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#if you love ballet and dancing movies in general
zeldasnotes · 6 months
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The Nine Greek Muses
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CALLIOPE
The Muse of Eloquence & Epic Poetry. Can also be spelled Kalliope. In the chart signifies a poet, a talented writer, a beautiful voice or someone good at delivering speeches. Can show someone who uses their voice to get what they want or to seduce, especially when conjunct Venus. She is the oldest of the nine muses & considered the leader of the muses.
Her name means: "Beautiful voiced" from the Greek words kallos and ops.
CLIO
The Muse of History. Can also be spelled ”Klio” Can show an interest in history. Can also show someone who ”makes history” In the natal chart its a fame indicator and an indicator of being interested in history. Can make you unforgettable. Ive seen this in the 11th house of a person who was involved in a scandal on the internet and since then her name has been linked to that.
Her name means: "To make famous" or "celebrate." from the Greek verb kleô.
URANIA
The Muse of Astronomy & Astrology. Back then astrology and astronomy was considered the same. She was also considered Muse of mathematics. In the chart she indicates talent and strong interest in astrology, astronomy, the stars, mathematics and metaphysics in general.
Her name means: ”Heavenly" or "of heaven"
THALIA
Muse of Comedy & Idyllic Poetry. In the chart it shows a comedic talent. Conjunct the Ascendant can be someone who are good at funny expressions. Shows someone who naturally have comedic timing since timing is everything when it comes to humour. Harsh aspects can shows someone who tries too hard to be funny or someone whos humour is not appreciated.
Her name means: "Rich festivity" or "blooming."
MELPOMENE
Muse of Tragedy. In the chart it can show where we experience tragedy, grief or loss and what makes us experience these things. In the chart of an actor it indicates a talent in playing tragic and sad roles. If it conjuncts Venus the person might experience a lot of tragedy in love. If conjunct asteroid talent it indicates a talent with these topics and for example work as a psychiatrist.
Her name means: "To celebrate with dance and song."from the Greek verb melpô or melpomai
POLYHYMNIA
The Muse of Hymns & Meditation. In the chart can make someone calm, peaceful and collected. Definitely an introvert indicator and can show someone who doesnt not talk a lot. She is often depicted holding a finger to her mouth.
Her name means: "Praise" or "hymn." from the Greek words poly- "many" and hymnos
ERATO
The Muse of Erotic Poetry & Mimic Imitation. In astrology shows someone who acts as a muse for erotic art. Prominent in the chart of sex symbols & adult movie stars. If conjunct the Ascendant or Midheaven shows someone who awakes erotic imaginations in others.
Her name means: "Lovely" or "beloved" from the Greek word eratos.
EUTERPE
The Muse of Music. In the chart it shows musical talent. Singing and songwriting. Also prominent in the charts of DJs since they know what the public wants to hear. Can also show what you make music about. Ive seen this conjunct Venus in the chart of a woman who dated a musician who made songs about her.
Her name means: "Giver of much delight." from the Greek words eu- and terpô.
TERPSICHORE
The Muse of Dancing. In the chart she gives talent in dancing & choreography. The legendary balet dancer Vaslav Nijinsk has Terpsichore conjunct Venus and Anna Pavlova have it conjunct her Part of Fortune. They both helped establish the Russian Ballet. Both of them household names because of their dance talent.
Her name means: "Delighting in Dance" from the Greek words terpsis "to delight" and khoros "dance".
ASTEROID NUMBERS: 22, 30, 33, 27, 62, 81, 23, 18, 84
CLICK HERE FOR MORE GREEK ASTEROIDS.
