(teaching my art class)
me: and what’s the number one rule when designing characters with wings? …well?
a handful of students, sighing reluctantly: no good fa-
me (interrupting them): NO good-faith attempts at realism, EVER. you want all the bird dweebs and physicists jumping ship as EARLY AS POSSIBLE so they’re not around to cinemasins your ass when you get to the cool parts of your story, and…ugh, what now, gerald
gerald (my least favorite student): why not just do some minimal research instead of-
me: listen you little shit i can and will singlehandedly tank your 4.0 gpa
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There’s something about Eddie saying he’s a nester yet being completely incapable of doing such nesting with any of the women we’ve ever seen him with. Shannon was not only his wife, but Chris’ mother, and yet he didn’t feel ready to let her see their son once she came back… I’d even be willing to say he convinced himself into redoing his life with her because it made sense, and not because he was in love with her (again). Ana, however lovely she was, was also very clearly the product of Eddie putting Chris first. We see this when he has The Conversation with Buck: “Chris loves her”, “is that enough?” and soon we find out it isn’t. “We became a ready made family, and I’m not ready for that”. Finally we have Marisol, who he shoved inside his house only to kick out a few days later. But then… cut to Buck and Chris playing video games together, and doing some sort of scrapbook thing for Christmas, and visiting Santa, and going to the zoo. Cut to Buck picking Chris up from school, and being the first person Chris calls when Eddie breaks down (and goes to when he’s mad at his dad). Cut to homemade meals and difficult talks at any of their kitchens, and carrying each other physically and emotionally through the worse possible times. Cut to “there’s no one I trust with my son more than you,” and “this changes nothing between us.” Yeah,,, Eddie can’t nest with the women we’ve seen him with, because he already nested with Buck.
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Cockney Rhyming Slang Phrases Part 1
Part 2
In a previous post I went into Cockney rhyming slang history and gave some tips on how to use it.
In this post I’ll give you some commonly used Cockney rhyming slang phrases, phrases that I find funny, as well as some phrases that I think would be useful for Spider-Verse fic writers specifically.
So let’s get started!
A-B
Adam and Eve - Believe
E.g. “I don’t Adam and Eve it!”
Apples and Pears - Stairs
E.g. “He fell down the apples.”
Aunt Joanna - Piano
E.g. “Play me a song on the old Joanna!” Or “Get on the Joanna and we’ll have a sing song!”
Barnet Fair - Hair
E.g. “How do I fit my barnet under my mask? Wouldn’t you like to know.”
This is a very common Cockney phrase; you’ll hear a lot of true Cockneys talking about getting their barnet done.
Barney Rubble - Trouble
E.g. “Looks like someone’s lookin’ for a Barney!”
Bread and Honey - Money
E.g. “I ain’t got enough bread for that.”
Bird Lime - Time (in prison)
E.g. “He’s doin’ bird.”
Bird lime is a sticky substance you spread on trees to catch birds (now illegal, thankfully). You can understand why people relate it to feeling trapped.
Boat Race - Face
E.g. “He’s got a handsome boat!” Or “Shut your boat!” Or “I’m not just gonna show you my boat race, mate. Secret identity and all that.”
Bottle and Glass
I’m going to let you figure this one out.
E.g. “Look at the bottle on that guy!” Or “I slipped on the steps and went bottle over tit!”
Brass Tacks - Facts
E.g. “Let’s get down to brass tacks!”*
*Some people think that this phrase originates from the Cockney rhyming slang, however others say that it is referring to brass tacks used in upholstery or tacks that were hammered into sales counters to indicate measuring points. I don’t have the answer.
Brown Bread - Dead
E.g. “He’s brown bread!”
This is an example of a Cockney rhyming slang phrase that you don’t abbreviate. You always say “brown bread” and never just “brown”.
Bubble Bath - Laugh
E.g. “Are you having a bubble?”
This is meant more in an irritated sense rather than joyful laughter, like saying “You must be joking!” Or “Are you having a laugh?”
Butchers Hook - Look
E.g. “Let’s have a butchers at that.” Or “Take a quick butchers at this!”
It’s good to keep in mind that there can be multiple Cockney rhyming slang phrases for the same word, as well as multiple Cockney rhyming slang phrases that start with the same word. For example, ‘Birds Nest” and “Bristol and West” both mean chest, and “Birds Nest” and “Bird Lime” both can be abbreviated to “Bird”. For the latter, context is important for knowing what someone is talking about.
As always, I’m not an expert; a true Cockney would know far more than I do. I just want to share the knowledge that I have. I hope that someone will find this helpful, informative, or entertaining at the very least.
I’ve got more Cockney rhyming slang phrases coming, but if there’s any other areas of British slang you’d like me to go into, let me know and I’ll see what I can do!
Happy writing and happy speaking!
My other British slang posts: Cockney Rhyming Slang, British Police Slang, Terms of Endearment, Innit VS In’t - a PSA
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My partner made a comment about how this episode fed into “bury your gays” and like, while his heart was in the right place with the critique, I felt so strongly the opposite way
Like on its face, yes, two gay men died…. But like, in a show about a zombie apocalypse where we’re tracking at least 1 Major Character Death per episode, Bill & Frank are triumphant compared to every other character. They got to live to be old and gray together after a life of relatively peaceful flourishing. They chose their deaths on their own terms, a luxury most people don’t get in this world. They got to die together, in each others arms, neither left to live and suffer alone. They got to go with dignity, autonomy, and love, in peace, together. They got to choose. They made their end meaningful. They were happy and satisfied and fulfilled. Everything that gay characters are so often not afforded in life, much less in death.
Not only that, but narratively speaking, their deaths were used in exact opposition to “bury your gays.” The trope was created to reinforce that being gay is a sin, that gays must die as punishment for their evil ways. It’s intended to be a narrative consequence, the moral of the story, a warning to its audience.
But the deaths of Bill and Frank were used as closure to a story arc about living a happy, fulfilled life with your partner. Even further than that, their arc was used to demonstrate that there is meaning in life because we choose to create meaning, that purpose is found in each other, in loving someone, even at the end of the world. They are held up as an example of what to strive for, of a reason to keep living, of something to pursue. It is completely antithetical to bury your gays and is in fact a brilliant subversion of it in that it grounds the purpose of the narrative itself.
Tl;dr: TLOU really said love wins.
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i think there’s an inherent sadness and pain about dhawan coming after gomez. like gomez’s master had finally became friends with the doctor again despite everything. she died for him (twice if we count simm’s). after so long they finally stood together on the same page with mutual understanding and a hope that their next lives would be kinder and perhaps they’d be standing together.
yet dhawan went home after regenerating. came to the understanding that he was nothing to the doctor but a speck in her past. just as small and tiny as her companions and the flood of insecurities that haunted him since the day he left came back. he was never an equal and never would be and the doctor knew it (had known it all along). so he had to make himself an equal and worthy enough to stand against the doctor (never with. for how can you stand with the sun. instead you have to eclipse it take away its warmth and life)
a post-gomez dhawan is just fun.
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