#i'm much more interested in the nuance of friendships

[sausage-rolll]

The amount of times I said something along the lines of "They would not fucking do/say that!" while watching the live action atla series is insane. It felt so weird to watch because the acting was pretty fantastic and the set design/costumes weren't bad for the most part either, but the writing and direction itself was painfully bad.

I think King Bumi is probably one of the worst offenders of being written completely ass backwards, which is a shame because the guy portraying him did a great job and I think he would have made a fantastic Bumi if the writing was better.

It feels like they missed the entire point of his character. They took his goofy/slightly mad front from the original show and dialled it up to 11 all the while completely ignoring all the nuance behind that front.

Bumi isn't just the mad king they portray him as in the live action, he's a mad genius. Despite his quirks, he's a fucking fantastic fighter and a brilliant ruler. Despite what you may believe from first impressions, it really does feel like he always knows what he's doing.

Even when he's being antagonistic towards the gang in the show, he's never actually putting them in significant danger. The crystals he trapped Katara and Sokka in were ultimately harmless and all the trials he gives Aang were more akin to games than anything. Even when he fights Aang in his episode he's very clearly not giving it his all, as seen when he single handily takes back his city from the fire nation during the eclipse and when he takes back Ba Sing Se with a small group during Sozins comet, when the opposing forces would have been at their most powerful. My point is that if he actually wanted to beat book 1 Aang, he could wipe the floor with him easily. But this version is fucking furious with Aang (wrongfully so this time around because he explicitly did not run away from his duties in the live action) And very much seems like he wants to cause Aang as much pain as possible, but can barely manage to land a hit on him when he's not pulling cheap tricks with the crystals.

-

I'm getting very side tracked but god damn it! This is the man Aang eventually decides to name one of his children after. Their friendship was so sweet and meaningful in the original. Bumi was such an interesting character in the original! And all of that meaning is lost here.

Ironically in an attempt to make Bumi's arc more dramatic and dark, they ended up making it significantly less interesting, along with also missing major parts of his character.

#atla #avatar #avatar the last airbender #king bumi #aang #bumi

[fuckyeahisawthat]

thank you so much for that excellent chani post. i've seen some annoying takes on twitter about how not making her totally devoted and subservient to paul makes her 'unlikeable' and i'm like. buddy. i think that speaks more to how you see women. than anything about her. this chani is very dynamic and interesting to me.

i'll be honest and say i've not read the books. this is me speaking from what i've seen of summaries, but i think giving her a real cause to fight for yet also genuinely loving paul gives her an interesting struggle, and also plays into how the portrayal of the fremen (seems to me to be) more diverse and nuanced. as in, the fremen themselves seem to have more of a push-and-pull to them. the clarification of how different fremen believe differently (the south being more fundamentalist) is a very important thing to include in a movie where you can run into the danger of saying that all adherents to a foreign, islam-adjacent (in coding) religion are all fundamentalists. that can (in less nuanced hands) be a pretty irresponsible thing. so showing that there's also more secular/pragmatic/less dogmatic sectors of the culture seems a pretty good counterweight.

so yeah. this is how i processed it as a movie-goer. and having chani represent that aspect (believing in people over prophecy, action over religion) and having stilgar as the humanized face of the southern peoples (showing that yknow, regardless of being fundamenist beliefs, theyre still PEOPLE with the capacity for love, friendship, honor) makes total logical sense. you're not just "telling" us that there's different aspects to fremen culture, you're SHOWING us by showing different characters who represent those aspects, without demonizing either or turning either into a one-note stereotype.

Thank you! I'm not someone who was a long-term fan of the books before the movie came out (I tried reading Dune as a teenager when I was reading a lot of classic sci-fi but found it too boring) but I did read Dune and Dune Messiah after the first movie came out, both because I wanted to know what happened next and because I wanted to have an opinion on how the movies worked as adaptations.

(book and movie spoilers below and also I basically ended up writing a whole essay in response to this)

My single biggest frustration with the book is that after they arrive at Sietch Tabr and Jessica drinks the Water of Life and becomes Reverend Mother...the book up and skips two years of the story and when we next see Paul he's already got Fremen followers who are ready to die for him and he's in an established relationship with Chani. Oh I was SO MAD when I got to this part. I was like FRANK. FRANK!!!! Did you seriously just skip two years of the most interesting part of your own story???

The thing is, even though I know that Frank Herbert's intention was to write a critique of the idea that oppressed people need an enlightened external (white) savior to liberate them...if you don't provide an alternate explanation for what's happening then you end up falling into some Orientalist tropes anyway. And because, in the book, we don't see the process of how your average background fedaykin comes to trust Paul as a military and political leader, there is nothing in the text to counter the idea that the Fremen are a bunch of unquestioning religious fanatics easily swayed to do violence by belief in a prophecy.

My second biggest frustration with the book is that we're given no reason at all why Chani would fall in love with Paul. While she has some memorable scenes, she doesn't have a lot to do as a character in the book, and she's missing from a whole chunk of the end...because she's in the south...because she and Paul have a baby, Leto II, who's then killed off-page when the sardaukar attack the south. (I'm honestly really glad they cut this from the film, because it never seemed to be given the narrative weight it deserved in the book.)

So you can imagine how happy I was when the Villeneuve movies figured out how to address both these frustrations by tying them together. The fedaykin don't just blindly accept Paul because of some prophecy. They come to trust him because he proves himself as a fighter, and because he starts out from a place of genuine solidarity and humility--which it is possible for him to do because he has no structural power over them at that point. And Chani falls in love with him for the same reason, in that heady environment of fighting side by side for a political cause, and maybe for the first time in a while starting to believe that you can win.

I think the Villeneuve movies improve a lot on what's in the book in terms of how the Fremen are portrayed...when we're with the fedaykin and/or Chani and Stilgar. There we see political debates and discussion and the fact that not all the Fremen think the same way. And we also see little humanizing moments of folks just hanging out, celebrating after a victory in battle and just shooting the shit and being friends.

I do wish the movie had extended this to more parts of Fremen society. If there's one thing I could have added, it would be seeing more of daily life in Sietch Tabr. It makes sense that when we're seeing things from Jessica's POV, she is more distant from and suspicious of the Fremen, seeing them as a force to be manipulated, but I wish we had even one or two scenes of people just being people in the sietch. It felt kind of weirdly empty and not particularly lived-in as a place, and I think they could've easily countered this, with scenes from Chani, Stilgar or Paul's POV, and that would have made it hit even harder when the sietch is attacked.

If there were two things I could have added, I wanted more exploration of the people of the south. Why are they more fundamentalist than the Fremen who live in the north? (We get one line about how "nothing can survive [in the south] without faith" but I wanted more than that.) While I think the movie did a fantastic job of humanizing and differentiating the Fremen we see around Paul, when we get to the south it does backslide a little into "undifferentiated mass of fanatics." Surely the people of the south also have some diversity of political views.

I think there are some interesting threads they could have pulled on in terms of how proximity to direct colonial violence shapes people's ideology. Sietch Tabr is one of the closest Fremen communities to Arrakeen, the seat of colonial control. They have probably had to mount some kind of armed resistance for generations just to keep from being wiped out. I can see that producing skepticism of the prophecy ("well I can't sit around waiting for a messiah but I do have this rocket launcher") as well as resentment at the idea of someone swooping in and taking credit for a struggle that you've put your life on the line for, and probably a lot of people you know have died for. There seem to be some generational differences, too, where young people of Chani's generation put less stock in the prophecy, while the true believers are mostly older. I can see faith in the prophecy coming out of despair--when you've been fighting for decades with no change, maybe you draw the conclusion that only an outside power coming to your aid will make a difference. While the people of the south are still under colonial rule, maybe being generally outside the reach of direct Harkonnen violence (the Harkonnens don't even know they're there) makes the concepts of both oppression and liberation feel more abstract and more receptive to being filled in with Bene Gesserit mysticism. It seems absurd to want more from a movie that's nearly three hours long already...but I wanted more of this.

Still, I do think they managed to improve on a lot of things that frustrated me or are simply dated about the book, while keeping the political thriller/war drama/epic tragedy elements that I think are the heart of the story, and in some cases drawing them out more clearly and effectively than the book did. The best kind of book-to-film adaptation imo is one that has a strong point of view in terms of what the story is About, on a large-scale thematic level, and is not afraid to change individual elements of canon in service of telling that story the most effective way possible in a cinematic medium. While there are always things I want more of, I feel like Denis Villeneuve really, really understood the assignment in terms of the overarching themes of the the story and he delivered so fucking well.

#dune #dune spoilers #dune part two #dune part 2 #dune 2021 #dune books #chani kynes #asks answered

[crownmemes]

Questioning Sentences, Vol. 19

(Questioning sentences from various sources to ask all kinds of muses. Adjust phrasing where needed)

"Does everybody around here have trust issues?"

