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#i'm just way too tired you know
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Charlotte and george enjoying married life 
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le-panda-chocovore · 3 months
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Kinda meta but. Satosugu on both ends.
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Let me elaborate.
Teenagers SatoSugu is the cutest thing ever. They're the only one who are able to catch up with the other. They're the strongest together. They are pieces of a puzzle that fit perfectly. They complete each other, they understand each other, they help each other and more importantly, they love each other. No one else can follow the path of Gojo Satoru and makes him feel human other than Suguru. No one else can bring a genuine smile on Geto Suguru's face and makes his life worth living fully other than Satoru. They're the epitome of young exorcists.
Adults Satosugu are the messiest divorced couple ever. Satoru cannot love without consuming entirely the person. Suguru cannot be saved because he's already gone too far. They are soulmates and cannot live without the other. They have been separated for years. They cannot kill each other, they cannot be with each other. They never forgot the other. Their breakup happened eons ago and they still consider the other as their one and only. And they make it everyone else's problem. Because Satoru wasn't able to burn Suguru's body, the Shibuya Incident happened. Because Suguru's memories of Satoru were so strong, Kenjaku was able to make his plan and seal the strongest sorcerer. Every one of their choices and words and actions was just an I love you so fucking loud that it doomed the universe to destruction.
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I’m probably a little late to the party (heh) but there’s something I’ve noticed concerning color theory and Max, and Max in general
When she is introduced to us as MADMAX, her situation with Billy makes her feel lonely and angry. She’s wearing red clothes (with a white stripe!) and her hair is down (letting her rage roam free).
In here, she’s clearly annoyed. She’s just left Billy’s car, Mr. Clarke made her stand before the class and named her Maxine when she just wanted to melt into the background and get over her first day at an unfamiliar school, still not thrilled about having to move from California.
Still, she’s zipped down, since those people didn’t do anything especially hurtful towards her and maybe she’s a little hopeful about them. 
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When she’s mad after an interaction with Billy she’s wearing red:
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Darker red! She’s at school where she won’t have to deal with Billy for a while. She’s cooling like lava but there’s still one streak of the anger in the back of her head.
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When the boys approach her, her zip-up sweatshirt is unzipped to show some of the color underneath. She’s happy! She will not let her guard down completely but she won’t hiss at them immediately! Still, she’s ready for disappointment and snapping right back to being fully red.
Yellow is not a lighter shade of red, but it’s definitely close on the color wheel. Closer to white, too! She is showing she’s not only mad, there also is softness inside her! It’s still a shade connected to red (anger) but yellow by itself is more of a happiness color. She wants to make friends but is still scared because of the new environment and Billy.
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In the car with Billy (the scene where he wants to run over the party), the entire scene is shot in a way that’s barely letting us see her clothes. It’s mostly covered by hair, too, but we can see it’s still at least a little unzipped as there’s a bit of the yellow collar visible.
In the scene, she’s defending Hawkins saying, that it’s not that bad and that she can’t see any cows (yellow). She’s scared of Billy, so she’s trying to cover up her sympathy towards Hawkins and towards the boys (with red and her hair, Billy saw her get out of the car with the sweatshirt zipped up and hair down, now she’s covering her softness with what is familiar to Billy, so that he doesn’t see anything has changed, notice that softness and hurt her. That’s exactly what she does when she says she doesn’t know the boys trying to protect them from getting ran over).
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Yellow! Fully yellow :) She’s happy to be shown weird pollywog-like creatures with the rest of the Party!
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Right after Will gets possessed, her question as to what “true sight” means gets brushed off by all of the boys. She’s hurt and feels excluded, but her hurt makes her angry again. Next time we see her, she’s all red again.
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“Party members only! This is non-negotiable.”
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“I thought you guys wanted me in your Party!”
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At the arcade! She’s already acclimated to Hawkins, and the arcade is her favorite place. 
Alright, I’m getting tired and my third eye is slowly closing, so I’m going to wrap this up quickly, since I think I presented what the gist of the idea is.
