#if I did the whole scene this would be MUCH longer than six pages

[clownd1ck]

trouble, j. miller | chapter one

mob!joel miller x fem!reader

chapter summary: after getting fired from your job at the bookstore, your grandparents introduce you to the man who’s been helping them out for awhile: joel miller. now, it’s his turn to help you.

chapter warnings: reader swears and has dry humour (she’s a bit of me x), mentions of vip’s getting touchy but it’s hypothetical if that makes sense?? reader calls her grandparents ‘pops’ and ‘nonna’, no beta cause i cba, blah blah blah that’s it

also no hate to anyone who reads romance/physical smut books, the hate is simply towards minors who read them & their parents for allowing them LOL

word count: 2518

(series masterlist)

you really don’t know how much longer you can do this.

you’re six hours into your ten hour shift. you’re bored, you haven’t had your lunch break, and your phone is charging behind the desk where you were watching criminal minds before two teenage girls walked into the bookstore.

you’ve watched them for the past twenty minutes. they practically ran to the romance section, picking up books and flicking to certain pages you know had the most pornographic scenes in them before they’d giggle amongst themselves and add it to the pile they were building.

can teenage girls even afford this many books? you had been working since you were sixteen, and you’d barely get enough money to buy yourself two books whilst the rest would be stored away for college. and is this what people were reading nowadays? a male character that exudes toxic masculine standards whilst the author plays into the whole “innocent, virginal” female character who hadn’t the slightest clue about sex or life? is this what parents were allowing their children to-

“we want these books.” a demanding voice speaks to you, and you almost have to do a double take when you see the two teenage girls stood before you at the counter. god, you couldn’t even rely on the younger generation to be polite these days, especially not when one of them is judging you for your oversized hoodie and sweats and the crocs that sit on your feet.

“of course.” you force a smile, biting back on the insults you wish to hurl upon them. but, your boss is in the back. probably doing jackshit like she usually does, leaving you to work your ass off without any breaks.

the scanner scans the barcode on the back of every book before placing them in two bags. dante’s nine circles of hell sounds more appealing than this. you might just grab one of the books and hit yourself with it, hoping you hit so hard you might pass out and get to leave early. not like your boss would allow it, but the thought of having a hot shower and slipping into bed sounded nice.

“and your total is $194.68, is that going to be cash or card?” you rest your hands on the counter, looking at the two girls. one of them whips out a card, so black and matte you almost feel the courage to ask her if: it’s her fathers, and if so, is he single?

you hand her the card machine where she taps the card, and once the payment is deemed successful, one of the girls takes the bag, looks into it and frowns. “these aren’t in the right order.”

“excuse me?”

“the books aren’t in the right order.”

there’s a right order to put books in. none of them were even a series, and even then, does it really matter if your fucking fairy porn trilogy is separated?

“did you ask for them in a certain order?”

the girl gives you a look. “no?”

“so then why would i know what order to put them in?” you’re so done. you’re so fucking done, mentally, physically, and in the eyes of your boss, as well. the girls look at you, mouths agape, probably because they didn’t think they’d be spoken to this way, but you always said that the second a customer is rude to you, you’re being rude back.

the duo scowl at you as they leave the store, muttering insults under their breaths like it was a middle school friendship break up. you sigh, going to turn around to grab your phone when you jump back, spotting your boss leant against the wall.

“you’re fired.” she states.

“yes!” you fist pump the air sarcastically, grabbing your stuff and practically racing out the store. you didn’t even care if you were supposed to wait until the end of your shift to fully leave your job. you were hungry, tired, and your pops and nonna had told you that pops’ infamous burgers would be made for dinner and you were eager.

on your walk home, you listen to your music. it was relatively dark outside, and ideally, as a woman, you shouldn’t be wearing headphones in the dark. but you had always been more frightened by the noises you could hear rather than the ones you couldn’t.

you step into your home, taking your shoes off by the door and walk into the kitchen. you stop at the sight. your pops and nonna were stood in the kitchen talking to a man you have never seen before and you’re almost offended that your grandparents hadn’t allowed you to meet him because jesus christ and all things holy, that man is beautiful.

he’s tall. scarily tall, actually. and not to say you have a thing for muscular men but you would not mind letting this stranger throw you about. he leans on the kitchen counter, arms folded across his chest as he eyes you up.

“he. who is he?” you point to the man, looking at your grandparents.

your nonna tuts your name. “he is joel miller, helps us out where we need it. why are you home so early, sugar, i thought you had a ten hour shift today?” nonna embraces you, kissing your cheek as she taps your arm, signaling for you to sit down at the kitchen table.

a faux laugh escapes you. “heh, well, you see-”

“don’t tell me that damn boss of yours ‘s been givin’ you a hard time again.” your pops speaks up this time, interrupting you this time. your pops was a scary man. he used to be involved in a lot of shit back in the day, constantly being chased down streets and alleyways by the police, always having them on his doorstep which would cause his mother to scold him. you can’t count the amount of times he’s threatened to come down and give your boss an earful on both hands.

“she actually fired me. apparently addressing one’s stupidity isn’t allowed. however, i am more focused on joel. joel, what is your purpose in this here house?” your head turns to look at the man as he addresses you, and he gives you a small smirk, walking over to the table and sitting across from you.

“she got a mouth on her, don’t she?” he asks your grandparents, and your nonna chuckles.

“always has. only started living with us when she was eighteen because of college, but she’s always had something to say.”

“something that’s gotta be shared with everyone.” your pops adds, and you give him a playful pout.

“right here guys, right here.” you announce. “back to the topic at hand. joel, why have you interrupted my pops’ burger night?” you’re facing each other now, your eyes analysing his face but all he does is smirk and since when was smirking so attractive on a man?

“well, your grandparents here mentioned how you hated your job, and i just so happen to have one that needs filled at one of my clubs.” his texan accent was prominent and full as he spoke, his brown eyes never leaving yours. “‘s if you want it, of course.”

“what club?”

“apocalypse.”

you slam your hands on the table with a wide grin. “i’m sold. when do i start?”

joel chuckles. “no questions about the pay, the shifts?”

you shake your head. “nope, don’t care. you know how hard that club is to get into?” you turn your head to look at your grandparents. “extremely fucking hard, i’ll tell you that right now. and i’ll get to work in there? god, life is so generous to me sometimes.” you exhale lightly, jokingly.

joel doesn’t stay for your pops’ burgers, but he’s given some to take home anyway. you decide to walk him to the door, being the ever so kind woman that you were, ready to see him off when he stops.

“ya’ start at five p.m. tomorrow, alright? i’ll have someone show you around, get you your uniform ‘nd all that before the club opens.”

nodding your head at joel, you bid him goodbye and watch as he makes his way to a sleek, black porsche, get in, and drive off.

____

“what do you mean you’re working for joel miller?” alicia asks you. alicia was the first friend you made at college after you chewed her ear off for the entirety of your first class. a girl who followed gothic fashion and was an absolute sweetheart compared to the people you’ve known in the past.

“i mean exactly what i said, babe. he’s apparently been looking after my grandparents for awhile and he offered me a job at apocalypse after that old bitch fired me.” you shrug, taking a bite of burger you got from dining hall.

“but joel miller is…he’s dangerous! everyone says his clubs are just money laundering schemes to hide his actual money.” naomi spoke up this time. ever the worrier, she was.

“money laundering would mean that no one was using his clubs and they were just there, naomi. the clubs are exclusive. i mean, we’ve all seen the lines to get in. we’ve been in those lines!” alicia somewhat comes to your defense even though you know she’s fully against you working there.

“my friend tina, the one from the political science class, worked there last year, and she says the pay is amazing!” a woman with black curls approaches your trio, another close friend of yours: georgia. “don’t get me wrong, she said some shady stuff happens in the v.i.p. lounge, but probably just guys gambling or something.”

you embrace georgia. “see, good pay and all i have to do is not ask questions. i’ll be fine, guys. and you,” you look at georgia “need to meet me at our cafe so you can tell me about that little masc lesbian of yours.”

you finish the rest of your burger, and pick up your bag. “gotta get home, but i’ll fill you all when i see you.”

you wave goodbye to your friends, walking out of the building as you scroll on your phone. when you get to the street, you bump into someone, about to apologise until you look up and gasp dramatically. “you! are you stalking me. god, joel, i didn’t know i was worth being stalked. that’s so flattering.”

joel scoffs, and opens the passenger door to his black porsche. “get in. ‘m gonna drive you down to the club.”

“don’t have to tell me twice.” you get into the passenger seat, placing your bag down in between your legs and joel closed your door. he rounds the front, getting in beside you and starts the car.

“ya’ hungry?” he asks, driving away from your college building.

“i ate just before i left. had a cheeseburger. not the most edible thing i’ve ever had, but it worked.”

“if you’re hungry when we get there, i’ll take ya’ down to the kitchen and grab you somethin’ there. house mom might have some snacks for ya’ too.”

brows furrowed, you turn to look at him. “the fuck is a house mom?”

“older woman who works with the dancers, takes care of ‘em in between dances. she’ll have snacks, spare outfits or shoes, hygiene products. helps ‘em all like a mom would.”

“nice.” you nod your head, and soon you’re in the private parking lot for the club. joel gets out first, rounding to your side and opening the door up for you. “gotta love a southern gentleman.” you snicker, walking into the club behind him.

he walks up a set of marbled stairs, heading to the second floor. “you’ll be working in the v.i.p. lounge, ‘s where all the dancers are and most of our staff.”

the second floor of the club is lit with red led lights, creating a sultry atmosphere. there are private rooms scattered all around, but there are booths scattered in the middle. joel walks you down to a hidden room and opens the door.

“this is my office. you can put your shit in here.” you walk in and place your bag down on the cushioned sofa, taking a seat beside your belongings. “i’m here when i’m not in the booths doing business, but if anything happens out there, ya’ come and find me, alright?”

you nod your head at him.

“all v.i.p’s know dancers and staff aren’t to be touched, but you gotta promise you’ll come find me if that rule is broken.” after promising, he continues. “i’ll take you down to adele and see if she’s got any spare uniform for you. she’ll walk you through anything else.”

joel guides you down the haul with a hand on your lower back, and if there was a camera following you, you would’ve hand an office moment with this simple touch.

“momma!” joel yells, knocking on a pink door.

the door opens, and an african-american woman opens it. she looks at joel, then you, and embraces you in a tight hug. “welcome, baby. this the new girl we’ve been hearing about?”

“yes ma’am!” you answer before joel can, shooting him a shit-eating grin.

joel speaks your name, and your eyes meet his. “go inside while i talk to adele, she’ll be back to help you in a minute.”

as you step inside the room, you’re met with an abundance of dancers. some are singing, doing their hair and make up, zipping up their heels, and others are lay on sat around eating some snacks.

“hi guys!” you wave at everyone, and they all squeal when they see you, immediately asking questions.

you answer them as best as you can until adele comes in. “now, i gotta get her some heels and her uniform, and when i come back-” adele glances around the room, pointing at an east asian woman with pin straight black hair. “lucy, do her make up, just so she knows what the standard is. your hair is fine, baby, don’t need anyone touching that.”

lucy smiles and waves at you, and you return it as adele leads you into the changing rooms. “uniforms are simple. black shorts, black long sleeve, and…what size shoe are you, baby?”

you respond, and she goes over to a rack of black, leather heeled boots. they’re platformed, shiny, and you know your feet are going to hurt the second your shift is done. “and these. i’ll let you get changed and you just come straight out when you’re done. help yourself to some snacks as well.”

“i don’t have to pay you for them?”

adele chuckles. “no, baby. joel gives me the money to buy the snacks. anything for you girls, joel pays for.” and with that, she leaves the room.

you sigh, looking at the mirror in front of you. this was a new job, with a hot boss, and from what you could tell, the rest of the girls in there were lovely.

this was your life now.

____

a/n: first chapter mother fuckers let’s GOOOOO

taglist (if you want to be added, pls let me know!! & if your name is in bold, i couldn’t find your account :()

@dugiioh @amyispxnk @skysmiller @alyhull @noisynightmarepoetry @elliaze @dendulinka6 @zliteraturehoe @atyourmerci @al33naaa @mermaidgirl30 @lulawantmula @nana90azevedo @endlessthxxghts @getitoutofmymind @you-taste-so-sweet @blazeflays @iveseenstrangerthings50 @regalwhovianbrowncoat774 @aquanatalie @katw474 @ludwigxii-blog @eloquentdreamer @kyloispunk @txmel @din-jarring @daddysmilf0123 @sofiparallel @dunkinzjm @runningmom94 @ashhlsstuff @moel-jiller @isimpforfictionalmen @drewharrisonwriter @stormseyer @rodriguez31 @elliesswearjar @vvitchesh3x @joeldjarin @untamedheart81 @ellishamae25 @pedropascalfan221 @mellymbee @pedritosgfreal @yassspose @casa-boiardi

#joel miller x reader #joel miller fluff #joel miller x you #the last of us #joel miller series #joel miller fanfiction #joel miller au #joel miller smut #joel miller angst #mob!joel #mob boss!joel

[thegroovywitch]

THE YARDBIRDS: 1967 INTERVIEW

Friday, 20 January 1967. An interview with all four members of the band is published in Psychedelic Honi Soit, the University of Sydney Student Representative Council magazine, dated The Ides of March, 1967. This obviously took place before the band had a chance to rehearse at the Sydney Stadium, perhaps on the afternoon of Friday 20 January or the following day.

MUSICAL PSYCHEDELICATESSEN: THE YARDBIRDS

(David Dale Interviews)

D.D.: How do you regard your stage performances? Is it worth trying to do a good stage act when it will probably be drowned by screaming?

Jimmy [Page]: As long as they're enjoying it .....

Keith [Relf]: We still always try to maintain the same quality. We won't sort of not bother to play properly because the kids are screaming and jumping all over the place. We still try to play our best.

D.D.: Would you prefer an audience that sat and listened quietly, to a screaming audience?

Jimmy: No, it's best to have all the different types of audiences. Otherwise you can become bored.

Keith: We'll enjoy a university audience who sits there, and, as you say, listens to every note, and clap at the end, but we'll also, the next day, enjoy an audience that's screaming.

Jimmy: It just depends how much screaming there really is - if the whole act is obliterated it's not too good, but we'd like a variety of audience reactions.

D.D.: Do you think that it is impossible to reproduce the same sound on stage as on record?

Jimmy: No. Come along and see.

Keith: Although with your stadium we don't know. It depends a lot on the acoustics of the hall.

Jimmy: We found in America with the younger kids, the most important thing for them is to hear the group play the songs as the record sounds. And they've come up to us and said, "You're the first group we've heard who sound just like your records. They've listened to things like "Over, Under, Sideways Down" and they sound so different to them from what the normal group attempts that I suppose it pleases them to hear us perform them the same as on record.

Jim [McCarty]: How about the people sitting behind the group at this stadium of yours?

D.D.: There's a revolving stage. The stage is the size of a boxing ring.

Jim: Perhaps we ought to have a fight on stage.

Chris [Dreja]: Good visual effect.

Keith: Perhaps we ought to phone up Jeff for that.

D.D.: On stage do you perform only songs you have recorded?

Jimmy: No - we do a lot of other things. With I'm a Man we make It much longer than any of the recorded versions, and much different.

Keith: It starts off like the single version but then It develops into a load of different styles - a semi-classical part, er ...

Jimmy: Indian part, Arabic part.

Jim: They've asked us to do all our singles here, so I don't think we'll have much time for anything else. We play for about thirty, thirty-five minutes.

Keith: If we're playing a concert at a university where we can do a one-hour spot we go to town with the wilder stuff - some blues. We prefer not to play the hits to college students.

Jim: What was our last hit out here?

D.D.: "Over, Under, Sideways Down."

Jim: Where'd that get to?

D.D.: About number six in the Sydney charts. But I want to ask you about the single you released after that call "Happenings Ten Years' Time Ago."

Keith: It was an experiment that didn't come off.

Jimmy: It was supposed to be released in anywhere but America. It was a mistake - the typical commercial dealings of record companies. As soon as they get a tape they release it everywhere without consulting the group.

Jim: We had very little time to record it. We decided the American market could have it.

D.D.: How did it sell in America?

Jimmy: It sold very well.

D.D.: But not in England?

Keith: Well, we weren't there to promote it, you see. We haven't been in England now - apart from a couple of days here and there just to get home - for about four months.

D.D.: Is that because you think the English pop scene is dying?

Keith: That's right.

D.D.: Can you get work there?

Jim: Oh, yeah. We'll be working when we get back from this tour. Good money, too.

Keith: We would just rather play the world market.

Jimmy: All these groups slogging it to death in England and killing themselves in the long run, because they're making it go over saturation point. They can come to places like this where the pop field is not so over-saturated.

D.D.: What's the situation with record sales?

Keith: In England, to sell a record you must do the TV shows and plug it all the time.

Jimmy: You've got to realise that in England's such a small place with so many groups there's no glory left to anyone except the Beatles. People don't go out and buy a record because of the artist's name - they buy it if they like it. They must hear it before they like it, obviously. If you're not in the country they won't play your records, because you've got to push them all the time. The Stones won't sell on their names any more.

D.D.: Do you intend to write all your own material in the future?

Jim: We'll take offers from other writers if they're good and if we can't do any better ourselves.

D.D.: Don't you think your own material let you down in the case of "Happenings Ten Years' Time Ago"?

Jimmy: Well, it was done in such a rush. It was recorded in virtually a day.

Keith: Written and recorded, I might add.

Jimmy: Yeah, written and recorded in a day - made up in the studio. We weren't really satisfied with it but our manager had it released.

Keith: We're not making any excuses - shouldn't have been released in that state.

Jim: Why don't you think it made it in Australia?

D.D.: No air-play.

Jim: Aaah.

Jimmy: It was a strange sort of number. You had to hear it a few times to realise what we were doing. There's so much going on on that record.

Jim: It was labelled a psychedelic record, which I think people might have associated with drugs and refused to play it.

Keith: It got lots of air-play in Hollywood and was number one over there.

Jimmy: I think when record players review a record, they put it on once and then throw it away. You could hear "Happenings" the first time and not like it.

The group's road manager (?) arrived at this point.

Jim: Ay ay.

Road Manager: Oh, ho, I got drunk last night.

Keith: Last night? I went to bed at four in the afternoon and didn't get up till eight this morning.

R.M.: You're joking.

Keith: No.

R.M.: Right. Well .....

He then muttered unintelligibly and disappeared.

#the yardbirds #1967 #60s #1960s #60s bands #60s groups #60s music #60s rock #psychedelic rock #rock and roll #rock n roll #classic rock #rock music #jimmy page #led zeppelin #rock #chris dreja #keith relf #jim mccarty #60s icons #60's music #60's rock #60's vintage #by dee dee 🌺🕯️

[blitzy-blitzwing]

Me, rereading Battlesleep: This is freaking perfection. 🤩🤩🤩

#I've been wanting to make a comic of this fic for so long #but I wasn't satisfied with my skill yet #this Megatron is EASIER to draw than his other form #8V #my artwork #long post #ish #Megatron #Optimus Prime #megop #Lugnut #TFA #Transformers Animated #maccadam #I absolutely love reading Megs going through the struggle #hehehehe #if I did the whole scene this would be MUCH longer than six pages #comic

[nachoscheesy]

Tumblr Revival

Tl;dr

Tumblr has a large interconnected community of artists and content creators, and should focus on its strengths and what it does right. Instead of trying to compete for space against Facebook, Instagram, and Twitter. Tumblr should focus on empowering its community and giving that community the tools to develop the site's unparalleled uniqueness.

Tumblr is the crossroads of the internet, with a monthly user traffic of 300 million it is the perfect space for artists, content creators, and small businesses to grow their following without having to fight for a seat at the table against companies with huge budgets.

Hi, I go by Nacho here on tumblr, and I'm sure as many of us on tumblr have noticed, the (hell)site is kinda going downhill. Tumblr was bought by Automattic in fall of 2019, and I am sure they have the best intentions to help tumblr stay afloat. However, I think it's time the community took a more deliberate approach to how tumblr is handled, and hopefully Automattic and @staff will hear us out. I think I have a solid solution to tumblrs money issues, that will help both the site and empower its online communities.

First and foremost, I am not involved with Tumblr or Automattic. I am just a simple blog trying to help out a place that I've been on since 2010, and I would hate to see it die here around 2023.

So, let's get to the root of the problem on tumblr right now. That being money, tumblr is currently costing more money that it produces, as we've seen with its 97% drop in value from 1.1 billion dollar sale to being sold at around 3 million dollars.

So the first thing that must be improved before anything else can be improved on tumblr is how much money they're bringing in a month. I don't think folks on tumblr hate monetization as much as we all collectively say we do, I think the issue is that most advertisers are completely disconnected from the groups they are trying to advertise to on here. Tumblr comprises roughly 65% millennials and 30% gen-z, the two generations that advertisers seem to have the hardest time advertising to for a myriad of reasons. The main one being that they don't fully understand what we want, and sometimes just don't listen to what we are saying.

Lets look at how tumblr makes its money, Tumblr has four main revenue sources,

Ads by sponsored posts

Display ads through video posts

Sponsored Day ads or banner ads

“Premium Themes”

I'll go into depth on all of these and how tumblr could make potential changes to improve their revenue anywhere from three to six months after it implements some or ideally all of these changes.

First tumblr ads and sponsored posts, these changes are going to be contingent on tumblr allowing its users to share, like, and comment on ads much like all other media sites currently allow. Or at least giving advertisers the ability to turn that on or off as a function.

The average tumblr post gets reblogged 14 times, that number increases significantly if the ad is engaging and actually caters to the communities wants and needs. My reasoning for giving users the ability to reblog ads is to increase user engagement while maintaining their current ad vetting process and all of the nonsensical ads that are run on tumblr 90% of the time.

The other reason for allowing tumblr users to share and comment on ads, or have it be an option for advertisers to turn on or off as they'd like, is that the appeal of tumblr is the ability to propagate and obsess over the most niche things (i.e OSHA.)

All the while allowing content that gets shared all over the internet bubble up to the top through the collective hand of the tumblr community. Along with this tumblr has no way for small users to share their own products or services, every single major site has a way for users to advertise their pages or products through the site.

Tumblr is a content machine that creates imagery and memes that get shared all the time across the internet, so the ability to share and curate its own ads is paramount to improving advertising and user engagement on tumblr.

My proposal here is for tumblr to expand its advertising capabilities to all users, while charging a flat rate fee to advertise on tumblr, with additional charges for popular tags or trending tags. Tumblr currently has no self service advertising system much like Facebook does for example. Where facebook charges a daily rate on cost-per-click(CPC) or cost-per-thousand(CPM)

Charging a flat rate fee at a rate of a day, week, month, or quarterly basis with variances in prices based on the lease term and what the advertisers would want to have their ads show up on certain tags. This would open up the doors for small businesses that don't want to advertise on places like facebook, twitter, or google with their complicated CPM and CPC models. Also bringing in more small locally owned businesses with the added value of less competition for ad space on tumblr.

This would also take some of the weight from tumblrs own advertising staff from having to explain a convoluted system to potential advertisers. Creating a simplified model with the the advent of tumblrs own infrastructure able to get a single post to a large variety of users. Where the current ad model uses a “shotgun” method to hit as many people as possible, the tumblr model could encourage advertisers to curate a more personalized and intimate experience that tumblr users would love.

Why not just advertise elsewhere? Tumblr still in fact gets over 300 million views a month as of June 2021 (Statosta), and the added benefit for users to be able to like, share, and interact with ads would allow ads that the community enjoys to be talked about more. Giving advertisers more honest feedback about their ads while increasing their SEO’s.

Also small businesses that can't compete with the vetting processes that are used on other sites, would have a better chance of developing their business and increasing their clientele on tumblr whose core demographics are approximately 60% millennial and 35% gen-z. This core demographic does in fact care about being able to shop at local stores, or even a store across the US that is trying to drum up its own online sales.

These ads could be placed inline on the tumblr dash while moving other sponsored ads to the right of the site on desktop, but making them alternate on mobile between user ads and sponsored ads.

Second, the display ads should be changed to allow tumblr users to share and further interact with ads to generate more user engagement, incentivizing more businesses and companies to build their brand status on tumblr. Tumblr has a good model for creating short diaries or daily vlogs for companies that wish to show off their products on social media. This includes smaller businesses and vlogers that want to post videos or tutorials of themselves on their blog.

Tumblr is a good site for user engagement with a pool of creative potential for anyone wanting to gauge the desire for a particular subject or piece of media, maybe even an upcoming show. Having the ability to share and comment on sponsored ads would also help advertisers by allowing them to get more bang for their buck with a considerable uptick on how users engage with that content.

Third, tumblrs sponsor day ads and banner ads are inexpensive and should be highlighted as a selling point over their competitors. Tumblr 24-hour banner ads are considerably more affordable for businesses when compared to places like twitter with their 200k price point. For the same amount of money on tumblr a business could have their company at the top of the dashboard or app for 8 whole days. Much longer and much better than the competition.

Keeping this price fixed, with a change in the price CPC is still a much more lucrative and attractive selling point than any of the competition on the internet today. I know this might not be exactly what tumblr wants to hear when it is hemorrhaging money right now, but let's look at the cost for these 24 hour daily ads and banner ads. If tumblr hypes up the price point on these ads they could see a significant rise in advertisers considering the lack of competition on tumblr and past success stories of companies who did advertise on tumblr.

