I‘m so conflicted because I feel like Varric is so much more attached to my Hawke than the Inquisitor (of course) and that makes it kinda hard for me to see him with Ellie;; I mean I could ship him with Hawke but that would no longer be an S/I… in a way maybe that would be better because I currently lack the self esteem to believe he would care for me. In another… oof ouch… maybe it’s time for Ellie to just… idk realize her place… just one of the hundreds of women who have a crush on him
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this might just be because i'm a bit older than your average mcyt fan, but it makes me kind of sad to see all these younger fans scramble to wipe their mcyt fanworks off the internet the second a content creator is revealed to have done something awful.
don't get it twisted, I'm a big believer in rescinding financial support to ccs you no longer agree with or admire by unsubscribing, deciding not to buy merch, or refusing to give them ad revenue by watching their content. if you don't feel comfortable giving someone money, don't give them your money. material support isn't what i'm talking about here - I'm talking about fanfic, fansongs, fanart. yknow, content that fans create for themselves and each other, stuff that's not for ccs.
in the past year (and especially the past week, obviously) i've seen tons of mcyt fans saying they're planning to delete their art (or that they already have deleted) because they don't want their work to be associated with content creators who behaved badly, and that they want "a fresh start." I've seen fan writers say the same thing about their fics. and like, this is fine, do what you want with your stuff, but i'll be honest...it does make me sad that so many younger fans seemingly have been made to feel such a high degree of responsibility for ccs that they're unable to enjoy fandom (a thing that is FOR US! FOR YOU!) or take any measure of pride in their past fanworks.
again, at the end of the day you should do what you want with your own shit. but what i will say is, if what you want to do with your work is delete it, at least think first about why you're considering the nuclear option. you aren't responsible for a cc's behavior, and that goes for literally anyone who's ever had a hand in making anything you like: books, movies, games, anything. you shouldn't be made to feel ashamed of having created fan content for a piece of media that a shitty person was involved in making. straight up, this kind of shame isn't something i believe should exist in fandom, because it's parasocial in the same way that positive emotions towards media/creators can be parasocial.
and also, as someone who's been involved in fandom for a long time, i can say with confidence that creators will keep disappointing you like this. there are shitty people out there. if you're searching for a piece of media with zero shitty people ever involved in the project, you will not find it. i'm not saying this to normalize shitty behavior on the part of creators, I'm saying this to emphasize that bearing the shame and guilt of every creator to this degree is not sustainable or healthy (and it's not how fandom used to operate, but that's a conversation for another day, perhaps.)
i understand why so many folks are considering deleting their fanworks, and if that's you...think about it before you do it. that's all i'm asking. you don't want to create a habit of divesting yourself of all evidence of having been passionate about art created by someone who sucks, because if you do get into that habit, then your chances of ever truly enjoying a fandom again are, unfortunately, pretty slim.
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al-haitham’s the kind of guy who tilts his head slightly for a kiss before you even lean in to give him one. he just knows it’s coming. expects it. trusts it’ll happen.
he’s yawning when he sits at the table for breakfast, hair slightly disheveled from sleep. he sits down and when you place the mug of coffee in front of him, his head angles a little for that kiss you place on his cheek.
he’s drowned in endless paperwork at the akademiya when you stop by to visit, chuckling when he gives you that look of despair at the all the work he has to do. you don’t even manage to walk up to him fully before he’s leaning in and waiting for the kiss to the top of his head.
he’s shirtless in the bathroom, brushing his teeth at night when you walk in to brush yours too, bumping hips with his as you giggle. you don’t even have to turn before he’s tilting his head so he’s exposed and ready for that gentle peck you leave at his jaw.
“have you ever noticed how demanding you are for these,” you chuckle one day, pressing a kiss to his cheek to prove your point.
he grunts, leaning in and burying his head into your neck as you greet him at the door after a long day. “what makes you say that,” he mumbles.
“you’re ready for one before i’ve even come close,” you grin, “what if one day i don’t kiss you?”
“you’d stop kissing me?” he asks, squeezing your hips as he nuzzles into your neck. something tells you he already knows your answer.
and he’s warm. he’s close. he’s here and he’s everything all at once. he’s all you need and everything you’ve ever wanted. he’s the messy hair of your mornings and the pouty lips of your afternoons and that shirtless back of every night. he meets you halfway—maybe even takes the first step so you don’t have to.
he leans in for that kiss before you do. because he needs you, wants you, loves you—and he never lets you forget it. so you turn your head, press your lips against the side of his head and run your fingers through his hair as he sighs in content.
“no,” you hum, falling in love all over again, “no i’d never stop kissing you.”
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No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.
The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.
And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.
He’s their father, for all his faults he did his damndest to make sure they survived.
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Okay this misconception keeps coming across my dash and it drives me nuts because it means people are lumping two very different versions of the DC universe under one disparaging banner. So let me just say this to get it off my chest because I'm this close to shaking somebody:
The New 52 ended seven years ago in 2016.
That started a section of DC's history called "Rebirth" in which they started bringing elements of the pre-Flashpoint continuity back into the timeline. The first changes came in a big burst called Convergence -- which is how Jon Kent effectively manifested fully formed at 10 years old -- while other reintroductions like Kon-El, Bart Allen, Cass Cain, etc. were more gradual.
The original plan, being forced through by King of Bad Decisions Dan Didio, was that after ~4-5 Rebirth would give way to another full reboot known as 5G. I could go into detail about the plans but they're honestly not important to this post because Didio was (thankfully, finally) ousted from his role as publisher early in 2020, along with something like 80% of the higher-level editorial staff. DC had a complete creative turn-over at the start of the pandemic and completely changed directions as a result. The material being developed for 5G was retooled into the hypothetical future event "Future State" to buy the new staff time to pull together their new direction.
That new direction is called INFINITE FRONTIER. It started in 2021 and THAT is the era of DC comics we're in now. Infinite Frontier is an active push to bring back the pre-Flashpoint characters, as well as some pre-Crisis ideas and characters, while also keeping the few elements of the New 52 that people actually liked (like Jason Todd's more heroic characterization) and actively pursuing diversity initiatives both in creative staff and in creations. And outside of the big events, they're making a real effort to keep these comics short and self contained in the hopes that that'll make them more accessible. So it's actually really easy, if you read comics pre-Flashpoint and dropped off, to just pick up a series and go with the flow. Anything confusing is just a Google away.
Please, please don't make the mistake of thinking modern comics are as bad as the New 52 just because some people are butthurt their ship isn't getting canonized. There have been some really good comics made in the last few years that you should totally try! Spirit World, Monkey Prince and the entire We Are Legends line has been genuinely fantastic. The new Birds of Prey is shaping up to be a ton of fun. Dark Knights of Steel is an entertaining Elseworld. Urban Legends and Brave & the Bold have done some really fun things with shorter anthology books. One Minute War was a really fun Flash family event and everything Stargirl's done recently is liable to make you cry.
I'm begging people to give these comics a chance. It's just really sad to see them being dismissed out of hand.
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