#if this story doesn't end the way you want it to

[paperclipninja]

I'm gonna sound very old person yells at cloud but I don't care, I feel like I need to say this. We all (well most of us) know that messaging Neil with any headcanons/theories/wishes/hopes/dreams to do with the show is a no-go because it could potentially compromise the story he wants to tell or ends up telling. And yes, he is a grown up who chooses what to respond to etc and I think it's wonderful he engages with fans and answers a lot of lovely and interesting questions about his process, writing and journey etc.

However, there is another reason not to send theories and ideas about how the show should go to the show creator in the hope of a response: it doesn't matter. It doesn't matter whether a theory is correct, or a speculation may or may not play out. That is why fandom exists.

Online fandom is where we all come together to yell and cry and throw around weird-ass ideas and theories and look at art and read fanfic and unite in our love of characters and a show. A huge part of being in fandom, is the way fandom theories become like an understood little bit of fanon lore that some people attach to, others disregard. But it doesn't matter. And part of the fun of fandom, is when a new season or a new episode of the show comes out, you have this collective catalogue of ideas and theories and headcanons and you get to yell and scream, "omg it happened1" or "lol that that thing was ever talked about" or "thank god that theory didn't come to pass".

Wanting to know now (not that we ever will) and not wanting to wait until the next season to find out the answers diminishes the fandom experience. I cannot stress enough how much we are in the absolute peak of the fandom experience right now. The between seasons time is the ultimate time to be a part of a fandom (as I'm sure many people are well aware), knowing there's another season coming energises everyone to create and connect and speculate and it's glorious! I know it feels like it'll be like this forever, but it won't. Next season is the last and yes, there will be a flurry and uptick of all the energy and excitement once again, and I absolutely believe Good Omens fandom will live on and remain active and thrumming. But there won't be theories and what ifs and hunting for clues for the next season, and over time it will dwindle a little and plateau and some people will fall into other fandoms, and while it will probably bubble away, there won't be the anticipation that sits with us now.

My point is, fandom is where we get to throw around ideas and flail and be ridiculous and also serious sometimes, but it's all for us. For the fans. Showing Neil theories or getting in a flap about a particular speculation and asking if x, y, or z might happen isn't just about putting the creator in an awkward spot, it takes away what fandom is about. Just let this time be ours. If you haven't been in fandom before, enjoy it! Don't be in a hurry to seek definitive answers or know things either way.

It doesn't matter if any or none or all of the things that float around end up being correct or incorrect. Fandom isn't about being right. It's about being a part of a community and being able to share ideas and it's about it being FUN.

So TL;DR Stop sending Neil fan ideas because that is for fandom, not for the creator.

#good omens fandom #good omens #just a little rant #sorry I don't normally get ranty but here we are #I'll get off my soap box now

[wolfythewitch]

hi I feel like I've been attempting to interact with your stuff way too much and I'm probably annoying you but I wanted you to see some of my own sketches of your Hadestown au bc it had a chokehold on me yesterday and it wouldn't leave me alone. I decided Elias would be Hermes for several reasons

(You don't have to read this bit if you don't want to lol)

Tim doesn't have anything close to a guide/mentor figure in tma and Elias is probably the only person who a) has a connection to him and b) actively utilises Tim's decisions for his own ends. He's a bitch yes, and his Hermes would be a much more insidious, manipulative one, but there's really nobody else who fits the bill as much as Elias does. He enjoys the tragedy, actively basks in it in fact, and I think while Hermes continues to tell the story hoping that it might end well one day, Elias would tell it knowing that it never will and enjoying the inevitability of it all. He would appear genuine to the other characters, but the audience would know that he's a rat bastard - and this would show through to Tim during "Hey, the big artiste...".

Also I gave Jon a bundle of heliotropes instead of a red carnation bc they signify devoted, undying love and they have a tragic origin derived from an old Greek myth.

enjoy (or don't, whatever floats your boat). your art is very cool and got me to enjoy my own art process for the first time in a very long time so thank you a lot for that :)

Oh this is so cool!! Your style is so pretty and aaa jonmartin dancing <33 I've thought more about Elias as Hermes but I've come to the decision that I don't want the tone to shift that much haha, and Elias being hermes would definitely switch the tone of hadestown needing you to think every time that maybe, maybe this time it will end with a happy ending

#ashaltra #wolfy tedtalks #hadestown au

[take-my-soul-if]

Eros and Psyche IF

TAKE MY SOUL is an 18+ IF game being written in Twine. It's a retelling of the famous story of Eros and Psyche, just... with a few new added twists and turns!

Your sisters married off quick, you didn't. It was hard, harder than necessary for your parents to marry you off. Everyone seemed to kneel at the presence of your beauty but ended up never wanting to stay long enough for something to form.

You were practically a trophy for rich nobles to flaunt around. Cupid had failed you with this one.

Until one night, you felt a prick at your side, a rush of cold air, and suddenly your life flipped upside down when your parents came back to the castle with upsetting news about the rest of your life (or maybe the end of it?)

Customize YOUR own Psyche! Play as female, male, non-binary; straight, bisexual, pansexual, gay; asexual, and even, touch-averse! What hobbies should you have? What beliefs? What religion?

Follow the way the myth is supposed to unfold, or break away and create what you think should happen. Who said the minor god needed to get the person?

Find love in Cupid, or maybe even their mom?

Play as quite literally, one of the most beautiful people roaming Earth

Deal with your two obnoxious older sisters who only want to flaunt their husbands in your face

Enrich yourself in a story filled with new paths at every page and a whole ton of flavor text!

Have the occasional switch of POV, with the starring guest of Aphrodite, the Orcale?, and even your own love interest

CUPID

The god of love, albeit a minor one, but a god nonetheless. You've never seen them, as Eros likes to stay hidden whilst casting their arrows. But, from what your tutors teach you, they have these massive angel wings that preen out whenever they get into something mischievous. Cloth wraps around their naked body, Eros doesn't leave much to the imagination. However, in some readings, Eros is depicted as a female with hip-length black hair, while in others, the male version likes to keep it cropped and out of his way.

this is a draft! more romances may be introduced in the future, but currently, im sticking with Eros

DEMO COMING MAY 2ND!

#interactive fiction #twine if #if wip #interactive novel #if game

[leclercings]

Meeting the Sainzs | Carlos Sainz x Reader

Genre: Fluff

Pairing: Carlos Sainz x girlfriend!Reader

A/N: I tweaked it a little bit, but this was really fun to write.

You stand in front of your boyfriend's house. A little bit excited, but mostly daunted.

Your boyfriend, Carlos Sainz is an F1 driver from Spain.

You think about the time you first met. You were an F1 journalist for your magazine and when you interviewed him for the first time, sparks flew. After that, you both were inseparable.

But his family doesn't think so. You've met them in bits and pieces- just shy hellos and goodbyes, and they've always judged you.

Or so you think.

This is the first time officially that they've invited you for dinner. And that is why, you are daunted.

You don't want to mess it up, you don't want to sound stupid and definitely don't want to sound like a golddigger.

Of course you can't tell this to Carlos. He offered to pick you up but you refused- saying you could drive from the hotel to his house. You ended up getting lost on the way and being an hour late, for which you've apologized profusely and brought some wine on the way as a thank you.

You take a deep breath in.

You got this.

You ring the bell, and wait. You can feel the sweat trickle down your makeup laden face, it's so hot and also you're super nervous.

The door opens to reveal Carlos.

“Y/N! You made it.” He gives you a peck on the lips.

He walks you inside to the dining area, where everyone is sitting, waiting for you.

There's his dad, mom, both his sisters, their husbands and his cousin along with his wife.

You wave a shy hi.

“Hello, dear,” his dad comes up and hugs you. His dad really adores you, because he's seen you taking interviews.

His mom, and sisters, not so much. They wave a polite hello and go back to their own world.

You feel a little hurt. Carlos doesn't see it, or if he does, he pretends to ignore it.

“Come sit with us,” his cousin Carlos, tells you.

“How're you finding Madrid so far?” He asks you.

“Great,” you reply.

“Mi amor, here's some wine for you.”

You take the glass from Carlos gratefully.

“Everyone, let's have dinner,” his mother says.

You all line up in front of the table.

Everyone lines up at their seat and you're confused as to where to sit. There are two chairs empty but they're not next to each other. You stand there awkwardly as Reyes, his mother, goes to the kitchen.

“¿Por qué incluso la ha invitado?” His sister, Ana whispers. But she's standing so close to you and you hear it.

What they don't know is that you know a little bit of Spanish.

“Chicas, no sean tan groseras.” Carlos replies back as he sees your expression.

He whispers something in his cousin's ear and his cousin empties the seat next to Carlos.

“Let's sit, mi amor.” Carlos gestures you and you follow his movement.

Blanca rolls her eyes. Reyes comes back from the kitchen and looks at you, sighing.

Dinner is lively. You're mostly talking to Carlos and his cousin's wife, and sometimes Carlos’s dad pitches in.

Suddenly Carlos starts coughing.

“Carlos, honey, are you okay?”

He nods.

“I'll get you some water,” you hurriedly get up and go to the kitchen to get some water. Reyes follows you.

“You didn't have to get up, love,” she says, as you're standing in the kitchen trying to figure out where the cold water is. Reyes opens the fridge and motions you to follow her.

Her expression is soft, almost apologetic.

You give the water to Carlos who mumbles a quiet ‘thanks’.

“So tell me, Y/N,” Ana, his sister, pauses, and takes a sip of her wine, “how did you meet Carlos?”

Both of you smile. You stare at each other and you nod at Carlos to take the lead.

His dad and cousin are smiling too. They've heard this story a million times.

“So, Y/N, had to interview me at the hotel, but as always, she couldn't figure out which room to go into so she ended up somewhere else and I was somewhere else.”

You laugh.

“He waited around 15 minutes for me and I rushed in, frantically apologizing for being late.” You continue.

“I was smitten the moment I met her, it didn't matter whether she was late or not.”

Carlos puts his arm around you and kisses you. You blush a little.

“She's been my support through and through,” Carlos continues.

You remember the time when you had been with him during the surgery. Taking out time from your job was a little tough, but you made sure to be there for him whenever time allowed.

“And you've been mine,” you respond back, smiling.

Anybody can see how much you both love each other.

Dinner ends. You're helping to clean up. Ana, Blanca, Reyes and you work in the kitchen silently.

“Thank you for inviting me,” you say, breaking the silence while handing Reyes the plates as she puts them in the dishwasher.

“You're welcome, sweetie.” She replies.

“So tell me, Y/N, how's your job going?”

“Amazing. I love travelling, the interaction, and of course, spending time with Carlos. My job is too demanding, but worth it.”

The way you speak about Carlos, the way you say his name with so much love and compassion- both his sisters can see it.

They smile at you.

“We're glad you're here,” Ana speaks up.

You frown, remembering her initial statement but you've decided to forgive her. She's just being protective of her brother, that's all.

“I'm glad too,” you smile at her.

Meeting a significant other's family is quite challenging, especially when it's someone famous. You're not sure what is there in store for you but you're happy that Carlos is by your side- and hopefully his family too.

#f1 #formula 1 #carlos sainz x female reader #carlos sainz x y/n #carlos sainz x you #carlos sainz x reader #carlos sainz #cs55 x you #cs55 imagine #cs55 fluff #cs55 x reader #cs55 fic #cs55 #cs55 leclercings #f1 x female reader #f1 one shot #f1 x y/n #f1 x you #f1 x reader #cs 55 leclercings

[lightlycareless]

I keep thinking of naoya making a fool of himself around y/n and y/n just being confused (idk) like he tries to get her to like him but it doesn’t turn out well😭 , idk if that made sense sorry!!😔

Hello!!

Awww this was really sweet to think about, however I got confused in the end and made it somewhat of a happy ending lmao.

Well, I still hope you like it!! (If anyone wants angst tho, I do recommend reading my valentine's day special. But I too been wanting to write something heart clenching for a while, might get onto it....)

warnings: highschool au. naoya likes you but he doesn't know how to approach you. he is ridiculous.

Happy reading!!

A silly Naoya is more like an overconfident Naoya, the type of guy that will never stop bragging about ANYTHING just to make you look his way.

It's certainly worse when he's barely starting to acknowledge his feelings, getting to that point where he finally says "I think I like her."

To stand out and get your attention is something Naoya never thought he'd need to do, simply believing that his title as heir of the Zen'in and his outstanding achievements as sorcerer would've done the trick—but they didn't, and now, he had to put in the work.

Thus, the borderline ridiculous demonstrations of his persona, courtesy of Ranta's advice; though if it’s worth anything, this is not what he envisioned.

"Can you believe he didn't want to accept my assignment only because I didn't hand it over in a folder? That's so stupid, can't wait to get him fired as soon as I—"

"Wait, Naoya, Y/N's coming!"

"ANYWAYS I WENT TO THE MALL THE OTHER DAY TO THIS LUXURIOUS STORE AND BOUGHT JUST ABOUT EVERYTHING THERE AND STILL HAD MONEY TO SPARE, GEE WHY IS EVERYTHING SO CHEAP NOWADAYS??? AND PEOPLE STILL COMPLAIN ABOUT THE ECONOMY!! I JUST WISH I HAD SOMEONE TO SHARE ALL MY MONEY WITH—did she look??? Did she turn around to see me??"

Ranta sighs.

"No."

"Ughghhhhhhh what do I need to do to make her see me?!"

Though frustrated, he does not give up.

"—yeah, I think we're going to this super expensive resort for the weekend. I personally preferred to travel out of the country, but you know how my father is, lazy as always. If it were up to that old man we’d never leave the—and now??? Did that work?? Is she looking??"

But the results are the same.

Naoya would keep on trying, loudly proclaiming things that in his mind would eventually earn him your interest, or at least a simple glance….

Until he, eventually of course, tires himself out. Sorrowfully finding that his endeavors had been nothing but fruitless as you continue living your own life, without Naoya in your consideration.

You’re slowly becoming someone unreachable to his grasp, and while he doesn’t plan on giving up just yet, he does intend to take a break, maybe reconsider his possibilities… before coming to a conclusion where you might not be involved anymore.

And what better way to clear his mind than indulging in one of his favorite activities—secluding himself at the rooftop of the school building to read the newest release of his favorite manga.

Unaware that someone else might be there, coincidentally… the person he wished nothing more than to be with.

"What are you reading?" You'd ask upon noticing the intense stare of the young, somewhat handsome man, he’s giving his magazine.

"Do you mind? I'm bus—o-oh!" He freezes upon realizing it was the girl of his dreams talking to him, cheeks burning red as he closes the manga and looks away. “Don’t—Don't you know it's rude to sneak up on someone like that?!"

"Ah, sorry!" You chuckle, slightly embarrassed. "I didn't mean to startle you, it's just that you looked so concentrated, I couldn’t help but to be intrigued! Is your story really interesting?"

"...it is" Naoya murmurs, gaze returning to you—he almost glances away yet again at your closeness, but your beauty makes it almost impossible to do so. "It's the latest chapter, I waited a whole month to read it."

“A whole month…?” you repeat. “Wow.”

“Yeah, it was a long time—"

“Hmmm, not quite.” You teased. “I’ve waited years just to see the continuation of my favorite series! Talk about dedication.”

“Huh, well, I don’t think it’s the same—this felt worse because of how good it is.”

“Really? I don’t know, I can’t believe you—I have to see what you’re reading for that. You grin, he smirks.

“Is that so? Then don’t let me stop you from finding the truth.”

And Naoya happily obliges, both excited to share one of the things he enjoys the most with the person he adores most, as well as the fact that you’re finally setting your eyes on him! After all this time!

He considered it to be incredibly unexpected, and perhaps a bit silly how it came to be, unable to believe that it took so little to impress you.

But as soppy as it sounds, there is truth in admitting that there is no better way to get someone to like you, than by being yourself.

omg that was so fluffy agkjasjghasjkghjsa cheesy too ahahahahah damn I surprised myself for sure!!

Rest assured, you heard Naoya do all of those things and consistently thought "Is he ok? Why is he yelling?"

After the two begin to date you'll tell him how weird it was of him to do all that hahahah though... "You didn't have to do that, I already liked you." Naoya feels even sillier :^)

Anyways, I hope you liked it!! I'm sorry this didn't end up in a sad note, I read the request very quickly and ended up understanding you only wanted an interpretation of Naoya being silly—though I do want to write something sad between the two, him messing up and all that. Luckily, I have the perfect excuse for that through other asks hehehehehe

Thank you so much for sending in this ask and for your patience!! Take care, and hope to see you soon ❤️❤️❤️❤️

#ask #naoya zenin #naoya zen'in #naoya x reader #naoya zenin x reader #naoya zenin x you #jjk naoya #naoya zen'in x reader #jjk x reader #jjk fluff #jjk x you #prompt series: jujutsu kaisen

[awakeskydoesntdraw]

Posting in this blog after an eternity because I feel like I'm going insane here and my friends are asleep so I need to dump my brainstorm SOMEWHERE (SPOILERS FOR ARLECCHINO'S BACKSTORY/SHORT ANIMATION!!)

The TLDR is basically I think that the whole story with Arlecchino and Clervie is foreshadowing for whatever is about to happen with Lyney and Lynette

I think the parallels between Lyney and Arle don't need to be too explained for the most part. Pyro Visions, Arle wants him to be the next "king" while he doesn't seem to be too into that idea just like her younger self didn't want it, both are associated with Rainbow Roses (they both use them as ascension materials)

Plus, I'd argue they look kinda similar here. I'm not sure exactly what is that makes the resemblance, maybe a bit of the hair, bowtie and shorts and you could say it's something she has with the others too (her kid design resembles Freminet, current one Lynette) but I thought it was good to mention anyways

Meanwhile, Lynette and Clervie are the two closest companions to their respective pair

Lynette's has Lumidouce Bells as an ascension material. Clervie is very clearly represented with the same flower (if her necklace wasn't enough, there's this)

Plus, a bit of a smaller connection, but they both have clear sweet tooths

(Lyney saying "we talked about this" implies this is a frequent event. The animation showing Clervie with cake twice while it only had 7 minutes to tell the whole story has a similar effect)

So, if Lyney is a parallel to Arle while Lynette is a parallel to Clervie, where does this leave us?

