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trensu · 7 months

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have another snippet of stasis in darkness! just 'cuz i'm bored tbh, and kinda stuck on all my wips i'm currently working on.

The seventh night:

“Has he spoken to you yet?”

“How could he when you’re here yammering my ear off every night?”

“He’s a god, I’m sure it wouldn’t be that hard for him to shut me up.”

“Even gods have their limits.”

“Oh, har har. The warrior’s got jokes. You didn’t answer my question.”

“...not yet,” Steve said stiffly.

“It’s been how long now? A week?” The man hummed in a falsely thoughtful manner. “Maybe he’s just not that into you, man. Maybe he’s letting you down easy.”

At his words, Steve involuntarily curled his shoulders inward, slightly, ever so slightly, in defense. He'd been wondering that same thing earlier that day. Steve had toiled hours in the sun to fix up the shrine; to make it welcoming; to encourage a divine visit.

He had stopped wearing his armor to free up more time to work. Putting it on and taking it off took too long, and he didn't have to maintain it as much if he wasn't wearing it regularly. He stuck to only his chainmail. He'd kept his shield stored away, too, so it wouldn't get in the way while he worked. Though, he made sure to keep his sword nearby.

He’d taken his knife and traced over the etchings of stars in the alcove that served as a backdrop to the statue. His knife had been ruined but it didn't matter. The Lord of Night would probably want the stars of his dark sky with him, he reasoned, and these had worn so thin. Sadly, it was the only detail he could bring out of all the stone. The statue’s face was so crumbled that Steve couldn’t even begin to guess what it had originally looked like.

He had discovered that the vines he chose to keep were moonflowers. They had blossomed every night since he’d removed the other more invasive plants. He'd draped them carefully so they lay across the statue's shoulders, wrapped lovingly around its torso and clung to its waist before the ends of the vines trailed off at the knees.

The strange man might have made himself a nuisance during his visits but he never stayed the whole night. Steve had been able to get a few hours of makeshift prayers at the shrine every night. He’d done all this, yet dawn broke every day without a single sign that the Lord of Night had been listening.

“Warrior?”

Steve broke out of his reverie. He refused to look at the man. He had to clear his throat roughly before he could speak.

“It wouldn’t be the first time I’ve been rejected by someone I love." Steve tried not to dwell on his father's perpetual scowl and his mother's infinite disinterest. "I’m pretty used to my devotion being one sided by now.”

“That’s a bummer,” the man said. His sympathy was meant to be teasing, Steve could tell, but it came out surprisingly sincere. “Good thing you have a whole pantheon! Strong guy like you? Any god would take you to be their warrior in a heartbeat.”

“What are you talking about? No, I’m nowhere near done with his shrine,” Steve said determinedly. “I know a silversmith and a stone mason who’d give me a hand, and Dustin and Robin have been dying to come up here to bring him offerings. The only reason they didn’t come with me is because I had to do the pilgrimage on my own if I wanted a shot at earning his blessing.”

The man spluttered.

“Are you insane? A god rejects you and you’d come back? What kind of stupid–were you dropped on your head as a child?

“A couple times, but that doesn’t have anything to do with it.”

“Are you sure? Have you checked? You should go to one of the gods of medicine. Owens, maybe. Have him take a look at your head,” the man huffed in frustration. "For stars' sake, why would you want to come back?"

He ignored the insult to his intelligence. For stars' sake. Steve murmured the words to himself, letting them settle in his mouth to get a feel for them. He'd never heard of that one before. He liked how it rolled off the tongue, natural as anything.

The man waited for his response. Steve took a moment to try to sort out his words. He kept his head bowed towards the shrine as he ruminated.

“People barely remember my god,” Steve finally said. “And when they do, they remember him as something he’s not. Even if he doesn’t believe I’m worthy of carrying his crest, he shouldn't be forgotten.”

The man said nothing. Steve took a shuddering breath before the quiet could take over.

“Having someone forget you is…it’s very lonely. Which is the worst feeling. I…I guess I don’t want him to be lonely anymore.”

The silence that followed his statement stretched long enough that Steve started falling into that meditative state he’d learned during his many nights at the shrine. It helped dull the twisted up, unsteady sensation that lingered from the man’s prodding at his every self-doubt and fear.

“He hasn’t rejected you yet, though,” the man broke Steve's musings awkwardly.

“He hasn’t reached out to me either. It’s fine. I’ll keep coming either way.”

Another silence. It was around the time the man usually left Steve to his worship. He didn't hear retreating footsteps. Instead, the man cleared his throat, and when Steve looked up at him, the man turned his face away, shrouding it in gloom.

“Maybe he’s nervous. Maybe that’s why he hasn’t contacted you yet.”

“Nervous? No way.”

“He sounds like a godly weirdo,” the man said. “Maybe he’s never had a holy warrior before and doesn’t know what to do.”

