomfortably like a story about a woman escaping an abusive relationship, then being tracked down and murdered by her ex.
Obviously, I am not here to tell you Ethan’s abusive. He’s not, we’ve got no reason to imagine he is. He was legitimately acting in self-defence.
But the fact the first thing Ethan has to do in this game is find the balls to kill his own wife ‒ that a whole new era of Resi games has opened with a sequence so easily read as a sympathetic justification for how a man might perfectly innocently track down his missing spouse and "have" to kill her – that made those opening minutes into by far the most uncomfortable part of this whole franchise for me. Shit like this really happens. I mean it, I will track down the fucking statistics on women who are murdered after trying to leave an abusive partner if I have to.
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What happens to ‘Mia’ in the opening to RE8 isn’t much better: it's as textbook a fridging as any I’ve ever seen. Yes, it’s a fridging that gets retconned away later when she turns up alive, but the fact that’s even possible speaks to just how awful and confusing her death is. The game opens with Mia’s violent murder at the hands of this series’ longest running ‘hero’, and the event is framed entirely in terms of how awful it is for her husband. That's as frigid as a fridging gets.
The eventual reveal that the real Mia was just trapped alone in a cell being experimented on by a madwoman for god knows how long doesn’t actually make it better. The horror Mia goes through in both these games is a footnote, barely explored.
I bring these events up not to condemn the RE franchise, not to say that including these sequences was unconscionable, or that violence against women can never be shown in a horror title. A quick glance at my tumblr should demonstrate how much I adore these games. Tropes like fridging become problems only because they’re so ubiquitous they can come to define almost the only roles women get to play, not because any individual example is necessarily grounds for outrage. If anything, there’s just as much to analyse in all the hate thrown at characters like Ethan Winters (or his predecessor, Jonathan Harker) as a archtypical examples of sexism against men – backlash against the very idea of a male character in the disempowered role of horror victim, usually reserved for women.
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But with this context in mind, my god is it uncomfortable to see people talk about Mia as irredeemable monster who deserves to suffer more. People who will valorise the likes of Chris Redfield, who didn’t even bother to stop to tell Ethan that’s not Mia, yet talk about Mia like being shot to death in her own living room was only what she deserved. That is just a whole load of yikes.
And given that both games open with Mia being violently killed by a male protagonist (twice in RE7, with the player in control), it sure is convenient how so many people have managed to ‘find’ the evidence that proves she’s the real villain. You don’t have to think too hard about Chris Redfield as a violent maniac or Ethan Winters being forced to kill his own wife if it’s okay to inflict violence on this woman. “Yes, but she shouldn’t have done [X]…” or even “But what if she’s the real abuser” is a narrative that gets thrown at real women in abusive relationships all the time – especially when the man is a friend of whoever’s casting judgement, or even a celebrity. Real world examples of this shit in the wild run the gamut from wild fan-takes on The Shining ‘proving’ that actually the abused wife was the ‘real’ abuser all along, right up to the ongoing hate campaign against Amber Heard. People don’t want to have to think badly of someone they admire, and will take any excuse to shift the blame. The stakes are infinitely lower when we’re talking about fictional characters, but the same pattern plays out.
And look, I do get it. It’s easy to go into these games and come out with a negative opinion of Mia. She’s the one who lures you into danger in RE7, acts all innocent, and then comes at Ethan with a chainsaw – and when you finally find out her big secret at the end, it turns out she was working for the people who created Eveline from the start! You’re really not given a lot of reasons to invest in Ethan and Mia’s relationship before she’s suddenly coming at him with a knife, and the fact she never does get to come clean to him in canon leaves a bad taste in the mouth.
It’s really easy to go into RE8, note all the glaring signs that Ethan’s relationship with Mia isn’t healthy, and draw your own conclusions about a woman we don’t hardly even see again for most of the runtime of the game. Half this goddamn fandom still seems to think Heisenberg is actually a lycan, ffs – most of what people think they know about Mia is more meme than fact, and the rest is pretty surface level. Basic media literacy is not exactly high out there in the tumblrweeds (let alone the rest of the internet).
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But as for the idea that Mia’s responsible for all the horrors Ethan went through, people seem to forget that Mia herself went through so much worse. Ethan spent a day in the Bakers’ property, and a day in the village. Mia spent years trapped in the Bakers’ property, and days at least imprisoned in Miranda’s lab, knowing exactly how much danger her family were in, helpless to save them. She’s no innocent herself, but ye gods has she already suffered for her crimes.
So with all that out of the way, well, what’s the actual ‘evidence’ that Mia herself was abusive? No-one's coming into this one without some bias, but let’s at least give it a fair shake.
Right upfront, I want to recognise that in both fiction and reality, women can be abusers, and men can be victims. Abuse in heterosexual relationships is far more likely to occur with the man as the abuser, but the reverse does happen, and the fact culture at large can be so eager to cast the woman as the villain doesn’t make it any easier for the real male victims of abuse to get recognition and help. Society as a whole is still just really shitty about enabling or excusing real abuse.
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But the idea that Mia was abusive has very little to back it up. Whatever you make of “her” interactions with Ethan at the start of the game, the fact remains: that’s not Mia, and the fact she’s acting so strangely is meant to be our clue that something much bigger than a little marital strife is going on here. Knowing all this doesn’t really make the scene where she’s violently executed less disturbing, but you can’t miss the hints we don’t yet know the full story.
So the question becomes, is there any evidence that the real Mia was abusive? I’ve dug into this one a bit before in my post about trying to figure out the timeline of exactly when Mia was replaced, but there are no definitive answers as to how long Miranda's been living in their house. To summarise a long post (and a surprisingly lively timeline of events from the days before the game begins): the most likely intent seems to be that Miranda’s been posing as Mia for less than a week, though a lot of the vibes of the scene give me the impression it’s been several weeks at least. Ultimately, that’s going to come down to your own interpretation.
The Mia mentioned in Ethan’s diary who blew up at him at the hospital could be the real Mia, but more likely isn’t: you can’t really use her to argue anything definitive, one way or another. The Mia from the flashback where Ethan gets the call from Rose’s doctor is the real Mia, but if you think getting upset when your husband brushes off your obvious distress over your daughter’s health makes you abusive, then nothing I say here is going to convince you otherwise.
The only ‘real’ evidence that Mia might be a problem is one line you might hear from Ethan while taking Rose to bed, and it is admittedly a red flag: your mother’s scary when she’s angry.
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And to anyone whose whole hatred of Mia has been built backwards from this one line – especially anyone who’s grown up in a dysfunctional household themselves – hell, I get it. It is one really yikes thing for Ethan to say about his wife.
But in Mia’s defence, I can only point out that, well, yes, canonically, she is scary when she’s angry.
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Oh, did I say angry? I meant fucking possessed.
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And if Ethan’s bringing up the spectre of that time, even subconsciously, maybe that should be an even bigger clue that the Mia in this house right now isn’t Mia.
