the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.
people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.
"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."
the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.
the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.
at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.
"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.
this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.
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when boromir died for merry and pippin and then pippin saves faramir's life. when pippin says i offer you my service in payment for this debt. when he offers it to denethor but really it's to gondor and to boromir and to the man that denethor once was. when boromir saving pippin's life directly means that pippin saves faramir's life and literally...to boromir, that would've been enough, to have his brother live. for gondor that is enough, to have their captain returned to them.
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It's kind of funny (heartbreaking) that there were multiple Ravens who wanted a number, to the point where some tried to manipulate Jean into helping them one way or another, but none of them would have been next in line. No matter what they did, there was always someone ahead of them on the list. Someone who wasn't even on the team. That someone wasn't Neil. Neil was a surprise to everyone, including Riko. That someone was Andrew.
Kevin might have had to beg Riko to go visit Andrew, and Riko might have laughed at Kevin and dismissed Andrew when Andrew turned him down, but make no mistake, if Andrew had accepted and had become a Raven, he would have taken that #4 spot within his first year.
If we're being real, Andrew had more of a chance at becoming part of the perfect Court than any of those Ravens ever had. Even Jean thinks of Andrew as one of them.
The other Ravens never stood a chance.
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like yea when i was. freaking 16. i saw buccellati as a very parental figure to the passione kids. but im 20 now and im overcome with dread at how the entire world is at his shoulders the entire season. its terrifying. and you reduce him to the mom friend? whatever is actually going on with him is much more intriguing
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I actually find it really bizarre and counter intuitive that clinically speaking, you cannot legally be diagnosed with a personality disorder until you're at least 18. The reason given for this is because "the personality has not fully developed before this age" like ???
Ah yes, my favorite strategy. Not diagnosing the problem until it's already been virtually cemented into your brain for life! Wouldn't it be easier (and more painless) to address the problem before it's fully developed?
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donnie probably starts to say "that makes no sense" but he gets smacked by everyone
cass apocalypse au papa raph infested my brain i cant think of anything else but like.... i realized casey jr has a funny twisted gap between his front teeth and that probably grew in like a snaggle tooth and i made myself cry about it
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there seems to be far too many fans who can't seem to wrap their head around the fact that no relationship in the Vampire Chronicles is healthy. every relationship includes an element of abuse/power imbalance by normal standards. literally every single one.
they are all monsters who are no longer constrained by societal rules. so I don't think it's too crazy to expect them to do mosntorus things. the genre is Gothic HORROR. the show really prioritizes the HORROR element more so than other adaptaions, which i love.
i don't need louis to be a liar to enjoy lestat. if louis lied or misremebered things about the fight in episode 5, i literally do not care because it's never gonna make me hate louis. the baseline of what constitutes "evil" or "bad" is so different in iwtv because of the fact that they are NOT HUMAN. Claudia is literally a serial killer and she's still mother to me. ykwim?
the nature of vampirism is they have to kill to survive. so it would be really cool if people could accept louis, armand, and claudia as complex characters who are fundamentally not good people (because they aren't people!) without being racist about it. THEY ARE ALL KILLERS
im more interested in this exploration of the complexities of memory and seeing how the show integrates the other books into this story in a way that hasn't been done before than I am in discoursing about whether louis is a liar or not. who gives a shit???? grow up and realize that there are no good guys here and that's OKAY
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