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#i'm not saying any of this with any kind of malice
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Bsd except Atsushi was taken into the Port Mafia by the Old Boss.
After being given the cue to begin from Mori, Hirotsu starts his tale.
"About a decade or so ago, a couple who were quite high up in the Port Mafia ended up betraying us. The details I don't know of, but for whatever reason the Ex Boss took it personally."
It wasn't unusual. The Old Boss tended to deal with traitors first hand rather than leave it to his underlings. It definitely made the man terrifying. But taking it so personally was odd.
"They bargained with him. You see they had a son who possessed powerful ability. It worked, the Ex Boss was impressed with it and sparred them with the trade being he kept their kid."
Hirotsu took out his lighter and lit his cigarette.
"The Ex Boss grew to adore him, the kid was basically his son. Atsushi Nakajima was the crown jewel of the Port Mafia.
He was a good kid you would think he was bathed in light. And yet there was a darkness to him. He was as vicious and cold as he was kind and warm."
Mori raised an eyebrow.
"If he was so special, how is it I haven't heard of him?"
Hirotsu sighed "well, like I said the kids ability was powerful. But he couldn't quite control it, we had our measures and things in place of course. But as the Ex Boss started to sick, he became afraid of Atsushi."
He shook his head frowning.
"The kid he loved like his own was now a monster in his eyes. He locked Atsushi down underground, under more security that we have for Q. Forbade anyone for even mentioning his name, it was like the kid never existed."
Mori was intrigued by that "and was this extra security warranted or was it simply paranoia."
"It wasn't at first, Atsushi wouldn't have hurt any ally and especially not the Ex Boss."
Hirotsu knew, because even when Atsushi was fully transformed he remembered the scent and smell of his allies. He'd never attacked them, not unless they stepped out of line.
"But the longer he stayed down there... Any love Atsushi had for the Ex Boss turned into hate. The Ex Boss come taunt him, torture him and betrate him. Eventually the he got too sick to go down there."
Dazai hummed, sitting up in his chair. "And I'm guessing he's still down there?" Hirotsu nodded "I think the plan was to slowly starve him. But his caretakers continued their jobs, I've been down and he's still there."
Mori nodded "so you think he'd be a useful addition to the Port Mafia?" Mori already knew the answer of course but he wanted to hear it.
"Definitely. Atsushi never quite had a home before us, he values this city as his. His to protect, his to take care off. It's what convinced him to start taking training seriously.
It didn't fit the Ex Boss's vision, but I know he'll fit yours sir."
And that, that was all Mori needed but they chatted a bit longer. On exactly what this ability was, and it definitely was quite impressive.
Who knew he'd find a diamond below his feet?
"So my old man is dead? Did he suffer?" Asked Atsushi, watching as Mori approached his cell. He was standing, the chain around his neck taunt but he didn't seem bothered by it.
"He did, right go the end. I would know, I killed him myself."
Atsushi's look of shock turned into a chuckle. "So you did. So what do I get for choosing you hmm?" He sounded relaxed but there was hidden malice in his voice.
"Time out your cage, and the ability to protect this city as you wish." Said Mori. Atsushi looked at him in suprise, than smiled at that last part.
Hmm someone who cared more for this city than their own wellbeing, oh Atsushi definitely would be useful to the Port Mafia.
"I can do that, could also share some tales of dear old dad. He's got secrets buried in these walls." Said Atsushi nonchalantly and it was Mori's turn to chuckle.
"I can do that, so Atsushi Nakajima what do you say?"
Atsushi lowered himself onto one knee. "I swear my life, my blood and my loyalty to this organisation. I will be it's eyes, it's ears and it's executioner as you see fit all in the name of protecting Yokohama."
"Welcome to the Port Mafia, Atsushi Nakajima."
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autisticaradiamegido · 3 months
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day 26
someday if i can figure out how the hell people get these things made i would like to do some little destiny & malice acrylic charms. i think those are so fun. and while i mostly want them for Myself i figure that if i DID figure out the process, i should maybe open up the option to anyone else that might want them, soooo...
informal poll: if i figure out how all that works, would any of y'all be into that, and approximately how many of you?
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stellacendia · 6 months
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Actually I've decided I'm sick of being cis people's only irl experience with genderqueer/nonbinary people
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sophiamcdougall · 4 months
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You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"
Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.
Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.
Question 1: Should the current law providing for the inspection of wills be preserved?
Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.
Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?
No.
Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?
Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.
"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.
Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?
Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.
Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!
Did you even speak to any historians before coming up with this idea?
Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?
Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?
No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.
Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.
There is no good version of this plan. The physical documents should be preserved.
Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?
This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.
Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?
Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.
Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.
No, all the documents should be preserved indefinitely.
Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.
No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  
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txttletale · 2 months
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hey, a while ago you made a post to the effect of "tumblr's perpetual marking of transfems' posts as mature isn't due to malice but incompetence. that is worse" and I'm wondering if you still think that's true. I agreed at the time but idk it's been harder and harder to believe staff could be as incompetent wrt moderation as they have been idk
as a wise naruto once said, believe it. with the most recent case study, moira predstrogen's account getting nuked, it's really clear that there was a targeted mass reporting campaign at work. again, when i blame 'incompetence', i'm not saying that this somehow absolves tumblr staff, i think this site's moderation is incredibly transmisogynistic and the fact that these mass reporting campaigns work (and work on someone who has been targeted by this and succesfully appealed multiple times, no less!) is a catastrophic failure on tumblr's part on every level. but again, it's because of the mass reporting campaign and tumblr not having any functional systems in place to prevent that kind of thing rather than because someone at tumblr HQ was personally like 'hmm, today i, the Tumbling TERF, shall pick a trans woman to ban!'
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luveline · 10 months
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spoilers for spider-man: across the spider-verse below
please don’t read any further if you are avoiding spoilers
𝐭𝐡𝐞 𝐰𝐢𝐬𝐡𝐢𝐧𝐠 𝐭𝐫𝐞𝐞 | 𝐦𝐢𝐠𝐮𝐞𝐥 𝐨’𝐡𝐚𝐫𝐚
miguel hops dimensions expecting a new family, and a new life. he’s not expecting you —featuring a tired miguel and his confused but adoring wife. or, miguel gets the comfort he so desperately needs. requested here. fem!reader, 2.5k
tw. gun mention/no graphic scenes
˚ʚ♡ɞ˚
Miguel seems different when he comes home that night. You've loved him for years, you know his face. He looks slightly younger and older at the same time, impossibly so. He looks like he has bad news and he doesn't want to tell you. Something harrowing. How else can you explain his expression? 
You stand up from the dinner table. "Hey," you say gently. "Is there something wrong?" 
He isn't convincing when he answers, "What? Uh, no. Nothing's wrong." 
"Something looks wrong." 
You step in front of him and lift your chin. Usually, he'd look down with a smirk, or at the very least a smile, but he seems weary. You lift your hand to his cheek, pinching it between your fingers without malice. 
"Smile, handsome. You have a lovely smile." 
He smiles. His lips part just slightly. "You… you really love me. You're happy." 
"We're happy," you correct. "Me, you, and Gabs forever, right?" 
"Gabs?" he asks. 
"Don't start with me. Gabriella's a mouthful. A beautiful mouthful," you concede. "I still think we should've named her Sofia. And yeah, Miguel. I love you. Really really. Don't forget it." 
You make him sit at the kitchen table. It's a selfish manoeuvre; you want him to sit so you can actually reach his hair. Your husband is the tallest man you've ever met. 
"Did you get a haircut?" you ask, running your fingers through his hair slowly. He shivers at your touch, and tilts his head back in question. "You did. That's such a betrayal, my love. I've been cutting your hair for going on six years now, I'm suddenly not good enough?" 
"You're good enough," he says. He really sounds so strange. 
"I'm joking. Miguel, if there's something wrong, you really need to tell me. I can make it better. Well, I can try." You bite your lip, unnerved by his quiet, solemn air. 
"Am I being weird?" he asks.
"No," you say, worried he thinks you're judging him. You never would. (He's being really weird.) "Of course not, you're just quiet tonight, that's all. Did you have a bad day at work?" 
"I– I got mugged. On the way home from work. I forgot the– the milk." 
"You what?" you ask, eyes widening in shock. Miguel's kind of gigantic. You've always said that you pity the fool who tries it, but apparently he's less hardy than you thought. A mugging explains his weird behaviour these last five minutes, at least. "What happened? Sweetheart, are you okay?" 
You take his face into both hands. He has dark circles under his eyes and a scratch along his jaw, but he seems unhurt. You suppose being attacked would age you instantaneously too. 
"Miguel, are you in shock? Should I take you to the hospital?" 
"I'm okay. I just feel strange." 
"Are you sure?” He nods hurriedly. You purse your lips. “I'll make you something warm to drink, that'll help. As long as you're not hurt, right? Did he take your wallet? We'll have to cancel your credit card." 
Miguel catches your shirt before you can go too far. 
"Hm?" you hum in question. 
Miguel visibly deliberates. His eyebrows lift ever so slightly. "Could I hug you?" 
The hurting and worry you have for him intensify before falling on the back-burner. You can shove your own feelings aside easily if he needs comforting. 
"I don't think you have to ask me," you say, offering your arms. 
Miguel is usually a short but meaningful hugger. You've hugged so many times and in what feels like every place on earth, and he's such a tall man that even if he doesn't mean for them to be, his arms are all encompassing.
It surprises you that this hug is different. He's tentative. When his hand falls to the small of your back it slots into place, and you can feel his relief like a palpable thing. 
"You’re okay," you say, your lips at his crown, your legs between his.
He's keeping space between you, and you don't like it. You press yourself as close to him as possible, your arms behind his shoulders, cupping the back of his head. Soft hair tickles your palm.
"Was it scary?" 
"Was what scary?" he asks. You don't mention his little sniff. He's smelling your hair. 
"Being mugged? Did he have a gun?" 
"Yeah, he did." 
"Oh, I see. There's no shame in being scared, you know that?" 
"I'm not scared. I wasn't scared when it happened. I just wanted to come home to you." 
You frown. His admission is like a barb in your chest, aimed true for your heart. "I'm so glad you did," you confess against his forehead, a murmur of sound. "So, so glad. I don't know what I'd do without you." 
You kiss his head three times in a row. The last kiss lingers, his arms slackening around you. 
You pull away, not wanting to smother him. Whoever's watching knows he's had enough of you these last few years. 
"Where–" Miguel clears his throat. "Where's Gabriella?" 
"She's in her room. Call her." 
You're hoping time with her will bring him back into focus. He's clearly more affected by this than he's willing to say. You don't know how you feel about it. Terrified, because you could've lost him. Euphoric that you didn't. You'd had this funny feeling all day long, and it's weird, you’d felt that something bad happened, a moment at the sink with Gabriella singing in her room, the clock ticking on the wall. Miguel late, but promising to bring the groceries you needed home with him before dinner. 
"Gabriella?" he calls up the stairs. You watch from the stove. 
You'll grab the pan and make him some hot cocoa. Just as soon as he stops looking scared. 
"Daddy?" Gabriella asks back. She's audibly ecstatic, and her footsteps are a stampede from her bedroom. You can see her from the kitchen when she gets to the bottom of the stairs. "Dad, pick me up!" 
"Oh, right," Miguel says, leaning down to hold her. 
He pulls her with all the grace of an elephant to his chest, and she nearly chins him. 
"Woah, careful." 
"Dad, you're super late. Mom said I can yell at you for being late." 
"You can yell at me, if you want to." He gives her a curious look. "I'm sorry for taking so long." 
Gabriella tilts her head to the side, dark hair shifting. She's a gorgeous little girl and her dad can't withstand it, melting as you hoped he would, the taut string of his back finally cut in two.  
"I don't want to yell at you," she whispers. 
"Good, because I don't want you to yell," he whispers back. 
Gabriella leans back in his arms and giggles thickly. He almost drops her, and has to readjust his hold on her back. 
"I'm so happy you're home!" she cheers, bringing her little hands up together from her chest and thrusting them out like fireworks. "You work too much! I thought doctors was s'posed to make everyone better and go home." 
"I'm not that kind of doctor," he says. 
You turn from where you've brought cocoa powder and milk to an emulsified simmer on the stovetop and beam at him. It's your favourite thing in the whole world when she mixes it up. Ever since she found his ID card with DR. written clear as day before his name, she's been under the impression that he works at the general hospital. Alchemex might break medical thresholds, but it is far from a hospital. 
"Are you having hot cocoa with your dad?" you ask Gabriella. 
She gasp in excitement and lists toward you. Miguel almost drops her for a second time. "Yes, oh my gosh!" 
"Well, come and sit. What mug?" 
Gabriella can't decide on what mug she wants; there's the orange cat with too many whiskers, there's the black one with bright white stars. After some deliberation, she decides on her and Miguel's matching daddy-daughter mugs.
"You're having some too, right?" he asks you. 
"Don't I always?" you ask. "Though I do want to protest the mugs. Where's my mug? Don't I deserve number one mom?" You kiss the top of Gabriella's head where she languishes in Miguel's lap, before placing their hot cocoa down far from her arm's reach. "It's hot." 
Miguel doesn't touch his. You blow cold air at Gabriella's and dip your fingertip into it periodically, content to spend some time with them both in amicable quiet. Gabriella just loves him to pieces, and she leans back in his arms with her eyes closed, basking in his closeness. 
She squints at you with one eye. "Dad?" 
Miguel doesn't answer. You nudge his foot. 
"What?" he asks.
"You're not doing the thing." 
"The thing?" 
You frown. 
"Yeah, dad." She huffs and curls his arm manually across her front. "Please, I want the kisses." 
He looks at you, completely lost. You're feeling similarly confused. "She wants you to kiss her hair," you say, wondering if perhaps he's suffering from stress related amnesia. 
He leans down carefully and kisses her hair. It's not the usual enthusiastic kiss, and he doesn't bother blowing in her ear after. 
Gabriella glares at him. "My ear!" 
"Blow in her ear," you mouth. 
He blows gently into her ear. She shivers, shudders, and laughs up a storm. 
When the cocoa's been drunk and the mugs washed and put away, Gabriella races upstairs, promising to return with a storybook and the drawing she made earlier in the day once she’s changed into her pyjamas. Miguel looks less lost than he had. In fact, he looks normal. The warm drink has put colour in his cheeks, and his daughter's cuddles have done their job. He's relaxed. He's forgotten the fear of the mugging, you're almost sure of it. 
You waver beside him. "Can I sit with you, or am I too heavy?" 
"Why would you be too heavy?" he asks. 
"You always say I'm too heavy," you say, sitting down on his thighs. They feel solid, a little different from usual. Miguel works out, but this is strange. He must be more tense than you thought. "It's your worst joke." 
"I'm sorry. I won't say it if it upsets you," he says, his voice rough and low. 
"Who said anything about that?" He's never called you heavy to be cruel. 
"Sorry," he apologises again. "I think all the excitement today messed me up." 
You spread your fingers wide across his chest, his heart beating a surface below. "It's okay. You don't have to react any one way…" You rub the tip of your nose against his jaw lightly. "I'm so glad you're okay. I had this weird feeling like something bad happened to you, you know?" 
Miguel laughs and coughs at the same time. It borders on being distressed. He's really worrying you. "You did?" he asks. 
"Mm-hm. But you're okay." You work hard to sound sure. 
His hand slides between your legs, fingertips digging into the soft inside of your upper thigh, though it doesn't stay there. He pulls away, looking flustered. "Sorry." 
"For what?" You blink. 
"I don't know." 
You laugh and press a kiss to the column of his throat, your nose squished against him. "I was thinking we'd watch that new movie tonight, with Harry Woodson, but it has guns and stuff. Would that still be okay?" 
He puts his hand behind your ear and guides your head back to look you in the eye. It's a familiar touch. He looks like himself again, though you truly are offended by his haircut. Maybe something happened at work and fried it off. 
"You're really something special," he says quietly. 
"How so?" 
His face softens with your flirting tone. "You're kind. You're so kind. I've never met someone like you." 