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In season 3, yellow, patterns, colors! She is now fully a member of the party! She has friends, she knows the secrets, El is back. This is the happiest she’s been.
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Clothes are important in both of the girl’s characters! (El changes from murky colors to vivid patterns when she finds herself and there’s a post about El shedding layers of blue in season 4. I’d link it but can’t find it, I’m sorry!) There being a scene like this, with them fooling around with their clothes is basically the peak of happiness :)
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Here Max gets really worried because of Billy. She’s feeling a bit guilty ‘cause that’s her step-brother that’s sowing chaos and hurting her friends. El is straining herself. The situation is looking BAD. Blue!
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Beginning of season 4
Blue - she’s grieving and feeling guilty, Black coat - she’s hiding herself in a shell. She’s not particularly hiding her grief but she can close off at any moment.
(Btw Lucas is also wearing a blue shirt with some coats. I’d say he is sad because Max dumped him and doesn’t want to tell him things but the coats have a couple of colors because he’s hiding away his nerdiness in order to be cool :) 
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Now, the overcoat is blue with yellow elements - Max is being honest about her grief. She’s targeted by Vecna, the Hawkins gang knows she is SAD. It’s her last day, she can unfurl. The sweatshirt is unzipped and showing red and white underneath, the same colors we’ve seen her wear when we first met her. The girl that slammed the door of Billy’s car. The one that was scared of him. That girl is still inside Max. 
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Sometimes, she’s wearing this. Grief covered up with brownish-reddish... Red. She’s going back to her previous self, she is talking to Lucas again and he SEES her... But to get that shade of red you go more towards black on the color wheel. She’s not that vivid, fiery red anymore. There are bits of that girl deep inside her, but she’s too tired to make it her entire self. She’s tired. 
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I've recently come across a couple of season 4 fanfics that dealt with the Chat Noir feeling left out and quitting thing and every time I read one I can't help but think "man did they chose the wrong side of the masks AND the wrong characters for this conflict. Chat Noir comes across terribly here". It's weird to see people try and justify his behavior and act like Ladybug was in the wrong.
Was Ladybug being the best friend ever? No, but friendship is secondary when they're wearing the masks. Paris comes first. Chat Noir quitting because he doesn't feel special enough is literally him endangering everyone he loves because his crush isn't paying enough attention to him and I truly can't tell if the show wanted us to feel like he was in the right or the wrong here. In Kuro Neko, Catwalker actually does acknowledge the lesson he needed to learn
There's nothing wrong with you. Maybe the boy who was Cat Noir was more sensitive than it seemed. But his feelings for you shouldn't force you to pay more attention to him than to others. You take care of everybody equally, Ladybug. 
And Chat Noir apologizes at the end of the episode for causing Ladybug trouble, but the whole thing is incredibly lackluster. They don't actually have a meaningful conversation about why he was feeling that way and the rest of the season seems to present Ladybug as being in the wrong, especially the final! Trusting Alya leads to nothing meaningful and not trusting Chat Noir loses her the miraculous. Basically, I still have no idea what season 4 was trying to do with this conflict and it's been dropped forever now that Adrien is fully reduced to nothing more than arm candy.
HOWEVER, this basic setup could have been a fantastic b plot if the "Adrien doesn't feel needed" conflict wasn't a Ladynoir conflict, but was instead a conflict between Adrien and Nino. Move Rocketear up to earlier in the season and have the fallout from that be that Adrien's relationship with Nino is strained. He can still feel leftout because Ladybug has a bigger team now, but instead of him pouting about it and skipping fights, focus on how that need for connection has transferred to his civilian life, but he doesn't have Kagami or Nino now and he's lost. Then you can either have an Adrien and Nino b plot because that relationship needs more screen time OR you use this to make Adrien and Marinette start to grow closer because Rocketear's fallout is also Alya paying more attention to Nino. Then, when season 5 does the whole crush switch, it actually feels earned.
