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yuwuta · 16 days

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CAN’T KEEP MY HANDS TO MYSELF (I MEAN I COULD, BUT WHY WOULD I WANT TO?) — JJK BOYS + TOO HOT

featuring. gojo, okkotsu, choso, itadori, fushiguro

content, warnings. playing too hot with the jjk boys—(too hot is a party game in which two people kiss while keeping their hands to themselves; the first person to touch their partner loses), making out, tongue sucking, uhhh slight predator/prey in yuuta’s oops, they’re a bunch of losers to be honest, there’s a word for the thing yuuji does but i don't know it lolol

word count. 1.6k

SATORU GOJO Satoru is prideful, but you also know that he is nothing if not handsy, borderline clingy on his worst days. The concept of personal space is foreign to him, he’s rarely not touching you when you’re in his proximity, and when you aren’t, he closes that gap—so you’re confident that he’ll lose this game.

And he does. It takes ninety-two seconds for Satoru to put his hands on you; his palms cupping your cheeks, forcing your jaw open for him to lick at your tongue. You yelp in surprise, try to take in your victory, taunt that you’ve won, but Satoru’s playing an entirely different game now. “I know, I lost,” he pushes his thumbs at the corners of your mouth, parting your lips and staring at your open mouth. Briefly, his eyes flicker to yours, drinks in your pliant expression, the soft touch of your fingers around his wrists, the feel of your body sinking below him, and he smiles, “But I want something else right now. Indulge me?”

You tap at his right wrist and he moves his thumbs away from your lips, stroking against the soft skin of your cheeks instead so you can speak, “You lost, you’re not supposed to make demands.”

“Take pity on a rookie like me, won’t you?” Satoru hums, tilting his head to kiss your cheek, then closer, just below your bottom lip, “Please, sweets?”

“Depends on what you want,” you pout, but your words are strained against Satoru’s kisses. He grins, guiding a thumb back to your lips, this time pressing past the barrier of your lips until they’re wrapped around his digit, smile turning cheshire when he feels you sucking, “I have a different game we can play instead.”

YUUTA OKKOTSU “Ah, ah—” you pull away from Yuuta, much to his dismay, pulling the hem of your shirt from his grasp, “That counts as touching. You’re not supposed to touch, Yuuta.”

He’s looking at you intensely, gaze bordering on predatory, slow blinking with blown-out pupils. He nods shallowly, moving his hand from where it was to your side, palm pressing into the couch next to your thigh; it lets him that much closer to you, the tip of his nose grazing yours, you can feel his laborious breaths tickle your lips. Yuuta tilts his head ever so slightly and pauses, blinks, waits—for you to make a sound, for you to tell him no again, for you to run.

You don’t. He shifts his weight and positions his other hand to rest at your side, caging you between his arms, slotting you underneath his gaze. You curl underneath him, backing up until you’re pressed against the arm of the couch, until Yuuta’s crawled to slot his knee between your legs. You crane your neck away, but you’re still within his reach, and now you’ve presented the perfect canvas for him. He dips his head into your collarbone, leaves a deceptively soft kiss there before nosing up the expanse of your exposed skin and sinking his teeth into your neck.

Yuuta feels you tense underneath him, body going rigid in a moment of surprise, and then slacking with an exhaled moan, like a bitten bunny. Reflexively, your hands find purchase in his hair, and Yuuta nips over the tender skin, and smiles, “Caught you.”

CHOSO KAMO “You’re nervous,” you conclude, pulling away from the shallow kiss Choso gave you.

Beside you, he’s flushed, a hand coming up to reach at the back of his neck as he replies, “I don’t know why,” he exhales, “It’s just... weird to not touch you. I have to think about not touching you, and that means I have to think, which tends to make me, you know... nervous.”

You giggle, leaning in closer to him, careful not to touch; careful to keep your hips raised above his, even as you straddle him, keep your arms and hands at your sides even though the instinct is to wrap them around Choso’s neck. He doesn’t pull back, even though he should; you like that he doesn’t. “You don’t like to think about me?”

“No—no! Not like that,” he’s too loud for the proximity, sighing in embarrassment shortly after; you’re too close, way too close, and he’s not supposed to touch, but he wants to—Choso doesn’t like this feeling of restraint, of constriction; it’s too close to when he had a hopeless crush on you, to when he was pining and praying you’d spare him the time of day. Isn’t the point of dating that he gets to have you? To touch you, to hold you—to not hold back?

“Because I like to think about you,” you admit, leaning in even closer, pressing a kiss to the base of Choso’s neck—and he whines, “I think about you a lot, Choso.”

The sound of his name from your lips is sweet torture, as is the way you trail your kisses up his neck, up his jaw, behind his ear. Choso’s certain he’s going to rip a hole in his jeans with how taut he’s pulling them between his fists. This isn’t fair—nothing about this is fair. “I don’t want to play anymore,” Choso whines, eyes screwing shut when you suck a hickey onto his collar.