At the same time larger advertisers should be encouraged to make engaging ads and blogs on tumblr that will make people want to actually go to their blogs, that then link to an external site or page. Not ads that instantly try to force you to go to some other site, by rewarding or offering special discounts for people who find a special code or something off of the actual blog. Or even for giving the same code to everyone who reblogs a certain post made by the advertiser.

Seems too good to be true? Look at “Asos” back in 2015 when they held a shirt design competition on their tumblr blog. Where they had 900 submissions, four of which were picked, and were sold out of the user generated shirts in 10 hours.

This is not the only case however, but FX ran their own campaign for the show “Man Seeking Woman” where they saw a 2.8% increase in user engagement, 86% increase in their tumblr followers, and they actually saved money through advertising on tumblr.

All this leads me to believe that tumblr actually was and continues to be the best place for brands, small businesses, and artists to develop themselves through genuine user engagement.

Finally, the “premium themes” that are available on tumblr that allow for unparalleled customizations that you hardly find elsewhere on the internet anymore. Tumblrs ability to take a variety of media sources, as well as having an unparalleled level of customization, user interconnectivity, and a vibrant artistic scene shows that it is ripe with potential.

Tumblr could still use its post+ feature, but in the same way that Discord uses its subscription service. For cosmetic changes that can be added modularly to the site or individual blogs for an additional monthly fee. In conjunction with partnering with community artists to bring small cosmetic additions to individual blogs, while paying the content creator and tumblr taking a small portion of the profits over a certain amount.

To be completely honest this is probably the hardest portion of this entire pitch to make changes to in a shorter period of time, considering all the testing and “under the hood” changes that must be made. However, I think that implementing this as well as the other changes I have proposed will bring back more foot traffic to tumblr as well as increase its revenue and profitability.

In closing, I am simply working with whatever information I was able to find online and a good amount of time invested on my part to do this. I think tumblr has a ton of potential still to return as a force for good for the communities that exist and want a change from what the internet has become. Time and time again when any company or public entity dies it was because it did not change and refused to adapt and innovate, oftentimes not at the hands of the people working everyday to keep the site running. Instead at the hands of people who dont see the value in what has fallen in their laps.

If you agree and think this is something that can be done, please reblog this post and follow me for more updates. If I don't hear back or this does not gain any traction by the end of the year, then tumblr can go to its inevitable end. I will be here sinking with the ship.

@support @engineering @music @wip @changes @photomatt

#tumblr plus #tumblr post plus #tumblr staff #advertising #marketing strategy #changes #tumblr premium #post plus protest #community #automattic

[makeste]

BnHA Chapter 297: We’re Bustin’ Outta This Joint

Previously on BnHA: Horikoshi did his best to undo all of the good vibes from the Girl Power arc by killing off Midnight. It sucks and I still don’t like it, but it is what it is. Unfortunately, Not Killing Off Your One Female Teacher Character With Any Character Development was worth 30% of his grade for the semester, so it brought his average down all the way to a C-, and so he and his report card will just have to live with that. Meanwhile Ochako did some rescuing, and the other U.A. kids lay around unconscious and/or traumatized. The chapter ended with an abrupt cut to Tartarus, where AFO is apparently just chilling and waiting for the Nearly High Ends to come bust him free. What kind of a cliffhanger is that to leave your fans hanging on for three whole weeks. Who’s suffering more here, the characters or the readers.

Today on BnHA: Horikoshi is all “okay I know you all want to know what happens to Deku and Shouto and the rest, but have you considered finding out what happens to Overhaul and Muscular and Moonfish and New Girl Character instead?” Fandom is all, “you had us at New Girl Character.” Seiji’s dad is all, “I’m just going to say a bunch of stuff to help make sure none of the readers feel conflicted about cheering on a bunch of mass murderers escaping from prison.” Tomura is all, “dammit AFO why are you still here.” AFO is all, “shhh, Tomura, go back to sleep.” Tomura is all, “wtf but you’re literally hijacking my body and continuing to shred it to bits while we break into BnHA Alcatraz to recruit your own personal Suicide Squad.” AFO is all, “:).” Real!AFO is all, “HERE I AM, EVERYONE, SORRY TO KEEP YOU WAITING.” And then the chapter ends. Geez.

oh shit lol it’s a whole big fucking page all about Tartarus

my very first thought was “that’s a long-ass fucking bridge”, and then I went to go google “longest bridges”, and Wikipedia was all “son there are literally a hundred and fifty bridges in the real world longer than 5km, and the longest one is actually 165km”, and I was all “oh shit I really don’t know jack shit about bridges.” then I looked at the list for a few more minutes and realized that the super-long bridges were all built over land, and that the longest bridge over water is only 38km. which is way more reasonable, but also still really fucking long though?? ngl I would freak the fuck out on that bridge. what does any of this have to do with Tartarus you ask?? absolutely nothing, I literally forgot I was reading a chapter for a sec lol uh

anyway, my parting thought on the bridge is that it kind of defeats the whole purpose of having a giant island fortress prison, but whatever. moving on

and the six levels thing is straight out of One Piece lol. something tells me BnHA’s prison break arc isn’t going to be quite as fun. hmm

so now we’re cutting to “the Bronze Gate”, which is the main entrance off of the bridge, and some goat-looking motherfucker is out here trying to become my new favorite character. bro

SON OF A BITCH WHAT’S WITH THE BULLETS FLYING IN THE BACKGROUND. DON’T TELL ME THEY’RE SHOOTING AT GYGES. THEY CAN’T KILL OFF MY FRESHEST HOMIE GYGES. SURELY THEY WOULDN’T

ooh and now, giant robots!

giant robots with machine guns. “I’m very sorry I killed off Midnight, makeste” you know what, fuck you Horikoshi. thinking you can buy my affections back so easily

does Gyges have six arms??? look how fucking calm he is announcing the code red security lockdown, holy shit. GYGES

NOOOO

NO NOT BRIAREUS. THIS DAY EXACTS A HEAVY TOLL

YO, WHAT

he came there himself?? so much for making the Noumus do his dirty work. and based on the speech bubble shape and font, this is still AFO talking

uh oh what’s happening

is he using Decay or is his arm just sort of crumbling to pieces because he hasn’t had time to heal up yet? if it’s the former this prison break is going to set a record for shortest arc yet isn’t it

now we’re cutting to B10 which is apparently the lowest level. but do they mean lowest as in the least security, or lowest as in the deepest underground, a.k.a. the most security? idk it’s confusing and I think they should be more specific. is it B like in basement?? are there six levels or ten?? stupid Tartarus

anyway so the guards are talking about how Gigantomachia is scheduled to arrive tomorrow morning. heh. will there even be a Tartarus tomorrow morning

(ETA: WELL, UH.)

wow they’re talking about just killing him outright. damn

I kinda feel like “prison guard” is one of those jobs that just sort of naturally attracts shitty people. anyways yeah, Seiji your dad is a real piece of work

and he’s even doubling down on it after the other guy repeatedly keeps trying to hush him up. dude we get it, you’re an asshole

ooh and now we’re getting an interesting look at the various prisoners, some of whom look suspiciously familiar!

for starters, that’s definitely Moonfish in the upper left corner, I’m like 99% sure. not quite clear who that is across from him in the upper right, but it’s been a hot minute since we saw Muscular, so maybe?

and could that be Overhaul in the panel beneath him?? they’re not showing his face so I assume it’s someone we’d recognize, and he’s the only currently-incarcerated villain with that haircut as far as I can recall. though it seems weird that he’s not restrained more given his quirk. I thought Horikoshi mentioned in Ultra Analysis that he’d gotten it back somehow. eh well we will wait for answers

I don’t recognize the person to his left either (though she has an oddly familiar look to her?). but the person on the bottom right, next to Kurogiri... is it Stain?? the hair and body language are sure giving off Stain vibes. if someone had told the me from two years ago that I’d actually be excited to see Stain again I would have said you were full of shit. and yet here we are. these sure are interesting times

anyway so now the Code Red intruder alarm is blaring. and I gotta say, that one scene sure was effective at killing any sympathy I might have been inclined to feel for these guards lol. bring on the imminent massacre

“what horrible timing” lol yes. it’s almost as if they planned it that way

uh oh

is he omae wa shindeiruing. watch your six, Mr. Prison Guard

oh shit

WHAT DID I SAY. WHAT DID I FUCKING SAY. but nooo, you all were all, “but a bridge is more convenient!” VERY WELL THEN, LIE IN THE BED THAT YOU HAVE MADE

anyway so it’s the High Ends lol. I mean we already knew it was them. let’s just get on with it

omfg Tomura ARE YOU RIDING ONE

WHAT ARE YOU, A NAZGUL. WHY IS THIS MY FAVORITE THING

and it looks like it actually is Tomura again, too (as opposed to AFOmura)

-- is he using Decay on himself?? is that what it is?? or no wait, is this just more of the weird side effect shit that’s been happening since he Awakened. actually yeah never mind that’s clearly what it is

y’all this man is out here having a full blown argument with himself

so this is equal parts compelling and hilarious to me right now lol. like I feel so bad for Tomura, but I also lowkey want to see how far this escalates. like do you think he’d go as far as to punch himself in the face. where will this journey lead us

fucking look at this shit

other people have already mentioned this, but with this scene especially it makes me really curious how they’re going to show this in the anime. will it be AFO’s voice coming out of Tomura’s mouth? or Tomura’s voice using AFO’s speech patterns? more importantly, will it be cool and dramatic, or will it actually wind up being hilarious? or both?? never count out both

also he’s looking pretty good there in that bottom panel with his one eye just barely visible. that doesn’t have anything to do with anything, but here I am, pointing it out

also also, lol at Tomura being all, “the fuck do you mean, ‘rest’, you’re the one that dragged my body out here to raid a fucking prison,” and AFO being all, “oh yeah, lol, true true, but I meant rest after that.” yes, this man clearly has nothing but the purest intentions, Tomura. trustworthy af

this fucking guy. Tomura is your bullshit radar finally operational yet?? can you see yet that it was always his intention to use you right from the very start?? oh man I am starting to get fidgety now listening to this

so Tomura’s saying he doesn’t just want to be used as a chess piece. and AFO is all, “well okay but what if it’s a VERY NICE AND IMPORTANT chess piece.” bro DID HE STUTTER

-- AHH BUT NEVER MIND THAT, HERE IT IS, THIS IS WHERE THE FUN STARTS OMG

GO ON AND ACQUIRE THEM THEN! omg. why am I so fucking excited. it seriously makes no sense. like seriously, ‘hooray, our old buddies, Overhaul and Stain!!’ -- come again now?? who is this person that I have become

meanwhile AFO is making all this fuss and I really don’t understand it though

why would you need to plow directly through the building. why can’t you just use doors like a normal person. it’s not like they can lock you out, like hello, you can literally turn anything you touch into dust, what’s with all the melodrama

anyway so he’s apparently hitting the prison with some sort of EMP attack now and shutting down all their systems

omg the suspense is killing me. this is going to be so badass once it’s animated, but right now all I keep thinking is “YES, GREAT, CAN WE PLEASE JUST MOVE IT ALONG”

the doors are opening ahhhhhhh come on come on come on let’s go let’s get to the excitement already

now the guards are running over to try and regain control. but, like

yeah that’s pretty much how I’m expecting the rest of this to go basically

so now they’re shooting at the dust cloud lol. well if there’s one thing movies have taught me, it’s that bad guys who wait inside clouds of dust while panicked cops blindly rain bullets at them until they run out of ammo are basically invincible lol. soooooo

OHHHHH SHIT

AHAHAHAHAHAHA. THEY ARE SO FUCKED LOL, SHIT

YEP, AND HERE’S ANOTHER ONE

is this the first time we’ve seen Moonfish’s face? I feel like we might have caught a glimpse of it before on an omake page or something. either way, it wasn’t anything I actually needed to see again. thanks...?? I guess??

okay but seriously, are we supposed to actually know who this badass lady is?? like I don’t know her but I feel like I know her, you feel?

(ETA: lol there are already like 60 different theories about how she’s related to every single character in the series. will be interesting to see if anything comes of this. although we did just get three “this villain was secretly related to [insert character(s) here] all along” reveals just in the last arc, so idk, it might be better if we pass on it this time lol.)

girl who are you. please stick around. for the love of god don’t let this man kill you off too

????

wait so is this Overhaul? boy sure has seen better days huh. but the floppy sleeves... yeah, it’s gotta be him

anyway so then the only ones missing are Stain and Kurogiri, yes?? omg. and one page left to go

AHHHHHHHHHHHHH

NO ONE WILL BE ABLE TO CONVINCE ME HE COULDN’T HAVE DONE THIS SHIT RIGHT FROM THE VERY BEGINNING. FUCKING TIME-BIDING DRAMA QUEEN

AND HE’S JUST FLOATING HIS LIFE SUPPORT SYSTEM ALONG BEHIND HIM SOB. THIS FUCKING GUY

AND IS HE JUST ABSENTMINDEDLY DRAGGING SOME POOR SCHLUB’S CORPSE ALONG BESIDE HIM LIKE A SLEEPY TODDLER CARRYING THEIR TEDDY BEAR. I FUCKING CAN’T. REST IN PEACE, FRIEND. GIVE MY REGARDS TO GOOD OLD BRIAREUS

so that’s it! and we still don’t have any idea what AFO is actually planning to do now, after all of that. are they going to merge bodies?? or is he going to try to switch with him?? either way Tomura’s body has to be part of the plan somehow since he keeps making so much of a fuss over it. flkhglkhlk. dammit I need answers lol

#bnha 297 #shigaraki tomura #all for one #overhaul #muscular #moonfish #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #horikoshi where is gyges!! #your silence is defeaning #first midnight and now this #I am beside myself #r.i.p.

[lokitvsource]

You came into the show with the idea of Loki clashing with the TVA already in place. How exactly does this kind of arrangement work at Marvel? Michael Waldron: There was a creative brief that was 20 pages or so that basically said: “We want to do something about Loki running up against the TVA. Here’s some different avenues that might be cool to explore.” It was really serving it up for writers as a jumping off point for us to put together our pitches. Then I went off and really worked on the idea of Loki being brought in to hunt another Loki, and that becoming the heart of the show, and the Loki/Sylvie relationship. The big thing that I did in my pitch — even as early as pitching it to Kevin [Feige] — I really walked through the six episodes, kind of similar to what they were. I knew I wanted Episode 3, for instance, to be a little bit of a Before Sunrise, with Loki and this character walking across this apocalyptic moon. But Marvel had the initial, probably the most important spark of genius, which was just Loki and the TVA.

Where did the idea of the variant being a female Loki come from? That was one of my ideas, that we then confirmed in the writers room. Yeah, we knew from the get-go that it was going to be Loki falling for another version of himself.

Why was that appealing to you? I love writing any romance; it’s fun. Especially, it hasn’t been done a ton in the MCU. There’s an obviously self-reflective quality to it. And a show that’s quite literally about self-love; it is Loki getting to see parts of himself. At the start of the show, he kind of hates himself. He assesses himself to Mobius as a villain. And then he meets Sylvie, and he sees her as someone on a heroic crusade. He sees the good in her, and is able to see the good in himself.

Mobius suggests that, of course, Loki fell in love with his own variant, because he’s a narcissist. Do you think he’d be capable of falling in love with someone who is not a version of himself? [Laughs] I don’t know if he didn’t fall in love with himself first. Maybe after that, but the first time he falls, maybe this is what it had to be.

What’s the key to telling a time travel story that takes advantage of the concept without confusing the audience? I think it’s doing a lot of work that the audience never sees. It’s really understanding the logic of this thing, building out the TVA as a real organization that actually exists in our minds. Our writers room, we had a TVA handbook, encyclopedia, what they do and why they do it, a glossary of terms. And then you want to only give the audience the absolute bare minimum to understand the story, and to just get swept up in the emotional stakes of everything. If the sci-fi of it all, if the time travel logic of this show did not hold up week to week, then that would have distracted from the emotional journeys of the characters. So I’m glad that even though everyone had to take their medicine a little bit, along with Loki, in episode one, I’m glad it didn’t distract from the story we were telling. And we had the benefit of Loki being the audience’s eyes in. The audience is learning as he is.

There’s a funny scene in Avengers: Endgame where the Avengers start arguing about exactly how time travel works in the MCU. How much did you have to study what other Marvel movies had done with the idea to make sure your rules were consistent? Fortunately, Endgame was the main one, and that’s how they understand it. The TVA is an organization that understands time travel on a deeper level, probably more comprehensively than the Avengers do in Endgame. We wanted to make sure we were staying true to any rules that they laid out, but sort of establishing our own rules. It’s a time travel show. What was I thinking? A movie’s one thing, but a show is hard.

How many Loki variants did you have on the writers room whiteboard at various points? Hundreds. So many different Lokis. There was one Loki, actually maybe it was a version of Mobius that took off his glasses, and he just had really tiny eagle eyes, like he could see everything. There was stuff like that all over the white board. Tom Kauffman, who wrote that fifth episode, he’s an amazing comedy writer, and was on the first three seasons of Rick and Morty. His first draft of that episode was just bananas.

Was there a variant, or a crazy idea in general, that you really loved but couldn’t ultimately do? There was so much different stuff that we wanted to do in the Void. But the truth is, I don’t want to say any of it, because you never know. The ideas that I want to do the most may pop up elsewhere.

Okay, so let’s stick with a variant we did see. Was Alligator Loki actually a Loki, or just an alligator that happened to be wearing a Loki’s crown? A magician can’t reveal his tricks, man. That’s the great debate. Let it rage.

What was Alligator Loki‘s origin story on your side of things? Who pitched him and how was that initially received? That was maybe my very first meeting with the producers at Marvel, Kevin Wright and Stephen Broussard, talking about the show, and me saying, “When we’re doing this, you can encounter lots of different Lokis. You could have an alligator Loki. Why? Cause he’s green.” And us all laughing about how stupid that was. I think I made the point that it’s that energy of what we can do with the show. We can have something like that, but let’s play it straight. Alligator Loki, you get a laugh out of it, but by and large you try and play it straight. That was the fun tonal balance that we tried to strike in the show.

There’s been some conflicting information out there about whether the big bad was originally just going to be He Who Remains, who’s a different comics character altogether from Kang, and whether the casting of Jonathan Majors changed the plan. From your point of view, what happened? The character was always written as a version of Kang, as early as the first draft of the script, we knew in the writers room, relatively early on. He Who Remains, that’s the guy behind the curtain with the TVA, and we saw an opportunity to fuse that mythology with the Immortus mythology. And that was just really compelling. It was a way to elevate, it just felt right for Loki, because Loki was there in the first Avengers, he’s the one who brought the Avengers together, and here is directly related to the exploding of the multiverse, this event that will drive the events of Phase Four. Certainly, when Jonathan came in, it allowed us to step on the gas of just how eccentric and charismatic this character could be. I was inspired in the writing of He Who Remains by Tom Cruise’s character in Magnolia, trying to give it that Frank TJ Mackey energy a little bit. He captures that and then elevates it to something else that’s different and weird.

You just said how important the multiverse is going to be to Phase Four of the MCU. How challenging is it to have to set up this big thing for the larger Marvel endeavor while also serving the needs of the particular story you’re telling on this show? It’s a challenge in the sense that it’s all a relay race, and you’ve got the baton on this thing, and you want to do a great job. The name of the game over at Marvel is with each movie or TV show, make it the best it can possibly be. And they’re really supportive of that, and trust that it will organically fit into the larger blueprint of everything. We were excited about introducing a version of Kang, because yeah, to introduce this new big bad was cool for our show. I was aware, and cautious, of the thing I read in your review, that it might not be the most sound storytelling to introduce a new character at the very end that we’ve never seen before as the big bad of this thing. Obviously, we had the benefit that people know who Kang is, and there’s a meta thing where a portion of the audience knows Jonathan Majors is going to be playing Kang in Phase Four. But the finale was only ever going to work if He Who Remains, in a compelling way, serviced the Loki and Sylvie emotional story. That was the most important job that that character did in the finale: he laid out a very compelling conflict that ultimately drove the two of them apart.

There has also been some confusion as to exactly when you knew that there would be a second season, as opposed to you just making a limited series. Initially, in the writers room, we were not operating as though there would be a second season. And the whole way through was, this should be a story that should stand on its own. I referenced The Leftovers and Mad Men all the time. I think about those seasons, they pushed the overall stories forward, but you can pull any one of those seasons and look at it on its own as an individual story. I wanted that to be the case here, whether we did a second season or not. I think we always felt that we would want to propel Loki forward into the MCU after the conclusion of our season. The only question was, would that be in an appearance in a movie, or would that be in a second season. And it was only over the course of development that the stars aligned to make a second season.

But that end scene, where Mobius no longer recognizes Loki and the TVA is filled with Kang statues, wouldn’t have been a satisfying conclusion to a limited series. That is an ending that only works if there’s going to be a second season. So there is another conclusion to the story that I wrote that exists out there, that I guess is just for me. My own little play, that I perform with my action figures.

What was Sylvie’s original plan, before Loki hijacked her to that dying moon? It was to empty out the TVA. The entire bombing of the Sacred Timeline was to create a diversion. She’s not going to be able to create a multiverse from doing that. Ultimately, the TVA has the manpower to get out and take care of these events, but they’re going to have to scramble a lot of their minutemen teams, and it leaves the Time-Keepers significantly less guarded than they would have been otherwise. That was her plan.

You didn’t come into this as a big comic book nerd. So was there someone on staff who could tell you, “Well, there’s this giant cloud called Alioth that eats time,” or, “Well, one time Thanos had a helicopter,” or maybe someone assigned to you by Marvel? I’m constantly reading the comics but trying to not be so beholden to the and do our own thing. I charged our writers assistant, Ryan Kohler, with, “You’ve got to become the authority on all things TVA, all things Kang, and all that.” So he and my assistant, Sophie Miller, became a support staff who read a ton of these comics and became a wealth of knowledge for the writers to turn to. And then the Marvel producers, obviously are very well versed in the comics. It was Kevin Wright who came in one day and was like somebody throwing down a blueprint in an asteroid movie, going, “Alioth! Look at this!” And we were like, “Ohmigod, this is perfect!” The best thing about working on these comic book shows is that if it’s from the comics, it doesn’t matter how much of a deus ex machina it is, it’s just cool, like, “I can’t believe you pulled that from the comics.” Alioth, that was a big breakthrough that unlocked the last two episodes for us.

That is not a famous comic book that introduces Alioth. It’s an obscure Nineties miniseries, with really ugly art. But you look at it and see what it could be. You say, “If we do this, and it feels like Twister, it’s going to be really cool.”

Was Mobius’ love of jet skis there simply to illustrate his character, or did you have a grander idea in mind? I will come clean: I’m a jet ski guy. I’ve spent a good amount of time on jet skis in my day. I used to tow a jet ski to a lake and ride it in college. So it probably was me. Loki, I was just becoming a steward of that character. Mobius was a character I really felt I got to create from nothing. There’s not really anything to that character in the comics. So bits and pieces of me found their way in. I just think there’s something so poignant — here Mobius is, a guy who is literally fighting to preserve all of time in the multiverse, and yet his interests are maybe the most humble, human, terrestrial, unremarkable thing you can think of. Just a jet ski. And when you’ve got Owen Wilson playing him and it’s just that much better.

Will you be back in some capacity for Season Two? [long pause] Time will tell.

‘Loki’ Head Writer Michael Waldron — and ‘Rick and Morty’ Alum — on MCU, ‘Heels’ and More

#loki tv #loki series #michael waldron #interview

[dragynkeep]

Hi there, ironpines! (Love the name btw, I read a really good fic about ironwood being a father-figure to Oscar when RWBY and co. get to Atlas).

So this is probably going to be very long but I’ve really gotta vent about some stuff.

(Also, first ask. I honestly didn’t know how to do this for the longest time. Just got back into tumblr a bit ago).

1. I hate Jaune Arc (a lot of people do), but I want to know why. Do you think/believe he’s an author’s pet? Also, why the HELL did he kill Penny in the first place?!? Why not Winter, Nora, or Ruby? Why did he have to go to the island? Just- WHY?

2. In the first three volumes I really liked Team RWBY, but now….how did they get so skewed? What went wrong? How can Ruby be THAT arrogant that she point-blank says to Qrow: “we never needed an adult’s help.” Like- yes you did! If not for Qrow killing the Grimm in v4 they would have been continuously fighting Grimm. I’m the fight against Tyrian (one of my favorite characters and favorite fights) if not for Ruby getting in the way Qrow wouldn’t have been POISONED!

3. (This is the one I’m going to get cyber-ly killed for). (I also had just started RWBY when volume 5 was airing weekly.) The beginning of Volume 5, in my opinion was good. I liked the first five-six chapters, but when AU watched ‘Rest and Resolutions’ V5C7, I was so angry! Everything about the conversation between Ruby, Weiss, and Yang felt so out of character and out of place. It was so bad and the next episodes following that were not good either (only the raven v cinder fight was any good). The battle of Haven was a train wreck that I honestly have no idea how I even retained braincells after that. Like- why KEEP teasing Weiss v emerald if you aren’t going to do anything with it. Why tease Mercury v Yang if you’re not going to do anything new and interesting with the two (Mercury isn’t even a character anymore!)