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alsojnpie · 2 months
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hey. um. i love him
#O_O i really love him#it's getting warmer every day and i can't draw him in a sweater for much longer#by the way. is this site going to. yknow. die#sigh........i kept telling myself I'd get better at it one day#kind of like the way i tell myself i can get together courage to speak up but i never do#using another website just sounds so depressing#im not good at social media. im tired of pretending like i can get good at it#but you can't even pretend like you can jump into a conversation if no one is having a conversation#i wanted to be part of a community here but i never could figure out what belonging looked like or how i could do it#and maybe it's my fundamental misunderstanding of that that prevents it but how can i understand it without experience#I'm so jealous of everyone who looks like they achieved what i couldn't even put my finger on. but since i didn't even understand it#i can't even be sure what exactly im jealous of#the other day i walked past a trio of friends and they had their arms around each other and were laughing as they walked#and i felt really strongly that even though I've always wanted a friend like that I'm actually fundamentally incompatible with that.#there's several reasons#but it made me feel really sad. but it made me feel a little better too. i guess it's really not my fault. maybe. i don't really know#in that moment it felt very much like something that was not my fault. and it was nice and sad at the same time#idk what's going to happen here. but one thing i know for sure is that i can have a happy tomorrow. no matter what#no matter what i have to give up on. i can find joy in other things. even in myself#and if there's one idea that he is about. it's that one
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moresrush · 2 months
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Also. I wanna just take a moment and look at all of ya'll and tell you ... go ahead and write those fics, draw that art, hold those headcanons you have about your favorite characters being whatever. Make the characters you write about trans. Drabble about autism and how it relates to how characters function. Give them your favorite foods. Sneak in little quirks about yourself. You're allowed to draw characters with traits you have. Scars, blemishes, that stubble on your chin that you hope will grow more into a beard someday (it will I promise) or with nails painted the colors you like. When we do this ... and we share these parts of ourselves and we watch people react kindly, it helps us see that these characters are still loved, even when we shape them to be a little more like ourselves. That's powerful. Do you know why? Because when people see that others love characters that are trans ... they feel like they, too, can be loved as a trans person. Having representation in media means so much not just because we want to connect with something but because we, as humans, crave love and validation and sometimes it's so hard to find it for ourselves when we really need it. If you have friends who write or draw or even just speculate/daydream about this sort of stuff --- by golly, you gotta support them, you gotta boost them up. You gotta say "I love this" because that person will hear you and feel a little bit of that love for themselves ... and that's important. Right now, especially ... it's so goddamn important to do what makes you happy, what helps you love yourself and this little blue dot we are on. Put top scars on your favorite character. That's someone else's favorite, too --- and seeing it might give them the courage to accept themselves for who they are more, it might be the boost they need to say "hey, this is okay actually." We owe that to each other. And you owe it to yourself, too.
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roomy-ghosted · 9 months
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Jay still wearing the Ferin crest in her hair because her family are still always in her thoughts, they still subtly control all her actions and drive and her navy teachings are still root in her mind even now, even after she faced her father as a stronger woman. The Navy still hold a tight grip on her mind and you can't always change your upbringing's control over you.
She still mourns and wants to respect fallen navy soldiers. Still wishes to be able to rekindle with Kira, to be able to maybe even rekindle with some of her family. Her grandma still looms a heavy threat over her and unknowingly her Aunt does too with her talks with Edyn.
But they're her family. They're her upbringing. And Jay doesn't want to let go of her love for them regardless of what she's doing in life.
