That cursed cat Alastor thing going around is too good, it has me posting messy meme pseudoWIPs like I’m not a chronic perfectionist
Anyway, I’m desperate to know if cursed cat Alastor still owns Husk’s soul and if so, how he holds his cane? A close second was gonna be the microphone dangling from around his neck like a cowbell, but readable silhouettes won out
my favorite part about the dsmp as it currently stands is that since the creators are done they’re over it you can just say whatever the fuck you want. there’s no possible future canon to dispute it. there’s no creator who’s going to step out of the woodworks because they’re not touching that again with a 30 foot pole. i can say the most insane bullshit never be proven wrong and i think that’s beautiful
i’m so sick of writers who proudly proclaim that they don’t read and directors and actors and other filmmakers who smugly say that they rarely watch movies or any artist who acts like an audience is stupid for connecting with their work like what the fuck is wrong with you that you hold such contempt such derision for the art that you have chosen to make the art that so many people dream of the opportunity to make the art that brings meaning and connection to people’s lives it’s unbelievably disrespectful to both your audience and the art-form and if you can’t muster basic respect for either your art-form or your audience then kindly fuck off and do something else
Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
The isolating childhood he experienced riddled with his strict father constantly scolding him.
Despite everything MC is so important to him he wants to see his father again so we can meet.
Idk if this is just me, but does it seem like the Hunger Games movies left out most of the stuff about food in general?
Maybe I just noticed this because in my first read I was worried that all of them were cannibals, but like… in the movies it seems like they were never actually that hungry. Like, we know that Katniss and Gale have to hunt, and that Peeta gave Katniss the bread, but a lot of the details about just how hungry they were to get to those choices were just… gone. And when they’re in the Capitol on the Victory Tour, they mention the vomit-inducer but it was more of an offhand thing. What got me especially though is that in Mockingjay Pt. 2, their time with Tigris appears to be much shorter, but also… she doesn’t feed them! And from what I remember that was fairly significant in the books, especially considering the position they were in.
In the books, hunger was the driving force of the vast majority of decisions they made. Katniss literally spent a good chunk of her first games desperately searching for water—Haymitch rewarded their performances with food—Katniss described every single thing she eats and primarily characterizes new places based on their food (the Capitol and District 13 especially). TBOSAS supports this even further when you see how even people in the Capitol were starving in the aftermath of the war—that’s why sponsors were added to the game!
I just—the whole series is literally about starvation and what it means to be human, but the movies just focused on love and war.