Well... Not exactly in a good spot-

To be fair, I don't think Genshin would actually kill a playable character (or at least, so I hope), but it's very possible Lynette gets really hurt, either directly by Lyney or by being close to him

Arlecchino swore to be nothing like her mother, but in the end, the way she's acting towards Lyney by wanting to make him the next king may be very similar to it

Once upon a story quest, Lyney said similar words to a woman who claimed he'd end up all alone. I can only pray that the writers will have mercy at my soul and that they wouldn't go that low with a playable character

If I were to make a mildly self indulgent guess, as the Freminet main I am, I'd say that he may be the key that's going to make things turn out different for the twins. His presence is the biggest difference between the twins vs Arle and Clervie, who seemed to have no one else that was even mildly close to them. From the 4.6 trailer we know that he's the one that has been hiding stuff and we do see him blocking out Arle's attack, so I don't think it's a stretch to say he'll have a really important role in this whole thing

So yeah! If you read all my rambling, thanks I guess, hope you enjoyed it. In the end, all I can hope is that the Fontaine siblings all turn out fine for the sake of my own mental wellness because God knows these 3 stay all day spinning in my head as if it was a microwave

Also, for the record: No, I don't have a clue about what the hell is going on with Freminet apparently finding "Clervie" (ghost?? Illusion??) and hiding her from Arle. Until this short my best shot was that she was some sort of mermaid creature, but that idea is out the window so it could be anything really

#I don't know how right I am with any of this #I may end up deleting this after I sleep #i just think too much about characters I like #I know a lot of people interpret Arle and Clervie as something completely different but I just cant ignore the parallels in my mind #all i hope is that I'm not alone in going insane connecting dots that may not even exist lol #genshin impact #genshin #arlecchino #the knave #clervie #peruere #lyney #lynette #freminet if you squint #rambling #theory #genshin theory #my posts

[orionsangel86]

Lucienne/Lucien - How the Librarian Became the Chief.

In The Sandman Netflix adaptation Lucienne is a stand out character and second only to Morpheus in importance, screen time, and centrality to the story. Lucienne is Morpheus's loyal Librarian, second in command, ruler of the Dreaming in his absence, and often times a voice of reason and advice for our dutiful King of Dreams. She is so well respected in her position that the other castle residents consider her their boss and would rather go to her for guidance and command than Morpheus himself. She takes care of Dream's ravens and even appears to have the power to create new ravens from newly deceased mortals like she did with Matthew. She is clearly extremely close to Morpheus, and is one of very few people he seems to actually listen to and trust. Lucienne's role in this story can not be underestimated.

So it may come as a surprise to any fans of the show who haven't read the comics to learn that Lucien (as he is called in the comics) is afforded very few of the above traits. In fact Lucien is no where near as close to Morpheus even by the very end of the story, as Lucienne is at the beginning. It is this difference that has fascinated me since I first started diving into the comics after falling in love with the show, and its something I view as extremely important when considering how the story is being adapted into a kinder, more sympathetic universe surrounding our central protagonist.

Lucienne's role is expanded greatly from her comic counterpart, and her relationship with Morpheus is shown to be much deeper. This is evident practically right away at the end of episode one when Lucienne comes to greet Morpheus upon his return to the Dreaming following his escape.

The way she runs over to him as soon as she realises he is back, and lovingly takes his hand and is so pleased to see him is a far cry from the comic where the first thing Lucien does is bow.

So right at the start we see a very different form of relationship here. Where Lucienne is already displaying a level of care and devotion beyond the expectations of a servant, Lucien however, is exactly that.

The servant thing has caused a bit of contention among fandom in the past. I think the confusion could come from whether or not you see Lucien or Lucienne first. Lucien IS a servant of Dream. Lucienne is more like a vice president and royal advisor. Those are two very different things after all and that difference only becomes more obvious the further you go into the story.

Lucienne accompanies Morpheus throughout his return to his crumbling kingdom, helps him as he attempt to repair the damage, follows him to Cain and Abel, and watches over his meeting with the Fates. She is by his side from the moment he returns until the moment he leaves again for the waking world to begin his quest to recover his tools, and she is responsible for Matthew's reincarnation as the new Raven and instructs Matthew to stay with him because of her concern for Morpheus's wellbeing on his quest.

I cannot stress enough how much none of this is in the comics. Lucienne shows a level of care towards Morpheus that just isn't present in Lucien in the comics. After the first meeting with Lucien at the gates of the Dreaming, Lucien doesn't appear again until he is instructed by Morpheus to conduct the census of the Dreaming. He only appears again in the Doll's House very briefly and has no involvement in Morpheus's decisions during that arc, which takes place very rarely in the Dreaming.

That's not to say that Lucien isn't a very trusted servant of Morpheus. He is the closest to Morpheus of all the residents of the Dreaming except only Matthew. But I think a lot of what we see in the show of Morpheus and Lucienne's dynamic is inspired by much later in the comics. I also think that it speaks loudly to the change in Morpheus as a character. Show!Morpheus has people almost right away who care about him and want to help him, whereas comic!Morpheus is extremely isolated. It is clear in the early comic stories that comic!Morpheus keeps himself at arms length from basically everyone. He does not have a bond with Lucien, he did not have Jessamy, and at that early stage, he didn't even have Matthew. All of this of course was primarily to make show!Morpheus a more sympathetic and likeable character - you gotta give your protagonist people who care about them, it helps raise the stakes after all.

Taking Charge - Lucienne is the real boss

One of my favourite parts of the Dolls House episodes in the Netflix show is the conflict between Morpheus and Lucienne due to the other residence and Dreaming servants going to her for advice and instruction first rather than Morpheus. Bearing in mind this only takes place less than a year after Morpheus's return from imprisonment, it speaks volumes as to how Lucienne has taken the role of leader of the Dreaming in her stride.

But it also indicates how Morpheus' change in the show is coming at lightening fast speed compared to the comic. In the comic, Mervyn doesn't make these observations until the Brief Lives arc, and this is indicated at that point to be a very new thing - triggered by several years post fish bowl of having to face his past decisions and mistakes (and a string of scorned ex lovers one after the other ending in a horribly matched rebound relationship with a murderous witch that subsequently rejected him and triggered him literally seeking out destruction). Lucien was only put in charge of the Dreaming when Morpheus left to go on his trip with Delirium. It is during that trip that Morpheus realises how competent Lucien is and capable of running things without problem in his absence.

Mervyn's insights are made clear here:

This is the only time in the comic that anyone dares mention that someone other than Morpheus might be the boss - and it is in no way as directly spelled out as it is in the show. "You're practically running the place" and "you secretly run this place" are quite different statements. The first only makes an observation about Morpheus's current lack of interest (in Brief Lives) in actually running his realm. It implies that Lucien is doing Morpheus' job for him, but does not go as far as to outright call Lucien the boss. Whereas in the show, that's exactly what Mervyn does.

In the comic, Morpheus overhears Mervyn's speech and immediately points out his reasoning for leaving Lucien in charge, for promoting him and giving him more authority.

Because no one ever technically undermines Morpheus in the comic, there is no conflict here. Morpheus trusts Lucien as his loyal servant and gives him the power to rule in his stead (but only when he is absent) and there is no "secretly report to Lucien first" attitude among Matthew and Mervyn. We can perhaps interpret that this might be happening behind the scenes by this point in Brief Lives, or even just before the BL arc when Morpheus was distracted by his rebound murderess, but it is never actually directly stated that this is going on.

The tension between Morpheus and Lucienne in the show is born out of the conflict over Lucienne's position and Morpheus feeling undermined by his subjects, and its storytelling gold. But the only reason such a story works in the show is because Lucienne is so important to Morpheus in the show, because their relationship goes so much deeper than the relationship in the comic. Lucienne is not a servant, she's his god damn vice president and she knows it, and he knows it too. Throughout episodes 7 and 8 specifically he reaches out to her for her opinion and advice on the Vortex situation. He talks things through with her and seeks out her guidance. It is clear that he relies on her and it is only at the end of episode 8 when Lucienne disagrees with his punishment of Gault, that in his anger, he dismisses her.

Lucien/ne the Royal Advisor

Where Morpheus in the show seeks out Lucienne's advice and opinion frequently especially during the Doll's House arc, I have to stress that this never happens in the comic. Comic!Morpheus just does not have that kind of relationship with Lucien and does not seek his counsel at all, even though Lucien does try to give it on occassion, usually when Morpheus is about to do something extremely stupid and probably damaging to himself and the Dreaming. To name a couple times:

Season of Mists - before Morpheus returns to Hell:

Brief Lives - before seeking Destruction:

You'll note that in both these times Lucien's words of caution are completely ignored.

You'll also notice that in both times Lucien is taking a path of polite caution. Lucien very rarely speaks his mind to Morpheus, because he knows it won't get him very far to do so. The only time Lucien truly loses his cool and speaks freely is in The Kindly Ones (spoiler alert)

At this point in the comic story Morpheus has basically all but given up and accepted his fate and its fucking depressing AF. Lucien is well within his right to shake the bastard HARD and snap him TF out of it. I STILL think he was too restrained here tbh!

My point here is that Lucienne already speaks her mind quite freely around Morpheus in the show. She expresses her opinions and thoughts and gives him her advice. This is such a well established dynamic by the point of the argument that it is clear that Lucienne is offended by Morpheus's dismissal of her.

Take this exchange from episode 9:

Lucienne: "Rose is weakening the walls between realms" Matthew: "You gonna tell the Boss?" Lucienne: "No." Matthew: "No?" Lucienne: "It's none of my business." Matthew: "Er, since WHEN?" Lucienne: "Since Lord Morpheus reminded me that I'm merely a librarian and should concern myself with my books from now on." Matthew: "He said that?! What's wrong with him!" Lucienne: "Nothing is wrong with him. He's always been this way. He's just been away so long I'd forgotten. He's determined to deal with the vortex and the missing Arcana by himself. Without anyones help. So any news must be reported directly and exclusively to him."

It's worth pointing out here that whilst this is framed as Morpheus being a stubborn idiot, in the comic, he does in fact deal with the vortex and the missing Arcana by himself mostly and is not so much helped but saved at the last moment by Unity Kinkaid who realises what is happening in a dream and goes to save Rose, which also saves Morpheus from Desire's trap.

In the show, Morpheus has people who care enough about him and his realm to want to get involved and help him, not out of a desire to undermine him, but simply because they care about him. That is a drastic change from the comic at this point. Morpheus in the comic is constantly shown to be struggling under the burden of his own responsibilities and this is highlighted by the fact that he doesn't really get any support or assistance, and is far too prideful to ask for it. Lucien gets the promotion and chance to rule in his absence, but it is never framed as a job he shares with Morpheus - at no point does Lucien take the burden of his responsibilities off of him. This is no Samwise Gamgee "I can carry you" moment unfortunately. Lucien does not have the power nor the bond with Morpheus to undertake such a task because Morpheus keeps him at arms length throughout the comics - but Lucienne? Well, time will tell how that may change.

An Apology from the King

In a shock horror twist that comic!Morpheus would sooner die than do himself (ha) the great emo King of the Netflix universe gives Lucienne an apology for his behaviour (sort of).

Episode 9 displays the tension between Morpheus and Lucienne following their "break up" perfectly. Morpheus is clearly in the wrong, and Lucienne is clearly hurt by his dismissal of her support. Yet even after the fight, he still seeks out her advice in determining the cause of the disturbances in the Dreaming. He goes to her first before investigating himself (something that comic!Morpheus wouldn't even consider doing) and is surprisingly capable in swallowing his pride here even though it is clearly a struggle for him.

Later in the episode, once he realises that Lucienne was right about the disturbances, he seeks her out to tell her so, and to confirm that she was right and he was wrong. This is again something that I can't fathom comic!Morpheus doing, even nearer the end of the story I don't believe he does so, certainly not to Lucien. Fiddlers Green drums this point home when he says this:

Fiddlers Green: "... still his time there appears to have changed him as it has changed me." Lucienne: "How so?" Fiddlers Green: "Lucienne, he came to you and told you he was wrong. It was very nearly an apology. The Morpheus I knew was incapable of that."

This further reinforces not just how much Morpheus has changed in a short time, but also how much he respects and cares about Lucienne and their continued relationship.

Platonic Life Partners? Co Ruler and Closest Confident of the Dream King

When I set out to write this meta, it was with the aim to highlight Lucienne's elevated role from her comic counterpart. To try to stress the importance of her character in the show and what this means for the future of the story in the show. By the end of the last episode, Lucienne is practically granted co-ruler status of the Dreaming while Morpheus works on his creations. He asks her if she can "take care of things while he works" which she agrees "with pleasure".

I just... I can NOT stress ENOUGH how much comic!Morpheus needed this person in his life. Even though Lucien looks after the Dreaming whilst Morpheus is away in Season of Mists and Brief Lives, it is always as a last resort with Morpheus continuing to check in on Lucien during Brief Lives as if he expects trouble, and he always seems a bit confused when Lucien tells him all is fine. As if he can't quite understand how the Dreaming could be okay without him there (and I mean, after the trauma of watching your realm which is also technically a part of you crumble to dust I suppose you would be a bit attached to it!).

Comic!Morpheus constantly struggles under the weight of his responsibility. His entire thing is that he is desperate to step away and not be who he is but he simply does not have it in him to do that. He is far too bound by his rules and responsibilities. For Morpheus in the show to be given someone to support him in his rule as King and assist him with the burden of his responsibilities is actually a hugely mindblowing change to the comic, and could honestly have huge repercussions on the story going forward. Not only that, but the Morpheus in the comics is painfully lonely. He desperately needs companionship but he keeps everyone at arms length. He never allows his subjects to get too close to him, even Lucien. Even Matthew isn't afforded the same level of closeness in the comics as he is in the show. In the comics, the ONLY character who Morpheus is close to is Death. Which says a lot by itself. The second character he gets closer to as time goes on is Delirium. Which also says a lot. Think of the characters in terms of their concepts. Morpheus has no close friends in the comics (even his relationship with Hob Gadling in the comic doesn't have half the impact it does in the show) and keeps all those he interacts with at arms length except for Delirium and Death.

But show!Morpheus? He has a Matthew who is already so very devoted to him, a Hob Gadling who waited an extra 33 years on hope alone that he would return to him, and a Lucienne who rules by his side, offers him support, guidance, counsel, companionship and probably a good helping of love. How can this Morpheus possibly carry the same deep loneliness as his comic counterpart? How can this Morpheus be buckling under the weight of his duties when he already has his Samwise Gamgee right there by his side? It poses an interesting question for how the show will handle future story arcs, though it could all prove to simply make for a much more painful story, where we happen to have many more characters to react and show the deeply painful grief that we all feel at his eventual passing - or maybe, just maybe, this is a universe where Hope never died...

#the sandman #dream of the endless #lucienne the librarian #lucien the librarian #sandman meta #sandman analysis #sandman comic spoilers #sandman speculation #dreaming librarian day #lucienne the sandman #this got away from me a bit #and it is 1am and I am posting it #even though it prob needs an edit #but i set out to post today and i damn well will #well its still today in america anyway #I hope you all enjoy this #now i plan to go visit the dreaming #goodnight and sweet dreams zzzzzzz

[szollibisz]

Do you have any hcs abt how Curt and Owen "came out" to one another? (Using the term loosely cuz obviously they can't just be like "IM GAY") And also how they got together (who fell first etc etc)

Ok, so to preface this, my favourite thing about curtwen is just how many ways you can interpret their pre-canon relationship.

I try to keep their story relatively loose in my head, save for a few headcanons I very strongly believe in, because it's more fun this way.

For me, the #1 headcanon that's in all the iterations I think of, is that they hated each other at first. I think their personalities clash way too much for them to be all buddy-buddy on the first day. (Physical attraction? maybe. Was it minuscule compared to their irritation with each other? yes.)

I just think it's interesting how the two of them gradually (and begrudgingly) start to care about each other.

I think their "friendship stage" is one of my favourite parts about the whole thing. Now I refuse to believe either of those men have friends. Maybe coworkers and acquaintances, but not friends. Which is why this stage lasts so little.

As their work their way up to care for and respect each other, both of them go a little crazy about it.

It's the first time in years or even decades they felt genuine affection and maybe even trust, and both of them are extremely starved for it. So it really doesn't take much for them to fall for each other. (especially since the aforementioned physical attraction was always there and only getting stronger as they learned to tolerate each other)

I imagine, because of this, Owen was the one who fell first, and he employed his usual tactic for dealing with unwanted feelings: Being an ass and depriving himself of good things. He got more intense about his work, trying to immerse himself in it, so he'll stop thinking about Curt. He stayed up late, didn't even try to take it easy when he had a migraine, drank shit coffee and other great things.

It technically worked. He looked like shit, which in turn made Curt worried, and if Owen completely invalidated his worries the two of them would get into a fight, be mad at each other and not interact so much. Owen thought this would make him not yearn for Curt so bad (he still did, in fact, yearn for him that bad)

When Curt realized he was in love with Owen he was pretty horrified. Like listen. If someone has commitment issues it's Curt. Maybe he had a boyfriend or two during his teenage years/twenties, but they didn't end well, and since then he's been trying to keep everybody at arms length. He convinced himself Owen wasn't so bad because hey. They were just buddies (and Curt desperately needed a buddy.)

He tried to shove down and ignore his feelings, but moaning your friend's name while banging another guy may just be a little more than what you can avoid.

He never understood why Owen turned so cold suddenly, and he was terrified Owen just didn't like or trust him anymore. In turn he was also mad at him for trying to shut him out.

Their little hate renaissance could only last so long though. They were still each other's only friends and no matter what they did they kept being drawn back to each other.

This was a super long preface but. I am not normal about those two.

So. different scenarios and headcanons and whatnot

1. Either one of them somehow discovers the other is gay. This would probably mean Owen finding out about Curt, because, I wholeheartedly believe that man would leave during a mission sometimes just to get a quick fuck in. Maybe Owen finds out with evidence (fast & easy method) or he just starts strongly suspecting with his great spying and deduction skills (slow & torturous method, he'd try to convince himself he's just seeing what he wants to see) either way, the confrontation would be very uncomfortable for both of them. Curt would deny it ofc, and Owen would go through the internal battle of "tell him it's fine, you won't rat him out, but be a little homophobic about it, so maybe you can keep the only friend you have, but also be ok with the fact that he'll always be with other men and never you" or "tell him you're gay too, maybe he likes you, maybe not, and potentially risk losing your job and livelihood and everything you've ever worked for" He'd most likely end up doing the latter, surprising both Curt and himself. (He's already way more into Curt than he admits to himself) And things escalate from there.