“He’s the good kind of weirdo! And there’s no way he’s not had a warrior carry his symbol. He must’ve had loads back in the day. I probably don’t meet his standards,” Steve smiled lopsidedly, playing off his insecurity.

“I’m serious!” the man exclaimed. “It’s possible! Some gods never get warriors. Some never want them at all!

“Look, even if I was the first to offer to be his, he’d know he didn’t have to be nervous,” Steve insisted. "I’ve never served a god before either! I wasn’t sure I could have faith at all until I learned about him. So like, if he’s new to it then so am I, and we’d figure it out together.”

“...you really mean that, don’t you? You’d let him make it up on the fly if he took you on.”

“Well, yeah,” Steve shrugged.

“You’d keep coming back even if he rejected you?”

“Yep.”

“But why? That’s so stupid. Nobody would do that!” The man sounded frustrated.

“I’m not really known for my smarts,” Steve said matter-of-factly. “Robin and Dustin had to translate the only book we found about the Lord of Night because I definitely wouldn't have been able to. It was a tiny book but it still took them ages to do because the language doesn’t really exist anymore. So they told me it’s possible it’s not accurate. It felt true, though, to me.

“There was this quote, I can’t recite it word for word, but…it was something about how monsters don’t always look monstrous, and the monstrous aren’t always things to be feared.”

“That sounds ridiculous,” the man protested. Steve shook his head.

“No, it’s true! Like, I know I’ve got a pretty face and really great hair,” he smirked when he heard the man scoff, “but I was such a fucking asshole when I was younger. I went around hurting people on purpose, tearing them down for no reason other than I was hurting too, and that’s the shittiest reason to hurt anyone. I had to get some sense knocked into me by the people I call friends now.

“My friends are the greatest people I know, and I’m really lucky to have them, but to everyone else? My friends are losers. They’re rejects because they don’t act right or they don’t look right; they talk too much or too loudly. People treat them like shit because they're different.

“And after I noticed that, I started seeing it more even if I don’t always pick up on it. And I still mess up sometimes. I'm not a god, I can't change the world but…in the stories Robin and Dustin translated, the Lord of Night helped people like my friends because it was always the weak and rejected that try to hide themselves in the dark. I want to help those people find him again so they know they’ve got someone holy in their corner. They should know someone loves them enough to protect them.”

Steve didn’t really know where all those words came from; he wasn’t a wordsmith like Robin and Dustin. He always had a hard time verbalizing his thoughts, and he usually messed up the words. Nonetheless, these words had almost burned to be said.

When the speech that flowed from him finally reached a natural end, he felt…lighter, cleaner. He felt like his shield and sword when they were polished to a shine. But when he turned to see his audience’s reaction, the man had gone. Steve felt strangely dejected instead.

–

The eighth night:

“Hey, it’s me again. My supplies are low and I don’t know what your thoughts about hunting on your land are so I’d rather not…I don’t want you to think I’m disrespecting you. I might have to leave soon to get more supplies,” Steve swallowed nervously. “Which isn’t an ult..ultimate…? No, damn, what is it called? I’m not trying to force you to talk to me before then, is what I mean. Not–not that I could! With you being a god.”

Steve scoffed at his own blundering. He should’ve had Robin help him make speech notes. Cards with conversation starters. Something! He took a deep breath and tried again.

"But I'm coming back, I promise. I meant what I said about fixing up your shrine. I’ll commission a new plaque and I’ll talk to the stonemason about replacing your plinth. I don’t know a lot about sculpture, but I’ll get you the strongest type of stone and get something nice carved on it. Your flowers? Or cats? Cats are cute. Maybe your bats would be better…?” Steve trailed off.

It was quiet save for the faint rustle of leaves in the cool breeze. The full moon illuminated the area more than ever before. The shrine must have really been a beautiful sight back in its heyday. The thought of it sent a pang of longing through his soul.

The hour came that the strange man usually showed up. Steve steeled himself for another round of questions, another jab at his faith. The hour went by with Steve alone in the clearing. Steve frowned.

“Do you think he’s okay?”

Steve’s question went unanswered.

After another hour without seeing his stranger, Steve had finally convinced himself to round the perimeter for a quick check in case the man was nearby or in need of assistance. When he found nothing, he checked again in case he missed something.

Still nothing. Uneasily, Steve gave up his search and returned to the shrine. He knelt before it again, head bowed. He cleared his throat.

“Lord of Night, I don’t know his name, and I know he’s been rude–annoying–but could you please watch over the man? Please keep him safe from harm for as long as the stars shine tonight. Thank you.”

