I don’t care whether it’s seen as platonic or romantic, as either way Wrightworth makes me sick (in a good way).
Like- You’re telling me that Phoenix Wright decided to study law so Miles Edgeworth would be forced to see him again. Purely so he could try and figure out why he had changed so much during the past 15 years.
You’re telling me that Edgeworth flew in a private jet, from a completely different continent, when he was told that Phoenix’s life was in danger.
No matter how their relationship is perceived, you can’t tell me that it’s not a strong/special bond. In the end, they always seem to make their way back to each other; and when they do, they almost instantly fall back into old routines. Sure, they do argue quite a bit, however they do always make up afterwards. In my opinion, them arguing just makes it better. It makes it seem more genuine/human.
Anyways, time to spend my time not sleeping and overthinking their dynamics and crap
186 notes
·
View notes
What makes me really sad is thinking about how the trolls, while still living in the troll tree, had to of tried so hard to normalize things. Trollstice, to me, had to be a thing for roughly 100-150 years at best so many trolls were used to this lifestyle and always made due with what they could. They lived with fear and uncertainty their entire lives without questioning it often. But what confuses me is the timeline we’re presented with for the 1st and 3rd movies, which has lead me to create my own timeline of course ❤️
Brozone happened because it was a good distraction, not only for the young band members but everyone else, too. Their breakup probably happened three years prior to the trolls’ escape. Rosiepuff most likely died a year prior to escape. Poppy was probably about 3 years old during the escape, while Branch was around 4(currently putting Branch at 24 years old, Poppy being 23). SO;
7 years before escape
—Brozone forms consisting of JD, Clay, Floyd, and Bruce
6 years before escape
—Brozone’s first official concert
—Branch is born
5 years before escape
—Brozone starts to gain more popularity in mainstream media; not yet at the height of their fame
4 years before escape
—Brozone is the number 1 boy band in the troll tree
—Branch joins the band
—Poppy is born
—A meeting to plan their escape is organized
3 years before escape
—First ever Brozone tree wide tour
—Brozone breaks up, the brothers split up; the band fades away into obscurity
—The tunnel plan officially begins
2 years before escape
—Branch joins Kismet with other young trolls around his age to cope
—The escape tunnel is nearly complete
1 year before escape
—Rosiepuff dies
—Branch turns gray
—Kismet breaks up
—The tunnel is finished, phase 2 in the plan begins in time for next Trollstice
272 notes
·
View notes
one thing that struck me about today’s BSD season 4 episode (aside from the world-turning-to colour moment, which was super dope!), was the use of levels and positioning. in particular, i’m referring to ranpo’s scene here, where he makes his address to the audience.
first of all, the imagery of him being on a throne directly calls to his self-proclaimed new status as the “world’s greatest detective”. but what’s also interesting is just how high up he is.
it’s not so clear in those first screenshots, but here, you get this very clear view of how high up he is. he’s on the tallest level of the stage, above murakami, the policemen, and the audience.
this whole sequence takes place after fukuzawa hands him those infamous glasses, and tells him that he’s gifted. ranpo believes he’s an ability user, and so, this separates him from the masses in his mind, who are visually represented here by the audience on the ground (including fukuzawa, who hasn’t discovered his ability yet at this stage). and this not only separates him from them — it elevates him. putting him on, not only the stage, but the highest part, emphasises the difference in his self-perception. he is different from the regular ‘monsters’ because he is an ability user: a rarity, an urban legend of sorts.
even here, when the police officer (who is definitely not suspicious at all) comes over to compliment ranpo and fukuzawa, the concept of levels is at play. this police officer is, to our current knowledge, a regular, non-gifted human. he even expresses shock and awe at the fact that he’s in the mere presence of an ability user. ranpo is at the top of the stairs, again, emphasising his position as a gifted ability-user, someone beyond the skills of a regular human.
and ranpo’s (literal) elevation, especially in the stage scene, is also linked to the themes of the play itself, i’d argue. and like, full disclosure that i’m long overdue for a reread of untold origins since my memory is very blurry at best, so i’m just going to be basing this off what the anime does with the play (since, after all, this is a post analysing the relevance of positioning and layers/height/elevation in the anime).
at the start, it’s stated that angels are ‘gifted’ beings — and the word used here is, to my knowledge, the same as the word for ability user (please correct me if i’m wrong!). so the association is immediately established: gifteds — ability users — are strong, beyond human comprehension, and powerful enough to strike a fallen angel down. so that is to say, stronger than the normal, status quo.
there’s religious (largely christian) imagery written all over the stage. at the start, one of the fallen angels in the play is ‘murdered’, and the imagery behind is undoubtedly a nod towards the crucifixion of jesus. and this position and framing here very much reminds me of an altar. especially with murakami’s ‘corpse’ under the (white!) cloth.