"What the devil have you been up to?"

"Why are you dressed like that?"

"You're really not good with nuance, are you?"

"Why don't you trust me anymore?"

"What do you want out of life?"

"Do you really think this is going to end well for anyone?"

"Am I a horrible person?"

"Are you going to tell me what's wrong with me or not?"

"What is the reason you came home?"

"Is that what we are? Friends?"

"How close am I to getting punched in the face right now?"

"Tell me something - were you ever young?"

"Is that how little you think of me?"

"You seriously have no idea when to shut up, do you?"

"When did I give you the impression that I care?"

"You don't suppose you ought to be thinking about a proper job?"

"By the way, why does everybody think you and I had sex?"

"What exactly is your problem with me?"

"You'd do anything for me, wouldn't you?"

"You can't do anything right, can you?"

"Are you talking about spying?"

"You're trying to objectively measure how much I value our friendship?"

"You want to kiss me, don't you?"

"You said I could be whole, but how can that happen now?"

"Do you have any idea how good it is to see you?"

"Are you hallucinating?"

"Are you trying to get me drunk?"

"Can't we just agree that you're incredibly annoying?"

"What did you say your name was again?"

"What the hell has my country done for me?"

"Did you ever consider being happy for me?"

"Oh God, you don't dance as well, do you?"

"Are you going to report me?"

"Maybe it was a political killing or something?"

"I'm not going to like you, am I?"

"Whatever gave you the impression that I was remotely interested in your private life?"

"Why don't you have glass of champagne?"

"Is that rhetorical?"

"What does a guy have to do to make you hate him?"

"Is it your plan to stay a while?"

"What value is money, or even life, without love?"

"Why do you value your failures more than your successes?"

"I know you don't like questions, but why are you doing this?"

"Can I ask you a question? Are you insane or just stupid?"

"Why the hell were you naked in the kitchen?"

"You killed them all, didn't you?"

"How can I help you this beautiful morning?"

"Why don't you want to work for me?"

"What are you doing here? You're not running away, are you?"

#rp meme #rp memes #roleplay meme #roleplay memes #rp prompts #roleplay prompts #sentence starters #assorted; #questioning;

[furst1ded]

Thoughts on Shipping Alastor from an AroAce person

(this entire thing is copy and pasted excerpts from a Discord rant so if the grammar is funky, that's why, I just felt like giving my 2 cents on the topic)

Aroace people can still participate in romantic and sexual interactions. All being aro/ace/aroace means is you don't feel romantic/sexual attraction upon seeing other people. You can feel it later on or in waves or could never feel that attraction but still can participate and love others in a fulfilling way. Some aroace people are fine performing intimacy onto others but dislike reciprocation, others are the opposite where they're fine receiving but not giving. It's a spectrum.

The nuances of asexuality and aromanticism aside, you can be in a relationship without being in a relationship. Platonic relationships beyond friendship are a thing (QPRs for example). But like, I get it. Not everyone who ships Alastor keeps it confined to a QPR. And his character seems pretty sex-repulsed and romance-averse. But here's the other thing. He's fictional. As long as his character remains aroace in canon, fans taking the silly radio man and making him kiss the devil isn't taking away from aroace representation.

This next bit is coming from me as an AroAce person myself. I ship Alastor. I write/read him kissing people and fucking and acting romantic. And guess what? It's related to expressing my sexuality. Alastor is one of my favorite characters in anything ever and I love that there's a character that represents a facet of myself in a popular media. I relate to him so goddamn much and that's why I ship him. He's a fictional character I like that I project onto, so I use him as a way to navigate and explore romantic/sexual relationships that I'm never going to participate in myself. He's not real so I just puppet him around to live through vicariously in the scenarios I don't want to be a part of myself but find super interesting. It's not anything new, I do the same with my own characters in the stories I write them in, it's part of storytelling, I just use him for a specific type of story for a specfic part of myself.

It's not like we're hurting anybody by shipping him. We're not drastically effecting canon and making him an alloromantic. I've seen plenty of fics that ship him that either make it a QPR or they thoroughly explore the nuances of his asexuality and what subtype of sexuality he is and how he navigates it and I love those fics because they speak to me on a spiritual level. Grayromantic Alastor, demisexual alastor, sex-repulsed but romance-favorable Alastor, sex-repulsed and romance-averse Alastor in a one-sided ship fic, etc they're all so important to me because it helps me live out my own sexuality and romantic orientation and explore myself.

I get it. Not everyone is respectful. Not everyone feels the way I do and use characters in this way. It can suck seeing people just ignore his sexuality when asexuals and aromantics don't get much in terms of screen-time. But you can't control everybody and what work they put out. And trying to censor stuff like that does more harm than good. I just explained why fics involving Alastor are so important to me. They normalize QPRs and aroaces being in relationships. That's probably what pisses me off the fucking most. If we're not allowed to write about aroaces being in relationships or romantic/sexual situations, you put aroaces into a box. A box where every aroace is perceived as sexless and loveless, which just isn't true. A box where aroaces are prudes or infants who can't handle hearing the word "sex". It's just so frustrating. You can be mad at fics that expressly rewrite or stomp on his sexuality, sure. You can't stop them, but you can disapprove of them. But let the rest of us have our fun making the literal devil and TV head man have the hots for a man whose teeth are yellower than the sun, Jesus Christ.

TL;DR: asexuality is a spectrum, I'm aroace and use shipping as a way to explore and express myself and I know I'm not the only one, trying to suppress works where an Aroace character is seen participating in romance or sex can actually be harmful in that it promotes only one idea of what being aroace is, and at the end of the day the character I'm talking about doesn't even exist.

#sorry to flood the aro and ace tags with more hazbin stuff but I feel like what I said can be important to the community outside of hazbin #asexual representation #asexual #aromantic #aromantic asexual #hazbin hotel alastor #hazbin hotel #radioapple #radiosilence #radiostatic #one sided radiostatic

[misscryptidart]

No but actually make me a WWDITS (union) writer because the relationship and social aspects of humans VS vampires is so fucking interesting.

Like, I know the meme of the Baron choose drama over violence in his confrontation with Guillermo, but the side conversation between the two, "vampire to vampire", immediately reads as a different level of intimacy and familiarity that the baron had not shown to Guillermo prior. The respect between the two, the frankness the Baron gives Guillermo, they are portrayed as equals. Perhaps not friends, but equals.

The relationship between familiar and vampire is also displayed in a new context. Nadja, as soon as she found out that Guillermo was turned, immediately began to correct Guillermo's behavior and teach him what little she could ("You can't treat your master like that. That connection is sacred. If he gets killed, you get killed. You treat him with respect."). Being a familiar is not only serving your master, but building that connection with your eventual sire. Its the time where the master is supposed to be preparing their familiar for the complex and nuanced life of vampirism, easing the transition for not only the new fledging but also the risk the sire is taking. To have another vampire, one who has not groomed and taken care of the familiar, turn them is a clear violation of the expectations of the master role. Nandor, by the social contracts of vampirism, was the one to "train" and "prepare" Guillermo for his introduction to the un-living. Derik took that connection and ruined it. No wonder he was so fucking pissed.

I think it lends itself well to the reality that vampires and humans are not equals. Humans live short lives and have a limited world experience, but they are dangerous and clever. Vampires have the gift of endless possibilities and power unlike any others, but they are reliant on the humans for food and must navigate a world that actively works against their nature. Of course they see humanity as "the others", ones who can't ever possibly understand what it means to be a vampire. Of course they are going to be incredibly cautious when allowing one into their world. The running gag of familiars never actually being turned makes a lot more sense when you put in the perspective that vampires are incredibly protective of themselves and those of their inner circle. It also explains why they are so willing to disregard or kill their familiars. They can't understand what it means to be a vampire. They will die anyways. Who cares?

The Staten Island Vampires stand out so distinctly because they choose to integrate themselves into human society earnestly, eager to explore and learn about their neighbors. Not in a malicious manner, such as a wolf in sheep's clothing, but as a genuine "Hey, I'm here. I want to experience this. I want to be apart of this."

Very rarely in vampire media, in my opinion, does it show the vampires attempting to live their lives interwoven with humanity like WWDITS does. Even Twilight, the most modern adaptation of a vampiric story, has the Cullen's act alien and disinterested in the world around them. But the Staten Island Vampires are involved! Laszlo hangs out with Sean with no intentions of feeding from him, Nandor goes to the gym and movies and actively seeks new friendships, Nadja connects with her roots and visits Little Antipaxos! They are people living in a world of other people, and the world feels so full because of that.