He received no response, but Steve had faith. He knew he was heard. He knew his god wouldn’t let an innocent come to harm if he could prevent it.

ps: i do not do those reader tag list things. if you’d like to keep up with my stuff, follow my writing tag: trensu tells stories

#trensu tells stories #stasis in darkness #steddie #steve harrington #eddie munson #stranger things #i'm hopping around between working on this fic and a couple of different fics for the hawkins halfway house au #whenever i feel uninspired by one i jump to the other #i've also dabbled a little with additions to the chrissy the vampire slayer au i threw together real quick a while back #someone please tell me how to keep focused long enough to finish one wip rather than juggling like five of them at a time #anyway #i actually have more of this one written out but this part of it is the only one that i'm pretty sure i won't go back and change around #whereas the rest of it is still getting rearranged over and over lol

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jtl-fics · 9 months

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Fluent Freshman - Part 32

He had the first week back from Thanksgiving break off from both classes and practice.

The week off of classes leaves FF feeling like getting stabbed has been a net positive experience for him.

First he feels like it really cemented the apparent friendship he had with at least Andrew and Neil. Second, he technically had a job offer in his Freshman year. Third, and most important, his language professor who had wanted him to come and speak to his gen-ed Latin class of over 100 students told him not to worry about it and that he had gotten one of FF’s friends to agree to the presentation instead.

His relief was so immediate and all-consuming that he hadn’t even had the energy to pretend he was upset that he had been replaced. Thankfully his teacher just chalked it up to relief that he wouldn’t have to stand up and present when his stomach was healing from the surgery.

Coach Wymack and Abby wouldn’t even let him go to the Court. Kevin had tried to argue quite a few times on Sunday when that decision had been made. Argued that he could sit in and watch for strategy purposes if nothing else.

However, even Kevin couldn’t guarantee that FF wouldn’t get accidentally run into / knocked against considering his complete lack of presence.

Matt had rushed into Abby’s house having made a bee-line for it upon reaching the airport. “Smiths! You got stabbed!” Matt yelled as if informing him of his own predicament.

“Yeah.” FF agreed as if it were something that could have been debated.

“What happened?! Nicky just sent a pic of the flowers he got you and the card?” Matt had asked pulling his backpack off his shoulder and to his front as he unzipped it and rooted around for something before pulling out an orange envelope. “This is from me and Dan, you remember her right?” Matt had asked.

FF thought of quiet conversations he has overheard over the phone and not so quiet noises Matt makes when engaging in some phone sex with his girlfriend.

“Yes, I remember Dan.” FF had said diplomatically and accepted the card.

The card was sitting on the nightstand at Abby’s house next to the card the Monsters, his grandma, other teammates, and some cards from friends he had made outside of Exy. It feels nice to look at the multiple cards all wishing him well.

His Grandma was going to stay for two weeks and Abby was being incredibly kind to put them up

He spent most of that week sleeping, spending time with his grandma, getting yelled at by Abby for trying to do chores, and spending time with the Foxes that came to visit him.

Nicky had come over to hang out every day without fail. Most of the upperclassmen who were on the original ‘miracle’ team of the Foxes stopped in to see him regularly. Even Jack stopped in to complain about how Captain Neil presented a danger to the rest of them before giving him a Get Well Soon card and leaving.

It was a strangely thoughtful card that he’s near positive Jack’s girlfriend picked out for him. When the end of the week and the first game that FF would need to sit out from approached Coach Wymack asked if he wanted to come.

“You can’t play, but you’re still a Fox.” Wymack had said and his grandma had encouraged him to go and spend time with his friends. She’d hold down the fort for Abby, cook up a bunch of food for the the team to enjoy when they got back late.

So FF climbed onto the bus and sat next to Nicky who had declared himself FF’s bodyguard for the evening who’s safety he would only pass off to Coach Wymack during the game proper.

***

They’ve come so damn far from the worst team in the Division. His kids are thriving and because of that he’s gotten a larger budget. A larger budget to better help his kids with. David would be lying if he said he didn’t spend some nights wishing he could tell himself of a few years ago just how good it would get.

Still, the match is a lot closer than it should be.

He looks to his side and sees FF sitting there watching the game with rapt attention.

He looks as Sheena fumbles a pass that his newest problem child had mastered the timing of a month before. He sees Kevin’s shoulders go up in anger but Neil’s quick reflexes save it before the play is fully fumbled.

Neil makes a feint to pass to Kevin and the goal lights up putting them in the lead by 2 goals. David thinks of the numerous plays that would have gone smoother with the kid next to him playing instead of Sheena but there was no point in wishing for things that couldn’t be.

FF wouldn’t be playing until the Spring Championships started up and David would need to address FF’s medical hiatus and Lisa’s ‘family emergency’ that had her leaving the team.

It always stung when a Fox left but it hurt less when it was of their own volition instead of in a body bag.

He looks to the side again and thinks of the numerous decisions he had needed to make as Kevin slept in the car on the way to the hospital. Honestly, if he still was thinking about going after the hospital.

