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Summary: King Viserys I dies, sending the royal family and your own life into disarray. When Aemond is sent on his way to Storm's End and your betrothal is called off, the Queen promises to do right by you as soon as she is able. That night, your fears, memories, and insecurities get the better of you.
Pairing: Aemond Targaryen x UnspecifiedHouse!F!Reader
Warning(s): Very, very brief mention of sex
A/N: Thank god that more talented people than I have already gifed every second we've gotten of Aemond otherwise I would've had to put a super pixelated screenshot down there instead. How do you guys make these? Here's part two!
Queen Alicent had insisted on speaking to you alone, without even your father or the Lord Hand as witnesses, which set your already frayed nerves to what felt like their very breaking point. Your hands were clasped tightly together in your lap and still, you could not stop their trembling. The two of you were sitting in her chambers and her handmaiden was pouring the two of you some tea before quietly leaving the room. You had known, of course, that something was wrong. Just a mere hour ago, your father had been all but dragged from his study and corralled into the throne room with all the rest of the High Lords and Ladies. No matter how desperately you cried out, none of the knights of the Kingsguard would tell you where they were taking him or what was happening.
And now here you were, sitting across from the Queen who regarded you with kind, sad eyes. She had never looked at you like this before. "Lady Y/N," she started before clearing her throat and glancing down at the small cup in front of you, "please, before we begin. It will help with your nerves." You nodded quickly, grasping the cup in your hand and hissing when some of the tea spilled on your fingers as you brought it up to your lips. "I tell you this now with the utmost confidence in your ability to be understanding... and patient." You looked at her over the rim of your cup. She pressed her lips together, refusing to meet your gaze for a moment before closing her eyes and sighing deeply. "The King is passed."
"Wh-what?" Your cup clattered against the table as you clumsily set it down.
"Please," she murmured and you held your tongue. "He named my son Aegon as his successor and, though my father believes in the inevitability of war, I do not. I am trying my best to tread a different path, to do what needs be done without bloodshed. There is no reason why thousands should die, why the Princess and her family should suffer, why the dragons should be turned loose. Do you understand?" You opened your mouth, but she continued. "There is a better way, Lady Y/N. I can see the path towards peace so clearly now. But..." She sighed, pushing her own cup aside and reaching across the table to grab your hands. "Even peace is not without sacrifice. Have you seen Aemond today at all?"
"No, Your Grace. I tried looking for him, I was hoping he could lend me some clarity, but I could not find him." You had even gathered your skirts and run to the training grounds where Ser Criston usually was, hoping maybe he could tell you where to find your betrothed, but the area was deserted. That was where a guard had found you and brought you before the Queen. "Do you know where he is?"
"I do, yes." She sighed again, her eyebrows drawn together, looking like each word was cutting her tongue on its way out of her mouth. "Lady Y/N, you must understand. I hold you in the highest regard. I cannot think of a young woman more suited for my son. You are dutiful and kind. I know he was quite taken with you, but whether there is to be war or not, we must strengthen our house. We must forge difficult alliances to persuade the Princess Rhaenyra to accept this new order. Gods, do I wish it could be different. Would that I or any of my children had been married for love and not politics." Your breath hitched.
Your betrothal to Aemond had been announced only a few short months ago, but he had caught your attention the moment you entered King's Landing a year ago. You remembered everything your Lady Mother had told you back when she was alive about how making a man fall in love with you was almost like casting a spell. 'You have to bewitch him, be the very air he breathes,' she'd told you one night shortly after you'd bled your first moon. Back then you were unsure of what she had meant, but you accepted the bottle of lavender oil and rose petals she had given you then. Years later when you would sit and pretend to read at the edge of the training grounds under the trees there, you still wore it on your neck. It made you feel womanly and powerful and more confident than you really were. Eventually, he noticed you, too.
Tears pricked at the corners of your eyes and you looked out the window, wishing a stiff breeze would pick you up and carry you home. Surely, she couldn't possibly mean...
"Aemond is to be betrothed to one of Borros Baratheon's girls." There it was. You tried to tug your hands away, but she only held them tighter and stroked the back of them with her thumbs. "But I swear to you, Lady Y/N, that you will not be cast aside. I know of the affection you both had for each other and I am sorry that it must be this way, but I promise that as soon as the Princess accepts our peace terms, I will personally secure a betrothal befitting a woman of your station and quality. I swear this to you." She squeezed your hands again and you swallowed the burning lump of coal in your throat. When the two of you locked eyes, you weren't ready to see that they were just as tearful as yours felt.
"What will happen to me?" Your voice trembled and broke at the edges, your mind racing with images of yourself next to or beneath some old, perverted Lord. You thought you would be one of the lucky girls. How stupid you felt. Fresh tears sprang into your eyes as one finally fell.