"What are you talking about?" you mumble. It's your turn to feel flustered, jellified by the earnestness lining his features. 
"You're sweet, and soft, and so pretty," he says, matching your tone. He's looking at you like he's seeing you for the first time. 
You understand the feeling. Sometimes you look at him and can't believe he's your love. 
"Soft," you repeat. "Are you trying to say something?" 
"Like that. That joke. You don't even sound mad." 
"You don't have to be so amazed. I've been like this since we met, haven't I? I'm hardly ever angry with you." You follow down from his eye to his jaw with your knuckle, tracing a tear he hasn't shed. He's spun you into thoughtfulness, and more than that —reverential fondness for him aches in the very centre of your stomach.  
"I must have some good luck," he says. 
His near death experience has inspired a wave of sappiness. 
You lean in until your forehead touches his, giving him time to close his eyes or lean away if he wants to. 
"I love you," you say simply. "You're not lucky, you're amazing, and all this good you see in me? I see it in you, O'Hara." You huff a laugh, breath fanning over his top lip as you steal a wonky kiss. You pull back. "You're sure–" 
Miguel kisses you. His hand flies to the back of your neck and his lips are eager, his head tilted to one side to accommodate your nose. He deepens the kiss and it's a mess, really, nothing like his usual kisses, no practised ease, nor confident touches. His fingertips push at the hairs lining the nape of your neck as though he's not sure what to do with his hand. It's like kissing him for the very first time. 
It's not a bad kiss. 
You kiss back slowly. You're the steadying constant to his hotheadedness, in kissing and in everything else, pulling time into an endless stretch of his mouth under yours, his body heat seeping into your skin. 
The sharp point of a tooth catches your bottom lip. You gasp into his mouth and flinch away from him. 
"Um, ouch? What was that, handsome, did you get your teeth filed to spikes?" you ask, probing your lip, a flood of giggles slipping between your fingers. 
He looks at you like you've lit the sky one star at a time. 
"Sorry," he says. "I'll be more careful, I swear." 
"Sure," you laugh. "Well, you'll have to be more careful later. You promised Gabriella you'd read her the Wishing Tree, and she's expecting a performance. Voices included." 
He adjusts you in his lap with more strength than you knew he had. "Will you help?" 
You'll always help him. He doesn't even need to ask. 
˚ʚ♡ɞ˚
thank you for reading, I hope you enjoyed!!
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devilfruitwriter · 7 months
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falls in love easily {Taz Skylar}
Summary: Life comes at you fast, and often in uncertain ways, at least that's what you find yourself thinking when it's almost five in the morning and you're waiting for the cast of the upcoming Live Action One Piece Netflix show in their makeup trailer, and you realise you might have finally found your people. (And the way you try not to think about how you might genuinely be falling for the actor who you've been joking about being in love with since day one.)
Need to Know: They/Them Reader. Makeup Artist!Reader. Fluff through vignettes. No use of Y/N.
A/N: 3424 words. Unedited and probably a mess but I love him your honor. Now idk if it's good, but I hope you enjoy it. There's mentions of drinking. Let me know what you think, or if you have any prompts for Taz or any of the rest of the cast! <3
Taglist is always open, please comment or message me to be added! xx
Taz has started bringing you coffee, and damn if you don't love him for it.
"Don't let it go to your head; they love everyone," Emily rolls her eyes but her expression is fond. You stick your tongue out at her, still cradling your steaming take away cup with both your hands, looking between them in the makeup trailer they share with you and Emily's makeup artist.
"Yeah but me the most," Taz sits a little higher in his chair, his smug little smile is levelled at his co-star, though you see his gaze flick to you and the grin you're trying to hide behind the rim of your cup, "that's the point of the coffee, isn't it?"
"You have a few other redeeming qualities," you chime in, struggling not to laugh at the whole situation, especially as Taz makes a show of practically preening at your decidedly backhanded praise.
"Told ya," he's outright beaming now, "loves me the most, as they should."
"As I should?" You hear the disbelief in your own voice rise as you lower your cup, crossing your free hand over your chest.
"Obviously," Taz, however, does not seem phased by your indignance, looking at you with wide, bright eyes, like it's the most simple thing in the world, "you're my makeup artist, if you loved one of them more I'd consider that a great betrayal of our bond."
Emily can no longer contain her laughter.
You take a moment to ponder and sip the coffee he'd brought you, mulling over his words.
"I've known Emily longer," you pointed out, though Taz shook his head, managing to keep his composure and keep up with the bit.
"And I've worked with other makeup artists in the past; what matters is the here and now," he says with an almost believable sincerity, "and here and now, I love you the most, and I buy you coffee, and I'm gonna be real sad if you don't say it back." Endeared by his antics, the words tumble from you -
"Of course I love you the mostest -"
"- the mostest! -" he echoes under his breath with a pleased kind of triumph.
"- the mostest? -" Emily, however, has her whole face scrunched up, muttering amid her laughter like she can't quite believe she'd heard you say that.
"Of course I love Taz the mostest -" you doubled down, now outright grinning, "not that it should have to be stated; this is a well established love affair we've got going on here, was that not clear?" Gesturing between yourself and Taz, who's once again looking particularly pleased with the bit, the two of you share an amused look before both turning to Emily in the makeup chair beside you both. She gives you both a thin, amused smile, her laughter having died down.
"Oh it's clear," she smirks at him, "considering that even Kiki won't swap trailers with me -" though there's no real malice behind it.
"You have not asked Kiki to swap with you," Taz rolled his eyes good-naturedly, "you love us."
"And we love you," you assured her, playing up the saccharine quality of your voice once more.
"But not as much as you love each other," she pointed out.
"Obviously," Taz nodded, right as you agreed;
"That goes without saying."
(Later, when you ask him how he takes his coffee, he cracks an eye open where he's relaxing as you're laying his wig for the day, slight smile on his lips, telling you that's not how this works.
Music fills the little trailer in the in-between moments, loud enough that Emily and her own makeup artist can't hear the specifics of your conversation. You give pause, waiting for the spirit gum to dry, echoing his words back to him as a question, amused at his apparent courteousness. He nods, now watching you, as if confused by your question.
"How am I meant to let you know I love you otherwise?" You snickered, playing off the earlier joke. It did the trick, however, as he huffed a quiet laugh of his own. Still, he tells you how he takes his coffee, and you, triumphant, turn to the counter for your next product.
"Or you could just say," he adds after a moment, and you can't help but freeze. You don't even need to be looking at him to hear him grinning - this moment is doing strange things to the affectionate feeling in your chest, but you do your best to ignore it. Turning back, his eyes are closed again, settled back in his seat, waiting as patient as ever.
"That's too easy," you hope he can tell you're smiling too.)
----
"I'm so sorry, love," Taz is leaning against the side of your trailer, cigarette in one hand, and blue, plastic lighter in the other, "my lighter's dead, you don't happen to have one?"
After being called in even earlier than usual to assist with Jeff's Buggy makeup for the shoot today, it takes you a moment to catch up. It takes you a moment, and a yawn, but you reach into one of the side pockets of your backpack.
"Yeah, gimme a sec," you mumble through your yawn.
"Fuckin' love you," Taz mutters gratefully, shoving his own, empty lighter into his back pocket, "I know it's a filthy habit but -"
"I don't judge," you shrug, finally handing over the lighter that had been buried in the bottom of the pocket. Instead of heading in, however, you joined him, leaning against the trailer, tipping your head back to look at the lilac sky as it began to turn gold.
The quiet spark, pop, sizzle of the cigarette isn't an unfamiliar sound given the industry you work in. Taz thanks you quietly as he hands back the lighter, and you give a tired smile in return; you had an energy drink and probably a coffee waiting in your trailer but you would rather take these few moments of peace where you could get them.
"I thought you vaped," you mused after a moment. Taz makes a noncommittal noise as he breathes out a lungful of smoke.
"Left it in the accommodation," he admitted. He offers the cigarette, but you shake your head, "probably smart, like its a bad habit, yeah, but also I don't exactly know where this came from, I found it in the bottom of my bag, it's..." he gives a thin, self deprecating smile, "questionable."
"Sounds like a you-problem, my guy," you tell him, shifting over to lean against his shoulder, closing your eyes for the moment. You hear him laugh and agree, and a comfortable silence stretches out between you.
"It definitely is," he agrees after a moment, "can I ask why you carry a lighter with you if you don't smoke? Not that I'm not grateful -"
"That's why."
"What?"
"In case someone needs a lighter."
"That's sweet, that's very lovely."
"I do try," you hum with a slight smile. After a moment, he wraps an arm around your shoulders, continuing to blow smoke into the wind, away from you.
"You doing alright, love?"
"Always," you sigh, leaning into him in the moment, "I'll be alright, I just need to get some caffeine into me."
"Coffee's waiting for you inside," he told you warmly, giving your shoulder a squeeze.
"Yeah," you mumbled, before admitting, "I like hanging out with you though."
You can't bring yourself to open your eyes and gauge his reaction, but he doesn't let you go.
(He keeps borrowing your lighter. Sometimes it's those early mornings, sometimes it's on set, during the few scenes where Sanji's smoking; before anyone else he'll come to you. You start carrying your lighter in your pocket just in case.
"So you've just given up on having a lighter of your own?" You teased, lighting the herbal cigarette they were using for filming.
"Why would I need one? I've got you," he smirks back, and damn he's just as charming in character as he is out of it. "Thanks, love," he wraps you up in a one-armed hug, pressing a quick kiss to your temple before the cast and crew is called to stand by for the shot.
Taz is the kind of affectionate you could really see yourself getting used to, and he's definitely taken notice.)
----
Between the wig, the makeup, and covering up his tattoos, Taz's spends just over an hour in your makeup chair, depending on how much of Sanji will be seen on any given day.
"Scenes like today might be my favourite," You're working diligently away, already a half hour into your routine and mind on autopilot as you take Taz's hand to keep it still while you added product to your brush. You hadn't even realised you'd said that out loud until he responded.
"Scenes like today?" His voice is gentle but amused; you can hear him smiling but can't bring yourself to meet his gaze, suddenly feeling flustered that you'd voiced that thought at all. "Come on, love, you can't just say that, what d' you mean by that?" And it takes you a moment of deliberation to decide if you want to answer honestly, applying concealer to his tattoos as you feel yourself grow flustered.
"I like all your scenes," you mutter dismissively, "I feel lucky that I get to see so much of the show being filmed." Which isn't a lie, you're on standby on set to touch up makeup throughout the days, and you love the production and what you've seen of the show thus far... but it's also not the whole truth, and you know Taz can tell.
He makes a noise in the back of his throat, and when you look up finally, you can see the way he's smiling, but he's thankfully not looking at you. For a moment, you're glad Emily's not filming until later in the day, her call time not for several hours, so it's just you and Taz, and his playlist to fill the silence. But you make the call to swallow your embarrassment and voice the compliment that had been idling in your mind.
"I like watching you cook on set the most," you say without a hint of hesitation, and he looks to you quickly, almost like he's surprised by your honesty, but you weren't finished, "I know you've really immersed yourself in the role and put in a lot of effort and training; it really shows, especially when you fight and when you cook." There's something in the way he's looking at you that starts to overwhelm you, and you have to break the moment, break eye contact, go back to covering his tattoos or your not sure what you might do. Even your tone shifts, a little flustered, a little awkward, a little jarring after how sure you'd just been, "I, you know, I appreciate you and stuff, but you knew that."
There was a warmth to the silence that followed. When you finally sat back to grab the colour correction pallet, you could see Taz still watching you with genuine affection in his gaze.
"You're very kind," he says softly.
"Nah, it's just true," you huffed an awkward laugh.
"Don't hit me with that 'nah, it's just true' shit," he snorted, shaking his head, "you're being very kind and I appreciate that," he told you with firm honesty, matching the tone you'd addressed him with just moments ago, "lemme cook you dinner some time, 'cos I have been practicing," he agrees with pride, "and I'd take any excuse to show off, 'specially to you."
"Thought we established that I already love you, you don't have to prove anything to me," you ducked your head as you loaded your brush with product, unable to keep the grin from your face.
"Yeah, but this love-bit is a two way street."
"Okay," you said after a pause, finally meeting his gaze once more, and your smile grows wider.
"Okay?" Matching your excited energy, Taz grins widely at you, and you nod.
"Yeah, dinner, eventually," you laughed, "whenever we both are up for it. I'd really like that."
Something is... different now. Something has changed. Taz can't help but mention, as you're securing his wig, that it's going to be hard for him to think of anything but your kind words during filming today. Sheepishly you apologise, but he waves you off quickly - nothing to apologise for, he assured you.
But something is different.
(The silly, little fantasies you've been having on occasion, or more accurately, have been trying to ignore on occasion, have only gotten worse.
And more domestic.
They leave you feeling that kind of giddy-sick and unprofessional, the kind of daydreams that remind you at two in the morning that you should be sleeping and really shouldn't have a crush on your coworker.
Except you can't stop picturing small moments, like a sunlit, mid-morning, music playing on your laptop, the two of you moving around each other to make breakfast together on your day off. Or sharing quiet conversations and laughter while making dinner and -
When you both finally have a night off, he mentions how he's invited some of the other cast members to join you both. You've never been so relieved and disappointed all at once.)
----
Lines and jokes get messy and blurry; late nights on set, Taz almost falling asleep in your makeup chair as you're removing his wig for the day, nights out that both he and Emily invite you to, and a burgeoning friendship with the rest of the cast, and quiet moments spent in the back of Ubers lamenting how early you all have to get up the next day.
Usually you're the first one to bail, considering you're usually getting calling in even earlier than the cast, but some of the more responsible ones, or the other members of crew who have been roped into these various shenanigans, will split the Uber bill with you. The others all seem to understand why you have to leave early, but still, they're sad to see you leave.
What you tell absolutely none of them is that your self restraint is wearing incredibly thin when it comes to Taz already, and you know you're so close to doing something you can't take back.
Because he gets somehow more tactile when you're all out together; his arm around you, kisses your temple, your cheek, elated to see you whenever you meet up again after any amount of time. The way he laughs, the way he just talks to you, making you feel like you're the most important person in the world in the moment he gives you his focus and attention, and your brain gets all giddy and foggy when he calls you 'my love'.
So you need to leave, before you do too much, or say too much... well, too much more.
("My love -" and there it is again, his voice above the music, cutting through the crowd where he's spotted you.
"Yes, my darling Taz," you greet him with a sunny smile and open arms as an invitation to join you. Beside you in the booth, Emily and Inaki are playing slaps, and somehow neither are doing well, but thankfully they're both enjoying themselves.
Taz slides seamlessly into the booth beside you, pressed up to your side. Immediately his focus is stolen by his castmates' various yells and shrieks and slaps, and he half drapes himself across you and the table in front of you to get closer to their game. You don't even really mind, simply enjoying the moment, his proximity, and trying to figure out how long before you should head home. These three have the day off tomorrow, but you've been called in to assist with the hair and makeup for Mihawk.
"You're thinking very hard," Taz muses, as if remembering on whom he was leaning. Giving him a nudge, you grin.
"Just got work tomorrow unfortunately -"
Emily pats you sympathetically on the shoulder, Inaki immediately shouts that she's cheating, his eyes bright and wide. You push Taz back so he's no longer half-leaning over you to instead offer your shoulder to Inaki; he gives a decisive pat and declares he and Emily even, while you lament that you should probably hit the hay.
Emily and Inaki put their game on hold to say goodbye, Emily hugging you tightly and telling you to message when you got back to your accommodation, before they returned their focus to each other, and trying to pick a new game. Taz slides from the booth, giving you room to get out, and walks with you to the door.
"Surely you're not leaving," you grinned, but he's already shaking his head, throwing an arm around your shoulders as you get out onto the street.
"Making sure you make it to your taxi, or Uber, or whatever, okay."