2. Dramatic post mission (maybe a "I thought I'd never see you again" moment) This is where their friendship gets really interesting to me. For a scenario like this the months long yearning is a given, maybe even a lot of unresolved tension between the two (which would probably be resolved with violence anyways) They care very deeply about each other by now. They know each other better than anyone, and their idyllic relationship is only made into a living hell by all the pining. At this point I mean, they'd buy each other birthday gifts, go over to the other's house when they were in the same country and share way too much info over drinks. Their job is always dangerous, but even they can get scared. Maybe we're talking being crazy outnumbered, or a torture/hostage situations, or hell even a collapsing building. Point is, id either one of them thought the other (or both of them) may die, at this point they'd be impulsive enough to just say I love you or kiss the other. In the moment neither of them would care, and later on, when you'd normally talk about things like near death makeout sessions, they'd just. not. do that, because communication is for guys with better life prospects. This one has absolutely no coming-out talk in it, simply because they don't need it

3. Possibly drunk hookup Now clearly, we are talking about two of the most down bad men ever. This is one scenario, I think could also work really well when they still really hated each other. Maybe throughout their first few mission they both gathered enough evidence and sussed each other out, and after (yet another) explosive fight they might just. Alleviate the tension by not beating each other up but by. other means. They don't end up talking much about it, but it keeps happening, and wait maybe they don't even hate each other all that much. (This is the more sober option) The other one is where the "possibly drunk" comes in. If they've been friends for a while, they probably got used to working around each other and finding comfort in the other's presence. This includes little habits, inside jokes, and even (very small) physical touches. This probably wouldn't go down during a mission, it's more likely to happen at either Curt's or Owen's house, maybe during some holiday. Both of them realizing it's a pretty bad idea early on, because, without all the stress of the missions and navigating a foreign country all that's left is them and the feelings they have for each other. Owen would probably say no to drinks for the first few times, just to avoid a potentially dangerous situation, but Curt would wear him down eventually. Now, with both of them drunk and comfortable, it wouldn't take much for things to escalate. Maybe Curt forgets to take his hand off of Owen after patting him on the back, or Owen holds Curt gaze for a little too long. Either way, those two end up fucking. The next day both of them are a little horrified, but they manage to come clean about their feelings (even if it's in the most backwards and convoluted way possible)

Happy ending (or not) There's many more ways it could've happened, but I already wrote wayyyy too much I think.

In the end I don't think they'd ever have a proper conversation about homosexuality, even way into their relationship. It's something they slowly pick up on from each other. How ashamed are they, what makes them tick, what you shouldn't say etc. And then of course, since they don't communicate properly and sometimes purposefully hurt each other, they'd throw it all back in the other's face.

I'm not sure this is what you meant when you asked for hcs, but I got carried away.

#spies are forever #tin can bros #saf #owen carvour #agent curt mega #szol's spy rambles #curtwen #tcb #hoooo boy this was very long. sorry #edit: pasted this into word it's 1.4k words. again: sorry

[zzoomacroom]

Retired amnesia Dream + coma Hob for WIP ask game please 🥺🥺🥺

Thank you for the ask! @linzod asked about this one too, and I'm super excited about it! I only have it outlined so far, but I'm hoping to write it once I'm done with the mpreg fic.

So Murphy is just some guy, as far as he knows. He's an artist, and he's kind of a shut-in with no friends and no life to speak of. He starts having really vivid dreams that, unbeknownst to him, are showing him memories of his past life. He also keeps having these recurring dreams where he meets with this guy named Hob who seems really familiar and keeps telling Murphy that he's real, he's been looking for him, he's trapped in the Dreaming and he needs Murphy to find him in the waking world. Murphy doesn't believe any of it, thinks his unconscious mind made the whole thing up, and he's like, "great, I'm so lonely that my sleeping mind made me an imaginary friend." But then he keeps finding clues suggesting that Hob is telling the truth. He goes to the White Horse and, even though it's abandoned and boarded up, he recognizes it from his dreams. He also maybe finds mentions of Hob in historical texts, the drawing of them from the 1789 meeting, etc. So now he understands that it's all true, and he has to find Hob and hopefully regain his memories in the process.

Now I'm going to put what's happening from Hob's perspective under the cut, because it's a plot twist that would be revealed later in the story.

So how did they end up in this situation? Well, after the Wake, Hob became more unhinged than ever and couldn't accept that Dream was dead. So he planned to do a whole "Dream of a Thousand Cats" style thing and have a thousand people dream that Morpheus is alive again. But in order to organize and orchestrate this whole plan, Hob puts himself into a magically induced coma so he can stay in the Dreaming and make sure the plan works. But once it does, he finds himself stuck there. The mysterious and sketchy person he hired to put him into this coma has disappeared, and now he's trapped with no way to wake up. Morpheus keeps finding him when he dreams, so Hob is overjoyed about that but heartbroken that Morpheus doesn't remember him and doesn't believe any of his dreams are real. Eventually, Morpheus finds Hob in the waking world, wakes him up, gets his memories back, and they live happily ever after.

I don't want to give too much away, but I will say that this fic will also feature Death, Delirium, Daniel, Lucienne, Matthew, Johanna Constantine and Mad Hettie.

Hopefully I'll actually be able to get it written before too long 😭

#ask game #wip title game #the sandman #dreamling #dreamling fic #sort of #retired dream

[aviscarrentals]

Yelp (Prologue) ls2

masterlist next chapter

words: 796

warnings: cursing, implied violence and character death, it's literally the opening scene of scream so use your imagination

notes: i promise these specific characters have been chosen for plot-related reasons. i love kimi, it made me sad to hurt him, but it's worth it for the story i promise 😪 hope you enjoy this teaser! i'll get to working on the main plot real soon i promise 🤞also if you see any mistakes please let me know. english is my first language, i'm just fucking stupid

“Mum, I don’t need a babysitter. I’m literally 18 in August.” … “No, I’m sorry. I don’t mean to yell at you, but I’m not a kid. He doesn’t even do anything; he just sits on the couch, watches TV, and eats all of the good crisps.” … “Yeah, I know I said I don’t need him, but what’s the point of even having him here if he doesn't do anything?!”

“Kimi, pipe down a bit, will ya?”

“See? Did you hear that?” … “I’m not even being that loud!” … “Okay, yeah, that was loud, but it was because I’m pissed off, Mum.” … “That’s not even a curse word!”

“Mate!”

“Sorry, Ralf.” … “What? Are you kidding me? No, I’m not gonna call him ‘Mr. Aron.’” … “Yeah, whatever.” … “Sorry. Yeah, have fun, love you. Bye.”

Kimi hung up the phone and sighed dramatically. “I’m 17 years old,” he whispered to himself in the way one does when they’re angry, but don’t want anyone else to hear, while he fake kicked the wall.

After several minutes of pantomiming a temper tantrum, Kimi sat down at his desk. He could hear the disgusting crunches of crisps being belligerently chomped on by an open mouth from downstairs harmonizing with the bickering voices of Jake Peralta and Amy Santiago on the television.

“Fuck this,” he muttered under his breath and unlocked his phone. Just as his finger was about to press the call button on his friend Ollie’s contact page, the screen went black, except for two green and red buttons and white, medium-sized lettering displaying who was on the other end of the line: “Unknown Caller”.

Spam, he immediately concluded and clicked the red button without hesitation. But, again, before he could select the FaceTime option, the Unknown Caller screen returned. Annoyed, he quickly answered and brought it up to his ear.

“Hello?” he asked tiredly. Maybe it was some distant relative who thought it was his birthday or something?

“Hello,” the voice on the other end echoed.

“Hello? Who is this?” he demanded, already out of patience. The last thing he needed on this already tragically boring evening was to get stuck on the phone for an hour with someone who claimed to have changed his diapers when he was a baby.

“Oh, you know who it is. We’re good friends,” the voice replied, this time with an eerie tone that made his skin crawl.

Before Kimi could answer, the sound of a bowl clattering to the hardwood ground made him turn his head to the open door. “Fucking dumbass,” he grumbled under his breath.

“Excuse me?” the voice seethed.

“What? Oh, not you,” Kimi rushed to explain, “my stupid babysitter.”

“Babysitter?” it asked him, chuckling.

“Fuck,” he moaned, leaning back in his chair. “Shut up. I meant-”

“No, I know what you meant,” the other line interrupted. “I know all about you…”

This made Kimi sit back up in his chair. “Huh?”

“You heard me,” It simply stated.

“Alright, is this a joke? You guys know I don’t like shit like this; it’s not fun-”

“This isn’t a prank!” the voice hollered.

Kimi fell out of his seat at the sudden noise, hitting his shoulder on the edge of his desk.

“Pardon my tone,” it apologized. “I didn’t mean to startle you. I just don’t like when I’m not taken seriously.” Kimi could hear the bitterness seeping in toward the end of the sentence.

“You didn’t startle me,” he lied, getting up from the floor.

“Oh, don’t you try and deceive me,” the voice reprimanded with a snicker. “I see everything.”

Kimi’s heart fell to his now standing feet. “...what did you just say?”

“I said, ‘I know everything.’”

“No, you didn’t. You said…” At this realization, Kimi dropped his phone, not even bothering to end the call, and rushed out of his bedroom. Prank or not, he was freaked the fuck out and wanted to leave. Right. Fucking. Now.

As he made his way down the stairs, he abruptly came to a halt before he reached the bottom. On the floor in front of the couch lay a mess of crushed crisps and a haphazardly tossed wooden bowl from his cupboard. No Ralf. With shaking limbs, he descended the final steps to inspect the scene further.

“Mike! Mike! Mike!”

Kimi turned around so quickly he almost lost his balance. His heart settled when he realized it was just the stupid movie playing on the television. He promptly grabbed the remote and turned it off.

But when he looked at the reflection of the black tinted glass, he could see something behind him. Something out of the ordinary. He squinted to try and make out what it was.

“Aw, you don’t like scary movies?”

taglist (if you would like to be added or removed just lmk!): @gaypoetsblog @koris-009 @feralnando @disneyprincemuke @osbuzz @avaayalaa @faithshouseofchaos @thearchieves @scuderia-piastri @lovelytsunoda @localwhoore @foreveralbon @vroomvroomcircuit

#f1 #formula 1 #kimi antonelli #ralf aron #scream x reader #scream x you #scream x yn #horror #logan sargeant #logan sargeant fic #logan sargeant fanfic #logan sargeant imagine #logan sargeant x reader #logan sargeant x you #aviscarrentals #i want to play a (racing) game #iwtparg: yelp #f1 x female reader #f1 x oc #f1 x y/n #f1 x you #f1 x reader

[linkspooky]

The Supreme King Judai vs. Dark Deku: How To Do a Dark Deconstruction of your Shonen Hero!

Think of this as less me complaining about My Hero Academia, and more me taking a closer look at the writing of the Dark Deku arc and why it failed to achieve what it set out to achieve.

I like to look at writing on a deeper level than Thing Bad, and Thing Good. Imagine a story is a car engine that won't start, in order to find the problem you've got to disassemble all the pieces and look at them one by one to see what pieces aren't working. That's the kind of criticism I'm talking about, break storytelling down into different tools like parts of an engine, plot, world, characterization, ideas, actions and consequences and then look if the author is using those tools effectively to sell a story.

In other words we're talking about the difference in ideas and execution. All works of fiction have ideas, even bad anime can have good ideas inside of it. The idea in question is Judai's case is can exploring the dark side of a hero. Can a hero's positive qualities also lead them down a dark path? Yu-Gi-Oh Gx answers this in a satisfying way, and My Hero Academia I'm going to argue does not.

IDEAS VS EXECUTION

One piece of writing advice I heard from Brandon Sanderson of all people that always stuck with me is "Ideas are cheap. You can always come up with more ideas."

All works of fiction have ideas and themes no matter what the Game of Thrones guy say, but some works are better at communicating their ideas than others. I want to quote a Homestuck Ending analysis of all things to explain what I'm talking about.

When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling. There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way. Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.

Chief among these rules is buildup and payoff. In fact one of the most basic techniques of storytelling is foreshadowing, in screenplays you usually foreshadow one important twist, then add a reminder so the audience doesn't forget, before finally paying it off.

To simplify build up and pay off I like to refer to it as question and answer. Usually a story will ask its audience a question, and usually by the end that question is answered, unless the point is to leave that question unanswered / ambiguous.

Character arcs are examples of buildup and payoff too, a lot of characters, especially in serialized media are sold on their potential future development. Here's an example, how may people got invested in Dabi years in advance because of the Dabi is a Todoroki Theory? That's an example of good buildup and payoff, because the author sewed just enough hints to build up an audience expectation and then paid it off. People became invested in the story, because they thought their investment and theories would pay off eventually and it did - so hooray!

Both MHA and YGOGX dedicate an entire arc to trying to deconstruct their main protagonist. They also seek to deconstruct the "Hero Complex" or "Saving People Complex" that each protagonist has, and ask the question if those traits are really a good thing.

This post puts it better than me so I'm going to quote tumblr user rhodanum.

‘Hero complex’ or 'saving people complex’ — an obsession with rescuing people in the face of danger, often to the exclusion of all higher thought processes. All too prevalent among shounen main leads, especially hot-blooded shounen main leads. Yuki Judai is certainly no exception. What is interesting in his case is that the writers follow the consequences of his rash, reckless, often thoughtless actions all the way to their heartbreaking logical conclusion. For those not fully in the know, it involves spiky black armor, an army of sycophants and a fall from grace that caused as much damage as a thermonuclear bomb. Don’t make perky, happy shounen protagonists snap, people. First rule.

I'm going to quote another video too, to add onto the above quote. It's from this video, starting at around 39:52

"GX is kind of famous among fans for taking its happy protagonist and stripping him down to all of his worst qualities. And that's fun. So Judai is a character who's really interesting. He's definitely open to a lot of interpretation, and you know we're gonna be leaning on my interpretation of him. Sorry. It's my video. I think he's commonly referred to a "very typical shonen protag" probably one of the most shonen protag of the yu gi oh protagonists. He is headstrong and loud, and (makes punching noises while air boxing), he is a type of character who's like I'm gonna be the best and brings everyone along on the ride. He's the kind of protagonist that everybody loves him they're all fighting over him, and Yu Gi Oh Gx really puts him up on the pedestal, of like THIS GUY. THIS GUY DOES IT ALL. Then season 3 rolls around and dares to ask: but what if that's selfish behavior?"

That's the question both MHA and YGOGX are asking in Dark Deku arc and Season 3 respectively, what if all of those behaviors that make them the typical hot blooded shonen protagonist are actually selfish? Is their hero complex really a good thing?

Each arc is tasked with exploiting the main character's flaws, until they reach their emotional breaking point and lowest point in the story. Let's see how each story treats their main character and from comparing that I want to make a point about what makes effective storytelling.

The Supreme King Haou Arc

Instead of recapping the entire arc to you, I'm going to touch upon what ideas the story setup in regards to Judai's character and how it paid off those ideas. What are the questions the story asks and what answers does it give us?

I'm going to focus on the two questions I outlined above. Is their hero complex a good thing? and What if this is selfish behavior?

Yu-Gi-Oh GX is an anime where instead of using super powers, the main characters fight each other with a magical trading card game. Besides that fact there's a lot of similarities between GX and MHA. They both take place in an academy setting where the main characters learn about using their quirks, and playing the card game better respectively. It is a shonen battle anime where almost everything is solved with a shonen fight, they just use cards instead of flashy superpowers. The main characters are all students who have to grow up and enter the adult world.

Judai and Deku are both characters that deconstruct the "hero complex" of shonen main characters. Judai is themed entirely around heroes, he has an elemental hero deck where every hero is based off a hero that appears in popular culture, he is the best duelist in the school and the one everyone calls on to save the day over and over again. As stated above he is the most Shonen Protag to ever Shonen Protag, he's a warrior therapist who makes friends and saves the day because he's really good at the card game, and will always show up to fight for his friends.

For the first two seasons Judai is built up on this pedestal of the ideal Shonen Protagonist, and praised by basically every single character for being "childish" and "pure of heart" however when Season 3 comes around the narrative stops heaping endless praise on him and starts to challenge him. However, this doesn't come from nowhere there are signs of these personality flaws of Judai, they just get swept under the rug the first two seasons.

There are several moments such as the climaxes to season 1 and season 2 where Judai fails to grasp the stakes of the situation, saying things like "Oh, this card game is really fun" when he's dueling with lives on the line. Judai in fact has a pattern of "only wanting to duel for fun", he fights because it's fun to him not because it's the right thing to do. However, he's continually forced into high stakes situation where he has to fight for others just because he's the strongest character - and constantly having to carry that on his shoulders starts to weigh on him after awhile. Judai will show up to fight and save his friends every single time they need him, and that's the source of his hero complex because after a certain point his friends start relying on him too much.

In general he also doesn't have deep thoughts of what heroes are, he admires heroes but it basically boils down do "Heroes are cool." He's kind of like Goku where he doesn't really fight for any idea of justice or to save others, just for the thrill of fighting itself. He also has a tendency to be insensitive to other people's feelings and take things for granted. For example, in Season 2 like three of his friends get possessed and Judai doesn't even do anything about it for half a season because he's too busy participating in the dueling tournament.

In general though it's a pattern of Judai only wanting to "duel for fun" and him being forced to duel to save others instead, and be responsible for other people. Judai will show up to fight for his friends, but even then he falls back on just "dueling for fun" because always having to fight for others is too much responsibility to put on his shoulders.

There's a lot of hints of Judai's flaws, but they also tend to get brushed off because shonen protagonists are just like that. Like, Judai can say some insensitive things to his friends sometimes and be oblivious to their feelings, well he's just a book dumb shonen protagonist. Judai should be taking this fight seriously, well he's just being a happy go lucky shonen protagonist, etc. etc. A lot of these things are also just swept under the rug as him just being a child, a boy-at-heart like most shonen protagonists are supposed to be.