I love monsters and mythology and folklore and terrible little creatures so goddamn much

#wwdits #what we do in the shadows #nandor the relentless #guillermo de la cruz #nadja of antipaxos #laszlo cravensworth #vampires #rant #text post

[dollypopup]

sorry, still on this soapbox but

we have really, REALLY done Colin a disservice in this fandom. we spent so long viewing him primarily as a Love Interest and not as a Character. But when we see and analyze him as a character, so many of his actions make sense, and it becomes almost ridiculous, the dynamics we've imposed on this couple (yes, I'm talking about the 'Colin fucked up and needs to prove himself to Penelope' narrative) when there's so much more nuance and beauty to their pairing than we give them credit for

we as the audience focus so much on Penelope's perspective in their relationship, of course, because we have so much of her perspective in the show, and so our frustrations with Colin stem from that, but we get more insight into him than Penelope does. The 'I would never court her' scene that we've been livid over for years is considerably softened when we actually look at Colin as a character, and the circumstances around his actions.

Colin spends season 2 SAD. He is straight up not okay. We leave Colin in Season 1 freshly heartbroken and running away to Greece to heal. In Season 2, we meet him again, considerably more somber. Colin doesn't participate in the dances. He even says 'I'm just a spectator'. Colin talks about how he started a conversation with himself, tried to understand what he wants and how he feels. Colin offers Benedict shroom tea, and for a moment, JUST A MOMENT, we see the facade slip. His mask cracks. 'Are you quite alright, brother?' and then it's gone. Then he's cheerful again. Calm Colin. Nice Colin.

Colin who is okay.

But Colin is *not* okay. Colin completely isolates himself from women. Colin doesn't flirt, doesn't entertain female attention. Colin is heartbroken, trying to be better. But he views Penelope as a friend, a sacred relationship, a worthwhile relationship, and he can't bear to lose her. To him, Penelope is arguably his closest friendship. His best friend. And in an entire town full of people who don't listen to him, he thinks Penelope does. Unlike the typical dynamic of the ton, in which men are ONLY speaking to women by viewing them as potential sexual partners, Colin views Penelope as a whole person. She doesn't just exist as a romantic option to him, but as a vital connection in his life. That's why the 'I am a woman' 'You are. . .Pen' is so important to view as an act of love- Penelope is NOT just a woman as the ton sees her, good for marriage prospects and little else, Penelope is a complete person. Yes, she's a woman, but more importantly, she's PEN. She's a full human being. And he values her as such. We cannot say the same for the grand majority of men in his society. Tell me any other male-female friendships like that in the ton where that level of respect is given?

But for Penelope, it's hurtful, because she WANTS to be seen as a romantic option in his eyes. That's a fair feeling, though we as an audience should recognize that it can be both upsetting to Pen, and also deeply beautiful as a sentiment. Because of Penelope's hopes of Colin as a romantic prospect, she does not see that he is hurting. Because of our connection as a fandom to Penelope, we do not see it, either. But he *is* hurting. In all of Season 2 he's hurting. That's why he throws himself into the Jack mess. He wants, NEEDS a distraction. He wants to find a place in his world, his society. Honestly? He needs a win. He has spent the last year losing and losing and losing. Who can blame him for being sick of it? His engagement blows up, he finds out his family pays no attention to him, that no one cares about his agency, and he's publicly humiliated. If he invests, if he makes money, he might make more male connections. Might run in more important circles. Like his brothers do. Might prove himself. But Colin isn't friends with the men of the ton. We don't see ANY evidence that he has strong friendships with any of them. Because he isn't like them.

He is 22 years old. Treated like a child in his own family. When he talks about his travels, no one listens. Everyone dismisses him. 'Remarkable, yes, in the sense that I have many remarks about it'. Colin is invisible. He is trying to slot himself in his community, but he does not fit neatly into it. He connects with Will, a man outside his community, and Penelope, a woman also outside his community, because *Colin* exists outside his community. He's the foolish boy who fell headfirst for a woman who lied to him. He's the 'green' baby walking in his older brother's footsteps and unable to fill them. He doesn't behave the way other men of the ton do. He doesn't talk like other men of the ton do. Hell, he *apologizes* to women. We have men NOW in the MODERN ERA who don't even apologize to women.

His own *mother* doesn't even notice he was dating someone for several months in season 1. Colin is a pretty, empty ghost wandering around Mayfair, and so of course he's thrown into a locker room conversation with a bunch of guys who have never once seen a woman as a person, and doesn't relate to them. Colin's not joking and having fun with these men. We very purposefully do not see his reaction after he delivers the 'I would never court her' line.

Colin is uncomfortable around them, but he needs their help to make it up to Will, someone who was kind to him and who he looks up to. He has the mask on so firmly in that scene, it's physically obvious to see. If you compare his reactions around Penelope to his reactions around Fife, it's stark. With Penelope he's open, his eyes are soft, his expression is curious and kind, his shoulders are relaxed. Around Fife he's closed off, eyes hard, muscles tense. Who can blame him? He's acting. He's acting just like he's acting around Jack.

When we look at Colin as a whole character, we get insight into his actions and they make SENSE. The things he say that hurt Penelope are things that are actually defending her- Colin saying he wouldn't court her to those men in particular, is an act of caring. He is defending her in that scene. When a debutante is only good for being 'wed, bed, and bred' in their eyes, Colin saying no, that Penelope is worth more than that, that his connection to her isn't forged on wanting to fuck her, or exploit her, or treat her as a sexual object, is radical. Because anything else, ANYTHING else that he says that isn't an outright denial, puts Penelope in danger. He can't let them believe that the woman he cherishes so deeply he cannot even ENTERTAIN the idea of not talking to her is out here being ruined by his hands.

And when we see it that way, we see that, in reality, of all the men in the series, Colin is the one who has been kindest to his love interest. Colin is the one who has defended her, the one who has stuck his neck out for her, the one who has cared for her with absolutely no expectations of sex or romance in return.

Colin's relationship to Penelope is beautiful, and sure, she can be upset that it isn't in the exact shape she wants it to be, but I think if she takes a step back and looks at it more objectively, if WE take a step back and look at it more objectively, Colin has only ever gone into it with a big, earnest heart. Not PERFECTLY, of course, he isn't perfect, but with the best intentions, and with as much honesty as he can.

And I don't know why we don't celebrate him more for it

#colin bridgerton #polin #penelope featherington #lord fife #bridgerton #once again i am first and foremost a colin apologist #but also like. . .he really does deserve better #he's in this city with all these ain't shit men around him #you think fife has EVER apologized to a woman???? #cho??? #most of these men are viewing women on the marriage market as meat #at the very least colin sees penelope as a human being #he listens to her he appreciates her he tells her openly that he cares about her #there is not one man who has treated a woman with this much tenderness without already being romantically interested in her #and that should be CELEBRATED not demonized

[khaleesiofalicante]

RWRB Movie Review

Since some of y'all asked for my thoughts, here you go:

What I Liked about This Movie:

The casting - They absolutely fucking nailed it. From the main cast to even smaller characters like Ellen and Zahra and Amy and everyone else. Even the King. They all understood the assignment.

The POC nuances - There is a big difference between being queer and being poc and queer. I think the movie captured it better than the book did. Obviously, a lot of that had to do with Matthew. The little conversations about being a person of colour in the US and Alex and Henry constantly bantering (and educating each other) about their cultures and differences between them added so much value to their dynamic.

Subtle Creativity - I really liked how they translated the texts from the books into the movie. The symbolism of the water during the Lake House scene and all the queer historical references spread out throughout the movie. Important. Well done.

The music - I always pay close attention to the soundtrack in a movie and I think they killed it. Starting off with Joan Jett's Bad Reputation was such a good idea. I know everyone is soft about 'Can't Help Falling in Love' playing during the V&A scene, but personally I loved that they included 'If I Loved You' - it's such a classic and it's such a Henry song.

Alex and Henry - I'm going o be brutally honest here. If they had cast anyone other than Taylor and Nick, this movie would've flopped hard. Nick and Taylor carried this movie on their backs and they did SUCH a great job with it. I need to write a whole other post about how much I liked their acting and what I enjoyed the most.

What Could've Been Done Better

The storytelling - I didn't mind the changes we already knew (as much as I thought I would) - such as cutting out June and Alex's parents not being divorced. But I did find the overall pace and storytelling to be a little bit off. Some scenes felt disconnected and others felt rushed. Like, Henry saying 'I need to show you something' and taking Alec to the V&A felt very random to me considering the pace of that scene. I'm very curious about how all of this looked like to someone who hasn't read the books.

The gaps - I'm personally glad June wasn't in this movie because I feel like it would've made no sense. Honestly, a lot of her storyline is connected to Alec's struggle with understanding his sexuality and trauma from the divorce and both those plotlines were not part of the movie, so yeah. No June made a lot of sense. But some other edits didn't make sense to me. For instance, I really wish they had placed more emphasis on the emails and showed the intimate nature of those (they did a good job with the texts, but not with the emails). I honestly didn't understand why Richards was there. Phillip felt like another dead end. Nora was barely there too.