"Nothing, my dear girl. You and your father will both be safe and well taken care of here." The Queen reached up and gently brushed a stray lock of hair from your face, her eyes mirroring your own.
None of the people at court were even allowed to go to the Coronation. It was a pageant reserved only for the smallfolk, to make sure that they saw Aegon as their one, true King. You cared not for any of that nonsense, the politicking of it all, the "stinking, bloody outrage of it all", as your father had shouted at supper that night, slamming his fist on the table and forcing both your cups to spill. For once, you said nothing about his outburst, focusing instead on moving your food around on your plate until it was too cold to eat anymore.
"Queen Alicent told me she would find me another match."
"Another match," he scoffed, shaking his head, "What could be a better match than the Prince?"
What indeed.
You excused yourself early, leaving your father to puff and fume as uselessly as he wanted. He may complain within the confines of your four walls, but you knew he would never push for you and you could forgive him for that. He would never raise a hand to you and he loved you enough most days. On some of those days, you even felt sorry for him. He was all alone in the world, with only you for comfort and you were destined to leave him behind to start a family of your own someday.
As you lie in your bed that night, your eyes glued to the ceiling, you tried to quiet the drumming of your heart enough to find some semblance of rest. You had seen Aemond only last night and though you knew thinking of him was the last thing that would help calm you, you could do nothing to stop yourself. The apartments you shared with your father overlooked the gardens, a step up the ladder that Aemond had facilitated for you out of a desire to see you elevated to the status he'd said you deserved. Were you to lose even this now that you had lost him, too?
Aemond had arrived in a foul mood after the dinner with his family. Though it went against the rules of propriety, you knew your father was willing to bend or even break those rules for you, as he made clear when he allowed you to take Aemond's arm and lead him into your chambers. It had nothing to do with trust or faith and everything to do with status. Maybe some part of him even hoped the Prince had already deflowered you and you were with child so the Hightowers would have no choice but to go forward with the wedding. As you gently closed the door behind you, you felt... lucky, more than anything.
'What troubles you, My Prince?' You almost never called Aemond that anymore, except maybe in jest, but you had not seen him this cross in a while. He stood in front of your small fireplace with his back to you, his arms crossed over his chest and his head bowed. Every line in his body was taut as a bowstring and while you ached to reach out and smooth a comforting hand over his back, fear stayed your hand.
When he turned to you, there was a faint smile on his lips and he beckoned you over with a welcoming hand. 'I am not so troubled that you have to resort to naming me with titles, my love.' You sighed gratefully and leaned into him as his arm curled around you. The two of you stood there for a few moments and you finally rubbed your hand on his back like you had ached to just moments before. 'You see it, do you not? My nephews.'
You hummed, your mouth twisting in discomfort. 'Yes, they are...' You struggled to find the right way to phrase it. Imposters? Proof of the Princess Rhaenyra's indiscretions? Not of Velaryon blood? All true.
'Bastards.' He stepped away from you then, clenching his hands into fists. 'Unfit to rule over even a patch of rock in the Isle of Faces and yet one is to be King someday and the other Lord of the Tides.' One hand brushed against his eyepatch, his face souring. 'It is an absurdity. And I alone am regarded as the problem, for-for speaking the truth others so spinelessly ignore!'
'You know why, Aemond. Your father,' you paused and snorted, 'is hardly your father.'
'Even my mother stood against me tonight.' When he looked at you, you could see the sorrow in his shining blue eye and you could not stop yourself, you brought your hands up to caress his face, your fingers tracing his scar. You leaned up on your toes and drank his sadness from his lips as he gripped your waist so tightly, you thought he meant to breathe your soul in like it was a plume of smoke and vapor. 'Are you with me, my little talisman?' he'd asked as soon as he gave you a hair's breadth of space to answer him.
It almost hurt that he asked. Did he not know? But you understood how he liked to hear you swear your allegiance over and over again. 'I am with you, my love.'
To think that was only one night ago and now here you were, alone in your room with nothing but memories and your heart flying away to be claimed by some girl for the sake of a war that you had no personal stake in. Never had you thought you would be so lucky as to be allowed to marry for love, but for a moment it seemed that the Mother had smiled upon you with all her mercy and warmth, as your own mother no longer could, only for everything to be cruelly ripped away from you without even so much as a goodbye or an apology from the man who was to be your husband. You knew he loved you even if he never said those exact words aloud. It shined out of every inch of him like starlight. You had never needed to hear it until now.
Would he find the Baratheon girl he was to be promised to quite beautiful? Would she "bewitch" him too? Would she become his new talisman, the one thing he swore by for every scrap of fortune in his life? He used to tell you the gods had been kind enough to leave him with one eye so he could look at you. Would he tell her that?