However, season 3 starts looking at Judai not as a shonen protagonist but as a person, and it all starts with the suggestion that maybe Judai remaining a child at heart is a bad thing, especially when his friends around him are all growing up. It all starts with the introduction of this guy right here - Johan Anderson.

Johan shares many things in common with Judai, he can see spirits, he's a duelist who loves to duel, he has a strong connection with his cards. However, the more you compare them the more you notice that Johan has a lot of things that Judai lacks. They are so similiar that they become almost instant best friends, but even then Johan himself notices there are a few things off about Judai's behavior.

Sho: Bro... I thought you would have something to say to me. Johan: He seems lost. I think he just wanted you to give him some advice. Judai: SHo will be fine. Johan: Judai, you're colder than I thought.

It takes someone completely new to the dynamic between Judai and his friends, who likes Judai but hasn't spent the past two seasons idolizing him to realize that some of his behaviors are kind of off. That Judai isn't really the most empathic, or even that good at understanding other's feelings.

Johan is the one to point this out because he has the emotional intelligence that Judai lacks. We've been told Judai is our shonen protagonist for two seasons, only for the real shonen protag Johan to step up out of nowhere and show them how it's done. Johan is good at seeing other people's emotions, and he becomes a near instant pillar of emotional support for Judai. More than that, he also is the first person to treat Judai like an equal, he never asks Judai to save him like all of Judai's friends do, if anything they both save each other.

Johan also exists to show what Judai is lacking, mainly a reason behind why he fights.

Judai: I do it because it's fun. Or because of the surprise and delight, I guess. Well, I guess that comes down to "because it's fun", huh? Sorry, I guess that's an awkward question to ask out of nowhere. Johan: What's wrong, Juadi? Judai: Nothing, really. Johan: I have a proper goal. Judai: Don't tell anyone. Even if people don't have the power to see spirits, they can still commune with them. That's why, for those people as well... (I want to be a bridge between humans and spirits).

Judai is someone who will always show up to save his friends when he is asked, but he doesn't really have a concept of what being a hero is or the repsonsibilities it entails, he just admires heroes in a pure hearted way. Johan on the other hand has a reason to fight and that's to help humans and card spirits get along, and Judai expresses admiration for Johan because he has a goal.

At the same time this is happening, Judai gets picked apart by two villains for his lack of reason for fighting. Judai has been praised to death for two seasons for being pure of heart, but now the villains are challenging him by saying he has no "darkness of the heart". That without it the reasons that Judai fights are superficial and frivolous.

We have something that you lack. Judai: That I lack? Yes the darkness of the heart that slumbers deep within a duelist. The burden that a duelist bears in his heart. Judai, you have none of that. Judai: A burden in my heart. I have nver, not even once, dueled for myself. I doubt someone like you, who only thinks of himself could udnerstand that. Judai: What would be fun about a duel like that? It isn't fun at all! You must bear other's expectations while remaining strong. That is what it means.

Judai is a bit of a blood knight, he will be dueling with his friends lives on the lines and stop to go "Wow, this duel is really fun" and it's usually just dismissed a shim being a shonen protagonist until suddenly it isn't.

I'm gonna draw a deliberate parallel between Deku and Judai here that I'll reference later on, they both don't understand "darkness of the heart" and they need to understand it in order to grow as people.

There's also the underlying notion that being a hero is not all it's chalked up to be, to be a hero, to fight for other people's sake means also taking on their suffering. As noble as that may seem suffering is suffering.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

In the context of this scene, Cobra has told everyone that he's currently enacting his evil plan out of the vain hope that he can somehow revive his son from the dead.

As insane as "I think I can revive the dead" is as a motivation, fighting for the sake of your dead son is a much stronger motivation than "I think duels are fun."

Judai doesn't have an appropriate answer as to why he fights when he's questioned by the villains, and instead of coming up with his own answer he relies on the answer Johan provided for him.

Johan: You idiot. Why are you so shaken Judai? You think you have nothing on your shoulders? Give me a break! You always bear other's expectations on your shoulders. When you have other people's expectations riding on you, it means they've trusted you with their hopes! Don't you always carry those? If you lose what will happen to us here?

Johan's words snap him out of it, but this isn't Judai coming up with an answer himself it's just taking the one that's provided for him.

This is also the point where we get start to develop an answer to our question. Is Judai selfish?

In action he's not. His actions are selfless. Judai is always fighting for others, even when he only wants to duel for fun. He will show up and fight if you ask him too.

However, in motivation he is selfish. His motivations are selfish. Judai isn't fighting out of some selflessness, but because fighting for the sake of other people gives him a purpose. He keeps fighting for his friends, because he's built all of his friendships around being the one to solve their problems. It's why he Johan's answer suits Judai so well, because he thinks that's how friendship works that he has to keep carrying everyone's burden for them.

Not only does it lead to unhealthy friendships (he sees his friends as burdens) but also it's unhealthy for Judai himself (he can't keep carrying other people's burdens without getting weighed down).

Judai's hero complex, this pressure he feels to save everyone around him arises from two things, it gives him friends when he'd been a lonely child before that, and it gives him purpose. Playing the hero is how he made all of his friends, and now it's how he keeps them.

However, in spite of doing all this to keep his friends, Judai's relationship with his friends is so all give and no take that he's practically fighting alone until Johan shows up. Judai doesn't form a healthy and stable relationship with Johan however, Johan just becomes a crutch.

In Summary:

Judai's actions are selfless.

His motivations are selfish.

Judai's purpose is to carry everyone's burdens on his shoulders.

Judai's friends exist to be saved by him.

The following arc is roughly divided into four sections. Everything I've covered above happens in the first section the Cobra Arc.

Cobra Arc

Zombie Survival Arc

Dark World / Supreme King Arc

Oh Shit, Yubel's Back

The cobra arc is the introduction and it sets up the basic ideas of Judai's character that I listed above, in addition it focuses on the question of if Judai is selfish, and the idea that being a hero is a burden. There's also the third question where Judai is called to understand darkness of the heart, something Deku will also be called to do.

The Zombie Survival arc is an arc where the school is teleported to another dimension and they have to survive for several days with a limited food supply, everyone fighting, and an outbreak of zombies.

The main setup of this arc is to show how everyone is working well together as a team, even in a high stress situation. Alexis, Judai, Misawa, Kenzan, all pull together with the help of new students Johan, Austin O'Brien and Jim Crocodile Cook.

However, I'm brushing over this arc because Judai doesn't actually do much this arc. If you analyze who does what, it's mainly Johan and Austin O'Brien who are in charge of the entire school. Johan demonstrates leadership skills, calls on everyone to pull together in a time of crisis, and most importantly emotionally supports Judai all throughout.

Even when Judai is confronting the main villain of this scenario Yubel, it's Johan who shows up to support Judai, and it's Johan who wins the duel at the sacrifice of his own life. Everyone gets through the zombie arc unscathed, but it's because Johan is the hero of this part of the arc, not because of anything Judai really did.

Judai who having gone on so long carrying other people's burdens to the point where he's made saving others his purpose, has for the first time experienced someone helping him carry those burdens only to disappear and Judai does not react well to it.

This is when the story has finished setting up all the dominoes that are about to fall. We have one mini-arc drawing attention to the dark side of Judai's personality and how he doesn't understand his own darkness, and one mini-arc showing Johan being a much more effective hero and leader than Judai, demonstrating everything Judai lacks.

You Either Die a Hero, or You Live Long Enough...

Yadda yadda you know the rest. A character being undone by the same traits that made them a hero, is classic tragedy 101. It's called the Hamartia or the fatal flaw. A character's greatest strength in some situations can be their greatest weakness in others. The Supreme King Arc is a masterclass in showing how the traits Judai had that led to his success in the first season, can lead to his total ruin, and even to him becoming the villain of his own story.

Hero and Villain are much closer than you'd realize, and this becomes especially true in the relationship between Judai and Yubel. Judai shares an extremely close relationship to his antagonist foil, just like Deku does with Shigaraki.

However, in Judai's case he's the reason that Yubel turned evil. While it's not entirely his fault, Judai's decision to abandon Yubel when he was a child, made Yubel go through ten years of painful torture all alone, which is the reason behind their current madness.

To summarize Yubel and Judai's story briefly. Yubel is a card spirit, the thing that Johan wants to serve as a bridge between card spirits and humans. Judai had an incredibly close relationship with Yubel as a child, but Yubel was overprotective and used their powers to harm anyone who came near Judai. Judai launched Yubel into space hoping the righteous space rays of justice would calm Yubel down (I know that sounds stupid just go with it) but instead Yubel was hit with the light of destruction a corrupting force that made them endure years of torture. They called out for Judai's help in their dreams only for Judai to eventually forget about them with a psychologist's intervention. Eventually the satellite they were trapped in made it's way back to earth, and they almost died burning up on re-entry. When they finally crawled their way back to Judai, they found Judai had been living the past ten years happy and surrounded by friends, while they had been tortured in space and nearly died all alone.

At which point Yubel snaps, hard.

While it's not Judai's fault entirely because he was a child and he didn't know what was going to happen, he still made the decision to abandon Yubel and stuck them in that situation. Judai's actions creaeted Yubel, and now Yubel is here broken and hurt and determined to hurt all of Judai's friends.

Judai doesn't know how to cope with the guilt or responsibility for either of these things. Both for creating Yubel, and for the fact that because of Yubel Johan might now be dead.

I'm the one who made her what she is!

This is where the show starts demonstrating that understand in darkness of the heart is necessary, because Judai can't understand two things, number one the fact he might have hurt Yubel, and two how to deal with the sense of responsibility he feels towards Yubel becoming what they are, and for Johan's apparent death.

He just feels a lot of guilt, and as someone who's only been the carefree hero up until this point he doesn't know how to deal with that guilt.

Judai makes a very similiar decision to Deku. He decides to go out and hunt for Johan by himself, leaving his friends behind so he won't risk their safety. Unlike Deku however, his friends immediately follow and insist on coming along.

This is when the problems start appearing, because the second everyone enters the Dark World to look for Johan, the show starts demonstrating clearly how different Judai's leadership is from Johan.

All of Judai's flaws start popping up, he's tactless, self-centered, and doesn't consider others feelings, and most importantly of all he doesn't look before he leaps. These behaviors that could earlier be swept under the rug, just become aggravated in a high stakes situation where everyone's lives are on the line. Judai came together with everyone to look for Johan, but he keeps acting like he's alone.

Another user's meta post here summarizes Judai's actions in the Different Dimmension, more succinctly so I'm going to quote them.

Shit Judai’s friends signed up for when they went into the Different Dimension with him:

searching for Johan

working as a team

deciding as a group what risks they’re willing to take

risking their lives together, on an even playing field

Shit Judai’s friends didn’t sign up for when they went into the Different Dimension with him:

having their input thoroughly ignored

being left behind while their friend recklessly charged ahead

having essential information kept from them (Judai didn’t tell them about the fatal consequences of dueling in Dark World)

being kept from dueling without their opinion on the matter ever being taken into account

having their physical, mental and emotional well-being be completely ignored by the de-facto group-leader

being relegated to secondary importance in comparison to Johan, in Judai’s eyes

having their group leader outright break the promises he made to them

To name a few things Judai does while in the different dimmension. Almost immediately after entering the dimension he runs away from the rest of the group, forcing Austin O'Brien to follow before anyone has even gotten their bearings or investigated where they are. Make an agreement with everyone to rest and wait for Dawn to search for Johan, only to run off into the middle of the night without telling anyone. Run off ahead of the group leaving several of their members behind, and when O'Brien tells Judai that members of their group are missing and that he should go back and search for them, Judai asks O'Brien to just do it instead.

Judai doesn't see the flaws in this behavior because it's how he's been acting all along, he always runs off into danger head first and he always fights on his own. Judai's never been good at considering the feelings of others though because he's a tad socially impaired, so he just doesn't seem to notice everyone's growing concerns with how he's acting.

Once again we are asked the question, is Judai's behavior selfish?

Judai deliberately abandons his friends three times, and the third time everyone stops to discuss his behavior.

Kenzan: True, we did come to this world to save Johan, saurus... Fubuki: He did find some minor clues as to Johan's whereabouts, so I suppose it's only natural, but... Asuka: But right now, I feel something is different about Judai. Menajoume: That's right. He got us all riled up about this, and now he's totally forgotten the comrades who came along with him. Kenzan: That's really irresponsible, Saurus. Fubuki: I don't mean to be a wet blanket, but I wish he'd realize the anguish he's putting us through. Asuka: Judai isn't doing this for Johan or us now. It's for himself. He just seems to be rushing forward, headlong, to forget the responsibility he bears on his shoulders.

The answer now is yes, his motivation is selfish because it's no longer about saving Johan, but just to stop himself from feeling guilty.

The stress of the situation is aggravating Judai's worst qualities yes, but Judai's always thought about himself first before others, he's always viewed his friends more as burdens / people to be saved rather than equals.

This all leads to a situation where Judai messes up big time. The same way he abandoned Yubel, he abandons the rest of his friends to run ahead and search for Johan.

They are all kidnapped - and it's Austin who notices they are missing Judai isn't even paying attention. Austin says they should head back and look for the others, but Judai asks Austin and Jim to handle that alone so he can keep searching for Johan.

Jim: The others haven't arrived yet. Something might have happned to them on the way. Judai: I see. Sorry, but could you go back and fetch them? Jim: What? You mean you don't care what happens to them? Austin: Don't forget these are the friends that are in this with you. To fulfill our objective in this dimmension we need everyone working together. You wait here until we return. Judai: Okay, I will.

Austin and Jim agree to go back and search for the others, if Judai promises to wait for them here instead of going on ahead. A promise which Judai immediately breaks.

Which is how Judai walks right into a trap.

Judai abandons his friend so they get kidnapped. He doesn't go back to look for them, so he misses out on a chance to save them. He doesn't wait for Austin and Jim to come back, and because of that he wanders all alone into a trap.

That trap is a sacrifice ritual where the leader Brron challenges him to a duel, and every time Judai attacks one of his friends are sacrificed. Judai is forced to attack and each friend dies one by one.

Judai didn't want to attack, he didn't choose to sacrifice his friends, but he did make every decision leading up to that. The trap was easily avoidable if he 1) didn't leave his friends behind 2) went looking for his friends after they were left behind or 3) waited for Jim and Austin to come back.

Judai didn't mean to sacrifice his friends, but it's a result of his own bad decisions. It's the culmination of an arc where he's been selfishly taking his friends for granted. It's a consequence for Judai just choosing to recklessly barrel forward because he can't cope with his guilt.

Judai's lack of darkness of the heart really dooms him here, because he was blind to his own flaws until it was too late. This isn't even the part where Judai does the bad thing, Judai's careless actions lead to four of his friends dying but he doesn't learn from his mistakes. He snaps, hard.

Judai: But at least I avenged them. Sho I'm really glad you're alive. Sho: Those words... they're just lip service. Bro... bro, you're selfish. Before now, I thought of you as the sun. Someone who gave others energy and made the impossible possible. But, I was wrong. All you care about is getting your way. You don't care who you sacrifice. You'll do anything in the name of your goal. Avenging them won't bring back the people you sacrificed. You're just dueling to satisfy yourself. Judai: O'brien! Austin: I thought I told you to wait. Judai: Are you saying what I did was wrong? Austin: Think it over for yourself. Judai: Why? What did I do that was so wrong? I... I did the right thing! And yet... everyone keeps leaving me! What... What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don't have that much power... Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.

After this point Judai decides to sacrifice everything else for power, and to complete the Super Polymerization card he's already sacrificed four friends four.

It's the culmination of an arc where Judai's only been praised for his strength and his ability to win duels. Where he constantly has been called to win duels to solve problems, until that stops working. When everyone is gone, all that's left is his strength. He had to keep winning to keep people safe, but even that wasn't enough, he was still missing something.

He knew he was missing something, that there was something wrong with him and he didn't know where to look.

Conclusion?

He needed power. If he had power, then he wouldn't have lost. If he had power then everything would have turned out alright. He didn't have the strength to carry everyone's burdens for them, that's why he lost, so what he needs is more power. He's been demanded to win, win, and win again so now winning is all that matters.

Now we have our second question: Is Judai's hero complex a good thing?

That's a definite no, because the pressure to always win, to always save everyone and carry their responsibilities has now completely broken Judai. To the point where he now believes that the only thing good about himself is that he's powerful, but he now is willing to sacrifice others to gain more power.

My name is the Supreme King.

Now here's the best part about Judai actively having a villain arc.

He does bad thngs. He does a lot of bad things.

It turns out when you're abandoned and left alone to suffer you do bad things, crazy that, I'm sure Yubel would have a lot to say about that.

Judai is also not being possessed in this scenario. They state it several times. You could say he's Shadow possessed in a Jungian sense. The supreme King is the symbolic embodiment of all of Judai's flaws that he's been ignoring until now. You could say Haou is representative of Judai's subconscious that has been repressed for so long until all those flaws finally surfaced, and that the Judai we see on a day to day basis is his ego, that the relationship between the two is a metaphor for conscious and subconscious.

Jim does a deep dive into Judai's mind, where we're shown a symbolic sequence of what the inside of his head looks like. Judai witnesses his friends appear in mirrors before they shatter one by one, all while he mumbles about how he needs to get stronger.

These are all storytelling devices to show Judai's fractured psyche, but Judai is still in control of his actions. Judai talks and responds to questions when he's addressed. Judai's friends confirm that it's still Judai, he's not a puppet or possessed.

Misawa says later to Judai's face that he and the supreme king are the same person. Judai later is able to use the Supreme King's powers and maintain complete control, because the Supreme King isn't a split personality. Judai even says when Amon is sacrificing someone he loved for power, that he was doing the same thing as the Supreme King, sacrificing everything for power.

We later learn that the ritual that sacrificed four of Judai's friends was a part of Yubel's schemes, but that's the only thing Yubel set up. Judai made every bad irresponsible decision that led to his friends being captured. Judai was the one who snapped and decided to complete Super Polyermization after it was completed. Learning Yubel was behind the sacrifice ritual doesn't take away any agency from Judai at all, because Judai is responsible for his own decisions.