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But what really shows this line for what it is is that we’ve seen the real Mia angry. We’ve seen her cold fury at Eveline, daring to go right back to asking ‘can we be a family now?’ within hours forcing Mia to assault her own husband with a chainsaw. We’ve seen her frustration at Ethan’s own denial, and we’ve seen her stalk out of the room when he blows off an important conversation for a call from work. We’ve seen her advance on Chris after he shut her down, demanding, Where is my husband? Where is my daughter?!
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We have never seen her angry without real justification. Her anger is neither violent nor disproportionate. It’s consistently purposeful, focused, and contained. There is nothing scary about the real Mia’s anger, unless you’re threatened by the very idea she might have something valid to be angry about.
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There is evidence of tension in the Winters’ marriage from before Miranda’s arrival, but it takes a very different form – most evident in the flashback scene where Ethan receives the call from Rose’s doctor. Far from Miranda’s brusque, dismissive copy of her, the real Mia is anxious and depressed, scared of what Rose’s results might reveal. Here, Ethan’s the one brushing her concerns aside (“We talked about this […] Rose is fine!”) He recognises there seems to be something Mia’s not telling him, says they should talk about it, but then immediately brushes the conversation off when he gets a call from work, while Mia storms out of the room.
You can certainly read Mia as a hypocrite here, getting angry at Ethan for not knowing things she’s deliberately kept from him. But it’s Ethan who decides a call from work is more important than a conversation with his wife – someone who is obviously distressed, canonically still on a regime of drugs after the traumatic events of RE7, very likely suffering PTSD along with Ethan, and maybe even some form of postpartum depression. We don’t know anything about Ethan’s work, so there’s no point in speculating about how much he ‘needs’ to take that call. Mia’s no clear villain here – quite the opposite.
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Personally, I tend towards taking this scene as evidence that Mia has tried to talk to Ethan about what really happened to him, but hasn’t managed to get him to face the truth. For all that Ethan supposedly wants to talk about the past, it’s a defining plot point that he’s badly in denial himself.
Or they could both be at some fault here: Ethan unwilling to face the truth, while Mia is reluctant to force him to face something she knows will hurt him and bring him distress. Even when Mia says outright that she ‘tried to keep this a secret, but…’ to Chris at the end of the game, the implication is as much that she’s tried to keep it a secret from people like Chris, who might decide Ethan is dangerous. She’s lied to protect him before, and if she’s still lying to him about her past with the Connections, then the fact that knowing the truth will hurt Ethan is obviously among her reasons. Protecting Ethan has always been among Mia’s top priorities ‒ even at her own expense.
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The only other real hints we get about Mia’s inner life come from the glimpses of her we get in Donna’s domain. But I’m hesitant to read too much into these, given how unclear it is how much is just a manifestation of Ethan’s own anxieties. If anything, the ‘Mia’ in these scenes almost seems to have some far worse secret than simply having not told Ethan something he really ought to have put together on his own, and I’d kind of love to see that explored too – at least as long as that goes somewhere more interesting than round umpteen of ‘and that’s why Mia sucks’.
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But my point here isn’t that you have to read any of these scenes the same way I do. I do think it’s important to recognise that nothing written for a game like RE is truly character-driven; scenes exist to serve the plot far more than to reflect consistent character motivations or hold up to fridge logic (which, let’s face it, is the real reason for most of Chris’ horrific behaviour in this game, let alone anyone else’s). The result is rarely super consistent, and leaves ample space for multiple interpretations of anyone’s motivations. Regardless, the idea there’s any hard evidence that Ethan and Mia’s relationship is dysfunctional, or that whatever’s wrong is Mia’s fault alone, is going to be incredibly hard to justify.
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Any assertion that Ethan and Mia are somehow on the verge of divorce also needs to be weighed against the masses of evidence of how much they love each other – the number of times Mia has said she loves Ethan, up to and including (yes, I’m bringing this up again) how ready she is to die for him in RE7. Her speech to Chris at the end of RE8 states explicitly that being together with Ethan and Rose is the only thing that matters to her. “Mia, I’m sorry, I love you,” are some of the last words Ethan ever speaks – and I can’t help but read into how the moment he finally pushes Rose into Chris’ arms so they can get away with him weighing them down is right after he learns that Mia is alive, and thus implicitly that Rose won’t be alone if Ethan doesn’t make it. And good god does that scene break my heart every time.
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It’s worth recognising that the fact Ethan and Mia love each other doesn’t inherently mean their relationship is healthy, or that you have to love them together as much as I do. Like I said up top, you don’t have to like Mia, and you don’t have to justify not liking her if you don’t. I would genuinely like to see fics where Mia and Ethan’s supposedly-necessary break up feels in character. Where Ethan loves her but just can’t deal with the resentment and the fallout over all the lies she told him, where he's been clinging to his 'happy ending' with Mia after surviving the Bakers so hard he can't face the fact things just aren't working, or where he’s having to face that their relationship only ever really worked because she was away so much. It will break my heart, but fiction is allowed to do that.
But god, it would be nice if people could just take the bashing below an eleven around this place. The number of times I’ve had to sigh and back-button out of reading something, because yet another author has decided to project their own hatred for Mia onto the husband who’s still reeling from watching her being violently murdered in front of him… it gets fucking old, y’know?
I would really like to think that in the year of our lord 2024, fandom would be a bit past this thing where they bash the canonical female love interest in the name of shipping the hero with another dude. People will bend over backwards to try and cast Heisenberg and Chris as guys who really care about consent and worry about Ethan getting hurt, because heaven forbid anyone be caught shipping something slightly problematic. And yet misogyny still somehow gets a pass.
You do not have to love Mia. You don’t even have to like her. But ye gods, the hate she gets is baseless and absurd.
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Hasn't this poor woman suffered enough?
(And on that note, I promise I am finally done soapboxing in defence of Mia Winters, thank you for bearing with me for this long.)
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foursaints · 3 months
Note
barty has a certified Evan Kink but what else specifically 👀👀👀
grim made a post here that i agree with & im going to reiterate some of it! but generally my barty is pretty disgusting so i’m putting this under a cut lmao…. Beware..... i know i just said i want my asks to be less horny but im not helping. this is so explicit seriously if you are one of my cool mutuals look away (fern do NOT read this i will be so mad)
prefacing this by saying 😭😭 these are NOT my personal preferences i’m simply huffing the fumes like the oracle at Delphi and divining into his mind. also with evan he gets way more switchy but these are just how i see his usual preferences in general 
24/7 power play (as grim said) and free use. barty gets off on blurring the lines between kink and reality and having complete control over his partner sexually but he does it in a sort of irreverent, half-joking-but-not-really-joking way. he’ll casually make his partner lick his boot and he’ll laugh and pat them on the head and get up to go make dinner. bend them over while they’re doing dishes because He Can Have Them Any Time & not let them finish because it’s his decision. that sort of thing
(but u have to put it in context like outside the bedroom that man is SO whipped. he’s calling evan his brainless fuckdoll but he’s also walking 4 miles in the snow to get him the specific type of croissant he wants)
to me there’s a major incongruity between barty’s fantasies and his actual preferences. he jerks off to the idea of keeping his partner collared & silent & pretty & obedient and dolled up and sat quietly on a pillow all day waiting to please him. but he would hate that irl and in reality he LOVES evan’s bitching and bossing him around. its so much more fun
FAKE KIDNAPPING (as grim said). SO REAL! HE IS THE KIDNAPPER! IN A SKI MASK! 