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flowercrowngods · 6 months
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i don't know how to be merely acquaintances when we used to be friends. or i think we used to be. i don't know how to yearn for a simple hello when you've been heaping your affection on me months ago, and i don't know how to talk to you when you won't say anything. when suddenly it's all about me. you know i have nothing to say, you know my brain is void of everything but horribleness and i cannot tell you about my day because i don't even know about my day. i cannot tell you about my day when i know you won't listen, when i know you'll apply your philosophy to my world and don't believe me when i say that everything is terrible. i don't know how to be the person you seem to think i am, or the person you want in your life. i don't know if you want anyone else in your life now that you're in love and sappy, found another recipient for your affections, leaving me empty and wounded and yearning.
you said you missed me. said it many times, while i was gone. now i'm back, have been back, and i wonder how you missed me, why you missed me, when you won't talk to me. i think you mistook missing for worrying. i think you mistook caring for a feeling of obligation. i think you like missing me more than talking to me.
and i think i can't breathe with how much that hurts
#how do you miss me when you won't talk to me? how do you like me so much and then go to just. not?#how did i let you in when i try so hard not to let people do that because i know that once they get past the walls all i'll be left with#is the idea of them rotting and withering inside me. polluting the space i create to keep myself safe.#why does everyone leave? leave in silence too. leaving behind so many questions and so many words engraved in my brain#i am so tired of *grieving* when those i grieve are still alive and well and thriving and i'm reminded that it's versions of myself#that i'm grieving instead. how do you grieve yourself? how do you not fucking fall apart over it?#just. fucking talk to me. don't make it be true that all i'll ever be is nothingness and the memory of someone you liked once#but never never never liked enough#i'm so so cold already. i'm a shell. i want to be warm again but it always leaves me so hollow and hurting#i grieve the dio who was warm. i grieve them i miss them i am so so angry that he had to leave. to hide. with no way out#i'm happy for you. i'm happy you're happy. but you're no better than anyone else and it makes me want to run away again#but i have nowhere else to run and no one else to be. and it's so fucked that it doesn't matter who i am i'll never be enough#for someone to just. stay. to see me and to stay. to hear me and to sit and listen and just. just fucking stay.#maybe i'm not worth staying for. maybe there's nothing to know nothing to hear nothing to see nothing to listen to nothing to find#maybe all i'll ever get is one/two good months paid for with a lifetime of grief. and i'm at the point where i don't want the good months#anymore with you or anyone else who tears down these walls with affection that is so endlessly addictive and leaves me yearning.#on the off chance that it will keep the grief away too. but that's the thing about grief isn't it? it's here to stay. unlike you#god this is so fucked up and i'll delete this later but for now i just need to. let it out. poe said i should make a side blog for the grie#but poe's not there anymore. poe has stopped starting fires. so this goes on main until shame makes me take it down#blah#personal#not st
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gregoftom · 11 months
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this was laced with so many things
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sciderman · 6 months
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i relate to peter parker because i’ve had six crushes this year alone
damn son save some for the rest of us!!
#sci speaks#i think i've only ever had one crush in my life. wilding. i wish i fell in love easier. it feels wonderful.#oh the people with hyperactive hearts...#i wish i had felt this way at some point when i was younger. it kind of felt like my heart wasn't fully developed yet.#holds my heart in my hands. why were you such a late bloomer. why didn't you feel more things earlier on.#i'm kind of sad that i didn't have teenage crushes or anything. i feel like i missed out.#is it because nobody around me was appealing. or is it because i was too busy on my own planet.#i think i wasn't really close with a lot of people when i was younger. i kind of never came out of my shell.#so nobody got close enough to me for me to like them.#not that it's necessarily how it works. but it takes a lot for me to get there with somebody i think.#i think a lot of the relationships i've been in i'm still To This Day not even sure if i actually liked them back in that way.#squeezes my heart in my hand. why are you so fussy.#i wish i had more experiences under my belt. i really do. but also i don't want to be in situations that are uncomfortable either.#and i don't want to just be there for the sake of it.#lies on the floor and stares at the ceiling. i don't know what i want.#is love the answer?#i don't know. sometimes i want it more than anything. but it's such a ball-ache to get. sometimes you think you're better off without it.#i wish i knew what i wanted. i think i just want to be brave enough to find out.#why do i ramble so much in my tags. it's like tumblr is my therapist or something.#i'm feeling weird about myself lately. just kind of a little tired. i don't feel bad. but kind of perpetually low-energy.#like i never have the time to do things that make me happy. and when i do get the time i don't have the energy.#is this what it's like to live in this world. i need like. a year's break from work. i think.#i need like a year-long vacation. i need a gap year. i need a year to live life.#i wonder if it's financially viable. i think i'd eat through everything i have if i did that. but.#you can get money back. you can't get your time back.