ranpo’s position, above everyone, being deliberately above the cross, the centre of the spotlight — it’s almost as if he is some higher being. something there to cast judgement above all. something like… an angel. who are gifted beings, according the play, as he himself believes he is, since he’s been dubbed an ability user by fukuzawa.
indeed, the murder and the play are deeply connected — but so’s the symbolism of ranpo rising above everyone else and the concept of ‘gifteds’/‘ability users’ and the concepts laid out in the play. at least, in my view.
positioning has always been used in the BSD anime to display power dynamics and relations, and it’s a similar concept here. the subtle details make all the difference to the way we view the anime, i think. and that’s the power of visual storytelling!
394 notes
·
View notes
Random au because I can't stop thinking about this:
On the doc Mike and Pac found in the prison said that if Walter Bob completed that specific task he would be free from the jail/no longer a prisoner, right? (MY memory isn't the best so maybe this is a bit wrong but that is what we have for today folks augstwfwywfrqcw)
So
What if one day he finishes the task and Cucorucho with a smile brings him to another federation building and asks him to get into a room
So
Days later Fit is asked to clean a room, no big deal, another day of honest work where he starts lurking around looking for anything that could be useful for him and his mission
And then, in another place that he isn't suppose to be, but that he got into anyway is a... something. In the corner. It's small, it's scared, maybe even trembling a little bit and tired, very tired.
It's an egg.
When he enters, it turns around to face him and Fit freezes for a second because now he can clearly read the name on top of the kid.
"Walter Bob"
Well, he isn't coming out of that building alone.
Also! For fluff purposes! Imagine he bringing him to show Pac and Mike, like, Walter Bob doesn't have the memories of Before but he can't help but feel at ease around those "strangers" and their vibrant, lively energy, especially because they seem to like be around him as well, always full of hugs and itens and new places to show around.
Ramon being a good older brother! Showing him how to explode things and being perfect to bring his more quiet and chaotic side.
The fact that before he couldn’t remember ever having a bed just the cold metal of the cell and the guards shouting and pain and experiments and cold cold cold
But now it's different! Now he has a family, people from everywhere smiling and talking to him and helping and saying strange, kind things like that their house is his as well and that if he ever ever need he could call
And then Forever reforms the NINHO to have another room and Bad calls him to chat while making his buildings and Baghera gives him a bunch of invisible potions so they can hang around listening to gossips and Philza is always chill in letting him visit and Foolish laugh and goof around like nothing could ever go wrong everytime he gets too anxious and Mike and Pac are there and...
And Richas gives him beautiful paintings to put in his room and Dapper show him all his cool animal collection and Leo take him to a train ride and Tallulah helps him to decorate his room and...
And and and
(And the hope is there, it hurts too much to bare sometimes, like it's a knife that already cut him before.
But little by little, with time, the wounds begins to heal)
37 notes
·
View notes
I know that a lot of people think online friendships are silly and don’t hold as much weight as in person friendships, perhaps due to the whole stranger danger stuff which is important to keep in mind of course, but I don’t think that’s true
Maybe it depends on how you view it, like maybe you believe they’re just fun temporary things and don’t think they’re on equal footing as irl friends, just fleeting things to pass time with. But personally I think every type of friendship is meaningful even if it’s online with people you’ve never met in person before, everyone you meet and spend time with contributes a piece into creating newer and newer versions of yourself, like new tastes new interests new perspectives, they’ve touched you in a very notable way and it’s the same for them. It’s just lovely to think about how bonds can form from far distances without once meeting in person, it’s a special thing
55 notes
·
View notes
I like Dazai but tbh I don’t like seeing people portray him and Chuuya as like uwu fun older brother figures for Yumeno. Like Dazai was really contemplating on killing them and Chuuya wasn’t stopping him either. And Yumeno clearly resents Dazai for how he treated them.
Everyone talks about the abuse cycle with Dazai and Aktugawa but I don’t see enough people acknowledge that with Dazai and Yumeno, especially considering that they’re only 13 y/o in the present series. They’re still a child who’s a product of Dazai’s cruelty.
Here’s a long stream of consciousness rant where I ramble about nothing for ten minutes
don’t wanna delete this, don’t wanna post this, but a secret third thing (ie posting it under a cut)
Anon I have THOUGHTS.
about the inherent hierarchy of ability users and how it’s so prevalent throughout BSD yet never addressed directly.
(I do get around to commenting on your ask specifically, but it’s a few paragraphs down)
And the reason your ask made me think of this is because Q was actually the first character who made me begin thinking about this.