4. I wish we got good rep. I really wish we didn’t get confirmation on LGBTQ+ characters from supplemental material (that’s not even canon). And I’ve gotta ask, why do you consider cannon? Cuz for me, the only things I consider actually CANNON to the storyline are the Red, White, Black, Yellow Trailers and the show itself (Grimm Eclipse just for the sake of more cool lore about Mountain Glenn and the fact of mutant Grimm). That’s it. I don’t consider the World of Remnants, manga (DC or otherwise, those were HORRIBLE!), anthologies, and the DISGUSTING novels.

(This is the last thing, I promise!)

5. I’m working on a quasi-rewrite RWBY fic and I didn’t know whether or not I should post the first chapter on my page or not. I just really don’t want the simps to come for my head (though it might happen anyway). But I’ve been writing this for about a year and a half now and I really want to post it but I’m so nervous about the reception and backlash. What do you think?

Thanks for answering me and indulging the fact that it’s okay to like something and still want it to be better (critics/the Rwde tag is my favorite because I can read opinions that I mused share but are too scared to put as a post).

Thanks, we picked Ironpines because we loved Ironwood and Oscar, and then our friends, being the good friends they are, immediately told us it was the ship name for them so now we can't have anything nice.

1) First off, yes, we absolutely think Jaune is an author's pet. We don't really go for self-insert anymore since everyone in RWBY was a self-insert, Monty clearly based them off his friends. But now, Jaune is absolutely an author's pet and has been since the start of the show.

Just look at Volume 1. Jaune literally had more of a storyline than Yang, one of the girls in the title. He then went on to have a dumb love triangle in V2, only to resolve it with Neptune without any input from Weiss, because why not, and then V3 was Jaune finally taking more of a step back for Pyrrha, who was long over due some character.

Until V4 where, rather than everyone mourning Pyrrha, we focused on Jaune mourning her instead. Nevermind that Pyrrha was Ren and Nora's teammate too, probably their only family since they're orphans, or how Ruby literally watched Pyrrha die in front of her. Nope, gotta focus on Jaune. Add that it stretches into V5 also, adding another storyline about his Semblance while Ren, Nora, and Ruby have to stand in the background and wait their turn, while Weiss literally loses all her braincells so she's injured for Jaune's development, how the confrontation with Cinder doesn't go to Ruby, the main protagonist, but Jaune.

Then we get that stupid statue scene in V6 that took over Oscar finally getting some development of his own. It's not even the whole team, because it's only Jaune that gets to meet the lady who totally isn't Pyrrha's mother, it's Jaune that gets the big teary moment, and how Ren and Nora have to stop and comfort Jaune because of course they have to.

I was glad that Jaune finally took a backseat in V7. I actually started to like him again, because he wasn't sucking screentime away from those who need it. But then V8 happened and now I want him dead.

I've said it countless times before so I don't wanna repeat myself, but Jaune is one of the last people that should've killed Penny. He shouldn't have killed her, he shouldn't have had the big tearful scene because another redhead died, he shouldn't have fallen into the void to join Team RWBY, but he did. Now there's no doubt in my mind that Jaune is a fucking author's pet, because the writers won't let him go into the background where he belongs.

2) There's not much to say about Team RWBY. They just suck now.

3) After watching V8, V5 is no longer my least favourite volume. That's how bad it was.

4) Yeah, RWBY's rep is absolute trash and it's because they keep putting it in supplemental material, and also because they look at the LGBT and only see L. The only MLM we have is Scarlet, and he's a catty fae gay stereotype that is so unlikeable and voiced by a creep. Nevermind the whole Fairgame queerbait controversy because this company can't stop themselves for five minutes.

5) I always say that, when you post work on the internet, whether its art of writing, you have to understand that you will get criticism back. It'll suck, especially when you've put so much time and effort into something, but that's the risk you have to take as a content creator.

The good thing is that AO3 has features that let you manage what you see properly. If people just want to hate without giving proper criticism, you can always remove it and ignore it, but I personally believe that people aren't entitled to criticism when it's only said nicely. Sometimes, people will get annoyed and say it in a meaner way, but that doesn't make the criticism any less valid.

Either way, decide based on how you think you'll react to it. If you don't want the stress of criticism, be careful, but if you think you can handle it? Then go for it, the world's your oyster.

#rwby #rwde #jaune arc #ruby rose #weiss schnee #yang xiao long #lie ren #nora valkyrie #pyrrha nikos #anti jaune arc #answered #luke.txt

[ncssian]

A Favor: Part Six

Nessian Modern AU

Masterlist

a/n: nsfw sort of?? barely

***

Cassian is going to kill Nesta.

He’s never met a woman so stubborn that she would rather throw herself under a bus than accept help from others.

“What happened to your rants about universal healthcare and redistributing wealth?” He gestures furiously between the two of them while keeping one hand on the steering wheel. “I’m trying to redistribute the wealth!”

She scoffs from the passenger seat. “Nice try, comrade. I’m not letting you dangle your wallet over me while I live with you for free. It’s disgusting and manipulative.”

Cassian wants to grab her by the shoulders and shake her. “Why do you automatically assume I’m trying to manipulate you?” he says incredulously.

“You don’t get to pay for my things,” she snaps. “They’re mine.”

“I know you’re already broke from that MRI—”

“That’s none of your business.”

They pull up to one of the university buildings. “Oh, great argument.” Cassian brings the truck to a stop. “Are you gonna use that one in court?”

Nesta buttons her blue blazer and furiously grabs her things, not saying a word.

“What are you thinking now?” Cassian pokes, the hardness dissolved from his voice a little.

She shoves the passenger door open. “How much longer it’s going to take to get my car fucking fixed,” she bites, hopping out of the truck and slamming the door shut on Cassian’s face.

Clenching his jaw, he watches her walk sharply for the building, tension ratcheting her figure. Impossible woman.

She does look damn good in a pantsuit, though.

***

Nesta has to take deep breaths before she enters the mock courtroom, refusing to let Cassian get to her head right now.

It's not his offering to pay for her endometriosis treatment that pisses her off, but it's that he won't take no for an answer. She wishes he could just let her dig herself into a hole of debt and despair like millions of Americans already do every day. She wishes he wouldn't demand an explanation from her every time she screams and cries about getting her way.

Later. Her mind clears through an imaginary filter. You’ll deal with him later.

Now, she has a case to win.

Nesta strides into the courtroom with her file of documents and takes the speaker’s bench, her opponent already seated on the other side of the aisle. Emerie Nikolis is five feet nine inches of Mediterranean goddess, and the only student at Prythian Law who’s been able to challenge Nesta for her spot at the top of the class. Not that she’s succeeded.

Nesta’s never been up against another woman for a moot court, though, and it adds a buzz to her nerves. Men always come into the courtroom with too much confidence and not enough research, and from there Nesta can steadily dismantle their arguments until they’re left spluttering. From Emerie’s cutting hawk eyes, Nesta knows she doesn’t function like that.

As student judges file in and head for their seats, Nesta leans over and mutters to Emerie, “Good luck defending the side that represents everything morally corrupt with this country.”

Emerie brushes back her ponytail and smiles mockingly at Nesta. “You mean the side that powerful white men have chosen since the beginning of time? I won’t need luck.”

Nesta scowls at the panel of student judges. They are all white men.

“You’re lucky I enjoy a challenge,” she hisses, and sits back in her seat as they start calling oyez.

***

Cassian doesn’t mean to fall asleep.

He’s cleaning up around the house while Nesta is gone, and ends up finding a worn paperback trapped between the leather cushions of the couch. Pulling it out, he takes one look at the cover and nearly chokes. A half-undressed man graces the cover in regency-era clothes, his flowy shirt unbuttoned to reveal toned abs. A woman with golden curls clutches onto him passionately, only dressed in a corset and underskirt.

A slow smirk spreads over his face and he snickers. He didn't know people read these anymore. A glance at the back of the book proves his point: published in 1999, a true vintage piece.

Plopping onto the couch and laying back, he opens the paperback. If Nesta doesn't want him reading her books, she shouldn't leave them lying around the place.

Flipping to a random page, he frowns when it isn't a smut scene. Boring. He keeps flipping until he finds one, and props his feet onto the armrest to get comfortable. Now what exactly does Nesta Archeron get off to?

Over an hour and a hundred pages of surprisingly tender romance later, his aching eyes finally slip closed. The open book falls onto his face, and the scent of faded ink follows him into sleep.

Cassian is in a dim candle-lit room. Foiled wallpaper and overstuffed furniture decorates the space, and there, by the small window, she waits.

She turns her head to speak over her shoulder, “You came.”

“I did.” The line comes to him naturally.

Without turning around, her hands reach up for her hair. She starts removing pins from her updo, golden curls falling apart one by one. Once the last pin drops, she finally turns around.

Gleaming locks now frame her soft face and shoulders; her pale breasts rise and fall above the low curve of her thin nightgown. Under the candlelight, she looks freshly forged and porcelain-like at the same time.

“Could you help me?” Nesta says.

Cassian is stuck in his spot, unable to move. He's never seen Nesta like this: so heavenly, but so different.

“Cassian?” she asks again.

“Oh,” he stutters, “um— what do you need?”

She steps closer. “You.” His breathing stops. Nesta slips her slender hands up his arms, to his shoulders. She's holding him close. “I need you to tell me something.”

“Anything.”

Her breath fans over his face. “Do you want me?”

Cassian is very still.

“Do you want me like I want you, Cassian?” she repeats, pressing closer to him. He can feel her nipples through the wispy fabric of her gown.

“Yes,” he breathes shakily. He doesn't know which hurts more: wanting Nesta or being wanted by her.

“Have you been very lonely, Cassian?” She drags her hands back down his arms, finding his hands and placing them on her shoulders. “Is that why you like having me around so much, because you’ve been lonely?”

This Nesta knows him… a little too well. His breath hitches as his hands, directed by Nesta’s hands, slowly pushes down the sleeves of her nightgown. In a flash, the fabric has dropped to her waist, baring her unblemished chest and stomach. Before Cassian can even absorb what's happening, her arms are winding around his neck again, and now she's pressing entreating kisses into the crook of his neck.

“Tell me,” she mutters onto his skin. “Do I make you feel heard, or am I just a pretty face to you?”

“Nes—Nesta.” Cassian tries to swallow air.

She smells so good. She feels so good, and she's not even doing anything to him, just holding him.

“Heard,” he gasps when she goes for the buttons of his shirt, her mouth finding his chest. “You make me feel heard. I like it when we talk and you listen to me. Nobody listens to me.”

She pulls away from him, mouth shining. He just now realizes how jarring the gilded ringlets of her hair are.

“That’s so good,” Nesta purrs, reaching up to clasp his face. Her hands feel thin and rough, like paper. “You’re so good.” She reaches in, her lips chasing his, and—

Awareness seeps into the corners of Cassian’s reality, and his eyes peel open. He blinks between two different worlds until he finally realizes— it was a dream.

Of course it was a dream. Nesta doesn't have blonde hair or curls. And her skin isn't porcelain smooth, but dotted with freckles and moles. And yet, the arousal stirred in him is very much real, evident by the ache in his dick. Fuck.

A throat clears softly and Cassian jumps. The romance book is still on his face, he notices, and his world is darkened by the rough pages. Batting it away, confused, he fully awakens when he sees who’s in front of him.

She’s still in her pantsuit from this morning, but her hair is undone and her cheeks carry a rare flush. Her clothes are rumpled.

“Nesta.” He scrambles upright, painfully aware that he was just dreaming about her half-naked. He carefully arranges his elbows on his knees, his hands dangling between his legs. “You’re back,” he says casually. Taking notice of the blackness outside the windows, he becomes concerned. “You’ve been out this whole time? Oh God, I was supposed to pick you up—”

“No, no,” she says quickly. “Didn’t you see my texts? I went out with some people from moot court.”

Cassian widens his eyes. He’s never heard her mention any friends from school, much less leave the cabin to hang out with other people.

“I totally kicked this girl’s ass in the Title IX case I was telling you about,” Nesta goes on, “and she wanted to take me out for afternoon drinks, and some other guys ended up tagging along too…” She twists a piece of hair around her finger, the experience sounding as brand new to her as Cassian suspects it is. “And yeah, then she got me a cab.”

He raises a brow and leans back. “You willingly let someone else pay for you? Wow, you really are drunk.”

The smile blossoming on her mouth drops and the cold veneer returns. “So you go through my stuff while I’m gone?” she scolds. “How many times are we going to have the boundaries conversation?”

Cassian picks up the paperback still on the couch. “Oh, this? This was just a little light reading. You know, since I share my Netflix and Prime with you, I figured you could share your period-piece smut with me.” He fans through the pages, trying to find the spot he left off on. “I didn’t even know people read physical romance books anymore. That’s like me keeping VHS tapes of porn instead of using my phone.”

Nesta stomps over and snatches the book out of his hands. “It’s not like I enjoy owning books with ugly covers,” she hisses. “I get headaches reading e-books. And this is a classic.” She carefully wipes at the cover as if Cassian got dirt all over it.

Cassian tries to snatch it back. “I wasn’t done with it,” he grits. “Nesta, give it back.”

“I’m glad we brought up boundaries,” she says instead. “Because we need to talk about this morning.” Shoving the book into her pants waistband, she peels off her blazer and takes a seat on the coffee table in front of Cassian.

Cassian blinks, gripped by the authority in her movements. Nesta pokes a finger at his chest. “What you said bothered me all day. Nearly ruined my night. So I’m telling you now, I’m not taking your money for anything, ever. And if you bring up the topic again, I’m moving out.” She sounds dead serious.

He’s not afraid of her. “I’m bringing up the topic now,” he pushes back, his tone hard. “As someone who considers you a friend, I don’t like to see my friends struggling.”

Nesta blinks, and maybe finally accepts that she can’t fight her way out of this, because she drops her finger. “I can’t be financially dependent on a man, Cassian,” she admits, refusing to look away from him. “I’ve done it before, and it’s no way to live life. I don’t care how nice you are; I’m not taking your money. And you can’t make me.” She doesn’t shout or hiss that last part. It’s said with a quiet strength, and it makes Cassian want to concede everything. If this is about her ex-boyfriend, then he doesn’t want to be anything like him.

But it doesn’t change the fact that her health is still on the line. “What if you don’t take my money?” he says quickly. “What if I make you work for it?”

Law school doesn’t allow for part-time jobs on the side, and Nesta’s been scraping by with scholarships and leftover money from her father’s will. The suffering is worth it now, she told Cassian once, if she’s at a law firm the year after next with a starting salary of 100K.

Nesta purses her lips, skeptical. “What kind of work?”

“You can be a legal consultant for Night Court.”

“Do I look qualified to be a legal consultant?” She’s glaring now.

“Well, it’s either that or you get to be my personal assistant.” Nesta looks even more outraged at that, and Cassian holds up his hands. “I respect your need to stay independent,” he says, “but you can’t convince me that a handout or two is worse than going broke.” Cassian himself would be dead right now without all the handouts he got over the course of his life. “Please, Nesta,” he says quietly. “Think about it for me. And if you still hate it, I’ll never bother you about it again.” Even though it would kill him.

Nesta stares at him, the gears in her brain visibly turning. Finally— “Rhysand’s company does run on handouts anyway,” she mutters, glancing away. “What’s one more?”

Before Cassian can drop to his knees and thank her, she whips her head back to him. “But I want to do real work, Cassian. Not the pretense of work while I get a fat paycheck.”

He bursts into a grin and grabs her arms. “I’m gonna work you so hard.” He kisses her hard on the cheek.

Nesta makes a choking noise and starts coughing, and Cassian realizes how that sounded. “Did I say something wrong?” he plays innocent.

Nesta’s face is red for reasons other than alcohol now, but she covers it up by shoving Cassian hard enough to send him into the couch cushions. “Asshole.” She pulls her book out of her waistband and throws it at Cassian’s chest. “Have your romance back, I’m going to bed.”

“Hey— wait, it's six p.m. What about the puzzle?” he calls after her. She ignores him and keeps walking.

“Fine,” he says to her back, “but don't go to sleep with your contacts in again; you're gonna hurt yourself.”

As she reaches the stairs, he adds, “I’m proud of you for the moot court, by the way. I’m telling everybody you're the smartest person I know.”

Nesta pauses briefly at that, before saying, “Goodnight, Cassian,” and continuing up to her room.

Later that night, Cassian does want to tell everybody that Nesta is the smartest person he knows. She's the smartest, coolest, and wittiest person he knows, full stop, with killer looks and a criminally underrated personality. But something is holding him back from sharing his feelings with the rest of the world.

It's the same feeling that's had him avoiding Feyre these last few weeks. The unspoken knowledge that not everybody sees Nesta the way Cassian does, paired with the fierce desire to protect her from any sort of criticism.

He doesn't have any definitive proof to justify his feelings, but he knows he can't stop thinking about Nesta. He knows his friends will take notice of the change in his behavior eventually, so in a fit of restlessness, he reaches for his phone to test a theory.

Scrolling through his contacts, Cassian eventually settles on Mor. She's close to Feyre and Cassian both, has an inclination to gossip, and she’s never interacted with Nesta. Perfect.

Cassian: what do you think of Nesta?

He's straightforward with her the way he always is, the way she always is with him.

Mor answers quickly without question: didn’t she let feyre work her ass off at age 14 while she sat around and did nothing?

Mor: she sounds like a bitch and i have yet to see anything to the contrary.

Mor: she has very nice eyes though

Mor: if u know what i mean ( . )( . )

Cassian wishes he hadn’t even asked. He doesn’t even know how to reply to that, so he’s about to turn his phone off when another message from Mor comes in.

Mor: why do you ask? how are things going with you two?

Cassian sighs deeply, not in the mood to start a fight with one of his best friends. He never told Feyre about taking Nesta to the doctor, or the following MRI and diagnosis. The last time he had a real conversation with Feyre was the first night of Nesta’s period, when he was worried sick over how to take care of her.

“What should I do, Feyre? She's crying herself sick upstairs and all I have is this stupid hot towel.”

“You don't have to do that,” she sighed tiredly over the phone. “Nesta goes through this every month. She’ll survive. Don’t get yourself worked up over nothing.”

That was when he decided he was calling a doctor no matter what.

And now… He’s confused and upset and he doesn't know why. Instead of arguing with Mor, he texts back, it’s nothing. A second later, he adds, but she's not a bitch.

He wants to say more, but texting Mor an essay on why she’s wrong for judging Nesta without knowing her would make him look crazy, among other things. He doesn’t know why he has to clarify that Nesta isn’t a bitch in the first place.

Either way, Cassian’s theory was proven correct.

He decides not to mention Nesta to his friends anymore.

***

Nesta lays in bed, thinking about the absolute day she’s had.

If getting drunk with Emerie Nikolis and Eris Vanserra at two in the afternoon wasn’t enough, stumbling back home to find Cassian like that finished her off for good. Her cheek has been tingling for hours.

She remembers how this housing agreement between them first started: I need you to know you can enforce whatever rules and boundaries you want while you’re here.

Nesta huffs a laugh. Boundaries are for strangers. Cassian seems content to poke and tug at Nesta’s boundaries whenever he wants, and Nesta… is okay with this. A mere month ago, this would have been her worst nightmare— living with a man who pushes her on every decision, who never does what she wants but somehow always knows what she needs.

But now they're friends, and Nesta is slowly learning that the rules are different with friends. Not everything has to be spelled out, because Cassian will understand what she's trying to say anyway. Not everything that is unknown has to be scary, because Cassian is never scary.

He’s allowed to read her books because he won’t make fun of them. He's allowed to know about her personal health matters because he won’t tell anybody else. And apparently, he’s allowed to give her a job so she doesn’t go broke trying to afford endo treatment.

These are the new rules.

She’s ridiculously glad that she told Lorene she won’t be coming back to the apartment for a few weeks. She doesn't know what she'll do after then, but for now she is okay.

***

a/n: hello i love writing cassian pov and learning more about him so much :) also thinking about having cassian call nesta 'baby' when they get together more often than 'sweetheart' just bc i think it would be a good look on him. pls share ur opinion.

tagging: @ladywitchling @sjm-things @thewayshedreamed @drielecarla @sensitiveillyrian @superspiritfestival @aliveahaahahafuck @cupcakey00 @sayosdreams @rainbowcheetah512 @claralady @thebluemartini @nessiantho @missing-merlin @duskandstarlight @lucy617 @sleeping-and-books @everything-that-i-love @cassianscool @awesomelena555 @julemmaes @wickedqueenoffantasy @poisonous-bloom @observationanxioustheorist @gisellefigue08 @courtofjurdan @theoverlyenthusiasticwriter @wolfiixxx @cass-nes @seashade @royaltykxx @illyrianundercover @queenestarcheron @monstrousloves-explodinggalaxies

#a favor #ncssianwrites #nessian #nesta archeron #cassian #nessian fic #nessian au

[terrm9]

All The World Seems At Ease Tonight

a.k.a. Christmas Fic

Three years of Christmas Eve for Ethan and Chiara.

Warnings: some kissing, some cliché like mistletoes, mutual pining in the first part, other than that just fluff fluff fluff

Words count: 4 300

Author’s note: Here we are, in times when Valentine’s Day fics are being posted, I finished my Christmas Fic. Yay! It was supposed to be made of three equally long parts but I went crazy with the first one (it was my first time writing about Book One and I just truly enjoyed it). However, I hope you enjoy <3

Intern Year

It took longer for Ethan to finally walk the deserted corridor than he expected, but he decided to work on Christmas Eve for a reason – as he did every year – and checking on patients had to be the main priority. Of course it had to.

Yet, his steps carried him more swiftly than usually and he could feel his forehead ache from the constant concerned furrow of his brows. Naveen was feeling especially unwell these past two days and Ethan hated the idea of his older friend left alone and in pain on the day he loved that much.

Not that Ethan understood. Christmas, as every other holidays made no sense to him and if it was up to him, the whole nonsense would be erased and never celebrated again. But Naveen loved the festivities and the ‚merry spirit‘ of them, and so Ethan tried his hardest to keep him company for as long as he could.

Crossing the corridor enough to see the door of Naveen’s room, Ethan’s heart jumped in his chest as he noticed that they were slightly ajar.

Damn the man if he tried to take a walk.

Opening the door to the room fully, a soft breath of relief left Ethan at the sight of Naveen peacefully laying in his bed, his eyes closed but a gentle smile formed on his lips.

And he was not alone.

Ethan’s breath hitched in his throat again.

He couldn’t move, he couldn’t form a coherent sentence, he just kept standing in the doorway, devoured by the scene in front of him.

Chiara was sitting at one of the chairs next to Naveen’s bed, her back turned to the door and a small book in her hand.

And she was reading aloud.

„In fact I have no other choice

than, being alive, to live.

And every day,

into its every moment,

I lead this highly destructible body.

And if hope morse-signals: life

while hopelessness outruns possible death,

my decision is made -

I side with hope.

You can find me anytime

near its hidden paths.

Talking or silent.

I guard the human dream.

And I hold out

where I stand.“

Ethan’s throat tightened and he thanked the universe for the fact that the two doctors – the two doctors that meant so much to him – haven’t yet noticed his presence.

He was not sure what exactly made him feel the emotions currently filling his mind, and he could easily blame it on the merry spirit of Christmas, had he believed in it.

Maybe it was the melody of Chiara’s voice as she read the poem, so soft and gentle and beautiful. Or maybe it was a sight of Naveen, sick and weak and dying and yet looking so peaceful.

Perhaps it was the combination of both, the woman that captured his mind more often than he was willing to admit and the man that was like a father to him, spending time together in a perfect harmony, the air around them so serene it made Ethan wonder if his interruption would even be a welcome one.

„This one was my favorite,“ Naveen spoke into the silence, although he didn’t open his eyes.

„You said that after I finished the one before,“ Chiara chuckled softly, closing the book in her hands.

It was a miracle – not that Ethan believed in those – that Naveen managed to laugh at Chiara’s reponse without coughing. They looked almost... normal. As if his life was not ending anytime soon.

„It truly is a pity that there are only so few of his poems translated to English.“

„When you get through this,“ Chiara replied and Ethan hated that he could hear the sad smile in her words, despite not seeing her face at all. He had no right to know her that well. „You should learn the language and translate all of his poems.“

Naveen only hummed in a response, letting them both believe for a blissful moment that he would get through it.

It was the time for Ethan to make them aware of his presence. He coughed politely and stepped inside, doing his best to maintain a stoic mask on his face.

„Ethan!“ Naveen smiled brightly, just as brightly as Chiara did when she noticed Ethan, and for a moment it was easy to forget who they were, where they were.

„What are you doing here, Dr. Ray?“ Ethan asked instead of greeting and almost immediately winced at the choice of his words, knowing that he sounded rather rude.

When truly, he was simply surprised. He was not aware of Chiara working today.

„I am sorry, Dr. Ramsey,“ her bright smile turned into somehow sheepish one and she put the book on her chest, as if it could serve as a shield protecting her from Ethan’s inevitable anger. „All my patients are stable so I stopped by to keep Dr. Banerji company, at least for a while.“

„And what a pleasing company it was!“ Naveen exclaimed, shooting Ethan a reprimanding look, obviously not pleased by his behavior. „Are you finished with your tradition?“

Ethan tensed visibly and only gave away a stiff nod, the last thing he wished to share the tradition with the younger doctor.

„The... tradition?“ Chiara dared to ask despite his less than kind reaction. „I didn’t take you as someone with Christmas traditions.“

„I am not,“ Ethan spoke flatly, sitting on the chair on the other side of Naveen’s bed.

There were seconds of rather awkward silence between them before Chiara stated that she would leave them alone, wished Naveen Merry Christmas while hugging him and left the room.