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Daisy and Basira's relationship is such a sweet agony, because at its foundation it's so transparent, so honest. They both know what they're doing, however much they pretend to lie or hide it. Such is the situation they're in that there's no choice but to cling to eachother.
Have you ever been in that sort of situation? The type where the closest person to you is deeply morally flawed and you're realising just how in the wrong you are, but their hand is the only one to grasp. You see the claws along their fingertips and you turn your head and hold them close.
On many occasions Basira talks about the wrong Daisy's done, she knows where Daisy's kill spot is, she figured that's where Jon would be. And yet she never tries to convince everyone that she's capable of fixing daisy, because she knows she's not. Daisy knows this just as well, and perhaps it's a foundation of their trust.
To be loved is to be changed but to be changed is to be hated; a relationship where you accept each others flaws is a commodity, and a rare one at that. Whether those flaws are mundane or deeply damaging, these kinds of connections have a tendancy to grow beyond the point of return.
To know that you're in the wrong together is a comfort. It's not good, nor is it right, but it's a place you can sit. A place you can stay. And as your comfort grows so does that leeching wrongness you protect, and in the end it may just eat you up.
To continue the way Daisy and Basira did was what drove them towards their end, but even at that last painful moment there was a tenderness, a rose in the thorns that makes the wounds worthwhile.
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sivvan · 1 year
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@userdramas​ event 01: (one of my) favourite kdrama[s] + favourite kpop group
↳ seventeen (hug) + if you wish upon me
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softquietsteadylove · 3 months
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I know it’s probably so annoying of me to keep asking for more every time you fulfill one of my prompts, but once again you hit it out of the park with the memory loss au!!! Gil is so sweet and kind and such a good husband who loves his wife no matter what 🥹 i don’t have a specific prompt, but just would love to read more about that journey. Thank you as always for keeping this ship alive, you have a reader in many of us still!
Gil paused in front of the door to the apartment. He leaned his forehead against the door, letting the cool of the air temper his mediocre (at best) day.
He loved his job, he loved the bakery. But the questions about Thena were getting to him. They came from a good place, he knew, and of course they would have their curiosities. But it was hard to deny that he was annoyed with the questions about if it was weird for them.
No, it wasn't.
Of course it was.
He had to come home and gauge if his wife was feeling particularly nervous around him that day. He had to ask how she was feeling because she went out of her way to hide that from him. She was recovering well, but no memories had emerged as of yet.
In his worst moments he really had to wonder if they would at all.
But he couldn't stand outside and dwell forever on that grim thought. He pulled out his keys to unlock the door. Thena herself had said she would leave it unlocked but he told her he would feel a little better if she didn't.
"Hi."
Gil blinked. It wasn't necessarily a welcome home kiss or anything, but Thena was standing by the door, smiling at him as he dropped his backpack where he stood. "Hey."
Her smile wavered faintly, but it certainly wasn't fake. She was nervous. "H-How was work?"
"Uh," Gil tried not to flounder. She was trying something, and he didn't want to discourage her. He also smiled, kicking off his shoes and starting to take off his coat. "It was okay. Kind of long, but at least it's friday, right?"
Thena just nodded, stepping back to let him in. "Come and tell me about it."
Gil tilted his head, squinting at her so long as she wasn't looking at him. It wasn't that she never asked to hear about his day before. But even just last week she was still trying to figure out how to start a casual conversation with him, or ask where they kept the coffee filters (again).
Thena seated herself on the couch, waiting for him expectantly. He chuckled, ruffling the stress out of his hair. When he rounded the corner of the couch he looked at the coffee table. The beer can was visibly cold, on a coaster and everything. "I thought I was out of these."