in general my barty is concerningly into cnc but only if its super negotiated and desired. hes checking in beforehand and throughout 800x but like? with evan? they are going the whole nine yards. he wants to pin him down and Take Him while he screams and struggles and cries and fails to fight him off 
while barty is cooing and salivating over him and petting his hair and licking his tears and mockingly telling him how sweet & weak he is and how perfectly evan takes him. btw
overstimulation. both giving and receiving. 
he’ll make his partner get off like eight times daily because he finds overstim entertaining. like he’s not even getting anything out of it at this point. just whenever he’s bored he’ll sit his partner on his knee for the third time that day and play with them until they cry while he scrolls his phone 
this next one shows up mostly in his dirty talk and his habit of manhandling but like? objectification? but in the weird possessive sense of “wow you are so perfect and pretty it’s like you’re a cute little toy that exists Just For Me” <- that type of vibe. he chooses to believe you were Invented to Be Fucked By Him
and his dirty talk is so meeeaaaan like he could be doing the most depraved thing ever and speaking in a casual tone of voice like he's making small talk. he's very condescending and asks a lot of demeaning questions and will laugh. he likes to see evan get angry and embarrassed and make him repeat filthy stuff
not really a kink bc i don’t think it’s something he seeks out or even thinks about much. but when he discovers evan rosier is a virgin he 100% gets SOOO weird and insane about it. bro is FROTHING 
but aside from all of that. he loves giving himself up to evan completely and service top barty is Real. that’s an entirely different rodeo with its own set of… fucking… rodeo clowns? lassos? 20-page long notarized consent forms? this is an untenable metaphor. but anyway i also like to believe that rosekiller has very loving vanilla dynamic-less sex too because im a romantic like that. and also because they are soulmates
he’s SO awful but. you know. i love him anyway
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questintheskies · 23 days
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1. CM Punk says people in AEW felt “betrayed” when he visited WWE Raw backstage in May 2023.
2. CM Punk confirms that no one came to pick him up at the airport for AEW All In, didn’t cry about it, calls it irresponsible.
3. CM Punk says he told Tony Khan that “this place [AEW] is a fucking joke, you're a clown”. Then he quit AEW.
4. “I don't like the drama but the truth is the truth. He's not a boss, he's a nice guy. That's a detriment to the company [AEW] but it's not my company." — CM Punk when asked about Tony Khan
5. CM Punk talking about AEW: Says it’s not a real or sustainable business, not about selling tickets, not about drawing money. Having good matches maybe which there’s nothing wrong with. Will always exist as long as Tony Khan keeps pumping money into it.
6. “If you're more than happy with some goof saying you had a 5 star match & the building is a quarter full…then we're not in the same business." — CM Punk
7. CM Punk was a consultant to Tony Khan in AEW, working with 2 contracts. One was a talent contract, the other was the consultant contract.
8. CM Punk believed AEW was an alternative to what WWE was. But 90% of the problems he had or identified about AEW were the very things that made AEW different…
He's happy that AEW exists because it allows wrestlers to make more money, but then also says "guaranteed money kind of ruined pro wrestling. If you had to get paid off the house, things would be a lot different"
9. CM Punk on the infamous Hangman Page promo before DoN.
Says Hangman went off the script, and that he wanted to double leg him and “murder” him on live TV if it wasn't for his professionalism. Says he went to TK and the lawyers to get the situation fixed.
10. CM Punk says nobody in AEW talked to him for 6 months after Brawl Out, he had to sort his tricep surgery by himself. He says the difference between getting injured in both companies is “night and day”
11. “I don’t regret my time there (AEW). Im just brutally honest about some things — And it’s done.
I hope they’re happy, I known I am. I would like to leave it at that. I understand fans and the tribalism, I’m a Blackhawks, I’m a Chicago Cubs fan, so I will always troll and needle White Sox fans, or Blues fans, or Predator’s you know?
But some of the shit was so outlandish, talking about my Dog and all this awful stuff”
12. CM Punk says before joining AEW, he was close to re-joining WWE, even before being on WWE Backstage.
He said they had a handshake deal in place but then it didn’t happen. He says Nick Khan lead the charge even before Khan joined WWE as he was with CAA.
13. CM Punk says stories of him being violent backstage are overblown and not true. (Earlier he admitted to choking a co-worker backstage and wanting to murder Hangman Adam Page for going off script)
14. CM Punk didn't have a non-compete clause after being fired from AEW.
15. Samoa Joe told him to stop acting up at All In Wembley, so he did. Then he turned to Khan and told him, “This place is fucking joke, man. You’re a clown. I quit.” Joe and Jerry Lynn came to his room and got him to do the PPV opening match. He said he was “too fired up” then and now rehashing it, and will probably regret talking about it, but “that’s what happened.”
16. He says he wrestled the match for Joe, referee Paul Turner, Lynn who was the agent on the match, and the fans. But he knew it was his last time wrestling Joe, and in the company.
17. He hasn’t spoken to Khan since backstage at Wembley when he quit. He didn’t do anything to make him fear for his life, as Khan said when announcing Punk’s firing on Dynamite, but Punk sayd “he is who he is.” He believes there was a “concerted effort to try to slander [him] and try to ruin [his] character.”
18. Spreading “rumors and lies and bullshit” was the genesis of all his issues at AEW. He thinks it might have been jealousy or envy, but doesn’t understand why anyone would try to dim the star of the company’s top guy.
19. Punk says his remarks at the post-All In scrum weren’t planned, but when he saw “reporters” there who are friends with other wrestlers and who wrote things about him without checking with him, it set him off. He does say it’s in his “top three CM Punk promos”, though.
20. There was nothing it the scrum that Khan hadn’t heard before. Punk doesn’t think he can talk about what happened afterwards. Confirms he is referring to Brawl Out, but says he “didn’t have to sign an NDA for anything I did wrong.” He has nothing he wanted to hide, but Khan wanted him to sign an NDA — he doesn’t know why.
21. As to why he did agree to come back, “I have a lot of friends there”, and Khan wasn’t going to let him go. Rather than sit at home, he thought he’d try to “get some guys together and have some fun shows.”
22. Asked if there’s anything he’s proud of from his time in AEW, he says he made a lot of friends and got to a lot of “cool shit” — specifically mentioning getting to work with Sting. “I think the positives outweigh the negatives”.
23. He talks about attending an indie show recently and telling someone that what happens there works at that level, as evidenced by it selling out an arcade bar, “but that shit doesn’t fly on national television — I think that’s being proven right now.”
24. He’s proud of the work he did with MJF, and thinks MJF’s future is bright as he’s immensely talented. He wasn’t great when he catered to the “niche internet audience”.