You stomach turned as you imagine him and some other girl... together, in the way you had been craving from him for so long. You had never wanted anyone in such a way, had never even touched yourself until you met him. It was like he had lit a fire inside you and he was the only one who was meant to put it out. The gods are cruel.
You flipped over onto your stomach, listening to the wind blowing through the gardens outside your window. Though you longed for him, for his comforting words and loving embrace, even for his body in bed beside you, for once, just once, you also hoped that you would never have to see him again. The thought of seeing him like that, with a pretty little wife hanging off his arm, sent a wave of tears to your eyes. You were alone now. There was no need to hide from anyone and, even if your father was awake, he had never interrupted you when you were despondent like this before, not even after your mother's death. With the hope of lightening your heart's heavy burden, you unclenched and allowed yourself to sob into your pillow.
floating, falling, sweet intoxication! touch me, trust me, savor each sensation! let the dream begin, let your darker side give in, to the power of the music that i write! the power of the music of the night!
Martha Jones - Jesus Christ parallels (never thought i'd write a sentence like this)
there's the other one who has sent me
For I did not speak on my own, but the Father who sent me commanded me to say all that I have spoken. I know that his command leads to eternal life. So whatever I say is just what the Father has told me to say. (John 12:49-50)
Very truly I tell you, whoever hears my word and believes him who sent me has eternal life and will not be judged but has crossed over from death to life. (John 5:24)
I judge only as I hear, and my judgment is just, for I seek not to please myself but him who sent me. (John 5:30b)
I have much to say in judgment of you. But he who sent me is trustworthy, and what I have heard from him I tell the world. They did not understand that he was telling them about his Father. So Jesus said, “When you have lifted up the Son of Man, then you will know that I am he and that I do nothing on my own but speak just what the Father has taught me. The one who sent me is with me; he has not left me alone, for I always do what pleases him. (John 8:26-29)
[...] for I have come here from God. I have not come on my own; God sent me. (John 8:42b)
I'm guessing you're referring to the deleted scene where Gwen and Miguel talk about how Hobie quit/took time off:
Since it's a deleted scene it should be taken with a grain of salt but since nothing they say here actually contradicts anything that happens in the movie (and I find it fitting for Hobie's character to abandon the spider-society while still looking out for Gwen) then I personally headcanon that something similar at least happened prior to his introduction in the movie.
When you say he was inactive I guess you mean in the spider-society (English isn't my first language so please let me know if I misunderstand/misinterpret anything you said! I'm not trying to put words in your mouth I'm just trying to show how I understand what you're writing but please correct me if I'm wrong <3).But yeah, it would make sense that he was still somewhat part of the spider-society since he's still wearing their watch when he makes his entrance:
(Also did you know that Hobie is the ONLY spider-person that wears his watch upside down??? I didn't before I was getting screenshots for this post lol, here is a screenshot that better shows it compared to Gwen:)
(ALso he's NOT wearing any watch in his introduction scene:)
(Just a fun fact I wanted to share)
About the portals:You make a good point here! We never see the portal Hobie appears from when he enters:
"If anything, he's running in from some place else. And we never see if the portal he comes from is HQ issued, or one of his."This is really interesting, cause at one point I thought he'd just use the HQ portal, but if that's the case then why:
1. don't we see him enter?
2. Is he running like he came from somewhere else? Like you said the watches are pretty precise and put people close to where they need to be.
This made me think that maybe he used one of his own watches (since I think he'd already made some at this point). BUT if that's the case then again:
We should still see him enter right?
If he appeared nearby we should see the effect his watches have on their nearby surroundings like we see when Gwen uses hers:
Maybe he just didn't want the HQ to figure out that he'd made his own watches yet, or maybe LYLA would be able to track him if he used the HQ watch so he used his own one instead and either:
Used it to end up far away from the others as he knew they'd all be able to see the effect his watches have on their surroundings and since Miguel apparently has everyone under constant surveillance he'd be able to figure out that Hobie was planning something behind the scenes. When he got there he then put on his HQ watch (which he hadn't been wearing since LYLA haven't been able to track him, according to the deleted scene at least) to cover up the fact that he made his own.
He used his own watch but it's not as precise and that would also explain why he had to run to get to the others. (Though it seems pretty precise when Gwen is using hers later)
Maybe he was already in Pav's dimension. This might explain why Pav asks if Miles knows about Hobie? But then again why does Pav greet him like he didn't know he was there (and also why didn't Hobie join Pav and the others sooner if that was the case)? In a way it would make sense for Hobie to hide in Pav's dimension if he's hiding from the spider-society and LYLA as hinted at in the deleted scene (which might not be canon though!), so maybe he hid there without Pav even knowing? And then he maybe saw/sensed what was going on with the gang fighting The Spot?
Cause yeah how did Hobie know they needed his help at Alchemax?