"My hero," you teased, but still pulled out your phone to order your ride back to the hotel. Taz is humming something to himself that you can't quite pick all the while, "should be here in three minutes," you say softly, turning your attention back to him for the moment. The sight of his affectionate, smiling face has something softening in your heart - "you don't need to stay out here, I'll be fine, the bouncer's -"
"I work hard to my top ranking with you," Taz tried to muster up as much seriousness as he could, but it only served to endear you further, "no way I'm letting something happen in these three minutes and you end up liking some fuckin' bouncer more than me."
What you want to say is 'that will never happen'.
What you actually do is kiss him.)
----
It's not nothing.
This thing between you both is something, but you're not quite sure what. Because at first neither of you talk about what happens on those nights out, or how it keeps happening, but it never feels strange when you see each other at work. Still you tease each other endlessly, and there's something about the way he tries not to laugh when you're doing some kind of nonsense bit while doing his makeup, and how you'd fallen asleep against each other when Inaki invited people over to hang out and watch movies together.
Somehow after the wrap party, you, the main cast, and a few other members of the crew all ended up back at your accommodation. Most had left in the wee hours of the morning, but Inaki's passed out on your sofa, and a few of the other makeup artists had decided to squeeze into your bed like sardines, while you and Taz haven't moved from the wicker armchair on your balcony for hours.
The sunrise paints him golden in this moment you never want to end.
He's halfway through telling a story that has you practically wheezing, and you want to tell him that you'll miss him, miss these moments, miss whatever it is the two of you are, that you might actually love him, but instead what comes out is -
"You bastard, you know you've ruined me for other actors," you're beaming from ear to ear, watching the sun rise, and you hear him practically giggling as he leans against you.
"My grand plan has succeeded then."
"Grand plan?"
"Grand plan," he confirmed with a slight nod, "since I met you and you pointed at me," he points out to the horizon for emphasis, "and you said I was going to do great things with this role, even though you'd barely even met me; I've been gone for you ever since," he admitted with a snort of laughter, as if embarrassed by the recollection.
"You what?" You shifted back, eyes wide with surprise, only to be met with Taz's confused smile, like obviously.
"You've been nothing but a support this entire time, how is this a surprise?" He chuckled; seeing how obviously flustered you were becoming, his smile softened to something endeared, "you make yourself very easy to love, you know that, right?"
So much is running through your head at once, a million things you'd like to say, questions you have, what-ifs you could dwell on, but you don't.
"Oh thank god," you breathe, wrapping your arms around him, "I love you too," you're beaming until you're kissing him, this moment golden and absolutely perfect.
----
Taglist: @annssell @deadsnothere @hobbitsnapes @notdaninotfound @uncertainturquoise
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xanasaurusrex · 4 months
Note
plss im so in love w diors clarisse,,, maybe smth with her showing off during capture the flag for r,,,
clarisse showing off during capture the flag clarisse la rue x reader a/n: so this was kinda a drabble kinda a fic idk it's longer than i meant for it to be but i like it so i'm not mad. honestly this y/n is kinda hecate!child coded so you can read it like that but i didn't specify the godly parent so you can imagine her however you want (: taglist: @asvterias @lvrue @thewritingbarbie @kroumi (let me know if you want to be on my taglist or if you want to be removed!)
y/n and clarisse had been dancing around each other romantically for months now.
y/n was a new camper, and had arrived during the winter months, when there were very few campers still there. her mortal parent had died at the same time the monsters started finding her. thankfully, her satyr protector managed to get her to camp in one piece. with a few scratches, yes, but ultimately safe.
during the winter, when there were only a limited amount of people to be around, y/n found herself gravitating towards clarisse la rue, an ares kid.
the other campers had warned y/n away from clarisse, claiming that she was mean and angry and was a hard person to be around. she was dependable in battle, according to them, but other than that, they all tended to steer clear of her.
y/n wasn't finding that that was her experience with clarisse, though.
whenever she was with clarisse, she was gentle and kind and funny, and y/n found herself wanting to be with her at any and all times of the day.
since camp didn't experience weather the same way the outside world did, there were a few times during the winter when the rules were more lax due to the smaller amount of campers, they snuck away from their respective cabins and camped in the woods. it became a thing that was special to the two of them, time for them to just be with each other.
it was those camping trips that y/n started thinking that maybe her relationship with clarisse was a bit more complicated than just a friendship.
unbeknownst to y/n, clarisse had practically fallen in love with y/n the second she laid eyes on her.
the two were inseparable, practically attached at the hip. it was pretty much common knowledge at this point within camp that if you could see one of them, the other was close by.
capture the flag.
one of the most fun days of camp half blood, and also the most serious at the same time.
a day where campers with beef could be on opposite teams and duke out their problems with each other without consequence, but mostly just a day for one team to capture the flag of the other's, and have bragging rights for the next twelve months until the next capture the flag day came around.
clarisse loved playing capture the flag at camp.
it was definitely mostly because she was a daughter of ares, the god of war, and she felt most confident in herself with her magic spear in hand, wearing armor, and stabbing at someone.
a strange way to feel the most confident, but it was.
y/n had never seen clarisse on a capture the flag day, and she was really on board with it.
clarisse looked really good wearing her battle armor, holding her magic spear so carefully, and yet throwing it around with so much confidence.
she could barely takes her eyes off her.
thankfully, y/n and clarisse's cabins had both been placed on the same team (which may or may not be because clarisse had begged chiron for this, but who's to say?), so clarisse was going to be able to work with y/n and not against her.
that would've been awkward....
when clarisse was coming up with the plan for capture the flag last week, mysteriously, the plan started revolving around her and y/n being together at all times.
strange... how things pan out....
when one of her siblings pointed this out, clarisse made sure to fix them with a glare so full of malice they turned away and didn't make any more comments.
as clarisse looked down at her battle plan, she started imagining herself taking down the blue team members with ease, and standing in the background was y/n, swooning over her.
"so, what's our game plan?"
her voice caught clarisse totally off guard, causing her to whip around quickly. clarisse had been shocked out of her mind so suddenly that it took her a few seconds to register what was in front of her.
it was y/n. in battle armor for capture the flag. and she was obsessed with it.
during the winter months, there aren't really any reason for campers to wear their armor, unless obviously there's an attack on the camp, but since there hadn't been any over the winter when she had come to camp, there had been no reason to.
clarisse was sure it had something to do with her father being the god of war, but seeing her wearing camo pants a breastplate, with a sword at her side made her look even more beautiful to clarisse.
"do you... like it?" she asked, a slight teasing lilt to your voice.
clarisse snapped herself out of it, realizing that she had taken a bit more time than she intended to examine y/n's outfit.
"y-yeah, you look... you look amazing, y/n," a small smile passed onto clarisse's face. she mentally cursed herself for stuttering. who even was she? not a person who stuttered, she had thought.
but there was just something about y/n that challenged everything clarisse had thought about herself.
y/n blushed slightly at the compliment, but managed to regain her composure quickly. "thanks," the two shared a small smile. "seriously though, what's our game plan? where am i gonna be?"
clarisse beamed at your interest in the battle plan, and quickly did a run down with her. she mentioned as casually as she could that the two of them would be together the whole time pretty much, with practically no time apart.
the conch sounded, and then everything went into action.
clarisse did her usual hunt of the red team part of the woods, and with y/n at her side, it made her all the more determined to find someone to fight with.
as the two were prowling the woods (or really, clarisse was prowling, and y/n was walking alongside her, admiring the beauty of the woods), y/n stopped suddenly, letting out a loud and dramatic gasp.
clarisse immediately activated her spear and started looking around frantically in search of the danger, and was confused when she found none.
she looked curiously over at where y/n was, and saw her kneeling on the ground in front of a patch of wildflowers, looking at it with childlike wonder in her eyes.
clarisse let out a relieved sigh that everything was okay, and no one from blue team was trying to take y/n as a hostage, but then she became confused.
"what are you doing?" clarisse asked, coming up behind her.
y/n reached forward silently, and quickly plucked one of the white wildflowers from the ground. she stood up facing clarisse, and then stepped towards her. the two were now incredibly close, their noses practically touching, their breaths mingling.
all the air left clarisse's lungs.
with a soft smile on her face, she gently tucked the wildflower behind clarisse's ear.
neither of them knew what to say next. this was such an intimate gesture, such a gentle act that clarisse had never experienced the likes of before. her life had been full of anger and violence, and this moment right here was something new. something... exciting.
this moment was so very y/n, and clarisse loved it.
unfortunately, the moment was broken by the sound of a twig snapping behind them. clarisse rolled her eyes at the blue team members that had undoubtedly thought they were being very sneaky.
clarisse couldn't control the slight smirk that was slowly forming at the thought of showing off her fighting skills in front of y/n, though, so she guessed it wasn't all too bad.
for the cherry on top, clarisse winked at y/n, before spinning around and stabbing the chestplate of one of the blue team members that had attempted to sneak up on the two of them.
the battle was loud and exciting and over quickly, since the two blue team kids were pretty good at sword fighting, but were no match for clarisse and her spear.
once clarisse had defeated them and the kids had surrendered, she turned back to y/n with a smirk on her face.
y/n approached clarisse slowly. she took in her face quietly for any injuries, and gently assessed a small cut she'd sustained from one of the other kids swords before she'd knocked it out of his hand.
y/n's eyes then went to the wildflower still somehow tucked into clarisse's ear. it was askew slightly, so her hand went up to adjust it, making sure it was secure, before her hand landed on clarisse's cheek.
"impressive," was all she said, a large smile on her face.
clarisse smiled widely as well, and couldn't help feeling triumphant.
895 notes · View notes
patrophthia · 1 year
Text
love is sour grapes | theo. nott
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pairing: theodore nott x hufflepuff!reader
genre: fluff, angst (if you squint), unrequited love but not really, everyone is an idiot, self indulgent, not beta read.
word count: 5.9K
originally posted on ao3 on: 06/28/2022
"Uhm— would you like to—"
He turned to me calmly, the rest of his appearance devoid of emotions.
"—go out sometimes?" I finished. "As a Date?"
One, two, three beats passes and all Theodore did was look at me. No answer. No emotions. No words. Nothing.
Or Theodore is a quiet piece of shit and that leads to miscommunication and complicated feelings
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Theodore Nott. The one constant thought that has been running through my head way too often for my liking. He was handsome, quiet, smart, lanky in all the right ways and never seemed to be engaged in a conversation —or at least one where he was talking instead of just listening and listening and listening.
Talking to him had always been one of my goals, it shouldn't have, really, it shouldn't. But somehow I had found myself more than just infatuated with him. 
Theodore was an observant person, if he noticed me studying him, he never confronted me about it. 
But, as my friend says it, Theodore Nott is sour grapes. Or, in better words, love is sour grapes. If this even was love that is. 
"I think you should just talk to him," Hermione says kindly. "I still don't think that he would be good for you but if you fancy him that much then go ahead." 
"If you want a death wish that is," Ron snickered. "Honestly, can't you have picked a better guy to fancy? I mean— Nott? Of all people."
"Do you want me to fancy Malfoy instead? Would that make you happy," I quipped, hearing Hermione hide a laugh between closed lips. "Or god forbid, you." 
Ron face contorted to one of offense. "I'm notthatbad." 
"Yeah sure," I murmured, with no malice. And turned to Harry who had been quiet about the situation ever since he found out. "What do you think?" 
Harry shrugged, looking startled. "I don't know," He said first, and then. "I think you need someone better than Nott. You're friendly and thoughtful—" he paused hesitantly. "—and you're quite awfully pretty." 
"Thank you, Harry." My eyes fell downwards with no real intention. I was none of those things. "But I don't think he'd agree." 
"What does it matter if he agrees," Hermione said loudly. "Harry's right. You're all of those things. It's his loss if he doesn't go out with you. You're fit, incredibly so. I would be happy if someone like you were to ever fancy me."
If Ron had a reaction to those words, neither Hermione nor Harry noticed. 
"Well," I said as a group of Slytherin walked into the Potions classroom. Potions would be starting any minute now, and I needed to head into class before Snape does. "I'll keep that in mind. If all fails, I'll just have to marry you, Mione." 
With a final smile, I bid them a quick goodbye and made my way into class. The three of them heading to which ever direction they needed to be. 
The class quickly starts, and Snape wasted no time in assigning me a potion to make. Invigoration Draught. The potion that energizes the drinker. How fun.
The ingredients were mostly easy to obtain. Peppermint, Honeywater, Stewed Mandrake then there's Dried billywig sting: my biggest nightmare.
I was only so tall and the shelves where the ingredients were stored stood so so high. I would've used a stool had it been free to use, but a Slytherin had already been occupying it and it would be rude if I were to take it away from them.
There was a cough behind my back, and then, a hand reached; over me and towards the exact thing I needed. Dried billywig sting: my new biggest enemy.
The person pulled back —jar filled with billywig in hand, and stood still as I turned to them. The jar had a decent amount of billywig in it, if they needed it I could still manage to ask for just enough for my potion. That is if they were kind enough to let me have some.
"Could I—" I paused mid-turn. There stood Theodore Nott in all his glory. Dark eyes, dark hair and facial features that looked like every part of him was chosen by Aphrodite herself, watching me with a raised eyebrow. "—uhm, could I have a few of those? I needed it for my potion but I couldn't reach it."
Theodore blinked once, looking unfazed and handed the jar over.
I blinked twice the time he did, opening up the jar; intending on taking out a few and handing it back over when he stopped me.
"I don't need it."
His voice.
"You don't?" I find myself asking, trying not to breathe too loud or to forget how to even breathe in the first place.
Theodore shook his head once. And reached up for something else. Had he seen me struggle and had gotten it just for me?
"Thank you," I tell him. Theodore nodded once, accepting it as it is. I think you should just talk to him. Goddamn it, Granger. "Uhm— would you like to—"
He turned to me calmly, the rest of his appearance devoid of emotions.
"—go out sometimes?" I finished. "As a Date?"
One, two, three beats passes and all Theodore did was look at me. No answer. No emotions. No words. Nothing.
Whether he was scrutinizing me or not, I didn't know. What I do know is that I was wrong and stupid. And my friends were wrong too.
He needed more than me. I might be friendly and kind and maybe quite awfully pretty. But Theodore needed more than me.
"You know what." I cleared my throat, smiling. "Forget I said anything. Have a good day, Nott."
•••
I had been down lately. My friends noticed that. Even Harry and Ron noticed it and they were as daft as they come. Whenever they asked me what was wrong I find myself telling them that I was just stressed over my O.W.Ls.
Which I was. But it was mostly a lie to cover up something I was more upset about. I had idiotically asked Theodore out and now I have to face the consequences of being rejected.
I think —in some ways— him having not even say 'no' or have given a clearer answer was more upsetting then if he had just said no out loud.
It was stupid of me to get my hopes up and think that anything else would've happened. It was stupid for me to even think I was in his league.
It was also late. I hated walking back to the common rooms in these hours but it was my fault for procrastinating my essay until the night before it was due so I had to rush the entire thing in an hour in the library. I had only hoped that Umbridge wouldn't punish me for being out pass curfew.
I had one more hall left to turn before I reached the Hufflepuff's barrels when someone shouted out my surname, halting me in my place.
Fast pace footsteps approached and then, donning from head to toe in pink was Umbridge. Fuck.
"What do you think you're doing out of your dorm at this time?" She asked quickly, her toad like face twitching with irritation.
"I was in the library and lost track off time," I quickly confessed. "I'm so sorry. My dorm's close by and I—"
"It was my fault professor." His voice. "I’d asked for her help and lost track of time. She was trying to head back before curfew but it seems like her efforts were to no avail. I can only hope you would excuse her and blame me for my faults."
Umbridge looked baffled. He talked? Theodore talked? She made that annoying noise that she can't seemed to get rid off. "Well." her voice laced with false kindness.
"I see no point in deducting any points." She then turned to me. "But I will be expecting to see you tomorrow for separating yourself from help at a time as late as this. Merlin knows, it's dangerous for a girl to wander alone at this time."
"Just me?" I asked, slightly confused.
Her eyes flashed with annoyance. "Do you expect Mister Nott here to be punished for wanting to make sure you got back to your dorm safe?"