© 2023 Zeldas Notes
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hotvintagepoll · 1 month
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Propaganda
Gene Tierney (Laura, The Ghost and Mrs Muir, Leave Her to Heaven)— The class, the elegance. The way she walks into frame and immediately all focus is on her. She had a pretty lengthy struggle with mental health that she describes in her book, which I think made her all the more sensitive in portraying characters like in leave her to heaven. Also she dumped JFK so
Moira Shearer (The Red Shoes)— Moira Shearer is one of the most awe-inspiring dancers ever put to screen. Watching her performance in 'The Red Shoes' changed my fucking life. When I saw her in 'Peeping Tom' it was one of the most anxiety-inducing experiences I've ever had watching a film. Moira Shearer was not only an actress who can make you feel, she's an actress who can make you feel *desperately afraid* for her. An all-time favourite for horror, dance, and just her /presence/, man.
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Gene Tierney:
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The entire plot of Laura is that a guy has to become completely obsessed with a woman after just seeing her portrait. This only works because Gene was cast in the role. I 10000% believe anyone could fall in love after seeing her face.
Those eyes! Just look at those eyes! She’s at her hottest in Leave Her To Heaven— I literally want her to ruin my life.
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Absolute grade-A babe, she is the perfection incarnate.
Gene Tierney was beautiful, poised, intense. I associate her with roles where she was murderous or an intelligent woman being patronized to - like a woman on the edge! As far as I am concerned, she deserved to do whatever she wanted.
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She had a slight overbite which was amazingly sexy, and a throaty voice that was very memorable as well. She’s terrific in Laura, which reminds me I should watch it again.
EYES!! Her diabolical acting in Leave Her to Heaven is just perfect, Rosamund Pike definitely took notes for her Gone Girl from her.
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Oscar-nominated and simply one of the most beautiful women to ever walk this Earth.
Absolutely stunning. In Leave Her to Heaven, she reaches Rosamund-Pike-in-Gone-Girl levels of “holy fucking shit?!?!?!” She had a fling with JFK in the ‘40s and also dated the exes of Rita Hayworth and Hedy Lamarr (Prince Aly Khan and W. Howard Lee, respectively). Sadly, her daughter was born with a disability (during a time in which there were few good mainstream options for disabled children and their parents), likely because of a fan who was sick with measles and went out of her way to meet Tierney (who was pregnant) anyway. Topical! Sure would be good if people stayed home when they were sick! Anyway, she was also a Republican, which sucks. Laura and Leave Her to Heaven are great viewing though.
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Moira Shearer:
[editor's note: if your TWs include death, body horror, or general freaky stuff, go forward with caution with the videos. Enjoy!]
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Scottish flame-haired professional ballerina who made a successful move into films with ballet classic "The Red Shoes" and several other films. The best way to convey her beauty and grace is to see her in motion so gifsets are attached.
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Gifset 1
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Gifset 3
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Please check her out as Olympia in The Tales of Hoffmann, it's one of my favourite examples of automata ballet and she's so awesome in it
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Her performance in 'The Red Shoes' (if you ever have the opportunity to see this on the big screen, TAKE IT.)
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drieddpetals · 18 days
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modern things the crows would love
(based of the reference of them being in the victorian era)
(also, i've seen a couple people do this so full credit to them for inspiring this)
kaz:
* (secretly) card shuffling asmr/those asmr videos where they teach you card games, even tho he knows how to play them already
* (when he was a kid) those diaries where you have to have a code to get in with a speaker to record messages in
* ^^ also diaries with locks on them
* combination locks
* hard swing jazz
* mean girls (movie & musical)
* "dark acadamia" literature
* making sure everyone in a fifteen mile radius of him knows that frankenstein was the DOCTOR and the monster was frankenstein's MONSTER
* making up conlangs/ciphers for fun
* ^^ getting the crows to memorize them so they can communicate secretly