Alex's Bisexuality - There is this line in the books where Alex (in his list to Henry) says 'all the things I now understand about myself because of you'. I always felt that was important. I'm not saying that line should've been in the movie, but it should be a theme. Because in his speech when Alex was talking about the queer rights movements and queer history, I was like 'where is this all coming from??'. It would've been nice to see Alec's interest in these things (whether because of Henry or not) displayed more in the movie.

The lack of friendships - This honestly was my main disappointment. Because the lack of emphasis on Pez was a little shocking. Considering the movie had Henry pov, I really thought we'd see more of him. The same went for Nora (and the lack of June) who were barely there. I loved that the movie focused more on Alex and Henry, but I will always stress the importance of friendships for queer people - because we often feel safer with our friends than with anyone else. So, I wish they had done a better job. I personally feel much better choices could've been made about the secondary characters, such as removing Pez entirely and fleshing out Bea and Henry's relationship instead of giving Pez half a minute of screen time.

The women - this is a bit of a personal qualm and I'm still navigating this writing issue myself, but often in stories with mlm relationships, women are seen as these tiny side characters who are simply there to drive the plot. Sometimes women are barely there at all (I've noticed this in some BL dramas). This is not a rwrb issue, but a broader issue. But the thing is, in the books, Casey did a fantastic job in weaving in women and how just having them around makes a lot of difference (Alex and June are the primary examples of this). It's very interesting to see how depending on the identity of the creator, which themes get prioritized and which themes don't. For instance, we noticed Alex's race (or him being biracial) was more prominent in the movie than in the books, but Alec's relationship with the women in his life was more prominent in the books than in the movie. It's just interesting, I think. Very interesting.

RWRB in (my) essence: I read some say that the above issues could've been simply fixed if the movie was a mini-series. I personally don't think it should've been a mini-series though. Rwrb was always meant to be a movie.

But I do think, a larger conversation needs to be had about queer book-to-screen adaptations - where the budgets are smaller and restrictions are higher and there is bullshit like giving an R rating for a movie with barely any nudity and sex.

It wasn't perfect. It's a rom-com. A rom-com, in its essence, is flawed and talks about finding love in 90 minutes. It's supposed to feel rushed - like a whirlwind. I think rwrb movie did what it was supposed to do. It gave us a good rom-com.

BUT. I think we need more than that. We need cheesy romcoms like this. We need poignant queer movies with bigger budgets that will win Oscars. We need mini-series that have more time to explore broader themes. And we need TV shows that run for 14 seasons and have no plot but we want still want to watch anyway because it's gay people doing gay stuff.

Queer people need all of these options. We deserve the same diversity in content as straight people have. We, as Alex said, have the right to choose.

So, here is to more queer content, each wonderful and each flawed in its own way.

RWRB movie was not what I expected. But I loved it anyway. I watched it twice already and I will watch it again. Because, to put it simply, it made me so happy to have a queer rom-com that I can watch.

But we should and can and must have more of this.

So, I really hope every month will be gay as August 2023 is/was :)

#okay now i am gonna go watch good omens s2 because i heard it was traumatizing #hehe then i can watch rwrb again #red white and royal blue #rwrb movie #rwrb #rwrb spoilers #red white and royal blue spoilers #firstprince

[shiraishi-kanade]

Interactions that I want to see in proseka: An Shiraishi edition

Buckle up, folks. This is gonna be a long one.

New interactions

An & Kanade: this is actually more of a biased one (in a "I want to see two of my favourite characters interact" way), but I really hope to see more of them. An and Kanade are aware of each other's existence through Mizuki and the Twilight Festival event, but it's very surface level and I really want their potential to be explored more.

Despite appearing very different on the surface level and leading very different lifestyles, An and Kanade have been foils to each other basically since launch. They both grew up surrounded by music; they both have, and have shown since a very young age, a prominent talent in it (singing and composing respectively); they're both extremely passionate about what they do and are very hardworking, to the point of sacrificing their own well-being to it (a trait that, interestingly, more like early Kanade, but more recent An), and they also have a shared topic of grief.

Both An and Kanade suffered a loss of a loved one that impacted them deeply, and both of them choose to, at least to some extent, repress their own feelings regarding that. While I don't think their interaction/event should necessarily touch on that topic, I think it would be good for the both of them to have a friend who can relate to something that horrifying and personal.

(Additionally, while we didn't know what killed Kanade's mom, we know it was some kind of illness, and chances are it'll be same/similar to what killed Nagi. If Kanade shared how it was for her to witness her mom slowly fading away... I think that would make for an interesting conversation.)

Honestly, I'd take just about anything with those two, from grief and angst to composing and potentially even light-hearted event like Spojoy Park. I just really want them to meet properly.

An & Emu: Genki girls!! They are very dear to me personally despite not having met properly yet. They're also the reason I'm upset An has moved on from disciplinary committee: missed opportunity for her to catch Emu sneaking in! They would be fun to be around each other, I think, once An would get used to Emu's manner of speech (which she also somewhat shares, as shown in Nuanced Language sidestory. An being able to understand Emu-language from the get go would be a hilarious twist)

On the more serious note! Emu and An have a lot of shared themes, especially those of loneliness and abandonment issues, and also the way they chose to deal with those feelings. A lot of people say they're suppressing their emotions; I'm rather inclined to say they're avoiding them. If faced with each other who are, in a way, a reflection of their flaws, they might not be able to avoid it anymore - I think that would potentially be a very insightful interaction for them.

Moreover, they (along with a couple other characters, like Touya and Kanade, although for them it's much more minor) share the topic of legacy. Both of them lost a close one that has left behind a dream and both of them, voluntarily, stepped up to keep it alive. I think in that regard An and Emu would be able to understand each other in a very unique way. They have way more to their possible friendship than it seems on a surface level.

An & Mafuyu: one of An's most defining character traits is being a good friend and accepting of everyone - more than that, she earnestly believes she could accept all people if she tried hard enough. I think, for Mafuyu, having a friend, or even an acquaintance like that, someone who is put off by her behaviour and overall mannerisms but actively tries to understand her and be friends with her despite that, as well as someone who is so passionate about a dream she has she build her whole life around it, would be very useful.

(this is also the reason I hold a grudge with 2024 White Day event. It's beautiful and fun and all but An's not had a limited card for over a year and haven't had neither Valentine's nor White day, I thought FOR SURE this one. We could have had it all :( )

An & Saki: similar to An and Emu, both of them have a lot of both serious and comedic potential. They're lively, they're athletic, they're passionate about music - there is no feasible reason for them to not hit it off right away when they meet. I don't quite imagine the rest of their groups being able to keep up with their energy.

Still, underneath that energy, there is an underlying topic of loneliness that they both went through, and although An's is incomparable to Saki's, I think there would be this kind of understanding between them, too. While being extroverted and having a lot of friends, An has spend years searching for "her" person without success up until main story. I don't think she had any actual, deep bonds with peers going on in her life aside Haruka. Having a close-knit, big friend group might just be what both An and Saki have missed out on in middle school. That's an interesting observation, isn't it?

More of That, please (Already know each other but I want to see them More)

An & Haruka: in terms of Haruka and An, I really want to see more backstory for them. I know we've already seen it briefly, but there is so much more to it. How close were they? Did Haruka know Nagi in person or from description? What is Haruka's relationship with Vivid Street? Did she go to WEG to sort her thoughts out because An was there, or because it has a connection to her, too (The Non-Idol Me sidestory)? Did they grow more distant throughout Junior High? There is much to unpack here still!

And also, I just like their friendship overall and think we're really lacking their area interactions and accidental meetings, stuff like that. There should definitely be more.

An & Rui: the sillies. Now that An isn't a hall monitor I expect her to take absolute delight in Rui's antics.

They've performed together a total of three times (if we count the New Year show, even though it was more of a Tsukasa stage) and all of them went spectacularly. An is just the right amount of impulsive and reckless to be someone who's able to meet Rui's ideas halfway and match his energy, even though she's normally skeptical about it when she isn't a part of the performance. Hell, An even jokingly mentions becoming an actress!

I think they definitely should interact more and I want it to be utterly ridiculous. It's a shame it didn't happen a little earlier in Rui's story, but, for example, An (together with some other characters) doing acting gigs for Rui could be extremely fun.

An & Tsukasa: both the comedic and the serious angst potential is there; An's and Tsukasa's recent arcs do align quite nicely even though they're not exactly the same. They could probably have a nice conversation about it.

I think it's also fun to see An not realising that she comes off just as loud and pushy to other people as Tsukasa seems to her. But they definitely do have the same energy! I really liked Let's Study Hard and the New Year's Show for that; they're extremely passionate and Tsukasa admires An's passion and skill - I wish they elaborated on this more!

Also, An should definitely have something going on with Tsukasa with her passing the role of the hall monitor to him, especially with Rui around. No way they won't even mention it.