Thena shifted her knees, tugging at her skirt. "I decided to go to the store, today."
Gil tried not to look freaked out about that. He was just being overprotective, and there was no reason Thena couldn't want to get out of the house for a little. She remembered where the store was...apparently.
"I noticed there weren't any in the fridge, but I picked some up while I was out," she added, tilting her head as he cracked it open. "It smells familiar."
He smiled at that. Smells could be very good for her memory, he had already discovered by way of their laundry detergent, and his cologne. "You want a sip?"
She shook her head, and that made him smile too. "Yeah, I guess you never really had a taste for beer. You don't mind a glass of wine with Kari, though."
"Hm," she sighed as she leaned against the back of the couch. Her eyes were still intent on him. "So?--work?"
He cleared his throat, setting the beer down on its coaster again. "Right, uh...it was okay. Things ran normally, it was kind of quiet, but I guess it's just that time of year. And the weekend guys will be fine."
He had worked the very early mornings for the weekend before, actually. But since Thena's episode he did what he could to be at home whenever she was up and around.
"What do you bake specifically?"
"Oh," he blinked. It was light enough conversation, but Thena asked it like she was going to be quizzed on it later. But then again, he could remember their first date having a similar intensity to it. That was just what Thena was like. "I guess I mostly do the croissants, some of the desserts-"
"I looked up the bakery online today."
"Really?" he tried to ask casually, but she was going somewhere with all this.
Thena looked down at the small but comfortable space between them on the couch, picking at one of the cushion seams. "I considered walking by, but... "
She usually wasn't one to trail off during a sentence, but obviously she had really thought about whether to go through with it or not. Gil scooted just a little closer to her (not enough to spook her). "Hey, that's okay. I probably wouldn't have been able to come out and see you for long, anyway. It's sweet, though."
She looked embarrassed, but didn't shy away from him, at least. "I was worried someone would recognise me and...and I would leave them wanting."
Gil nodded; Thena was quietly terrified of having to meet everyone in their lives all over again. He couldn't blame her. Meeting people was never her specialty, and the pressure on her was now worse than ever. "It's okay, hon. We can face that later."
She sighed faintly, but she allowed him to just sort of wiggle his finger in her direction. She mustered the courage to hook her finger with his. It was small, but it didn't escape him that it was big for her.
"Hey, on sunday we can go by together if you want. Pick up some stuff for brunch here at home?" he suggested it gently, testing the waters. If she truly never wanted to speak to anyone they knew ever again, he didn't really have any argument to stand on.
He was willing to do anything to keep her from considering leaving all together.
"That sounds lovely." She smiled to match his smile, although softer and gently. Her hand did move, from just their fingers linking to more of a tentative hand holding. Affection wasn't her specialty either.
"It's a date," he grinned, unable to contain himself. Thena blinked and he nearly flinched, "I-I mean, not-! It doesn't have to-"
She laughed, though. He had missed that sound like the air he breathed. "My second chance at our first date."
He knew she meant it as a light joke, or maybe even in a self-deprecating way. But he melted. He couldn't help it! His wife was going to go on a date with him!
Thena watched passively as he brought her hand up to his lips. He gave her the chance to pull away, but she didn't. He kissed her knuckle gently. holding on just so he could admire the wedding ring still on her finger.
She had once asked if he had taken his off, and it had horrified him. But he asked if she wanted to take hers off. She had every right, even if the thought made him want to shrivel up and sink into the sea. But Thena had looked at the foreign object on her finger and answered very plainly but honestly: no.
Thena tilted her head at him again, "Gil?"
He gave her hand another kiss before looking at her again. Her hand in his, a beer to his left, it felt a little more like old times. But it was also new, in an endearing way. "So, you looked up the bakery?"
"Yes," she smiled, indulging his much improved mood, even letting him run his finger against her wedding ring. "It's a lovely site, the products are photographed well."
