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#idk i miss people
aarchimedes · 2 months
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for context: I read the hobbit first over the course of two years when I was like 13, but I'm only now starting to read lotr. having a blast tho!
anyways, reblog if you feel like it 🙌🏻
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clonehub · 9 months
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SAG officially considers cosplays of current/past media as crossing the picket line as it can be seen as supporting the studios they're currently striking against.
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(link is to a series of tweets, which include the original poster of the screenshot directly asking SAG-AFTRA what the rules are for paid/influencer cosplayers who want to support the strike)
EDIT 2 (first edit in tags): the tweet in the OP has been deleted, so I'll be shutting down reblogs on this post just so people don't take the link as a solid source when it no longer exists. For context, the original link was from a content creator who'd emailed SAG-AFTRA about guidance surrounding promos, contracts, and influencers. The response from SAG-Aftra likely wasn't 100% detailed because things were still being figured out. As for more detailed questions such as what counts as an influencer and other really specific questions I've seen in the tags, that's not something I know. Maybe emailing SAG-AFTRA themselves will help, although I can't be sure.
If the original email or the FAQ were confusing to you, it's likely that it's because both were phrased in a way that would be understandable to people who'd be likely to scab, ie influencers under specific circumstances. It's not really geared toward the lay person (which is what the FAQ will make clear by their frequent use of "influencer").
Again, the notes (and frankly the original link itself) have some that this is about influencers specifically. I missed that keyword in the OP (typo). I need people to stop acting like I'm willfully fearmongering and spreading misinformation. I read the full thread. I read the entire FAQ. It's on you if you do neither. At the time of my reading the thread, the FAQ either hadn't been released yet or had just come out. I also need people to stop bringing up Neil Gaiman's Tumblr post when SAG-AFTRA has their own Official FAQ on their strike site.
For the FAQ, it's here. It's about influencers, both union and non-union. Iirc the non-union FAQ has some ways to help that non-influencers can also engage in, like using a hashtag or generally raising awareness.
If you have any questions, please please please direct them to official members of SAG-AFTRA. Email Fran Drescher herself if you somehow can. Regardless, support the WGA SAG-AFTRA strike.
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obsob · 9 months
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happy and proud!!
✷(print shop)✷
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mailb0xbunii · 5 months
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okay i might've gotten carried away with making minimes ....... they're just so fun to make ....
my hc for the minimes btw
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ofmdaily · 2 years
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our flag means death + reductress headlines (1/?)
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olliecoded · 3 months
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im actually really surprised how polarizing and controversial saltburn has been?? because it seems like the reason a lot of people really hate it is that it's a shallow, pretentious analysis of class and wealth and like. i agree. but i also don't think that the POINT of saltburn was class or social mobility or anything. i think the point of saltburn was an unflinchingly sincere portrayal of obsessive all-consuming desire and, rather than analyzing the movie through a strict lens of class relations or "eat the rich" aspirations, we should be analyzing it through a lens of toxic devotion (especially when it's queer). like saltburn is about the relationships it presents. i'm a little shocked that everyone thinks the main takeaway was what it said about class
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the-meme-monarch · 6 months
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watched the spamton sweepstakes stream again yesterday. happy belated anniversary to All That
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otaku553 · 5 months
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As it goes with every new brainrot I have, it’s time for Kirby crossover again :)
Kirby in one piece! With one piece’s strong focus on dreams and found family, I thought it would fit for Kirby to be a pirate that dreams of sailing to the stars and beyond. Not that this is very achievable by normal means, but we know that it’s at least possible with Eneru and the Skypiea arc :D
More notes in the read more!
Kirby has the devil fruit power of the copy-copy fruit! A paramecia activated by contact and only able to copy one fruit at a time. It can copy logias and paramecias with no problems, though actual ability using the fruit’s powers is up to Kirby to practice and figure out. Zoans can only be copied to partial transformations and cannot be awakened. Kirby doesn’t have much of a mind for haki but has a lot of latent conquerer’s haki that he doesn’t realize— it’s one of the reasons he’s able to make friends so effortlessly.