25. Punk doesn’t think he’ll ever bury the hatchet with Colt Cabana. He says Cabana approached him at some point before the All Out ‘22 incident, but he told him he wouldn’t speak to him without a lawyer present.
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magistralucis · 1 year
Text
Had my worst confrontation with The Pigs so far, especially awful because I didn’t even intend to stumble upon this. I didn’t choose any hostile options, I was alone (I think having Kim around makes this encounter worse and longer), and I passed the check for the gun just fine... but because I hadn’t talked to the Hardie Boys yet, literally hadn’t approached them at all, my detective had no idea what to do with her afterwards. All his mangled brain could come up with was this:
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Sure, Lieutenant ‘I-will-instantly-pull-a-gun-at-a-mentally-ill-old-woman’ Kitsuragi totally would. 🙄 But in his absence, I’m shattered that HDB can’t act on any other option, despite being able to conceptualize one. Logic says it right there: the locals will take care of her. It’s the right answer. In terms of video game logic, this is exactly the sort of thing that'd be a positive modifier for the Hardie Boys talk. Even if you never approached them before, it feels like it’d forward your case if you ask their help, since you have the interests of the vulnerable members of their community in mind. Even if the Hardie Boys aren’t an option, Lilienne is a short distance away, isn’t she? Couldn’t HDB ask the Washerwoman, any other local in Martinaise? If he gives anyone a heads-up, he will have delivered a minimal duty of care.
But no. None of that happens, because this scene isn’t a brownie points exercise, and HDB isn’t a reasonable authority figure. He’s deeply unwell, like The Pigs. He’s been abandoned, like The Pigs. He’s in horrible pain, clinging to the vestiges of a cop identity like her, in the desperate hopes of something real and present to hold onto. This is a man who can barely face his own reflection. Seeing The Pigs, a near doppelganger of what he is and may become, is clearly too much for him to handle. HDB can react with compassion, or he can react with threats and violence, and both threads persist through the very end of the encounter with her.
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Mutually exclusive options, but both present, and both possible. They are equally valid indicators of the person HDB is, and since he’s capable of the threat at all, it’s not looking good. And this is his double he’s saying this to. We know HDB hates himself to the point of self-destruction, and didn’t/doesn’t think he can improve (’I don’t want to get better, I want to get worse’): the fact that he can think up the pieces that might help her, yet his posterior neocortex shuts him down before he can put them together, implies to me that HDB is actively refusing to believe he can help The Pigs. He’s afraid to believe. He’s beyond help, after all. Everyone told him so.
He thinks it’s true, too, so the same must go for her, yes?
It’s. It’s just. How fucking broken is HDB that he knows what must be done, but simply cannot connect himself to the idea that he ought to do it. How are we meant to bear that his immediate thought upon seeing this poor woman - this horrific, devastated mirror of himself - is that Kim will know what to do, but he does not, because he convinced himself he’s utterly helpless. ‘Cause obviously, Kim’s stabilizing him, right? Surely Kim can do the same for The Pigs, and since RAC sure as fuck doesn’t know what to do about himself, he might as well just give up if Kim’s not around. So without Kim and without the Hardie Boys, HDB will simply walk away, and never bring up this incident again. It fucking breaks my heart it can’t end any other way. There are no adjectives for this level of self-loathing.
And you know, I bet he’d have reacted similarly had he been with any other RCM officer - Jean, others in Precinct 41, whatever - because he fundamentally doesn’t exist in a system that has compassion for people like this. Note that it is Esprit de Corps, your cop sense, which pipes up first to assert that you can’t help her. ‘’’Protect’’’ and serve my fucking arse
And no, Kim doesn’t know what to do in this situation either, according to FAYDE. Unlike HDB he doesn’t even come up with the right answer, only nightmare fuel, as regular cops with regular thoughts do
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oh god. oh god, kim
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liminal-zone · 9 months
Text
JAMES T KIRK, DEAD WIFE.
Spoilers for Star Trek: Strange New Worlds, up to 2x9
So not a lot of people are talking about this (the state of trek fandom in 2023 is such a surprise to me, having lived through 2009 especially, but also the last decade of the 1900s), so IMMA TALK ABOUT IT. 
My one complaint about Strange New Worlds is that it is way too straight, but lol at me, my one very strong shippy feel is a straight pairing - let’s fucking go:
SO. THE USS ENTERPRISE SECURITY CHIEF LA’AN NOONIEN SINGH, DESCENDANT OF KHAN (from the <s>90s</i> 2020s) FELL IN LOVE WITH HER OWN EDITH KEELER IN TIME TRAVEL HIJINKS: A CAPTAIN KIRK FROM A DYSTOPIAN FUTURE WHERE HIS LIFE IS AWFUL <s>and spock hates him</s> AND HIS BROTHER IS DEAD. BUT HE IS STILL A GOOD MAN. SUCH. A GOOD. MAN. 
(and specifically, he’s such a good man in that HE COMES FROM A DARK TIMELINE, he’s from SPACE!, he’s never lived in Iowa! His brother is dead! And he could be mirror kirk but he isn’t! He’s a good honorable man shaped by different traumas, and he fell in love with her because she’s a great fish out of water, holy shit, GET THAT FISH OUT OF THE WATER)
and then romulan mary queen of scots from reign shoots this Kirk dead and the GOOFY TIME TRAVEL AGENCY FROM DS9 (The Department of Temporal Investigations) is like “lol la'annie, babes, you can’t tell a soul about this” and La’an, our poor dear traumatized tightly-wound perfectionist, can only weep into her pillow. 
but as the tweet by twitter user campy alien says: 
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SO NOW SHE IS FACED CONSTANTLY WITH THE REAL JAMES TIBERIUS (tiberius? that’s the worst) KIRK and he’s not her kirk and he’s not anyone’s kirk (is he carol marcus’ kirk? ha ha not for long)
And it’s just buckets of angst (affectionate).
(re the title to this post: in the musical episode, she has a fantasy of smiling at her kirk under a white sheet in bed and WE KNOW THE TROPE, PARAMOUNT. THANKS FOR GIVING US, DEAD WIFE JAMES T KIRK. 13 out of 10, no notes.)
I think this would all be nonsense if it wasn’t for how Paul Wesley is playing Kirk (and the writers are writing Kirk) as this very GENTLE KIRK (Pine, Shatner; not defined by gentleness). He’s deeply charming and romantic and fun and yes full of himself and just a very gentle interested heroic person in the periphery of the current USS Enterprise. Makes sense that he would inherit the chair, makes sense that this Kirk would get cocky in a few years, makes sense this Kirk would fall in love with every woman he sees, <s>doesn’t yet make sense how this Kirk and this Spock would fall in love, that’s another post to make; also as your resident kirk x bones, i’m tapping my gd foot (slowly, i love m'benga!!)</s>. AND I LIKE THAT A LOT. (I live in a house divided, my wife hates him.)