It was as if warmth of the air went with her.

It didn’t take long for Naveen to chew Ethan out for how he behaved to Chiara – and Ethan noticed the affection, the gentleness lacing Chiara’s name as Naveen said it. He was right, of course. Ethan was hard for no reason and he wasn’t proud of himself, but what was he supposed to do? Ever since getting back from Miami, it was becoming more and more difficult to control his actions with her.

But Naveen was right. He had no right and he should make it all better.

And so after Naveen made it clear he would like to sleep, Ethan checked the schedule to make sure none of Chiara’s friends were working and then with a bated breath clicked on Chiara’s contact.

E: Where are you?

The reply came almost immediately, a sign that there was not emergency – which Ethan wasn’t sure he considered a good sign or not.

C: The on-call room. Why?

It didn’t really make sense to Chiara, why was Ethan texting her, him of all people. If there was an emergency, he could have easily paged her.

The answer to her question came quickly.

E: I am about to grab some take-out. I was wondering if you would care to join me in my office to share a meal.

Saying that Chiara gasped would be an understatement. She had to blink twice to make sure she was not missing a message stating that he sent it to the wrong number. But no.

C: Are you inviting me over for a Christmas dinner?

E: Do not be ridiculous. Do you like Italian kitchen?

C: Sure.

E: 9 PM, my office, then.

And then nothing. Chiara was almost absolutely sure that she was dreaming, because there was no way the same Dr. Ramsey that has been avoiding her ever since the conference would be inviting her for a – definitely Christmas – dinner.

But free food is free food and she would be lying if she said she wouldn’t welcome a distraction. No matter how hard she tried to stay positive, she missed her family terribly today.

And Ethan was a rather pleasant distraction after all.

 At 10 PM, with her risotto eaten, a paper cup filled with an apple juice – the best option for a toast for them -  she managed to get in the cafateria in her hand, Chiara found herself sitting comfortably at the leather couch in Ethan’s office, one of her leg crossed over the another, her white coat shrugged off and hanging over the arm of the couch.

It surprised her to see Ethan next to her, looking almost equally relaxed. One of his arms was draped over the back of the couch and Chiara could feel the warmth radiating from the skin of his hand, on her neck.

"So... is there a point in asking you about the tradition Dr. Banerji mentioned?" Chiara asked after finishing her drink, mischievous sparks dancing in her irises.

"No," Ethan replied immediately, although his voice wasn't nearly as stern as he wanted it to be. The right corner of his mouth twitched slightly, Chiara noticed, as if her question amused him.

Ethan wanted to share it with her, he almost let it slip, but he made a promise in Miami - to her or rather to himself, he didn't know - and damn him if he didn't keep that promise.

Professionals.

That's all they should, all they could, be.

And as if to prove himself wrong in the very next moment, he spoke again, asking a question that professionals shouldn’t want to ask.

"Are you going to share your reason for not visiting your family over Christmas?"

Chiara shrugged, her smile not quite faltering but losing some of its brightness.

He didn’t mean to pry, but he was curious. Chiara mentioned home and family fairly often and back in Miami, he could hear her on the phone with her mother – and it was exactly the kind of call a child and a parent that love each other share.

He found it only logical that Chiara would want to spend Christmas in San Francisco.

“I am not sure I would get that many free days as an intern.”

“All your friends have gotten three free days, so would you. It is not much, but it enough to take a quick trip to San Francisco.”

She laughed softly, her gaze strained with the thought or memories, Ethan didn’t know.

“We don’t celebrate Christmas at home since…” she stopped herself and cleared her throat and it didn’t take a diagnostician to see that she was looking for a way to tell Ethan enough without telling him the whole truth.

“It has been six years since we celebrated in San Francisco. For these last years, me, my mom and my sister travel abroad at the time of Christmas. This year, they are in Singapore,” she chuckled and turned to Ethan, a smile on her face wide, however her gaze still lost in the haze. “I am sure three days wouldn’t be enough for a quick trip to Singapore.”

Ethan laughed shortly at that and shook his head, no that would not, and he fought the urge to ask more, to get to know her more, to tell her about his mother, because professionals.

That is why Chiara hasn’t asked him back, why are you working today?, because he made it clear he wanted to keep things professional and she was not brave enough to push him again.

“I would want to stay in Boston anyway,” she added after a while, looking away again and she was biting her lips nervously.

Ethan didn’t want her to be nervous around him but damn, her teeth sinking into her lower lip and her cheeks flushed slightly and it took the last remnants of his strength to repeat the word in his head, professional, professional, professional.

“Why?” he asked.

“Well I knew that Dr. Banerji would be here and I thought it would be nice to spend some time with him. And I didn’t know if you would be here so,…”

She trailed off, not knowing what else to say and when she turned to Ethan, it surprised her to see how close he has gotten, his whole upper body slouching to her and his face so close she could feel his breath on her face.

And it would be easy to believe that he was only listening intently, that was the reason of his sudden proximity, it would be right to believe so, but Chiara was anything but stupid.

“Ethan,” she exhaled quietly and noticed how his pupils dilated at the sound of his name rolling off her lips.

She raised her hand and rested it on his cheek slowly, waiting for his reaction.

And in that moment, there were many words swirling through Ethan’s mind but professionals was not one of them.

He leaned closer, so close his lips brushed Chiara’s ever so softly and-

-and her pager went off.

Chiara stood up abruptly and took the pager out of her pocket.

“I guess that’s my call,” she smiled and it didn’t go unnoticed by Ethan that she sounded out of breath, that his effect on her was as strong as hers on him and he cursed himself for letting the damn word slip out of his mind.

He also cursed himself for not kissing her earlier, so that he could feel her lips fully before the pager went off.

“Merry Christmas, Ethan,” Chiara smiled at him for the last time and left the office before he could respond.

And Ethan thought that if he could celebrate the Christmas like this, with her, every years, maybe the holiday wouldn’t need to be erased.

 Second Year

“So you already finished this tradition of yours today?” Chiara asked with that sweet, innocent smile on her lips as she stood between Ethan’s legs as he kept sitting on his chair, gently removing his glasses.

Only then she kissed the bridge of his nose softly, caressing his cheek with such care it almost didn’t make sense to Ethan.

“Yes,” he smiled back at her, enjoying their position and the fact that for once, Chiara was above his eye level and he had to raise his head to meet her gaze.

“And you are not going to tell me what it is?”

“No,” now it was Ethan’s turn to smile all-too-innocently and he knew Chiara was burning with curiosity.

He wouldn’t mind telling her now, but he would lie if he said that he was not enjoying seeing his Chiara, usually so composed and calm, freaking out about his secret Christmas tradition.

She leaned down to capture his lips and Ethan wondered if that was a part of her plan because if she’d continue to roll her tongue like that, he would tell her everything she would wish to hear.

And she knew that.

Ethan grabbed the back of her thighs, making her stumble slightly and sit in his lap and soon their kiss turned into proper make out session, his hands roaming her bare torso hungrily while her hands tugged on his hair, leaving them in the disheveled state she adored so much.

Before their Christmas evening could turn into the gala’s sequel – the memory still fresh in Ethan’s mind – Chiara pulled out with a reluctant sigh.

“My mom and Alicia told me to say Merry Christmas from them to you.”

Ethan nodded in thanks, however he couldn’t contain a sigh leaving him. He knew Chiara missed her family.

“Do you regret staying here instead of going with them?”

“Are you crazy?” Chiara laughed and unlike last year, Ethan remembered, her laugh was sincere and full of joy. “I am cold enough here in Boston. I wouldn’t wish to freeze to death in freakin’ Iceland.”

Not able to stop himself from rolling his eyes, Ethan let out a soft laugh too, however he had to agree with Chiara – the woman was cold all the time. He couldn’t imagine her hitchhiking through Iceland – a trip that evolved from what Chiara called ‘her mom’s middle age crisis’ idea’.

“And again, with the time off I took after the senator’s attack and Edenbrook’s closing, I wouldn’t be able to leave for three weeks.”

“You know I would sign off your vacation, three weeks or not,” Ethan mumbled into her neck.

Chiara smacked his arm lightly, an amused grin on her lips.

“And that, Dr. Ramsey, is not at all professional.”

Ethan wanted to argue that he could think of many not at all professional activities that happened in this very office, but sometimes not reminding himself of his terrible failure at staying colleagues was for the best.

Not that this relationship was by any means a failure. Letting himself fail his principles for once in his life turned out to be the best decision he has ever made.

“I knew you would be working,” Chiara added much more seriously and she was, of course, right. There were reasons Ethan was dedicated to work every Christmas Eve, reasons he never talked about but were enough for him to not to break the habit.

“And you would rather spend your Christmas at work with me, than in Europe with your family?”

“Yes,” Chiara stated simply, not a single hint of doubt in her voice. None.

Who knows how much longer we are going to work in this hospital together, she thought but didn’t say it aloud, not wanting to ruin the bright mood.

Checking his watch, Ethan gestured at Chiara to stand up and followed her in her tracks, trying his best to tame the mess his hair has become.

“I am going to pick up the food. Are you going to join me?”

“Nope, I still need to check on some patients. I will accompany you to the nurses’ station.”

They left the office together and Ethan still couldn’t quite comprehend this new reality for them, the life where they walked the corridor freely next to each other, Ethan’s hand put on Chiara’s lower back gently, and he didn’t need to worry about anyone seeing them.

“Dr. Ray, Dr. Ramsey,” Marlene smiled at them from the desk and noticing Ethan’s relaxed shoulders, she dared to go on. “Didn’t you want to spend your Christmas outside of the work?”

Chiara shrugged and smiled widely, not giving Ethan a chance to ruin Marlene’s mood by his sour response – it didn’t matter how relaxed he was, he couldn’t stand people asking him personal questions.

“We like to work. Someone has to do it even today, right?” she smiled at the nurse.

“Maybe you could engage at least in some form of Christmas cheer, hm?” Marlene gestured at the green adornment above their heads and Chiara couldn’t contain her smirk when she noticed what it was.

Mistletoe.

“Absolutely not,” Ethan stated, his arms crossed at his chest. “We are at work. I will not fuel rumors by indulging in such public display of physical affection.”

Chiara raised an eyebrow at him and Ethan was not sure if she was trying to remind him that the office’s walls were still made out of glass and therefore their earlier escapades could be very well considered a public display of physical affection, had anyone come by, or-

“Ah,” Marlene laughed loudly. “You didn’t mind to fuel those rumors at the gala not even three weeks ago, Dr. Ramsey.”

Ethan’s cheeks flushed brightly but it was clear at the moment that those two women would not let him leave that easily.

Sighing reluctantly, he planted a quick – yet gentle – kiss at Chiara’s cheek and muttering ‘food’ left the corridor.

“What are you doing to the poor man, Dr. Ray,” Marlene whispered as she watched his retreating form, winking at the young redhead she came to like very much.

 Third Year

It seemed like it would become their very own tradition, to share their Christmas dinner behind the walls of Ethan’s office.

Chiara was extremely tempted to join her mother and Alicia this year – after all, it is at least warm on Mauritius and Chiara deperately wished to feel warm for a while. But with Leland not that approving of her relationship with Ethan – with her boss, as he reminded them – she wouldn’t dare to ask him for two weeks of vacation.

And maybe she was secretly thankful that he made that decision for her – she missed her family, but she couldn’t imagine sending Ethan beach pictures while he would be working. And she knew he would be working.

It took her by surprise, by the most beautiful surprise, when Ethan asked her if she wouldn’t want to spend New Year’s Eve in San Francisco – there was no doubt they would get three or four days off for that – and that he would accompany her, if she would like that.

Only then she found out he exchanged messages with her mother rather regularly and they came up with the idea together, actually.

And so there she was – walking down the long corridor of renewed Bloom Edenbrook’s hospital, a patient chart in one of her hands and a Christmas card she got from one of the patient in the other. Chiara only needed to drop the charts off at the nurses’s station and she was free to enjoy her take-out with Ethan for as long as their pagers would remain silent.

After checking everything twice and making sure she wasn’t needed anywhere, she stepped into the office, smiling at the sight of a single candle glowing in the middle of Ethan’s desk – maybe the idea of this truly being a Christmas dinner was finally getting on him.

„Before we start,“ Chiara spoke first, taking a seat next to Ethan on a couch. „I saw you leaving a paediatrics wing today and I know you have no patient there. Is that your tradition?“

She normally wouldn’t really care about Ethan being somwhere weird, but this was their third Christmas together and there were many, many attempts on Chiara’s side to get the information out of Ethan through the years, only for him to resist.

And it was beginning to be ridiculous.

„Yes,“ Ethan rolled his eyes but he didn’t really seem anyhow bothered. He hugged Chiara’s waist and put a lingering kiss on her temple, her smell intoxicating him even after years of knowing it. Knowing Chiara.

„So what exactly is it what you do there?“

„I read books to the kids that have to stay here and are alone. I am not dressed as Santa,“ he added quickly, noticing Chiara’s curious eyes. „I just come there, bring some books with me, read them for as long as I can. It’s not much, but...“

Chiara turned to him fully now and whispered: „It is more than much,“ before kissing him softly, pouring all the love she felt into the simple act of their lips meeting eagerly.

And she still wondered, how was it that it was her, that she was the privileged one to see this side of Ethan Ramsey, the side that reads book to sick kids and hugs overwhelmed mothers and buys a candle because he knows his girlfriend loves candles on the Christmas table.

„Didn’t you want to spend this Christmas with Alan?“ Chiara asked between the kisses, genuinely curious – the relationship between two Ramsey men was finally good, after all.

„He knows I will come tomorrow. I wanted to work today.“

„You... wanted to work?“ Chiara leaned back and shot him a confused stare.

She knew that it was Ethan’s habit to work on Christmas Eve, but it never occured to her that it was something he truly wanted.

Ethan leaned into the back of the couch, exhaling slowly before responding.

„I never had anyone waiting for me at home on Christmas. And I made sure, every year, that I would be working on Christmas Eve, because me working meant someone else being able to go home. When I work, it might guarantee another doctor to spend his evening with his family, his kids.“

There was a mix of emotions in Ethan’s eyes, even if his voice was steady – a gentlesness mixed with pain and perhaps even anger.

„I believe that parents should be home for Christmas. I am aware of our job being demanding, but no child should feel left behind because their parents have important job. If there is only one of the fellow doctors that is able to play board games with his kids now because I am here – we are here – working, then yes, I want to work.“

He propped his head on the back and closed his eyes for a while and it stunned Chiara how peaceful he looked, how content. She squeezed his hand, however before she could say anything, Ethan spoke again.

„Until that is something we have, I am more than happy to spend my Christmas Eve’s here with a take-out and you.“

It seemed like he didn’t even realize what he just said, his position, his expression not changed.

But Chiara noticed.

Until that is something we have.

They never really talked about family. Future. They loved each other, there were no doubts about that, and they enjoyed planning the upcoming months of their lives. Chiara knew she wanted to spend her life with Ethan. And deep down she knew that he felt the same – that they didn’t go through that much for him to just let her go.

But the statement left her speechless nonetheless.

It wasn’t even that much about him saying that there might be an option for a family in his future – Ethan changed a lot after all.

It was the way he said, with such easiness, such certainity, without a single doubt, until that is somethig we have.

We. Us.

It was his third Christmas with Chiara and Ethan knew that if it hadn’t been for her, he would still wish to erase Christmas from the existence of an universe.

#open heart #open heart choices #open heart fanfiction #ethan ramsey #ethan ramsey x mc #christmas fic #chiara ray

[lover-of-queens]

Farah Dowling is Alive Part 3

Or, as I like to call it, I think I’m running out of funny subtitles. 

If you haven’t yet, I recommend checking out Part 1 & Part 2

Under the cut, as usual!

Parts 1 and 2 of this analysis were focused on a deep dive into the first season to to look for clues and any evidence that suggests getting our lovely Eve Best back for season 2 of Fate. This part will be slightly different. While I’m honestly surprised at the seeming fandom consensus that Farah is alive, there are some counterarguments I’ve seen/heard that I’d like to address. These counterarguments may either be the ones most convincing to me that Farah isn’t coming back (and then I’ll give reasons why I think they’re wrong) or fears about Eve’s filming schedule (I’ll also try and offer some hope there). 

The first counterargument is that the writers may choose to not bring Farah back in order to play into the dead mentor trope. Also known as the Mentor Occupational Hazard trope. Pretty self explanatory, but the essential idea is that at some point the protagonists of the story have to learn how to make it on their own without that guiding figure; they have to grow up. Frodo has to make it without Gandalf, etc. You only have to google examples of this trope to see how much it shows up in the media we consume. And it could easily apply to Fate. Farah provided that mentoring role in the first season but now, without her, the girls have to figure out how to hold their own against the villains infiltrating their school. The end of season 1 is, essentially, setting this trope up. 

I just don’t think that Farah has to be dead for them to do it. While I don’t know where the writers are planning to take season 2, I would imagine even if we do get Farah back, she won’t play as big a role as she did in the first season. What this means is that likely the winx girls will still have to figure out a way to hold their own despite losing that mentor figure (hopefully, she’ll just be in hiding and not dead *cough cough* fate writers). 

Also, the thing with setting a show at a school is that the mentor role is somewhat inherent to the structure. And as I’ve mentioned in the previous two parts (extremely unlikely redemption arc pending) I just cannot see Rosalind holding onto that “mentor role” for more than a season (or two, depending on where season 2 ends & if there’s a renewal for a third). Seems to me like they’ll have to bring that “dead mentor” back to resume her rightful place. So, I think it’ll be more likely we’ll get a subversion of the dead mentor trope. 

The second argument & the argument that concerns me the most can be summed up in one character: Andreas. Now, I know what you’re thinking, what the hell does he have to do with this? It’s less to do with him and more to do with the fact that he came back from the dead (or allegedly dead, it’s complicated!). This concerns me because writers generally want the idea of death to be taken seriously on the show or whatever form of media they’re writing. Especially since Fate has taken a darker route, I’m not certain it wants viewers under the impression that anybody they kill off can just come back; it somewhat defeats the purpose. 

So will Fate writers want to bring Farah back despite knowing this? Maybe. 

The whole ‘Farah’s eyes glowed before she died’ plot is interesting because of precisely how vague it is, how many directions it can be taken in that could either lead to her coming back or not. It may be intentionally vague because they want us theorizing and talking about the season/show after it’s ended, it may be vague because they themselves are trying to figure out what direction to take. But let’s be clear, they are heavily pushing the theorizing angle. These are all taken from three separate posts on Fate’s IG page: 

In the last one, Hannah, Precious and Sadie all agree that Farah needs to be in season 2. As Sadie says “We can’t have a season 2 without her.” Precious points out how the death scene was “too easy”. Similar sentiments are echoed on Netflix’s Afterparty for Fate when the host asks: 

David Spade: “Do you think Professor Dowling . . . faked her own death and then she can come back on season two? . . . sometimes it’s such a big hit like this, then they say ‘People like that character, let’s try to find a way to come back’”. 

To which Abbey says: “It’s a magical show, anything can happen!” 

I mean one only needs to take a look at AO3 to see that over half of the stories on there feature Farah - but admittedly that is a more niche section of a fandom. Something broader would be looking at the IG comments where Farah’s name generally pops up in the top comments with a message hoping she’s going to be brought back. Also the Farah/Eve fandom on IG is LARGE and growing.

Additionally, I think the amount of Farah/Golden Trio bloopers we got is also a good sign (especially because Eve got single shots) that Netflix/Whoever is in charge sees her as a popular character. And I don’t think there would be a push for discussion of Farah theories just for it to end with her remaining dead. So even though Andreas has come back, I think Farah can too. The next person that dies on the show though . . . well . . . that’ll likely be more permanent. 

Now that we’ve established from a story and fandom perspective why Farah is likely coming back. Let’s talk about what most people are actually worried about. Eve’s filming schedule. I’m going to preface this argument with a mention that I’m not an industry professional or anything, so these are just my best guesses based on the facts available to us. 

House of the Dragon is due to start shooting in April (source). Since it’s the first season we don’t really have an idea of how long it’ll take to film, but since it is the GOT prequel, I would say its a fair assumption to base a rough production schedule around the earlier seasons of that show. The reason why I say earlier is that the later seasons did come with longer filming schedules, but GOT was the epitome of pop culture at that point. I don’t think House of the Dragon will be getting that treatment until it proves itself. 

Game of Thrones took roughly six months to film a season (source). If we’re assuming that HOTD will take a similar timeline then we’re probably looking at an April to September filming schedule, possibly longer because Covid is causing production delays everywhere. 

We don’t have news about when Fate is planning to start filming their second season. From Abbey’s IG, we know that the first season filmed from September to December 2019, so I think it’s also fair to assume that we’re probably looking at a similar schedule for season 2. Also, considering they got an additional two episodes then I’m guessing their filming time will increase. 

Put these two schedules together and there’s not that much overlap and even should HOTD take longer, or Fate start shooting earlier, there’s still should be enough time for Eve to film both - if she’s willing! Also, realistically, I don’t see any way that Farah’s screen time doesn’t drop in season 2 (for a variety of reasons) but that drop should hopefully mean that they can get Eve. 

Alright y’all, I think that’s the last part of this series, at least for now. It has been so so fun to theorize with all of you and to write almost four thousand words on this topic (that’s crazy!). I wouldn’t be doing this if it wasn’t fun for me, but at the same time, seeing everyone’s reactions to these posts really just makes my heart warm and it all worth it. So, thank you all for coming on this journey with me <3 

#farah dowling #fate the winx saga #this one is shorter thankfully <3

[winterhawk-olympic-bang]

Writer’s Workshop: How To End Your Story

How To End Your Story

Guest Poster: Flawedamythyst

We’re in the final furlong before the deadline for the first draft now, so it feels like a good time to talk about endings, and how to bring your story together to create a satisfactory one.

Have a read and then head over to the Discord Server where we have a channel for you to take part in a discussion based on the post, with chances to share your own ideas too.

How To End Your Story

There are traditionally six types of endings for a story:

Resolved ending - one with no lingering questions or loose ends. (Most murder mysteries and romances fall into this category.)

Unresolved ending - the kind of ending that leaves the reader with more questions than answers. (Usually for books that are part of a series. A lot of the HP books have endings like this.)

Expanded ending - expands the world of the story beyond the events of the narrative itself, with a time jump forward or a change in PoV.

Unexpected ending - a twist ending that the reader doesn’t see coming, but that should seem inevitable in hindsight.

Ambiguous ending - one that’s open to interpretation. Unlike an unresolved one, it leaves things to be interpreted by the reader so they have to decide themselves how it goes.

Tied ending - that brings the story full circle, and ends exactly where it began. Often the case for ‘Hero’s Journey’ type stories, where the hero ends up back home at the end.

You can read more about them here: https://boords.com/storytelling/how-to-end-a-story or here: https://www.masterclass.com/articles/ways-to-end-your-story but also in multiple other articles online just by Googling ‘Six Ways To End A Story’. 

But, of course, they don’t really tell you how to work out which one your story needs, or how to write one of them without falling into any of the traps that ends with an unsatisfying ending.

Motivation

Of course, often the hardest bit with an ending is actually getting there. Losing motivation is so easy, especially when you’re writing something super-long. I know lots of people get motivation by posting as they go and using comments/kudos as a spur, or even just by talking about it on Tumblr or other places and letting other people’s excitement buoy them up, but a Bang event like WHOB doesn’t allow for that. 

I’m going to talk a bit about ways to motivate yourself when you’re having to keep things secret from all but a handful of people, but bear in mind that this is something that really is very individual. Everyone writes for different reasons, and so everyone’s path to staying motivated is different.

For me, I think it comes down to focusing on why am I writing this story to start with? Any time I feel myself flagging, I think back to that reason and re-capture the original feeling I had about it. Often there’s a couple of different reasons. 

For example, when I was writing Look What The Cat Dragged In, my motivations when I wrote the first line were:

I want all of fandom to share with me the image of the Winter Soldier waking Clint up to threaten him while gently cradling a kitten in his hands, and 

I was writing it as a present for @kangofu-cb​. 

So, if I flagged at all, I was able to either reread that moment with Bucky holding the kitten and think ‘wow, I really do thing people will enjoy this mental image’, or I was able to think ‘I want my friend to have a nice thing’, and that helped me drive on and push through.

A lot of my personal motivations come down to ‘I want to share this scene/witty one-liner/visual of Clint pole dancing while dressed as Captain America with people’, so often just rereading what I’ve already done is really motivating for me, plus it also gives me the chance to see just how much I’ve already done, and what I would be dooming to be unfinished if I just walked away without pushing through.

You might well have different motivations though, which are equally valid. Maybe you started a fic for this event because you wanted to get a shiny badge, or to do something that your friends were doing, or you wanted to prove to yourself that you could write something longer than usual or outside of your usual wheelhouse. It may feel harder now than it did when you had that first idea, but that doesn’t change why you wanted to do it, and it’s actually easier now than it was when you started, because you’ve already done some of it.

And, if none of those motivations work for you, there’s always spite. ‘Oh, my brain gremlins think I can’t finish this? Fuck those guys, I’m going to prove those assholes so very, very wrong’ is completely how I powered through to finish my first ever novel-length fic, a million years and several fandoms ago. 

Resolution vs Ending

So, let’s move on to the ending itself. 

There are two parts to writing an ending: there’s the plot resolution and how that all gets tied up, and there’s the actual ending of the fic - the last scene, and the last place the reader sees the characters.

