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#idk what to tag this tbh
ozzyeelz · 5 months
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It’s him again🙄
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marsosims · 8 months
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town house terrace (3br, 1ba)
for that nonny that wanted me to upload this house (which i've since lost but decided to rebuild because I wanted it in my game anyway)
no cc
built on the town house terrace lot in Copperdale (20x15)
48,576 simoleons
uses mostly expansion packs (+ some kits, which aren't really necessary tbh, swap them out if need be)
download | alternatively, download from my EA id (zebrazest)
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stiffyck · 6 months
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I’m posting the doodle. Spent like 20 fucking minutes looking for this bitch.
Very self indulgent au where scar can turn into a tiny octopus because I love octopi. That is all.
Bonus
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ren-054 · 16 days
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Renée Sterling: Oh, they have to find my darling husbands! I’m so worried about them!
Detective Monty: Seriously, what do you see in those two?
Renée:
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za-ra-h · 2 years
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The Beekeper.
This is my original art, please don’t tag as any other character.
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cactuupng · 1 year
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reyque · 5 months
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Thorn sketch thing that turned out okay ish for my first time drawing a dragon
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oh-snapperss · 1 year
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<Join Game?>
Etho stares at the message on his communicator until his eyes are nearly blurry. No. No. No. No. If he thinks too hard, his very blood is in flames, burning away himself and Joel. If he thinks too hard, Joel’s triumphant scream pierces the air along with the axe buried in his chest. If he thinks too hard, the scars on his arms turn back to the flame they once were, setting his clothing alight as he screams in agony. 
But They want blood, and who is he to deny Them? Who is he to deny protection to those he couldn’t save before? (He knows he’ll betray them to live anyway.) 
<Ethoslab joined the game>
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<Join Game?>
“They want blood… gladly,” Grian’s lips twist up into a sick grin. He’s far beyond caring, and has been since he scrubbed the blood of his lover from his fingernails under the desolate, unforgiving desert sun. 
“Grian?” 
The sick smile disappears as he’s faced with the ghost that has haunted him daily since the beginning. 
“Scar.” 
“One more time?” Scar wears his own tired grin, just as sick as Grian’s, and far more bitter. 
“One more time.” 
(Is this the last time?)
<Grian joined the game
<GoodtimeswithScar joined the game> 
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<Join Game?>
“Wh-now? Are you serious?” Jimmy drops the pile of wood he’d been carrying through the doorway of his empty town. “Right now?” 
There’s no response–there never is, and hasn’t been in months. All that’s left to keep him company are the tumbleweeds, blowing past him, and the mocking, empty vacation houses he’d invited the others to build in the hopes someone would come keep him company.
“Least I won’t be alone, if I go…” Somewhere, there’s laughter, a call from his rancher and respect he’d forgotten he could have. 
That’s all it takes. 
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<Join Game?>
“Oh, for goodness sake!” 
He tries to ignore the message for several hours, although it taunts him with every glance down to the communicator, seeing others log off Hermitcraft. Etho. Grian. Scar. Tango. Cleo. Ren. Impulse. 
No, no, not this time. He doesn’t want to go, not when he’s sure Impulse has a matching scar through his chest where Bdubs’ sword betrayed him twice-albeit, on accident the final time. Etho’s long gone–of course he’d go–and Cleo, for reasons well beyond him. Far more hours pass, before he breaks–
“...fine!” 
(He never really had a choice. He’s not proven himself beyond failing those he swore loyalty to, and he won’t rest until then.) 
<Bdoubleo100 joined the game>
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<Join Game?>
Sharp laughter fills the air, like electricity buzzing, and then-
<SmallishBeans joined the game>
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<Join Game?>
“No thanks, I’m good mate!” Mumbo shakes his head, already turning back to the flooring of his definitely full vault. 
(Although…) 
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<Join Game?> 
“Of course, of course..” Scott chuckles slowly, as if in on some joke that nobody else could ever understand. Like others… he’s far beyond caring, and has been since the lightning arched through the trees to take him despite his supposed victory. But first… he takes his time. Makes himself a drink, watches the sun set orange. After all… the next sunset could be red. 
As the sun dips below the horizon, he turns away. 
<Smajor1995 joined the game> 
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<Join Game?> 
It’s as if the fear and rage she’d felt for weeks before comes back in an instant, electrifying her. She’s typed her answer before she can even think twice about it, half blinded. Why? Why? Why did he do that? 
<PearlescentMoon joined the game>
“Hello, Scott,” she grins up at the rising sun, at the unmarred landscape around her. “Would you like to play a game?” 
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thebinkinator-3000 · 8 months
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i genuinely do not understand people who are mad at other movies for "stealing spiderverse's look"
thats not even the case
ok??? do you not like good animation?????? i dont see the problem here
spiderverse animators have literally changed 3d animation forever, of course other studios are going to start experimenting with their animation. this is a GOOD THING!!! SHUT UP!!!!!
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jasper00nb · 2 months
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For the art requests, could you draw Atlas?