Because there are knives in La’an under that tightly wound surface and there’s just a wonderful bruise there to press on. THIS KIRK IS NOT HER KIRK, AND WILL NEVER BE HER KIRK. HER KIRK IS DEAD AS IF HE NEVER EXISTED AT ALL. How do you process this and move on? Loved to see her tell Kirk about it (loved to see her christen him as Jim) and hope to see how this progresses. 
Final thought (for now): La’an being a new character with a Very Famous Name; where does she end up when a changed USS Enterprise goes on its five year mission (without a security chief apparently)?
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toaster-trash · 9 months
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@shotofstress
When I tell you I read this I saw it and I WHEEZED I was in TEARS and I shouldn’t be bothered arguing about it but quite frankly I’m trying to procrastinate anyway and I’ve had a god awful week and need to take out my frustrations somehow, ergo, I’m going be petty not because this person disagrees with my reading of the novel, but because they implied that in reading queer or neurodivergent elements in a work, people “can’t see the important themes that the novel is about” which actually does piss me off a fair bit
Right so first before we argue we’ve got to decipher because English apparently isn’t this person’s forte for someone who is, apparently, such an avid reader and esteemed critic of English literature. Also I just realised I haven’t really provided any context here so apologies this was in response to that joke post I made about mischaracterising Frankenstein adaptations (again yes the pettiness is not lost on me but I’m embracing it anyway)
“He is not gay nor autistic” cheers this person disagrees that Victor Frankenstein is either gay or autistic. To each their own. Wonder what kind of backup they’ll have for that argument.
“Pls stop seen representation of us everyone bc u can’t make the difference,” Right so this is where we get confusing, I’m going to take a wild guess and I think they’re trying to say “please stop seeing representation of us everywhere because you can’t make the difference”, and I still don’t know what “make the difference” means, but we’ll go with it.
“read nothing new”, alright so they’re saying people who see representation everywhere read nothing new, and then the kicker that’s kind of the only reason I decided to respond to this anyway, “nor really see the important themes that the novel is about.”
First off, “stop seeing representation of us everywhere”, let it be known that as I make a hundred jokes about Victor Frankenstein being homosexual, I myself am thoroughly through and through without a doubt bisexual as the days are long. Absolutely love men. Also adore women equally. So no, I am not a Disney corporate executive trying to squeeze in as many queers as possible for the entire purpose of using the fact they have representation in media to excuse the fact it’s a shite film but also, not trying to revisit every old piece of media to squeeze representation where it doesn’t really fit or make sense just for shits and giggles. (Also just saying, you made this comment on Tumblr. So even if I was just going haywire with lgbt headcanons on my favourite media with no real backup, who gives a shit? Who actually gives a flying fuck? I don’t. Let people live, man. It doesn’t mean they don’t understand the source material just because they’re having fun and playing loose with it. It’s Tumblr, not a Netflix adaptation. Let people do whatever they want and have fun with it. It’s cool.)
But like I said, I do have backup and a lot of it so let’s get into that, shall we?
First of all, whoo, autism. I’ll be real not really a hill I’m going to die on but the wording you put of “he is not autistic” is just ridiculous because yeah, no, there is a lot of perfectly decent ground to read Victor Frankenstein as autistic and a lot of people do, mostly people who are autistic or otherwise neurodivergent themselves. Just because in the 18th century people didn’t necessarily have the language for things doesn’t mean they didn’t exist, and I mean, now we do. So what’s the harm in using it? They had their own language for things back then, do we have to revert back to speaking in early 19th century English every time we want to refer to a character who was written back then as neurodivergent or lgbt or anything else?? What’s the point in that??
But yeah, Victor Frankenstein. I can’t even be bothered to explain and to be honest every single other person I’ve said “Frankenstein is autistic to” has immediately responded “oh yeah, obviously”, even my father who famously is just hypercritical of all sorts of headcanons just went “oh yeah no for sure the man is definitely autistic no doubt about it”. So instead I’m just going to include some quotes.
My temper was sometimes violent, and my passions vehement; but by some law in my temperature they were turned not towards childish pursuits but to an eager desire to learn, and not to learn all things indiscriminately.
It was my temper to avoid a crowd and to attach myself fervently to a few. I was indifferent, therefore, to my school-fellows in general; but I united myself in the bonds of the closest friendship to one among them.
From this day natural philosophy, and particularly chemistry, in the most comprehensive sense of the term, became nearly my sole occupation.
Two years passed in this manner, during which I paid no visit to Geneva, but was engaged, heart and soul, in the pursuit of some discoveries which I hoped to make. None but those who have experienced them can conceive of the enticements of science. In other studies you go as far as others have gone before you, and there is nothing more to know; but in a scientific pursuit there is continual food for discovery and wonder.
Like I said, self explanatory. It’s harder to come up with an argument for why he isn’t autistic than why he is, and frankly, what’s the harm in reading him that way? It doesn’t really change anything about the plot or themes, and his character doesn’t change. It’s just a very probable diagnosis for said qualities. It doesn’t change them, whether you use that word or not. The concept of autism was coined in 1911 anyway, so its not like Mary Shelley’s going to be sat at her writing desk in 1817 writing in big bold letters “BY THE WAY, FRANKENSTEIN HAD AN AUTISM DIAGNOSIS.” It doesn’t change the fact that people still had autism back then, just because the term wasn’t discovered yet. Anyway.
Now, second bit. “He isn’t gay” – now, if you read Frankenstein and thought “ah yes, this man seems perfectly heterosexual to me”, then honestly, sure. Go ahead. But to say that reading Victor Frankenstein as queer in any way means that people “don’t understand the important themes of the novel” is completely bloody ridiculous because, again, there is astronomical ground to read him that way.
Victor Frankenstein never really shows interest in any women in the novel, except for Elizabeth, who he has been raised, since he was five years old, to see as his “gift” and was told by his mother since he was a very young child that he was going to marry her – to the point where his mother, on her deathbed, tells both Victor and Liz: “My firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father.” Also, they’re cousins/adopted siblings. If you don’t think that’s fucked up, even by the standards of the time, I’m not really sure what to say to you. Of course he married her. And before he married her, he generally expresses very little romantic interest in her bar just expressing as much affection as you would a close friend or sister, or seeing her as his “gift” who he “has to be wed to”. Read any other story from this time period, in this genre, and you will not be remotely questioning whether they’re actually attracted to each-other or not. In fact, here’s an excerpt from The Vampyre, another book born from the same trip to Geneva that Frankenstein was, by John William Polidori, about the protagonist’s love interest:
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And that’s only part of it. So. Yeah. Victor’s lack of romantic affection for Elizabeth is not “a product of its time” nor “a product of its genre.” And The Vampyre is a short story.
And so you may be saying, “well, just because Victor doesn’t show any interest in women doesn’t necessarily make him gay”, and yeah, true that (ace and bi Vic hcs y’all are valid) but there is very good basis to take the reading that he is attracted to men.