Sometimes the resolution happens only at the very end of a story and so those are the same thing, but I tend to think that makes things feel a bit abrupt. Especially for fics, which tend to be more character-driven than mainstream media and so need a wind down on how the characters react to the end of the plot for the reader. (This isn’t always true, of course, some plots do tie up neatly in the final scene. Every story is different and you’re the person best placed to judge what’s needed in your fic.)

So when you’re thinking about the ending, think about both parts. ‘How does this plot resolve itself?’ and ‘where do I want to leave these characters in the readers’ mind’s eye?’

Plotting a Story Resolution

You may well have already got a resolution worked out as part of your planning, but what if that ending doesn’t seem to fit any more, or you realise just as you get to it that you forgot to think about an ending at all and have no idea where to go?

First of all, don’t panic! If the rest of the story is there, you’ll be able to pull together the strands to create the best ending. Trust the bones of your story.

When I’m facing a blank page and no real idea of how I’m getting from the Depths of Despair moment to the happy ending, the first thing I do is reread the whole story in case that sparks a fantastic, fully-formed idea to appear on how to tie it all up. Mostly that doesn’t work, which is always disappointing, but it’s still a good place to start, because you have the whole run of the fic fresh in your head to plan from.

The next thing I do is make a list of all the things that I know definitely need to happen for the plot to be done. These don’t need to be in any particular order at this point and they don’t need to link up, you just need a list of what needs to go into the framework, however minor. ‘Clint wears Bucky’s hoodie and Bucky is smitten’ is a totally valid plot point to include, or even ‘include mention of recurring joke about muffins’. If you know something needs to be resolved but you don’t know how yet, just putting ‘resolve plot point with badgers’ is fine. Hopefully once you’ve started thinking through all the different bits, you’ll work out what’s going to happen to the badgers, and it’ll make sure you know it needs to be included somewhere.

If you have a beta/cheer reader who can help, it’s also super helpful to ask them what they would expect from the ending based on what they’ve read so far, or what elements from earlier in the story they think will be coming back/will turn out to be foreshadowing. Sometimes you’ll find you’ve written the clues to your ending into the earlier bits without really noticing, and you can throw them down on the list to be included as well.

Once you have everything you know needs to be included, you can shift them around into a rough order you think they need to go in, and start filling in the gaps. For example, if ‘Clint gets injured’ is there, you can add in ‘Bucky tends to his wounds’ as the obvious next step and maybe that would be a good time to throw in a muffin joke, and then Clint might need to borrow a hoodie if his shirt has blood on it, so you can tick those bits off as well.

It gets easier to see where the gaps are once you have it written out, even if it’s only things that you already knew would need to happen. Having it down in black and white helps your brain to move pieces around like a jigsaw puzzle, and start extrapolating on what comes in the gaps between.

Make The Ending Fit The Story

Think about what kind of story it’s been so far, and make sure that the ending you come up with fits in with it. 

You’ll know the general feeling that you wanted for the fic when you started writing, so that will give you a solid idea on how the ending needs to go. (Often for me this feeling is ‘schmoopy and loved up’, because I’m a softie. A lot of what I’m doing when I’m writing a fic is just clearing out of the way any obstacles that are going to get in the way of my characters being schmoopy and loved up. When there’s nothing left in the way, that’s when I know it’s the end of the story.)

You also need to keep the tone and pacing of your fic the same, and make sure that your ending matches up so it all feels like it fits together. This includes keeping the pace the same as it had been, no matter how tempting it is to rush through so you can get the thing finished already, or slow right down so you can add in a few thousand more words. 

Along with sticking to the tone you’ve set for the fic, try not to genre-shift - if you’ve written an action-packed zombie apocalypse fic, resolving the plot with domestic schmoop isn’t a great idea. The reader is invested in the style of story that you’ve written so far, so pulling the rug out on them will only give them whiplash, a vague sense of dissatisfaction or a persistent nagging feeling that zombies are about to attack. 

Unless you’ve written a domestic schmoop zombie AU of course, in which case I would read the hell out of it. ‘Curtain!fic but sometimes the undead interrupt’ sounds like a lot of fun.

And finally, make sure you maintain your characterisation. If the ending you want involves your character doing something wildly out-of-character, then that’s not the right ending. (I like to call this an Endgame!Steve ending. No, I’m not over that.) Even if your audience is invested in your story enough to overlook the incongruence, they will be having to overlook it rather than feeling fully invested in the journey you’ve created.

Chekov’s Gun

The most satisfying endings are the ones that tie up most, if not all, of the loose ends, and provide an emotional pay-off equivalent to the build-up. If you’ve been talking about something big that might or might not happen, and then it doesn’t, it’s narratively frustrating. In the same way, if you drop something big in that doesn’t really fit with what went before, it’s going to make the story feel unbalanced. 

Obviously that doesn’t mean you can’t have a surprise or twist ending but even if the reader is surprised by something happening, they still want to feel like they’re reading the same story. They need to look back with hindsight of knowing the twist and see how it fits in, and not how it stands out.

A good rule to follow is the Chekov’s Gun rule: If there’s a gun on the table in the first act, someone needs to shoot it in the second act. If you’ve been teasing something, make sure the pay-off is there.

And, of course, if someone’s going to be firing a gun at the end, go back and make sure it gets mentioned earlier in the story. It doesn’t need to be a heavy-handed anvil, but if you can drop in casual hints about guns earlier in the story, the whole thing feels more cohesive and thought out. No one needs to know that you only put those hints in after you’d finished the whole thing.

Loose Ends

Something I always like to do when I’m plotting exactly how the ending is going to go, is to go back through the whole fic and make a list of anything that feels like it could be a loose end if it didn’t get resolved. (If I’m having a problem working out my ending, often this happens at the same time as writing down all my ending plot points, as I described above.)

Some of those are obvious, like ‘Bucky and Clint need to kiss’, but some are less so. Did Clint think about how much he just wants to be done with all the drama so he can snuggle with his dog? Maybe throw in some Lucky cuddles somewhere in the finale so he gets the emotional pay-off. Has Bucky mentioned really want to punch a bad guy in particular in the face? Give him a chance to smack that asshole around a bit. Has there been a minor relationship drama along the way, like someone leaving their socks lying around? Have them either make a point of putting them away, or the other person just rolling their eyes and accepting it as a part of being with them.

It’s also important to think about where your secondary characters are going to end up, and if it feels like they’ve had an arc that needs resolving. Has there been another pairing with a bit of screen time or some background drama? Give them a chance to make out/make up. Has the bad guy done something that affected one of the other Avengers? Let them have a slice of revenge along the way.

For example, in my plan for Be All You Can Be, one of the original characters I introduced as other soldiers doing Basic Training, Havelka, didn’t turn up again after he’d been kicked back a level to another training unit. When I reread that, it became clear that he needed to prove himself somehow or his arc would be a depressing downward slope partially instigated by Clint and Bucky, so I brought him back at the end to do some First Aid and gave him a line or two to point to how his future was going to go, so the reader knew he was going to be okay.

You don’t have to completely resolve everything of course, and sometimes it is nice to leave a couple of things up to the reader’s imagination, but it’s nice for the reader if there’s a sense of things being tied up in a little bow. 

Ending

So, you’ve resolved your plot, how are you going to handle the actual final ending? 

Depending on how your story has gone, you might not need much after the resolution, or you may need several epilogue-y type scenes just to make sure everything is wrapped up.

Take a moment to think about what feeling you want the reader to take away from the fic. If it’s a romance, do you want to end with a warm fuzz of ‘aw cute’? If it’s been an angsty dig down into Clint or Bucky’s mental health issues, do you want a sense of optimism or catharsis? If there’s been a lot of action and drama, do you want a bit of peace and quiet for your characters to signal it’s all over with?

The best way to end any story is with a sense of hope, even if you’ve not gone for a completely happy ending, or have left yourself open for a sequel with some unresolved plot points. You want the reader to feel at least in some way uplifted. After all, regardless of whatever else has gone before, that’s the emotion they’ll have when they get faced with the Kudos button and the Comment box, so you need them in a good mood, right?

When you know what kind of feeling you want your ending to have, that will give you a major clue as to what the characters should be doing in the final scene.

One thing that can work well is bringing back something from the first scene or two and twisting it to be part of the ending. For example, at the beginning of Be All You Can Be Clint uses the song Make A Man Out Of You from Mulan as a way to torture Bucky, and then at the end, they watch the movie together while snuggling.

You do have to be careful not to be too heavy handed with that, and it doesn’t work in every fic, but I do like the feeling of ‘things coming full circle’ that you can get from doing it.

Afterglow vs. Too Much Ending

I always think that good stories come with a certain amount of ‘afterglow’: Just a scene or two to round things out and give a pointer towards the future. 

For example, in general, I don’t like stories that end with a first kiss, which is one of several reasons I usually find Hollywood romcoms unsatisfying. It feels like too much of a beginning, and leaves too many questions open about how things are actually going to go for the couple in question. As part of a complete ending, it feels more satisfying to have an ‘epilogue’-y type scene afterwards that will give you a sense of how things went from there, even if it’s just a couple of paragraphs about them planning their first date.

I’m sure we can all think of other times we’ve read or watched something and had a moment of ‘oh, was that it?’ after the last sentence/when the credits rolled. Abrupt endings without a bit of afterglow can leave the reader blinking a little and wondering where their damn cuddles are.

That said, you also don’t want to go too far in the opposite direction. If the plot is over, there’s no need to keep going with multiple scenes of fluff or porn that doesn’t really add anything. We don’t need to see their whole lives mapped out, and it can get fairly dull once the tension of the plot is over. Ask yourself if the three chapters of them having sex on every flat surface in their apartment is actually necessary, or if some of them can be cut and used as one-shot sequel/missing scene fics. 

In general if it’s not adding to either the narrative or emotional arcs, try to cap it at a scene or two. Just enough to feel like you’ve had a bit of post-climactic afterglow, but not so much that it’s starting to drag.

In Conclusion…

Ending a fic is, in so many ways, the most satisfying part of writing. You got right the way through your plot to the end! You did all the writing! Your characters made it through to their happy/sad/ambiguous endings! You deserve all the gold stars!

You just want your reader to feel the same way, by making sure the ending fits with what came before, ties up all the ends that need tying up, and leaves them with a deep glow of whatever feeling you want the overall story to convey.

And then you just need to do the editing, but that’s a workshop for another day...

#winterhawk olympic bang #WHOB #winterhawk #writer workshops #writer workshop: endings #guest post #flawedamythyst

[felassan]

Dragon Age Library Edition Volume 1 annotations & additional pages/art compilation

Dragon Age Library Edition Volume 1 is a hardcover collection of some pre-existing Dragon Age comics that was released in 2014. It comprises of all issues of The Silent Grove, Those Who Speak and Until We Sleep. In places, it includes additional annotations/commentaries by the illustrators and authors, as well as a few additional pages with additional art. iirc these additional annotations and pages/art aren’t featured or available anywhere else (in the franchise I mean; other people have probably put them online at some point I’m sure).

From what I can see at least, Library Edition Volume 1 is no longer in print, and as such listings for it on resale sites etc are.. price-inflated & prohibitively expensive (~£100+, which I’m sure we can all agree is just not reasonable or accessible to most people). Due to this, I’ve compiled the additional annotations and pages here in this post. Thank you and credit to @artevalentinapaz, who kindly shared the material with me. This post has been made with their permission. The rest of this post is under a cut due to length.

These commentaries are in the context of The Silent Grove, Those Who Speak and Until We Sleep. If you notice any errors or annotations missing, or need anything clarified, just let me know. I think the annotations are in chronological order. In places I elaborated in square brackets to help explain which part of the comics an annotation is referring to. A note before you proceed further: some of the topics referenced in the annotations/additional pages are heavy or uncomfortable. The quotes here are word-for-word transcriptions of dev/creator commentaries, not my personal opinions or phrasings.

(Also, I do recommend always supporting comic creators by purchasing their comics legitimately. I own each issue of these comics having bought other editions of them all legitimately. The reason I put this post together is because this specific Library Edition volume has been discontinued and the consequently-inflated cost is so high, rendering the additional material inaccessible to most.)

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The Silent Grove annotations

Illustrator Chad Hardin: “I used to be an environmental artist for video games, so I built a 3-D model of Antiva City using the program Silo. Many of the buildings are simple cubes, but a few are more detailed. Overall, I spent the better part of a day building it, but I used it again and again throughout The Silent Grove to maintain continuity in the backgrounds.”

Script Writer Alexander Freed: “Even working with David Gaider, it took me several drafts to find Alistair’s voice. His narrative had to convey his humor and self-doubt from Dragon Age: Origins while suggesting a newfound weariness earned during his years on the throne. For readers familiar with the character, he needed to seem like a changed Alistair - but Alistair nonetheless.”

Chad Hardin: “If you read a lot of comics, you might wonder why the majority of the heroes wear skin-tight suits. Well, I can tell you: they are easy and quick to draw. In video games, you build the model once and then animate it, so details don’t slow you down. In comics, everything has to be rendered by hand. Varric and Alistair’s outfits were quite detailed. It took me a long time to get used to them, and even longer to memorize the designs until drawing them was second nature - Varric’s knee armor in particular! Oy vey!”

David Gaider: “One of my favorite scenes in the entire series [when Varric and Isabela are disarming traps and picking locks together while Alistair looks on]. Isabela and Varric, doing what rogues do. I had a suggestion for how to put it together, but Alex managed to make it fit and did a great job with it.”

Chad Hardin: “I never used to keep any of the artwork I created for comics. I would just hand the pages over to my agent to sell. This page [when Alistair, Varric and Isabela are in a tavern together, with hookah in the foreground] I kept for myself. I love the hookah-smoking elves in the second panel and Isabela’s face in the last panel. I rendered the first four chapters of The Silent Grove in grayscale using ink washes, gouache and Copie markers.”

David Gaider: “For a little while, Varric [in these comic stories] was supposed to be Zevran from Dragon Age: Origins, which would have made sense, Zevran being Antivan and all. I know that some fans would have loved to see him, but the dynamics of the group just didn’t work as well. Then a planned cameo later had to be cut for space. Ah well, Zev, another time.”

Alexander Freed: “Isabela at her most dangerous [climbing up the side of the cliff]. This scene - featuring a scantily clad, dripping-wet woman who tends to flaunt her sexuality - could easily have come across as exploitative, but Chad did a lovely drop portraying Isabela as purely focused and deadly.”

Chad Hardin: “Isabela rising out of the water and scaling the cliff with the knife in her mouth is one of my favorite parts of The Silent Grove. It is one of those moments where the writing really inspired the art. Hats off to Alex and David. This is another page I kept for myself.”

Colorist Michael Atiyeh: “This is one of my favorite Dragon Age pages. Chad is such an amazing artist; I feel very fortunate to have had the opportunity to work with him.”

Chad Hardin: “I love that this page [when a guard spots Varric and shouts ‘Intruder!’] made it in uncensored. So many times in comics, I draw something and some stuffy lawyers come out of the woodwork and tell me to tone it down. Dark Horse and BioWare always let me have fun, and this turned out to be one of my favorite pages with Varric and Bianca. Any guesses to which word he is mouthing in the second panel?”

Alexander Freed: “Note the simple decency of Alistair as he gives his cloak, without comment, to Isabela. For all his flaws, he’s genuinely kind at heart - a rare enough trait in Isabela’s world that I think it’s much of what she values in him.”

Chad Hardin: “I love the opening panel to this chapter [the opening panels to Chapter 3, when the team are on a ship at sea]. It’s the image I use on the homepage of my website. This page was a gift to my cousin Wendy, who loves pirates. Seascapes with sailing ships might be clichéd in fine art, but for me it was a first.”

David Gaider: “I wanted to have this story center on the group travelling to a Witch of the Wilds other than Flemeth, and originally I had set it somewhere else - until I remembered a Codex entry from Dragon: Age Origins that offhandedly mentioned a witch in the Tellari Swamps. Brilliant! It’d look like I planned it all along. I didn’t.”

Michael Atiyeh: “I love opportunities where I can show a change in the time of day as you move from panel to panel [when the ship heads towards and the team arrive in the Tellari Swamps]. I feel the palette of each panel is very distinct and beautiful.”

Alexander Freed: “Why did Alistair choose two people he barely knows to be his companions on this quest? We never make this explicit, but of course Varric is on the right track. Alistair wants to surround himself with people who don’t know him and won’t judge him, yet it’s Alistair’s idealism that Isabela and Varric work to preserve.”

Chad Hardin: “Another page where the writing inspired the art [when the group suddenly encounter a dragon]. I love the dragon bursting onto the scene and Isabela’s stare. Some writers will try to cram six or seven panels on a page like this and the pacing just doesn’t allow the artist to give each moment the right punch. Can you imagine if the first panel was crammed into a single square inch?”

Chad Hardin: “Yavana was one of the only characters that we did no preliminary sketches for. I don’t know how that happened, but thankfully it worked out.”

David Gaider: “I love how Yavana looks like a cross between Flemeth and Morrigan. Flemmigan? She’s totally Chad’s design, and it’s great. Typical for these witches, she never says things straight. In my mind, this Alistair is the one who did the Dark Ritual in Dragon Age: Origins - and I was half-tempted to have him lose his cool in this first scene [opening panels of Chapter 4] with her. Too early, though.”

Alexander Freed: “Through this whole sequence [the page when Varric aims Bianca at Yavana], Yavana is dropping cryptic hints and Alistair is refusing to play along. He’s met Flemeth and Morrigan - he knows Yavana won’t give him a straight answer, and he won’t give her the satisfaction of asking needlessly.”

Michael Atiyeh: “Sometimes it’s the little things on a page that spark my interest. Here [when the team navigate vines and mud to get to the temple], the sunset panel came out great and the mud looks really thick and gooey. It’s fun to focus on these details and make them stand out.”

Chad Hardin: “I hated drawing this scene [when Isabela gets kicked] where Isabela gets the boot to the face. Call me old fashioned, but I was raised to believe that only a coward would ever hit a woman (even a battle-hardened pirate adventurer). I draw at home, and my girls often watch me work in my studio. This was a page I didn’t want them watching me draw. I do like, though, that Isabela gets up, yanks the arrow out, and then soldiers on (and later extracts brutal revenge).”

Michael Atiyeh: “Poor Isabela. It seems I gave her more bruises and black eyes than any of the other characters. [when Isabela is yanking the arrow out]”

Chad Hardin: “It’s always interesting to go back and look at artwork because it reminds me of what was going on in my life at the time. I inked this page [opening panels of Chapter 5] at a ‘draw night’ session at an anime convention in St. George, Utah. I was one of the special guests, but I missed the first day because I was at my grandfather’s funeral in Las Vegas, Nevada. Seeing this page brought back those memories.”

David Gaider: “‘Bianca says hello.’ [quoting the panels being referenced] I adore Varric. I was tempted to have him narrate the entire series [in reference to these three comics], but then again I liked the idea of having each series center on one of the trio’s viewpoints. This book belongs to Alistair, but that doesn’t stop Varric from getting all the best lines.”

Alexander Freed: “Claudio, of course, is not a terribly sympathetic figure. But I wanted to emphasize that he takes this fight as personally as Isabela - he sincerely loved Luis and blames Isabela for the man’s death. I think it’s important to give every character, even the most loathsome, some dignity. [when Isabela and Claudio are fighting]”

Chad Hardin: “Payback! Here is where Isabela extracts her revenge on Claudio [when Isabela stabs Claudio]. I never enjoyed killing off a character so much. I particularly enjoyed putting the look of shock in his eyes. He had it coming. There is something satisfying about killing a ‘made man’.”

Chad Hardin: “Every now and then when drawing comics, I wish I could animate some panels and watch them as a cartoon. It would be great to see this sequence [when Yavana catches Claudio’s soul] in full motion as Yavana snatches Claudio’s soul, makes it reenter his corpse and then extracts information from him until he bursts into flame. It was a very Hellboy-ish moment. I enjoyed the movie that played in my mind while drawing this scene. Hope everyone liked the result.”

Chad Hardin: “As I mentioned on page 17, I rendered the first four chapters in grayscale, which made the black-and-white art look great, but had a neutralizing effect when it came to colors. By the time I drew chapter 4, I had seen the effect it was having and decided to stop using the grayscale so the colors would pop. When I saw this page [when Alistair says to Yavana ‘And we helped you find it’] in print, it confirmed to me that I made the right decision. I honestly feel this art was the best of The Silent Grove.”

Chad Hardin: “I practically painted these pages [when Yavana says ‘It is permitted. Tonight and only tonight’] in thumbnails hoping it would help me choose how to render them in ink. It is so hard trying to figure out how to get a full range of value out of just black and white. There are some artists and inkers that make this look easy. Mark Schultz comes to mind. Michael saved my bacon. Colorists really do so much work when it comes to rendering; this page came out awesome because of him.”

David Gaider: “Here we reveal the existence of Great Dragons (as opposed to High Dragons), and also that Yavana was the source of the return of dragons to Thedas after their departure for so many centuries. But why? There’s the rub, and not even Alistair can trust that she’s telling him the truth.”

David Gaider: “Here’s the controversial scene [Alistair killing Yavana]. I think some fans don’t like that Alistair did this, and have said they consider it out of character. I don’t. From his perspective, Flemeth and her daughters have been toying with the world for reasons that can’t be trusted. They dragged Maric away from his family, from him. One might think his judgement foolish, but considering what Alistair was capable of deciding even back in Dragon Age: Origins, it’s certainly not out of character.”

Chad Hardin: “[same scene as above] This was a controversial page, and there were a lot of people who thought it was out of character for Alistair to kill Yavana (I didn’t see it coming - I mean, you just don’t kill a Witch of the Wild), but here is the thing: this page is Alistair acting as a king. Yavana has been manipulating him, trying to play him like a pawn, and he just can’t allow that. There’s too much at stake, for himself and for his subjects.”

Alexander Freed: “The end? An end, at least [the trio walking off into the distance]. The series needed a note of closure while leading into Those Who Speak (which wouldn’t arrive until many months later). David tweaked the ending in the outline several times, and I did my best to balance resolving Alistair’s emotional journey without resolving the quest. It’s not as clean as I’d have liked, but fortunately, now it’s all in one volume...”

Those Who Speak annotations

Alexander Freed: “Capturing Isabela’s narrative voice was much easier for me than capturing Alistair’s - partly because I’d already written The Silent Grove, and partly because of my own writing proclivities. Rereading now, I wonder if I laid on the (mild) profanity a bit too thick. I’ll leave you to judge.”

David Gaider: “I like the additional detail Alex and Chad put in, letting us see more of Qarinus and more of Isabela’s crew. Alex wanted to give her crew more of a presence, and let her first mate have some face time, so they weren’t just parts of the scenery. Good call on his part.”

David Gaider: “I’m really fond of the formal getups Chad made for the party. Isabela’s actually comes from a concept we didn’t use from the cancelled Dragon Age 2 expansion, if I remember right. And Maevaris came from me asking for ‘someone who looks like Mae West’ - with the wonderful outfit all Chad’s doing.

Chad Hardin: “Maevaris. I love Mae. When David and Dragon Age art director Matthew Goldman spoke to me about designing Mae, they wanted her to be fully female with the exception of her biology. They told me to think ‘Mae West’. Well, when I think of Mae West, I think of her... womanly shape. So, drawing Maevaris was always walking a fine line between portraying Mae’s identity and her biology. The process endeared her to me.”

Michael Atiyeh: “Just like in The Silent Grove, we are introduced to another gentleman from Isabela’s past [when the team meet Lord Devon and Isabela threatens him]. As was the case with Claudio, he will meet his fate at her hands.”

Chad Hardin: “When I was drawing Titus, my kids asked me why I was drawing ‘angry Jesus’ or ‘evil Jesus’. I can’t remember which term they used exactly, but it made me chuckle. I was going for a mix of Rapustin and Joe Stalin, but ‘evil Jesus’ would do.”

David Gaider: “I’m not sure it’s apparent here [when Alistair says ‘I’d really rather not’], but Alistair was supposed to be using one of his Templar powers on Titus (that’s why Titus recognizes what he is on the next page) and disrupting his magic.”

Alexander Freed: “Isabela is witty and charming enough that it can be easy to forget that she’s not, in fact, a nice person. Even after finishing the outline, David was concerned about making her too unsympathetic - but I loved his approach in this series. The dark deeds Isabela commits - this murder included [Isabela killing Lord Devon] - are what make her guilt tangible and no easy matter to overcome.”

Alexander Freed: “I thought the notions of Isabela’s pride in her captaincy and dedication to her crew were some of the most interesting aspects of her character in David’s story. In scenes here [when Isabela is on her ship saying ‘Keep them focused and keep them sober’] and elsewhere, I did my best to emphasize their place at the core of Isabela’s world.”

Chad Hardin: “Most of the time I draw from imagination, but because of the complexity of this page [Qunari trying to board Isabela’s ship] I decided it would work better if I had photo reference. On this page are my nephews Jared (Varric) and Adam, my niece Melissa, my kids Erica, Tasey Michaela (Isabela) and Chad (Alistair), my friend’s daughter Amy, my wife Joy, and the neighborhood kids as Isabela’s pirate crew. (The crew member mooning the Qunari is out of my ol’ noodle.) I paid their modelling fee in pizza and root beer. Also, I had originally drawn cannons on Isabela’s ship, so if there are parts of it that look slightly wonky, chances are there was a cannon there.”