How the fuck did the hospital just leave the damn kid in a hallway for over an hour? He hates the thought of FF laying there in pain and bleeding watching as people went by.

He’s grateful that the kid didn’t seem to remember it.

He wasn’t going to mention it to any of the other Foxes, not even FF if he could swing it. He has no doubt that at the very least Andrew and Neil would go on a rampage and he’s near positive that Kevin would take special delight in it considering a week on he was still bitching about what he had seen in the Nutritionist office.

He’s not sure what Nicky would do but he knows it’d give him a headache.

Nicky takes a hard hit that has him subbed out for one of the freshman backliners. Nicky’s a little woozy and Abby confirms a very slight concussion that she’ll keep an eye on during the trip back.

They win by slimmer margins than they should but it’s to be expected.

“Coach Wymack?” FF asks.

“What’s up?” David asks.

“I’m going to go to the bathroom. It...uh...well it takes a while now.” FF says and David can read the embarrassment.

“Meet us at the bus. Be careful.” he orders.

FF nods and heads off.

Neil and Matt are on press duty and David preps the press to let them know about FF and Lisa. There are some questions about what kind of medical hiatus but David declined to answer knowing that Neil and Matt wouldn’t let it slip either.

His last two players get showered and on the bus.

He does a count and gets the correct number and starts the bus.

They’re just about to get on the highway when there’s a shout, “Wait! Where’s Smithy?!” Nicky exclaims full volume over the general conversation that had been going on throughout the bus.

David frowns, he had counted-

Abby. He had counted Abby’s head next to Nicky.

“Oh god dammit.” he says.

***

FF looked at where the bus should have been waiting for him.

He closes his eyes and hopes that the bus will appear between blinks.

He opens his eyes again and finds...nope just fans milling about heading to their own cars and home. He gives a hopeful look across the parking lot wondering if the bus maybe just got moved back somewhere so that they could get out easier after he went and made them wait?

A lot of people. Some kids. Some disappointed Belmonte fans. Some excited Fox fans. Some general Exy fanatics who were discussing what the Belmonte team would need to do to stay in for the Spring Championships.

No Palmetto State Fox team bus.

He swallows a bit of disappointment and moves past it.

He pulled up his phone to plug in Abby’s house and saw that it would be a 4 day hike from Belmonte. He looked down at his shoes contemplating if they’d make the over 300 miles of walking. The doctors and Abby had been very clear not to do too much exercise but surely it wouldn’t count since he was just going to walk? They said walking was fine right?

FF sighed at the thought.

Yeah, it wasn’t going to work.

His stomach hurts at the thought of a 5 hour car ride. Maybe there was a bus station nearby and he could make his way back via greyhound.

He was looking at his phone again when it started to ring and Nicky’s face was on his screen to let him know who the caller was.

He hit the answer button, “Hello-“

There was an inhale and FF had been on the receiving end of this quite a few times at this point so he held his phone the entire length of his arm away from his ear, “SMITHY, ARE YOU ON THE BUS OR DID WE FORGET YOU?!” Nicky screeches and it hurts his ears even from an entire arms length away. He wonders how in the world Nicky can stand being that loud with his minor concussion.

He stares at his phone dubiously for a few moments, worried that Nicky may shout again.

“Smithy?! Smithy?” He hears Nicky’s not quite as loud but very concerned voice. FF decides to bite the bullet.

“Hello Nicky, I am not on the bus.” He says.

“We fucking LEFT SMITHY!” Nicky yells and FF can hear a collective groan from across the line.

He may even hear Coach Wymack yelling something about ‘again’ and feels shame burn in his stomach. He should have just held in his pee. He hadn’t really needed to go that badly and it’s not like Coach Wymack doesn’t take bathroom breaks.

“It’s okay.” He rushes to assure Nicky. “I can…grab a bus or something. You don’t need to come back, I’m-“

“Young man, if you say that you’re fine I can not be held responsible for what I will do when I see you in the next 20 minutes.” Nicky threatens. “I also can’t be held responsible for what I’ll do to Neil since I feel like he’s infected you somehow.” He says.

He hears a distant “Hey” followed by an even more distant “Man, I hate to say it but I think he’s right.”

“I don’t want to bother you.” He says.

“Smithy, you are so far from a bother it is insane. How about I stay on the line with you okay?” Nicky asks but something has caught his eye.

Two kids haven’t moved as the rest of the world continued to. He watched as they clung to one another and no one seemed to take notice of them. He doesn’t understand how anyone could miss them with the bright orange children’s jerseys they had on. One sporting 01 - Josten and the other 10 - Josten on the backs.

“That’s okay Nicky. Call me when you’re close.” He says and makes his way over.