For one thing, just the fact that he’s so particular about creating “the perfect man” is subject to a lot of queer readings in itself, but let’s be real here, you all know me enough by now to know that I just want an excuse to rant about Clerval and Frankenstein. And rant about them I shall.
First, I’m lazy, so here’s an excerpt from one of my previous essays I’ve written that I’ve never posted everywhere on Frankenstein in general:
Just as The Creature is Victor’s narrative foil, so is Clerval. He's equally ambitious and fascinated with the secrets of life, however he’s healthy with how he goes about it and healthy with how he keeps the balance between taking care of himself and pursuing his dreams, while Victor goes over the edge and neglects himself and his sense of morality to complete what he set out to do. He's supposed to represent the ideals of gothic romanticism in Victor and he's supposed to be his anchor and support, (something the Creature doesn't have), caring for Victor during his illness, (“reanimating” him, almost, once again showing that comparison between both Victor and Henry, as Henry “reanimates” Victor with compassion and cares for him after, and Victor reanimates The Creature in a haze of obsession and mania and immediately abandons him, showing what Victor could have been), and constantly accompanying and being sympathetic and empathetic towards him. I also find it very interesting how he does also seem to have those darker aspects to him, lying to Victor’s family about the extent of his illness and caring for Victor in his apartment despite the fact that, for all he knew, from the evidence lying around his workspace and Victor’s feverish rambling, he very well could have murdered someone, and Clerval chooses not to press him on the issue and instead to intentionally help Victor cover it up. The fact that Clerval exhibits these traits only makes Victor’s own downfall all the more tragic when we consider that it likely very much isn’t a stretch to imagine that Clerval, too, likely exhibits a lot of the same morbid curiosity as Victor; he isn’t a superhuman figure with purely positive attributes who is completely far removed from Victor’s situation, the only difference is that Clerval chooses to prioritise his own sense of morality over his selfish aims, which only emphasises the point that Victor’s downfall is, ultimately, Victor’s own fault. When Victor "kills" the Creature’s chance of the same support and love (his unfinished bride), the Creature kills Henry and sends Victor into a downward spiral of suicidal thoughts and heavy depression because the character that represented that stability, that romanticism, that balance of keeping healthy, is dead, and that throws Victor downward into his inevitable obsession with the monster's destruction and his own death.
On this point, I feel like it’s worth bringing up that a reasonably good case could probably be made regarding a lot of queer subtext in the novel, although I won’t rant about it excessively as it obviously isn’t the focus, the theme of love is a very prominent theme as I’ve previously mentioned with The Creature; familial love, platonic love, parental love, romantic love, and I don’t think it’s particularly much of stretch to suggest that Shelley, intentionally or unintentionally, might have added a lot more romantic subtext than given credit for. Not that it matters particularly narratively speaking what kind of love is portrayed, but in reference specifically to Clerval and the Ingolstadt chapters there’s a very good argument to be made regarding Shelley’s poor relationship with her own husband and how she may have projected a lot of her wish for that kind of care and sympathy into his character, perhaps not taking into account, or perhaps she did, how it would come across – author intentions are mostly lost with time and we’ll ultimately never know for sure, but even for the standards of the late 18th century when the novel was set and the early 19th century when it was written, “I desire the company of a man who could sympathise with me, whose eyes would reply to mine. You may deem me romantic,” and “your form so divinely wrought, and beaming with beauty, has decayed, but your spirit still visits and consoles your unhappy friend,” probably weren’t standard platonic sentiments.
And honestly on that essay excerpt, that still sums my thoughts on that subject up pretty much perfectly. After all, a character in a book talking about his best friend going “I loved him with a mixture of reverence and affection that knew no bounds” as well said best friend tenderly nursing him back to health, and the character talking about how his body is “divinely wrought and beaming with beauty” and gently pressing his hand and referring to him constantly as “my dearest”, “my dear” and “my beloved”, while living together and travelling together and talking about how his voice “soothes” him and “cheats (him) into a transitory peace”, pretty gay!
And yes, before anyone says a single thing, if it wasn’t already obvious from the essay excerpt, I do understand “the important themes the novel is about”. I do understand that there are more themes and characters and subject matter, and more than that, I bloody love it! Because this is one of my favourite novels! Of-fucking-course I’m invested in it on a deeper level than “ooOoooh what classical literature characters can I RUIN with my gay agenda today!” But you commented this on a joke post, a joke post, again, on Tumblr. No harm but Jesus Christ if there is a singular platform I can go on and just post stupid bullshit about two book characters from 200 years ago being soft and gay without having to justify that yes, I did in fact read the book, and shock horror yes, I do know that there are other themes, it’s bloody Tumblr. (Absolutely love you lot btw especially all my lovely fantastic incredible mutuals all your takes and readings and art is 👌✨ chef’s kiss)
Oh and by the way, op, I noticed you reblogged this:
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And to be honest if I had to say any take or reading was a misunderstanding of the text, it’d be that one (as well as “Victor is sexist for cutting women out of the creation process” takes – Christ that’s just gross. And feels mildly if not explicitly homophobic.)
So just for shits and giggles to counter that argument, here’s another excerpt from the same older essay as before:
Speaking of Hugo, it is rather interesting how many adaptations and literary criticisms seem to go down the route of the Hunchback of Notre Dame moral of “who is the monster and who is the man?”, suggesting that Victor is the “true monster” of the narrative. And, as much as I am a decent Victor Hugo fan, (I’m over 50% through Les Misérables, have you seen the size of that book? I’d have to be), in reality the point of the story is that neither Creator nor Creation are more monster nor man than the other – Victor mutilates corpses and brings the creature to life, and allows Justine to be executed without owning up to his actions, and The Creature murders a child and a multitude of other innocent people, Clerval and Elizabeth who had nothing to do with anything and Ernest left completely alone with his entire family dead. We can’t acknowledge The Creature’s sympathetic qualities without also acknowledging Victor’s, and regardless, sympathetic motivations don’t make up for immoral actions.
Also this meme, which I can’t for the absolute life of me remember who posted it originally I’m sorry I use it all the time in GCs whoever it was you’re so valid:
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chaifootsteps · 1 month
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Log Anon here
Now, usually when I talk about other anons I act like some sort of god. Case and point that unending search threat. But now, I’ve been inspired to use my shitty writing skills to make lyrics about how much that anon’s song sucked.
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ANON! Let’s start with the fact that this Rapper thought he was a genius.
Sitting there on a chair hoping that Viv would touch their penis.
Man, the whole thing is unreadable, agreeably irredeemable.
I’m filled with laughter that they didn’t think that grammar matter, making it damn unappeasable.
Here’s a lesson, never randomise where capitalise letters, it doesn’t make it better, make sure you fix this error.
Anon coming in here thinking their Chai’s terror, but you’re a joke so just give up the endeavour.
The damn block you wrote makes you a damn dope
As well next time you write keep the swears out or do you need some bloody soap?
Here’s things you should’ve realised before you started to theorise.
Chai speaks about Viv because Anon’s bring it up most of the time.