David Gaider: “Ever since the BioWare artists finally did a concept for female Qunari, I’ve been itching to include one in the game. It’s always slipped through my fingers, so I was going to be damned if I’d have a Qunari plot in a comic - without the same technical limitations - and not have one present.

Chad Hardin: “I had no idea this was the first time anyone outside of BioWare had seen a female Qunari.”

Michael Atiyeh: “I really like the lighting in this sequence [Isabela in her cell thinking ‘I haven’t eaten in days’], especially the strong white light and the characters in shadow.”

David Gaider: “The entire sequence of Rasaan interrogating Isabela was something I plotted out in detail when this series began. Here they discuss names - something treated in a manner peculiar to the Qunari, considering how much importance they apply to what things are called (and not called), because it forms the core of their identity. Isabela brushes it off, but as we find out later it’s also at the core of her identity. I liked that parallel.”

Alexander Freed: “To balance out the relatively static talking pages elsewhere in the issue, I hoped to make the interrogation and flashback sequences beautiful and full of information. I proposed an approach to Chad, and he wisely reshaped it into what you see here [the page with the scene where Isabela says ‘I’ve made a lot of stupid mistakes’]. Anything that succeeds on these pages should be credited to him; anything that fails is my fault.”

Chad Hardin: “Probably the most challenging spread I have ever done. My friend Stacie Pitt was the model for Isabela on this page, and my wife Joy was Rasaan. I saved these pages [around the scene when Rasaan says ‘Mistakes can be corrected’] for myself.”

David Gaider: “Sten from Dragon Age: Origins becoming the new Arishok of the Qunari was something we'd planned even during Dragon Age 2. This was a great opportunity to show that, and also to show that Sten didn’t acquire horns even despite the makeover the Qunari received in DA2. Hornless Qunari are considered special, and Sten is no exception.”

Michael Atiyeh: “I think that David, Alex and Chad handled Isabela’s flashback [to when she was sold by her mother] in an interesting way, and it created a nice flow to the story.”

David Gaider: “This was a controversial scene [what happened to the slaves Isabela was transporting], the end result of a lot of discussions between me and Isabela’s original writer on the team, and it went through a lot of revisions over that time. It needed to fit with the story Isabela told the player in DA2, but fill in the blanks of what she didn’t tell. We didn’t want Isabela to be someone who became who she is because she was ‘broken’ but instead as a result of her own actions - yet also not be completely beyond redemption.”

Chad Hardin: “These were hard pages [as above] to draw. It was difficult knowing that events such as this are part of human history, such as the Zong massacre in 1781, where the British courts ordered the insurers to reimburse the crew of the Zong for financial losses caused by throwing slaves overboard when faced with a lack of water. Horrifying beyond words.”

Michael Atiyeh: “Here, Isabela visits here crew, and I wanted to play up that she was in the light and they were in a dark cell. The light streaming through the bars gave me the opportunity to highlight Brand, who also had dialogue in the scene.”

Alexander Freed: “I struggled to find a way for Varric to contribute to victory without distracting from Alistair and Sten’s big fight. I’m happy with the solution: a brazen lie seemed appropriate to the character without taking away from the main show.”

David Gaider: “I believe my original plan had Isabela’s and Alistair’s fight scenes happening separately, but I like how Alex intertwined them in the script and I especially like how this ends up highlighting the differences between their characters when their fights are resolved. Isabela is defiant, revealing her name not because Rasaan demands it but because it’s her choice. In both cases, mercy is strength.”

Michael Atiyeh: “The brush I created for the clouds really gave them a nice watercolor effect here [on the deck of the ship, Sten calling Alistair ‘kadan’]. That brush has become a staple in my toolbox.”

Alexander Freed: “With the strong theme of names running through these issues, I liked the notion that Isabela had outgrown being, well, ‘Isabela’. When her name comes up in Until We Sleep, it’s largely played with ambiguity.”

Until We Sleep annotations

Alexander Freed: “The story of ‘Arthur’ is one of my favorite minor sequences [Varric infiltrating and fighting his way into the fortress]. It tells us something about Varric and it delivers plot information - and it’s also a reminder that our heroes kill an awful lot of people during these series and cope with it in their own ways. In general, writing Varric let me skirt the edge of metacommentary, which I greatly enjoyed.”

David Gaider: “Varric, as always, is my ‘voice of the narrator’. Here he’s expressing some of my own amusement at Alistair’s growing list of peculiarities [‘Your majesty is quite the special snowflake’]. To think, back at the beginning of Dragon Age: Origins he was just the player’s goofy sidekick who grew up in a barn.”

Michael Atiyeh: “By the third series, Until We Sleep, I really started to have a complete feel for what I wanted the final art to look like. As an artist, it’s important to continue to evolve and grow. The close-up of Sten’s face [same page as above] is a perfect example of how I wanted the rendering on the characters to look.”

Alexander Freed: “David’s outline called for a short, somber reveal of the Calenhad story by Sten. Fueled by my desire to avoid ‘talking heads’ sequences, I scripted it as a full-on storytelling flashback. David made sure the history worked (at least from the Qunari point of view), and Chad did a beautiful job handling it in a mere two pages.”

David Gaider: “Blood is important in Dragon Age, as a theme. Here we tie in the dragon blood that was mentioned all the way back in The Silent Grove and explain what it means at last. I was a bit hesitant to tarnish the legend of Calenhad the Great in this way, but I comfort myself with the knowledge this tale is but a viewpoint and not necessarily the entire truth.”

Michael Atiyeh: “Titus melting the attacker is a great example of classic comicbook storytelling and exactly what made me fall in love with the medium.”

David Gaider: “I was really happy with how Chad handled the reveal of Mae as transgender [the scene with Mae in the cell]. My worry was that Varric finding her disrobed might be potentially titillating, but I think he handled it nicely. I only wish there was more time to have Mae properly respond to being exposed in this manner, even to a friend.”

Chad Hardin: “I originally drew Mae as female [same scene as above], then changed her anatomy, so the psychological violation and humiliation she felt would be the focus. Hope that came across.”

Chad Hardin: “When in doubt, have Bianca shoot it [Varric shooting the artifact].”

David Gaider: “This scene [Varric and Bianca the dwarf] with Varric was one I wanted to do for a very long time. We’ve hinted that Varric’s crossbow was named after a real person, someone he never wants to talk about. Now I finally had the chance to show why.”

Chad Hardin: “Of all my Dragon Age pages, this scene was hands down my favorite, because Varric is my favorite. It was awesome to get to draw Bianca in her dwarven form. These scenes give you a glimpse of the love Varric and Bianca shared. It doesn’t tell you the whole story, but you can assume plenty from what is shown. You get to see Varric mostly naked (you’re welcome), but most of all you witness Varric’s heartbreak. I felt privileged to draw it. I got so obsessed with drawing this page I did an entire watercolor painting based on the last panel [Varric gets up to leave, ‘This isn’t right’ - ? or perhaps the scene where he opens the door to leave].”

Alexander Freed: “Unreliable narrators are always tricky - done wrong, they can just confuse the reader. But I’m fairly happy with Varric’s lies throughout this series, most of which are used to downplay the emotional cost of events rather than whitewash the events themselves.”

Michael Atiyeh: “This palette worked perfectly [Varric standing in front of the doorway/portal in the Fade proper], but I can’t take all the credit because BioWare provided reference for the Fade. I added the hot orange energy for the doorway, which looks great with the sickly green sky.”

David Gaider: “This scene [Isabela’s Fade nightmare] was actually inspired by a fan named Allegra who did a cosplay as a Qunari version of Isabela. I knew I wanted something like this for Isabela’s Fade section of the comic, but it didn’t really solidify until I saw the cosplay.”

Chad Hardin: “Isabela is more affected by her encounter with Rasaan than we were led to believe. A portent of things to come?”

Michael Atiyeh: “I love this shot of Mae in the fourth panel [on the page where Isabela is affected by vines]. I would be remiss if I didn’t mention what a great character she is in the series, and Chad captures her beautifully in this shot.”

Alexander Freed: “I saw this issue as a sort of downbeat victory lap. Over the course of the previous series, our protagonists largely came to terms with the inner demons the Fade confronts them with here. The fact they’ve come so far lets them win this last battle... but they still have scars that will never completely disappear.”

David Gaider: “Maric was in the first two novels I wrote for Dragon Age. Seeing Chad’s rendering of him as a regal, grown-up version of Alistair made me incredibly nostalgic. Some characters you just never let go of.”

Alexander Freed: “I feel Varric’s lines (‘tell yourself the stories you need to tell’ but ‘never live your own lies’) are the natural endpoint of all the exchanges he’s had with Alistair, starting from the end of Chapter 1 of The Silent Grove. And of course it plays off the story of ‘Arthur’, as well.’’

Chad Hardin: “I’m happy with the way Titus came off in these pages [Titus attacking and saying ‘The last magisters of Tevinter were so close’]. He looks threatening and powerful when fighting Alistair, Isabela and Varric, but genuinely confused by his inability to defeat Maric. Bye-bye, evil Jesus.”

Alexander Freed: “I can’t help but feel for Titus. He was unthinkably corrupt, but I see him as genuinely motivated by Tevinter’s glory. (The fact Alistair reads zealous ideology as a lust for power says a lot about both characters.)”

Michael Atiyeh: “I love the seamless transition of color from Titus’ magic to the dragon breath and then back into the orange remnants of his magic in the smoke. This was a really fun panel to color [Titus saying ‘Die by what wrought you’].”

David Gaider: “‘You are not the dreamer here. I am.’ I always have a scene or a line that’s in my head when I begin a tale, and this line of Maric’s was one I wanted all the way back when I started working on The Silent Grove.”

Chad Hardin: “I love this page [Maric and Alistair clasping hands]; Mike’s colors are spot on. We get to see all our heroes in an ideal state for the last time. This is the last Dragon Age page I saved for myself.”

David Gaider: “This scene kills me [Alistair destroying the Magrallen]. I knew it needed to happen; I knew I wanted it to happen even back when I began the story. Alistair lets Maric remain in the Fade rather than dragging him back to a world which has moved on. Alistair’s ready to move on, but forcing him to give up that hope... it makes me feel like a bad person.”

Chad Hardin: “Heartbreak for Alistair as he realizes that once again, as a king, he must kill: this time, his own father (granted, the Magrallen did most of the work). I really like how Maric crumbles away in the end. This was my last page, and the emotions on the page and in my studio were very final. Altogether, this was a year of my life in the making. On my last page, I wrote a thank you to everyone involved, the crew at Dark Horse and the crew at BioWare. I’d like to take this opportunity to thank them again. It was a thrill. Finally, a huge thank-you to the Dragon Age fan community, whose support was overwhelmingly awesome.”

Michael Atiyeh: “As the story came to an end, I knew I was going to miss these characters. Writing these annotations reinforces the fact that I hope to work with this great creative team again one day. Many thanks to Dark Horse and BioWare for the opportunity to work on Dragon Age.”

Alexander Freed: “The tension between the art and the narration on this page [the one with Alistair sitting on his throne while nobles argue] is something you can only pull off in comics. Neither tells the full, bittersweet story alone. Similarly, these issues wouldn’t have been possible without everyone on the team; thanks to David, Chad, Michael, and everyone I lack space to list!”

Additional pages / art

Library Edition Volume 1 also came with some additional pages, with additional art and commentary. These are as follows (I’m including them for the sake of completion, click the links to see):

1. Alistair and dragon concepts

2. Rasaan and Maevaris concepts

3. Sten, Titus and Yavana concepts

4. A series of cover pages 1

5. A series of cover pages 2

In case anyone has trouble reading the notes that accompany these images, I’ve transcribed them below:

1. Dragon Age Sketch Book

Alistair Concept 

Dragon Age / Dark Horse

Chad Hardin: “The headshot of Alistair is from a finished sketch with a rejected armor design. In order to save time, the redrawing was completed on the computer, where tweaks and changes are quick and easy, if somewhat less glorious.”

[Dragon] Head #1 / Head #2

Chad Hardin: “Everyone liked this dragon sketch so much that Dark Horse printed it for signings at conventions. You can see I did multiple proposals for the dragon’s head. It was more effective than drawing the body over and over.”

-

2. [arrow pointing to Mae’s sleeve] concealed [I think that’s what it says anyway] daggers / shurikens?

Chad Hardin: “When designing Rasaan and Maevaris, I wasn’t exactly sure how their roles would play out in the series. Maevaris’ outfit was inspired by brothel madams of the Wild West. I thought it would be cool to have some weapons concealed in the formal wear. These never came into play in the series, but they were there in my mind.”

-

3. Chad Hardin: “Although we only see Titus in his battle garb in one issue, I really liked the design of his armor. The sketch of Yavana was done on the fly and served as both a rough preliminary sketch and as a panel layout. You have to work hard and smart in comics to keep up with the deadlines.”

-

4. Cover Artist Anthony Palumbo: “This was my first assignment for Dark Horse, and I was both excited and nervous. I drew pencil sketches of the main characters, scanned them and played with different arrangements, poses and color schemes in Photoshop.”

-

5. Anthony Palumbo: “Fellow illustrator Winona Nelson helped me by sitting for photo reference. I created the mock-jewelry with gold-painted Sculpey. That’s a quick photo of my own gaping maw, to help with the image of Varric.”

#dragon age #bioware #video games #artevalentinapaz #alistair theirin #fav warden #morrigan #queen of my heart #long post #longpost

[pagingevilspawn]

Would you please write a fic about alex behaviour with children like the way he comforts them or help them through?

heart of gold

hey there! i’m not gonna lie when i say that this prompt took me forever to figure out, but when i did i was super excited! 

this is mainly Alex centric with a bit of jolex added in (obviously). i hope you like it!

___

Of all people to notice Alex Karev’s strange ability to work well with children first, no one would’ve expected it to be Cristina Yang. 

It was fairly early in their intern year, and both she and Karev were on the pediatrics rotation with Dr. Keith, someone who they could both agree was an arrogant son of a bitch that thought way too highly of himself for his own good. 

They’d been trailing behind him like lost puppies all day, listening to him go on and on while he talked to the patient’s families, not even bothering to ask his interns any questions. He always thought that interns were a waste of time and space. He’s much rather have at least a third year resident on his service, but no such luck. They felt like crap and both wanted to kick the guy in the ass, but knew that the only thing that would do is get them knocked out of the program. 

Six hours into their shift, the two were about to head to the cafeteria for a much desired lunch break when their pagers rang out, loud groans escaping their mouths at the noise they had come to detest the last couple of weeks. 

All Alex really wanted was a slice of the hospital’s pizza. Granted, the crust tasted like cardboard, the cheese was old, and the sauce had no flavor, but he was craving it like crazy. He hadn’t gone out for groceries recently, so the only thing that was stocked in the shelves of his small apartment was cereal, some oatmeal, and off brand, nearly expired crackers that he had since he finished med school a couple of months ago. He had --for some unknown reason-- shoved them into a backpack that had made it with him as he traveled from Iowa to Washington, completely untouched. 

With a huff he turns on his heel and makes his way to the pit where he was being paged, purposefully avoiding eye contact with the nurse he disrespected on his first day, along with the ones he’d slept with and hadn’t called back. He had a pretty large list of nurses who didn’t like him, and he didn’t feel like making that list any longer. Not today, at least. 

Keith instructed him to go cast an arm for the seven year old in bed six, while Yang was told to go stitch up the cut on the little girl in bed two. 

When Alex was done he passed by Yang’s area, watching as she was trying to calm down the little girl who couldn’t be more than five. The girl had tears streaming down her face and was nuzzled into the mom’s chest. The mother was glaring at the female doctor, who was saying something Alex could make out as “it’s not even scary, it’s just a needle.” 

All he really wanted to do was get that damn pizza slice, and he had every intention of doing so, but seeing Yang be absolutely hopeless at getting anywhere with the little girl, he felt a bit of sympathy-- not for his fellow intern, but for the kid. 

With a sigh he strides over to the bed, watching as the raven head’s mouth opens to speak, cutting her off immediately. “Let me handle this.” he says, reaching to grab the needle from her head. 

Cristina glares at him, her expression turning into one of disgust. No way was she going to let Evil Spawn steal her patient, no matter how much she wished she’d be doing anything else. 

“Karev-”

“--Yang!” he cuts her off sharply, plucking the needle from her hand and bumping her out of the way. Not the nicest thing to do, but she was practically terrifying the little girl. There was no way she would trust the doctor now. 

His coworker scoffs, huffing a ‘fine’ before she goes to stand back and watch the scene, more than eager to watch the man fail. What good could he do? The girl was crying the second she had taken the disinfectant out. 

Alex pulls up a chair, grabbing the attention of the little girl, who looks up from her mother’s chest for a second, only to dive back in right after. 

“Hey kid, my name’s Doctor Karev. You mind telling me your’s?” he asks gently, slipping on a pair of gloves and flashing a signature crooked grin. 

The girl makes eye contact warily, slightly unlatching from her mom's tight hold at the sight of the man’s smile. The other doctor looked super serious, it was kind of scary. 

“Piper.” she answers, wiping the tears from under her eyes, the mom flashing him a grateful smile. 

“Hey Piper.” he grins. “I see you got hurt up there. What happened?” he wettens the pad with disinfectant, keeping his eyes on the little blonde, knowing it would mean less questions if she was focused on his face. 

“I was jumping on the couch and then I fell and hit the table.” she explains, Alex inspecting the cut to see if her story was reliable. He knew firsthand what it was like to come up with excuses for the bruises on your face, and wanted to make sure that she wasn’t just trying to cover up for something else that happened. 

Luckily, the combination of the authenticity of the bruise and the level of trust the daughter had in her mom let him know that she really did do what she said. He knew at some point he was gonna need to not assume the worst in every parent that came in with an injured kid, but the wound was still fresh for him, and it would take some time to heal-- a long time.

“Well then Piper, I’m gonna need to clean your cut, but it’s gonna sting a bit. Is that okay?” he asks her, her green eyes widening, but eventually nodding. The doctor seemed nice enough. 

He cleans the wound, turning back at the girl when he pulls out a needle, watching as her face begins to look panicked. “Hey, it’s okay.” he reassures her. His eyes dart around, noticing a backpack that sat in the corner, decorated with a multitude of princesses. 

“Who’s your favorite princess?” he asks her, drawing Piper’s attention away from the scary needle in his hands. 

“Belle.” she answers, a small smile making its way to her face. She loved talking about the princess’s and would chatter on about them anytime, any day, anywhere.  

Alex smirks, letting out a sigh of relief. He knew all about Belle, since it was Amber’s all time favorite Disney movie. He’d seen it more time than he’d like to admit, and practically had the whole film memorized since he was fourteen.

“I like Belle too. She’s super brave huh? Never afraid of the Beast or anything.” he gives her a smile, watching as Piper’s face lights up, a wide, toothless smile splayed on her lips. 

“Yeah! She’s so cool! She never lets the beast tell her what to do!” she exclaims, making Alex chuckle. She reminded Alex a lot of his little sister, with her dirty blonde hair, green eyes, and passion for princesses. 

“Okay, well, right now I’m gonna need you to be super brave like Belle alright? And sit really really still, like she does when she reads a book. Can you do that for me Piper?” he smirks mischievously. 

The little girl grins. She always wanted to be like her favorite princess, so she definitely wouldn’t pass up an opportunity to act like one. She already practiced around the house, so she was definitely going to practice in front of the nice doctor who looked like Prince Philip.  

Cristina stood frozenly in the background, mouth opened so wide it could catch flies. Who knew Karev was so good with kids? She sure as hell didn’t.  

She watches as he stitches up the cut, saying some reassuring words every time the girl flinches or squeezes her eyes shut. It was about twenty minutes later when he finished, Yang still standing there in shock. She sees him dress the wound, getting up from his chair and say, “All done. You did awesome Piper, but no more jumping on the couch, alright?” which earns him a nod. He flashes a friendly wink to the mom, who blushes as he walks away, forgetting entirely about Yang’s presence as he makes his way to the cafeteria to finally get his hands on the pizza slice he’s been drooling about for hours.

Maybe Evil Spawn wasn’t so evil after all. 

~*~

Miranda Bailey was exhausted. Between Tuck and trying to begin a pediatric fellowship, all she wanted to do was lie down and sleep for god knows long. Tucker being difficult about their shared custody schedule seemed to only add to her fatigue and she swore on her life that she could crash on the nearest gurney and not wake up for three days straight. 

It was with a heavy sigh she begrudgingly made her way back down to the NICU, remembering that she had left Karev there the day before after administering the kangaroo hold. She knew that by now he had probably dispersed, but she felt like checking on the little baby herself, just to make sure that the preemie was doing okay.

When she arrived at the NICU doors she could see a few faces that she recognized standing outside the window, talking in hushed conversations as they stared at the scene in front of them with imploring eyes, that is, until the one she knew as Reed rushed away-- a friend at her side, finishing their conversation quickly. 

Miranda shakes her head. Though she had softened over the years, everyone still feared the inner ‘Nazi’ that came out from time to time. When she finishes gowning herself she makes her way into the room, stopping in front of the shirtless, sleeping figure on a chair. Surprised was the only word she was able to come up with, though it seemed like an understatement of the century. Alex Karev was sitting there, with a sleeping baby curled contently against his chest, her tiny breaths in sync with the man who was holding her. 

She shakes her head, stopping a few feet from where the man sat. “Karev?” she says, making him open his groggy eyes, blinking as he does so to look around for the source of the noise, relaxing when he knows that no monitors are going off and the baby on his chest is still very much alive. 

“Did you stay here all night?” she asks softly, watching as he looks out the window to see that it was in fact daytime, not evening like it was before he’d fallen asleep.

He takes another look at the baby in his arms, “Um, yeah. I… I guess I did.” he trails off, his voice rough since he barely was awake.  

“Go home, get some rest. The nurse will take over for you.” Miranda scolds. These interns (who were now residents) were like her children, her babies, and as much as the sight warmed her heart, she needed her babies to be well rested. She couldn’t have them falling asleep in the middle of surgery. 

He unintentionally pulls the tiny bundle of pink a bit closer, “No. Uh, I- I’m okay. I’m… good here.” 

She lets out a small, barely there laugh, but not at him. She’d seen the soft side of Alex Karev, but it was few and far between. Everyone knew that the rough exterior he put up was just to stop himself from getting hurt, but this… this side was new. She had never seen him more vulnerable than he was right now, the baby sleeping so soundly on his chest that it seemed like no amount of noise could disturb her. 

“Well, you'd be good in Peds, you know that?” she flicks her gaze from him to the baby. “You get invested. You have good instincts. You stick to your instincts,” she continues, Alex looking down at the child, making some kind of face she wouldn’t know how to describe. 

“You’d be good in Peds, Karev.” she walks away, leaving Alex alone with his thoughts. 

Maybe, just maybe, kids would be the one thing that would allow Karev to show everyone who he really was. 

~*~         

Alex Karev had sort of snuck up on Arizona Robbins. When he said that he was interested in Peds, she truly thought that he was joking, just trying to say something to either get a laugh out of her or annoy her. 

She didn’t know much about Karev, all she really knew was what she had heard from the nurses gossiping loudly at their stations, and the occasional input from Callie here and there. All she really knew was that he had been married to Stevens, who had cancer, then they later got divorced, and before he was married he had earned himself quite a bit of a ‘man-whore’ reputation, nearly as bad as Mark’s. 

Arizona was weary about Karev, so imagine her surprise when she saw his face light up as a kid called him Doctor Alex for the first time. 

The first time she’d ever had the young man on her service she knew that he was cold, arrogant, and a bit too cocky for his own good. He was overall an asshole, and to say Robbins wasn’t happy to have him on her service was an understatement. Bailey had said something to her recently about Karev, but that didn’t lessen her lack of enjoyment about his upcoming arrival on her floor. 

When the man did arrive, he was seven minutes late for rounds, dumping an empty cup of hospital bought coffee in the nearest trash can. He flashed her a crooked grin, apologizing for his tardiness, but not explaining why.

Arizona sighed, rolling her eyes discreetly. She wasn’t normally a strict teacher, but one thing she didn’t like was when her residents were late. The lives of tiny humans were in their hands, no second could be wasted-- much less seven minutes.

“Welcome to peds Doctor Karev…” She starts off, telling him about how pediatrics wasn’t wiping kid’s noses and cuddly bunnies all day long. Peds was hardcore, only for the elite. 

She stops outside room 414, turning back to Karev and giving him as stern of a glare as she could muster. “Remember Karev, smile, engage. These are kids we’re talking about here.” 

Alex rolls his eyes. He knew he wasn’t the nicest guy. He was an ass, a douche, and definitely not the man most women would be proud to take home to their parents. But if there was one thing he did know, it was kids. He practically raised one for god’s sake.  

“Got it Robbins.” he huffs, fixing his posture as the two walk into the room, where a little boy sat on his bed, playing with his colorful toys that sat on his lap, anxious parents sitting in chairs beside him. 

Arizona flashes a grin to the family, directing her attention back to the boy. “Hi Nico, how are we doing today?” 

Nico shrugs, mustering a half-hearted smile. “I’m okay.” he answers, more focused on his toys than the doctors in the room.

“Well that’s good,” she jots something down on her chart. “This is Dr. Alex. He’s gonna be another one of your doctors, okay Nico?” 

“Doctor Alex?” the boy confirms, making Arizona look up from her chart and Alex look back at the boy. 