He can see the little boy’s hand holding the little girl’s hand tightly and is careful to walk around them in a way so that he wouldn’t appear out of nowhere. “Hey,” he squatted down to their height and the little boy still jumped slightly, dropping a small book to the ground, and the little girl hid her face in his shoulder. “Sorry, I didn’t mean to startle you. I just noticed you looked a little lost.” He says and his muscles won’t pull in a way to offer a reassuring smile but he hopes he can convey it through his tone.

The little boy visibly swallows down nervous spit, “I’m not supposed to talk to strangers.” He says holding on tighter to the little girl.

“Smart, continue to do that.” He says immediately, “Can you just nod yes or no for me?” He asks instead.

The boy thinks for a long moment before nodding affirmatively.

“Great, good job.” He says, “Did you come to the stadium with your parents?” He asks

A nod in the affirmative.

“Do your parents know where you are?” He asks.

He shakes his head in a negative.

“Are you lost?” He asks.

Another negative.

“So you mean to be right here?” He wants to clarify.

A nod in the affirmative this time.

FF takes a moment to piece together what he knows and looks down at the book.

An autograph book. “Oh, you wanted to get an autograph from Captain Neil?” he asks.

The little boy looks up but it’s the little girl who answers. She finally takes her face out from his shoulder. FF’s eyes can’t help but see the large burn scar on her cheek but also see how her eyes sparkle with delight, “You know Captain Josten?!” she exclaims in delight.

“Millie!” The young boy says. “He’s a stranger!” he hisses.

“Nu-uh!” she shakes her head, “Number 14!” she points at his jersey he had worn in solidarity. “He passes to Captain Josten!” she says brightly. “See Brandon?” she smiles.

It could just be a fan jersey though FF highly doubts that anyone would buy fan merch for him. He is no Kevin Day, Captain Neil Josten, or Andrew Minyard.

Still the little boy, Brandon, looks at him with wide eyes, “You’re Smith?” he asks.

“Yeah.” FF nods, “Captain Neil is my Captain.” he says.

“I love Captain Josten! I wanna marry him!” Millie says and FF can’t help but wonder if Andrew would squash such adorable competition. “His face is like mine!” she giggles.

“Yeah, your face is as cool as Captain Neil’s is.” FF agrees with completely sincerity.

“We came out here to get Captain Josten’s signature” Brandon says with a pout, “All the adults were in the way and it was...kind of scary.” he admits with a flush.

A thought occurs to him. He doesn’t want to leave these kids and brave the crowds to find someone to announce the lost kids. It would only be about 12 more minutes before the bus comes. Coach Wymack would be able to help and...

“They’re coming to pick me up pretty soon. How about we stay right here and we can get Captain Neil’s autograph together?” he asks.

Both kids light up at the idea. “Really?” they both ask.

“Yeah, I also want Captain Neil’s autograph.” he says because he does. He’s wanted Captain Neil’s autograph for AGES but had been too awkward to ask. Then Greg had come and made it seem like FF would want it just to sell it or something.

Now he has the perfect excuse.

***

David pulled into the spot he had left almost half an hour ago and barely managed to put the bus into park before most of his more senior players were prying the door open to go look for FF.

Nicky had called but FF hadn’t picked up and it had set his more paranoid players’ teeth on edge.

The only one that stayed on the bus was Nicky since Abby had a firm grip on him.

David sighed and told everyone else to stay put before exiting the bus and began the herculean effort of trying to spot FF in a crowd.

It actually wasn’t too hard as he found his players standing and watching as FF crouched with his back to them as two little kids in orange Fox jerseys were re-enacting something for him.

He’d be tempted to let them keep going if he didn’t remember Abby’s list of specific things FF shouldn’t do with his still healing stomach and squatting like that was definitely on the list.

“Smith.” he says and watches as the Freshman jolts and tips over, thankfully onto his side, from his squatted position.

The kids get nervous when they see him but then their eyes both lock on Neil’s face. For a moment his heart aches for his player, plenty of kids have cried about Neil’s scars but then his eyes land on the little girl’s face more properly and...

Oh...

Those are stars in her eyes. David looks at the two different Josten kids jerseys that the Palmetto store had released.

FF recovers from his tumble admirably, “Coach Wymack,” he says getting up onto his feet. “These two are lost, can you see if there’s a way to contact their parents?” he asks.

David nods and pulls out his phone and steps away slightly.

He watches over the interaction that happens next.

As promised, FF had taken the awkward lead of asking for it and had them form a line. It had been weird but he watched as understanding dawned in Captain Neil’s eyes as he saw the two Josten jerseys. It had felt even less weird to get Captain Neil’s autograph when Matt had jokingly gotten in line behind Brandon because he too wanted Captain Neil’s autograph.

FF felt a little bad that Captain Neil had been so flustered by the requests but at least he finally had the Captain Neil autograph he’d wanted since last March. It also felt nice when Captain Neil had smiled the way he did at Millie when she babbled about how they matched.