As you said, Gwen seems happy/surprised to see Hobie.The deleted scene tells us that Hobie gave her a way to contact him, so maybe she did and she's just happy to see him and maybe suprised he arrived so soon after she reached out? (Though idk when she would have done that, but since we don't know what means Hobie gave her to contact him we also don't know what to look for, for all we know it could've been a small device that just sends some kind of signal to him?)I don't think HQ contacted him either. BUT, we actually see Jess and Gwen talk briefly for like 2 seconds when they're trying to break the barrier at Alchemax:
So I guess another explanation could be that Jess could tell that Gwen was lying here and thus asked Hobie to go help her out as she knew he was looking out for Gwen?
But if Hobie was hiding from HQ then how did they contact him? But that's also only if you consider the deleted scene as canon. (though I don't think Jess contacting Hobie is the case but I'm just writing every theory I can come up with in case anyone wants to maybe look deeper into it).
For the moment I personally headcanon that Hobie either got a message from Gwen somehow or, like I theorised earlier, he was already nearby and his spider-sense alerted him to what was going on.
But I'd LOVE to hear what you or anyone else thinks <3
Once again thank you so much for your ask, I hope I answered it properly. Please let me know if there's something I missed or got wrong! And feel free to message me about Hobie (or atsv in general) I love asks like these as they make for a lot of fun speculation!
Also thank you so much if you read all of my ramblings!
Is CloverWorks entirely at fault for TPN S2's mangled production?
I see so many people default to blaming CloverWorks for being the sole arbiter of S2's horribly disappointing production (sometimes Shirai is added into the mix too, especially by anime-onlys), but every time I do I'm genuinely asking the question of whether that's true and where they're pulling their information from.
I'm not involved in the animation industry at all so I'm interested in receiving input from people who are more familiar with it, but my understanding is the people in charge of the decision to truncate S2 would be The Promised Neverland Committee listed at the end of the opening credits.
(I could not find a single video of the English dub that aired on [adult swim] for the English credits of S1, so a screencap from the Japanese credits)
TPN Committee is comprised of the following entities: Aniplex (Distributor), Fuji TV (TV Station), Shueisha (Manga Publisher), Cygames Anime Fund, Dentsu (ads)
(Sources 1 | 2 | 3)
kViN from Sakugabooru details what a production company is in this post:
"I personally find it enjoyable to see who is involved in a show, and as you’ve seen there is plenty of information to draw from that. Animation production studios are listed in the credits for each show, so it’s understandable why audiences would imagine they have a ton of influence over a production. It’s even natural to think that the company that is actually manufacturing something would have great input! If you start paying attention to these committees though, you get a clearer picture of the finances of production and how each show is actually made rather than assume that studios that often don’t have much of a say are in charge of everything."
And CloverWorks is the more prominent name, especially for English speakers watching the subbed version of the series.
This is also something that Geoff Thew brings up in the last seven minutes of this video around the 18:50 mark:
youtube
"I'd bet good money that the last credits were supposed to roll right after that big stone door slammed shut, and I'd further wager that a combination of fan reactions to and dipping ratings for early episodes is what caused the production committee—who are the ones who actually have final say in this, not Cloverworks or even Shirai—to cut their losses and turn that cliffhanger into a skeleton of a conclusion."
I disagree with him on them making the call to retool the series during the clipshow episode between S2e05 and S2e06 though. It doesn’t seem like they had enough time to do that when a single episode of animation takes on average nine months to complete, even with the ridiculous crunch they seemed to be in. My guess is it was made back in early 2020 after Shirai made everyone involved in production aware the manga was ending that year, with the pandemic potentially factoring in to a degree.
He also mentions this a bit earlier:
"It's just such a slap in face to anyone who ever gave a shit about any version of this story. Including the people telling it, apparently, since neither of the anime's screenwriters nor mangaka/series composer Shirai wanted to take credit for the last two episodes. They probably didn't have much say in how it all went down. That's important to keep in mind before you start yelling at animators or even studios on twitter. I guarantee that every adaption that hurts you personally was ten times harder on the people who actually had to make it. As hackishily slapdash as this finale is, a lot of people probably slept under their desks to get it out the door, if they slept at all."
I always come back to this tiny addition toward the end of S2 episode 2 as an indication that on the creative side of things, in storyboarding and animation at CloverWorks, the care was still there at some level.
It was just squashed down in order to cut and condense 146 chapters into 11 episodes for a production that, as ZersEditor puts here, was "bleeding money."
But CloverWorks is less to type out, so they get the majority of the ire over a tragically butchered production in casual conversation.
LES MIS LETTERS IN ADAPTATION - Details Concerning the Cheese-Dairies of Pontarlier, LM 1.2.4 (Les Miserables 1925)
The man recovered his animation as he ate. My brother made him drink that good Mauves wine, which he does not drink himself, because he says that wine is expensive.