What it does do is create another parallel between them, because we learn the reason Yubel set up the sacrifice was to make Judai walk the same path that they did.

Judai is hurt, abandoned and isolated and in that situation he ends up lashing out at everyone around him in a similiar manner to Yubel. When Judai is put through similiar trauma, he doesn't overcome it in some heroic way because he's an innately good person, no he succumbs and behaves in ways that are incredibly similiar to Yubel.

Even when Judai's friends selflessly try to help Judai, he resists them every step of the way. He ignores their constant calls to him, their comfort, and he even fights them. Judai is eventually reached by the efforts of Jim and Austin combined, but they both die in the effort. Judai is saved because Jim and Austin were way better friends to him than he was to them.

Judai is effectively snapped out of his destructive spiral, but he's left alone with the sobering realization of everything he's done and the blood of two more friends on his hand.

When it's time for our hero to finally face Yubel, he no longer has the moral highground. Now when he faces Yubel it's not as hero and villain, they're just two sides of the same coin. Two people who when they were abandoned, lashed out and hurt everyone around them.

The question is no longer can Judai save Johan. The question now is whether Judai can live with the guilt he's carrying within him, and for that matter can Yubel live with the guilt of what they've done now too?

By this point Judai's been completely deconstructed. He's no longer the hero of the story, he's just a flawed person who needs to fix his flaws. He has the choice to live with his mistakes, and the biggest conflict now is whether he's going to save his villain foil Yubel, or strike them down in order to save the rest of his friends (the three that are left).

This also creates a much more compelling reason for Judai to save Yubel. Not just because Judai is responsible for Yubel's creation, but because they've both made the same mistakes, they have the same traumas and the same scars. Jim and Austin were willing to risk everything to save Judai even when he didn't deserve it, and didn't want it. Now is Judai capable of doing the same thing, of reaching Yubel the way he was reached, not for the sake of saving the world but for helping a friend?

I just want to save my friend. That's all.

This is to me a very compelling setup for the challenge of whether or not Yubel can be saved. Judai's not really saving a helpless victim, he's not acting out of a sense of duty to sacrifice himself for the world, he's being challenged to save someone who suffers from all the same flaws that he does. Judai and Yubel are so similiar at this point it's really just Judai saving himself.

The Dark Deku Arc - Setup

This is the part where I'm actually going to praise MHA. Shocking I know. Season 1 and 2 of Yu-Gi-Oh GX are about 105 episodes in total. The Dark Deku arc begins at about episode 131 with Deku's decision to leave the hospital by himself to hunt down Shigaraki and AFO alone and try to understand villains better.

The 130 episodes up until that point are much better build up, than the first 105 episodes of Yu-Gi-Oh GX. To put it frankly GX is paced like ass. There's far too much filler, and because of that the plot points the anime is trying to make are delivered less efectively. In fact 105 is a good example of what I said above, that ideas are one thing and execution are another.

Season 2 especially is a season filled with good ideas and weak execution due to pacing. Here's one I use as a go-to example. There's a character named Edo Phoenix who's on a quest to find who killed his father. The ending of his plotline is he discovers that in a twist, the man who adopted him is the one who killed his father, and he's been encouraging Edo to investigate because it lets him spy on the police investigation and keep it off his tail.

That's a good twist - however that twist happens in the same episode that Edo's adoptive father is introduced. The audience is given literally no time to even get to know Edo's adoptive father, or get invested in their relationship so the twist doesn't hit at all. A better paced story would show Edo's relationship to his adoptive father early on, get you invested in them, only to pull the rug out from under you so you would feel the shock of that betrayal alongside Edo.

GX establishes its character cast, and yes the filler does give the cast time to breathe and they're all well characterized but because the plot around them is so poorly structured, none of the plot points really hit. Okay, Edo's adoptive dad is evil. Next! You can have good characters, but if you don't put them in a strong narrative framework that challenges them then those characters are just gonna kinda sit there.

The first 105 episodes of Yu Gi Oh GX does succesfully characterize most of the main cast, but it also feels like everyone's just goofing around. In comparison the first 135 episodes of MHA much more successfully builds an escalating conflict. Each new arc either introduces you to a new facet of the world, makes the amin characters more complex, or adds to the conflict.

We basically go from arc 1 "The hero high school is fun" to Arc 2 "The villains are a serious threat" to the Camp Arc "Oh shit, Shigaraki is learning and the villains are getting stronger."

When Bakugo is kidnapped at the end of the camp arc, the tension is ramped way up with the appearance of AFO, and All Might's retirement.

After that point we're introduced to the Overhaul arc, which not only again makes the League of Villains more complex and sympathetic, but also introduces the audience to All Might's more flawed side - the fact that All Might literally worked himself to death saving others and it still didn't work.

Then My Villain Academia -> The Villains are now a threat and they have an army.

Each arc builds on a previous arc, the characters and the world grow more complex, and it feels like you're learning about these complex issues alongside the characters. It just makes Yu Gi Oh Gx look like the silly card games show by comparison, by setting up this very layered world, and conflict, and heroes that challenge the protagonists on what it means to be a hero and what it means to be a victim.

Then all of that great setup.

We are side by side with the proagonist. We, like Deku now want to see if someone like Shigaraki can be saved. We, alongisde Deku want to better understand the villains and learn to see them as people. We want to know if the corrupt hero system can be salvaged.

However, these are too many questions so let's boil it down to two once more, because this is looking at Deku's character.

Deku and Judai are in some ways different as night and day. Deku is an introverted nerd and the victim of bullying, and he starts out with no quirk at all. Judai is a self-confident, charismatic prodigy who instantly seems to charm and befriend everyone around him. Deku desperately wants to be the hero and works his way up there, whereas Judai is just kind of thrown into the school hero because he's the best at dueling.

Judai is kind of a mix of Bakugo and Deku's traits, he's a self confident prodigy who always wins, but he's also someone obsessed with heroes and who has a hero-complex where he's continually forced to save others.

The Dark Deku arc, like the Supreme King Arc looks to take a darker, more introspective look at Deku's character, while also exposing Deku who is a sheltered kid to the a very grey on grey world. It also seeks to deconstruct Deku's suposed "hero complex". Despite the many differences between Deku and Judai I believe the two questions an be boiled down to the same thing.

Is Deku Selfish?

Is Deku's hero complex a bad thing?

These are the questions the series itself is asking in the deconstruction of Deku's character. Deku himself is asking if there's a better way to save villains tha just beating them down or outright killing them, but we'll discuss that later.

Just like Judai there is some setup before this to give a previously very one-note Shonen protagonist mor depth. Deku and Judai are both people who fit the determined, punchy, solve everything fist fight shonen protagonist to a T, on top of being the one to always show up to fight for their friends. Just like in the beginning of season 3, we do have some hints before this that there's something wrong with this attitude. That there's something about Deku that's not entirely there.

There's a flashback of All Might talking with Bakugo where Bakugo discusses that the fact that Deku never takes cares of himself or factors himself into the equation when he always puts others first deeply bothers him and there's "something wrong with it" that's made him always push Deku away.

This flashback also leads into a scene where Bakugo pushes Deku out of the way of one of AFO's attacks, telling him to "stop trying to win this on his own." In an attempt to make Deku see that he's not fighting alone this time.

Deku has also been warned repeatedly about the way his power destroys his own body when he uses it, warnings he's repeatedly chosen to ignore. Saving others isn't just a goal for Deku, you could arguably say it's a method of self-harm and that's what unnerves Bakugo. Bakugo even gave a similiar speech in the past, about how someone like Deku shouldn't take all of the bullying that Bakugo has given him over the years and still try to be his friend afterwards. At this point it's not really like Bakugo's done anything other than tone down the constant insults a little bit, he hasn't apologized or anything but even this early in the manga Deku has a tendency to just let Bakugo's treatment of him go. It's not like they were super best friends forever before the bullying started either despite what the shippers might tell you. Bakugo is saying it's weird that this kid just takes it, and takes it, and takes it without fighting back like he doesn't care about how people treat him and Bakugo is right... that is weird!

Deku either has such low standards for how he's treated that he just lets Bakugo get away with it, or he just doesn't hold a grudge when he is mistreated because his pain and his suffering just always matters less. Either way it's not healthy, and it could be indicative of a deeper problem hiding behind the surface.

Either way there's setup here, because on one hand you have everyone and their grandma praising Deku for his "drive to save others that eclipses all common understanding."

While at the same time he's criticized by Bakugo for having no regard for others. This could be the setup for the character trait that led to his earlier success leading to his downfall later. In Judai's case, everyone praises his purity of heart, but then that purity is later criticized as childishness, naivete and a refusal to grow up.

As for Deku...

How can you protect others if you can't even bother to protect yourself? How can you save others if you can't save yourself? That's the question Touka asked of Kaneki in Tokyo Ghoul when she rightly called out his desire to protect everyone at the Anteiku Cafe as just a roundabout way of getting himself hurt by acting recklessly.

In Kaneki's case he's not trying to protect anybody, he's just picking battles against the doves and getting himself hurt. He's acting out a hero complex in the sense that if he feels like he didn't fight his friends battles for them like Judai then he wouldn't have any friends to begin with. That's why Touka also says "Besides that, everyone doesn't belong to you. You have no business protecting us."

Is Deku fighting for the same reason? Does he harm himself to protect others because he views himself to be worthless and the only way to demonstrate his worth is try and fight to save others?

We don't get an answer for that question. Judai thinks duels are fun, and he's really good at them, and because he's good at dueling he's made friends. He think to keep those friends he has to keep dueling for the sake of others.

Deku's not motivated by the idea of protecting or keeping his friends, that's a secondary motivation. All we have on Deku is that he feels a strong desire to save others, and that he worshipped heroes like All Might growing up but has a naive idea of what a hero is supposed to be. However, his lack of motivation could be the "something that's missing" just like Judai has.

The GX writers did some hardcore digging into Judai's character by focusing on how shallow he was in motivation compared to everyone else, and showing that to be a symptom of his childish naivete.

There's also the potential parallel between All Might and Nighteye's breakup, and Deku's decision to leave all his friends behind to hunt for Shigaraki himself.

Even if Deku doesn't have a deeper motivation than just "an unnatural drive to save others" then you could show the effects of Deku walking down the same path that All Might did, the belief that he has to be the one to save everyone singlehandedly and if he rests for a single moment than someone might die, leads to him not only destroying his body, but also doing permanent damage to all of his social relationships.

Even if Deku's motivation isn't too deep, you could still have the traits that led him to earlier success now driving him to ruin as the story punishes Deku for his excessive selfishness.

This is also where we finally get back to Deku's goal of understanding Shigaraki, and contemplating whether or not it's possible to save villains without killing them.

I draw a parallel between this and Judai's enemies calling him out on lacking "darkness of the heart" and that without understanding that darkness he can't win.

Judai's lack of darkness of the heart means two things, he's not mature enough to understand the reason why his enemies are fighting, and he's also not mature enough to se the darkness in his own heart which is why he ends up blind to his own flaws and making pretty severe mistakes later on.

For Deku, it's mainly a lack of understanding of the motivations of the villains he's fighting again, villains he's only ever really beat down with his fists until now.

However, for Deku lacking darkness of the heart you could also re-contextualize that as meaning because of his idealization of heroes he's never once looked at the darker sides of hero society that might have driven people into becoming villains.

Deku's lack of inner darkness may just come from the fact that compared to the villains he's fighting against, he's gotten to live a pampered life. Without understanding that darkness, he can't be a full person because he'll still be a naive sheltered child, and not an adult wise to the way the world works and the moral greys he inhibits. Either way, it's just as necessary for Deku to gain an understanding of "Darkness of the Heart' as it is Judai.

So here's all the setup for the start of Deku's Dark deconstruction arc. As different as these characters and scenarios you can still boil it down to those three narrative questions about Deku / Judai, is there behavior selfish? Are there hero compelexes a good thing? Do they need to understand darkness of the heart?

Before moving on I'm going to summarize Deku's setup as thus:

Deku's actions are selfless.

Deku's motivations are also selfless (a desire to save others).

Deku does not benefit from saving others in any way, if anything he actively harms himself in order to do so.

Bakugo finds this behavior incredibly disturbing.

All Might destroyed his body and burned all bridges because of similiar flaws to Deku.

So the answer to the first question is Deku selflish? No. Is his hero-complex a bad thing? Potentially.

While Deku himself decides that he needs to understand darkness of the heart in order to better understand villains. Deku is actually more set up to contemplate darkness of the heart than Judai is, because Judai charges into the dark world blindly with only the motivation of saving Johan not even caring for Yubel, while Deku has the explicit motivation of trying to understand the little boy inside Shigaraki.

DEKU LEFT THE HERO ACADEMY

Deku begins the arc by leaving alone to go searching for Shigaraki, with hand-written letters addressed to all of his friends that tell the truth about One for All and also say Goodbye. He makes the deliberate decision to leave them behind so they don't get targeted alongside of him. It's a pretty classical superhero motivation, I need to cut myself out of my loved ones life in order to protect them. Of course this sort of ignores that everyone in his class has super-powers too, but you know heroes they're all such drama queens.

Is this selfish behavior?

This is going to be the only time I'm going to solidly answer yes. Deku clearly did not take his friends feelings into account. His desire to protect them, is more important than their own agency. They also might want to fight alongside him, they'd be upset if they saw him die or get hurt trying to protect them. Deku thinks of his own feelings of wanting to keep them safe and not being able to handle the emotional burden of protecting him, more than he does their own personal feelings.

This is also something that All Might did they permanently burned all of his bridges with his sidekick and friends, and deeply hurt his sidekick who was just asking him to take a break so he did not get himself killed and quit because he didn't want to watch All Might slowly kill himself by inches.

Deku is being selfish here, and later on when he does face his friends he even acts pretty condescending belittling them and insisting they can't fight on their own or keep up with him.

However, I need to ask a secondary question.

Is there any lasting consequences for this selfish behavior?

Besides the fact that it hurt his friends feelings for a little bit, no. I spent a much longer time covering this in Judai's sections because Judai's selfish behavior led to character conflicts. Judai disregarding his friends led to everyone starting to resent him in the Dark World, and their once tight-knit friend group further falling apart.

Judai on three seperate occasions makes impulsive decisions to run ahead without consulting with the group. The second time he outright lies to the group and sneaks ahead without them. THe second time all of his friends are captured when they go after him and try to follow him to give their support because they're worried about him. The third time he makes the decision to run ahead, he knows about the danger they're in and the risk of getting captured and he just blatantly ignores them. When Austin notices they're missing Judai doesn't even go looking for them because they're not a priority at this point - saving Johan is.

This is something that has very real and lasting consequences in the story, they're captured because of his recklessness, and sacrificed in front of his eyes. Even though they technically come back in season 4, the trust between Judai and his friends is all but gone and he's alone for a lot of Season 4.

Judai's decision to abandon his friends has direct and lasting consequences. He is being punished for his hero complex. Running ahead, and fighting alone against the bad guys is what Judai has always done and what's worked before, but now in a more complicated world it's not cutting it and Judai is being challenged for his flaws.

Deku hurts his friends feelings a little bit, but even in that case the focus is on how sad it is for Deku, how hard it must be to be a noble hero fighting alone.

Deku's Mary Jane and Spiderman bullshit never impacts his friends directly, other than the fact that they find it slightly condescending. His "I need to keep secrets from my loved ones attitude" is challenged because his friends want to fight alongside him, but there's never any narrative punishment delivered to him. It's just solved with one fight scene and a character holding out their hands. Whereas, the consequences for Judai's rash actions last two seasons.

I call it "Mary Jane and Spiderman" Bullshit, because Spiderman keeping his identity a secret from all his loved ones is a big conflict in the comics. Something that got Gwen Stacy killed, because Peter Parker never told her his identity in order to protect her, and then that just ended up with Norman Osborne finding out about her anyway and kidnapping and killing her.

You might have heard of the "Death of Gwen Stacy" it's a pretty famous moment in comics. It's also a case where it shows that the Hero's failure to communicate honestly with their loved ones in the name of "Protecting Them" can actually get them killed.

There's even consequences in MHA itself for heroes choosing to sacrifice their personal lives to help complete strangers. Shigaraki literally made a whole speech about it. Kotaro Shimura is traumatized for life over his mother's decision to abandon him instead of giving up on being a hero. Nana Shimura believed she was doing something selfless in sending her child into foster care to keep him out of AFO's clutches, but that was shown to be wrong as AFO just found Kotaro's household and then destroyed him later on in adulthood anyway.

So in the story we are shown scenarios where choosing to abandon your loved ones in the name of "protecting them" can have disastrous and lasting consequences, but as for Deku himself, the decision to leave the school has basically no consequences whatsoever.

Well, Deku making the decision to fight alone is something that might lead to some consequences. After all, Judai's breakdown came about because he always felt the pressure to fight alone and carry everyone's weight on his shoulders until he couldn't.

Perhaps, with Deku fighting alone to protect everyone we'll reach a similiar breaking point. Just as Judai couldn't handle carrying everyone's burdens, looking for Johan, and leading his friends into the Dark World all that the same time and eventually broke down maybe we'll see Deku break down because he just like All Might can't carry the burdens of an entire nation - oh wait nevermind he's working with the Top 3 Heroes.

Even the premise that this is Deku leaving the school, to become something like a vigilante wandering the countryside trying to fight AFO on his own is just incorrect because Deku is receiving government assistance right now.

In the Dark World it was really just Judai and his friends, so every single bad decision Judai made had consequences because they were well and truly alone. Deku has backup so he's not even really "alone" in the arc that's supposed to be about him fighting AFO and trying to understand Shigaraki alone.

ALL YOU'LL FIND IS BLOOD AND VIOLENCE

Let's briefly focus on questions two and three, is Deku's hero complex bad, and does Deku need to understand darkness of the heart?

Judai's hero complex was based on the idea that if he wanted to have friends he needed to fight for them and solve their problems for them.

Judai got in such an unhealthy negative feedback loop, that he had to carry his friends burdens in order to maintain his friendships with them, but at the same time he couldn't receive any help from them because he made their friendship all about him carrying their burdens. He was operating underneath an amazing pressure to always win until he lost. The very thing he did to try to maintain his friendships, keeping his friends at arm's length and fighting alone is exactly what ends up driving them away and leaving him alone.