An & Shiho: they had an awesome time together during the In The Corner of Resonant Town and I'm BEGGING for them to get closer as friends. From fashion sense to music to their personal issues, they have a lot in common. I think they've had their share of deep talks and I'm not exactly looking for that anymore; something more relaxed like a jam session or just hanging out is another thing, thought.

An & Ichika: I'm biased in a way that I love them and I also think it would be very funny for Ichika to have a second vocal teacher. Ichika & Nene are very dear to my heart, but as things stand, An should canonically be more skilled in vocals (while Nene is definitely a superior actor) and her skillset probably fits Ichika's genre better. And An was teaching Kohane at the start, so we know she knows how to! There is no particular motive behind it other than I want to see them together more and I think that would be a perfect way for them to get closer.

Additionally, Shiho mentioned how An must be experienced in MCing and how there must be a lot they can learn from her. That. I want that to happen so badly.

An & Nene: no thought head empty just please more of them. Especially singing. I want them to sing together again, I loved hearing Nene's little monologue and I like the way Nene was able to give An tips on acting and singing while acting; they're extremely sweet, they're polar opposites while also being similar in a bizarre way, and I really want the writers to go all in with the classmates thing.

#project sekai #prsk #puroseka #pjsekai #do I tag it with every individual character? maybe #an shiraishi #kanade yoisaki #mafuyu asahina #emu otori #tsukasa tenma #rui kamishiro #ichika hoshino #nene kusanagi #saki tenma #shiho hinomori #haruka kiritani #sorry if this is annoying anyone in tags #also I wrote this at 5am so I'm not responsible for typos #jaysthoughts.txt

[dragongirltongue]

New Pinned post <3

Hi there, the name is Zelda, or one of like, 20 other names that may or may not be listed somewhere around here. If you know a name I go by that isn't findable here don't use it. <3

I'm bigender which is made up of girl and fem6oy, as such I use she/her and sometimes he/him pronouns when I'm feeling fem6oy enough <3

I'm in my 30s, not getting more specific than that until I decide it's not true enough to change it, don't try to find my exact age as I don't like sharing that information publicly, I don't even update it on my birthday <3

I'm a polyamorous bisexual voraphile freak and if you're over 18 you're welcome to talk to me about how much of a freak I am. I love to flirt and encourage it. Also happy to share my Other Blog with anyone interested, again as long as you're of age. <3

I'm a film graduate and currently working on doing something with that experience as well as working on a superhero comic and a 2D zelda style game. Feel free to bug me about any of those I love to discuss writing and media and want to encourage media literacy. <3

I'm also an ex-jehovahs witness and as a result I'm hugely into the holiday season in a very against my old god kinda way. Also big into sinning <3

Also I'm like, a dragon in probably an otherkin/thetadelta kinda way, like, it's core to who I am and how I understand myself so yeah. Despite this my fursona is a fox, the dragon in my icon is literally me <3

I also draw sometimes and when I do it'll be posted to @dragongirldrawings but always reblogged here too.

Also I'm a member of a plural system, feel free to check out the rest of the system over here @haven-sys <3

Further on the identity weirdness I'm an imaginary friend for the person who used to inhabit this body, they've been gone for like, over 20 years so it's not really relevant but I have started embracing my nature as a fictional creation, it's comforting.

So yeah that's me, hiii I love you all <3

this post is specifically a6out tum6lr user Zelda dragongirltongue

DNI list under the read more.

lmao imagine if I actually made one of those finally, that's how you'd know I've been replaced with an evil clone or something.

That being said if you're looking at my blog to send me an ask or dm about what someone gets off to please understand unless they're actively hurting someone I rly don't care. I have a lot of ignored and blocked anons about this.

This goes double if the person you're trying to alert me to is trans femme, we don't play that game here, especially given that I know I've been targetted for things as simple as engaging in vore the wrong way for some people or whatever.

Like, I just want to make it clear I rly don't give a fuck what another adult does in the bedroom, I rly don't care if the bedroom happens to include their blog and I rly don't care if they like to flirt about it with other adults on this website.

Also if your pinned post is a callout for anyone about anything it's likely to set off my paranoia around you, which is to say I will not be able to trust you if this is the case even if it's for someone who's actually a danger to a community, like, actively.

Like, this ain't a moral stance or anything, it's a mental health thing. I see that you want to make your first point of contact into a crosshair on someone else I'm gonna be scared you're gonna aim at me next even if it's completely reasonable that you'd never find anything objectionable with me. It scares me and I'm gonna spend every interaction walking on egg shells around you cos what if you're digging for dirt, like, I got no way of knowing.

Anyway as the opening joke implies I don't see any worth in having a list of things to not interact with me over cos the lived experience on this planet is so full of nuance and I've formed deem friendships with people who'd probably have avoided me if I had a DNI and they cared about it.

I think DNIs are dumb but this feels like a space to talk about some general limits on what I'm gonna put up with on this website. I'm just here for a good time with other freaks, anything else is optional. If you want to drag me into your discourse at this point then I guess this is whre I ask you to Do Not Interact. To anyone else, I love yall <3

If you've been directed here after sending an ask my way please apologize for wasting my time [here]

tl;dr DNIs are dumb but don't drag me into your personal grievances with others.

this post is still specifically a6out tum6lr user Zelda dragongirltongue

#6aaah #last updated dec 16

[ladyluscinia]

Hi there! I just read your meta about how Izzy knows the real Edward and not just Blackbeard, and that got me thinking… why does Ed tell Stede he doesn’t have any friends? I’d initially chalked this up to Izzy only wanting to be friends with Blackbeard, but if Izzy knows and is loyal to the real Ed, why doesn’t Ed consider him a friend?

Hi! You just stumbled on one of my favorite things to talk about that now I get to add S2 context to, so thank you!

Ok... Edward & his total denial of friendship. There's the big reason - which is completely divorced from the reality of any of his relationships - and then there's the smaller, related reason that I'm not even sure Edward is fully aware of.

Reason #1 (the big one) why Edward says he doesn't have any friends is because he's having a depressive breakdown in a bathtub when he says it.

It all comes back to the fact Edward hates himself, which was fairly clear in S1 and now made explicit in S2. Specifically in 2x03. Which, in a season full of excellently timed flashbacks and echoed scenes from S1, still contains the single example that made me leap from my seat in pure vindication.

When Edward tackles his conjured Hornigold to kill him, before he realizes he's in the gravy basket, we great a great line...

"It all boils down to this. You're afraid you're unlovable."

...followed by a set a flashbacks that feel chosen specifically for me 😌

Edward killing his dad, with the voiceover "I'm not a good person Stede..." cut to Izzy's destroyed laugh right before Edward left the room in 2x02, and then cut back to the bathtub from 1x06 to finish "...That's why I don't have any friends." Stede affirms he is Edward's friend and then it ends on the crew's mutiny from 2x02 and the absolute darkest point of Edward's depressive spirals so far.

That is literally an explicit connection I couldn't have dreamed of in the S1 hiatus.

Because, like... Edward's whole thing is that he's been on the edge of drowning under this lifelong struggle against depression since we met him. He does fundamentally believe in his darkest moments that he is monstrous and poisonous and no one could ever love him, but it's not a logical belief. He's not making an assessment of his relationships as he sees them, he's voicing his self-loathing and depression.

And the parallel between "I don't have any friends" and "I'm unlovable" is soooo crunchy because we know for a fact the second statement is just depression talking. Not even just Stede! Edward spends the first two episodes actively resisting evidence to the contrary in his spiral because it hurts too much - Izzy blatantly confessing his love didn't break through, it just got him shot for trying.

To go back to the bathtub in 1x06, Stede's affirmation there wasn't any more effective than Izzy's confession in S2. It gets Edward to get up out of the bathtub and pull himself back together, but the very next episode opens with Edward getting antsy and trying to leave before Stede can reject him. In 1x08 he's still half-waiting for Stede to notice there's something wrong with him.

Edward always has a little dark voice in the back of his mind saying that Calico Jack isn't his friend, and Izzy isn't his friend, and Stede isn't his friend... but it's Edward's voice. One he'll have to fight against forever, one that will sound really persuasive in his darkest moments (like when he's in a bathtub admitting its source out loud for the first time in his life), but also one that is lying.

So... that's the big reason.

Now, Reason #2 is a bit more nuanced - Edward is really repressed.

This is pretty much entirely the fault of Reason #1, but it is technically a different thing. Because Edward hates himself and has a flawed perspective of all his relationships, he instinctively holds himself back from them to some degree.

This kinda gets into the whole Izzy vs Stede thing, because Edward has a very small collection of interests and desires that he shoved into a small box as things he didn't deserve well before becoming a pirate (due to both mommy and daddy trauma), and then he never brought those things up with anyone close to him. Until he met Stede, who was basically the walking embodiment of several of those interests/desires and a person who Edward uniquely did not have a script or baseline for interacting with, so he ended up doing the reverse and diving into exploring all that as the core of this one singular relationship.