Andrew had bumped into him in the way that FF was learning meant that he was pleased with whatever FF had just done. Kevin and Aaron had been the ones to ask if his stitches were okay after his startled tumble.

Millie and Brandon’s parents were incredibly grateful and swore to continue to be lifelong fans of the Foxes. Millie and Brandon themselves had been more excited about their Captain Neil Josten autographs than being reunited with their parents. They had waved goodbye with Millie loudly proclaiming that her and Captain Neil would get married someday.

Climbing onto the bus he was subjected to a check over by Abby when both Kevin and Aaron dragged him to her. Then he was sat down next to Nicky who shoved him into the window seat and cuddled up. “I won’t lose track of you if I’m on you.” was his logic.

The bus ride resumed.

“I didn’t know you liked kids.” Nicky says head on FF’s shoulder. “I’ve watched you go to the other side of the street to avoid middle school kids.” he adds.

FF feels ice in his stomach.

“Middle school kids are mean.” FF says and doesn’t properly answer the question but Nicky is just concussed enough to not call him on it.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

Like I said in my last part I will be tagging people separate from the actual update going forward. Still any requests to be added to the tag list feel free to put in the replies here.

#Fluent Freshman AU #Nicky was getting ready to call any and all local dairy farmers #to start the 'have you seen me?' campaign #Nicky was also trying to figure out how to tell Aras that he lost her entire grandson #He may have been freaking out in the bus with Abby #'I'm gonna lose GRANDSON PRIVILEGES ALL OVER AGAIN #Thankfully FF wasn't far and now Nicky knows to just truly superglue himself to FF. Buddy system for life #Yeah so you may have caught it in the previous bit #part 27 #Andrew and Neil's concern about FF getting forgotten in a hallway did actually happen #and FF passed out there #Only Wymack's call for an update galvanized them to find him and start helping him #The Foxes get back and GS has a bunch of Tupperwear #full of delicious food for them since it's so late #Nicky and Matt are halfway through getting her a custom 'Foxy Grandma' Jersey #She's discovered quite a bit more knitting to be done for FF's friends #That sweet boy Matt deserves a knitted present too #Maybe even that brash young man Jack should get in on the GS knitted presents train #Well now it's out there in the world that FF is on a medical Hiatus #I'm sure nothing will happen #this is a lie I know the chain of events that are to follow #AFTG #AFTG AU #AFTG OC #Andreil #FF - Part 32

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mikimeiko · 6 months

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Our Flag Means Death Season 2 - one gif per episode (with the first gif from their first scene and the last gif from their last scene) | Izzy Hands

#our flag means death #ofmd #ofmd season 2 #izzy hands #ofmdedit #i made these in order of appearance in the first episode so the order might be a little strange #halfway through i thought his development was all over the place and confusing #but honestly? it all made sense in the end #especially the way the chose to make his final words a (well deserved) apology to ed #i love you little sad evil man and i'm glad you got to have a little joy this season #ofmd s2 one gif per episode #i made this #i just want a tag for the things i personally put out into the world

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xovera-toz · 26 days

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...it escalated

#otgw #wirt #my art #over the garden wall #traditional art #kilts #artists on tumblr #I'm gonna tag this as #crossdressing #even though strictly speaking it's not. but eh it's halfway there

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oneatlatime · 7 months

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Want to get your thoughts on something you've touched on in a couple places. A pretty popular idea in the fandom is that one of the (in-universe) reasons airbenders have gone so hard into the peace-and-love monk thing is a self-awareness that, if they didn't, there's not a whole lot anybody could realistically do about it.

Like, Southern Air Temple pretty strongly implies that Gyatso solo'd a room full of comet-roided firebenders. It killed him but he did it, and while he is a master Airbender, we're not given any real indication that he is uniquely so, right?

I have many thoughts on this! Sorry in advance for the long post! And sorry if this goes a bit off topic!

Short answer: I don't agree.

Long answer:

We've seen that nations' cultures tend to reflect their native bending styles. Or vice versa. It's probably a chicken and egg scenario. The Fire Nation chose to spread (like wildfire) and is full of hot headed, impetuous roid-rage sufferers who can't see or plan for the long term. Fire itself easily becomes ungovernable and is at best muzzled/leashed, always waiting for the next chance to bubble over in unplanned / unpredictable / generally unhelpful directions (Hi Zhao!). So an element shapes a culture shapes and element until you've got a positive feedback loop (or in the case of the Northern Water Tribe, a negative feedback ourobouros due to outside pressure). Importantly, neither culture nor element develops in isolation; I think they develop simultaneously.

The Earth Kingdom is probably the most rigid and unchanging, even when it would benefit them to change/innovate. We see rigidity and humourlessness in response to change or the unexpected (see Toph's parents) and we see an inability to let go of a bad idea, or mitigate the consequences / think on the go when things that were clearly bad ideas go bad in ways anyone with a non-earthbender brain can see coming a mile off (think The Avatar State episode). Earth digs in when it should retreat, stands solid when it should duck and weave. It is grounded to the point of stupidity (unless you're Toph or Bumi, although even Toph seems to be unbending so far). It's linear to the point of being unable to deviate from that line.

