the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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you're not feeling your best. Eddie gives you some much needed comfort.
eddie munson x fem!reader, ~800 words
“Hey, Eddie?”
Your soft voice breaks the comfortable silence hanging over the bedroom, where you and Eddie have been curled up in each other’s arms since you finished making love some time ago.
“What’s up, baby?” He strokes a calloused hand up and down your back, tracing gentle patterns into the skin with his fingers in a way that makes you shiver. You press your body even closer to his.
He smells musky with sweat and drugstore cologne, and the faint whiff of tobacco that lingers from his post-sex cigarette. He tilts his head down to press a sweet kiss to your shoulder, and then another, and then another.
You hesitate, unsure if you want to break this spell of gentleness by voicing your insecurities. But then Eddie traces the furrow between your brows with a delicate finger, smoothing out the small crinkle. His face is expectant. Waiting.
“Can I ask you a question?”
He gives you a dopey half-smile, the really sleepy one that you love the most. “You just did, didn’t you?”
You try to grin back, but it comes out more like a grimace.
His smile fades, face lining with concern as he takes in your expression. You've apparently hidden your unease from him well tonight; he doesn't like it. He brings a hand up to your face, cupping your cheek in his palm. “Of course you can,” he says soothingly, stroking your cheekbone with his thumb.
You sigh at his touch. “Don’t laugh,” you whisper, throat tightening.
“I would never, sweetheart,” he whispers back.
You stare up at him, eyes welling with tears. You shift uncomfortably in his arms, overwhelmed by the urge to suddenly run from the room.
“Hey.” Eddie gently pats your cheek, growing alarmed at how upset you look, but nonetheless staying calm for your sake. “Talk to me, angel.” He sits upright in bed, pulling you with him, so your tangled limbs are all gathered into his lap. He rocks you ever so slightly side to side, and curls one hand around the back of your neck so he can bring your forehead to his. “What’s got you all worked up?”
You don't want to tell him anymore, but you’re unable to hide from him like this. Your lip quivers uncontrollably. “Do you…do you think I’m pretty?” The words are wispy, barely there.
You might as well have taken a knife to Eddie’s heart. Shock flickers across his face before sinking into unbelievable sadness. He crushes you to him. “Of course I do. I think you’re so pretty, baby. I think you’re beautiful.” The words become muffled as he buries his face in the crook between your shoulder and neck. “Most beautiful girl in the world.”
That does it.
Fat tears spill over your bottom lashes, and you hug him back as hard as you can.
Eddie caresses and kisses every part of you he can reach. “Why’d you ask me that, huh? Did I do something to make you feel like you aren’t?” Every part of him aches at the thought of making you feel undesirable, accident or not.
You can only snuffle in reply at this point, too caught up in your tears to answer him coherently.
“Shhh,” he hushes you gently, rubbing your back. “Take a deep breath, baby. Try and relax for me, okay?”
He continues to coo sweet nothings in your ear while you let it all out, until you eventually come down from the crying jag. You slump against him, exhausted, waiting for the last few rogue sobs to finish wracking your body.
Eddie holds you all the while, and then tucks you away under his chin.
His voice is soft like velvet. “What happened to my girl today?” He resumes the gentle swaying from before, hoping the motion will soothe you. “What’s making you feel like this?”
“O-overheard…s-some people t-today…” you manage to stutter out.
Eddie’s jaw sets. Would you and he never escape the cruel judgment of others?
“They’re wrong,” he says firmly. “Don’t listen to them. Just listen to me, yeah?”
He jostles you lightly in his lap when you don’t answer. “I said, yeah?”
“Y-yes, Eddie.”
He softens again. “Good girl.” He dots a few more kisses onto your head. “You’re beautiful, sweetheart. I thought you were the second I saw you. And then you turned out to be beautiful on the inside, too. Lucky me, huh?” Another kiss. “My beautiful girl. You’re my angel.”
Your voice is still watery, almost inaudible. “Thank you.”
He gives you a tight squeeze, still speaking in dulcet tones. “I’m happy to tell you that, because it’s true. I’ll tell you all the time now.” Kiss. “I think you need some sleep, sweetheart. I promise you’ll feel better in the morning.”
He doesn’t let go of you for the entire night.
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