But, still...! They're all... They're all gone. There really was something missing in me. But what is it? What was missing? What should a duelist burden themselves with?

Judai paradoxically fights alone in order to keep his friend group together, which only ends up with him losing four friends and being abandoned by the rest when they're disappointed for him in his selfish behavior. Judai screams out why, realizing he did something wrong here, that something went wrong because he's been winning duels, he's been fighting the same way he did before only to end up with the worst option possible. The realization that he is truly alone breaks him down entirely.

Judai's hero complex unwravels when simply charging ahead to fight doesn't work for him anymore, because the situation becomes more complicated than that. Darkness of the heart can mean many things. Judai not understanding his own personal flaws. Judai not seeing how his flaws are affecting others. Judai not looking at other people's emotions, he doesn't hear or respond to criticism when his friends start trying to tell him how is selfish decisions making is making them feel.

I can't just stay and wait. All this time I've run on instinct, never second-guessing myself. If I just stand still now... I'm sure I won't be able to start running again. And I won't be able to get to Johan.

Judai's hero complex has a clear source - he believes he has to keep running ahead and fighting for his friends the same way he always has in order to keep those friends and if he stops he'll lose everything / succumb to the guilt he now feels about being uanble to save Johan. His Hero Complex also has clear consequences, him running ahead without thinking gets all of his friends kidnapped and used in a sacrifice ritual that could have been avoided if he had made different choices.

Spiderman kills Gwen Stacy because Peter Parker deciding to not tell her about his secret identity to protect her backfired and made her an easy target to the Green Goblin.

Heck, Spiderman's entire character is about how the burden of being Spiderman and his Hero Complex constantly sabotages any attempt he makes at having a personal life. Miguel O'Hara's catchphrase in the incredibly popular Spiderman movie is that "Being Spiderman is a sacrifice" and he's not wrong either.

SO, is the narrative punishing Deku's hero complex in any way?

Well, the one warning he did receive that if he kept fighting he'd lose permanent loss of his arms turns out to not matter anymore because his body is just stronger now.

So, even the phyiscal toll of fighting alone that's a consequence for Deku doesn't actually apply here.

I keep talking about consequences but what do I actually mean? Am I talking about strictly punishment? Do bad things need to happen to characters in order to get their lessons?

Not necessarily.

When I say "consequences" I mean in terms of actions always having consequences in a story. The best stories are succinct, that means you basically cut down in as many frivolous details in a story as much as possible so everything that happens onscreen is something that matters and contributes to the whole. Therefore, every action should have a consequence directly seen onscreen in story. Stories are all actions and consequences, the choices the characters make should have direct impact on the plots and the other characters because it makes those choices seem like they matter.

If the story constantly draws attention to the fact that Deku is afraid of ducks, but the story takes place on the moon and there are no ducks living on the moon then that's a wasted plot thread because there are no consequences. If a character does something bad, other characters should discuss it, or it should negatively impact them in some way.

When Judai decides to run ahead without all of his friends for the first time after they all agreed on a plan, the result is the next episode they all start talking about their shared doubts with Judai when he's not around. If they all just swept Judai abandoning them under the rug, then Judai running ahead and leaving the others alone doesn't feel like an impactful character flaw.

There's no lasting consequence for Deku's hero complex. It doesn't drive him to any kind of breaking point like it does Judai.

I think the reason why is because there's no real moment of failure for Deku. When he tries to ask Muscular why he fights, and Muscular rejects him and says that he was just born evil and has no deeper motivations, Deku's not frustrated at all.

Deku who feels a "unnatural desire to save others" isn't really bothered by the fact that Muscular insists that he can't be saved and that they can only fight. Despite this technically being a failure, Deku has failed to talk a villain down, failed to find a way other than fighting and also failed to understand the darkness in someone's heart it's of little consequence because it's not framed as a failure.

Deku just punches Muscular, back to the drawing board.

There's another manga called Choujin X running right now, where the main character is on a similiar quest trying to see if there's a way they can save the big bad Sora Shihouhin, and when he is forced to fight against a villain who won't back down, de-escalate, or listen to reason he has a complete emotional breakdown.

This is the reaction of someone who's genuinly invested in the idea of saving the villain, and frustrated with the reality that he might not be able to save her, that he can't talk to the villains or convince them to back down. Tokio's not even characterized by an unnatural desire to save others like Deku is, so why is he the one breaking down and not Deku someone apparently so selfless that he wants to save the mass murderer that's trying to destroy society?

If Deku's desire to save others is so strong why doesn't he show frustration at being unable to talk down, or understand Muscular?

Judai is stuck in a negative feedback loop where he's forced to fight for others, because he believes he has no worth to his friends otherwise. All we're told of why Deku feels the need to save everyone around him is that he's just like that, he just feels like saving everyone no matter who they are the moment they come into view.

If we're choosing to characterize Deku that way, then number one he should be attempting to save everyone, and number two the stress of having to save everyone is something that should get to him. His "Hero Complex" should be what's breaking him down at the moment. The unnatural desire to save everyone around him that led him to so much success should be what's punishing him this arc.

Judai felt pressure from two aspects, first the pressure to carry everyone's burdens, and second the lack of understanding of darkness of the heart. Unlike Judai who doesn't want to understand darkness and who avoids it as long as possible, Deku goes into this arc actively seeking to understand how his villains think.

Deku and Judai also suffer from a lack of darkess in their own hearts. This leads to them having empty motivations. Judai has a childish desire to enjoy fun duels. Deku has a childish desire to save everyone. Neither of them have tried to grow or change or even question those motivations in any way and because of that they're stunted people.

Judai doesn't know why he fights. He doesn't question why he fights. He just takes on the burdens of others to give him something to fight for. This all together leaves Judai blind to his own personal darkness, and also because of that blindness he can't grow in any way because he never evaluates himself, he never looks at himself and tries to change.

When he's on his knees and at his breaking point he screams at the top of his lungs, "WHY? WHAT AM I MISSING? WHAT DID I DO WRONG?" simply because Judai's never thought about these things.

Deku's asked these same questions both in the Dark Deku arc, and hundreds of chapters later he's asked what he's planning on doing as a hero in order to make things better and Deku never materializes an answer.

Pre-Dark Deku Arc, during Dark-Deku Arc and Post Dark Deku arc, Deku always solves his problems by recklessly jumping in and saving others. There's never any point where he's punished or criticized for this behavior in any significant lasting way. He never has to self reflect and develop a reason on why he wants to save others, or eve think about how he's going to save others, he can just keep acting as the rash, impulsive hero.

Judai and Deku are both characters who are empty, and lacking in motivation but Judai is ruthlessly criticized for that until he reaches his breaking point and is forced to look at his motives.

This once again comes from a lack of failure on Deku's part. Deku never fails the way that Judai does. There's a scene where you could have easily had Deku fail. The entire Nagant vs. Deku fight where Deku fails to give her any substantive answers to his questions.

Imagine if Deku's simple philosophy of always extending a helping hand failed here. Imagine if Deku actually got deeply ivnested in the idea of saving Lady Nagant, and did his beset to talk and reach out to her but his answers weren't enough and because of that she just chooses something like suicide. Imagine he has her by the hand, and she's dangling off of the roof and he thinks that his impressive move to save her should have been enough - he's reached out a hand like always. He thinks this should have won her heart over, by showing her that someone still cares in all of her despair.

Then, Nagant in one final spiteful move lets go. The person he heard her entire backstory, the person maybe he once was a huge fan of her when she wasa hero, the person he wants to save the same way he wants to save Shigaraki chooses to let go and fall to her death because dying would be better than living in whatever kind of corrupt world that Deku is trying to build.

This could be Deku's Gwen Stacy moment. Spiderman carelessly webs Gwen Stacy whe she's falling to catch her and for a moment he thinks he's saved her because he's overconfident and has caught people falling like this a thousand times, only to find out he's snapped her spine. His overconfidence, his hero complex making him believe everything magically would work out led Gwen Stacy to her death. This could show the simple act of just offering a hand out to someone in need isn't enough, without empathy and understanding.

Instead, AFO just blows Nagant up in Deku's face.

Except, that isn't even a failure bcause Nagant turns out to be just fine! There's no point in blowing up Nagant except for the spectacle of it, because she turns out to be fine five minutes later and even shows up to fight in the next arc.

There's no consequencs to anything that happens in this scene. Deku doesn't suffer any consequences for being blind to the faults of society. (He's working right alongisde a killer cop just like Nagant and he doesn't even care.) Deku isn't forced to reflect on what saving people or making society better would even mean. He also isn't punished for his lack of understanding the way that Judai is.

Afterwards, Deku denies help to a very mentally-ill Overhaul, who is apparently not one of the villains that Deku wanted to save. There's a whole buch of asterisks on that "Deku wants to save everyone***" goal. This also isn't framed or used to paint Deku in a bad light because Overhaul is unworthy of salvation in Deku's eyes for hurting Eri.

Is this action part of an arc? Is Deku reaching his limit with trying to sympathize with villains only to see people like Overhaul and Muscular fighting him every step of the way and telling him they don't want to change?

Nope, this scene is never brought up again.

Deku never fails, and he never does anything wrong. Even when there are situations where you could argue he does do soemthing wrong, like denying the armless, mentally ill Overhaul help - he's not painted as being in the wrong.

The entire arc is supposed to be about criticizing the protagonist for their hero complex, and their lack of understanding of the darkness of the world but for Deku there's no criticism to be had here.

Compare this to the sacrifice ritual in the Supreme King Arc, where not only does Judai fail to save his friends, but the friends that survive ruthlessly tear into him aftewards for his selfish behavior. THe actions of one protagonist matter, have consequences in the story and are criticized. The actions of another protagonist have no real consequences and are never criticized.

The whole mansion blows up and... nothing happens. No one's injured in the explosion. It may as well have not happened in the story because there are no consequences for Deku just continually choosing to blindly run ahead like his hero complex tells him to.

There's evena moment where Deku winds up in a similiar situation to the dark ritual. After receiving information from Nagant, he blindly wanders into a mansion in Haibori woods believing it to be AFO's base, only to find out it was a trap and AFO was waiting for him to blindly charge in all along.

THAT'S WHAT MAKES US HEROES AND VILLAINS

This is where I'm going to talk about another big similarity between Deku and Judai, and also the biggest point of divergence in the Dark Deku and Supreme King Haou arcs.

Deku and Judai are both character foils with Shigaraki and Yubel respectively. This is where I'm going to praise MHA again, surprising everyone.

The foiling between Shigaraki and Deku is masterful. They both started out in relatively the same place, as boys with dreams to become heroes who were softly told no by their parents. Tragedy struck Shigaraki and he killed his family on accident and wound up alone wandering the street for days until he was found by AFO.

They're both the students of the greatest hero and villain of the last generation. They both end up being surrounded by a group of close Nakama that they want to protect. They're both continually challenged to grow up, and show how they're going to be better than their predecessor for the hero and villain sides respectively. They both have to prove they are worthy successors. Shigaraki has all the heroic spunk and determination that Deku has but on the villain's side, and while Deku loves heroes, Shigaraki is hero society's critic wants to bring down the hero system that didn't save him.

You get the feeling that Shigaraki really is Deku just in a different situation, a same person on the opposite sides of the conflict kind of character foiling.

As the biggest Yubel stan here, in some ways the foiling for Shigaraki works better than the foiling for Yubel because Shigaraki isn't just Deku's foil, he's the foil for all of society. Yu-Gi-Oh Gx takes place in a society run where everything centers around card games, it's not really that deep. In My Hero Academia you have that 100 episodes of great setup where Deku is not only learning to look at the darkness within himself, but also the darkness within hero society around him.

Judai's narrative as much as I love it, is entirety about Judai.

Not only could Dark Deku arc develop Deku's character, it could also say something deeper about the world it's taking place it, because Deku has all these connections to Shigaraki, who also kind of represents the orphaned boy failed on all levels by the society around him.

Shigaraki is the shadow of -> Deku, but also Shigaraki is the shadow of -> all of society.

Yubel is the shadow of -> Judai, and only relates to Judai's personal growth.

Yubel is Judai's personal villain, and was created by his actions as a child. His decision to abandon Yubel into space, led to Yubel being tortured and their later madness.

Yubel is also Judai's shadow. They carry all the same flaws, but those flaws are obvious in Yubel and repressed in Judai. Yubel's belief is that Judai is someone who purposefully enjoys hurting their friends, and that's how he shows his love. While that's twisted it's not hard to see how Yubel came to that conclusion. After all, Yubel loved Judai so much only for Judai to abandon them and turn a blind eye to their suffering. In the Dark World, Judai abandons his other friends continually in order to search for Johan, and they wind up suffering too.

While Judai doesn't sadistically enjoy hurting others as Yubel put it, there's an element of truth to Yubel's criticism. Judai does abandon people, Judai isn't as empathic as he seems to be. When Judai is subjected to the same kind of isolation and abandonment that Yubel has endured for the past ten years, Judai loses his mind a whole lot quicker and starts lashing out at everything around him the same way Yubel has. Judai without the love of his friends starts to hurt everyone around him in his lashing out, the same way that Yubel desperate for love starts to inflict pain on the people she loves. Even before the ritual happened, Judai was unwittingly hurting his friends with his own selfish behavior.

Yubel's stated criticism is "of Judai is "Anguish and sorrow born from loneliness. That is the nature of love as you taught it to me" and further beyond that "When you forgot about me, I suffered. It's hot. It hurts. I am in pain. Why? You know how much I love you? Why did you do this to me, Judai? In that moment I realized that was how you showed love. Because you loved me, you hurt me and made me suffer."

That sounds crazy, but hasn't Judai been hurting the people he loved for his own selfish reasons this entire arc? Is it that crazy then to conclude that neglect and abandonment must be how Judai treats everyone he loves, so surely he loves me.

One of the biggest criticisms of this arc is how Judai's behaviors impact his relationships, so of course his most personal villain and foil is his jilted ex nonbinary dragon lover. On a less joking note, when Yubel was displaying troubling behavior as a child, Judai's first response was to abandon them. Which is ironic for someone like Judai so paralyzingly afraid of being abandoned that he became everyone's workhorse and worked himself to death solving their problems for them. Who when abandoned by those friends finally, snaps just as hard as Yubel did when they were abandoned.

Do you see the parallel I'm drawing here? Judai is slotted into the spot of the protagonist who's friends with everyone he meets, who loves and fights for his Nakama. Yet under closer scrutiny he's shown that he doesn't really understand what love or friendship is or how to give and receive love from others in a healthy way. His antagonist is his former childhood best friend, who is obsessed with love and demands that Judai love them back. Judai's lack of understanding of relationships and love takes a dark twist with Yubel, their shadow, foil and antagonist.

These are once again very personal challenges to Judai, society doesn't really factor into this equation. Though, Judai is somewhat challenged as a hero because there's an irony to Judai plunging into the world to save his best friend Johan who he's known for like three weeks, but not really lifting a finger to save the antagonist of the arc Yubel who he's known since childhood and is personal responsible for putting through torture.

That hypocrisy there too, is a personal challenge to Judai that paints him in a less heroic light. He wants to save Johan and ignore Yubel because it's easier, because saving Johan relieves him of his guilt. He doesn't even know what to do about Yubel, so he doesn't try and falls back on his previously established behavior of playing the hero.

The hero is really just a mask for Judai at this point, something the story has ripped right off of his face by the time it comes to face Yubel.

There are two ways in which Yubel serves as an ultimate foil to Judai.

Yubel acts like a callout post to all of Judai's flaws

Yubel represents a dark path Judai could have taken.

This second one is what Shigaraki and Deku have in Common with Judai + Yubel. There's something deeply tragic about the idea that while Deku was making friends, getting taught by a loving teacher like All Might, Shigaraki was all alone being pushed by a ruthless manipulator like AFO into becoming the worst villain.

Judai and Yubel's lives follow the same tragic parallel path. They began in the same place as childhood friends, but after abandoning Yubel, Judai spent the next ten years growing up, making friends in a healthy and safe envirnoment while Yubel the one who was abandoned was alone in space desperately crying for Judai to come save them only to be ignored because Judai has long forgotten them.

However, there's a striking difference there too. Yubel is created directly by Judai's neglect and actions. Whereas Shigaraki is created by the neglect of all of society, it's not Deku's fault directly.

#1 Shigaraki acting as a callout post to Deku's Flaws

However, this is where Shigaraki's callout post comes in. Shigaraki gives a long speech on how the existence of heroes itself, creates villains like him.

"You heroes pretend to be society's guardians. For generations you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you've built. That means your system's all rotten from the inside with maggots crawling out. It builds up little by little, over time, you've got the common trash all too dependent on being protected. And the brave guardians who created the trash that need coddling. It's a corrupt, vicious, cycle. Everything I've witnessed. This whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I take power for myself. Simple enough, yeah? You don't understand because you can't understand, that's what makes us heroes and villains."

To break it down simply, heroes look away from the faults in their society, they intentionally ignore the people they cannot save, and when those people turn into villains the heroes beat them down hard. The villain attacks then convince the common people of the need for heroes, and the cycle perpetuates itself. This is all powered by the people's blind, uncritical faith in heroes.

Deku is a person who has that same blind, uncritical faith in hereoes, and until this point has never thought of Shigaraki as anything more than a villain to be punched until he stops. Which is why this is still a callout post that applies to Deku, because Deku's blind admiration for the Hero System is part of the problem that enables the very flawed hero system.

Deku does not understand darkness of the heart, therefore Deku does not understand that heroes could possibly be bad, and he could possibly be supporting a bad system until he's slapped in the face with it.

However, is there a lasting consequence for Deku's blind support of the hero system?

Nope.

I just described up above what could have been a consequence, if Lady Nagant refused to have faith in Deku since he didn't back his words up with action.

Deku also clearly does not want to break away from the corrupt hero system that created Shigaraki, because the heroes that he brought along to fight with him are Endeavor, Hawks and Jeanist, a child abuser, a state sponsored murderer, and a guy who makes bad puns. He doesn't change any of his bahavior that enables the corrupt system to stay in power.

Not teaming up with the Top 3 heroes, and deciding to go full vigilante would have at least have been breaking away from that system.

