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unexpectederawhilesubmitting · 5 months

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WARNING: DOCTOR WHO SPOILERS EXPLAINING REGENERATION SHENANIGANS

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okay so I was kind of not on board with the concept of bi-regeneration, mainly because of how it seemed like all of the Sad and the Trauma that the Doctor had undergone got kind of handwaved away? i'm all for ncuti's Doctor being sort of a fresh start/jumping on point for new viewers, but i didn't get how that could work if like, literally 40 minutes ago he was David Tennant being a sad wet puppy dog of a man

however, after rewatching it, i've realized what i think happened there, and it goes all the way back to something introduced with the 4th doctor's regeneration that was never explained: the Watcher

^this spooky guy

so, for those that don't know (or haven't seen every episode of a show that is over half a century old), the Fourth Doctor regenerates at the end of a story called Logopolis (he falls off a satellite dish, but that's not important right now). all throughout the episode, this weird figure, The Watcher, stands off in the distance, and even intervenes slightly by saving the Fourth Doctor's companion. there's not much given in the way of an explanation until the Fourth Doctor regenerates, saying "it's the end. but the moment has been prepared for..."

the watcher walks up, and gets absorbed in a super rad 1980's digital effect (never change doctor who), while his companion just gives us the not-super-helpful-for-lore statement "He was the Doctor all the time!"

then, in a crossfade, the Doctor goes from Four to weird-powder-man to Five

canonically, the Watcher is explained as a future version of the doctor that comes about in sort of a weird overlapping thing with the doctor's timeline, it's very wibbly-wobbly timey-wimey.

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SO what does this have to do with biregeneration and satisfying character arcs/moving on from trauma?

Well, remember, Fifteen said this, about Time Lords doing rehab out of order:

so, here's the thing: Fifteen is the Doctor AFTER Fourteen (duh, I know?) But to be clear...Fourteen lives out an entire lifetime with Donna and family, gets to a ripe old age, and then, when his lifetime of healing is over, he gets yeeted back through his own timestream just to zoot himself out of David Tennant's chest.

Remember, his first words to Fourteen (after popping out of his chest) are "So good to see you! So good!", not the RTD classic "what?". He greets himself like he's almost expecting this, he then says "does anyone want to tell me what the hell is going on here?" which only makes sense if he's coming from a different point in his own timestream (remember, when two doctors interact, memory gets really weird, 10 and the War Doctor don't remember the events of Day of the Doctor until they live through them as 11).

SO TO BE CLEAR: Ncuti Gatwa is playing the Doctor AFTER he has spent years healing from his traumas. His Doctor is fine because Fourteen takes the time to rest and work on himself.

tl;dr: I didn't like biregeneration at first because I thought it looked like this:

In actuality, it looks more like this:

#doctor who #fourteenth doctor #fifteenth doctor #the giggle #dw #dw spoilers #dw 60th #tenthree #the doctor

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prokopetz · 1 month

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Something I love about The Far Roofs is how much of a swerve its premise is if you're coming to it uninitiated.

Okay, so there's these talking rats with a culture of swashbuckling heroism – basic Redwall/Reepicheep stuff.

Also, there's a magical realm called the Far Roofs which exists above every human community, and that's where the rats go adventuring; a little weird, but you can see the precedents in popular fiction. It's like wainscot fantasy taken to its logical-yet-absurd conclusion.

By default, the game wants you to play as a fictionalised version of your (presumably human!) self and go up onto the Far Roofs to have adventures with the rats. All right, now it's coming together: it's like isekai fantasy meets The Muppet Show, with you as the obligatory human character, right?

Then we get to the nature of those adventures: the rats have this whole culture built around questing against beings they call "the Mysteries" – beasties with names like Harpy and Goblin and Unicorn. So basically it's a bunch of muppety rats on the roofs fighting Dungeons & Dragons monsters, and you go up and help them do it. Great.

And then you get to what the Mysteries are actually like, and... well, I'm going to let the following excerpt carry the weight here. (This particular bit of text also appears in a previously published work by the same author, so I'm not giving anything away that's still under wraps.)

Unicorn, which is named Numinous, dwells three steps away and beyond the world, but most often in the Farthest Roofs, where the Steppes of the Sky come down to touch the Vast and Earthen Court. There it is stepping upwards from the world, as it has always been stepping upwards from the world, caught in a moment of transcendent glory that does not complete. It simply is. Melanthios heard the footsteps of Unicorn. Melanthios heard the ringing of Unicorn’s bells. So Melanthios chased Unicorn off to the Farthest Roofs, and Melanthios did not return. Anton and Karel, who were his sons, were wiser than their father. They heard the bells but they did not follow. Instead, they memorized the scent. They gathered swords, and ropes, and nets, and they went out. They brought food and water and all manner of gear. They clung to the roofs with all four feet wheresoever after Unicorn they went. It proved no good. Anton looked up, and Karel to his brother. The world came down— That’s what Karel said. He had time to look away. He had time to bury his head in his paws. He did not see the fullness of Unicorn’s presence. He only saw Anton his brother become unreal. In the light of the moment of the Unicorn, Anton became as a paper figure in the fire. His reality burned out. His shadow seared into the roofs behind him. Where he’d stood, for just a moment, the Steppes of the Sky came down to touch the Vast and Earthen Court; and Anton was gone away. So Karel ran and Karel ran and Karel ran from the Unicorn; and all his life, he envied but was more fortunate than his brother.

These are gods. You're going up there to kill God.

