Todd is an alcoholic, does drugs, lost his job. Yet could still afford TWO Androids??? I'm probably missing something, but something ain't right here. And he can still afford a house on top of that. I. Huh.
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"Connection between sensei and studets" — those are your sons
PLEASE PLEASE JUST CALL THEM YOUR SONS 😭😭😭
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There is something in Sabine's big act of force manipulation was sending Ezra away again. She risked the galaxy and everything he fought for for this reunion, but then she let him go again, and was able to use the force to help him on his way.
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good news: watching a lot of Leverage means I am thinking analytically and questioning both figures of authority and the appearance of situations before me!
bad news: was still willing to default to “too fuckin’ tired to figure out in real time the questions I should be asking the cops.”
totally unrelated news: so apparently some dude was getting served a warrant, booked it down the highway, and made it into the area enough that cops and a short bus of dudes in military fatigues with automatic rifles (and dogs, by the sound of it) were clogging up the road right at the end of the driveway.
I am too fucking tired to deal with this bullshit today.
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"I think I understand why you lied about the painting," Mike said. He pulled a worn and creased letter out of his pocket. "I wrote this not long after you left Hawkins. I was going to give it to you, but... I couldn't. I was afraid of how you would react, and I didn't want to risk losing you. Especially after how I treated you all summer... I guess I almost lost you anyway," he said quietly. "I guess what I'm trying to say is, here—" he held the letter out towards Will, "this is for you."
Lettergate fanart for bylerweek 2022!
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okay but seeing Fanny being a headstrong young woman who states that she has a mind of her own and wants to help her father with the business and is visible fed up with her mother for telling her that it's not appropriate and then comparing it to S1 Fanny... it's mindbaffling.
George absolutely and deliberately broke her spirit, didn't he? I mean I don't even want to imagine what she had to endure during the first few years after the marriage and probably later on to get to from where she started to who she became
So her saying "still the same girl underneath" made me quiet emotional because she finally is able to get that part of herself back.
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The closed window behind Mary is already reminiscent of prison, yet her comment is both a remark on how she can leave after visiting her own mother as well as a promise that she is definitely and defiantly going to leave Mother Superion to this jail all by herself — because, in this moment, Mother Superion is stuck there. Her own visit to Duretti has him coming in and later out of what is, to all intents and purposes, her cell, Swiss Guards on either side of the gate acting as her jailers.
She says she seeks guidance and, although Duretti says basically nothing, he does provide the moral guidance that completes the lesson received from Mary earlier. Mother Superion’s expression, as she turns towards us after seeing her “cell” being shut again, locking her in with her sense of obligation, her rigidity, her hierarchical position, her spiritual dead end, tells us all we need to know. Even the light comes in through the bars from the left of our screen, as it came through the window when Mary spoke: they’re on the same side, now, and the prisoner is freeing, if not yet her body, then her mind and resolve.
(here's part two)
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don't mind me, i'm just thinking about two characters being torn apart from each other unexpectedly and their resulting determination to find one another; the miles of terrain crossed, battles fought, letters written that cannot reach an unknown address, stubborn hope questioned by those around them; the reunion that maybe starts off slow, disbelief freezing previously eager legs, but then they can't simply be close enough, hands clutching, arms crushing, faces hidden in shoulders and joy muttered against familiar skin; " i never stopped looking for you. " " i knew you'd find me. "
i'm also thinking about two characters being torn apart from each other unexpectedly and that determination to find one another dwindling over the years, hope chipped away every passing season until they accept that they're lost and maybe always will be. they're miles apart but always on each others' mind, like a song they can't get out of their head -- life goes on, but they cannot forget, holding onto a memory perhaps to the frustration of those around them. maybe their paths nearly cross a few times, though they're none the wiser, until one day. one day they hear a familiar name, see a familiar face. or maybe they hear a familiar voice, pushing through a crowded street and searching, searching, searching --- all the determination returns, frantic as the beating of their heart. and there they stand, alive and well and older and different but still them.
i'm thinking about two characters being torn apart from each other and the connection between them that can't be broken by any force or amount of distance or time, and i am so so unwell y'all
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Okay, thank God for whoever does the CR transcripts and puts them up on the wiki, they have saved my bacon. The Yussa stuff happens AFTER the Lavish Chateau, not before, it's an evening thing, not a day thing.
Okay. We can work with them. Got this planned. I can skim over things, this'll work...okay.
I can still be thrown into the sea though because I'm sure this is garbage and also it's stupid to be stressing out about this stuff.
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A place filled with magic and wonders beyond all imagination. Where anything is possible. Where we can be whoever we want to be. Sounds lovely. What’s it called? Wonderland. Right, then. Next stop, Wonderland!
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