That wasn’t what he— okay. Fine. Whatever.
"Now, go off," she said with a wave of her hand. "And Theodore, would you be so kind as to walk her back? I don't want to know the troubles she might cause when I let her out my sight."
Theodore nodded, doing as he was told and took a step forward. He looked behind his shoulders, his eyes meeting mine and tilted his head slightly: signaling that we should leave now before it gets worse.
I avoided Umbridge's eyes and stepped forward, trailing after Theodore. Detention. All because I was too lazy to finish my essay any other time I had.
I think I feel my eyes water. I think it feels harder to breathe. I don't know for sure how I feel exactly despite dejected and disappointed with myself.
If I had just made one different choice, I wouldn't have to have detention with the one professor known to physically harm the students. And to top it off, being walked back to my common room by the boy who recently rejected me whilst bottling up my feelings about everything I did wrong.
"You don't have to actually walk me back." I paid no heed to the crack of my voice. Theodore does though. "It's late." I pointed out the obvious. "You should go."
Theodore glanced at me quickly. His look was so quick that I suspected he had planned to only spare me a second of his time. But something about me, something about how vulnerable I must've looked, had him pausing.
"I shouldn't." He said slowly, his tone so attentively that it made me think that he had saw something in me that I never did. "I can't leave you."
"You can." I don't think I can handle being near him any longer, not when he was studying me so cautiously. "It's only a few steps away, I can assure you I'll be fine."
Theodore eyes flickered down the corridor quickly, finally tearing themselves away from me and looked forward, continuing towards the direction of my common room.
When we finally reached where we needed to be. Theodore stood back watching as I tapped the barrels carefully.
I looked over my shoulder once the path opens up. Smiling slightly when I found his eyes on me. "Thank you for taking the blame, Theo. You didn't have to and you did and spared me way too many house points. I really appreciate it."
He made a noise of acknowledgment, taking my word as it is. And then, as he was about to step away. "Goodnight."
•••
I think I hate life. I might be wrong but life sucks. Especially when you have to repeatedly write the same sentence over and over again with a magic quill that tears through your skin.
That can't have been a legal source of punishment but Umbridge made the rules so it was no use fighting her about it.
My hand hurts. Holy fuck, does it hurt. I don't even have to glance down at it for me to see my skin burning red, bleeding slightly. Curved out in the sentence. I will not be out pass curfew. 
"You alright there?" Came a voice. 
I looked up quick and abruptly, sure that I'll get whiplash from my actions; to find George Weasley watching me with interest. I smiled, subconsciously hiding away my hand. "I'm fine." 
"You sure?" He followed up. "You don't look too good."
I nodded, trying to look as reassuring as possible. "I'm fine, just got a paper cut is all." 
He fixes me a look of disbelief but let it slides. "You should go," he said with a small smile. "I think Ron's looking for you? Something about slimey snakes and what not." 
"Oh." The sound slipped out. "Thank you, I'll go find him." 
It was weird to see George without Fred but I decided that I didn't want to know why. They were probably setting up a prank and I had walked right through it. 
Bidding George a goodbye. I continued down the corridor, turned the corridor and found the trio standing by with Draco Malfoy, Blaise Zabini, and Theodore Nott by their sides. This can't be good. 
Is this what George referred to when he said Ron was looking me about some slimey snakes? 
"There she is," Malfoy said with mild annoyance. "We've been looking for you." 
"You have?" My eyes drifted to Hermione but she only shrugged, looking as clueless as I was. "Why?" 
Malfoy took a steps towards me. "You've been with Professor Umbridge?" 
"Yes." I nodded. "Why?" 
"Did she give you the quill?" 
What was he playing at? Why was he interrogating me? "Yes." I repeated. "Why?" 
Zabini rolled his eyes and step up, seemingly having enough of Malfoy's dramatics. "Here." He handed out a bottle. "It's Murtlap essence. Suppose to help you with the cuts. Nott made it for you." 
"He did?" I asked, taking the bottle of Murtlap essence from Zabini's hand. I turned to look at Theodore, finding his eyes glued to my bleeding hand that was grasping the bottle. Jerking my hand back, I smiled, thanking him. "Thank you for this, I really appreciate and for uhm— thanks again for covering for me last night." 
Everyone —all but Theodore and I— brows raised upwards, surprised. So they didn't know about what had happened last night.
Theodore showed no outwards reaction, having just watch me with a straight face and patient eyes. Then he turned to Zabini and tilted his head slightly. Zabini seemingly understood, slapped a hand over Malfoy's shoulder and with a goodbye, steered the blond boy away. 
"Bloody hell," Ron said exasperatedly. "Did that really happen?" 
"Nott made you Murtlap essence?" Hermione asked more to herself than anyone else. "How did he even know you needed it?" 
"I—" I stopped, glancing at my hand. "—I was out pass curfew and Umbridge caught me. Nott took the blame for it. I think Umbridge was too surprised with hearing him talk to properly acknowledge that he too was out of the dorms pass curfew. She said she won't take away any house points but gave me detention as a punishment." 
"That's all?" Hermione said. "Why would Nott take the fall for it and then proceed to make Murtlap essence for you if there wasn't anything in it for him?" 
"I don't know," I told her, shrugging. "He also walked me back to my common room and wouldn't leave me when I insisted otherwise." 
"Do you think." Ron started. "Maybe that Nott fancies you?" 
"No." I was quick to shake my head in disagreement. "He's doesn't. He's made that clear already." 
"He has?" Harry asked loudly, brows knitted together. 
"Yeah," I murmured. "That day I talked to the three of you. I asked him during class if maybe we could go out on a date sometimes and he didn't say anything. Not a yes. Not a no. Nothing." 
"That's terrible," said Hermione sympathetically. "Honestly, what kind of person rejects someone then proceed to do things as if they cared for them." 
"Hermione," said Harry cautiously, eyes shifting between me and her. "I don't think that does anything to soothe her nerves." 
"Sorry." Hermione blinked in realization. "It's just— you deserve better. I don't understand a thing Nott's doing and I don't want you to get hurt in the process." 
"He could be figuring out his feelings," Ron suggested making Hermione shoot a sharp glare his direction. Ron tsked. "I'm just pointing it out." 
"Well it's not helping." Hermione said in an obvious tone. Her eyes drifted down to my hand, scanning the words then looked back up. "I think you should head back and take care of your hand. You don't want it to scar now, do you?" 
I nodded, waving. "I'll see you at dinner?"
Hermione let out an agreeing hum and went on her way, Ron pestering her from behind. Harry hadn't moved though, looking at me with furrowed brows. "Could I maybe have some of your Murtlap essence?"
"Yeah." I handed it over. "I didn't know you had to endure Umbridge as well."
"Didn't think it was important to mention." He pulled out an empty ink pot from his bag and twisted it open, pouring just enough essence to not overflow it. Harry put the cap back on and handed it back over. "Don't tell Hermione or Ron, will you? I don't want to be a bother." 
" 'course." I smiled. "I won't tell anyone." 
•••
What are the chances that I get caught being out pass curfew twice in the same week. Pretty fucking high because I was once again being called out late at night. 
Two sets of foot steps stops before me and it took me roughly five seconds to realize just how grave the situation was. Draco Malfoy stood tall and smug with Hannah Abott by his side looking tired —if a little irritated by Malfoy's presence. 
"What are you doing out, badger?" Malfoy asked. 
"I was heading back from the kitchens." Malfoy made a face and glanced down at my outfit that looked way too overdressed to be heading down to the kitchens. 
"Are you sure?" 
"Yes." It was clear that I was caught in a lie. Goddamn you, Radiohead concert. "I must've lost track of time." 
Hannah looked like she wanted to say something but bit her tongue. Not wanting any of her words to be counted as it being biased just because I was her dorm mate. 
And then, as I waited to hear Malfoy state just how many points he wanted to take away from my house. He said with annoyance, "you can go." Unfazed to the look of surprise that showed up on both mine and Hannah's faces. "Tell Nott he owes me one." 
•••
I don't think my head could —or will ever fully comprehend "tell Nott he owes me one." I don't know why exactly but that sentence feels way more ominous than it ought to be. 
ott does not owe him anything for letting me go. 
And I don't think I owe Nott anything for helping me be let go? maybe I could've phrased that better. What I meant to say is that: I owe Nott nothing for his friend's behavior towards me. At least I don't think I do. 
But things works in mysterious way. Like how —despite how ironic I find it— Nott always find out a way to help me out during potions. Especially when it came to the ingredients. 
Though that was the least of my concerns right now. My concern, for now, is revolved between the three books in my hand that I can't decide —for the life of me— which one to buy. 
On other occasions I would buy all three and went about my day but I had only brought enough money for one book and food for the rest of the day at Hogsmeade, and my friend didn't seem like they'd be heading back to Hogwarts for extra cash any time soon. 
I looked over my options once more, trying to figure out which one would be the bang of my buck. 
Option one: All Or Nothing, a novel about a girl trying to navigate relationships with the people she surrounded herself with and see whether they would react differently when she gave them her all, and then; how they would react when she gave them nothing. 863 pages. 
Option two: Glimpse Of Us, a novel about a boy who always —and I mean always, sees his ex in the girls he dates after her. 295 pages. 
Option three: Listen boy, a cheesy novel about a girl who had little to no interest when it comes to going on dates with guys but when her roommate compliments her on the socks she wore, she finds herself wanting to do nothing but go on dates with them. 530 pages. 
Both Glimpse Of Us and All Or Nothing seems like sad book. Maybe it's time for me to find some joy in my life —which seems to seize to exist after whatever happened between me Nott happened. As I turned, intending to put those two books back in their respective places. I was more than surprise to find Nott looking at me with a slight fascinated tilt to his head.
“Which is it?”
"Hmm?" I find myself humming. Should I pick All Or Nothing instead? Wouldn't that make me seem more intelligent than a book about a girl being in love with her roommate. 
"Which one have you chose?" He clarified, and I might've imagined it —no I definitely did because, Theodore Nott's lips did not just curve up at all. 
"This one." I lifted up whatever was in my right hand which just happens to be Listen boy. And there goes sounding more intelligent in front of Theodore. "It seems cute." 
"Is that all?" He followed up and it's then that I realize he was wearing a forest green that had no reasons to make him look as good as it did. Green really was his colour. "Nothing more?"
"No." I shook my head. "Ideally I would like two get these two as well," I told him truthfully. "But I only brought enough for one —technically two, if I stretched it out but that would mean no snacks for the rest of the day so it's a no." 
"I'll get it for you then," he says casually. Like it's something you say to someone you recently rejected. Like he was walking around, waiting for someone to tell him that they haven't brought enough cash for the other books they wanted. "Would you like anything else? I am more than willing to indulge you." 
"No, I don't." I stop myself. Yes, I mean. Because I really did want other books, especially if someone else was paying for it but I know that my poor heart cannot handle it. 
It is already breaking apart at how handsome he looked with his forest green jumper and black ironed pants. His hair, a usual dark brown, just the slightest tinge brighter under the sunlight (which is both a sight for sore eye and a rare view since I only ever see him in the dungeons, hunched over a bubbling pot and disgusting lightings) which flatters him in all the best way possible. 
And no, my heart is not picking up a million paces over I am more than willing to indulge you in that very tone of voice, in that very set of clothes, in very set of lighting, by that very Slytherin that I could not seem to get over.
"You don't have to," I insisted, trying to not shiver under his gaze. He narrows his eyes and it says way more than words could ever say. He knows he doesn't, he wants to. Oh lord save me. "Maybe this one? It's cheaper." 
"That was not my question," he said curtly. "I asked you if you'd like anything else, not which option was cheaper."
What are we even talking about now? Was he planning on buying me the three books in my hands and more or was he planning on letting me pay for my choice then pay for the others I couldn't afford. 
Is my face that much of an open book? Because, without even having to say it. Theodore had already answered my questions for me. "I'll buy you the three in your hands and anymore you'd like. I'd buy you the whole store if you wanted me to." 
I think I'm having a heart attack. Or dreaming. Or both. I can't tell. Maybe I'm dreaming while having a heart attack? Who knows. All I know is that Theodore Nott did not just say that. Did he? 
"No." I shake my head quickly, maybe even too quickly. "No, I— these three are more than enough. I promise to pay you back when we get back to school."
Theodore fixes me a look. One ridiculing me to the point that I wished —more than anything— that I was a bludger being hit so hard I pass through the most oblivious of oblivions. I'm so sure that that would be less stressful. 
"I mean it!" I press all three books to my side. "I promise, and I always keep my promise. I won't take advantage of your money, I will get it and find you as soon as I—"
I didn't see the point in finishing my words because he was smiling. And laughing. I think. It's a mixture of those two and it's so heavenly that I believe in everything ethereal alike. 
Theodore noticed my silence, the side of his lips curved the slightest bit (so so small and tiny that you couldn't even spot it), looking at me with clearly amused eyes. And then, "did you not hear me?" 
"What?" The words slipped out easily. 
"I told you I'd buy you the whole store if you'd like and you think I'd want my money back?" He said slowly. "I couldn't care less about the money. I just wanted to make you happy. Salazar knows, I've made you upset more often than I could count between my fingers." 
Now what the fuck was he on about. He has never made me upset —save for rejecting me that one time,  but I understood it, he didn't like me, that's that. I have gotten over. I think. But I'm more than sure that I could count that one event between his ten fingers.
Unless Theodore only had one finger? Does he? I cast a glance down to his hands and there are those ten fingers. Ten exactly. Not one short or one more. Ten and a couple of silver bands that made me want to do nothing but sit and stare at his long, pale, slim fingers. And how they would feel around my— nope, nope. Absolute not. 
"Merlin, we leave Nott alone and he goes around trying to find his girlfriend." Girlfriend? 
When the owner of the voice, Zabini, finally arrives before me and Theodore, I was no where near surprised to see the other Slytherins in their group by his side. 
Parkinson. Malfoy. And finally, Greengrass —whom I was actually friends with. 
"Well?" Zabini muttered, eyes shifting between me and Theodore, and then landing on him solely. "Are the pair of you planning on standing here the whole day?" 
"No," I said with narrowed eyes. "I don't know what he's doing here, I'm just trying to buy a book." 
Zabini raised a brow. "Is that all, princess?" 
"Pretty much." This feels like a trap. Is this a trap? "Are you planning on going somewhere with Theo?" 
"Theo," Zabini tsked with a smirk. "I've never once called him that and I've known him for about five year now. How cute is that." 
Yep. This is definitely a trap. I think I'm going to die now. 
Theodore, with a roll of his eyes, made his way to my side and pried at the books pressed to my waist. Confused, and a little daze at the warmth of his fingers grazing my hip, I let go of the three books and watched him with wide eyes. 
He seemed (and looked) unaffected by how everyone eyes were now on him. Walking around and picking another set of the exact books I'd picked out. Theodore paid for them without a word, asking for separate bags and handed a set over to me. 
And then, quietly he says. "Zabini's an idiot." He smiled a winsome one and I am so sure I'm dying and this —whatever this was— is just a figment of my imagination that my brain curated during my dying breath. "I like it. Don't ever stop calling me Theo." 
•••
Blaise Zabini is trying to be matchmaker. I'm sure of it. Or else he wouldn't be bothering me as much as he did now. I can't seem to peacefully spend time in the library without being interrupted by him. 
"Hello," he greeted, smiling as he sat opposing me. I raised an eyebrow and he was able to read me quick enough, telling me the reason he was here. "Just wanted to let you know that Nott finished those three novels he bought and he's looking for someone to talk it over with a cup of tea —or coffee, whichever one you prefer." 
Is he implying what I think he's implying? "Why is that any of my concerns." 
"I thought you might be interested." He shrugged. "Since you know, you fancy Nott and all." 
"I don't fancy Nott." I told him. An obvious lie, and Zabini knew that too. "And he doesn't fancy me so it's just a waste of time." 
"Nott doesn't fancy you?" He's laughing. He's actually laughing. What was so funny about the truth? "What makes you think that?" 
"He literally turns me down I when I asked him out," I said blankly. "It's pretty clear, isn't it?" 