Like, it's still silly wainscot fantasy with funny talking rats, but there's that tension. It's like if Fraggle Rock occasionally took a hard turn to serious cosmic horror – Lord Dunsany by way of Jim Henson – and that tonal juxtaposition was treated as something unremarkable.

Basically what I'm saying is go back The Far Roofs.

#gaming #tabletop roleplaying #tabletop rpgs #the far roofs #dr. jenna moran #crowdfunding #kickstarter #violence mention #death mention

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hohuios · 10 months

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Tag drop: 2/2

#[ visage. ] you know another man as good looking as i am? the correct answer is no; by the way.#[ mini study. ] is it decided from when we're born then? ones born without much power are fated to be stamped out by you?#[ meta. ] one who's let his soul rot can't measure up to someone with a real soul just by getting power. that's not how it works down here.#[ essence. ] it’s a cruel and random world. and yet the chaos is all so beautiful.#[ humans. ] you think humans are weak. yeah; their bodies lack the physical ability of demons; but they posses something that demons don't.#[ demons. ] he understands love; so he'll make it fine as a human. the only things i choose to exterminate are demons.#[ rebellion. ] i always wondered; why did my father give me the rebellion? if the yamato can separate man from devil…#[ sword of sparda. ] he split his power in three parts. one bore his own name; the second blade was named to embody retaliation...#[ yamato. ] ... and the final blade was named to embody a god of death.#[ sparda. ] why do you refuse to gain power? the power of our father sparda? / father? i don't have a father.#[ eva. ] she loved humanity; a demon and her children. it's far out of reach now; that warm smile from my childhood.#[ vergil. ] jackpot! -- why you gotta leave me hangin'? we used to love saying that. / i have no recollection.#[ nero. ] i should thank you. / that'd be out of character. maybe you should just throw an insult my way instead. / that sounds better.#[ patty. ] well patty; if I'm not mistaken this is one time that i might owe you a little thank you.#[ trish. ] if you get sick of it; you can always come back here. / why that's uncharacteristically kind of you.#[ lady. ] can i come along? / do what you want. but don't expect to get paid.#[ morrison. ] damn; you make me wait forever and then you go making selfish requests. / sorry.#[ v. ] for a second there I thought you were gonna shish kabob me. / i know how stubborn you can be.#[ mundus. ] again i must face a sparda. strange fate; isn't it? / strange and ironic that it will end the same way.#[ syd. ] well then strong and gentle lord dante of the 'real soul.' you'll let me live even now; won't you? just like you did before.

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abyssalpriest · 10 months

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30 Days of Them #2

Your God comes to you in a dream one night when you are alone in your bed. They whisper something into your ear, lovingly - but it felt like a warning. What did They tell you?

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"There is nothing I could tell you that you don't already know."

I dream in the expanses of his mind in a place equally as strange as it is familiar. The walls ache with pressure, though perfectly vertical their imposing nature makes them seem to curve inwards, threateningly. They're dark bookshelves - that being the closest word in English, more like shallow compartments - endless little cubed shelves holding a strange array of... Cubes. Cubes of spirals but in four dimensions, as if the 2D line that encompasses a spiral's make-up was transmuted dramatically and inexplicably into 3D. They're all different, too, though the theme seems to be the same: little hand-sized cubes of varying levels of cohesion and self-similarity and symmetry. Some have colour, others don't, some are strangely triangular, some spirals flip direction, many have some sort of emanating - or imploding, or stationary, or spiralling, or whatever else - aura with them like 3D portals, visualisations of gravitational pulls and - he corrects me: "Writing." These auras are writing. "They're books."

He picks one off the shelf; his mood seems tinged with excitement as he holds it in his hand.

"Have a look." I - "I'll tell you what it is. Red. Inwards yet outwards. It wants to move outwards so it gives the appearance of moving outwards but it is a three-dimensional optical illusion. It is a 'sweet thing'. It is you. A cherry red. This -" he pulls back the scene behind him which had extended into these rows of compartments... Like a curtain. Compresses the scene into two dimensions and pulls it bunching the fabric of it's reality, revealing what seems to be the inside of one of these cubes. I feel the smile pull at his lips as I call it that. It's huge, though. It emanates, it contorts reality around it. It is deep, deep black encircled by a hungry, visceral, erogenous red.

"This is your warning." He implies with energy he means the thing behind the curtain is the warning. "Follow me."

With absolutely no hesitation he puts the cube he held back on its shelf and slips into the gravitational centre behind the curtain. I follow, of course I do, on the other side is -

#You know I DID give the warning that I'm starting down the path of Tantra like this level of ''I can't tell you what I mean'' should be #expected. Actually honestly no it should just be ''my lord speaks whatever he wants to say and leaves the rest to either be figured #out or left to decay in the mind'' but like. Anyway I'm glad he wanted to do this one with me. He was excited when he said he had an #idea for it and that's all I want in life thanks #Not an idea for it he said he knew what it was going to be. Or something. But. I'm glad because I wasn't sure ANYWAY #Cubes //#That's my tag for them right - probably the first with the // system at the end but #I love these things so much #ramblings //#Channellings //#Leviathan //#30 days of them #Only thing here not literal and the usual vision dictating is the dream part but like it's... Close enough to how visions work #Dreamland Visions //#Like that's my mindspace and mental plane tag for a reason lmfaO #It just makes the connection to the question more obvious

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taylor-titmouse · 2 months

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hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

#tt talks writing #tt talks drawing

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