Tumgik
#if i see anyone tagging this as ship
tedkaczynskiofficial · 6 months
Text
I love Zutara as much as the next girlie, but I think people romanticizing Zuko catching Azula's lightning in the Final Agni Kai are doing Zuko's character a massive disservice. He would have done that for anyone. Not just anyone in the Gaang, anyone.
He did it for the division he ended up getting burned over. He did it for his subordinate that was going to fall to his death after the ship was struck by lightning. He did it for Lee, when he was kidnapped by Gao. He did it for Iroh, when he confronted his dad and tried to break him out of prison. He did it for the whole Gaang at the Western Air Temple. He did it for Sokka, Suki, and Hakoda at the Boiling Rock.
His whole character revolves around saving everyone else first. Hell, he tried to save Zhao of all people! There's no way that would have gone well for Zuko if Zhao had actually taken his hand. He always does what he thinks is right first before considering his own safety.
Zuko always saves other people. Even if, especially if, he can't save himself.
4K notes · View notes
rubikor · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
would you hold my face softly and tell me it will be alright?
1K notes · View notes
ascesabo · 4 months
Text
the great irony of early one piece antagonists believing zoro was the actual captain and using luffy as a puppet ... oda really threw us a bone and curb-stomped it right in our faces. yes, zoro could be a captain in his own right. yes, zoro could match luffy in strength. yes, zoro knows this perfectly well. and you know what? he chose luffy two years ago, and he will continue to choose luffy again and again. roronoa zoro, the pirate hunter, who followed a wannabe pirate with a nonexistent crew on a whim because luffy brought him his swords and made a half-assed attempt at a bargain. zoro, who made a vow to never lose again on both his and luffy's honor. zoro, who told luffy he'd make him commit harakiri if he got in the way of zoro's goal, only to turn around and be willing to sacrifice his dream if it means that luffy reaches his. zoro, who stood in place and took luffy's pain and told a warlord to take his head instead of luffy's, who got down on his knees before his supposed rival and begged mihawk to mentor him so that he could return strong enough to protect his captain. zoro, who has conqueror's haki- a natural born leader- but chooses to stay at the right hand of a man he has deemed greater than himself.
and the thing that luffy fears most? being alone. being rejected. being left behind. and what should have been his foil- the pirate hunter to his pirate king, the nonbeliever to his divine, the king of hell to his sun god- instead becomes his first and most devout follower; the one who demands to follow him to hell and back. oughhhggg i'm sick to my stomach
1K notes · View notes
dungeonmechoui · 2 months
Text
Tumblr media Tumblr media
Unprofessional yuri save me.. save me unprofessional yuri.. (image description in alt text)
613 notes · View notes
kaladinkholins · 2 months
Text
Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
Tumblr media Tumblr media
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Tumblr media
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
Tumblr media Tumblr media
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Tumblr media
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Tumblr media
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
Tumblr media
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
Tumblr media
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
Tumblr media
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Tumblr media
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
Tumblr media
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
Tumblr media Tumblr media
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
Tumblr media Tumblr media
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
Tumblr media Tumblr media
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
660 notes · View notes
overlymetaromantic · 2 months
Text
Tumblr media
I will admit, I am currently anime-only for Dungeon Meshi at the moment, but this is the broad impression of Kabru that I've gotten from the fandom so far, and I have to say, I am very much looking forward to this man's anguish and mental suffering ✨
712 notes · View notes
henreyettah · 11 months
Text
Tumblr media
Warden and Scholar
2K notes · View notes
suntails · 8 months
Text
Tumblr media
a living bolt ⚡
691 notes · View notes
hestiashand · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
some much needed hugs for naruto…..
[ ID: 5 different half body digital drawings of naruto hugging other people. first is naruto hugging sasuke from behind. the viewer is facing their backs, and narutos face is turned away. sasuke is holding naruto’s hand over his shoulder. second is iruka hugging academy aged naruto tightly. they both look upset like iruka is comforting naruto. third is naruto and sakura sitting and taking a nap together. naruto leans into sakura and hugs her arms which are wrapped around him. fourth is sai and naruto hugging, naruto with his back to the viewer. sai grips narutos shirt tightly. fifth is a side view of naruto and gaara hugging, narutos face is obscured. the backgrounds are all the same off-white. the one with sakura has a tree that the two are leaning against, and the one with gaara has the outside of sunagakure. the others all have an enlarged copy of the lineart. END ID. ]
[ ID: 5 different half body digital drawings of naruto hugging and being hugged by other people. first is naruto hugging sasuke from behind. the viewer is facing their backs, and narutos face is turned away. sasuke is holding naruto’s hand over his shoulder. sasuke is drawn pale with a scar on his chin, and an industrial and lobe piercing. he wears a blue sweatshirt and black pants. naruto is drawn brown with light freckles and is wearing an oversized beige tshirt and pink shorts. second is iruka hugging academy aged naruto tightly. they both seem upset like iruka is comforting naruto. iruka is drawn brown and wears a light brown longsleeve with striped sleeves, brown jeans and gold dangle earrings. his nails are painted pink. naruto is wearing his goggles and and orange tshirt. third is naruto and sakura sitting and taking a nap together. naruto leans into sakura and hugs her arms which are wrapped around him. sakura leans her head on top of narutos. sakura is drawn blasian with coily hair, a gold septum ring and eyebrow piercing. she wears a pink sweatshirt and brown jeans with designs. naruto wears an orange headband, a blue hoodie and orange sweatpants. fourth is sai and naruto hugging, naruto with his back to the viewer. sai grips narutos shirt tightly. sai is drawn pale with a large mole underneath his eye. he wear a black croptop and sweatpants. naruto wears a pink tshirt and grey jorts. fifth is a side view of naruto and gaara hugging, narutos face is obscured. gaara is drawn tan with super light freckles, multiple silver piercings, a couple moles and a beige sweatshirt with shukakus pattern on on the arms. naruto wears a light green sweatshirt and his nails are painted purple. the backgrounds are all the same off-white. the one with sakura has a tree that the two are leaning against with an open forest behind them, and the one with gaara has the outside of sunagakure. the others all have an enlarged copy of the lineart. END ID. ]
767 notes · View notes
salsflore · 8 months
Text
hii ★ made a uquiz for selfshippers: answer 10 questions and i’ll give you a date with your f/o!