"And what exactly did he say?" Zabini asked playfully, as if he was humoring me. 
"Nothing," I answered. "He just looked at me and said nothing, I don't think I need anything else to tell me that it's an obvious no." 
"Nothing?" Zabini repeated with a grin. "Have you heard of being speechless? Or better yet, you know Nott doesn't really speak right?" 
"That doesn't excuse him saying nothing when I asked him to go on a date," I countered.
"It doesn't," Zabini concurred. "But Nott's an idiot." Funny, Theodore said the exact same thing about Blaise. "Did you know Nott did Malfoy's work for a week without complain just because he let you go that one time you snuck out?" 
No. I don't say. Malfoy did say Nott owe him one but I hadn't thought it important. "What does that have anything to do with what you were talking about?" 
"Because," he says exaggeratedly. "Nott fancies you back. I suspected that he liked you since third year though he won't admit it. He won't even admit that he fancies you now but he's incredibly easy to read." 
I shut my book and looked at him. Really looked at him. Trying to gauge whether he was messing with me or telling the truth. "What am I supposed to do with this information?" 
"Ask him out again," he suggested lightly. "Give him another chance for being the biggest twat there is."
"And have him reject me again?"
"He won't," Zabini says calmly. "He'd burn the entire school down before even thinking of rejecting you." 
I hesitate. "I don't want to embarrass myself again."
"You won't," he says with a roll his eyes. "Look I know being rejected is hard, I think I get it. I've never been rejected before. But I also know that the both of you like each other just as much and it's getting tiring seeing you beat around the bush." 
"Nott won't make the first move. He thinks you hate him now for not answering when you ask so you'd have to ask again —if you still want to be with him that is. Do you? Or else I've been doing all this for nothing." 
Yes. I think. I'm pretty sure that I want to be with him. "Do you know where he is?" 
"Oh," Zabini said delightedly. "He's actually coming here right now. I told him I was coming to find you but never gave him a reason why. He'd be here any —speaking of the devil. Hello, Theo."
Theodore doesn't bother to return his greeting. Eyes heavily set on Zabini in a glare that had me shivering just from the side lines. Then his eyes turn to me and his glare on hardens. 
"Hi, Theo." I don't think I've ever since Theodore like this before. "What are you doing here?" 
"What did he do?" He asked instead. 
"Nothing," I said quickly. "He did nothing. We just talked." 
"About?" 
"Stuff."
"Stuff?" 
"Yes. Stuff." 
"What kind of stuff?" 
"Oh you know," I huffed. "The weather. Coffee. You." 
"Me?" 
"Yes." My lips fold itself into a thin line. "Actually Theo. Could I ask you something?" 
His gaze softens when he nods.I am more than willing to indulge you.I am so sure now, more than ever, that love really is sour grapes. 
"Uhm— would you like to—"
His eyes widened, large as saucers as he processed in my words.
"—go out sometimes?" I finished. "As a Date?" 
One, two, three beats passes and all Theodore did was look at me. No answer. No emotions. No words. Nothing. And I am briefly reminded of everything that happened. 
And then, "yes," he says. "Yes, I would." 
•••
Theodore really did read those books he bought me. This I knew now as I sat under the sun on one of Hogsmeade many benches with Theo to my left. 
This part of Hogsmeade was quiet, it wasn't too far from the shops but far enough for no one to frequent by. A few people passed by trying to move from destination to destination but none noticed the bench wedge into the middle of the place where two fifth years were sat, talking about everything and anything under the moon and stars. 
"So you liked it? You liked 'Listen, boy'?"
"I did." He was smiling and I wished more than anything that I'd had a camera to capture every smile he had given me during the pass hours. "Is that so hard to believe?"
"Yes," I laugh and his smile widens. "It just doesn't seem like you. It's a cheesy and corny book and you're always so dark and broody about everything." 
"I'm not dark and broody about everything," he denied. 
"You are!" I countered. "You were even dark and broody when I'd first asked you out."
"That's 'cause I didn't know what to say," he says truthfully. "You could've said yes, that would've made it easy for the both of us," I told him. "I really couldn't. You don't deserve just a yes. You deserved everything, not something so simple." 
"But that yes would've made my week, Theo." 
Theo looked like he was about to say something before he changed his mind. "I'm sorry I didn't say yes when you'd first asked me. Could you ever forgive me?" 
I want to kiss him until his lips, his skin, his hands, his scent, every tiny bit of him is imprinted in my mind. "Yes." I say. "Yes, I think I could." 
Theodore chuckled, his nose crinkling at the motion and something between that laugh and smile of his causes me to lose it. 
My hand reached forward first, palm pressing against his cheek, pulling him closer to me and pressed my lips onto his. I kissed him once then as I reached to pull away; I find that both of his hands had found their way to my cheeks, holding me still as he kissed me back. 
Theodore pulled back, the tiniest of smile on his lips that had the smallest smudge of my lipstick attached to it. And he tells me, as if he had been thinking of this for days, years, lifetimes. "You are the prettiest girl I've ever seen." 
And when I smiled, Theo leans back in. Peppering quick kisses on my lips, my nose, my cheeks, my forehead, anywhere I would let him kiss me; he will cherish it. 
Once Theo finally pulls back —and this was for real this time, no more quick kisses. He looks at me and I know deep down that he will be the death of me when he says. "You are going to be the death of me."
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— from bee: the thing about theo is that we know nothing about him so you can’t say that this is ooc :>
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toji-girl · 30 days
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ok so I'm going through something and writing helps me process it.
tags: female reader + angst + lost friendship + Toji is super protective and doesn't like seeing you sad or anything
Your eyes scanned the same lines repeatedly, trying to make sense of the turnaround of the conversation with your friend. The above message you sent was nothing but kind and mature-like.
Her message was nothing but filled with malice when she pointed out all your wrong doings for no reason, it took you back as you tried to process her words as you dialed Toji's number feeling tears burn.
As soon as he heard the first sniffle he was grabbing his car keys from off his desk. "Baby? What's wrong? Talk to me." Toji urged you gently not giving anyone at his work any sort of notice that was he leaving to come home to you.
Before anything else, you came first in his life.
As you explained the situation and read the messages out loud you couldn't help but feel the pain manifest into something physical that took on an ache deep inside your gut as you replayed the words.
On the other side of the phone, there was silence. "Toji? Baby?"
"I'm here. Let me call you back actually." With that, the line clicked dead followed by a slew of texts that rolled in a few minutes after.
It was from your friend who ended the relationship without much warning, after twenty years you lost the one person you thought understood you so well besides Toji and your family. She was the only one in your life like that and now you had no girlfriends of the sort.
You blinked away the tears that streamed down your face as you curled more into the couch when Toji called you again. "Did you call her? What did you say to her!?" You asked him hearing him grunt.
"Ain't no one goin' to talk to my wife that way, I told her she needs to apologize and watch her mouth is all, I won't let anyone disrespect you," Toji replied with a shrug as he pulled into the driveway.
As soon as you heard the click of the front door you pushed yourself off the couch and hurried over to Toji wrapping your arms around him and sobbing into his chest. "You really did that?" You asked softly.
You knew he would and always will.
Ever since getting together with him, he's always been your protector against everyone, even when you tried to tear yourself down. He wouldn't let that happen, not with him around anyway.
Toji guided you to the couch where he sat down and pulled you onto his lap letting you get comfortable before wrapping both arms around your waist and pulling you closer to him.
"I did, and she tried to come at me sideways so I told her to shove it basically without actually saying it because I know you still love her with that big soft heart of yours." He murmured letting you nuzzle your face closer into his neck inhaling his scent.
More tears streamed down your cheeks as you hugged him tighter, even if words could express how thankful you are to have him there would never be enough to describe it.
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deviantly-inspired · 8 months
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Ok so I've seen the idea of food 'made with love' being what Dream enjoys most but I really think we, as a collective fandom, need to lean in more to the idea of it, actually.
We KNOW from the comics that Dream eats food; that he was starving after his freedom. But even though he's hungry, even in the waking world, he won't eat because there's been nothing but bad intentions and malice directed to him for over a hundred years. He's wary. Like a spooked horsed.
But Hob Gadling has always been so unashamedly fond of Dream, that it's... tempting. to indulge.
(it's more than tempting. He's already starving: for dreams for nightmares for softness for sharpness. Hob is the only person Dream knows that he would take any of it from. If Hob were to offer him poison then Dream would take it gladly, if only to have something to fill the void within him. How miraculous it is, then, that Hob would only every offer succor)
So maybe Dream stares at some home-made food that's being eaten on some picnic while they're about. And Hob needles him just a bit, trying to get some information. What all goes into being Dream of the Endless? And Dream enjoys their wordplay and games so he dances around answering but his gaze keeps going back to that soft little picnic, not too far. Hob steers the conversation towards intent, and Dream admits that, yes, he can sense the intent things are made with, before directing the conversation to something a little safer then the art of consuming.
(Dream would take and take and take and take anything that Hob would give him. Even poison. And would thank him for the malaise of it. It is safer, then, to not let even the hint of hunger touch his waking form.)
But Hob didn't get to over 600 by being a slouch on his academics. He's smart. perceptive. He knows people, and Dream is certainly a 'people' even if he's not quite a person. So he makes something simple, that night. A stew maybe, and thinks of his mother's care and simple wishes whispered to the cast iron. love and kitchen magic. Spells for healthy children and a meal that will fill for longer than it should. Hob wonders, to this day, if maybe she was some sort of real witch and not just the magic that all good mothers are. But he can't ask her so he whispers wishes into his potatoes and encourages the bone to seep fully- he's going to be all bones like you if you don't fill him up- and thanks the meat for it's part and imagines it sticking to the inside of whatever Dream calls ribs to keep him going for a bit longer than he might have otherwise.
(there's all sorts of magic in the world. most of it regular folks will never get to touch. but there is a type of magic, the oldest kind, that's alive and well even in the most scientifically inclined people.)
Hob presents this stew casually. There's no fooling Dream though. It's simple appearance does nothing to hide all that was poured into it. The way the vegetables sing of harbors and the meat dreams of comfort. How the broth simmers with comfort and fullness and broken bread over centuries. love thickens the whole of it into something that will last. Something that will stick and keep him full long past when he should be hungry. To fill the most ravenous parts of him. He wants to consume. He cannot.
I shouldn't, Dream says.
It's yours, Hob replies. I made too much anyway. Wouldn't want this to go to waste.
The idea of it wasting, left to rot, a gift returned, is abhorrent. Dream never claimed to abide by the mortal concept of good. He eats the stew, and then the second bowl and then the third. And hob is only too happy to give him more and more and more, until the pot is empty and, still, Dream starves.
I shouldn't, Dream says with his eyes locked on Hob's lips.
I'm yours, Hob replies. I've always been yours. There's enough of me to pour into you, however much you want for however long you want.
I will want you endlessly, Dream warns with what little strength he has. There is nothing in me that does not hunger. I was born of Night most of all and this means that I know what it is to be a black hole, i know what it is to consume everything, even light, and still never be full.
Hob smiles and leans forward and pours himself into Dream's mouth, all of himself, all that he can spare and then more and more and more. He tastes like lightening and warm broth and bread broken under starry skies. It tastes like every daydream Hob has had for 600 years. It tastes like the knowledge that this will last, sticking to the inside of his ribs warming from within bolstering against that which would sap the meat from your bones. It tastes like something that will last.
(the oldest magic across every universe is love, of course. but you knew that already.
All stories return to their original form, after all.)
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pitchblackespresso · 4 days
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I feel like I'm on r/OffMyChest, but there's something I've been meaning to say for some time
I dislike the Zonai
Their execution was lackluster (there's some interesting stuff, but the environmental storytelling is too sparse and inconsistent for any sort of coherent theory-crafting), but what I despise the most is how they're retroactively shoehorned into botw's worldbuilding
The Sheikah tech ? Heavily implied to be a derivative of the Much Superior Zonai tech
Hyrule Castle? Was built to honour Rauru's sacrifice
Calamity Ganon? Leaked gloom-turned-malice from dehydrated Ganondorf's seal
Temple of Time? The ~original~ was Zonai-made
Typhlo Ruins? Actually Hylian made, but to honour the great King Rauru (again)
Rauru himself is Zelda's ancestor (and implied source of her sealing powers, retconning the Triforce)
The Forgotten Temple? Also Zonai and used by King Rauru to hide the Secret Stones
Ancient Hero? Some kinda Zonai hybrid creature
This narrative of "everything was the Zonai/Rauru all along" is one I don't vibe with, because not only does it give inconsistent backstory to things that didn't need it, but they then left us with more questions than answers due to just how little we actually know about the Zonai.
I also wanna mention how much I dislike the Gacha machines that dispense the complete eyesore that are the Zonai devices. They're a fun enough gameplay concept (tho I don't personally like it), but it makes no sense how you get functioning hydrants or rockets out of gachapons. The Sheikah tech was given ample backstory, and clashed with Hyrule's otherwise rugged wilderness for thematic reasons. The Zonai tech is just kind of an ugly reminder that this is a videogame, and that you get these pre-made devices because the devs wanted to make a sandbox, regardless of whether it fits in this medieval high fantasy setting with serious undertones and environmental storytelling. And since they're branded as Zonai-made, they add to my discontent with the Zonai
I love this game, and it's done so much right (even tho some people might say otherwise), but I cannot bring myself to enjoy much of anything related to the Zonai, which, despite being barely in the game, play a huge role in the story, environment and worldbuilding
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undiscovered-horizon · 7 months
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Vikings preference: your friend hits on you and gets aggressive
@ivartheb0neless
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Ragnar Feels genuinely hurt because he thought he could trust your friend. Whenever Ragnar went away, he'd ask your friend to keep an eye on you and generally make sure you're safe and sound. Makes veiled threats and passive-aggressive jokes at first, hoping that he can both force a boundary and not sour any relationships but his humour is gone when he realizes that your friend is not keen on taking no as an answer. If you raise your concern about "safety vs. keeping a friend", Ragnar makes a sarcastic comment about your sentiment - because a guy who forced himself on you is such a great friend to keep, right?
Gives you a knife to keep on you at all times. If you have the guts, and such an occasion arises, to stab the man once he gets physical with you, Ragnar will have your back no matter what. Also, low-key thrilled. But if you don't end up fighting your own battles, he'll gladly do it for you. Not an ounce of regret on his face during or after.
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Bjorn Pretty direct. Makes plausible threats and will fulfil them. Terrifyingly calm and collected for the most part. He's angry but also disappointed that someone you considered a friend could repay your kindness and affection in such a way.
If you tell Bjorn that you're unsure what to do because you want to keep your friend or you think that he's overdoing things, he might get short with you but it's not out of malice. He's worried that if you don't see your male friend for the lying snake that he is, you might get even more hurt and that possibility enrages him so much he doesn't entertain that thought longer than necessary.
Bjorn is definitely the type to make his revenge somewhat public. Not only will that make others keep their distance from you but it will also earn him respect among other men - he takes his husbandly duties seriously. Whether your "friend" lives or dies is entirely up to them and how callous they have been with you. Whether he meant to or not, Bjorn causes people to look away from you when you're walking through the town. No one wants to risk getting your friend's treatment.
After that, Bjorn will never trust any man who tries to be your friend or claims to be one.
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Ubbe Tries to be the bigger person at first and has a stern word with your friend. Ubbe is probably the only one to seriously take your word/assurance that there's nothing to get worked up about. He will also wait relatively the longest before getting seriously involved - not because he doesn't care, it's quite the contrary. He doesn't want to impose on your independence, so even if he's uncomfortable with the situation but you keep saying "I've got this", he will keep to himself although will voice his concerns (and will refuse to leave you alone at any place or time). When things become serious and the man starts to get physical, Ubbe will make it clear that from now on he's more concerned about your well-being than your freedom: "I'm sorry for disregarding your wishes but I can't sit and watch you get hurt". Believes to be responsible for your safety as your husband.