This is me guessing, but I figure since fire and water are opposites, air must be the opposite of earth, right? So while we'll never see airbending culture in a non-shrunk-down-to-one-person form, we can look at earthbending culture for its dark reflection. Well, probably not dark, but you get what I'm saying. They'll be opposites in world view. We can extrapolate.

So if earth is grounded, humourless, aggressively traditional, linear, then air must be constantly fluctuating, unchained, lighthearted, bonkers-all-over-the-place. The heaviness of earth would dictate that problems should be faced by digging in and facing them head on until the problem blinks first. The lightness of air would dictate that problems should be faced the opposite way: blinking first i.e. removing yourself from the problem entirely. The linearity of earth dictates that fights are solved by fighting - you punch me, I punch you. The non-linearity of air would seek to recontextualise a problem until it's no longer a problem because we all forgot what we were fighting about in the first place, i.e. throwing pies at it or busting out the marble trick. The heaviness of earth would cause excessive earthly attachment; the lightness of air would cause excessive detachment from worldly concerns.

To start violence is to make a statement that you wish to be involved. It's rooting yourself to a particular dispute, choosing a hill to die on. It stems from attachment. This is earthbendery behaviour (and Zuko-y, but let's not go there). To never start violence is to never invest, never dig in your feet and make a stand. To be detached. (I'm oversimplifying here.) It's clear from in-show examples that Aang's pacifism is of the "ladies don't start fights but they can finish them" variety; he's got no problem with self-defence (caveat: we have no idea how typical an air nomad Aang was). But he never attacks first that I can think of.

Violence is a very direct tool. If someone starts a fight with you, and you decide to continue it, you're choosing the most obvious action. Since when is airbending direct or obvious?

All this to say, I think that pacifism, peace and love, monkiness, etc., was more likely a natural and inevitable outgrowth of air nomad culture, caused by constant culture / element interaction, rather than a conscious choice.

So I think airbenders "have gone so hard into the peace-and-love monk thing" because the nature of their element creates a culture that discourages the traits required for effective offensive violence, and the inherent detachment and ever-changing nature of air naturally encouraged spiritual (i.e. monkly) pursuits rather than earthly ones, like whatever the conflict of the week is. I don't think self-awareness of the dangers of their element factors into it. Not to take away from Gyatso's accomplishment, but I think air is nowhere near the most dangerous element. From what I've seen so far that would be Fire or Earth, though I'd give the edge to Fire because they self-generate, and also because they've spent a largely successful century dominating the other elements. Waterbenders and earthbenders can be neutralised by taking away their element; airbenders - due to the very nature of their element - probably can't get past that initial avoid and evade instinct to become legitimate offensive threats.

As for Gyatso, I think he's an outlier. We know little about him so far, but we do know that: a) Aang says he's the best airbender (in I think the Southern Air Temple?); b) he's good enough that he was granted a statue while he was still living, learning, improving; and c) he's good enough that the monkly council (of which he is part) granted him the honour/responsibility of being the quasi-dad of the Avatar. These things tell me that Gyatso was the Spiders Georg of the Airbenders. I suspect Bumi is the same for the Earthbenders, and at least as far as the philosophy of bending is concerned, Iroh may be so for Firebenders. Even the example of Gyatso nuking the comet-enhanced firebenders is a case of defensive action in ultra extraordinary circumstances: he was staring into the teeth of a genocide while mourning the disappearance of his quasi-son and the likely loss of the world's only hope / chance at stopping the war. That's how far you have to push an airbender before they'll take a life. Unless the Avatar world pre-war is a lot more godawful than Aang has implied, airbenders probably wouldn't have been taking lives frequently enough for them to get to the point where they would have to start questioning whether they should consider pacifism.

I think what this fandom idea ultimately is, is a desire for the hidden badass trope. Everyone loves it when the most peaceful character in the story is revealed to secretly be a Rambo-level fighting badass, right? Who didn't love it when kindly grandpa Roku manifested in his temple and unleashed a volcano? But I think this trope fundamentally takes something away from the appreciation of Airbending, Air Nomad culture, and the concept of Pacifism as a whole. This is just my interpretation, but applying the "secretly the deadliest all along!" trope to airbenders undermines their commitment to pacifism and makes it performative rather than earnest. It's a cop out; an acknowledgement that violence actually is the answer, and even those head-in-the-clouds monks know to use it when the chips are down. This show goes out of its way to show that non-combatants have value and a place in this world that's worth fighting for, that fighting goes way too far pretty frequently, that non-violent solutions are valid, even preferable. It would kind of undermine that message if all of the elements were easily weaponisable.