She saw it then. The way his eyes lit up at the name, how a crooked grin unconsciously made its way to his lips. He had it. The peds glow. 

“Hey dude.” Alex smirks, trying to hide is bubbling excitement. He liked that name, ‘Doctor Alex’. It was different from Karev. It was lighter, easier, it sounded right. Doctor Karev was too… but Doctor Alex? Doctor Alex sounded pretty great. 

Arizona bites her lip as she watches her resident and the patient interact, trying to keep her smile at bay. 

There it is. There’s the real Alex Karev. 

~*~ 

Jo Wilson sat in the intern’s locker room, knotting up the ties of her scrub pants as she listened to the chief resident rattle of names of who the intern’s were with that day. She was more than thankful for a new service, since Medusa was downright terrifying, but she was really hoping that she wouldn’t be assigned to-

“--Wilson you’re with Doctor Karev on Peds.”

Shit. 

She was sure Karev was a great doctor, I mean, he wouldn’t be here-- at one of the best hospitals in the world-- if he sucked. 

But she’d already heard enough about Karev to say that she didn’t like him, not one bit. So far she’d witnessed Leah crying into her locker about why he wouldn’t answer her calls, nurses complain to each other about why he hadn’t texted, and other interns chattering at bars about why he acted like he didn’t know them when they saw each other again.

In conclusion, he was a grade-A jackass who slept with any female that had two legs, and she was certainly not going to be the next one on his (extensive) list of conquests. No sir-ee. 

With a huff she ties her hair back, giving Stephanie a deadpan look after she whispers a “Good luck. Make sure not to sleep with him.” 

There was no way she would be sleeping with Karev, not in a million years. She had heard so much from others that she could already paint a picture-

Ew, no. That’s gross. 

Either way, there was nothing he could ever say to make her fall in bed with him. Nothing at all. 

…

She was exhausted. Karev was an ass. An ass who didn’t hate her, but was still an insufferable asshole. Jo stood at the nurses station, leaning over the counter as she filled out her charts, scribbling down her notes angrily. He made her angry. 

Though she had to admit, seeing him all freaked out over her (fake) crying was pretty hilarious. 

“--Wilson!” she hears her name being called by her asshole of a superior. She turns around, plastering such a faux smile on her face that she felt nauseated just knowing that it was there. 

She’s about to respond when Doctor Grey comes running up to him, shoving a toddler in his arms, taking him by surprise. 

“Alex. I need you to watch her.” the blonde pleads, making him scrunch his eyebrows. 

“Mer I-” 

“Please.” Meredith begs, Alex giving her a crooked grin as he takes ahold of his niece. If there was one thing that could make Alex Karev smile without even trying, it was Zola Grey Shepherd, a two and a half year old little fireball.  

A large grin comes across the little girl’s face as she looks at the man in front of her. “Unca Lex!” she exclaims, clasping her tiny hand on the side of his face. 

“Hi Ms. Zozo,” he smiles, Jo not even noticing how the corner’s of her mouth quirked up at the sight. This was not the Doctor Karev she’d been with these past few hours, this was someone completely new. This was… Alex? 

Meredith sighs. “I have on OB appointment, and normally we’d take her, but she’s just been so fussy lately, and when I tried to take her to daycare she threw a fit-”

Alex cuts her off, “Mer, it's fine. I got her.” he reassures her, pretending to bite the little girl’s finger as it came close to his face, causing her to let out a loud squeal. 

“Okay but-”

He rolls his eyes at the blonde, “Mer, go. She’ll be completely fine.” he smirks. “We all know that she likes me better than you and Shep combined so…” 

Meredith hits him on the shoulder before she turns and waddles down the hall, leaving Alex with a toddler in his arms that was giggling as he tickled her, and an intern who wasn’t quite sure what she was seeing in front of her. 

It was obvious that he had some skills with children, he was a pediatric surgeon for crying out loud. But nobody told her he was this good with kids.She watched as a large smile came across his face, a laugh escaping his mouth at Zola’s squeals and giggles. 

Maybe Alex Karev wasn’t as much of an asshole that she thought he was. 

~*~ 

Nothing was more perfect to him than the sight in front of him. 

Never in a million years did he ever think that he would get to where he was now. 

Alex sat next to his wife as they stared down at the little baby on her chest, her pink cheeks puffed up while her eyes were tightly squeezed closed as she tried to sleep. She was so perfect. So, so perfect.  

A daughter. 

He had a daughter. 

A little bundle of pink that weighed a whole six pounds, seven ounces. Yet somehow, she had managed to take his heart out of his chest and hold it in her tiny, tiny palm. 

Nothing could’ve prepared him for how much he already loved his little girl. He’d heard about it, read about it. He’d been in the room when parents met their child for the first time. But this? This was a whole new level of love, something he wasn’t prepared for in the slightest. 

He watched as Jo ran her thumb delicately over the baby girl’s cheeks, tears streaming down Jo’s face. It had been all of two minutes since they welcomed their daughter into the world and she hadn’t stopped crying since. 

Although he wasn’t crying, his throat was built up as he stared at his perfect little girl. A full head of wavy light brown hair sat on top of her head, her rosy lips pouted as she nestled closer to her mother’s chest. 

Perfect. 

That’s the only word that could describe the tiny figure that laid before him.

He rubs his pinky finger over her little fist, watching as it unfolds and grabs it with all of her strength. 

He can feel his heart physically clench, never before had something felt as right as feeling his little girl’s palm around his finger. 

Alex grins, placing a small kiss on the top of Jo’s head, a silent way of saying so many different things at once. 

Thank you. 

You did so well. 

You’re so strong. 

She’s so perfect. 

I love you.

Thank you for marrying me.

Thank you for loving me. 

Thank you for everything.  

Thank you.

Jo readjusts the baby on her chest, bringing her up higher for them to see. 

She lets out a watery smile, her bottom lips trembling as she stares at the tiny girl that she would do anything for. “Hi sweet girl.” she whispers, not even bothering to wipe the water droplets that cascaded down her cheeks. 

Alex lets out a crooked grin, a small laugh escaping his throat in disbelief. This perfect creation was his daughter. How was that even possible?  

“Welcome to the world Lorelei Karev.” he whispers, unable to focus on anything except the tiny girl that he would give up the sun, the moon, and the stars for. 

“We love you so much.” Jo speaks softly, looking up at her husband, the love of her life, her eyes saying more than her mouth ever could. 

Thank you. 

I love you. 

She’s so perfect. 

Thank you for her. 

Thank you for everything. 

Thank you for loving me. 

Thank you.  

They share a small kiss, reveling in the moment they knew they would remember for the rest of their lives. 

It was then he defied all odds. Overcame all of his fears. He wasn’t going to be like his dad, what everyone told him he was going to be. He was going to be an amazing dad, and he knew it.

As it turns out, kids truly were the one thing that could show everyone who the real Alex Karev was after all.

#jolex #jolex fic #jolex fanfiction #jolex fanfic #alex karev #jo wilson #jo karev #alex karev fanfic #alex centered fic #arizona robbins #miranda bailey #cristina yang #meredith grey #merlex #jo x alex #alex x jo #greys anatomy #greys #jolex babies #jolex endgame #greys abc #greys anatomy fanfiction #greys anatomy fanfic #camilla luddington #justin chambers #payton writes

[mrwinterr]

3AM

Pairing: Leo West x Female Reader

Summary: You should go home, but you always end up in his room and this time he isn’t letting you walk away from him again.

Warnings: Smut 18+ (consensual sex, unprotected sex, oral [female receiving], hand job, vaginal fingering, cum play, cock warming and dirty talk). Pillow talk. Language. Angst, I guess. & mentions of alcohol.

Disclaimer: Minor elements of the film Ibiza (2018) are present in this. More like one or two out of context spoilers. It wouldn’t really ruin the movie. You don’t have to watch it to read this.

Title Inspiration: “3AM” by You Me At Six

A/N: I caved. I’ve finally written something for one of Richard Madden’s characters. Personally, I would’ve never watched Ibiza, but it was on Netflix, I was on furlough from my job, and quite frankly Leo West is fucking perfect.  

Deep breaths. Deep and calculated breaths. For some reason you paid more attention to your breathing when inebriated. Your eyelids felt extra heavy as you struggled to not only keep them open, but also your line of vision straight. The pores of your body were seeping out sweat from the copious amount of alcohol you’d consumed. The air was stuffy, and you kept sniffling.

You wanted to blame the last part solely on the alcohol too, but you couldn’t escape the real reason that drove you to spend hours at a bar in the first place. Historically speaking, you liked to enjoy yourself, maybe a bit more than others, and while it was reckless, that lifestyle introduced you to one of your favorite things on this planet. It wasn’t the drinks, the substances or the sex, but a humble, very talented now turned international superstar DJ. 

It led you to Leo West.  

It was at a small, dark club on a busy weekend. You were closing in on finals week and what better way to de-stress than a night out on the street. Your friends opted for this particular joint because of the aesthetic, but you didn’t care about its appearance. It was a bar nonetheless, the place always catered to live music and you loved that.

You remembered how puzzling it was to not see the usual instruments, like that of a guitar or a drum kit or a set of keyboards or even a lone microphone stand on the makeshift stage that had one dimmed spotlight. Instead, there was just a table with a case, a laptop, a turntable and a pair of headphones displayed on top of it. Oh, and lots of wires and buttons and knobs everywhere!  

Great. A wannabe DJ was scheduled tonight that would most likely go overkill on the bass and damage your eardrums. You weren’t drunk enough to stick around for this, so you walked back to the bar, hoping if you got a few more drinks in you then maybe the “DJ” wouldn’t sound as bad as you were expecting.

Claiming a spot, drink in hand, your eyes started scanning the small capacity crowd until they locked on a man and his path up to the stage and behind the setup. The intro music he picked out started playing, but it fell deaf on your ears. And your whole world just stopped when he looked up, the first of many “performer-to-audience” eye contact that night. He just couldn’t keep his eyes off you each time he looked into the small crowd. It all but allowed you a better look at him.

He wasn’t as defined back then, the t-shirt hung loose on his body, but he was still built nicely. His hair was curlier, definitely didn’t have the money to have it styled and cut or dyed, no trace of the signature gray streak in the front, nor was it maintained like it was now. He was very handsome. And his voice, when he spoke into the microphone clumsily, your heart melted. He wasn’t from here, and you wondered how the world brought this cute, awkward guy all the way from Scotland here to you.

When his set ended, he appeared next to you at the bar ordering a drink. He looked over at you and smiled sheepishly. He was adorable. You were done. You were always a confident person, and you mentally cursed yourself for even feeling like this. You didn’t do serious relationships. There just wasn’t any time for one in your life right now. You were young, still are, and the only thing you’d wanted from anyone was a distraction here and there.

He told you his name. You told him yours. He commented on the necklace you were wearing. You complimented his set. You even teased him about seeing him trip over one of his wires. He thought no one was paying attention, but you were. The two of you talked and talked until last call and the bartenders were begging you both to leave so they could close up shop.

That led you to his place. You learned he’d transferred from overseas to study music and was looking to break out in this country. He wanted to make it big time. You admired him for that. Then there you were pathetically telling him your small-town goals, it seemed dull compared to his, but Leo never wanted to make you feel that way as his words assured you that they weren’t and only encouraged you further.

The attraction wasn’t lost between you two either. You didn’t go home that night. You stayed and what was supposed to be one turned into many nights tangled in one another. You frequented his bed often to the point it looked official to everyone - except it never was. Leo made it loud and clear he wanted to be with you, but you kept bypassing his proclamations. He became none but a standby in your haze.

He just made it too easy to feel. With him everything was easy; not a care in the world, just you and him. It could and should be just that - easy - but your heart and mind didn’t ever make it that way for you. They wanted two different things. Your heart wanted Leo, but your mind said it wasn’t worth it.

He’d make it big one day, no doubt about that. He got good each and every set you saw him put on. He’d travel more, settle in a much more exciting area, find someone who could commit and keep up with his new life. You knew it wouldn’t be fair to have Leo wait around for you to change, but getting your shit together was something you had to do at your own pace.

Once you graduated and his advancements were becoming a bit more serious, you started to turn a new leaf. You did it to be a better version of yourself for him because he deserved it that much, but he always claimed he wanted you – whatever version he could have. At least that’s what he had you convinced of up until you saw him lock eyes and signal over to another girl in the massive crowd several hours ago.

What the fuck? That was your whole reaction. How could he? He always said no matter how big the numbers he played, he’d always and only see you. He didn’t look anywhere else besides her during the set, well you didn’t care anymore because you left after seeing them walk to the back. Did he not mean a single word he said to you? All those nights in bed, was it all just pillow talk? Figures. You didn’t want to get upset because you let it come to this.

In that moment, you just couldn’t forget all the pretty lies. You’re mindlessly scrolling through the messages on your phone, until your blurry eyes see his name and the distinct emoji assigned next to it. Based on the thread, you thought you were both heading towards the same page. It shouldn’t have been this complicated. Now all that’s left is yourself staring down at an old text message he sent, no longer wondering if he really meant any word of it. It hurt. It really fucking hurt.Your mind was proven right and now your heart paid the price.

“Miss? We’re here.” You pick up your head that was slumped against the side of the cab window and nod in acknowledgement.

You stuff your phone in your purse, pay for your fare, stumble along the stones of the pavement, on the steps of the complex and into the elevator up to the highest floor. You stare at the numbers on the door, hoping they’d line up and still, before you slip the spare key card into the slot and barge right into the suite.

You walk right out of your heels, and on your path to the glass doors and window, you aimlessly toss your purse over the expensive couch, and expertly reach for the zipper behind your back, dragging it down along the dress you were wearing, allowing it to pool at your ankles only for you to kick it away soon after. Forget the fact that you splurged a bit more than usual on it in hopes for a celebration of some sort.

When you stepped outside, you headed straight into the hot tub that also provided an overlook of the city. As you slowly descend neck deep into the hot water, you close your eyes and lean your head back on the edge, feeling the muscles in your body begin to loosen up. The jet streams of the hot tub that caused the bubbles collided headfirst with your back, and a taste of the midnight air in your face, all offered you only a temporary high. You used to think the hot tub was a bit too much at the time, but now you were basking in it.

For a moment you think you could just pass out right there, when you hear him say your name from behind. Your eyes flutter open and you hear the floorboards lightly creek with the thuds of his heavy footsteps as he makes his way to sit on the edge of one side of the rectangular tub. You don’t dare divert your eyes over in his direction just yet.

“It’s 3 a.m.” Leo states; an all too familiar scene for the both of you, and even though you’re not looking at him you can hear the concern in his voice. You roll your eyes at the obvious, not giving a damn if he saw, and then at the idea of him being concerned about you.

He senses the discomfort in the air and is hesitant in choosing what he should say next. He hated being on your bad side and judging by your demeanor you were mad. “You should probably go home,” he suggests after getting no response from you.

Only when he moves to get up and fetch a nearby towel, you turn your head and speak, “Why? Is she here?” It meant to come out as casual, but it came out more spiteful.

The muscles of his back contract and he visibly tenses at your cold tone. “What?” Leo questions, turning his head to look over his shoulder.

“I saw you!” You say, sitting up straight and getting ready to step out of the tub.

Leo is quick to assist you as he his entire body spins around, a rolled up towel in hand, “You’re not thinking straight-” he says and attempts to cover you up, but you snatch the towel from him and help yourself out of the tub. Water sloshes around as Leo puts his hands out, eyeing your every move the whole time in fear of you slipping and falling.

He follows you back into the suite and calls out your name again, but hearing it flow out of his mouth in his voice starts to hurt more and more.

“I’m not fucking blind, Leo!” You shout, whipping around and with your hands out in frustration.

“Shh! Please. The neighbors are sleeping!” He pleads, grabbing you by your wrist bringing them in and pulling you close to him. Your face is almost nose-to-nose with his, but you lean your head back just slightly in defiance.  

“I. Don’t. Give. A. Fuck.” You say in a more indoor friendly volume, emphasizing each word, effectively letting him how mad you still were. The close proximity gives him a whiff of the alcohol on your breath. You were drunk. He thought you’d stopped this destructive habit.

“I don’t get you,” he says barely above a whisper. It wasn’t meant to come out, but his thoughts always left his mind around you.

“Me?” you ask quizzically, noticing the strong look of confusion etched all over his pretty face, “I don’t get you, Leo,” you couldn’t hold it in anymore, “you begged me to come watch your set tonight,” pulling one of your wrists out from his grip, poking a finger at his chest.

“You said you were busy with work-“ he says then grabbing the loose hand stabbing at him in his larger one.

“I wanted to surprise you,” you explain, voice cracking under it all, “I didn’t think it was going to work because you said,” the atmosphere grows thick and you struggle to speak, “you said no matter how big of a crowd you were playing that you’d always see me, but you didn’t.” You always had a pretty good idea that Leo would wait for you, but when he failed to spot you tonight, you really thought you’d lost him for good this time.

Then he understood why you were upset. You saw him make signals to another woman and take her backstage, where all he was trying to do was help the poor girl and tell her she had a penis drawn on her face with a black light marker. He never saw her again after that. All that did was paint the wrong picture in your eyes.

Leo looked down, breaking the intense eye contact. It was probably best he didn’t see the tears in the corner of your eyes that were threatening to fall, but he didn’t cast his gaze away fast enough as they ran down in streaks, staining your face. He just didn’t know where to start.

You had been there for him tonight. He’d been really happy lately, especially when you started responding and returning his gestures. He thought he was finally going somewhere with you. And here you are, revealing you’d sacrificed and made time to see him play and he didn’t even see you. That led you down to a bar and into an old habit you’d gotten rid of lately, but he just threw you back into the pit unintentionally.

“I should go home,” you say, defeated and breaking away from him. You wipe at your face, trying to clear the make-up that was out of place and turn to pick up your discarded dress off the floor.

“No, don’t. Don’t leave me,” Leo says frantically reaching out for you. Another act within the all too familiar scene; he always hated this part and seeing it replay over and over. All those times you walked out, scared of something, he wasn’t going to let it happen again. He stumbles a bit as he manages to grab your arm to turn you back and face him. You brace a hand on his strong chest preventing yourself from crashing right into him.

Deep breaths. Deep and calculated breaths. You’re counting not yours but his breaths this time. You can feel his heart racing as you stare at his plump lips, parted and each exhale fanning against your face. His hands come up to cradle your face; and while alcohol had its way with making parts of your body feel numb, you always felt his touches. It was the best feeling.

Leo was always transparent with you and was nothing short of it in this moment as he crashed his lips into yours. He’d never been as desperate than he was now. The grip on your face was secure, hoping you wouldn’t attempt to escape again. He didn’t have to worry though because you were tired of fighting it. You’d bare yourself to him.

Your arms wrapping around his neck let him know you weren’t going anywhere this time, and he was able to let one hand reach down between your bodies to remove the towel. His touch sends shivers throughout your body as you rub up against him; your soaked undergarments leave a wet imprint on his dry clothes. His hands travel down to your thighs, giving it a light squeeze, signaling for you to jump up.

He carries you to his bedroom, lips never parting, until he has you lying down on the massive bed. He kisses you all over - your neck, collarbones, between your breasts, down your naval, hip bones, and the insides of your thighs - each kiss feels like a drug shooting through your system.

Leo tests the waters by pressing a finger to your clothed core and upon seeing the slight jolt of your hips, it gives him all the encouragement he needed to tug the damp article of clothing down your legs. He spreads your legs a bit further apart, pressing them down against the mattress, enough room for his burly body to settle between them.

His tongue darts out to your clit and you suck in a harsh breath of air at the contact. Each running pass of his tongue has you squirming, he has to use both of his hands to keep you still. The vibrations of his moans wreck all throughout your body as he sucks on the bundle of nerves.

Your hands wildly reach out in front of you, messing up his short hair, you need something to hold onto. Leo offers one hand, lacing your fingers together, yours more of a death grip in his. It only loosens when he suddenly stops.

You pick up your head that had dug deep back into the pillows to see why. You groan at the sinful sight of seeing his mouth glistening in all its glory - doused in you. Leo comes back up to level himself with you; both sets of eyes pulled together like magnets. He steadies himself with one hand above your head and the other grabs a hold of your leg, keeping them open for him, so his hand could find a clear path to your pussy.

Your slick makes it easy for him to slip his thick digits in you. Leo revels in the look on your face contorted in pleasure he is bestowing upon you. He inwardly groans at the snug grip around his fingers as he slowly pushes them in-and-out; the filthy, lewd noises only further cause his blood to rush fast down his body.

You start rocking your hips, your clit brushing past his palm with each thrust up. With a curl of his finger, he finds the spot and it's confirmed when you wrap a hand around his wrist to keep it there.

“That’s it, huh, baby?” Leo asks knowing full well he’s found the trigger, “that’s...your...spot,” and with every word his finger sinks in deeper and deeper. There’s a feral look he’s sporting, and you let out a whine in response, your fingernails puncturing his skin.

“You know what to do,” his voice turns rugged, “you know what to do, baby girl,” his fingers working faster, “come on my hand,” his forehead, sweaty, pressing against your own, “you can do it,” his soulful eyes burning a hole through yours when you finally come for him.

“Good fucking girl,” he growls against your lips. You start clawing at his white t-shirt, but it’s fitted so well, you start wrestling with the fabric to get it over his head. He chuckles lightly at you as you pout at him. He kisses the space between your eyebrows and sits up removing his shirt on his own; his bottoms follow ensuite.  

You admire the expanse of his toned body for a brief moment before you pull him down back on you. Your teeth tug at his luscious lower lip then suck at it. Leo chases your tongue with his own, engrossed by your lips he’s not prepared for when you sneak a hand in his boxers and grab a hold of his length. He moans into the kiss at the contact and slides his boxers all the way off, giving him a full show of your fingers wrapped around his hard cock. You watch as he swallows the knot in his throat when your thumb swipes across at the bead of pre-cum leaking from the head.

“Yes, baby, just like that,” he says encouragingly as you start stroking him at a pace only you know he loves, “you see how good you make me feel?” It’s a question that doesn’t require an answer. He was hot and heavy in your hands and you wanted nothing more than a taste, so you switch hands bringing the sticky one up to your mouth giving your palm a broad lick as you try to lap you all of what was left of him on your skin.

His jaw visibly ticks as he watches the whole thing. You bring your wet hand back down and resume jerking him off. His breathing increases and you know he wants to cum when he involuntarily starts thrusting back, but he had other things on his agenda as he gingerly pushed your hands away.

“I wanna...inside you,” he says, still very much short of breath, this version of him only made you more wet.

“Please,” you beg, feeling his cock slide up and down your pussy, prepping him with your slick. You never begged, but for some reason you got scared that this would all end in an instance.

You let out a big sigh of relief when he pushes in and fills you up to the brim. Your eyes widen at how his cock stretches you out to accommodate his size. You feel close to bursting at just being able to feel all of him, as he stilled in you, feeling every ridge and vein.  He takes a moment to himself, studying the way your body reacts to his. He’s reeling in on the warmth you provided his cock and more so his heart. You made every part of him swell up.

With a long and heavy drag out, Leo begins to thrust back in deep and slow, only increasing when he feels your hips start to retaliate back against his. He knows the pace you like it at.

“Fuck!” You yelp feeling the tip of his cock probe at the right spot.

Leo loops an arm around from beneath you, and at first you think he’s trying to bring you in closer by the hips, but instead he flips over, so you’re now settled on top of him. You support yourself with both hands on his pecs, fingers lost within the hair that sprinkled his chest, then you start grinding your hips deliciously over his. He helps you set a new rhythm with his hands on your hips. You watch as he bites his bottom lip and just the sight alone makes you want to come again.

He sits up, bracing one arm behind him for support, while the other pushes you slightly back, you have to use both hands to support your upper body, but this new position allows you both to get a good look at your bodies connected. Eyes both glued at his cock buried deep in you, you rotate your hips and moan when you feel his cock scratch along your inner walls with each swivel.

“That’s right, you know how to make me feel good...fuck, yes,” he praises then places a thumb to start rubbing circles over your sensitive clit, causing your thighs to clamp up, “that’s it baby, work that pussy on this cock...it’s all yours, beautiful.”

Once he has a good upright position, he uses his other hand to undo the clasp of your bra. He has a hard time trying to rid you of the confines, so you maneuver and sink down back on him and do it yourself. He uses both hands to pull the straps down your arms before bringing your body flush against his and reclaiming your lips.

You let out a sigh as his lips travel down your neck to your breasts, groping one and sucking on the other. Your hands find purchase in his dark sweaty locks as he pistons his hips up hitting deeper.

You pull his face away from your chest and you take note of his glossy eyes, the sweat buildup on his hairline, the creases on his forehead, his swollen lips and you’re in complete awe of just how handsome he’s always been. Leo brings a hand to your face, thumb brushing away the stray tear that escaped your eyes. You slightly turn your head in his palm so your lips can capture his thumb. The same one that was just mere moments ago rubbing circles on your clit.

Leo gasps at the sight, your eyes close from the burst of flavor of yourself on his salty digit. Your hips work harder and your thighs begin to ache. It shows, so Leo starts to pick up on the slack.

“Leo-“ you call out his name after a particular sharp thrust, your labored breathing makes it hard to voice out your desire, but he knew you were close and so was he.  

His hands grope your ass as he brings your hips down hard against his, you feel the hairs on his lower abdomen rub against your clit, effectively adding on to the impending sensation.