Ubbe is the type of person who will seek your friend out on his own and resolve the issue right then and there. He goes to the other man's house one night and leaves it only when an agreement is reached - doesn't matter how far he has to go to ensure that. Ubbe's not afraid to get his hands dirty for the right reasons.
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Hvitserk Also hurt because he was actually getting along well with the other man. Hvitserk will ask about your perspective and wishes but if your safety is compromised, he won't make them a priority. At first, he's trying to get you out of harm's way, so you're leaving your house only if he's by your side. But once he learns that your supposed friend forced his way into your home and put his hands on you, Hvitserk is determined to take things into his own hands. He won't seek out your friend on his own but rather wait for an opportunity to arise; doesn't start the fight but surely will end it. The next time another unwanted advances are made towards you, Hvitserk has an axe in his hand and this time, he's the one who doesn't take no for an answer.
If you ever befriend another man after that, Hvitserk will tolerate him but never let go of any suspicions. Also, might tell the story of your previous "admirer" to scare your new friend into behaving properly.
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Sigurd The most probable to get into a brawl right away. At first, he feels quite self-conscious seeing another man flirting with you but when the man in question starts to become aggressive, Sigurd coins his insecurity into hostility, effectively picking a fight. After what seems like lakes of blood and an entire concert of bones breaking, the brawl ends. Sigurd looks like he's been through Hell and still that's a lot better than your friend, who would be pronounced dead if it wasn't for the sporadic raise of his chest as he tries to take in a ragged breath. Sigurd will also voice his anger as he's caving in the other man's skull ("Was it fun when you grabbed her? Enjoying a little manhandling, eh? I'm happy to provide").
Gains respect in his brothers' eyes but none of them quite wants to admit it.
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Ivar He would also feel self-conscious at first. Considers your friend's bold behaviour an assault on his masculinity ("You think I'm not man enough and therefore think you have any right to bother my wife"). Not surprised in the slightest. Hated the guy's guts from the very beginning and made it obvious. Might actually say the dreaded "told you so".
Because he perceives your friend's aggression as somewhat personal, Ivar is driven to go quite far in order to make the punishment fit for the crime. Not only does he do it for your sake but also to make sure that everyone knows just how much of a true Viking is inside him. Some say that "silence is golden", so if your friend decides to use less-than-savoury language towards you, he might end up with his throat filled with liquid gold to ensure no more offence leaves his mouth. Similarly, he's going to suffer the "equivalents" for whatever other thing he's done. He grips your hand so hard there's a bruise? Ivar will wrap his hand with a chain and slowly tighten it until all the bones crack and the wrist is literally torn away from the forearm. But no matter what he does, in the end he still feels like it doesn't quite make up for your friend's wrongdoings.
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Hey, its Ominoose, your all time biggest fan here. Blue time.
You're a patient at the hospital, his favourite, he's always possessive. A new guy joins the staff and tries it with you, either flirting or getting handsy. Blue finds out, gets possessive. Maybe coddles you a bit ?? Idk, just... Blue <3
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Orderly!Blue Jones X F!Reader • Rating: 18+ pals Masterlist• ao3• want to be tagged? • ko-fi • request info •
A/N: Firstly @ominoose you are far too kind, secondly I'm sorry this took so long, thirdly I’m so sorry Blue is fucking insane in this. 
He’s jealous! He’s whiney! He's a warning in himself!
Warnings: overuse of italics, oral sex (f receiving), p in v sex, cream pie, there's some power dynamics in here because reader is a patient, swearing, also I haven't proof read this correctly because I just can't look at it any longer, please let me know if I've missed a warning.
Word Count: 2079
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“It’s time to go in.” Timothy’s voice made you jump. He was pretty nice, for an orderly. He’d only started two weeks ago and already he had half of the patients swooning and making heart eyes at him. Just over the fact that he seemed vaguely kind, and not the sort of person that would push someone under a bus for the fun of it. 
“Oh,” you closed your book, lightly bending the corner to mark your page. They didn’t let you have bookmarks in here, ‘weapons’ apparently. Though how you could do more damage than a paper cut was beyond you. 
“Sorry.” You mumble as you get up from your spot under the tree, you hadn’t heard the pips which normally alerted you to the end of outside time. 
Timothy smiles and shakes his head. “It’s okay, no problem, I could see you were absorbed in your book.” His expression is soft, caring. “Is it good?” 
You nod, eyeing him with a little uncertainty. 
“It’s nice to see patients reading, I think it’s really calming, you know?” He smiles again, tilting his head to the side and taking a fraction of a step closer. “I’ll take you in,” he places his hand on your bicep gently, just to guide you towards the door. All the other patients have gone inside already. 
“I see you reading a lot, you must like it huh?” He says good-naturedly.
“There’s not a lot else to do.” You say softly when he looks to you for an answer.
Timothy laughs kindly, “Well, that and getting better I guess?”
“Hmm.” While he seemed harmless enough, you knew from experience that it was always better to err on the side of caution with orderlies, especially new ones. And even more so with ones that seemed friendly. 
He pauses, haunting your movements with the hand on your arm. “You know, you should smile a bit.” 
Ah. There it was.
You frown.
“I mean,” he blushes a little and runs his free hand through his hair. “Not like that, do what you want, of course. I just heard that smiling releases happy chemicals you know? Makes you feel happy even if you’re just doing the expression.”
Oh.
You look at him carefully, scrutinising for any malice and find none. You smile a little and nod. Maybe he’s-
“McCarthy!” Blue bellows from across the courtyard, his voice snapping against you like a whip. 
Timothy visually jumps at the sound of his last name, turning quickly, but not letting go of your arm. Blue marches over. His eyes seem brighter than usual, gleaming with a mad, impulsive energy that rolls off him in waves.
Timothy audibly gulps as Blue stops in front of him. 
Blue smiles, all teeth like a chimp bearing a warning. “What are you doing?” He says calmly.
“I, I was just taking them inside.”
Blue doesn’t even look at you. “Why?” 
“It’s, erm, it’s time to go in?” He shifts a little nervously. 
Blue leans a fraction closer, dropping his voice dangerously low. “Is it?”
Timothy gulps and nods, wide-eyed. 
“Take your fucking hand off their arm.” He growls.
Timothy lets go of you as if he’s been burnt, stepping back, holding his hands up in apology. 
Blue clenches his jaw, his shoulders pulled back and begins to stalk forward, closing the gap and removing the slither of space Timothy tried to place between them. 
“Blue,” you whisper, low and soft, as you brush against his forearm with your little finger. 
His attention snaps to you instantly, the tension leaking out of his expression. 
“It’s okay.” You nod at him, keeping your voice that same gentle quiet tone. 
He grabs hold of your hand, running his thumb over your knuckles before looking back to Timothy and giving him a glare that could have easily stripped flesh from bone. “Get back to your post.”
Timothy didn’t have to be told twice. 
He scampered back, rushing through the door and not even giving either of you a glance over his shoulder. 
You squeeze Blue’s hand back. “You’re not going to have any more new staff if you keep terrifying them like that.” 
He doesn’t listen to you, his muscles tense as he lightly traces the place where Timothy’s hand had been. “Why was he touching you?” 
“He was taking me back inside.” 
“And you let him?” He glances up at you with dangerous eyes.
You nod. In your heart of hearts you know he understands why you couldn’t refuse.
His grip on your arm tightens ever so slightly. “Why?” 
“Would you rather I had, and been put in solitary?” 
His expression softens again and he shakes his head ever so slightly. “He wouldn’t have dared.” He whispers, so quiet you can barely make out the words.
Suddenly he grabs your wrist, pulling you closer and pulling up the sleeve of your t-shirt so he can get to your skin. 
You yelp in surprise as he bites your arm, sinking his teeth into the spot where Timothy's hand had rested moments previously, before he soothes the spot with his tongue. Instantly you flinch back, but he holds you firm as he sucks a hasty love bite into your skin. 
His chin is a mess with salvia when he pulls back, his fingers digging into you. 
You barely get a chance to open your mouth, to intake a quick gulp of air before he’s yanking you towards him, snaking his hand to the back of your neck and forcing his mouth onto yours.
Despite the frenzied heat, the kisses are soft, careful as he slides his tongue into your mouth and presses his body flush against yours. He whimpers a little as you kiss him back, nipping a little at your bottom lip and pressing his warm palm against your lower back so that you have nowhere to escape to as he grinds his half-hard cock between your legs. 
It takes him a moment longer than you thought it would for him to stop, pull back a fraction, breathing hard. For a second you think he’s remembered himself, remembered that you’re both in the middle of the grounds with the asylum's large windows looking down on both of you. But the glazed look in his eyes tells you that he doesn’t care. 
“Don’t want him to touch you,” he mutters, tracing his fingers along your jawline. 
“I know Blue.” You say soothingly. 
“Don’t want anyone to touch you.” He kisses you again, three light, quick pecks to your lips. “Other people… they’re not careful. They don’t understand how to take care… they break things.” He shakes his head. “They’re not allowed to break my things.” 
You lean a little closer, closing your eyes and rubbing your nose against his. “I know Blue.” 
His kiss is harder this time, his fingers a touch too firm as he squeezes your jaw and holds you in place. 
You don’t mind though, don’t care as you feel his fingers twitch, his grip relaxing as you lick into his mouth. 
He pulls back a fraction, his warm breath hitting your cheeks. “Need to make you cum.” He mutters into your mouth, not giving you even a second to respond before he turns and marches back, further away from the asylum doors and pulling you along with him. 
“Blue!” Your book slips out of your hands and you practically have to jog as he yanks on your arm, moving with a frenzied energy to the large, old oak tree you were sat underneath moments before. 
He pulls you around so that you’re hidden from the asylum’s windows and pushes you up against the bark. 
“My book-”
“I’ll get it in a sec’ baby,” he murmurs, his voice almost slurred as he gazes over your body, taking every detail in before he drops to his knees. 
“I don’t think-”
“You don’t have to think.” He bites softly at your hip as he hurriedly pulls down your trousers and panties, yanking them off your right leg and not bothering to completely remove them from your left. “Just be good.” He mutters, his mouth thick with salvia. His fingers dig into your skin as he grabs hold of your right thigh and hoists it over his shoulder. Not even pausing before his mouth is on you. 
Your breath leaves your lips as a whine as he licks, broad, fat swipes of his tongue through your folds and up to circle and tease your clit. 
“Blue,” you gasp, grabbing hold of his shoulders so support as he repeats the action over and over again, digging his fingers into your thighs and urging you to buck into his face. 
He moans against you as you say his name, swirling an extra circle around your clit before he’s dragging his tongue back down and up again. Groaning as he completely devours you. 
The wet sounds are practically obscene, even without your building cries that you are trying your hardest to muffle, it would be obvious what the two of you were doing to anyone in the vague vicinity. But you quickly lost any residual thought of caring the second his mouth was on you. 
He pushes you harder against the tree, practically forcing you onto tiptoes as your right leg squeezes against his back and pulls him closer. 
He rakes his teeth over your bundle of nerves, chuckling at your little sharp intake of breath before he sucks on your clit like a man possessed. 
You moan loudly, throwing your head back against the tree bark as your legs shake and nerve endings are flayed raw with pleasure. He keeps sucking, grinding his face against you as he pulls your orgasm from your body, giving you little say in the matter. 
Your vision whites out for a second as your back arches, your fingers digging into and bruising his skin.
You barely have a moment to recover, the aftershock still running along your limbs as he pulls your leg from his shoulder and moves back. You nearly stumble for a second, weak without his support, but then his hands are around your thighs and spreading you wide as he pushes inside. 
He groans as you gasp in surprise, grinning at the way your eyebrows pinch together. He doesn’t give you a moment to adjust, just presses until he is completely sheathed, his length splitting you wide open. 
“Fuccck…” he moans and bucks shallowly, once, twice, before really starting to move. Setting a brutal, frantic pace that has you holding onto him for dear life as sparks of pleasure coil and glide out from your core. 
“You take me so good baby, so good for me,” he kisses you hard, nuzzling into your cheek and neck as he pounds into you in a frenzy. 
It’s like he has you memorised, every spot to make you scream, and cry, and beg for more, as he hits deliciously deep, angling his hips just so that you see stars with every thrust. 
“Blue,” you moan into his mouth, feel him grin at how wrecked you sound. “I’m-”
He changes the tempo ever so slightly and you practically scream for him. 
“That good, huh baby? Need my cock that much, hmm?” 
You nod, unable to form words. 
“Only my cock, yeah? Only me. No one else, no one else is gonna take care of you like this, no one else is gonna make this pussy feel so good, no one else is allowed.” He growls. 
You gasp, pleasure building to a dizzying high. “Please, gonna cum, please.”
He whines, biting his lip, his voice softening despite the sudden increase of his thrusts. “Oh baby please, please, I need it. Please cum on my cock, please. Need you to cum, need you to feel good, let me make you cum,” thrust, “please,” thrust, “ just me,” thrust, “ just me,” thrust, “no one else.” 
“Just you.” You manage to stammer out as bliss overtakes every thought, washing over you in waves and rippling across your very soul. 
Blue lets out a strangled cry as you cum, your walls squeezing him so tightly, urging him deeper and pulling his own orgasm from his bones. He buries his face into your neck and bites down, his saliva socking into your t-shirt as he muffles his moans. 
He stays close as you both recover, littering your face with kisses until you're giggling, and playfully trying to push his face away. 
____________________________________
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luveline · 1 year
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𝐥𝐨𝐯𝐞, 𝐚𝐧 𝐚𝐛𝐬𝐭𝐫𝐚𝐜𝐭 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫
You learn how to be someone’s girlfriend. Or, 5 times Hotch raises your expectations (+1 time you raise his).
7k words, new established relationship to established relationship, lots of fluff and some small angst, hurt/comfort, fem!reader, civilian!reader, calls him aaron, basically hotch treating you well
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1. Soup. 
"Are you hungry?" Aaron asks, hands at the neck of his shirt as he loosens his tie. 
You've never seen him do that. It's a lot to take in.
"A little, are you?"  He's lucky that you remember to answer.
His smile lights you up inside and out, a warm, casual quirk. "Famished." 
"Should we make something?" 
He turns from the doorway and moves into the kitchen. You have to twist on his couch to see his movements. 
"No need. I should've asked if you like it, but I made vegetable soup. The kind with mini dumplings." 
You look down at your legs and squeeze your thighs together until your knees tap. You're too shy to go and meet him where he's standing, but perhaps sitting and having him wait on you is arrogant. And awkward. 
The couch is plush under your hands as you stand. You'd slipped off your shoes at the door, and your socked-feet slide over the tiled floor of the kitchen as you make your way to his side. Aaron lights the stove, atop which stands a tall cooking pot. 
"When did you have time to make that?" you ask, soft with awe. 
"I knew you'd be coming over. I started it this morning." 
"And if I didn't like it?" 
He turns his gaze to yours, pot lid held aloft. "Then I would've ordered in for us. You're sure this is okay?"  
You've never had somebody cook for you before. Homemade, fresh ingredients, and the intricacy of the dumplings too, it all impresses and amazes you. You feel very special. Like you're worth all the effort. 
"I'm sure. More sure if you let me try it." 
His laugh startles you for its rarity. "Okay. It's not done," he warns. 
"Just to taste it." 
He stirs the warming soup with a big spoon for half a minute, the heat on high, before scooping up some broth and holding it above a cupped palm. "It's probably not very hot," he says. 
Oh, you think, excited and sick with nerves at once. He's going to feed the soup to me. 
Something out of a movie, something you didn't know people actually did for their significant others, Aaron waits for you to open your mouth and offers the spoon. You slurp and feel heat rise to your cheeks at the clumsy sound. 
"Aaron," you say, soft and obsessed after you've swallowed, "it's really nice. You made that yourself?"  
"I can cook," he says defensively. 
You lick your lips, giggling. "I can tell. That was really good. Though it was definitely too cold." 
"Mm. It has to cook through some more. Reduce. Do you want to shower?" He puts down his wooden spoon, head tilting to one side gently. He assesses your expression, and brings a curved hand to settle over your cheek. The tip of his index finger kisses the delicate skin under your eye. "No, maybe not. You look tired." 