“to Survive or to live”, yo, Mr Potatohead, that line should’ve been cut in half since they don’t rhyme so I’m charging ya for this lyrical crime.
The irony of bringing up witch when you fail to spell.
The hell Chai getting caught for? Revealing pedophiles and workplace abuse?
I hope you know what you’re doing because hating that has no excuse.
You’re the damn fool, you drooling tool, for getting all blue because someone can live both on and off the wifi.
Honestly your likability is so low that when you visit, all of South Africa cry.
I’m seeing lines so unrefined, so horribly designed, that would make Shakespeare want to die.
I think the real freak is the one posted a mediocre rap to defend a bad show.
Every argument you bring up blows and annoyingly disrupts the flow.
Poor attitude? At least be brave and show your true account if you gonna diss.
You tried your shot at internet fame but too bad that by next month no one will know this exists.
The reason no one leaves the hate is because there’s still people who still need to learn.
Now where’s your next burns, oh wait, you playing favourites this turn?
Aw man, this is weak, you think you’re making them meek, you’re one weird freak.
Rhyming must be tough for a kindengartener, butthey know how to rhyme different words.
The logic you bring for Scienceservant name is worse than the smell of a pile of turds.
I ask the same question, is it worth it to do this when you’re nothing but absurd?
Damn, only a cuck can bother someone while trying to suck off another.
ANON! Why the fuck can’t you write?
You say Chai’s hiding but you are too, coward.
You act like you’re the best when your personality, scent and everything else are soured.
Boy, you’re the ending of Danny Phantom, bad, confusing, and an insult to creation itself.
Now go put on your diaper before you go pee yourself.
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At least this won’t the worst rap on this blog
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From the ballpit we come and to the ballpit we will all return.
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bookishtheaterlover7 · 5 months
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Not sure how to view Chris anymore and it’s sad. At this point whatever the “truth” is, it doesn’t matter.
I’m just floored at how someone could be so weak to get into this mess and not “be able to get out”and it’s easy to say oh it’s hard for him to get out but he’s at least trying to show this is fake, yet he was bold enough to lie to the world about being married?
Make that make sense?
Like how the fuck do they clean this up at all?
It’s like reality and illusions are morphing together and I honestly don’t know who the fuck this man truly is and maybe that’s the way it should’ve always been.
We get wrapped up in this shit mainly due to the way of the world and due to Hollywood and capitalism, etc, but we have to take accountability by finally choosing to not fall for seeing other mere mortals as anything but human.
If you take any random person off the street, clean them up, give them a great marketing team, BOOM you have a new celebrity. It’s all a big awful joke of illusion.
No more rose colored glasses. It’s to the point fandoms and celebrity today is seeing a blue sky but being duped into believing it’s green.
Unfortunately most will never understand the above and never take those glasses off.
This applies to fans, non fans and just the overall population of the world who are willing and unwilling and unaware at how impacted we all are by celebrity culture. A headline makes waves or something goes viral and we ALL stop our lives to read or listen about it and many hop online to discuss and argue with others over various things, not once seeing the reality……you’re taking time out of YOUR life to focus on someone who doesn’t even know you exist, wasting YOUR time discussing crap about someone else who is living their life and getting rich off of you and someone who uses media to stay relevant through…..Y-O-U!
*breaks rose colored glasses* for good.
💔👓
#EnoughIsEnough
Same, An🫶n. Honestly before I was sucked in here, Chris was the ideal guy for me... Ofcourse, Papa was right. He told me once that "I shouldn't place anyone on a pedestal, because anything placed that high, is meant to break."
I've got nothing but love for Chris and his work. But the way this is all spun, real or not, I'm not sure if I can keep adoring him as a person.
Like I've said before, we can't exactly blame Chris, alone for getting into this mess in the first place. But if those breadcrumbing and hinting on his end isn't true (the hope and rumor that he's telling us that anything about the wedding is fake, etc.), An🫶n is right.
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He's not a saint, but he's not a demon either. But the thing is, he isn't going to be just Chris Evans, the actor we all love and adore. The actor we'll be happy for when he gets his small victories. Whose dog is one of the best things on the internet during this whole mess right now.
He's also going to be Chris Evans, the guy who "married" a racist, who's friends have baited the entire Fandom. The guy who couldn't save his fans from tearing at each other. The guy who let this get so out of hand, that the one place that should've been safe for us to escape to, and enjoy everything, disappeared in mere months.
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I'm planning to stick around, because I know for a fact, a ton of you were here for the fan-made stuff. The fanfics, fanarts, discussions about characters, etc.
I came here for that too. Doesn't mean I'm giving up this whole thing. But I'm going to take time to go back to the fun part. Because honestly, my page has turned into an analysis page😅 it's 70% rant posts about the bullshit pr, and 30% me and my fics...
Bro! I intended to make fucking fics before 250 Followers Celebration comes... But I'm way behind... Partly, because of life. And partly because the second something goes down, I drop nearly everything, and focus so much time and energy on this.
So, I'm not saying drop him or any celeb completely. I'm saying we need to tone down our idolization, because it may have gotten to the point where it isn't healthy.
For the sake of your health, mental and otherwise, Fandom. Take time to enjoy what you love about this Fandom. And please don't say anything about tearing the PR Narrative, because even I have to admit, it takes it's toll.
Again, not backing down, or stepping down. Just giving myself time to take care of me, and spend time with my family while they're still alive.
I don't know if this Christmas season will be the last that I get to spend time with any of them, so I'm going to make sure I live every minute with them. And not stuck in this hole I've dug myself for months, since the wedding announcement.
And you should all do that for yourselves, guys. Take the time, and make it count.
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darlin-djarin · 1 year
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Its during season 2 when Din and Boba ask for Bo Katans help to rescue Grogu. She spends most of the scene being quite racist towards Boba Fett specifically targeting him because he is a clone.
Saying he's a disgrace to his armour, that he shouldnt be considered a Mandalorian, and calls his father "his donor" and says shes heard his voice thousands of times and thats why shes being hateful about his existence.
Its very uncomfortable to watch because shes white, being racist to a character played by a Maori man. But his helmet is on during he scene to make it look less racist.