* gloves with pads on the fingers that let you use screens
inej:
* tumblr aesthetic moodboards
* taking hyperspecific uquiz personality quizzes
* crystal jewelry
* competitive gymnastics & tumbling
* claw clips & french pins
* colored eyeliner & mascara
* midi skirts
* making boards on pinterest—sharing those boards with jesper & wylan
* ^^ having massive joint pinterest boards with all the crows
* leg warmers
* ballet & "ballet aesthetic"
* any movie with natalie portman
* birkenstocks but specifically the ones with a holder for your big toe (idk if this makes sense)
* phantom of the opera
* oil diffusers
* american girl dolls
jesper:
* laser tag
* rollerskating & roller derby
* plato's closet
* tourist jewelry
* volleyball
* colored & funky shaped sunglasses
* just dance 2
* bruno mars
* fall out boy
* cargo shorts
* hamilton
* finding obscure fashion inspo on pinterest
* showing everyone how he can run barefoot on gravel
* gyaru fashion
* sour candy
* mt. dew
* saying, "i'm just joshing you" ironically
* sneezing extremely loud on purpose when it's dead silent
wylan:
* papa louie arcade games
* laufey
* asmr
* flute beatboxing
* green and brown colored converse
* tumblr aesthetic moodboards
* magnetic puzzle tiles
* percy jackson
* moisturizer with sunscreen in it
* the great comet of 1812
* dr. pepper
* accidentally dropping really traumatizing memories bc he genuinely thinks they're just funny stories from his childhood
* watercolor pencils
* shazam & the google "hum a tune" feature
nina:
* forever 21
* lush
* those mommy baking blogs that post their whole life stories before the recipe
* french tip manicures but in any other color but white
* ^^ also charms on nails
* gel manicures
* megan thee stallion
* lip gloss
* juicy couture
* the met gala
* amy winehouse
* duolingo/memrise/babbel
* panara bread
matthias:
* ^^ also, those mommy baking blogs that post their whole life stories before the recipe
* volunteering at animal shelters
* carhaart & patagonia
* those massage chairs at malls
* apple watches
* buying those massive bottles of ibuprofen at costco
* ^^ buying bulk protein powder from costco
* ^^^ generally he just likes costco & buying things in bulk
* colored fairy lights (HATES LED light strips)
* those big tubs of aquaphor
* vera bradley blankets
* gallon water bottles with the motivational time checkpoints
* at home gyms
* the classic white boy flannel over hoodie combo
* jacuzzis
* massage guns
* steel toe boots
* yawning and sneezing like a dad
* hair and beard oil
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meraki-yao · 7 months
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RWRB Movie Thoughts: Choreography and Rehearsals
There’s been a couple of great essays on the one-shots in the movie and the theatricality of those scenes (see here, here and here), and I just want to talk a little about choreography and ferally scream a little about rehearsals.
Taylor mentioned in one of their interviews that a lot of the intimate scenes had a certain musicality to them, and as the boys both have theatre experience, Robbie communicated with them on the subject almost like creating a dance. It’s essentially, choreography. So here’s my interpretation of the choreography part.
I love dancing and took ballet classes for 14 years, and something really important in dancing and choreography is beats. And there are two ways to go about this.
One is literally every beat is a specific motion, it’s a series of sharply changing movements. It’s very apparent for Henry/Nick during the first section of their first hookup in Alex’s room. You can literally count 8 beats as you would for a piece of music, and for every beat, Henry/Nick is doing a specific move:
1: Block the door -> 2: Push open the door -> 3: Right Hand grab Alex/Taylor’s Neck -> 4: Kiss -> 5: Left Hand Grab Alex/Taylor’s Arm -> 6: Left Hand moves to Alex/Taylor’s Neck-> 7: Blank/No New Hand Movements -> 8: Left Hand in his Hair
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You can literally count the beats, and hell, in this scene in Henry/Nick’s case, the beats are fairly even. You can almost follow the motions with a metronome.
The other kind is hitting marks: as in there are “key poses” to strike at certain times, but how to get from one pose to the other is more up to the actor. (There’s a great video explaining this idea in fight choreography/sword fighting: check it out here) I think that’s what the red room kiss counts as the boys have certain marks to hit: both of them hitting the wall, Alex/Taylor grabbing Henry/Nick’s thigh, then pushing him onto the table, then grabbing his waist while Henry/Nick grabs his hair etc. They have specific places for their hands and legs and well, themselves to be, but everything in between is pretty continuous motions that I don’t think can be precisely designed. You can still sort of count a beat, but it’s much less clear than the example of Henry in Alex’s bedroom.