See, when Q’s introduced, Dazai says something like “and they have the most vile gift of all; mind control”. The way he says it makes it sound like it’s less his own opinion and more so the common view of things; that any variation of mind control is the most horrendous ability.
Which makes sense, to enter someone’s mind and force them to act against their will is invasive to an extreme. It definitely crosses all the lines, and in a world where mind control exists, it would probably be judged to be equivalent to rape, as both involve forcing someone to physically do what you force them to, without their consent, invading their mind or body in the process.
So we know there’s a stigma against mind control ability users. The moment someone develops an ability like that, they’re bound to become a social outcast. Even their close family and friends may lose trust in them.
We also know that abilities can be grouped as “combative” “general” and “non-combative”. Although it’s not stated outright if this is a common grouping system or rather just one the ADA uses, it would make enough sense for such a set of groupings to be used elsewhere. “Can your ability cause harm? Can it do anything other than cause harm?”
As far as I can recall, this is the only grouping system for abilities that was mentioned so far. And I think it says a lot that the one thing that it’s based on is how much harm an ability can cause.
There also seems to be some stigma against powerful (combative) ability users, claiming that either they’re too overpowered to ever have to work hard or learn skills, or that everything in life must have been easy for them, and they were set for life the moment they discovered their ability.
We see this stigma multiple times, mainly directed towards Atsushi and Chuuya. They both contradict and prove these claims wrong repeatedly, yet there will always be opponents they face who firmly believe these stereotypes.
So we see that stereotyping people based off their abilities is prevalent in the Bungo Stray Dogs world. And then you have characters like Mushitaro, whose ability’s only purpose is to cover up crimes. And character like Kyoka and Fyodor(?), whose abilities can’t do much more than kill. And you’re left wondering where that leaves them, and what chance did they have to not get involved in crime in the first place, with how we could infer this world treats people with abilities like theirs.
And then we have Dazai. The one person who has a fighting chance to see beyond the stereotypes and “ability racism”(?? not really sure what to call prejudice based around superpowers in the Bungo Stray Dogs universe), yet he happens to be the person introducing many of the stereotypes. Of course, you could argue that he has the most experience with ability users and therefore has seen firsthand that these stereotypes are often correct. But that’s besides the point. Back to my first statement about hierarchy.
Dazai exists above the ability hierarchy, because he can shut off any ability at will. The more a person relies on their ability, the more Dazai is a threat to them, putting him far above them on a hierarchal scale. And who tends to rely the most on their abilities? Powerful ability users. The ones who have the most stereotypes against them.
Naturally those are the ones Dazai would end up interacting with most, and given how, in most cases, we can assume they didn’t expect to be dealing with an ability nullifier, they hadn’t planned for this possibility and lost by default. So you can’t really blame Dazia for thinking so low of them, but you also can’t blame them for losing against a variable they had no way of knowing existed in the first place. The stereotypes are incorrect because Nullifier Georg, with negative a million abilities, is an outlier adn should not be counted. [as you can tell I have a favorite Tumblr meme]
BACK TO Q!! BACK TO YOUR ORIGINAL ASK!!
That whole entire scene of retrieving Q makes me think of the inherent heirarchy of ability users, but mainly how Dazai stands above them.
Alone in a room with Q and Chuuya, two of the most powerful ability users who can each single-handedly wipe out a city, Dazai is still able to display his dominance. His point is correct, he can kill Q— and Chuuya’s observation that he (Chuuya) wouldn’t be able to do anything about it is correct as well.
I don’t believe that Dazai had any intention of actually killing Q, nor do I believe that Chuuya didn’t realize that Dazai had no intention of doing so. It came across as a power move. “You’re the most powerful ability user in the city, and they’re the most dangerous, yet neither of you could do anything to stop me at this very moment”.
I’m working on my analysis for chapter 31 at the moment (the chapter where this whole scene happens), and of course I point out how wrong and messed up it is to put a knife to an unconscious child’s throat, regardless of if you intend any harm. But another point I bring up repeatedly in the Anti-Dazai Series is how Dazai has this recurring habit of subtly reminding the characters who aren’t fully in control of their abilities (mainly Atsushi and Chuuya) that he’s their only hope. That he’s the only safety net they have. That he’s the only thing standing between them and losing control and killing all their loved ones. So to follow this pattern, I don’t think it’s a coincidence that he has Chuuya acknowledge outright that there’s nothing he could do, and then a few panels later reminds Chuuya that he’s the only off switch in the world.
so yeah, Dazai’s not “big brother material” for Q.
and neither is Chuuya, at least not in the scenes we saw them together in— he outright admits he despises Q for killing his own people.
Of course everyone can headcanon whatever they want— have fun and enjoy the fandom experience!! But I personally think Q’s just a kid and they deserve better.
18 notes
·
View notes