Maybe its because im indigenous too, but the racism in that scene stood out a lot and it upsets me the show refuses to acknowledge it. (Id recommend a scene rewatch its really jarring to see compared to how they portray her this season)
oh oh my god
thank you for telling me, that scene went right past me. bo-katan’s racism is so… yikes. i know there’s general racism towards clones by a lot of people but the fact that bo-katan outwardly expressed it right to BOBA FETT’S FACE.
honestly tcw bo-katan seemed much more likeable just because her hatred and rage made her an interesting character. no hate to katee but live action bo-katan is so dulled down and her getting a THIRD CHANCE at the darksaber is getting so fucking boring like. just bc she’s a woman doesn’t erase her blatant racism and terrorism. ik it’s fun to joke about “god forbid women do anything” but like real talk here, bo-katan (in the live action at least) is getting more and more unlikeable. i don’t want to see any more of her. i’ve seen a lot of people saying that they hope she dies and frankly it’d do her better if she did. make her go out doing something honorable in parallel to her horrible past.
handing the show to bo-katan is such an awful take. i try to avoid controversy in the fandom but giving the “princess” role to a white woman who’s very much racist and has also expressed her hatred towards followers of the creed (calling din’s covert a cult when miss maam was literally part of the death watch) is so UGHH. like i love women but get this clown out of here. i tried liking her, i did. i actually really liked her in the clone wars and her characterization there was so interesting but putting her into the live action and doing her dirty just feels so wrong.
i’m sorry that scene was so jarring for you. i’m indigenous as well so i understand how you must feel about it. i’ll probably rewatch it soon just to remember what happened.
taking away the spotlight from a man of color just to give it to a racist white woman who’s lost the ONE thing giving her importance twice and then giving it back to her for a third time is just. like respectfully, i don’t think ANYONE wanted to see that. and people who are like “it’s good that din gets to be a side character! bo-katan deserves to be the princess she is!” are literally lying to themselves. favroni is systematically giving us bad content so our standards are lowered and we celebrate the smallest things even if they’re terrible. bo-katan being a princess is a boring idea and taking away din’s development into WHY he doesn’t want the saber is just bad storytelling.
i have so much more to talk about but i just KNOW people are gonna get mad 💀 sorry to hate on your fav but she is a racist white woman who plays no importance unless she has an object that she’s lost 2 times before.
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athielive · 1 year
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Hi! May I request a Mischa x reader fic? Concept: The reader dies on the roller coaster with the rest of the choir. During the competition, Mischa sings Talia and later reveals to the reader that they were Talia. Sorry if this is confusing I’m not good at explaining things. ❤️
i think i know what you mean. if not i hope you enjoy whatever i churn out 😭
i tried to still make it gender neutral because you didn’t specify and i wanted to make it more accessible. so to specify he sings about talia as a female then reveals that was a codename for the person i hope that makes sense :)
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“Talia oh my love.” He sang. You had never seen him so emotional, you almost felt jealous of whoever she was.
Is that bad? He had lost someone who was obviously very dear to him and you couldn’t even authentically comfort him because you felt sorry for yourself.
Constance and Jane were sat talking to him trying to cheer him up and lighten the mood.
Noel came up from behind you tapping you on your shoulder, breaking you away from your thoughts.
“Are you okay?” He asked, why? Was your jealousy obvious?
“I mean I’m not the one who’s just poured their heart out about some girl that nobody else knew about.” You said, deflecting from the question.
He looked around to check nobody else was listening. “Believe me Y/N I know how to spot tragedy in a heartbeat.”
“It’s just he’s never mentioned a Talia before. I thought he liked me.” You beamed.
Noel hugged you and you felt your eyes welling up.
Then Karnak’s voice began booming over everyone, “It seems Mischa’s song has lead to commotion amongst you all. Why are you all upset over something that could be happy news for everyone?”
The whole group turned to look at you, with tears in your eyes. You almost swore Mischa looked guilty.
“How could this be happy news? A couple has been separated by death!” Ocean cried out. She really had some heightened emotions.
“Mischa.” Karnak said bluntly.
Everyones attention went off of you and onto him, thank fuck.
“I don’t know what he is talking about.” He claimed, pointing at Karnak.
“You tell them or I will.” His voice loomed across the room.
Mischa huffed and started walking towards you.
“Stupid robot machine man.” He muttered under his breath. He grabbed your wrist and yanked you through to a separated space behind a curtain.
The two of you sat in silence for a minute, you waited for him to give you the explanation Karnak deemed appropriate. You didn’t want to say anything in case it was a touchy subject or something awkward.
Every time you both made eye contact, the person who looked first immediately darted their eyes in the opposite direction almost pretending it didn’t happen.
“Are we going to talk or what, Karnak doesn’t have long left and we need to give someone the chance of life again.” You exclaimed.
“Fine.” He blurted out.
You raised your eyebrows, hinting that he should continue talking.
“Talia… doesn’t exist.” He bowed his head, not meeting your eyes anymore.
“What?”
“Well she does,” he continued, “but its complicated. I sang about the person that I love, and I was going to tell everyone their real name but I panicked… Talia is more of a codename.”
Well that was a lot to take in, why wouldn’t he just tell everyone upfront. You were all dead already.
“Who is this person?” You asked, trying to remain hopeful.
“Promise you won’t tell anyone if this goes badly?” He asked.
You nodded but remained silent.
“It’s you Y/N. I loved… well love you.”
Your heart welled up with joy. All those beautiful things he was saying in the song, were about you!
When all this was over you needed to thank Karnak -before Virgil chews through the power cord that is.
“Did you mean everything you said in the song?”
“Every word.” He tilted his head, not looking away from you.
“Thats the nicest thing anyones done for me.” You smiled, still in awe that all this was true.
You ran over to him and pulled him into a hug.
“I love you too.” You gushed.
He took your hand and the two of you walked back out into the competition.
This would be a fun one to explain to the choir.
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serene-sun · 1 year
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EVERYONE, yes I’m talking to YOU have to watch this video of Swiss RIGHT NOW
Fuuuuuck, his voice, arms, shoulders, legs, body- every inch of this man is perfect and pure perfection. Fuckkkk I want him so bad, legs are shaking and if I ever get to meet him you already know I’ll be quivering before this ghoul. If I’m just in my bed right now actually fucking screaming into my pillow, shaking, dripping, squeezing, squirming, begging, praying, imaging the things he could do…
I WOULD SUCK, RIDE, HUMP, FUCK EVERY PART OF HIM UNTIL HE PUSHES ME OFF BECAUSE HE HAD ORGASMED SO MANY TIMES HE IS PHYSICALLY EXHAUSTED
The way he fucking walks, how he picked up the mike- strangles it with his veiny hands, FUCK I wish I was that mike. His voice, so raspy and coated with pure fire and energy. I wanna feel him, touch him, understand his existence more. How could such an amazing ghoul exist, fuck he is so underrated. I need him ASAP, those curls, eyes, and to think he is real…
He’s actually such a great person, and I can’t help but check his insta every day to see if he sees the shit I comment and tag him in. His lives on YouTube, I don’t care if he had a flip phone or puts ketchup in the refrigerator, or if all he wears are button up palm tree shirts. I love him so much, and I am willing to give him every penny and ounce of life I have if it mean she is happy for 0.00000000000000000000000000001 seconds. Because that’s what love is, total concentration-love-admiration-inspiration-awe-consideration-lust-need-want, I need to make this man happy as soon as possible. I will climb every mountain, drain every ocean, fight every war to just pass through his mind for a mere second. I will give him the moon, sun, earth and everything in between because Swiss is my stars and the light that guides me in the sky. And he’ll never know how much he means to me, he will never understand that he is the one who keeps me up and running. Swiss is the life of me, but Swiss is also the death of me.
And if you don’t love him, don’t even say that because you do and you know it. And for my people who are just now seeing him I this short clip, do your research- you won’t regret it…
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