Which has left him very unbalanced.

Like, he's not wholly engaging in the relationship due to fear of rejection either way. There's nothing intrinsically healthier about letting Izzy know all his ugliest bits or Stede know all his most hidden emotional vulnerabilities. And the fear of rejection in both cases is based in his depression / conviction he's unlovable, not evidence that Izzy would react poorly or whatever.

But if he was capable of evaluating his relationships objectively, he might have felt a little like even Izzy who knew him so well wasn't as close of friend as he truly desired, simply because he puts away that box of things around him. Only... Izzy doesn't make him do that. That box was probably put away before Izzy even met him.

And like... Edward can feel his feelings about Izzy not knowing the super important emotional things he wants him to know, but it's still on Edward for not even trying to tell him.

(This got longer than I meant it to, lol. Anyway here's my hiatus post where I'm nice to Calico Jack on this topic too.)

#our flag means death #ofmd s2 #ofmd s2 spoilers #blackbeard ofmd #izzy hands ofmd #ofmd meta #ask #stede bonnet ofmd #ofmd 1x06 #ofmd 2x03 #parallels #hornigold ofmd #ladyluscinia

[sarah-yyy]

what: modern cdrama // completed // 38 eps, roughly 35 mins each where: wetv (also on the app) // viki why: desert supernatural adventure with ni ni and bai yu, this had "sarah is going to lose it over this show" written all over it right from the start tbh, zero percent of people are surprised i enjoyed it. the characters are all well done and ni ni and bygg were great in their roles, the worldbuilding for the society inside yumen was interesting, and the cgi is well done for the genre (i mean...this is basing it off cdrama cgi standards okay!!)

meet my girl ye liuxi:

GOD... xi-jie... 😘 where do we even start

brains: 10 brawns: 100 memory: -300

xi-jie woke up in the middle of the desert, hung on a tree, with no idea who she is, v fragmented memories of the past, and a satchel with some v vague clues. she spends about a year working odd jobs in a town nearby to survive and to work out a plan to find out about her past.

her investigations lead her to chang dong:

dong-ge!! 😍🤤

brains: 10 brawns: 10 memory: 10 (but like 95% of it is tragic)

dong-ge is a desert guide, used to be one of the best (and certainly one of the most famous) in the region until he led an expedition (which consisted of his fiancée and their friends) into the desert and all eighteen of them except him died during a freak sandstorm. major survivor guilt on this boy. ultimate goal is to find the remains of his friends so that their families can move on in peace.

anyway, xi-jie ropes dong-ge into taking her into the desert. it's heavily implied that pre-memory lost her knows where the remains of his dead fiancée is, so the deal is: help me find my memory, and i'll help you find your friends.

they travel to the Yumen Pass together with three others - fei tang (who tags along for an opportunity to steal this priceless artefact he saw on xi-jie), and xiaoliu & gao shen (xiaoliu's godfather is sponsoring the trip for ~reasons, gao shen is her bodyguard with a crush on her), but soon realise that the pass leads to a parallel world where xi-jie is originally from.

in that world, there are spiritual beasts and monsters and all that jazz. the parallel world is governed by three ruling families who fight against a rebel organisation the Scorpion Eye. the gang navigates through the parallel world trying to solve the mystery behind xi-jie's past and the Yumen Pass prophecy. that's p much the gist of it.

the cons: this show moves a little slowly at times, but once you get invested, everything is all good. i'd say the first 2-4 eps needed a bit of getting into, but it does pick up. meng ziyi is in this as well, but i was a bit :/ about her performance - her character needed a bit more nuance and would've benefitted from a better portrayal than what mzy delivered. not something that really put me off the show, tho!!

the pros: ye liuxi is such an excellent character!! she is super fight fight fight and has Minimal impulse control. if a fight can solve problems, that's the way she's going. she starts off a bit "stick close, because if y'all die in the desert i'm not going to care" but just...grows so invested in everyone's wellbeing. chang dong is a nice contrast to ye liuxi - he's level-headed and is more focused on plans and trying to get everyone in and out of the Pass alive. the chemistry between them is great, like i didn't think i would be into this for the romance but GOD DAMN look at my dongxi couple

ni ni and bai yu aside, the rest of the gang were great also - they provided a lot of laughs to cut through the seriousness of the show, and the growing friendship between them was really fun to watch.

the plot was decent!! you can sort of guess the direction it's going, but it doesn't stop it from being a super fun show to watch. i binged like the last 10 eps in one sitting. i also really did appreciate the show giving me the finale i wanted: everything wraps up nicely (*stares at mlc*), there're no loose ends for me to lose my shit over (*stares at my journey to you*).

all in all, a p strong 9/10 for me!! would enjoy if y'all are into those desert adventure cdramas. would enjoy if y'all are bygg fans.

#tv rec #parallel world #west out of yumen #west out of the yumen #yumen #cdrama

[mariasabanahabanabana]

Were f*cked

Pairing: Joel Miller x Tess Servopoulos x Ellie William x reader

Joel Miller x Dughther!reader

Sumarry: in an oversight on both sides, both you (Y/N) and Ellie get arrested, so a not-so-happy Joel has to go pick them up…

A/N: First, it wasn't until just a few months ago that I became interested in the plot of TLOU, so I'm sorry if there are inconsistencies. And secondly, my first language isn't English, so, you know it…

Since you and Ellie met you had become inseparable, maybe not at first due to Ellie's abrupt manner and sarcasm towards your father, Joel, but as the days went by.

The bond that existed between you was not only because you shared a similar pain of the goddamn apocalypse, but also because of your fear of loneliness and of course the duty that Joel had to do.

That's why since that day when Marlene introduced them all to each other, the two of them started to become an inseparable duo, but mostly chaotic for Joel's little patience and age. Although deep down, Joel was happy to finally see you finally spending time with someone close to your own age.

Anyway, time went by and what started as a nice friendship ended in something more intimate, a relationship, a couple that only made the two of you less inseparable, if that was even possible.

Although both of you used to have your nuances, the roles in your teenage romance were set, with you being the conscious and cautious part while Ellie's was somehow unconscious and impulsive, however, that didn't exempt you from getting into trouble, just like now.

Both knew the rules, both knew they had to be home by 6:00, in fact there were signs on every possible surface of the streets indicating the time limit for leaving the house. So, if they knew that, what got them arrested? Simple, Ellie wanted to spend more time with you before your night shift.

Until a few moments ago, you had a watch with you, which was confiscated by the FEDRA guards, so you couldn't know how long you had been locked up and sitting on the cold, dirty floor of the cell.

Ellie: "Damn, I'm fucking freezing to death…." Ellie said as she hugged herself and rubbed her arms with her hands in the hope that it would give her some warmth.

(Y/N): "Here, take my jacket…" you placed your father's warm, thick, heavy jacket that you now used to wear on her shoulders.

When the two were together it was impossible to shut the two of 'em up, which on more than one occasion led Joel to curse both inwardly and outwardly, so the silences that now intervened were a sign that you were really too scared to even tell, hear, or laugh at one of Ellie's many lame-but-good jokes.

Ellie: "So what's next?"

(Y/N): "we can only await… "

Ellie: "To who? or what?"

By not answering her question and averting your gaze from hers, Ellie assumed the worst.

Ellie: "(Y/N)? To whom or what?" Ellie, seeing you still not answering or looking at her knew immediately what was going on. "You called Joel, didn't you?

(Y/N): "Are you serious? I haven't lived that long to die at dad's hands."

Ellie: " Good, for a moment I thought that you…"

(Y/N): Without letting her finish, you spoke abruptly, "i Call Tess…"

Ellie: facepalm

(Y/N): Sorry

Ellie: No, don't worry … Sooner or later he'd find out, besides, he's your father and well, there wasn't much choice in who to call.

...

(Y/N): "We're fucked” whether it was the fear of Joel's reaction, what the FEDRA agents would do with you or the cold, your words came out without a specific tone, so it was hard for Ellie to tell if you were affirming or asking her, it wasn't until you spoke again that she knew you were actually asking her a question. "Right?"

Ellie: really, really, fucked.." 'Ellie, seeing the fear on your face, took your hand and gave it a light squeeze. "But together on this."

With resignation and a slight calmness from having her by your side and backing you up, you rested your head on her shoulder.

#TLOU #hbo tlou #ellie williams #ellie williams x reader #Joel Miller #joel miller x child reader #joel miller x daughter reader #joel miller x platonic!reader #the last of us hbo #the last of us incorrect quotes #the last of us fic #tlou series #tess servopoulos #Maria Sabana escribe

[bramble-scramble]

Smithy Gang Headcanons

Hi, friends! I'm extremely grateful for the positive feedback on The Forging, and definitely want to write more SMRPG stuff; I've just been working on other priorities lately. However, my brain has been busy churning stuff over, even if I haven't had the time to sit down and write a story yet.

