Tumgik
#i'm SO EXCITED oh my god
chryseis · 1 year
Text
Tumblr media Tumblr media
261 notes · View notes
albertbrowne · 1 year
Text
Tumblr media
128 notes · View notes
lamonnaie · 5 months
Text
OH MY GOD TOR JJ IN A SAMMON BL WE WON 😭😭😭
Tumblr media
11 notes · View notes
Text
HOLY SHIT GOOD OMENS SEASON THREE
11 notes · View notes
queensabriel · 2 months
Text
BORDERLANDS MOVIE???? CATE BLANCHETT PLAYING LILITH??? JACK BLACK VOICING CLAPTRAP????
AHHHHHHH
4 notes · View notes
friedrocks · 7 months
Text
IM SO GLAD IM HOME ALONE SO MY FAMILY CANT SEE MY ADULT AUTISTIC ASS SCREAMING ANS STIMMING AROUND THE HOUSE LIKE A MADMAN
10 notes · View notes
whoslaurapalmer · 3 months
Text
IT'S A POSSUM IT'S A POSSUM IT'S A POSSUM!!!!!! THERE IS A POSSUM IN THE YARD AS WE SPEAK CHOMPING AWAY ON THE POPCORN LIKE THE SWEET LITTLE ANGEL IT IS HOLY SHIT THIS IS NOT A DRILL IT'S A POSSUM
5 notes · View notes
burningtacozombie · 1 year
Text
Script review for “Hotel Cocaine” Pilot
It’s 1978 in Miami. Cocaine is becoming THE drug, to the point where people are building tiny submarines, basically coffins, that allow them to smuggle coke into Miami from South America.
We watch as one of these coffins pops up off the Miami coast and the two riders get out and wait for the boat that’s going to pick them up. Instead, a group of Haitian pirates show up and machine gun a bunch of holes into the smugglers.
Cut to The Mutiny Hotel, the Casablanca of Miami, where we hear our hotel manager, Cuban ex-pat, Roman Compte, explain the scene: “The year was 1978 and the cocaine wars of Miami stop at our entrance. We were Switzerland, neutral territory, where drug dealers sent drinks over to DEA agents and avoided killing each other because everyone was having too much fun.”
After dealing with a Hunter S. Thompson incident (yes, the author), Roman gets cornered by two DEA agents who explain that the aforementioned submarine massacre included one of their men working undercover. They want Roman to reconnect with his estranged brother, Nestor, who’s essentially this story’s version of Scarface. Nestor is the one who owned the sub.
The last person Roman wants to deal with is his bloodthirsty crazy brother. But after the DEA threatens to send him back to Cuba, where he’ll be shot dead for betraying Castro, he doesn’t have a choice.
Nestor is not happy to see his sibling but Nestor also realizes the advantages of having an inside man at the most desirable hotel in town. Once Roman is in with Nestor, the DEA wants him to tell them when and where Nestor is going to deal with the Haitians who killed his submarine crew. They want to get there first and arrest Nestor. But when Nestor sniffs out his brother’s betrayal, he changes the meet-up location, and everything falls apart for both the DEA and Roman.
This was a really good pilot.
X
It gave me some Taylor Sheridan vibes. Paramount’s probably pissed they didn’t snatch this up.
When it comes to TV shows, you’re trying to find scenarios that create a never-ending series of problems that need to be solved by your protagonist. This is why cop shows are so reliable. A cop always has another problem to solve. As soon as one murder is over, another one happens in the next neighborhood.
Same thing here. The series takes place in a hotel. Even at a normal hotel, you’ve got a new problem every 30 minutes. But imagine if you took a normal hotel and turned it into one of the most high profile hotels in the world where criminals, cops, DEA, celebrities, FBI, all hung out.
Now, you’re going to have a new problem every minute. And these problems are going to be much higher grade than the ones at your average hotel. For example, you’ll have your fair share of dead bodies in rooms. That’s why this is such a good idea for a show. Roman is always going to have a problem to solve.