“Come on, baby. You can do it,” his fingers would definitely leave marks your skin, but you don’t mind it because yours claw at chest, “come on my fucking cock...show me how good it feels, pretty girl.”

You shut him up with a bruising kiss and soon he’s swallowing your moans as your body starts to quake, pussy clenching tight around him. You keep your hips grounded in place when you feel the throb of each spurt of his cum that shoots deep inside you.

Both of you part your lips from one another for some needed air. You’re still experiencing a bit of an aftershock as your walls continue to contract around his cock.

“Ride it out, baby, use my cock,” he says against your lips, and assisting you with small movements up and down his cock, “that’s it. You got it. Fuck, I love you. I love you so much,” he says, wrapping his arms around your body.

Your body falters against him when you don’t fail to notice that he’s started slipping the L-Bomb in his praises. Leo feels drops of water hit his skin and when he opens his eyes, he notices your body shaking still – you’re crying.

“Hey,” he says cradling your face again, “what’s wrong?” He pulls back to inspect your body and see if you were hurt in any way.

You brace his face in both your hands to stop his eyes from wandering from anywhere else but your face. “Did you mean it?” You ask, unable to control the downpour of tears.

Leo stops moving and immediately understands what you’re asking. You’re asking if he meant it when he said you were the only one he’d ever notice. You’re asking if he meant it when he said he’d wait for you. You’re asking if he meant it when he said he loved you.

“Every word,” he confirms.

Overjoyed, you press your lips together in a tight smile, and let the rest of your tears fall. He lets you rest your head on the crook of his neck as he rubbed soothing patterns on your back in attempts to calm you down.

When you do, you pull away and finally say it back, “I love you too, Leo West. I’ve always been in love with you,” and watching the big smile on his face was almost enough to cure you.

He meticulously pulls out of you, slight signs of his cum seeping out and running down your thighs, and helps you off him. You both settle down on the bed, bodies parallel, both on your sides, silently staring at one another. You absentmindedly brushing the gray lock of hair away from his forehead.  

“Nothing happened with her,” Leo says breaking the comfortable silence. He wanted to bring tonight to attention because he meant it when he told you previously that he doesn’t bring anyone back home. You almost forgot about tonight but are still relieved to hear him put to rest any suspicious thoughts.  

“I’m scared,” you admit. The first step had been admitting you had loved him back this whole time, but you still had to face the fact that you both were on two different schedules and you feared the worst it wouldn’t work out.

“Come with me,” he proposes.

“What?” You ask completely taken back at the offer.

“Come on tour with me,” he says a bit more specifically.

You’d already proven you were willing to drop work for him by showing up at his gig tonight, but were you willing to leave your old life behind to follow his?

Then the biggest smile on Leo’s face confirms everything when you respond, “okay.”

A/N: Leo West is so precious! & for the record, I too would drop everything to follow him. Lol. I may write more Richard Madden fics, idk yet. Please let me know if you liked this or what. Thanks for reading! 

#mrwinterr writes #richard madden imagine #richard madden smut #richard madden fanfic #richard madden x female reader #richard madden x reader #richard madden x y/n #leo west imagine #leo west smut #leo west x reader

[writing-prompts-for-friends]

Notes from Stephen King’s “On Writing” 07: The Revision Process

Next, King walks us through his revision process. He makes it clear that this method is not the only method. It is merely a method. 

How Many Drafts?

“For me, the answer has always been two drafts and a polish (with the advent of word-processing technology, my polishes have become closer to a third draft).”

King admits that this number of drafts is not the golden rule. Kurt Vonnegut rewrote each page of his novels until he got them exactly the way he wanted them. This meant that when the manuscript was finished, the book was finished. (I certainly am not that big of a perfectionist, nor am I that patient lol.)

For beginner writers in particular, King offers the following advice:

“Let me urge that you take your story through at least two drafts; the one you do with the study door closed and the one you do with it open.

“This first draft--the All-Story Draft--should be written with no help (or interference) from anyone else. There may come a point when you want to show what you’re doing to a close friend because you’re proud of what you’re doing or because you’re doubtful about it. My best advice is to resist this impulse. Keep the pressure on; don’t lower it by exposing what you’ve written to the doubt, the praise, or even the well-meaning questions of someone from the Outside World. Let your hope of success (and your fear of failure) carry you on, difficult as that can be. There’ll be time to show off what you’ve done when you finish...but even after finishing I think you must be cautious and give yourself a chance to think while the story is still like a field of freshly fallen snow, absent of any tracks save your own.”

Basically, King just wants you to get it all out onto the paper, with no external forces influencing you (for better or for worse). Just get that first draft out, and then open it up for closer examination both to yourself and others.

Let It Breathe and Then Dig In!

Okay, so you finished writing the first draft! Celebrate! Rejoice! Maybe cry!

...And then throw that manuscript into a drawer, lock it up tight, and don’t look at it for a minimum of six weeks. And in the meantime, do something totally unrelated to what you wrote. Get into knitting. Write a short story that is nothing like what you just finished. It’s consumed you for months now--so give your mind and imagination some time to reset and chill. 

King recommends a minimum of six weeks, but even longer is okay. Resist all temptation to peek at it. And once the six weeks have passed, do the following:

“Take your manuscript out of the drawer. If it looks like an alien relic bought at a junk-shop or a yard sale where you can hardly remember stopping, you’re ready. Sit down with your door shut, a pencil in your hand, and a legal pad by your side. Then read your manuscript over.

“Do it all in one sitting, if possible. Make all the notes you want, but concentrate on the mundane housekeeping jobs, like fixing misspellings and picking up inconsistencies. There’ll be plenty; only God gets it right the first time and only a slob says, ‘oh well, let it go, that’s what copyeditors are for.’

“If you’ve never done it before, you’ll find reading your book over after a six-week layover to be a strange, often exhilarating experience. It’s yours, you’ll recognize it as yours, even be able to remember what tune was on the stereo when you wrote certain lines, and yet it will also be like reading the work of someone else, a soul-twin, perhaps. This is the way it should be, the reason you waited. It’s always easier to kill someone else’s darlings than it is to kill your own.”

You’ll also be on the lookout for any glaring holes in the plot or character development. And if you spot any of these big holes, you are forbidden from feeling depressed about them. Don’t be hard on yourself. Everybody makes mistakes, and they can all be fixed. 

Generally King goes through the first reading fixing all the superficial issues, like typos and unclear antecedents. But as he’s doing that, he’s also asking himself the Big Questions:

Is this story coherent? 

If it is, what will turn coherence into a song?

What are the recurring elements?

Do they entwine and make a theme?

What’s it all about?

“Most of all, I’m looking for what I meant, because in the second draft I’ll want to add scenes and incidents that reinforce that meaning. I’ll also want to delete stuff that goes in other directions. There’s apt to be a lot of that stuff, especially near the beginning of a story, when I have a tendency to flail.”

I can understand what King is saying here about the flailing at the beginning. Because I do not plot when I write, I have ideas that crop up halfway through that would require being introduced earlier, for example. Or perhaps as my understanding of the characters evolved as I wrote more, I realize that they behaved out-of-character earlier on. This is certainly one downside to not plotting. But isn’t is also kinda liberating to be able to take detours and wind up at a different but equally interesting destination?

Okay. So go ahead and fix all of the issues you found, and your first revision is complete.

Second Opinions and the Second Revision

“Do all opinions weigh the same? Not for me.”

Now you’re done with the first draft. You’ve patched over any plot holes and smoothed out those typos and grammar mistakes. You’ve polished the symbols and themes until they shine.

Once this is done, King gives a copy of work to his wife and several close friends (4-8) to receive detailed feedback. In other words, he has several close friends beta for him. 

“Many writing texts caution against asking friends to read your stuff, suggesting you’re not apt to get a very unbiased opinion from folks who’ve eaten dinner at your house and sent their kids over to play with your kids in your backyard. 

“The idea has some validity, but I don’t think an unbiased opinion is exactly what I’m looking for. And I believe that most people smart enough to read a novel are also tactful enough to find a gentler mode of expression than ‘This sucks.’ Besides, if you really did write a stinker, wouldn’t you rather hear the news from a friend while the entire edition consists of a half-dozen Xerox copies?”

What he gets back is 4-8 very detailed and different analyses of what he wrote. What’s very important to remember is that every reader looks at a work through a different lens. If half of them say a character’s portrayal is far-fetched but the other half say the opposite, than their feedback regarding that point has balanced out. However, if the majority of them say that something doesn’t work, then King goes back and sees if he can improve it. 

Also, different readers pick up on different details. This is the age of internet and now we are able to check facts whenever we like, but it is still nice to have something of a subject matter expert on hand, because they are liable to pick up on details that the writer may not. 

For example, I often beta fanfiction for anime. I am fluent in Japanese, live in Japan, and have studied Japanese culture and history. While I would never claim to be a “subject matter expert” on Japan, I am able to make certain corrections regarding, say, the type of kimono a character should be wearing, that the writer would not have considered. 

It’s very easy to accept feedback that deals with facts (i.e. a beta corrects you on the standard procedures for CPR). However, it’s much harder to handle subjective feedback (i.e. “The ending felt inconclusive.”). Having put as much work as you have into creating this, it can feel like a personal attack because this story is a very dear part of you. What do you do if your beta tells you something like this?

“Subjective evaluations are, as I say, a little harder to deal with, but listen: if everyone who reads your book says you have a problem, you’ve got a problem and you better do something about it.

“Plenty of writers resist this idea. They feel that revising a story according to the likes and dislikes of an audience is somehow akin to prostitution. ... But come on, we’re talking about half a dozen people you know and respect. If you ask the right ones, they can tell you a lot.

“Do all opinions weigh the same? Not for me. In the end I listen most closely to [my wife], because she’s the one I write for, the one i want to wow. If you’re writing primarily for one person besides yourself, I advise you pay very close attention to that person’s opinion. And if what you hear makes sense, then make the changes. You can’t let the whole world into your story, but you can let in the ones that matter the most. And you should.”

I think, especially in the age of prolific fanfiction in which the author usually updates as they write the story, the author feels a lot of pressure from their readers. Readers chomping at the bit for the main characters to have a naughty scene, or demanding to know about that one secret thing that you keep alluding to. A lot of fanfic writers struggle to tow the line of “writing a good story based on reader feedback” and “pandering.” 

My advice to fanfic writers out there is to tell those thirsty readers to read a one-shot if they’re looking for a quick fix of smut, and to have some goddamn patience. You’re trying to tell a story, one that builds and progresses, and that takes time. Don’t give in to those “OMG MAKE THEM KISS ALREADY” reviews. But if a lot of readers say something like, “I feel like this character wouldn’t do that,” then perhaps you should re-evaluate that. 

On Pace and Reducing Glut

“Formula: 2nd Draft = 1st Draft - 10%.”

So now you have your first draft done. You have your feedback from your trusted betas. And now you need to go and make the final changes. 

King states that you should rely on your most trusted betas to gauge whether or not your story is paced correctly and if you’ve handled the back story in satisfactory fashion. “Pace” is the speed at which your narrative unfolds. 

”There is a kind of unspoken (hence undefended and unexamined) belief in publishing circles that the most commercially successful stories are novels are fast-paced. I guess the underlying thought is that people have so many things to do today, and are so easily distracted from the printed word, that you’ll lose them unless you become a kind of short-order cook, serving up sizzling burgers, fries, and eggs over easy just as fast as you can. 

“But you can overdo the speed thing. Move too fast and you risk leaving the reader behind, either by confusing or by wearing him/her out. ... I believe each story should be allowed to unfold at its own pace, and that pace is not always double time. Nevertheless, you need to beware--if you slow the pace down too much, even the most patient reader is apt to grow restive.”

So how can you strike a happy medium? Rely on your most trusted betas and their input. King says, “Every story and novel is collapsible to some degree. If you can’t get out ten percent of it while retaining the basic story and flavor, you’re not trying very hard. The effect of judicious cutting is immediate and often amazing. You’ll feel it and your betas will too.”

On backstory, King issues some opinions and advice:

It’s important to get the backstory in as quickly as possible, but it’s also important to do it with some grace.

A reader is more interested in what’s going to happen instead of what already did.

Even when you tell your story in a straightforward manner, you’ll discover you can’t escape at least some backstory. 

“The most important things to remember about backstory are that (a) everyone has a history and (b) most of it isn’t very interesting. Stick to the parts that are, and don’t get carried away with the rest.”

Source: King, Stephen. On Writing: A Memoir of the Craft. Hodder, 2012.

#creative writing #creative writing methodology #creative writing theory #writing #write #writer #author #writeblr #how to write #writing tips #writing advice #writing resources #fiction #horror #fantasy #fanfiction #writing fiction #writing horror #writing fantasy #writing fanfiction #writing anything #revision #story revision #rough draft #story editing #stephen king #writing prompts for friends notes from on writing

[vampiregirl1797]

When You Need a Shoulder to Sleep On

Spencer Reid x Wife Reader

 GIF Not Mine

 Summary: When you return back to work as a profiler with the BAU after being gone for maternity leave, the job is harder than it used to be, being as you’re functioning on little to no sleep and no caffeine. Lucky for you, you have your wonderful husband, Spencer, and your family at the BAU to support you.

 Word Count: 2,642

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 It had been fourteen months since I’d had a cup of coffee. While I’d been pregnant, ironically enough I hadn’t noticed the absence of the heavenly hot beverage. But now I was returning to work and functioning on less than three hours sleep? Yeah, I was exhausted. Spencer, my wonderful, loving husband and doting father, bless his soul, had even less sleep. He tended to sleep light anyway, and since the baby had arrived he’s been a little... protective. So it was routine for us both to attend to little baby Gideon Derek together, as neither of us were able to think about sleep until we knew the baby was back down.

 The difference of course was that I was functioning with no caffeinated stimulants to keep my brain working, while Spencer was on his third cup of heavenly goodness since we’d arrived at the Bureau. Which of course meant that I was barely functioning at all.

‘Denise Hernandez was found murdered in her apartment a week ago. She was discovered by her landlord three days later when he went to check on her, after another tenant had voiced their concern.’ Garcia said, the beeping of her pressing the buttons on her beepy echoing throughout the room, ‘there were no signs of sexual assault and the body was in her bed and she was tucked in underneath her own duvet.’

 I blinked, trying to force some energy into my body as I flipped open the file in front of me, detailing the murder Garcia was narrating.

 ‘The unsub wrapped her in plastic underneath the covers to prevent her blood from sleeping through the fabric.’ I voiced aloud as I read it in the report, ‘that indicates that the way he leaves her behind is important to him.’

 ‘That’s true, before the covers were removed she looks asleep.’ Rossi agreed, flicking through the photographs in his own file.

 ‘If that’s the case it’s interesting he doesn’t chose a less gruesome method of murder. If the charade of the victim appearing asleep is so important to him, why go through the trouble of stabbing her twelve times?’ Tara added, taking a sip of her coffee after she spoke.

 I tried not to stare too longingly at the mug, despite knowing that a cup would jolt the energy back into my system.

 ‘If she didn’t live alone I’d suggest it’s done by way of giving him more time before the murder is discovered. It would be a while before anyone realized she was asleep.’ I said, looking over to the enhanced crime scene photos on the screen. There was something bothering me about the whole picture, I just couldn’t put my finger on it.

 ‘But since she did live alone it’s more likely that the manner he’s displayed her, as well as the method he’s employed, are both important to him.’ Spencer said, his lips pursed in thought as his eyes quickly moved over the pages in his hand.

 The amount of information his beautiful brain could take in, in such little time, still blew me away after all these years. I’d never get tired of his incredible mind, whether it be the facts he knew and eagerly shared, or the way he excitedly took in new information. He was amazing and so sexy.

 ‘Have there been any other victims?’ Derek asked, his eyes moving from the file in front of him to the colorfully dressed blonde.

 ‘Yes. Danielle Richmond was discovered in her apartment this morning. She lives alone and according to the M.E. She died yesterday, she was discovered quicker than the last victim as she had plans with a friend who called the cops when she didn’t show up or answer her phone.’ She clicked her beeper three more times, bringing up a picture of Danielle and a few pictures from the crime scene.

 ‘They look like they could be twins.’ I noted, both had brown eyes, olive complexions, long brown hair and a slender figure, ‘seems like he has a very specific type in terms of victimology. Either he’s working up to killing someone specific in his life that looks like these women, or someone who looks like her has died and triggered these killings.’

 ‘Those are both things we should keep in mind.’ Prentiss nodded, closing her file, ‘wheels up in ten.’

 //

 ‘There’s something out of place here.’ I murmured, taking a step back with my arms crossed over my chest

 ‘What is it?’ Morgan asked, standing next to me and taking in the room as well.

 ‘I’m not sure...’ I trailed off, my gaze landing on the book next to Danielle’s bed. I walked over and picked it up, reading the title aloud, ‘A book of fairytales. That’s what’s out of place.’

 I pulled out my phone and dialed JJ— her and Alvez were at the other crime scene.

 ‘Hey, Y/N, what’s up?’

 ‘At your crime scene, are their any novels by the bed?’

 ‘Hang on,’ she said, there was some shuffling over the receiver as I handed the book I was holding to Morgan, ‘yeah there’s a copy of fairytales. Oh my god.’

 Morgan opened the book, he brows lifting in surprise before he turned it around. It was a picture of Snow White dead in her see through coffin, but the victims face had been glued over the cartoon features.

 ‘Can you bring your book back to the station? I think I know what he’s doing.’ I sighed, hanging up my phone and sliding it into my back pocket.

 //

 I smiled as I entered the station, telling Morgan that I’d meet him in the briefing room in a minute after I’d been to the bathroom. Of course he knew I was lying, but he must have sympathized with the dark circles under my eyes because he didn’t call me on it.

 I discretely but firmly grasped my husband’s hand and led him down an unpopulated corridor.

 ‘How are you feeling, honey?’ he asked, pulling me close and rubbing my lower back as I practically melted into his chest. I loved that he didn’t have to ask why I’d commandeered him for a moment alone—I assumed he was used to my clingy behaviour and heightened emotional state when I was so exhausted.

 ‘I’m feeling drained, Spence.’ I sighed, nuzzling into the cotton of his cardigan and relaxing even further at the scents that emitted from the fabric—softener, his cologne and a faint trace of mint from the shower he’d taken earlier that morning.

 ‘If you’re too tired, there’s no shame in saying so. Emily, actually everyone, would understand if you needed a quick power nap, honey.’ He kissed my hair, his other hand resting at the bottom of my neck and rubbing the flesh there—he knew I carried a lot of tension in that particular area.

 A soft groan fell from my lips as he kneaded the knots out of my flesh, my bones practically melting as he continued.

 ‘Hmm,’ I murmured, trying to focus, but it was hard when I felt so calm and relaxed to the point of wanting to sleep, ‘no it’s okay, I’m not that bad yet. I promise.’

 It was something we’d talked about before I’d returned from maternity leave—he knew my stubbornness often led to me pushing myself too far before the baby, and now I was running on no sleep it was likely to get worse due to my heightened emotions. He proposed that we come up with a deal—if I ever felt too tired, or like I needed a few hours to recuperate then I had to tell him and not push myself too far.

 This deal had been proposed after I’d been taking care of our precious baby boy for thirty-six hours straight with no sleep. I’d practically been a zombie when Spence came home from a case and when he’d offered to take the baby so I could get some much needed sleep I’d nearly bitten his head off, insisting I could do it. I’d then promptly burst into tears because I’d snapped at my husband when all he was trying to do was help, and because I was so exhausted and all the emotions chose that moment to break free.

 The next day after I’d slept for twelve hours straight, he’d told me it was common for new mothers to feel like they weren’t doing enough and they often felt like they couldn’t ask for help, even from their spouses. The knowledge had soothed me, as had his assurance that I was doing a good job, and that admitting I needed some time for myself was okay. That’s when he’d made me promise to not push it too far, and it now transferred to the field now I was back at work.

 ‘Okay,’ he kissed my hair again and I lifted my head up, my lips pursed for a kiss. I heard him chuckle lightly before he complied, his lips soft and warm against my own. I sighed, the pleasant zing his lips always inspired shooting through me from my head all the way down to my toes.

 ‘I love you, Spencer Reid.’ I told him, the sparkle and adoration in his eyes made my heart expand in my chest—it’d been like that for five years now and I didn’t see it ever dissipating.

 ‘I love you, Y/N Reid.’ He kissed my forehead and we stayed there for a few moments longer, appreciating the quiet tranquility of the moment before we reluctantly agreed to join the team in the briefing room.

 //

 ‘This unsub is replicating fairytales.’ I said as Morgan opened the book we’d bought back from the crime scene and slid it into the middle of the table so everyone could see.

 ‘Danielle was the replication of Snow White. After we discovered this, we also found an apple underneath her bed that had been bitten into. It was bagged for evidence and they’re going to try and pull the teeth imprints, but my guess is it’s going to be a match to the victim.’ I pulled out a chair, scooting close enough to Spencer so that I could smell his cologne.

 ‘Denise’s death is tied to Sleeping Beauty.’ Alvez slid the book he’d bought back next to the other, ‘we found a miniature spindle wheel underneath her bed next to a few drops of what we assume to be the victims blood. We’ve asked the M.E. To see if there are any wounds on Denise’s fingers that look like they could’ve been made on a spindle wheel.’

 ‘Well this is good, in the sense that we can predict what fairytale the unsub is going to replicate next, but it doesn’t help us with identifying the next victim.’ Tara said, looking over to the clear board at the head of the room, which showcased the crime scene and victim’s pictures.

 ‘There has to be something, other than appearance, that these women have in common.’ Alvez commented, twirling his pen between his fingers.

 ‘And you would be correct, newbie.’ I smiled at the nickname— Alvez had been on the team for almost two years now, yet Garcia still called him that, ‘both women were part of a fairytale online reading club.’

 ‘Are there any other women in the club who look like the first two victims?’ Prentiss asked.

 ‘Great minds think alike my dear Emily, pictures and addresses of the three women who share similar appearances have been sent to your tablets.’

 Our iPad’s beeped before she’d even finished her sentence and we all looked at the pictures, noting their characteristics were eerily similar to Danielle and Denise.

 ‘We should contact the women to warn them and assign them each a protective detail.’ Spence said as I observed the pictures with my lips pursed, hoping I’d have a brain wave and be able to pinpoint a connection. The Sheriff left the room to assign that responsibility to some uniform officers.

 ‘We know who he’s likely going after, but we haven’t figured out why or how he’d have a connection to this—.’ I paused a thought echoing through my brain so astoundingly fast that I felt a little light headed, ‘what if the unsub is a partner to one of these girls? And he’s killing them this way because he resents his partner’s love for this and he’s mocking her?’

 ‘That’s a good idea— maybe one of these girls cheated on him and he’s disparaging her idea of a happy ending?’ Tara added.

 ‘Garcia, have any of these three women recently gotten divorced?’ Spence asked.

 ‘Yes, Regina Kingston, the creator of the book club filed for divorce ten days ago. It hasn’t been finalized yet, but the paperwork was finalized and submitted eight days ago.’ Garcia reeled off, her voice coated with realization.

 ‘That’s the stressor.’ Alvez said as we all begun to stand from around the table.

 ‘Garcia,’ Emily started but our I.T genius cut her off and assured us his name and home address had been sent to us already.

 We all geared up, adding our bullet proof vests and making sure our guns were sufficiently loaded, should they be necessary in his capture. I bit back a yawn as we made our way to the cars—now was not the time to not be one hundred percent focused. We had an unsub to detain, and so I slapped my cheeks a few times during the drive, to make sure I was definitely awake.

 //

 Another yawn fell from my mouth; I’d lost count of how many times I’d done so since we’d got on the jet.

 ‘Woah momma, why are you still awake? I thought you would have dropped off as soon as we got on here.’ Derek commented, his signature smile on his face but the concern in his eyes was just as prominent.

 ‘I tried, every time I close my eyes I keep seeing flashes of the things I need to do when I get home.’ I sighed, though a small bright smile formed on my face when my husband took a seat next to me.

 ‘How is little Gideon Derek?’ JJ asked, taking a seat next to Morgan, ‘do you have anymore pictures?’

 I grinned, my face lighting up at the mention of our little bundle of joy, ‘I have around a hundred new ones I took before we left for this case.’

 I handed her my phone and she scrolled through the images, her smile growing at each new one. Morgan couldn’t help joining in after a while, unable to resist pictures of his godson. I’d caught a glimpse of his home background earlier and I was pretty sure it was the picture JJ had taken of Derek holding the baby for the first time at the hospital. He was a big softie, no matter how hard he tried to appear the opposite.

 I was bought out of my thoughts by Spence’s arm wrapping around my shoulders. I cuddled up into his side, eagerly snuggling into his warmth; I took a deep breath, his familiar and comforting scent relaxing me down to my bones. The voices around me became unfocused as I fell further and further into unconsciousness, the endless list of tasks that had been plaguing me before disappearing now that I was in the arms of my husband. I registered was the low vibration of Spence’s voice as he talked to JJ and Morgan, and the feel of his lips as he kissed my hair. The last thought that filtered through my mind before I surrendered to sleep was how lucky I was to have a husband as amazing as Spencer, a son as wonderful as Gideon and a family as incredible as the people that made up the B.A.U.

 A/N: This one came to me after I watched the episode where JJ returns after maternity leave and has trouble staying awake without being able to drink caffeine. I kind of like how it turned out, I hope you did too!

#spencer reid #spencer reid x reader #spencer reid x you #Criminal Minds