They had an instagram that Sprite mostly ran herself, but Thena didn't actually know that a lot of the product photography on the website had been done by herself back when Gil first got the job.
He had bragged all about how his wife was an amazing artist with a great eye for beauty! Thena had come in and done the photos for the website and then scolded him for embarrassing her.
"They are," he agreed quietly. "And we have some seasonal stuff, too. We'll still have the usual--the croissants, the pain au chocolat, the mont blancs. But we also still have the petit fours right now, since we get so much extra in for valentine's day."
Thena's face betrayed a split second of horror.
"Hey, hey, it's okay," he reassured her, and also used it as a great excuse to kiss her again (this time her open palm). "You were still in the hospital then. And we were never really valentine's people anyway."
There was some clear doubt in her eyes at that statement, but she didn't choke out a positively miserable apology (again).
"Besides," Gil put on his most charming smile, which she always said made him look suspicious, "I think valentine's is a little much for our first date, isn't it?"
Thena laughed again, and god he could listen to that for hours. He would make it his ringtone if she would let him. "I suppose that is a little forward of me."
"I mean Thena, I don't know what you heard about me, but I like to take it slow," he continued to joke, relishing in her laughter. It was so light and cute for how stern she always tried to look. "I'll pick you up and everything."
"You'll 'pick me up'?" she repeated back to him with her sandy blonde eyebrows raised. She had plucked them recently; she really was bored sitting at home all day.
"Sure," he shrugged and nodded in the direction of the guest room--her room. "I'll pick you up at 10."
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ereborne · 26 days
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Song of the Day: March 27
"Long Time Gone" by The Chicks
#song of the day#I'm still thinking about the Country Songs About Country Songs#this is actually a cover too though I never hear the original around anywhere#(it's by Darrell Scott who is also the originator for 'You'll Never Leave Harlan Alive'#turns out he's got a bunch of songs that got picked up and made somewhat more popular in the hands of other folks. an interesting legacy)#the best lines of this song to sing are also the bits About Country Music--well the whole song's about chasing the love of it#but this bit is bemoaning the kids these days you know. country music isn't what it used to be. why back in my day etc etc#it's so so so much fun to sing too because you get to exaggerate your 'I think's until they rhyme with 'Hank'. excellent work#'we listen to the radio to hear what's cookin / but the music ain't got no soul#now they sound tired but they don't sound Haggard / they got money but they don't have Cash#they got Junior but they don't have Hank / I think I think I think / the rest is a long time gone'#it's fascinating to me to think about these songs in (saying 'historical' here is giving me psychic damage but) historical context#because the Darrell Scott original for Long Time Gone came out in 2000 and The Chicks released their version in 2002#so they were talking about the trend towards American jingoism in country music of the time#versus like Waylon Jennings in 1975 'Are You Sure Hank Done It This Way'#(I typed that and /then/ went back and looked up the release date and I'm so proud I got it right)#already bemoaning the state of country music in the 70s versus good old classic country like Hank Williams Senior sang#(Hank Jr covered Waylon's song in 1981. like yes it's a tribute to his father but also Hank Jr was a big push towards outlaw country#and has a few pretty famous songs himself about not singing like his daddy did. it just seems a strange choice to me)#and then Eric Church put out 'Lotta Boot Left to Fill' in 2009 calling out the shallowness of the country music scene of the time#(talking some only-thinly-veiled shit about a few of his peers in the process)#and then he released 'Stick That In Your Country Song' in 2021 and that /definitely/ put some backs up#that one's a less directed but more direct call-out if that makes any sense#no lines that are direct references to other artists' songs but stronger sentiments overall#not just general 'y'all are getting shallow prioritizing good times and high sales over genuine heart and integrity of craft'#but some straight up 'you have forgotten the face of your father' shit towards country artists and fans alike. the whole industry#a very good righteous-anger song
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yohankang · 5 months
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shit went down at work today and there's a chance they'll fire me 🙃
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daz4i · 7 months
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i really truly genuinely cannot go one (1) day without wanting to die
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