So I wanted to jot down some of my headcanons for the Smithy gang, specifically the forging order of the main members. I thought of a sequence where Smithy created each as a response to shortcomings he saw in their predecessors. This timeline will serve as a framework from which I can write future stories.

I don't think there's anything here that goes directly against canon, but I'm not as much of an SMRPG expert as I am with some other games lol, so feel free to tell me if there's some kind of Japanese-only line that contradicts me. Also let me know your own ideas if you want!! I am new to being a proper fan in this fandom :P

First, some general notes: I don't really have a good definition for who Smithy himself is, where he came from, or what his world is like, and I don't know if I ever will, since I find some degree of ominous mystery to be more interesting. Also - while I've seen the Gang described as "robots", while that may be true in a sense, I think of them more as "constructs" - I don't think they're powered by wires or circuitry or anything like that, but rather arcane magic. They are not powered by AI, even in the sense that a more nuanced and self-aware robo-sentience might be (see examples in the Marioverse: TEC, Beep-0, JEANIE), but a more traditional type of consciousness/soul that Smithy has learned to work with, as if it were yet another material. (This isn't abnormal for the Mario world, where we already have living bullets and bombs and the like- and in an ironic twist, also makes them somewhat similar to Geno, who is a consciousness inhabiting a form that would not produce sentience or mobility on its own.)

This isn't really a fic, although it's long enough to be one, lol. I hope you enjoy!

First there was Exor; but Smithy did not create him. In fact, Exor was Smithy's beloved blade, the reason for his obsession with living weapons in the first place. But Exor is a being even more ancient than Smithy, who just happened to bond with him in his lifetime. The sword can grow to a massive size, and is never truly destroyed, but will reappear and reforge itself throughout history. The otherworldly creature that attached itself to Exor and brought it to life has been known to some as the Neosquid.

Now Smithy, in a sense, was his own first experiment - gradually replacing his organic parts with malleable metal, not only to extend his own life, but to make himself more suited for a variety of purposes. This was a process that never really had an end, as he was always experimenting, creating new heads for himself. But when he was satisfied enough with his initial efforts, Smithy sought to create life in his own image, and in the image of his beloved Exor. Among other adventures, he spent time in Subcon, the Land of Dreams, studying the enigmatic nature of consciousness - at least enough so that he could harness some of its unfathomable magic for his own ends.

Boomer was the first of Smithy's prized creations (yes, because I like the idea of the one called "Boomer" being the oldest). Originally created to provide a sort of companionship to Smithy in the form of strategic advisory and being a bodyguard- and also to provide friendship, although Smithy would never admit it. Over time, Smithy became distracted with his newer and flashier works, and grew tired of Boomer's overly serious and staid nature. Though their relationship has grown distant, Boomer's fondness, gratitude and loyalty for his creator has never faltered, and he will defend Smithy to the very last of his existence. In turn, Smithy has never put forth plans for machine-made Boomers- the younger creations speculate it's because he's too outdated a model for this to be worth it, but perhaps it's because even now, Smithy considers him irreplaceable.

Bowyer was the next-forged. Smithy sought to make a commander who represented a long-range weapon, to contrast with Boomer's katana; and also a more creative and inventive personality to offset Boomer's traditionalist and unadventurous nature. When Bowyer was born, Smithy found that he had accidentally gone way too far (in his opinion) in this new direction, leading to a creation that was so erratic he refused to even speak like those around him. Smithy found Bowyer a hard-to-control troublemaker who would rarely listen to him (or Boomer) and seemed unhappy most of the time, not fitting in with the world he had been forged into. Bowyer would also leave arrows all over the place, sticking out of random things in the weapon world - this is when Smithy had the bright idea to create arrows with consciousness, so they could return to their leader on their own. To Smithy and Boomer's surprise, Bowyer became a lot more joyful and content when he met his little Aeros, and they all became an inseparable entourage.

Smithy became creatively blocked while trying to think of his next big project, largely due to the stress of Bowyer's early behavior. Instead, he came up with a number of smaller-time minions, some of which were the Shymores, based on the Shy Guys he had observed during the time he had spent in Subcon. The Shymores were a playfully destructive group, and after seeing Bowyer's happiness with the Aeros, Smithy decided to forge a creation who was destined to be a leader from the outset; and also one with a mischievous streak, yet toned down from Bowyer. And so he made Claymorton, who later called himself Mack. He was a beloved leader to his rowdy group, but perhaps too social- he ended up neglecting his own training, preferring to play and mess around with his friends, and thus never became very strong on his own.

By now, Smithy was growing frustrated by the failures and flaws that he saw in the personalities of his creations. He decided to think extra hard about the character of his next project: this would be someone who could work completely independently - brilliant, shrewd, capable of powerful magic spells and illusions. Yet Smithy made sure to write in an unflinching loyalty to himself into the new creation's code, so to speak. And lo: at first Speardovich seemed everything Smithy could have ever wanted. Proud, powerful, but knowing his place. He needed no minions, and thus was never distracted, as he could split his own form and consciousness so that one being could do the work of many. He might appear to be older than Bowyer and Claymorton, but in fact he is technically not; he was just created from the outset to be more mature, with the moustache to prove it. And yet, over time, the cracks in this personality began to show. Speary was pompous and did not get along with the other creations when necessity called them to work together. And his respect for Smithy manifested as simpering; a begging for praise and attention which the smith found increasingly unbearable. He was always coming up with unasked-for ideas and input, such as: perhaps all the machine-made units could take the name of a spear in a different language, and "speardovich" could be their overall model name, and that he quite liked Yaridovich for himself personally, and perhaps it would be alright if- but no, Smithy would have none of it. While at first he had beamed with joy at this newest creation, he soon enough kept him at arm's length (or spear's length?) as well.

Finally, Smithy hit upon a brilliant idea - his next creation would be a group of (mostly) equals who could depend on each other without a major power imbalance, keep each other entertained, and stay out of his hair. The Axem Rangers were born, all bearing an energetic and youthful personality which they are still yet to grow out of. They were given control of the Blade, and sent to scout various worlds. They often picked up slang and brought home entertainment from the places they visited, and developed a countless number of inside jokes. The other commanders, and especially Smithy himself and Boomer, found it hard to keep up with them. However, Smithy considered their existence a big success, and remained very proud of them- although this might be due to the fact that he ended up not having to interact with them that much.

...So, that's what I have for now! I'm not sure where all of the Factory enemies fit into this; based on their descriptions, I think Clerk/Manager/Director aren't creations of Smithy, but are the same species as him and recruited from his homeworld. Same with the Chief, aside from possibly not being the same species. Smaller minions like jabits and the hammers would be produced at various points that aren't super relevant to this larger narrative. Count Down was probably made as a fun side-project when Smithy wanted to take a break from weapons per se, and see what he could do with an object like a clock. Gunyolk was confirmed to be created by the Chief. And Cloaker and Domino are weird outliers; I want to say they would be among some of the first things Smithy made, or the latest, in some kind of more abstract and experimental period.

Again - let me know your thoughts and ideas!

#super mario rpg #smrpg #fan analysis #fan theory #smithy gang

[floareadeaur]

I'm the anon who wanted to know about Avdotia. I forgot what it was called, but the story between her and Ferid (in bed iykyk) made me interested in her, and also your general analysis of OnS and Ferid. I was just wondering what her 'role' is in the OnS universe and the story between her and Ferid. I would like to know her story, but you can also choose any other way to introduce her to us. I am just curious about her in general.

Oh, that story.

I keep re-reading it because I, too, love how I portrayed their dynamic in that erotic writing. In fact, I have so many erotic writings with the two of them, or simply interaction, narratives.

I am glad that little scene got you interested in her character. It is something I consider, that in a well-written erotic moment, many real nuances of the characters involved are revealed. That is why in the erotic scenes between the two, we can have access to a "real Avdotia" and a "real Ferid".

That is why these erotic scenes are deeply centered on a certain philosophy. Because they are both troubled by deep, philosophical thoughts, which they consume in their moments of love.

If you are interested, I have many more writings with them. I just need a request, an interest, for me to translate them into English. I wrote them in Romanian, my mother tongue.

As for her role in the story, yes, I think it is interesting to portray. You know, my interest in OnS is not limited to Ferid, but in general to the whole philosophy of the world in which Ferid lives. That is why Avdotia's role in the story I created based on OnS, does not only revolve around the idea of her being ​​Ferid's romantic interest, but the romantic feeling between her and Ferid is integrated into the philosophy of the universe.

I can say that her role is bigger, much bigger than what appears at first sight. But in general, as I thought about her, through her character I mostly express my question: what does it mean to be human in OnS, to believe in God, to love? How can you relate to the meaning of life in a world like OnS?