Meta Knight in this AU is a retired marine, between Captain and Rear Admiral level. He has a bat model zoan fruit that allows him to grow wings, and is a skilled swordsman. He’s retired from the marines but acts a his own separate party that is neither revolutionary, marine, nor pirate, keeping his own fleet known as the Meta-Knights. Their actions are similar to pirates despite not flying a Jolly Roger. They claim territory to protect and occasionally fight other pirate crews, and they claim no allegiance to the world government. They simply go where they are needed. Meta Knight will sometimes sail with Kirby on his small ship, the Popstar, just to keep Kirby out of trouble and make sure the ship is well stocked and well-maintained and able to be seaworthy.
Dedede is the king to one of the small countries that isn’t represented at the Reverie. That means he has a lot more freedom to do his own thing, including setting sail while taking a crew of Dees with him and leaving the country in the hands of some administrative Dees. Dedede splits his time between exploring and sailing and returning home to run his country, with the help of his trusty second in command, Bandanna Dee. Dedede has a penguin model Zoan fruit, and Bandanna doesn’t have any devil fruit but is proficient in coating their spear in haki. They’re the designated save-the-fruit-user-from-drowning person when they’re on deck.
Kirby’s crew changes because a lot of the people he recruits tend to have their own responsibilities. His crew is also full of people he’s beaten. It’s not uncommon for Kirby to sail alone, though he gets into more scrapes than usual with bad weather and rough waves. It can hardly be called a pirate crew, but Kirby has collected all the most heinous criminals under his banner and as such, the world government treats it as a threat.
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oldbooksandnewmusic · 1 month
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kulapti · 7 months
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Aug 2023, bookbinding of The Silent Isle Imbowers by Tharkuun.
I’m sooo so so pleased to finally share this! I have been actively working on this for many months and waited until Tharkuun received her copy before posting so the final result would be a surprise.
-----------About this bookbinding under the cut
This binding has been one of the more elaborate pieces I have attempted so far. This has been my first binding where I (1) made three copies of a piece at once, (2) used a modified a historical illustration, (3) collaborated directly with another artist on the decorative elements, (4) finished matching art for the cover and title page, and (5) layered paint and heat-transfer vinyl for the covers. These are also (6) the first non-tiny books I have made with this style of hinge and cover attachment.
Pretty much immediately after I first read this story I felt I had to make myself a copy of this. I had a strong mental image of a vintage-looking cover for a fairy tale, with a deceptively simple design of flowers on the cover, probably with fancy metallic accents, the kind of thing you’d find in an interesting used bookstore with no summary, no text on the back, no dust jacket, just the flowers and maybe a title. I’m going to make a separate post about making this cover design a reality because oh man has it been a journey lol! I designed and drew the digital art for the cover (digital because of the cut and application method), as well as the corresponding title page illustration (pencil and dip pen, scanned, title added digitally).
When I asked Tharkuun about it she was excited to suggest I get in touch with quillingwords, who generously agreed to collaborate with me! Among her talents quilling writes calligraphy, and hand wrote both the book title and chapter headers for me to incorporate into my plans. Check OUT those chapter headers! So fancy! A font could never!! Quilling has also been very encouraging and let me yell about this project in dms for months so the final result could be a surprise for Tharkuun. Thank u so much quillingwords, your calligraphy adds invaluable amounts of swag to this project.
I was going to do some kinda neat font for the chapter headers, but quilling’s work is too cool for that and I decided to use a modified piece of a historical illustration instead. The illustration also happens to be cool as heck: I was browsing the Artstor database (an academic quality resource available for free via Jstor, my beloved) and found E. N. Neureuther's 1836 gorgeous etching for etching of the fairy tale Briar Rose, an illustration made for a printing of a Brothers Grimm recorded German fairy tale with Sleeping Beauty elements. Much to my delight this illustration not only matches the general look I wanted but is actually relevant to the story, itself a Sleeping Beauty spinoff.
Slightly less stylistically consistent are the endpapers, which are prints of two different paintings by Arnold Böcklin: Isle of the Dead (1883) in the front and Isle of Life (1888). The first painting had occurred to me as an excellent visual to go with the story, and Tharkuun and I discussed this and agreed that pairing it with the related later, more optimistic piece was too thematically appropriate to resist.
I had fun and learned a lot making these books and I am very pleased with the result!!
