i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.
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So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.
And I kept wondering: why?
For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.
So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.
But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.
The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.
Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?
That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.
My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.
Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.
Milsiril the puppetmaster.
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happy valentines day... 2!
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listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.
yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?
maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".
get a better joke
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another simple comic, ft garm again :')
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Not gonna go out on this limb on a 25k post, but maybe it’s okay that kids today don’t know as much about using an actual computer as we do/did? Is it useful knowledge? Of course it is. So is using a sewing machine or being able to rebuild your VW with a copy of that one book every VW driver used to have. That’s not the right question—most practical knowledge is useful after all. The question should be “is it relevant to the way people live right now.” “How to Keep Your VW Alive” is a timeless fucking classic; my ex and I kept our copy long after he sold his VW. But I’m not buying a copy now because it won’t exactly help me keep my VW ID4 on the road.
And it’s funny, because I tend to read along with those posts and nod my head, because back in my day we HAD to know all that computer stuff. And then for some reason today, I remembered a conversation my mom and I had with my grandma in the mid 70s when I was a teenager. Grandma made my mom’s wedding dress. She worked at a department store doing alterations on foundation wear, which if you look at 1950s foundation wear, you’ll realize was both necessary and difficult. So she was shocked when I said most of my friends didn’t know their way around a sewing machine. “But how do you make sure your clothes fit?!” Well, Grandma, people don’t wear heavy foundation wear any more and clothes don’t need to be as tailored as they did back in the day—it’s 1975 and the only alterations I need to do is hemming my flares so they just touch the floor when I’m wearing platforms.
Now you can back up and look at the broader picture, the one that says, but your car should be repairable by you as long as you have clear instructions, and you should be able to alter your clothes or make your own, and yes, you should know how to organize the files on the desktop of your laptop. But the fact that for the most part it’s become easier and easier to just not do those things (if they can be done at all) isn’t exactly the fault of Kids Today. And it’s certainly not meeting them where they are or even trying to understand why they feel they don’t need that knowledge if, instead of looking at why they don’t have it and maybe even don’t need it, you just decry their lack of the Deep Wisdom.
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"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
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I think you like pavitr.. Don't know tho, its just a theory after all.
Idk what has you thinking that.
Interesting theory tho 🤔
Curious to know why you think so
He's an ok character I guess
*looks at my icon for a split second* anyways-
Imma go draw (not Pavitr)
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I wish I could tell the original artist that this drawing permanently changed the entire direction of my life in 2009. I want to shake their hand, look them in the eye, and admit I would not be who I am today if this drawing didn’t exist.
EDIT: Original artist is @ivynajspyder !!!!
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Headcanon, theory, prediction, whatever you want to call it,
but I think the reason that the universe Miquel hijacked collapsed, and not Miles, despite them both being “anomalies” is because Miquel was trying to change someone else’s story, as opposed to Miles who inspires other people to change their own stories.
Like, Miquel tried to force himself into a universe that wasn’t his. He took the place of his counterpart and pretended to be him, he was playing a part that wasn’t meant for him, he was changing a story that wasn’t his. And the universe rejected that.
Whereas Miles inspires people to change their own stories. His universe didn’t collapse because that’s HIS universe. It’s HIS story to tell, and sure the plot changed along the way, but he’s still telling it.
The same with 42-Miles. His story was drastically changed because he wasn’t bitten by that spider, but his universe isn’t collapsing because he’s the one still telling the story. He’s still shaping his own future.
And like how Miles inspired Peter B to have Mayday at all. Without Miles, Peter wouldn’t have gone back to his and he wouldn’t have had Mayday. But his universe isn’t collapsing because that’s a decision PETER made. No one forced him to make up with MJ and have Mayday. But Miles gave him faith and inspired him to go back and give life another try. (Don’t even get me started how Peter would have literally DIED if not for Miles. He was going to stay in Miles dimension. He was fully ready to deteriorate. He literally would have died if not for Miles saying “NO BITCH YOU GOTTA GO HOME” much less inspiring him to have Mayday, I’m just saying I’m just saying.)
And the thing is I don’t think Miquel realizes that. He’s so caught up in his grief and anger that he’s completely consumed with following canon and my never disrupting ANYTHING. He doesn’t realize that that universe collapsed because he tried to change someone ELSES story. He tried to become someone else to live their story. He didn’t try to make his own and that’s not how it works.
Idk just thinking thots tonight, And ATSV is always at the top of my brain
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We're just too different...
You mean too well
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the real 35 portland row is located on tumblr dot com btw
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Please take my low effort shitpost of our two Aston flopboys
Basically:
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[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
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woah...goign to think abotuthis for years
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