“But we’ve only just started,” you giggle against his skin, “And nobody’s won yet.”

Choso bites his lips, his knuckles are sore, his resolve is weak, and you smell good, you feel good—and he can’t do this. Pathetic, maybe, but he doesn’t care; he didn’t make you yours to try and stay away from you. So, Choso gives in, unwinds his fists, places one hand on your waist, and the other against your back, pulling you flush against him, and burying his face in your neck.

“There, I lose,” he grumbles, not caring for your laughter reverberating against his chest, “Now I can touch you as much as I want.”

YUUJI ITADORI “Th—this isn’t fair,” you tremble, attempting to move away from his kisses, but you’re caged in between Yuuji and the wall. There’s nowhere for you to run, nothing for you to grab purchase onto but Yuuji—nothing to do but lose.

“I didn’t hear any rules against this,” he feigns innocence, suckling at your skin, “Think it’s fair game.”

You close your eyes, trying to focus on something, anything else, but it’s hard when all you can see, all you can feel is Yuuji, Yuuji, Yuuji. Kissing up your neck, at your cheek, then your lips, and you find yourself sighing into his touch, balling your hands into fists to avoid the temptation of cupping his face.

Yuuji moans when he feels your tongue against his, kisses you back fervently, swirling his tongue across yours and into the cavity of your mouth. He inhales all your breaths, makes it impossible for you to do anything but succumb to his kiss, to swallow his moans, to take everything he gives you. You didn’t expect Yuuji to have this much resolve—you’d anticipated a short, cute round of a silly party game, but you should have known better; Yuuji has never lost a challenge before, and you were naive, at best, to think otherwise.

Predictably, it’s you that lets go first, whining when Yuuji sucks on your tongue, hands trembling and reaching to hold him, to cling to him as some kind of recourse, unable to squirm or move anywhere else. That doesn’t stop him—Yuuji only sucks harder, only forces more moans out of you until you’re digging your nails into his shoulders and bending your knees, weak.

Then he pulls back, leaving you breathless, tilting his head up to kiss your forehead and flashing you a grin that’s equal parts boyish and wicked with intent, “I win.”

MEGUMI FUSHIGURO It’s the kind of thing he usually turns down; cliché, fruitless, and unnecessarily time-consuming; but it’s you, so he makes the exception. You’re too eager, positioning yourself to sit on your hands, your legs folded under your knees, peering up at him from where he’s sat slack against the couch, and he thinks you look awful cute on your knees for him.

“Okay, ready?” you smile, “Three, two—” but Megumi already knows his plan, already has his lips on yours before you can say “one,” drinking in your surprised yelp and greedily licking against your tongue when you part your lips to kiss him back. He turns his body towards you slightly, taking advantage of his height and position to bully you into chasing him upwards, to push his tongue into your mouth with ease.

He indulges in the back and forth for a while, sighs into your kisses, groans when you nip at him. It’s when you pull away, that Megumi decides he’s played along long enough; when he can see your chest swell with heaving breaths, see your hands in your lap, neck craned and spit-slick lips that drive him to reach for you. He’s less than gentle, hands finding purchase on your hips, and forcefully pulling you into his lap, ignoring your yelping, choosing to turn them into moans when he sinks his teeth into your neck. Megumi licks, and bites, and bites, and bites, until he’s certain he’s left a mark, until he feels your hands tugging at his hair and giving him permission to splay his palms against your back and buck you forward.

“I lose,” he hums, soothing over raw bitten skin with open-mouthed kisses, “So, how do you wanna punish me?”

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pummelingbat · 5 months

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Persecution Complex, or: "Just You, Me, And The Weight Of Your Dead Girlfriend Between Us"

#reanimator #reanimator 1985 #herbert west #dan cain #danbert #bride of reanimator #my art #this is the only comic piece from my zine im gonna post here i think. im trying to show SOME self restraint.#but im too geeked abt how this one turned out... want to share The Vision #i may get scared and delete. im shy abt my comic writing. but.#have an early installation in the Gay Herbert West Character Study ive been drawing all year.#shoutout to tumblr auto cropping longer posts now. so i at least dont feel inconsiderate formatting this vertically lol.