Materials: Archival bookboard, cardstock, cotton cheesecloth mull, archival PVA glue, linen thread coated in beeswax, paper cord, red cotton embroidery floss. Blue cotton backed with archival paper, acrylic paint, machine cut black and gold heat-transfer vinyl. Laser printed text and illustrations. Metallic scrapbooking paper.
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coquelicoq · 1 year
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if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.
this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.
incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?
#he also goes on for another six pages after this but by then he has remembered the existence of the full stop#the endnotes say that hugo 'se devait de faire [ce portrait] aussi favorable que possible à la personnalité de l'homme#qui avait favorisé sa carrière' (had to make this portrait as favorable as possible to the character of the man who had favored his career)#in fairness to hugo it's not like louis-philippe was alive to read this. so he wasn't just sucking up to get something out of it#he says at the end of the chapter that this description is 'entirely disinterested'. which like on the one hand i get#bc like i said louis-philippe was not in power and reading this. but otoh victor 'ancien pair de france' hugo u r not exactly unbiased. lol#les mis#lm 4.1.3#i just looked up the english translation and gasp! hapgood turned it into four separate sentences!!!!#so i think y'all who are reading it via les mis letters (which uses hapgood i think?) are gonna miss out on the full experience :/#my posts#linked to#syntax#idk if i got this across but the worst part is that the subject of the sentence - the beginning of the independent clause -#doesn't occur until the very end. so for the first 95% of the sentence you're just waiting for the bass to drop!!!#like reading it out loud you have to raise your pitch at the end of every dependent clause because you haven't gotten to the subject yet#AND THERE ARE SO MANY CLAUSES!! 49 SEMICOLONS PEOPLE!!! FORTY-NINE!!!!#victor hugo would be TERRIBLE as a hype man. he would take so long that the crowd would tear him to pieces with their fingernails#before louis-philippe could come out on stage. and then they'd be so mad at louis-philippe for inspiring him that they'd tear LP apart too#actually i think i'm using hype man wrong. i'm thinking of the guy that gets the crowd hyped up for the main guy before the main guy#makes an appearance. a hype man is the guy who makes interjections during a song. victor hugo would be bad at both of these#like just imagine the announcer at the beginning of a basketball game. and now...your starting lineup...at power forward...#and then he just says the 760-word louis-philippe sentence.#dead. murdered at the hands of the fans. microphone shoved down his trachea.
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ch3rie-pop · 4 months
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I’ve been hoarding these for a hot minute I apologize
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FEAST SCP-049 STANS!!!!
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Biblically accurate plague doctor and fellow my beloved
I changed his design up a bit so it makes more sense to how he looks canonically
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elspeth-catton · 3 months
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i'm so so sorry to the people that didn't get to see saltburn in theaters because imo it was truly the best way to watch it
feeding off of the energy of all the other people in a packed theater, it feels SO much more voyeuristic with strangers sitting right next to you in a dark room with all your senses heightened, the soft gasps, the shocked laughs, people mumbling "what the fuck" to their movie partner next to them under their breath, i cannot describe the high i got off of seeing it in theaters
the genuine goosebumps i had from the soundtrack in surround sound, from rosamund's gut-wrenching scream, it is just not the same at home
i feel like if you didn't see it in theaters, it's not fair to give it a terrible review because it is really a completely different experience
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softhe4rted · 9 months
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on loneliness jenny slate / japanese breakfast, posing for cars / corinne von lebusa, big glow / dadushin / alejandra pizarnik, tr. me / fka twings, home with you / avocado_ibuprofen / fiona apple, left alone / anne carson, “the anthropology of water”, plainwater / kiki smith, free fall / alejandra pizarnik, diaries
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sugar-tooth · 10 months
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comfort 
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biracy · 3 months
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I absolutely understand the desire for asexual representation and I really do think that that's something that deserves to be represented in more "mainstream" gay media (how much gay media is actually mainstream is debatable but you know what I mean), but at the same time I just can't get behind posts like, idk, lamenting the loss of potential asexual representation because two guys on TV had nasty gay sex, bc gay sex on TV is not "the norm" no matter how you slice it. Whereeeee is all the media filled with nasty gay sex. Can I see it
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