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(He’s a deep-sea siren, his eyes and tendrils can glow to lure in prey)
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HHRHRHHSH JUST SEEING ATLAS I GOT A VISION, MAN
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r-aindr0p · 8 months
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Magical Musketeers pt 1/??
Little comic pages as an introduction to the universe ! Idk if it’ll be coherent at all, I’m having fun experimenting !
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ozzyeelz · 8 months
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Gay catboys call that nyaoi
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hiraethminds · 9 months
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My first thingy I ever finished it’s name is soap
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frenchfriedgiraffe · 2 months
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dghda season 2 and childhood
this is adding on to this post i made a while ago. basically, i fully believe that the writers of this show set up the perfect opportunity to have the theme of s2 be about childhood, specifically exploring the effects of trauma (and escapism/maladaptive daydreaming). its already something that is featured or referenced to, however i think that there was a lot of potential for the show if they fully embraced the theme.
the biggest and most prominent example of the theme of childhood being present is in the character of francis (The Boy), who experiences severe childhood trauma and as a result creates a fantasy world that he can escape to. this world is full of stereotypes of a conventional children’s fantasy, with knights, a magic train, and even a crazy evil wizard guy. yet despite this, the world he created also contains elements from real life, specifically things that he found traumatic. francis witnesses his father get killed with a pair of scissors, and the main weapon used by the characters in wendimoor are a pair of giant scissors. also, in the house within the house, theres a copy of his kitchen, featuring the scissors and smashed flowerpot.
this is probably the most obvious display of the lasting effects of childhood trauma in a character, although there are a LOT more, though they are quite subtle.
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dirk may be the second most obvious example of the presence of this theme. his very first scene in season 2 is set in blackwing, the organisation that took him and experimented on him as a child. blackwing is hinted to have abused him as a child, although we only see how they treat him as an adult. (there is a deleted scene of him when he was a child talking to the previous head of blackwing, meaning that there was a possibility we could have seen what it was like for him as a child too.)
however it is clear that he suffered trauma from his time at BW as a child, as many of his mannerisms throughout both season 1 and 2 mirror those of someone with c!ptsd. and having that trauma resurface in s2 also causes him to be more distant and get upset more frequently. (theres more but this is long enough already)
despite escaping blackwing early on in the season, dirk is obviously extremely shaken from his brief time back in there, and its pretty safe to say that the experience brought up a lot of bad memories. he is much more subdued throughout s2, and his previous optimism is rarely present, with his attitude towards the case being very different from s1.
like francis, there are a few tiny hints to escapism as a result of dirks trauma from blackwing (although im probably grasping at straws here). while in blackwing, he frequently dreams about being rescued by todd and farah. while being chased near the end of the season, dirk is lethargic and rather unresponsive, which could be some sort of dissociative state that he entered in order to escape from the reality of his situation.
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while these are the most prominent examples where characters are shown to be effected by their childhood experiences, most of the other characters can be interpreted this way too.
farah is another good example, where she mentions the passing of her dad, and talks about how he wasnt a great father figure and caused her to often feel like a failure. she actually gets a resolution to this, with hobbs seeming to step in as her new father figure (yay!)
this was also something that seemed to be half set up for other characters. for example, todd and amanda having to learn to accept the changes in their relationship and amanda having to recontextualize her past. tinas frequent references to her struggles with addiction as well. farson and his whole family… thing. oh, and also like EVERY other blackwing subject. (more examples but again, this is a fucking long post)
essentially, the characters in this season struggle a lot, and a lot of this is because of things that happened (or possibly happened) because of their childhood experiences.
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which leads me onto my next point (oh god, theres more!?) about the missed opportunity with this set up. many people agree that a lot of season 2 felt rather… aimless? while things were loosely connected, they definitely felt a lot less connected than in season 1. events happened and because there were plots happening in different DIMENSIONS, there was often very little overlap. having an underlying theme like this would have made each plot connect much more seamlessly, and it would have been a nice opportunity to further develop and explore some characters.
for example, throughout his journey in season 2, dirk could be seen recognising the parallels between the case and his own internal conflict. as he sees the destruction caused by francis’ powers, he could mirror the events with his own experiences and perhaps realise the effects of what pushing down trauma does. i think it would have been nice to see a conversation between dirk and francis about blackwing, ending with francis telling dirk he needs to learn to face the shit he went through and stop trying to ignore his trauma. this would have been a good way to connect their characters more as well.
it would have been a good opportunity to connect ALL the characters, especially if the show embraced the idea of escapism and pushed it further through wendimoor. as they got closer to solving the case, we could have seen them recognising their own flaws and looking back at their pasts.
and they wouldn’t have really had to make any super drastic changes, because theres already so much material for this theme to be introduced!!
tl;dr: s2 set up a lot of cool themes and the season would have been a lot more well-rounded if they embraced them more.
dont even get me started on the concept of good and bad…
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mirelurkmoment · 3 months
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was looking through the fallout wiki and found this. source says the information came from the institute bioscience terminal.
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It's interesting because it provides another reason for why the institute is replacing people with synths.
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coyotehusk · 5 months
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Nico & Izadoth
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@burntcoffeewhump found some fits a while back and I just had to draw the demon boys in them ♥️
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