You probably shouldn't say something like that to your brand new girlfriend (you scream internally at the word, every single time since he asked you a week ago) but Aaron speaks factually. You don't think for a second that there's any malice there, any hidden critique. His words shine with concern. 
"It's Friday. I'm always tired at the end of the week." 
His hand falls to your shoulder. "I can imagine." 
"You can go shower, if you like. I'll watch the soup." 
"I need one, huh?" 
He must know how well-kept he looks even now. You're not sure you've ever seen him dishevelled. 
"Definitely need one," you try to tease. It comes out murmur-quiet, and Aaron takes pity and kisses your cheek. 
He leaves to shower and you 'watch' the soup — you stand at the stovetop and soak in it's emanating warmth, stirring it every now and then to prevent the bottom from burning. The shower runs muffled from the bathroom, and your mind wanders as it tends to do. It's an undeniable fact that Aaron is naked right now, the thought opening an avenue of images you've been trying not to think about all day. It's your very first time spending the night after a couple of weeks of dating, and now you're together, if Aaron wants to have sex tonight you'll say yes. He's handsome, and his build suggests a certain… tenacity. 
His hands would convince you alone. Big hands. 
You look down into the simmering pot of soup and smile harder than you have any right to smile. He's done everything right, all the romance; he'd asked you out clearly with no doubt of his intentions, which had shocked you; he'd brought you a bouquet of flowers on your first date, which had delighted you; and he hadn't tried to take you home, which had surprised you. 
Modern romance often doesn't feel very romantic. Things with Aaron are different. 
Hell, he's so sweet he probably won't make a move unless you make one yourself. 
You'd prefer to be squeaky clean tonight, you've decided, just in case. When he gets out of the shower, you'll tell him you've changed your mind.
The shower shuts off. He appears a little bit after that, in new clothes, towel around his neck and feet either side of your own as he sidles in for a damp and quick cheek kiss. 
"Sorry I took so long. Are you ready to eat?" he asks, taking the spoon from your hand to give the soup a big, gran stir. 
"Actually, could I shower?" 
If he's surprised at your changed mind he says nothing, only turns down the heat of the stove. "Of course you can. Come on, I'll show you how it all works." 
His 'come on' is accompanied with a guiding hand at the small of your back. You let yourself be guided. The heat of his touch fills your stomach and doesn't abate, no matter how cold you run the spray. 
2. Phone calls. 
It's the week after that when you're supposed to be spending the night again. You're excited for two reasons, the first and smallest being that he had been what you thought and more in bed, that itself an expectation raised, and it had felt like connection at its brightest — he'd been sweet, and he'd been rough but never, not ever once cruel. A perfect night. The second, and biggest, is that he's honestly just the nicest person you've ever met. He's your boyfriend, a phrase you don't say in front of him because he's admittedly older than you, and you can't imagine he calls you his girlfriend. Partner might be more apt. He's your boyfriend and he's openly fond of you. Openly more than that. It's new to be doted on as ardently as he dotes on you. 
He touches you like he can't believe he's touching you. He talks to you like you're gold dust, all smiles and laughs heavy with admiration, and he listens. You've never felt listened to in the way you do when you're with him. 
So many conversations are just one party waiting for the other to stop talking until it's their turn. You think, maybe, Aaron would let you talk for hours. He would listen the whole time. 
In summary, you're basically thrumming with excitement to see him again. You've missed him some, but mostly you've spent the week bouncing off of walls waiting for the next time you get to talk to him. 
His text is disheartening, to say the least. 
Hey, honey. I have to cancel our plans tonight. I'm sorry, and I'll explain as soon as I get the chance. Please take care of yourself for me until I can.
It doesn't make you mad. While it is extremely short notice, and your heart hurts to the point of frustrated tears, you know it isn't his fault. He's been clear about his job at the FBI and what that means for you both. How it will without a doubt pull him away from you during dates, the middle of the night, special occasions, the works — this had been after a small disclosure about his commitment to his son, Jack, and how he's a father first — and how it will definitely cause some strain. 
"But," he'd said, "I want you, and I want this to work. So if you can be patient with me, I'll try to make it worth it." 
He's been successful every time. After he'd cancelled your third date, he'd quickly rearranged it and apologised with a modest but beautiful bouquet of flowers. 
Somewhere between the fifth and sixth date, you hadn't seen him for two whole weeks, and every worry you'd had about his intentions had been abated by a steady stream of encouraging text messages and the occasional photograph. Nothing crazy, but sweet things, like the cookies he and Jack had made that night, captioned, I'd save one for you if I thought Jack would let me, or a sunrise in a different state, captioned, This looks like the dress you wore to Lemaira. 
Later that night, you're unhappy and frowning still, a small carton of ice cream freezing your fingers to the cardboard and a spoon in your mouth when your phone starts to ring. 
You aren't expecting it to be Aaron. You aren't in the habit of calling one another, even though you'd secretly wished he would while he's away beforehand. 
It's nearing eight o'clock. 
"What time do you call this?" you joke, smiling despite yourself. Again, the excitement that comes with talking to him wells at the surface. 
"I know, I'm sorry," he says, sounding very tired. 
You slouch down into your couch cushions, ice cream on the armrest, remote for the TV on your chest. You click the volume button down, down, down until the TV's near silent. 
"I'm kidding, mostly. Are you okay? I've been a little worried." 
Understatement of the century. You know sudden cases of violence often draw him away from Virginia, but this had been sudden sudden. The lack of information had made you think the worst, worse than serial killer and bombers and hostage situations. You'd thought Aaron was in danger himself, and then you'd tried to suffocate that thought. He'd never worry you like that even if he were. 
"I'm fine. Sorry to miss you tonight." 
"I'm sorry to miss you too," you say, voice disjointed, too earnest. You scramble to hide the depth of your feelings. "Where are you?" 
"I'm in St. Louis. Where are you?" 
You laugh, curling onto your side with the phone pressed up against your ear. "Where am I? I'm at home." 
"What are you doing?" 
"I was watching TV." 
"Yeah? Did you eat anything yet?" 
You think to the takeout you'd bought and shoved in the microwave, not hungry at the time but knowing knowing would be. "Not yet. Why are you asking?" 
"I want to know." 
"I told you in my text I would take care, Aaron." 
"Honey," he says, pet name like a warm palm over your heart, "my definition of taking care and your definition are very different. Promise me you'll eat something."
"Of course I will. Easy promise." You scratch the couch fabric absent-mindedly. "Have you eaten?" 
"Yes," he says, the sound of a closing window in the background. "It's awful how much take out I eat. All these cases, there's never any time to cook real food." 
"Why, what did you have? And surely there's some uber healthy options out there, like, a chickpea salad-" 
"That costs thirty dollars? I'm not struggling, honey, but we both know that's obscene." 
You're laughter takes on a giddy quality as you cross your leg over the other, picturing his smile as his laughter echoes breathily down the line. You really, really wish he were here right now and that you were having this conversation face to face. You know he'd smile and try to hide how smug he feels at making you laugh. His hand would reach over any gap to touch some silly part of you, forearm or collar or the skin under your ribcage. 
"Are you okay?" You say his name to drive the point home. Your voice is quiet — you're hesitant to offer, worried you're crossing a boundary. "Aaron, I know you don't like bringing it home, but you aren't home, so… I'm here." 
"I know. It's nothing I want you to worry about, there's an ongoing situation here, bomb threats coming in quicker than the local P.D can handle. They need us to vet them and figure out if any of them are real." 
You think about it for a few seconds, the silence small but not uncomfortable. If you were under that kind of pressure, you'd be hurting. Chest pains, anxiety shakes, a migraine. 
"You'll be safe?" you ask. 
"Always. I'm not in any danger. And I need to get home, I owe you a Friday." 
"You do," you mumble. 
There's the creak of a box spring mattress, and the sound of a lamp being clicked. On or off, you don't know. When Aaron speaks, his tone is dulcet and hushed but distinct. You feel it in your chest. 
"Tell me about your day," he murmurs. 
You lay it all out for him in detail. He can barely reply when you hang up, sleep thickening his affectionate, "Goodnight, honey." 
3. His bleeding heart.
"What kind of kid were you?" he asks.
You look up from your notebook, surprised. Aaron has been silent for what feels like an hour now, laid out on the picnic blanket with your sweater bundled up under his head while the sun warms your skin. 
"I was…" You let your pen roll into the centre of your notebook and close it. He's laid his paperback flat across his chest. You think he might be very interested in the answer. "It was a long time ago, but I think I was lonely." 
He nods like this is what he'd been expecting. "Me too." 
It's a gorgeous day out. The sky is a light, bright blue with few clouds. They block the sun occasionally, providing a short and bittersweet shield from the heat. The grass surrounding is shockingly green, rippling in the breeze. 
"You were?" you ask. "What were you like?" 
"I was quiet." 
"That's not surprising," you say mildly. 
"No, I guess not." 
You abandon your notebook and lay down beside him. Worrying what you look like from this angle, you cover your jaw with your hand and turn toward him ever so slightly to show you're listening. 
"I liked affection. I remember my mom used to say I was a siphon for it. I'd be all over her, and she'd have nothing left to give anyone else." 
"That's not true," you deny. Every ounce of affection that you given him, he has returned tenfold, and that's inspired a lot of kindness in you, for him and for the world. "You're like an amplifier, if anything." 
He smiles to himself and turns his gaze skyward. "I wish we'd met before." 
"Me too," you say, leaving little room for debate.
"You're so kind," — he adorns you with each word like a gift, a tiny star of praise — "I think you're the kindest person I've ever met." 
He laughs. It's a catching sound, contagious as anything. You giggle with him and shift closer. Your arms touch, your hips. 
"Baby," you murmur, almost lamenting, "d'you ever think your ability to see the good in people is- It's indicative of the good in you... You've given more of your life than most to keep other people safe. That's the kindest thing a person can do." 
He tangles your hand with his where it had been resting on your stomach. You're pretty sure you can feel every line of every fingerprint as he works your fingers together, a snug fit like one of those wooden brain teaser puzzles: How do you pull these two pieces apart? From the outside, it looks impossible!
"I think I'd be different, if I'd met you before. I'd be kinder," he says. 
You can't agree with him. It's obvious who he is. You know more about him now than you ever have before. His late wife, how she'd been the best mother they ever made. His son, and how he moulds Aaron everyday into a better man. His friends, who trust him, who adore him. All these people have a hand in who Aaron is now, and while you wish you'd been around from the start, now will have to do.
"You're plenty kind," you say. Understatement of the century. 
"Sorry," he says with a laugh, "With you-" He cuts himself off, head-shaking from side to side as he pulls your joined hands up slowly. 
Your arm bends and then turns as he pulls it toward his face. He unlinks your fingers to steer your forearm, aligning it flat over his lips. The first kiss is a surprise, light like the feathered edge of a flower petal, and the second isn't dissimilar. 
The third melts you, veritably, the parting of his lips emphasised by the dull scratch of teeth against your pulse, the wet heat of his tongue. Three becomes four, and a final fifth, crescent moons pressed into your skin like he's trying to tell you something. 
You've no clue what. You likely couldn't say which way the world turns, not when he's kissing you. Not like this. 
Aaron has an acute ability to talk without talking. Hello's and thank you's and I care about you's woven into quick kisses, the swift squeeze of his hand over the slope of your shoulder.
These ones say something you don't want to speak aloud, lest you jinx it. 
The sunlight fades. A big grey cloud covers the sun.
"I think it's gonna rain," you say. 
A raindrop splashes in Aaron's eye. 
"Fuck," he says, which is hilarious, because he never swears in front of you. You hadn't known he cussed at all. 
The downpour is slow and then sudden, spitting rain dotting over you both like a fine mist as you stand, a thicker, faster outpouring chasing your heels as you hurry to the car. You realise you can't outrun it even if you sprint, and so you stop, Aaron's hand in yours tugged like a rubber band. He bounces back into your chest with the picnic blanket under his arm, your books tucked somewhere inside. 
He doesn't ask what you're doing. He's made the same deduction as you, or maybe he trusts you, or maybe he's indulging you. 
"Your hair," he laments. 
"Doesn't matter," you say. 
You lift your chin up for a kiss. Aaron ducks down to give you one. A raindrop runs down the bridge of his nose to the tip of yours. 
4. In sickness. 
You insist that it wasn't the rain that made you sick, but honestly there's no way to tell. You'd kissed for slightly too long, and the rain had been surprisingly cold. Now you aren't very well, and you have to cancel Aaron's sleepover. 
You hold out as long as you can, but come Friday afternoon it's clear you aren't getting better. You wake to a text from Aaron, two texts, and it makes you smile through shivery coughs. 
I can't wait to see you tonight. Do you need anything before I get there? Miss you. Sent 6.26AM.
Is everything okay? Sent 9.17AM. 
Usually you'd have answer his morning text within the hour. 
Hi, I miss you too, so much, but I don't think we'll be able to see each other tonight. I've got the flu :( I'm sorry. And sorry I couldn't answer your message until now, I was sleeping. 
It's another hour before he answers. You rouse from your gross snotty stupor to squint at the phone. It's surprisingly long. 
I'm sorry it's taking me so long to get back to you, things are tense here right now. You don't have to be sorry for either, I'm glad to hear you're resting. You could have told me you were sick. Is it okay if I come and see you tonight anyways? I would love to check on you. Don't rush to answer, and call me if you can. 
You call him with reservations. 
"Is this a good time?" you ask weakly, forgoing a hello. 
It takes him a little while to speak. You assume he's leaving a room, closing a door. "Now's fine. How are you?" 
"My throat hurts and it's a little hard to breathe, but I'm sure I'll live." 
"You've been to see a doctor?" 
"It's not that bad." 
He sighs. "You sound tired. And sore. Why didn't you tell me you were sick?" 
"You don't have to baby me, I'm really okay." 
"Have you considered that I'd like to baby you?" 
Not really. You can't imagine anyone would want to deal with you. You're a mess, you look awful, you don't smell great, and you're not good company. You can't think of a single reason Aaron would want to be anywhere near you right now. 
"No," you say, "I hadn't." 
"I'd love to look after you." 
"You could be doing something fun with your Friday. You could see Jack." 
"Jack's going to Kings Dominion. And Fridays are our day, you being sick doesn't make me want to see you less."
You hadn't said that, but he'd inferred it. Of course he had. 
You and Aaron decide that your sleepover will go ahead after all. Or, he persuades you very gently. You spend three hours doing tasks that should only take one. You shower, you clean your room, and you do the dishes. By the end of it you're sweating enough to need another shower but you aren't a quitter, so you open the freezer and stick your head in, hands braced against the refrigerator door. 
You're excited to see him. You always are. Too bad you look so wiped out. 
It's almost 6.30 when you hear his knock on the door. You'd been waiting for him and started dozing at the kitchen table, your neck a mess of twisted nerves, your hand numb from supporting your head. You shake it out and open the door, sheepish. 
"Hi," you croak out. 
He has a lot of stuff with him. His familiar overnight bag, a briefcase, two grocery bags, and a bouquet. 
"Aaron, why," you moan, covering your face with one hand as you move back down the hall to let him in. 
"Not the greeting I'd hoped for." 
"I can't greet you, I'll make you sick." 
You get all the way to the kitchen and think, triumphantly, that you've escaped his 'greeting'. He puts the flowers down carefully on the kitchen counter as you try to come up with a thank you that doesn't make your eyes burn. The grocery bags are placed without ceremony on the floor, and his overnight bag falls onto the kitchen chair. You watch him unbutton his rain spattered coat, and your triumph fades when he peels out of it and instantly reaches for you. 
"Aaron," you mumble, stepping into his arms. He knows you can't say no to a hug, not after a week of not seeing him. 
"I missed you," he says, arms around your back, lips at your temple. "You're running a temperature." 
"It's not that bad. 101." 
"Honey, 101 is bad." 
"Not as bad as 102." 