What’s great about Hotel Cocaine is that the writer, Chris Brancato, didn’t stop there. He turbocharged his idea by placing Roman in a very precarious position. Roman is being controlled both by the DEA, who want an inside man into Nestor’s operation, and Nestor, who wants an inside man into the DEA’s operation. This forces Roman to walk the thinnest tightrope in Miami.
This is how you write, guys. It’s not hard when you think about it.
a. Come up with a concept that generates problems. b. Place the story somewhere where those problems feel big, so the stakes are high. c. Make things as difficult as possible on your protagonist.
That simple formula is what makes this pilot work.
I do have a beef, though. There’s a big scene late in the pilot where Nestor needs to know if he can trust Roman. So he calls him over then takes him into some back room. Sitting in the back room is a guy who’s tied up. Nestor says this guy deceived him. And Nestor will work with Roman if Roman kills him right here and now. He gives Roman the gun and Roman is tasked with a difficult decision. Kill or don’t kill?
My beef? I’ve seen this scene a million times before.
Don’t get me wrong. It’s a compelling scenario. And it usually works. But if you’re not going to do anything new with it, don’t write it. Cause once you give the audience something they’ve seen a ton of times before, you lose a little piece of them. Cause they’re like, ‘Oh, I’ve been to this house before. I’ve seen this room.’ You’ve lost a little bit of that magical storytelling hold you have on the reader (or viewer). And if you do that a few more times in your script, you lose the reader altogether.
I’ll tell you how to fix that scene in the What I Learned section. But that was the only real blip on the radar here. I suspect this is going to be a really good show. Assuming, of course, that Roman can solve the hotel’s biggest problem of all – how to relocate to a streamer that viewers have access to.
What I learned: All right, so let’s say you want to write a “Shoot this guy so I can trust you” scene. You’ve heard the Scriptshadow criticism ringing in your ear imploring you to find a unique way into the scene. Yet, no matter how hard you try, you can’t come up with a fresh angle. Here’s what you do, instead: Make the person he has to kill someone we’ve set up earlier in the script as a character he has a connection with. That way, your protagonist isn’t just shooting anyone. It’s personal. They know, and are maybe even close, to this person. That scenario works 99.9% of the time, even though we’ve seen it before. There’s something about seeing our protagonist tasked with killing someone they know that’s riveting and overrides any ‘cliche’ criticisms.
9 notes · View notes
drawn-corrosion · 1 year
Text
Meet Kaleido!
Tumblr media
okay, I couldn't figure out the formatting of the post submission thing, so I have to resort to mentions! Currently his mega-lore-post is a work in progress, so for now here's some sketches!
Tumblr media
Closeups (note: that's not actually what the sea monster he fights looks like, it's just the best I could do on short notice)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
there's so much more to him than just drawings...get ready for at least 4 paragraphs of lore! and fuuuuuun facts! Kaleido's quite the animated guy. (Please ignore any inconsistencies with his hands, I only decided to actually put cerata on the backs recently and it shows)
to those in the @original-character-championship :
please consider my little- wait, no, he's twice the height of most people, let me rephrase: Please consider my guy for your vote! He's the protagonist for a story of mine I'm working on...
9 notes · View notes
maplequeen94 · 11 months
Text
GUYS THE PERSON I COMMISSIONED MY NYO RUSSIA COSPLAY TOLD ME IT'S FINALLY DONE AND THAT THEY'LL BE DROPPING IT OFF NEXT WEEK!!!!!
Tumblr media
3 notes · View notes
Text
hey everybody one of my best friends gets married in fifty-five days
1 note · View note
toxxenn · 4 months
Text
Tumblr media
Percabeth Origins
4K notes · View notes
astro-b-o-y-d · 1 year
Text
Guess who finally got to order a Spamton button up?
Tumblr media
1 note · View note
jasminebythebay · 1 year
Text
Tumblr media
shallow waters
--
This piece is now available as a print!
9K notes · View notes
suiheisen · 16 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
you think YOU had a bad day at work?
bonus: sid shrieking "no!!!! NO!!!!!" loud enough to be heard in the stands and on camera
1K notes · View notes
poorly-drawn-mdzs · 24 days
Text
Tumblr media
A rejuvenating encounter.
[Episode Directory]  [First] -> Next
600 notes · View notes