This circles around to a big underlying problem in this whole arc in that Deku isn't really doing anything different from what he was doing before, and he's not punished for his character stagnancy either.

So we're left with.

#2 Shigaraki represents a dark path that Deku could have Taken

This is where Judai / Yubel succeeds and Shigaraki / Deku falls flat on its face.

When pushed to his absolute limit after failing repeatedly, Judai snaps. With no friends left he decides that all that matters is power. This path seems natural for him because we've already seen what being abandoned and left alone can do to a person and how it twisted Yubel. The story hints again and again at Judai's blood knight tendencies, and that he thinks the only thing he has of value to offer others is strength by fighting for them.

He loses his friends and the fighting is all he has left.

At the point of despair he decides to just embrace power. If he cares about nothing more than strength, at least that will give him some sense of control over his life after the out of control tragedy that happened to him.

"Yuki Judai. In order to defeat evil, one must become evil. In a world with the law of the jungle at work, one must rule with power." "Power? I don't have that kind of power." "In your hand lies the super polymerization card. Defeat any spirits who may oppose you, and combine their lives into it to perfect the card."

Supreme King is just a villain persona that Judai adopts to as a protetive blanket for all the hurt and pain they've gone through, just like ding, ding, ding, the villain persona Shigaraki Tomura is for Shimura Tenko.

Judai snapping under such intense pressure shows us that if even the faultless hero can snap, then how much can we blame the villain for snapping under similar circumstances? Maybe the reason both the hero and the villain fell is because they're both equally human and to fall down is human.

Deku never falls down as hard as Judai does. He doesn't even fall down and scrape his knee. There's no instance where he fails to save anyone. There's no instance where his actions hurt anyone. There's no instance where he takes things too far and hurts a villain. I kow it's unlikely for Deku to turn into a villain, but he could have at least gotten so frustrated he turned into a punisher style vigilante! Is that too much to ask?

There's not even a single moment where Deku goes too hard in a fight and injures or even kills a villain. They could have pulled an "I thought you were stronger" moment like in Invincible.

I don't know why this is called the Dark Deku arc because there's no darkness in Deku's heart for him to exploit, nor is he actually called to better his understanding of the darkness in others hearts. Judai understands Yubel's darkness because by the end of his personal arc he's been there, he's not the hero he's the atoner. He can either punish Yubel, or hold a hand out to help Yubel atone.

Deku's arc might as well be called the "My Little Pony Friendship is Magic Arc" because he never does or confronts anything dark. His worst crime is not showering. All that isolation and his repeatd failures in hunting AFO down should have worn Deku down, but it didn't because he's just that special of a boy!

Deku's hero complex also is completely uncriticized from beginning to finish. Judai's hero complex is an unhealthy behavior that utterly destroys him. Deku's hero complex is a job interview flaw.

FRIENDSHIP IS MAGIC

Just to hammer my point in I'd like to compare these two scenes. One is in the middle of the Supreme King Arc, the sacrifice ritual scene where all of Judai's friends are blaming him for the fact that they're about to be sacrificed while he's still trying to save them.

The second is the climax of the Dark Deku arc, where all of Deku's friends are showing up to fight him and convincing him to accept their help.

Just look at how vastly different these two shows treat their shonen protagonists when it comes to his flaws.

For the ritual sacrifice scene. This is immediately after Manjoume wakes up to find that he has been chained and kidnapped with Judai standing right there.

Judai: Sit tight! I'll save you soon! Manjoume: Wait, is he dueling? JUdai you damned idiot! Weren't you going to save Johan with us!? Getting yourself all flared up. You didn't even stop to think about us at all, did you? Judai: That's not it. Manjoume: That's just how you are! You were the only one in your kingdom from the get-go. We were the idiots for getting all motivated with you and feeling some sense of friendship with you being like that!

Then Judai watches helplessly as Manjoume dies. His other friends don't fare much better.

Kenzan: Big Bro? Why'd you want to save Freed's comrades when it meant sacrificing us-don!? Judai: You're wrong. That's not it. Fubuki: It's painful. This pain isn't just physical. It's the pain of a friends' betrayal that I have tearing my soul. apart. Asuka: I'm being betrayed and sent away by you. To think that I'll have to bear a sadness like this.

All of Judai's friends die spitting on him and telling him what a terrible friend he is and that this is all his fault. Which it is, because his decision to abandon them got them captured and led up to the sacrifice ritual.

Now, what scathing criticisms do our heroes have to give Deku after he left them all behind to fight Shigaraki alone?

Denki: Midoriya! We get that all for one is really importnat but you got something even more important in your life! Me and you we aint'g otta ton in common, but you're still a friend! Even if we gotta force this friendship down your throat. TodorokI: What a look you have on your face. Is this resposnibility so much that you can't let yourself cry? Seems like a burden you should share with the rest of us. Uraraka: The thing is Deku, we don't want to be protected by you and reject who you are and what you're doing, we just want to be with you (this part is narration).

Deku is told that none of his friends are mad, they want to be by his side no matter what, and that it's okay for him to cry.

I should also mention how underdeveloped this supposed nakama group is in the manga itself. The entirety of Season 3 of GX is tha the bond between Judai and his friends are more shallow then it appears, but he's also spent two whole seasons bonding with a group that consists of: Asuka, Sho, Kenzan, Fubuki, Manjoume. That's six people total including Judai who serve as is primary friend group. Their friendship is more unhealthy than it appears, but Judai has spent the past two seasons hanging out with one small friendgroup.

Meanwhile the entirety of Class 1-A shows up to tell Deku how much they love him and how much he means to them, and Deku's hung out with maybe like... four of them?

You have one bond shown to be how shallow it is, and one shallow bond treated like it's the deepest, most loving friend group in all of fiction. Deku doesn't even receive some lgiht criticism for how inftantalizing it was for him to abandon them for their own protection, because no one resents Deku or is capable of holding any negative or critical emotions towards him whatsoever. He's just told how much everyone loves him and wants him to come home.

And yes, Judai also does get two characters sacrificing themselves to try to reach him when he's the Supreme King.

However, as I stated above Jim sacrifices himself to help Judai because that's who JIm is as a person. Austin does it after Jim fails, both to honor his friendship with Jim, and also because of someone who got scared and ran he feels like he has to confront the darkness of the heart.

Jim and Austin O'brien's sacrifice is also a sacrifice. They died trying to save Judai, and Judai has to wake up with the knowledge that not only did he kill a bunch of people in his quest for power, he killed two more friends who were only trying to help him.

At the end of the arc, Judai has woken up with the knowledge that he has done bad things that can't be taken back and he's barely better than Yubel at this point.

At the end of the Dark Deku arc, Deku gets a speech from Uraraka about how amazing and selfless he is, and how he never gives up and how he always pushes forward, and how everyone at the UA shelter should appreciate him more.

The Supreme King arc exists to criticize Judai. The Dark Deku arc does nothing but flatter Deku from beginning to end.

Judai's hero mask is ripped off and he's forced to be a person. Deku's hero mask stays on, his hero complex is unchallenged, and he's praised for being teh greatest hero evarz.

I often get accused of not liking MHA simply because I expect it to be a different story than what it is. That I want it to be darker, when it's a more optimistic shonen manga.

However, here's my secret. I hate edgy superheroes. I don't like watching stuff like The Boys because it gets too dark for me. The oly reason I read invincible is because my friend told me that Omni-Man got a redemption arc. My favorite DC Superhero is Superman. My favorite Superhero of ALL TIME is Spiderman.

The thing about Spiderman though, is that it is hard to be Spiderman. The entire point of Peter Parker's character is that he has a terrible work/life balance and constantly loses people around him because being Spiderman is a sacrifice. The story doesn't bend over backwards to praise Spiderman as being a selfless hero, in fact it points out what a loser he is constantly. Peter Parker's friends are always frustrated with him and he's a wreck of a person.

Yet, the fact that being Spiderman is such a sacrifice and he keeps choosing to make it, shows what kind of person Peter Parker is, and that's just a person who does whatever he can to help out.

Even Peter Parker, the nicest, most well-intentioned boy ever has the Symbiote arc. One of the most famous arcs in comics dealing with Peter is when he lets Venom graft onto his suit, and even though the symbiote makes him violent, and makes his behavior change he spends the longest time not wanting to peel it off because the power boost the symbiote suit gave him made his life that much easier.

Dark Deku is an obvious reference to the Venom Suit, but a completely shallow reference because Dark Deku acts exactly the same as regular Deku the only reason he looks like that is he forgot to take a shower.

Superhero stories don't need to be Dark Deconstrutions, but they do need to be SOMETHING. They need to say something about the character. The problem with the Dark Deku arc isn't that Deku didn't experience a villain arc.

It's that nothing of consequence happened in the entire arc. Nothing changed. The story asked us if Deku's hero complex was a bad thing, and then it didn't deliver any answer. The story asked us if Deku needs to understand darkness better and then didn't answer that.

These are ideas that the audience promised were going to get answered. We were told Deku was going to get his development this arc that he was going to be pushed to the edge. The entire premise of this arc was that it was supposed to better help Deku understand Shigaraki and Hero Society only for Deku to not learn about either of those things.

Deku's learned nothing. We've learned nothing. Nothing has changed in the story itself. The only thing we've accomplished was wasting a lot of time that we could have been using watching Yu-Gi-Oh GX!

#mha meta #ygo gx meta #yu gi oh gx #yuki judai #judai yuki #supreme king haou #supreme king jaden #supreme king judai #yu gi oh gx meta #dark deku #ygo

[zahri-melitor]

Okay, I just finished The Victim Syndicate in Detective Comics #943-947, and I was struck by a few things when reading this storyline.

I've heard people claim that Steph is not particularly well-written by James Tynion IV. I'm not actually sure that's the case. What I think the major complaint might actually be is "Steph's characterisation in Tynion's 'Tec does not match Batgirl 2009" in terms of what I've read so far.

Because what I saw on the page? That characterisation looked an awful lot like pre-War Games characterisation of Stephanie Brown. In fact, I'd take a gamble and say it's the most in-character writing for Steph I've read since 2004 where 'in-character' means in accord with what the Bat Bible under Dennis O'Neil had for Steph. (And whatever you want to say about Batgirl 2009, it is undoubtedly true that it departs from pre-2004 characterisation for a number of Doylist reasons, due to the multitude of out-of-book issues).

Steph's relationships with Harper and Cass from Batman Eternal and Batman & Robin Eternal and Batgirl 2011 are preserved.

She’s written as stubborn and determined and angry and raging at a wrong she sees. She IS very wrapped up in Tim but to her eye her BOYFRIEND JUST DIED, and Steph's always been fairly obsessive about Tim and measured herself against him, going all the way back to their first meeting. So many of her actions over the years have either been to spite her father, or to get a reaction from Tim.

And she gets her hands on Tim’s protocols from a program Tim wrote and then uses them on her allies, a classic Spoiler move where she's disrupting an authority-figure's plan (in this case Batman) as she doesn't feel she's being listened to, with a move that is reminiscent of you guessed it, the lead into War Games.

Like that SURE IS some Stephanie Brown like behaviour. Mad at Bruce and yelling at him. Feeling hurt and doing something inadvised with specialised information. Determined that SHE knows better than people with more training and experience than she has.

I dunno. It feels like pretty in-character Steph to me. And circular "Steph gets told she's not good enough, Steph tries to prove herself, Steph screws up, repeat" is a classic, CLASSIC storyline for her all the way back to her first appearance.

And here what is happening? Bruce is telling her to take a break due to her emotions over Tim, the situation goes wrong and Steph steps in to help anyway as she's there, Steph gets benched, Steph STILL gets called in after a villain shows up to talk to her, Steph thinks she knows better than everyone else and arrives with a threat in hand to try resolve the situation, including using PROTOCOLS on ALLIES, Steph gets people to stand down but ends up hurt and told off.

...That's a Steph story. That's always been the shape of a Steph story and the sort of actions she takes.

#z canon read throughs

[musings-of-a-rose]

Jump Then Fall - Part 3

Pairing: Javier Peña x ofc “Vanessa Morales”

Word Count: 3600+

Rating: M for mature - 18+ only!

Warnings: Please be aware there is an 11 year age gap. Mature themes and some canon mentioned. Just like ao3, “creator chooses not to use warnings.” If you click Keep Reading, that means you agree that you’re the age to handle mature themes. Also by clicking Keep Reading, you understand warnings may not be complete in order to avoid spoilers for the story.

Notes: When the story starts, Vanessa is 19 and Javier is 30.

**Shoutout to @VaneMando15 for listening and bouncing ideas from me, and for her guidance with being a Latina herself. Without her, this wouldn’t even be a thing, just another line on my WIP spreadsheet. And also to my husband, who is also Latino and answered any questions I had (along with taking me to Colombia back in 2014). And to @wyn-n-tonic, who listened to my rambles and insecurities about writing an oc in first person.

**If you want to be added to the taglist, join here or let me know!

❤If you enjoy the fic, please consider giving me a warm beverage! (It is not required in any way!)

Jump Then Fall Masterlist

General Masterlist

Javier Peña Masterlist

<<Part 2<<

He's coming back. Chucho is bringing Javier back after 6 years. What do I say? How do I tell him he has a son who is already 6 years old? Will he even remember me? Will he want to be a part of mine and Alex's life or will he turn and run?

My mind spirals as I finish drying the last few pans before putting them away. I head upstairs, my brain going through a million different scenarios before I take a quick glance in the mirror. I smooth down my hair and put on a new outfit, a simple summer dress that goes down to my knees, and end up randomly tidying and cleaning the house, never settling on one spot.

I knew this day would come. I guess I just never thought about it specifically. 6 years ago, I was so sure of my choice not to tell him, that I wouldn't want him distracted in Colombia but I wouldn't want him to come home and resent us for forcing his choice. But a part of me, ok a large part of me, feels guilty for not giving him the choice.

I hear Chucho's truck pull up outside and my heart starts beating faster. The truck doors slam and muted voices make their way to the front door. I pick up the book on the counter in front of me and open it, my eyes not taking in a word but I didn't want to look like I was waiting around for them. For him.

"...'m fine. You don't have to b-baby me."

"I'm just trying to make sure you don't vomit on the clean floors."

He's drunk. I can tell by the way his words are slurred, his feet thunking across the wood floors in a sporadic pattern. Before I can move, he stumbles through the kitchen doorway, his eyes taking a few moments to focus on me.

"Who are you?"

My hearts sinks a little. I would've been surprised if he remembered me, but I'd be lying if I said it didn't hurt.

"Vanessa."

He steps closer to me, his eyes scanning my body before settling on mine.

"Are you fucking my dad?"

"Uh, no. I-"

"Ok, Javi. Time for bed. Vanessa will be here later for you to question," Chucho claps his hands on Javier's shoulders and guides him towards the doorway.

"Ok, ok. I have more questions later, Vanessssssa."

I give him a little wave as he disappears through the doorway. Chucho struggles to get him up the stairs, but eventually the sounds of them arguing disappear and I'm left alone for the moment. I turn around, gripping the counter with both of my hands and take several deep breaths.

He doesn't remember me. Or maybe it's because he's drunk? How do I handle it now?

His eyes, though filled with the drink, held a lot of anger and regret. He's hurting. I can't imagine what he's seen or had to do in persuit of Escobar. Chucho walks back in, breaking me from my thoughts.

"Sorry about him. He doesn't usually get drunk like that."

I wave my hand. "It's fine. I imagine he's been through a lot."

"Still, it's not an excuse to act like an asshole...he's going to be out for a bit but I'm thinking hamburgers for dinner? Something greasy to help that hangover he's going to have."

"Sounds good."

Chucho studies me for a moment. "How are you?"

That's a good question. "I...I'm not entirely sure."

"You need to tell him."

I nod. "Of course. But I can't tell him when he's drunk."

He chuckles. "No, I suppose not. But soon, ok?"

I give him a small smile before moving to get out the ingredients to bake some hamburger buns. Chucho moves to the living room, the tv turning on a moment later. He flips the channel and the news report echoes through the doorway to me.

"Breaking news! Pablo Escobar has just been killed. This is live footage of the rooftop where he was killed by DEA agent Steve Murphy..."

I step into the living room, watching the live broadcast of the rooftops where the outline of a dead man lays splaid on the tiles, other men in tach vests surrounding him. A blonde man high fives someone as the news anchor continues their report. But then it dawns on me.

Javier is not there, finally catching Escobar after 6 years of chasing him. He's here. No wonder he's drunk. What happened?

"Why is Javier here, Chucho?"

He's quiet a moment. "I don't know."

I return to the kitchen, mixing the dough before forming the buns. I can't imagine working for 6 years trying to catch one of the most elusive men, only to be forced away at the very end, not even being allowed to be there for his capture. I'd lose my mind too. I know I need to tell him about Alex, but I also need to give him a moment with this.

But how long of a moment?

-------

It takes 3 days for Javier to come out of a drunken stupor. I hear his bedroom door open as he stumbles down the hall with a groan, the bathroom door closing behind him. I hear a slam from the bathroom, sounding like the toilet lid. I wipe my hands on my apron and head upstairs, hesitating for a moment outside of the bathroom door. I knock very gently.

"Javier? Are you alright?"

A grunt followed by another violent heaving sound answers me. I turn the handle, slowly pushing the door open as the heaving subsides. Javier slumps against the side of the bathtub, his hand moving around to find the handle to flush the toilet. His hair is rumpled, his eyes mostly closed, clad only in a pair of sweatpants. I walk over to the toilet and close the lid, flushing the toilet for him. His hand drops to his lap and he takes a couple of deep breaths.

"Thanks."

"Of course. Do you want help up?"

He cracks his eyes open and looks at me. "You're not my dad."

"That I am not."

He lifts his head, opening his eyes a little more before hissing and closing them, squeezing the bridge of his nose. "The fucking light is going to kill me."

"Well I can't do anything about the light coming in this window. But let's get you back to your room in bed. You'll feel better."

I wait a few moments while he gathers himself, extending my hand to help him up. He squints at me and I roll my eyes.

"Just take my hand. I'm stronger than I look."