"Not as bad as 102," he concedes. You can hear his voice rumbling in his throat, and feel it in his chest and yours.
He takes as much of your weight as he can, leaning back so you're forced to arc forward. Your face slips into his neck, and you're thinking, this is what it's like? To be held, sick, with nothing to give? It feels good.
"Please tell me the next time you're sick," he murmurs. 
You definitely will. If this is what it's like, roaming, cautious hands over your shoulder blades, a strong nose stroking lines against your warm forehead. 
"Thank you for the flowers." 
It's squished against his skin but he hears it. "You're welcome. Do you want me to put them in a vase?" 
"I can do it." 
"I think that might defeat the purpose. They're a gift, not an extra chore." 
"Nobody ever got me flowers before you, so it doesn't feel like a chore at all." 
He encourages your face back enough to look at you. You have to mouth breath on him because your nose is all stuffed up, and it is not something you're happy to do. You look down so he can't feel it. 
"I'm gonna do something really cheesy, and you can tease me about it later, okay?" 
You look at him from under your lashes. "'Kay." 
"Close your eyes," he whispers. 
You let your eyes shut. Aaron cradles your face in both hands and pulls your face toward his chin, in your rough approximation. 
Heat fans against your eyes. He kisses your eyelids, the left and then the right, the most gentle press of his lips you've ever felt. 
"It's killing me to see you like this," he says, and you're grateful for the pinch of humour behind it. "Couch or bed?" 
"Couch. I wanna watch a movie with you." 
"Good. I wanna watch a movie with you, too." 
Aaron does everything. You're too tired to notice, but when you're better, you'll add it all up. He makes you dinner and breakfast and lunch and enough for the day after that, too. He trims down all your flowers and places them in a vase on your window sill. He recleans your room, cleans your bathroom, and plays nursemaid diligently. He makes you take your temperature in front of him, and then he fawns and makes you hug an ice pack, stays the night again when he's supposed to go home. 
It sucks, but your temperature falls, and when your insides stop cooking themselves you start to feel better. On Sunday morning, when he has to leave, you feel the strange pang of being cared for unconditionally like the wind being knocked out of you. He'd done all of that because he cares about you. He'd wanted to see you fed and well and happy, and he hadn't gotten anything out of it in return. 
5. The test-drive.
"Hi, Jack," you mumble, rubbing wetness out of your sleep-heavy eyes. "Good morning." 
"Good morning," he says cheerfully, of his father's disposition. 
"Did you," — you yawn wide and turn your face so neither of them can see — "sleep well?" 
"Yeah, thank you. Why are you so tired?" 
Aaron's standing at the stovetop making oatmeal. You stand at the counter beside it, hips touching but facing opposite ways. "I'm still getting used to your dad's bed." 
It's true. There's something about someone else's mattress that makes you ache. 
"What is it about my mattress you can't get along with?" Aaron asks in good humour, adding a generous pinch of salt to the saucepan. 
"It's more comfortable than mine," you say with a self-satisfied laugh. 
Aaron pecks your damp cheek and skirts around you to fill three identical bowls of oatmeal next to three identical glasses of orange juice. Jack cheers when his portions are placed in front of him, and he digs in even though it's ridiculously hot. 
Aaron had explained once that he's basically trained Jack to eat it scorchingly hot by accident. Years of oatmeal straight off of the hob versus a growing boy with no patience. You watch in awe as Jack scarfs it down. 
You and Aaron are doing this thing. You've called it the test-drive in your head. He wants to see how well you and Jack get along, likely, and how well you handle living together, too. (Though you absolutely don't think you'll be moving in together quite this soon.) That's your working theory. He'd asked you if you'd be interested in staying for the week a month ago, and you had, and it had been a dream. This is week two, and it seems to be going just as well as the first. 
It's definitely revealing. To see each other's routines. And an adjustment. You have to see all the gross stuff, no avoiding it. 
Though stuff you might consider gross he enjoys. Like watching you put on body lotion, he'd loved that more than words could express. And watching him shave, you'd loved that more than you'd thought you would. You'd sat on the lip of the tub and he'd listened to your morning murmurings, half asleep and excited as always to talk to him about everything. 
Getting to know Jack more has been a joy, too. You've met him nowhere near as many times as you would've liked and done family things: bowling, pizza places, the movies, a baseball game. 
Eating breakfast together is way more fun. Especially because Jack likes you. 
As soon as you sit down he starts to tell you about school. You listen, sipping your orange juice while you wait for the oatmeal to cool from lava. 
After breakfast, the three of you head back to your respective bedrooms to get dressed. 
That's something else you adore, you and Aaron undressing and redressing together in the space in front of his closet, the intimacy of casual nudity, and the way his hand closes around your hip to move you out of the way of his shirts. 
You're pretty much inseperable until you get to the car park. A firm believer in kids receiving as much love as they can from everybody, you offer Jack a hug before you part ways everytime. Sometimes he says yes, though most times he says, "Thank you, Miss Y/N, but my hug quota is full." 
Today, he squeezes your waist really hard and says, "Have a good day bye," like it's one word.
"Have a good day, baby," you tell him, laughing as he jettisons into the passenger seat of Aaron's car. 
Aaron usually gives you a swift kiss and goodbye like his son. Today, he brings his hand to your neck. You stare him straight in his dark eyes as he does, marvelling the shock of straight lashes outlining each one, and the permanent wrinkle between his brow from frowning. 
Placing two hands on either shoulder, you use his frame to rise on tiptoes and kiss it. 
"Don't frown too much today, okay, handsome? Have a good day." 
He cups your face in both hands as your heels touch the ground. His hands are warm, kind as he pushes both palms over your cheeks and your ears. He covers them, and your heartbeat amplifies, a thumping sound fighting his skin. Then he slips his fingers behind your ears and the roaring fades. 
"I love you," he says. 
You beam at him. "Really?"
"Really. I love you, honey. Have a good day."
As if. If he thinks he can walk away after dropping that on you he's got another thing coming. 
You throw your arms around his neck and all your weight into his front, almost barrelling him over. You have to stop yourself from wrapping your thighs around him, 'cause then he really might fall over. 
You dig your face into his neck, searching for something, for the perfect place to rest your cheek. "I love you, Aaron." 
There isn't a chance in hell he didn't already know it. 
"I got you something," he says. 
You laugh in surprise and tighten your hold on him. "Why? This is gift enough." He loves you. It bounces around in your chest. 
"Because I'm not stupid enough to miss what I have right in front of me." 
You lean back so you can kiss him, ignoring his hand as it reaches into his pocket. 
"Baby," you say, a hair's width from his lips. You kiss him again for a second, thrilled, but curiosity pulls you back. "You have it now?" 
He takes a step away from you and reveals the box in his pocket, long and thin. It clicks open on a silver hinge, and inside velveteen lies a simple chain.
"Is that a diamond?" you ask, breathless. The stone at the end of the chain shines like nothing you've ever seen before. 
You don't know a thing about them other than that they're expensive. You can't see Aaron Hotchner of all people buying a fake. 
"A small one," he says modestly. 
Your eyes burn. You're happy to the point of tears but you refuse to cry. 
"And it's for me?" you ask. 
He laughs and you laugh too, the sound slightly sniffly. 
"Of course. Do you want to wear it?" 
"Now? Yes, more than anything," you say, smiling hard, cheeks appled and aching. "Are you serious?"
"More than anything." 
Corny, you think desperately. Do not cry, that's so cheesy. 
"Are you sure you don't want to wait until my birthday?" 
He gestures for you to turn around, the chain hanging from his finger. You turn, feel his hands brushing against your neck as he lays it across your chest and pulls it together behind your nape. 
"Your birthday gift is better than this." 
Better? You could burst. 
The clasp closes and he rubs his hands down the backs of your shoulders. 
You turn back around, face dipped to your chest in efforts to see the necklace. It's short but long enough to spot the diamond hanging under your collar. 
"I've never had a diamond, before," you mumble, hands pressed to your chest. Your heart bumps under your hand. 
"Thank you," you say, looking up, "baby, you didn't have to. You don't have to get me stuff like this, it's a lot." 
"I don't think it's too much. You give gifts when you're grateful. I'm grateful to love you." 
He's expecting you this time, unwavering when your arms slide over his shoulders. You breathe in the smell of his skin and he does the same, his face pressed to the top of your head.
Jack is late for school that day. You apologise to Aaron more times than you can count, and every time he only smiles and says, "It's okay. I love you." 
+1 
Aaron misses your first anniversary. 
It's a very important date to miss, and you have a right to be upset. 
But. 
You always knew from the very first date that this was something that could, unfortunately, happen. You'd been lucky to get him for your birthday, luckier still to see him on his own and treat him with the delights he deserved. You'd figured eventually something would happen to throw a spanner in the works. 
What you aren't expecting is the lack of anger. 
You aren't mad at him, not one bit. It would be okay if you were, even though it's not his fault, because this is so big. You're celebrating the best year of your life alone, and that's no fun. You and Aaron had planned to go away, two days in a fancy hotel, Jack with Jessica and no worries. 
He can't ignore a bomb threat in the capital, and he wouldn't want to. 
You know a missed anniversary is a lesser weight than innocent people dead. You know Aaron wouldn't be able to forgive himself if he didn't go. You know he regrets leaving you on such an important day. 
Maybe one day, you'll be angry with him. Today, you only miss him. 
I love you. I'm sorry. I'll be back very soon. Happy anniversary. 
He sends that after a grovelling, short phone call, in which you assure him that it's fine. Your voice is tight with tears, you miss him like crazy, and he hears it though you try to hide it. 
I will make it up to you. 
You don't have any doubts. 
You feel a little sorry for yourself, and then you send him a text of your own. 
I love you, so don't be sorry. Get back safe and sound and consider yourself forgiven. Happy anniversary, my love. 
Followed with what's likely too many hearts for good measure. 
Still, still, he doesn't believe it's okay. You know he's human, and he loves you, and that makes it easy to predict how he's feeling — worried that you're angry, worried that you'll leave him, worried this won't work for you. 
And you're only human yourself. You can't say how you'll feel in another year, or two, or five. You can't imagine how depressing it might be to miss the holidays and birthdays and anniversaries with him year after year, but you want to be patient. You want to forgive him for the things he has no hand in, and you do. 
You get a visitors pass for his office once you're cleared and take the elevator up, checking your text messages for the fifth time, just to make sure. 
I'll be home in a couple of hours, the plane touches down in two. Love you. Sent 4.53PM. 
It's the day after your anniversary, a Monday, and it's nearly 7PM. You smile at people you've seen in passing the few times you've visited his office before and don't bother trying to sit in Aaron's office, knowing it's locked while he's away. You travel the spare steps and sit at the top of the landing, hands clutching the neck of the bunch of flowers you're holding nervously. The cellophane crinkles. 
You hadn't answered him. It was cruel to leave him hanging, but you didn't expect him to come home so soon. He's too damn good at his job. 
The elevator doors open in the quiet. Barely anybody lingers now in the late hour, and the voices of the BAU echo. 
Spencer sees you first. Morgan second. They stop at the beginning of the office. 
Aaron sees you third.
You spring to stand up on your feet, and then you feel very tall and very seen and descend the steps rather than draw more attention. 
"You said seven," you say, not sure what else to say, not with people watching you. "This is definitely closer to eight." 
Aaron thankfully isn't too proud to speed walk to you. Your heart skips as you meet him, flowers crushed half to death as he gets his arm behind your neck, hooking your head in the crook of his elbow. 
He kisses you roughly. Heat floods every inch of skin, your breath rushes out of your nose with a sigh. 
He pulls back. 
"Happy anniversary," you say quietly, smiling at the sheer relief in his eyes. 
"It was yesterday," he says, quiet too. 
"Happy one year and one day, then." You push him away from you gently. "Don't suffocate your roses." 
"You got me flowers." 
"You get people gifts when you're grateful," you parrot. 
He takes a step back and accepts the flowers. On the message card, you've written, bashful and clumsy and adoring, I'm grateful to love you. One year and more. 
He moves the bouquet into one hand and wraps you up in another huh, firm-armed, chin over the top of your head, though he intersperses his embrace with dainty kisses pecked from one temple to another. 
"You aren't mad?" he asks, worried about the answer. 
"No," you say honestly. "Not mad. Missed you like crazy yesterday, but I get you today. I can make it work." 
When you break apart a second time, you both buckle under the weight of his colleagues watching.
"Thank you," Rossi speaks up, grand and wry, "we thought we'd have to endure his moping for at least a week. Your understanding spares us all." 
"Nice, Dave," Aaron says. 
"I've got your paperwork, Hotch," Morgan offers. 
Aaron has the good sense to accept it before Morgan can change his mind. His friends say goodbye, and Aaron pulls you by the hand back to the elevator bank. You couldn't wipe the smile off of his face if you tried. 
The elevator doors have barely closed when he's leaning down to kiss you again. 
"Thank you," he says. 
"You really don't have to say thank you," you murmur, bumping your shoulder with his. "You got home safe. That's all that matters." 
His next kiss is bruising. The sound of cellophane crushed between you makes you laugh. He kisses you through it, his smile pressed feverishly to yours, over and over and over.
༺༻
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Your Place in the Eyes of a God
Synopsis: You thought yourself oh so lucky that the demon who owned your soul was charming and kind.
Most people just had monsters ordering them about, at least your owner Alastor saw you as a lovely companion.
Warnings: Implied abusive relationship, power imbalance
Tags: Relationship can be read in any way; Alastor x Reader; gn!reader
MDNI
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Being under contract, you weren't exactly overjoyed at the fact that you didn't own your own soul, but at least your contractor wasn't a monster, right? At least he was sweet, and funny, and charming.
And oh was he charming.
That is how your soul ended up chained to his after all.
He was always so kind to you. He treated you as if you were a friend—a person.
He had taken you out for meals; showed you off from time to time. He had adored every single gift you ever gave him. He had always asked you to smile because he just found you oh so
"Lovely," He said.
And it filled your head with clouds every single time. His soft compliments never failed to make you forget where you actually stood. 
So, you never really expected things to change so quickly. So drastically.
You desperately slapped your hands over your mouth, clasped tight against your lips to silence even the smallest whimpers that threatened to slip out. You pressed against the wall, hiding, maybe if even hoping that it would open up and swallow you whole. Take you some place else—anywhere else—but here.
You watched with wide, teary eyes, unable to look away.
It was hard for you to connect the charming man you fell for with the nightmare of a creature you saw looming over Husk. 
That thing that threatened to rip the poor man's soul apart couldn't possibly be your Alastor, right? There was no way that was your sweet, funny, charming Alastor. 
But those hands that yanked at the chain were unmistakably the same ones that gently combed through you hair at night. 
That smile he held while he threatened the man was unmistakably the same one you woke up sweetly to almost every morning.
That voice, albeit distorted more than usual by static, promising wicked acts, was unmistakably the same voice that softly greeted you good morning, asking if you had a good rest.
There was no mistake. There was no denying it. 
"Understood," You barely hear Husk's frightened response.
"Lovely," Alastor praised before he left Husk shaking on the ground by his feet.
You felt your heart sink immediately. 
Lovely. The word echoed in your head, your blood now ran cold.
Lovely. The mockery, the disdain, the obvious threat to obey him or else. You didn't think such a simple word could hold so much malice. 
"I can't wait to wear that new necklace you got for me!"
"I got you this tie because it just seemed like it was your style!"
"Of course, I'm smiling! I'm with you, aren't I?"
You didn't notice when your knees finally gave away under you. You didn't notice when you started crying. Your body simply crumpled to the floor as you continued to press your hands against your mouth, silencing the sobs that ripped through you. 
Alastor had already left. You didn't need to hide around the corner anymore. You were safe now. 
No. Have you ever truly been safe?
Because what was his response? What did he say every time you followed his requests? Every time you excitedly handed him whatever trinket you thought he'd like? Every time you smiled for him?
Lovely. The word rang in your ears.
Lovely.
It wasn't a compliment, you realized.
It was never a compliment. It was a praise. A praise for being such a good, obedient pet.
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