529 notes · View notes
isolophilian · 3 months
Text
the thing i dreaded most from before when the pjo tv show came out was probably having to witness the perachel resurgence. never in a million years did I think we would go down the percy x clarisse route
228 notes · View notes
1pcii · 3 months
Text
platonic zonami idea: when they go out drinking together or generally places together on islands and stuff they'll walk with arms linked. this has multiple benefits;
-Zoro dosnt get lost but is lead where he needs to be by someone he actually trusts.
Tumblr media Tumblr media Tumblr media
(holds these screencaps so close to my heart)
-Nami gets a big 'scary' guard dog that stops rando's from making advances and people from challenging her if a wallet mysteriously disappeares
-same goes for zoro, they beard each other
-they both like physical contact with no underlying motives and are best friends who like hanging out. fight me
228 notes · View notes
itsnicsalad · 1 year
Text
Tumblr media
they have historyyyyyyyy at least i like to think they do lol
2K notes · View notes
zareleonis · 5 months
Text
Tumblr media Tumblr media
A little clarification on how Neuvillette addresses Furina in her story quest—in English it's rendered as "Miss Furina," and shortly after "Lady Furina," implying he uses a different honorific each time.
However, in both these lines Neuvillette actually uses 女士/nǚshì, the same way he has always addressed Furina in the past, barring the instances where he only uses her name, which he only does in private and generally not to her face.
When Furina asks the NPCs in the quest to stop calling her "Lady Furina," they switch from 大人/dàrén to calling her 女士/nǚshì/Miss Furina. Previously Neuvillette was the only character who called her that. When he did, it was always rendered in English as "Lady Furina," the same as the other more reverent honorific.
So no actual change between them in this regard, just the translation team finding themselves in a bit of a bind over how to translate it going forward where the two are concerned!
233 notes · View notes
actual-changeling · 7 months
Text
bear with me here but i think michael would actually be quite a nice person if they were alone with someone they're not in a power struggle with.
we see what heaven is like, the higher your position, the more influence and power you have over the other angels, archangels included, and being a low ranking angel fucking sucks.
there is michael and uriel hashing it out over gabriel's position and they never STOP doing that, every single time we see them they're still competing to see which one will take the empty throne/have the most to say. it's michael bringing up being duty officer, it's uriel being the one to turn off the alarm with that smug little look and voice, it's the entire scene with the match box - all of it.
gabriel has no one to fight for power and he makes the others feel it. especially his arrogant, almost mocking "you can ask but i don't have to answer". the fact that they all let him go and only belatedly are like "fuck me he doesn't have a desk".
and then how absolutely terrified they all are when they realize who the metatron is. did we do something wrong and suddenly all power struggles with each other fall away because holy shit he can hurt us in a way we cannot (and never would) hurt each other.
i think an interesting little tidbit is also michael's behaviour when they bring the holy water to hell for the trial in season 1. that aura of smug superiority to defend their status and be the person with the most power in the entirety of hell in that moment.
all of this does have a point, and we're getting to it now.
get michael and dagon alone in a room, and, after the initial awkwardness and once they realize there's no reason to play tug of war with power, i am certain they'd bond. angels are lonely, and dagon honestly seems like fun (their fake vomiting gets me every time), and give michael the room to just relax for a fucking second and a person to catch them, and they will.
we see it happen with crowley and aziraphale, we see it with gabriel and beez, even with muriel in their initial conversation in the bookshop.
dagon and michael having somewhat secret meetings because their companies are a fucking mess, and it's nice to share the responsibility with someone, to not have to keep up a mask. a few meetings in, michael's had a horrible day, and right before they leave for heaven, they hesitate.
it's a i don't wanna go back and it's nicer here with you and i'm exhausted and it scares the shit out of them. but there's that moment during which they just look at each other, and dagon is a demon, they're not supposed to feel any good feelings, let alone love or care, yet they reach out and squeeze michael's hand, and they're both so shocked they let it pass without a word.
then michael spreads their wings, dagon mutters "fucking show off" because it isn't actually necessary, and with one last thankful little smile, they're off.
(somewhere in heaven, the metatron gets a sudden headache.)
(somewhere in... somewhere, god smiles)
184 notes · View notes
chrisrin · 10 months
Text
Tumblr media
dirk and rose fusion! inspired by @keeptwistingjunior's design of them.
386 notes · View notes