He takes it and I have to hold back a gasp as his large hands engulf my small ones, the warmth from the contact sparking all sorts of thoughts and memories. I pull him to his feet and he leans on me as I help him back to his room, pulling back the sheets as he slides in. I pull all of his curtains firmly shut, only using the light from the hallway to see around. Javier settles into bed, groaning a little as he puts his hand on his stomach.

"I'll bring you some water and pain meds."

"Oh you don't have-"

"That wasn't a question."

I head back downstairs, getting a glass of water. I stop by the bathroom again, opening the medicine cabinet and getting out some pain meds. I also pull out the bottle of activated charcoal tablets that Chucho handed me shortly after Javier came home. He said they suck to choke down but they'd really help the hangover. I carry everything to his room, shaking out the right amount of charcoal tablets. Javier sits up with another groan, taking the pills and the glass of water.

"This isn't aspirin."

"No. It's activated charcoal. Chucho said it will really help your hangover. You can't take it with any meds though as it'll just absorb those."

"I'll just take the aspirin."

"I really think you need to take the charcoal."

He looks up at me. "I don't even know who you are why the fuck would I listen to you?"

"Because I just carried your stubborn self all the way from the bathroom after you puked your guts out. I'm just trying to help. Take the damn pills."

He studies me through squinted eyes. "Yes ma'am." He chokes down the pills and makes a disgusted face before drinking several sips of water. "Those taste terrible."

"I never claimed they tasted good. So let those do their work and get some rest. When you're ready, come downstairs and I'll make you something to eat."

He looks at me again, his eyebrows slightly furrowed together in concentration. "No really, who are you?"

"Vanessa. Now get some rest."

He lays back and I pull the blanket up, giving him a small smile when I catch him looking at me. I leave the room and head back downstairs, finishing up some of the lesson planning I was doing for the upcoming semester.

A few hours later, Javier comes downstairs, this time with a shirt. Although he only has the bottom 3 buttons done up. I'm not sure why he even bothered with a shirt. Not that I'm complaining. He stands there awkwardly, like he doesn't know what to do.

"Feeling better?" I ask, turning to face him from my stool at the kitchen island.

"Yeah. Those charcoal things worked really well."

"Good. I've never been hungover so I wasn't sure, but I figured Chucho knew what he was talking about. Are you hungry?"

"I uh...I'm not sure," his hand goes to his stomach, his face souring slightly.

I head over to the slow cooker on the counter. "I made some chicken noodle soup. If anything, you can sip on the broth?" I look over at him, his head cocked to the side, watching me.

"Javier?"

"What? Oh soup. Yeah. Sure."

I ladle him a bowl and grab some saltines and set them on a little plate next to his bowl and set it in front of him. I also set down a glass filled with cloudy looking water.

"Coconut water?" Javier asks skeptically.

I shrug. "My mom always gave it to me during and after a cold. Said it gave me back nutrients. I figure alcohol probably takes a fair amount of nutrients from you. So it should help."

"Hhmm. Guess we'll find out." He takes a tentative sip from the cup, licking his lips a little after. "Hey that's sitting alright."

I give him a small smile. "Good."

Before I can move, he grabs my arm and gives it a little squeeze, sending jolts of electricity through me. "Thank you."

"Y-you're welcome."

I sit and pull my planner and books to me, resuming my task of lesson planning. I can feel his eyes on me, like he's studying me. I wish he would find something else more interesting.

"What are you doing?"

I don't look up. "Lesson planning for this upcoming semester."

He takes a slurp of his soup and swallows it. "Teacher? Holy shit this soup is amazing."

I look up at him as he takes another bite, his eyes closing for a moment as he savors the soup.

"Yeah. I'm teaching 2nd grade this year."

"Sounds fun. Seriously, what did you do to this soup?"

"My mom taught me how to cook," My eyes sting and my heart hurts thinking of those memories.

"Well, she did a damn good job."

"Sometimes she got it right."

He looks up at me. "Oh. I'm sorry I touched a nerve."

I wave my hand. "It's ok. I've come to terms with it."

He sets his spoon down, all of his focus on me. His gaze is intense, that little furrow between his brow is back. "You look-"

"Good you're awake, puto. Put some pants on and come help me." Chucho walks in the back door, stomping his boots on the mat outside before stepping in.

"I don't know if I-"

"Come on, son. No more babying I gave you time. Now I need your young bones."

"You sound like a bruja." (witch). But Javier pushes back from the island and starts to grab his plate.

"Don't worry about it, I got it." I stand, leaning over to take the bowl and plate, noticing that he'd eaten all of it. "I have more if you want some."

His dark eyes bore into mine, fanning a flame inside of me. "I want whatever you give me, Vanessa."

SMACK! Chucho slaps Javier on the back of his head.

"What the fuck?"

"Stop flirting and come help me before these chickens run halfway to Mexico."

-------

Chucho and Javier are gone for a few more hours and return just as the sun is setting. I hang up the phone, having had my nightly call with Alex, who is having a blast at science camp. The men kick off their work boots and coats, trudging upstairs to shower.

"Dinner will be ready soon so don't take long!" I yell after them.

Chucho devours the steak I'd made him while Javier opts to have another couple bowls of soup. Before long, Chucho leans back, slapping his stomach.

"Well, I am tired. Gonna get an early sleep. Vanessa? Delicious, as usual. Night, everyone."

"Good night, Chucho."

While he heads upstairs, I start to clean up, Javier immediately moving to help me. I shake my head.

"Nope. I got this."

"I can help."

"Really, it's ok."

"Are you always this stubborn?

"Are you?"

He looks at me before he smirks, but then it's gone just as fast. Man am I fucked.

"I can dry?"

"I appreciate the offer, but really. I'm ok."

"Does washing the dishes relax you or something?"

I know he said it in jest, but now that I think about it, it kind of does. The warm, soapy water calms me down. Gives me space to think.

"Yeah sort of."

He puts his hands up. "Say no more. I don't want to intrude." Did he just wink at me? Javier heads from the kitchen and I hear the front door open, the screen door slapping closed behind him.

After I'm done with the dishes, I dry my hands, thinking. I grab another glass of coconut water and head towards the front door, hesitating for several moments before pushing open the screen. Javier sits on the swing bench, facing out to look over the front half of the farm, a cigarette lit and in between his fingers. He takes a long drag, his lips rounding to blow out the smoke.

"I thought you should hydrate again." I hold up the glass and he turns to look at me, his eyes coming back into focus. He beckons me to him and I walk up, handing him the glass.

"That's a nasty habit, you know," I nod towards the cigarette in his hand.

He shrugs. "You have your relaxing activity, and I have mine." Still, he leans forward and puts it out on the tray he'd set on the arm of the bench. "Come. Sit."

I take a breath and sit, our thighs nearly touching. The air feels electrified, like it's waiting for something to happen. We sit like this for a while, staring out at the cows grazing in the front fields, Javier lightly rocking the swing as he rolls his foot back and forth.

"Thank you for...everything. Taking care of me and..everything." He turns his head to look at me in the light coming in through the windows from the house.

"It's not a problem. Anyone would do it."

He snorts. "Not for me."

"And why not?"

He pauses a moment. "I'm not a good guy."

"Well I know that's not true. You're a great man, Javier." I place my hand on his forearm without thinking, and squeeze. He looks down at where I touch him, placing his hand over mine before looking at me.

"I'm really not. I just..." He trails off, his eyes sweeping over my face. "You...you look familiar. It's been killing me for days."

Well. Now is the time. For this confession, at least.

"That's because we know each other."

His brow furrows slightly. "I had a feeling. From where?"

It still hurts a little that he doesn't remember, even though I know it's a trauma response. Memory loss and PTSD can often go hand in hand.

"You...you gave me a rose, once."

Recognition immediately ripples over his face, his eyes widening, his eyebrows raising a little as he shifts his body to face me.

"Vanessa? From the bar? Right before I left for Colombia?"

I smile nervously. "That's me."

"Summer of new things Vanessa?"

I nod. "Yup. Me."

His eyes are twinkling now, a small smile creeping up his face. "Holy shit! I never thought I'd see you again. It was so hard to walk away from you that morning. The only thing that did it was the fact that the DEA would come down on me hard for missing that flight." His eyes soften the longer he looks in mine and for a moment, we're both transported back to that night, the night he opened up my world.

"H-how are you?" He's hesitant, but his eyes are wide and curious.

"Not bad."

"How did you end up here? I thought you were going back to-" he waves his hand around trying to think. "Austin?"

"Corpus Christi."

He snaps his fingers. "That was it."

Do I tell him about Alex? About being a father? Something inside me tells me to wait. To only surprise Javier with one thing at a time. He's been through so much and the last thing I want to do is pile more on top of that.

"It's a long story but I...got pregnant and my parents..well, they didn't approve. Out of wedlock. Anyway, they kicked me out and I uh, ended up here. Chucho I guess took pity on me and gave me a place to stay. I offered to cook and clean for him which of course he argued against, but," I shrug. "And so I stayed. He demanded I return to college and get my teaching degree I had been working on and he babysat Alex while I did. I owe him so much. My life, basically. I don't know how I'll be able to repay him."

His eyes grew serious. "You're parents kicked you out pregnant?"

I nod. "Yeah."

"That's fucked. Sorry, but it is."

I shrug. "They were the kind of parents that would scrub my mouth out with soap and make me repeat scripture if I had nail polish on so I guess I'm not surprised. I've made peace with it."

"Still. I'm sorry that happened to you."

"Thanks."

We sit in silence for another few moments, one weight on my chest lifted but a very heavy one still remaining.

"The dad didn't help?"

Here's your chance, Vanessa. You can tell him now, despite everything. Tell him. TELL. HIM.

"He...He had other things to do."

Javier scoffs. "What an asshole."

I shake my head vehemently. "No, it's not..they were very important."

"More important than knocking up a young woman?"

"I think so."

"I'm sure."

I turn to face him more directly. "What if it was yo-"

RING RING! RING RING!

The phone cuts through our conversation, forcing an ending that I wasn't ready for. Javier attempts to stand but I put my hand out.

"It might be Alex. I've got it."

I feel his eyes on me as I go inside, answering the phone quickly. It wasn't Alex but some automated political message and I grunt, hanging up the phone in frustration. I should go back outside and explain everything to him, confess it all, but I don't. I do peak my head back outside and call his name, momentarily flustered when he looks at me.

"It was some political something."

"I fucking hate those."

"I'm going upstairs. Drink that coconut water." I point to the untouched glass in his hand and he holds it up towards me.

"Yes, ma'am."

-------

>>Chapter 4>>

General Taglist:

@frankie-catfish-morales @chaoticgeminate @janebby @astoryisaloveaffair @balekanemohafe @greeneyedblondie44 @hoeforthefictional @marvelousmermaid @hauntedmama @icanbeyourjedi @wretchedmo @sunnshineeexoxo @livingmydreams13 @adventures-of-a-noodle @sara-alonso @theewokingdead @punkerthanpascal @giggly-otter @f0rever15elf @phandoz @gallowsjoker @lovesbiggerthanpride @booksarekindaneat @charlispersonallyhell @xoxabs88xox @amneris21 @gooddaykate @avengers-fixation @paintballkid711 @harriedandharassed   @ladykatakuri @practicalghost @withakindheartx @batdarkladyvampir @justanotherkpopstanlol   @mermaidxatxheart @alexxavicry @justreblogginfics @kmc1989 @veryprairieberry @mysterious-moonstruck-musings @heartpascalispunk   

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[sepublic]

The more I appreciate Mata Nui's arc on Bara Magna, the more salty I am about his ending. Dude spends most of the story's run asleep, so much of the story is dedicated to waking him up. And then he finally does wake up but in less than ideal circumstances, but nevertheless you get the emotional investment of him learning to interact with others as a (relatively) regular mortal and guy, getting to make friends who know him as a friend and not as some god to worship. He gets to actually truly live and connect with the world around him, instead of passively observing it, hidden by his camouflage systems.

And then it ends with him going back to sleep for what is probably the indefinite foreseeable future. And I get WHY, I get the idea of Mata Nui not wanting the people of the Matoran Universe to depend on him. But it's kinda depressing to see him cut off from everything, he doesn't really get to sit down and relax, nor retire, like the others. He doesn't get to live anymore.

Plus, given how much Mata Nui was hyped up in 2001-08, it'd be interesting to see the characters from that arc actually get to meet him and realize, Oh, he's just a guy. An imperfect guy. No wonder Makuta realized he could take him down... But also he means well. He's trying. I'd have loved a scene where the Turaga Metru get to meet Mata Nui in person, and get some closure by asking; Why us? Why did you choose us to thwart Makuta's takeover?

In 2005, Mata Nui is framed as this all-wise god who works through unknowable ways and means, and is quite the clever mastermind himself, but for good, outsmarting Makuta. So it'd have been nice to hearken back to that characterization, maybe show Mata Nui being quite the trickster during his Bara Magna arc.

Closure for all our protagonists, who work so hard to see this guy be awakened, only to never really get to see or experience him, would've been nice. Just a single scene where they talk and discuss. Maybe one way you could reconcile both ideas -Mata Nui wanting to leave people alone, and Mata Nui getting to actually meet them- is by having him fake his slumber. But in reality he uses the Ignika to create a separate, remote body elsewhere for Mata Nui to transfer his spirit to. And then he does a Metro Man, lives the rest of his life as some guy, whose true identity he shares with only a select few people, particularly his Glatorian friends, and probably the Toa Nuva, Mahri, and Turaga. Given how much they sacrificed for him idk.

...Still. Could you imagine if Greg HAD continued the serials, and actually did have Mata Nui return from his slumber to help out during a climactic arc? That'd have been SUCH a hype moment.

#bionicle #mata nui

[remnantsofthepast-if]

Update - Chapter 9 (Act 1 Finale)

Chapter 9 – According to plan

Everything is ready to set sail for your destination. The cycle is ending and it's time to say goodbye, but a certain individual might have something to say about it.

---

Finally, the last chapter of the first act of Remnants Of The Past has arrived! I think back now, and it almost feels like yesterday when I started writing this story. It has certainly grown much more than I initially thought, and I am grateful to all those who have reached this point ^^.

Returning to the chapter itself, besides the final stretch of the story, I also bring some good news that I've been wanting to share for a while! As you know, I've been editing the entire story before finishing it, adding things, tweaking others, and removing some that didn't quite convince me, but there were two things I didn't want to mention until they were completely finished.

Firstly, I've added a friendship route! My idea has always been to make a romance story that accompanies the adventure, so I quickly dismissed the option of making a separate route without any romance (I'm a romantic, I can't help it), but this was when I planned to lock the romances at the end of the act. However, the flow of the story decided that it would be in Chapter 4, and I understand that some may find it harder to stick with one so soon, so I started thinking about adding an alternative route to enjoy the story without MC having a romantic interest, and here it is!

But this doesn't mean that the story will be shorter or less enjoyable if you choose for your MC to remain single! The scenes with the ROs have been adapted to this route, and you can spend time with the characters in a completely platonic way. Sometimes you'll be able to choose who to hang out with, and other times the encounters will be random.

And lastly, the second thing I've added, which excites me more than I thought, is that the mysterious individual is officially an RO! I know some of you were eager to give love to this character (or at least try), and I'm not going to be the one to stop you! However, this RO will be very, very different from the others. Much slower, and with details that I can't mention because they would be severe spoilers, but the option will be there for those who want to take it. To do this, you must choose for MC to remain single for now in Chapter 4.

And that's not all, this character now also has a female version! How cool is that? :D The downside to this, though? All of you who use a save file prior to this update will see the pronoun variables and encounter several inconsistencies that will take you out of the story, because in that save these variables do not exist, so you'll have to start from the beginning.

IMPORTANT NOTE!! This complete first act will be completely free for one week.

On Wednesday, April 24th, the free version will be replaced by the demo that will cover up to Chapter 4, and the purchase version will be available on both Itch.io and Patreon for all those who cannot purchase it through Itch.io.

I hope you enjoy this chapter! I've revised everything as thoroughly as I could, but I may have missed some things. If you see anything strange, don't hesitate to contact me or submit a report here!

#rotp update #update #remnants of the past #interactive fiction #rotp if #if #act 1 #act 1 finale

[mercurygray]

The Unquiet Tide

I am happy to report that - after a little bit of work - most of my MOTA OC work is now up and available for your reading, commenting and subscribing pleasure on AO3.

Since Masters of the Air lends itself to a more episodic approach, each of these stories will take place as a series of short format pieces posted more or less in chronological order. Much of the work is being driven by prompts from readers like you! I will still be posting updates here on tumblr, but will probably be linking directly to the full text on AO3.

The three fics are collected in The Unquiet Tide, so if you're on AO3 and would like to subscribe to collection updates for easy notifications, you can now do that!

Pavilioned In The Fields - Cordelia Callaway (John Egan x OFC)

Cordelia Callaway knows planes - she grew up building them and watching them be flown, and there is no one better in the entire Army Air Forces for keeping a level head while one of them comes in for a landing in flames. If the only way she can contribute to the war is making sure all these man land safely, then there's no one else you'd want in your control tower, because she doesn't do things by halves, either. Unfortunately, that also means holding grudges - and if you're the 100th's executive officer, that means you might be in for a very, very long war.

Your Best Girl - Fred Torvaldsen (John Brady x OFC)

Someone said this war would come with donuts, and Freda Torvaldsen is here to make sure they’re right. As a somewhat new replacement for the Red Cross Clubmobile team at Thorpe Abbotts, Freda - or Fred, as she's usually called - is still learning everyone’s name (and everyone is still learning hers!) but she’s confident with time that she’ll fit right in - and a certain clarinet-playing captain is hoping she fits right in with him.

Seek To Hold The Wind - Marion Brennan (Neil Harding x OFC)

It is one thing for the Army Air Forces to send planes out, and quite another to bring them back home. Someone must be there at the end, to gather all the pieces up to make sure what has just happened makes sense. That's Marion Brennan's job, and she's damn good at it - a life spent in the Army will do that to a woman. She's also here to do it without distractions - though a certain former football coach and commanding officer is making that rather difficult.

#i have written a thing #mercurygraypresents #tds cinematic universe #masters of the air OC #masters of the air x oc #freda torvaldsen #marion brennan #cordelia callaway #also i think it's really funny that as of right this moment #fred has bookmarks #cord has hits #and marion has nothing #so that's that on the prevailing fandom taste at the moment