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shepscapades · 5 months

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49. Moon Waltz - Piano Version — Cojum Dip

Tuna, i don't know HOW you picked this song but it's literally one of the most heart wrenching things on dbhc Tango's playlist so. congratulations. i think <3 I think I said ages ago in some tags that Tango was about to get the dbhc Etho Angst treatment, and i got very quickly distracted/consumed by Destruction and Doc/Xisuma related Angst, but boy oh boy am i glad i get to finally hit on a little bit of this poor man's trauma LDFKJGDFG

I'l try to keep this brief but. I'm insane enough about the hermitcraft season 8 finale as is, and even more than that i'm crazy enough about Tango's hermitcraft season 8 finale, and then on top of all that, you're telling me a jaded, bitter android whose characterizing moments of anger and failure are carried on his sleeve is the same android who tried to be the hero and save his friends, only to let an oversight be the reason he not only fails, but destroys his body in the process???? ?? ? A machine who isn't supposed to make oversight mistakes???? A machine who somehow let a rabbit be the reason he failed ? ? ??? I dont know what you expected from me other than to be extremely unwell about him and this whole arc in general

The base version of this song is just as good, but something about the piano version gets the vibes just right for these scenes... Something about the waltz-style cheeriness of the vocals contrasting to how horrific the lyrics and situation actually are. Idk man i'm fine don't look at me

#dbhc #dbhc tango #tangotek #hermitcraft #hermitcraft dbh au #hermitcraft s8 finale #moon big #hermitcraft season 8 #hc season 8 #hermitcraft s8 #tango #art escapades #HRAGHARHGHARGH i promise i dont have a million drawings for every song <said yknow like a liar #tw death #tw vast #tw blood #tw technogore #lemme know if i missed any content warnings!#i'm literally so not okay about him. and this snowballed okay.#fun composition turned into “oh let me do some studies so i know what i'm drawing” turned into dramatically lit pieces with full lighting #yes the red is purposeful. dont look at me #my last crazy person rambling thought:#i like that it's unclear if the concept of being 'alive' is 'wrong' is because he's dying #or if it's because he never considered himself alive in a human sense in the first place #i just think. an android who's build for thermo regulation and resisting heat and explosions.#dying to an explosion that split his already-broken shell. making it wayyy too cold #is the most ironic freaking way to slowly loose power. trying to regulate the heat in his body because space is so cold and hes not #built for that.#dbhc music #dbhc art

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alpacacare-archive · 1 year

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an alternative take on the “Gaster's disappearance is the reason papyrus doesn't sleep anymore” headcanon

#undertale #papyrus #sans #gaster #dadster #shitpost #long post #pls id this idk how to do that #i made this instead of studying for my exam next week. boneappletea.#this is my magnum opus #i keep hearing papyrus's 'no im not' the way the 9+10=21 kid said it #i tried to make this look as shitty as possible. my perfectionism was screaming but i really didnt need her to #draw dadster having a mental breakdown #gaster: DONT YOU DARE YOLO AT ME CHILD

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bnnuyboikase · 6 days

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gotham nights

#color study #jason todd #red hood #batfam #dcu #batfamily #trying to draw more bats #i wanna make prints so bad but i dont have the timeeeeee

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crafting-mojo · 2 months

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Oh hey isn't that that guy etho's obsessed with?

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cup-o-noodlez · 1 year

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Spirits & Such family company photoshoot

#sorry for the million different versions #i was picking from like 8. its tragic #i imagine reigen making them pose all extra so he can use it on his atrocious website #poor mob. he just like me fr. praying for him #i actually started this like months ago as a pose study (if you recognize the very heavily referenced pintrest poses non you dont) but ive #been very on and off. chipping away at it and giving up and picking it back up and was finally like ffs i have GOT to finish so i did #when i tell you drawing serizawa’s face and hair was hell. idek why.i redid it like twice and almost scrapped the whole piece because of it.#mp100 #mob psycho 100 #モブサイコ100 #reigen arataka #mp100 reigen #serizawa katsuya #mp100 serizawa #kurata tome #tome kurata #mp100 tome #mp100 ekubo #ekubo #mp100 dimple #mp100 shigeo #mp100 mob #kageyama shigeo #noodlez.art #1k #2k #3k

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inkskinned · 1 year

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the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.

people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.

"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."

the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.

the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.

at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.

"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.

this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.

#also pay plumbers more. and electricians. and other devalued occupations #idk that this makes sense #but im like #people being so fucking pleased with themselves about the fact they can ''fake'' art #n im like #sure #but what if we stop making things for you huh #what if we stop giving u this stuff anymore #what happens to ur ai art? does it keep growing? does it keep making choices?#why do u need to see us as machines?#''i want X to exist but i don't have the skill to do it''#okay spend literally years of your life studying #''i don't want to do that''#okay pay someone who DID do that #''no i don't think it's a real skill''#okay so. YOU can't do it. and a LOT of people can't do it. but you think WE should be able to?#FOR FREE?#either it has value or it dont baby make up ur OWN mind #btw studying here is not used academically. i think if ur like. constantly knitting.#thats studying #do u spend hours reading and find urself taking notes and learning about writing #ur studying #do you follow other artists and spend a lot of your time trying new things (even unsuccessfully)#that's also studying #etc #was weird to write this thing about choices and then be like. wait why DO i like that

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