Something I've loved so far about Avatar is the show's earnestness. There have been no Marvel-style fakeout bathos plots. I feel making airbending secretly the deadliest element or similar would be exactly that sort of thing. Can't my pacifists be peaceful not because they're secretly untouchable badasses who carry the biggest stick, whom the rest of the world leaves alone out of fear, who are not a threat only because they have chosen not to be, but because that's just who they are?

On the other hand: Aang's been a one-man-army plenty of times. We've seen that; that's undeniable. So air is stupidly powerful as an element. No denying that. Gyatso did murder a bunch of people trying to kill him, so air can be deadly. But I don't think your typical airbender could be deadly. If you gave a can of airbending to a firebender, an earthbender, or even a particularly provoked waterbender, I don't doubt that they could kill people with it. But the culture that the element generated - rather than a conscious choice by that culture's participants - prevents them from taking the direct, violent, solution. And I think that culture developed in tandem with airbending, so there could not have been a time when airbenders were deadly as a rule. Air shaped airbenders as much as airbenders shaped air, and it shaped them into non-violent people.

There's a lot of power in the idea of consciously choosing, and sticking to, something that is perhaps not in line with your natural abilities. Styling airbenders as deadly-but-choosing-peace is a great way to explore themes of agency, identity, strength of character, morals, maturity, etc. But, to me, there's also a lot of power in the idea that some people just can't - not won't, but CAN'T - fight their way out of things, and this doesn't make it any less wrong to genocide the crap out of them.

If the fandom wants to headcanon airbenders as secret badasses who consciously choose nonviolence, I say a) go ahead! there's more than enough evidence to support that conclusion; b) I respectfully disagree; and c) is Iroh not enough?

tl;dr in my opinion, air's pacifism was a natural outgrowth of, and restriction imposed by, the element rather than a conscious choice; airbending can be deadly but airbenders aren't; Gyatso is not representative; 'speak softly and carry a big stick' is all well and good as a philosophy, but those who speak softly and don't have a stick are of value too.

#atla #avatar: the last airbender #ask #PLEASE let this not start drama #just my opinion guys!#remember I'm not yet halfway through season 2 so maybe a later episode will disprove everything I've said! Who knows! Not me!#Also I don't know anything about Eastern Philosophy which this show undoubtedly references frequently #in a way that completely goes over my head #so I may have made some entirely incorrect assumptions in this post #oops!

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hephaestuscrew · 5 months

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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359

TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.

Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.

“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation

The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:

[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter? EIFFEL My copy of what? MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual. EIFFEL Was that one of those mandatory mission training things? MINKOWSKI Yes. EIFFEL In that case, yes, I definitely did. MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck. EIFFEL Oh? MINKOWSKI Still in its plastic wrapping.

This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.

By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:

Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.

The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.

It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.

Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.

When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.

“When in doubt: whip it out”: Hilbert’s use of the DSSPPM

In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.

In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.

When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.

Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.

“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic

The next mention of the DSSPPM is in Ep17 Bach to the Future:

MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!

I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.

Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.

Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.

Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.

It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:

EIFFEL You're insane. MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.

There's only one tip Minkowski doesn't seem to remember, and that's revealing too:

EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.

Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.

Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.

“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter

The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.

Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.

Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:

MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.

Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.

In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:

CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.

Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.

For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.

The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.

In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:

MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.

Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.

At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.

In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.

“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival

In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:

MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.

Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.

In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.

“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM

Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.

Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.

Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach.

The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:

EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!

This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.

In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:

HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.

It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.

The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.

And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.

“One thousand and one pains in my ass”: The authorship of the DSSPPM

In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:

EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you.

It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.

By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.

Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.

"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it

Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from Ep58 Quiet, Please:

EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-

No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.

The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.

I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.

But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.

Conclusion

The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.

#Wolf 359 #w359 #Renee Minkowski #Doug Eiffel #Renée Minkowski #I guess I lied when I said I was halfway through at 1000 words #I hope that those who liked my preview post were up for a long read #This is over 5000 words and I still haven't said everything!#You could write a PhD thesis on this #Honestly I feel like this is full of typos and mistakes cos I was kinda tired as I proofread it but I just want to get it posted today #Otherwise I could spend even more time on it and make it even longer... (and also I want it to be out in the world)#But please do lmk if you spot a typo/mistake. I won't be offended #I'd also be interested to hear people's thoughts on any of this #Unimportant point but I'm shaking my head at Minkowski if she wouldn't let Eiffel listen to the DSSPPM instead of reading it #Audiobooks are a valid method of reading. Don't deny a man with ADHD his own approach to absorbing info!#Then again. it might have been an unfounded assumption of Eiffel's that Minkowski wouldn't have accepted him listening to it #I think in school he definitely got in trouble for boasting that he's actually read the book this time when he just watched the film #the empty man posteth

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