You see, the OnS world is created by a broken god, humans are born of vengeance and darkness. Thus, you cannot realistically look at this god and call him your moral guarantor, your ideal.

In the end, what can truly guide people in the OnS universe remains the genuine love they find in others and in themselves.

That is why love is a central point in Avdotia's character. And not just the romantic dimension.

The Greeks have a classification of love into four types: filia (friendship), sorginte (famillie), eros (romantic), and agape (unconditional love for God).

In the canon OnS story, very little is about eros. The story is about family love, and agape, the love for God. Or hate, because hate is the other facet of love.

The character of Avdotia brings together the human desire for all four of these types of love, from eros to agape, and how can all four coexist in one soul, or what tensions arise when the soul is asked to devote itself more to one type of love.

The ideal is that all four types of love must complement each other, that at least Avdotia needs them all, no matter how unforgiving her universe is.

Quite a lot of philosophy, right?

Could I say now anything concrete about her?

As a little fact, she is Russian ( eastern girl for our conqueror in the Far East ) and has three siblings, each with a different distinct role in the OnS universe. And she is a very dedicated Orthodox Christian in her faith.

Also, as a fun fact, her nickname for Ferid is a Russian adaptation of his name, "Feridushka" and she usually addresses him as "my dear Feridushka".

Also, since it is an universe where souls reincarnate, I can give a small hint that her real story spans many millennia. But I do not want to give all the information so mechanically now.

The idea with her and Ferid is this: how the presence of the other awakens in each the desire to look for themselves better. And with time, almost imperceptibly, even if both are caught up in deep questions about humanity, the world, they discover a genuine happiness in the love of the other, something contrary to the destroyed universe that both are painfully aware of.

How do you like it so far?

Forgive me if this is a chaotic presentation. I want to post a representative scene for Avdotia in the coming days. If you want I will also post more scenes between her and Ferid.

Of course, Avdotia is not the good fairy, the glass girl who sinks into the love of a " miserable wretch " like Ferid. Neither did his victim.

She is as human as he is, both with their own flaws in that flawed world. And both, two idealists, learn this.

I hope that was at least a little interesting! You can come back with questions, requests for headcanons, scenarios about Ferid in general!

Thank you very much for the appreciation shown to Ferid and the interest in my ideas!

I wish everyone a good day!

Finally, I leave here two aesthetics for Avdotia.

#ferid bathory #ferid bathory x original character #owari no seraph #seraph of the end #ons #sote #ferid bathory scenario #ferid bathory imagines

[midnightstargazer]

why I, as a Regulus stan, don't ship Jegulus

With the disclaimer upfront that I'm not saying nobody should. I know I have mutuals who do. Y'all are cool. We can ship and let ship. But I don't ship them, and here's why.

I don't care for how Regulus is usually characterized in the context of Jegulus. I prefer him redeemable, but morally gray; someone who was influenced by family and peer pressure but ultimately made his own bad choices and later changed his mind, not someone who was forced into every bad thing he ever did. I'm sure there are Jegulus fics out there where he is more morally gray. But from what I've seen, he's often a bit too sanitized for my taste.

I don't care for how James is usually characterized, either. Sunshine boy who wants to believe the best of everyone? I don't see it. In canon he's very loyal and caring towards his friends, but there's no evidence he would have a nuanced point of view towards someone like Regulus, particularly during their late teenage years when Regulus is actively espousing blood supremacist ideology and working for the Death Eaters.

(Which doesn't mean I think Regulus is unworthy of love. I just don't think it's likely James, specifically, would have liked him very much during the time period when they would have known each other in canon)

Because of this, I can only imagine Jegulus in a context very far removed from canon: either a Muggle AU, a no Voldemort AU, an AU where Regulus runs away with Sirius, etc. None of those are very interesting to me. It could also work if Regulus survives and ends up in the Order, which is a favorite trope of mine, but I'd just as soon see that with a different ship or no ship for Regulus and keep Jily together.

I ship Jily. Which isn't necessarily an obstacle, because I'm willing to multi-ship basically anybody except Tedromeda. I can totally get on board with the idea that one or both of them had another relationship before they got together, or that in a canon divergence story where one of them survives, they might eventually move on with someone else. But because I do ship Jily, I'm not really looking for someone else to ship with James.

Who Regulus ends up with romantically, if anybody, is the least interesting thing about him imo. I'll read fics where he's paired up romantically, and I've written a few of them - although I also have a long ongoing series where he's aro-ace. Having a romance arc for Regulus at all is 100% optional as far as I'm concerned.

The "best friend's brother" thing - I think it mischaracterizes Sirius's relationships with both of them to assume he would be overprotective of Regulus and suspicious of James if they were to get together. I love fics where the Black brothers reconcile, but still, I doubt they'd ever have such a stereotypically normal sibling relationship. And that's not even getting started on how it undermines Sirius's friendship with James.

Its sheer overwhelming popularity annoys me. No offense intended to anyone who likes it. Your personal preference is valid. It's the expectation for everyone to share that preference that I don't love. A lot of the time in the Marauders fandom the pairing is simply taken for granted as the default. So that does make me dig my heels in a bit.

#anti Jegulus #Regulus Black #James Potter

[look-how-they-massacred-them]

Preliminary Poll

Lotor

Submission reason:

It's been a hot while but I'm pretty sure he had a sudden personality switch and was then left to die & the show then focused on redeeming his abusive mom (I support womens wrongs usually but come on. That was just in poor taste)

It's been a while since I watched it, but the general gist was that, though it seemed like Lotor was heading for a Zuko-esque redemption arc, the show ended up retroactively revealing that he'd done some unforgivable war-crime level stuff (and then killed him off).

They spent all that time building him up as a sympathetic abuse victim who contrasts with the more outright evil antagonists, only to randomly make him crazy and kill him off unceremoniously at the end of a season. Then they had the absolute audacity to give a redemption arc to his neglectful evil scientist mother. The disrespect!!!

When he was first introduced, he was this sort of anti-villain seeking to supplant his shitty comatose dad and reform the Galra Empire. He wanted to make things better for Galra-Alien hybrids like himself, even having a badass team of warrior women as his primary followers, and stopped at nothing to attain that goal. When Emperor Zarkon awoke and declared Prince Lotor a traitor to the empire, Lotor joined the Voltron team as an ally, forming a truly gorgeous relationship with Princess Allura along the way. Like, they had actual chemistry, with narrative parallels and some really good body language to show the interest was indeed mutual and affectionate. However, as soon as he killed his dad for the Voltron team, the narrative took a nosedive and turned Lotor into a people-harvesting madman seeking to take over the universe as an even worse tyrant than Zarkon, leading to him getting killed off unceremoniously. Lotor was probably the most deeply nuanced character the show had ever approached, alongside Shiro, and even then they completely dropped the ball and went back on all that character development, seemingly just to clear the way for Allura to briefly share a sauceless relationship with Lance before getting killed off herself, and give the sympathetic villain role over to his abusive mom Haggar, who is significantly less relatable and much more shitty than he ever was before they retconned him into being evil.

Propaganda:

He's an extremely tall (like 7 feet I'm pretty sure??) purple space elf with Legolas hair. Draw your own nsfw conclusions from that. Also he has daddy issues. And mommy issues.

Lotor is great! I was a huge fan of him during his first season or two. He definitely operated in a moral grey area that involved a lot of underhanded tactics, but he still remained a sympathetic character in his motivations (and had one of those classic tragic backstories that always makes you want good things for a character). He led a team of four female generals where all of them, including Lotor himself, were societal outcasts. It originally seemed like he placed a lot of faith in them, and there was a really cool ""power of friendship but evil"" vibe. Lotor even switched sides and started making friends with the protagonists, so I think towards the end most people were guessing he'd get some sort of redemption arc. I remember watching the episode where they revealed his space-war crimes and killed him off and going. huh. that was like. a fever dream, right? They didn't actually just turn this cool morally complex character into an unforgivable monster, right???? Like, I'm generally really cool with bad writing and iffy characterization--that's what fic is for!--but Lotor's whole thing was on another level. He got run through the blorbo blender fr

Princess Allura probably counts for this too, considering how she got red-stringed into dating Lance after seeing her last boyfriend go nuts and die, and then got dragged into a heroic sacrifice with very little setup. Also, Lotor's whole arc before the switcheroo was broadly seen as a good allegory for children from interracial relationships being isolated from both of their parents' cultures, as well as a child growing up under abusive circumstances overcoming their abuse and building a life for themselves above their upbringing. It could have been so good. But they seemed far more interested in this hollow tragic villain setup for Haggar and this similarly lifeless dating arc with Lance than going through with the better option.

#look how they massacred them poll #look how they massacred my boy #lotor #vld lotor #voltron lotor #vld #voltron legendary defender #voltron