 
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So here’s my question.
How many of the scenes in the movie are choreographed, and what scene was which kind of choreography?
There are the two literal dance scenes, and then most of the intimate scenes go without saying, because it’s not just a matter of the choreography, but also requires discussions on intimacy and boundaries. Among the photos Matthew posted about rehearsals, I’m assuming all photos with the boys on a couch are the intimate scenes. (Matthew said the first hook-up was shot exactly as rehearsed)
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But another photo Matthew posted was the hospital storage room scene, the absolutely adorable photo with Nick and Taylor squeezed together in the middle of a bunch of chairs.
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Which means the mess of Henry and Alex falling into the storage room then flailing their limbs trying to figure out how sit properly without crushing each other was choreographed. And honestly…how? Because that scene looked like such a mess and so damn chaotic, I really can’t imagine any part of it being designed besides the general idea of “fall over, push each other a bunch, end up with Henry/Nick on the right and Alex/Taylor on the left.”
Also the Paris scene. Of course that has to be choreographed, but I just… can’t imagine how? Like the red room scene, Alex’s room, the polo tack room, if I don’t immerse myself in the movie I can sort of see the performance, the directing aspect of the scene, but the Paris scene, I completely can’t. It’s so well done, it looks so damn real. Of course, I know it’s not, but I can’t see it. That’s how well done the scene is. How in the fucking world did they do that? On top of that apparently, people who went to the March screening said there were three positions (which, please fucking release everything PLEASE), so again, how the fuck did they do that?
What other scenes were choreographed? They had two weeks of rehearsal (although Taylor said he got Covid on the second week so I don’t know how they went about that), how much did they do?
God I know Matthew’s slowly releasing behind-the-scenes footage and I’m guessing a, he has a lot, like a lot b, he’s understandably taking his time, but I wonder if he’ll ever let rehearsal videos see the light of day. Besides my own curiosity about how their rehearsal worked, there's also that one adorable picture of what looks like Taylor said something that made Nick laugh which is just so cute, it would be nice to see what the boys themselves were like during rehearsals and what their banter was like
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Anyways all this to say MORE BTS FOOTAGE PLEASE 
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cowboyfromh3ll · 5 months
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im thirsty for dutch headcanons, thats all i ask! :D
Dutch Van Der Linde HC
I'm sorry I lowkey dragged him. Also, I couldn't tell if you meant general headcannons or romantic ones so I mixed em
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He does the dad hand. You can't eat shit around him without him doing the hand
I went to a precious gem exhibit once, and I remember seeing jewelry with massive gems on them, like obnoxiously large, and I believe if he had a means to, he'd wear that
If you're dating him then let's be real you're like 10+ years younger than him
Thinks Lana Del Rey songs are about him
That being said, Lana fan
I can imagine him going to operas or the ballet
Falls asleep during movies at the theatre and snores loud asf. You gotta shake him awake every few minutes
He's into the real feminine and cutesy type. I feel like he'd hate tattoos or piercings on women and makes passive-aggressive comments about them
Loves dancing with you. Sometimes, you'll come back home or to camp, and he'll greet you with wine and invite you to dance while he plays a record
His ass would read Nietzsche
He always tries to bargain with cashiers. And it works. Not that it's very effective but he uses so many big and confusing words that he baffles the poor cashiers and they just listen to him
Very embarrassing for you, especially if there's a line behind the two of you
Would wear Christian Dior Sauvage
Type of guy to put rose petals all over your bed
Also lights hella candles inside your tent when he's trying to be romantic, doesn't care it's a fire hazard
People probably get tired of hearing the two of you giggle behind the closed flaps of your shared tent
Scrunches up his nose when he's mad. Begins twitching when he's beginning to get irritated
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gregorovitch-adler · 5 months
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My thoughts about The Private Life of Sherlock Holmes:
Let's start by summarising the movie -
No crime-solving happens in the first 34 minutes. The first act is all about Holmes and Watson's dynamic, exploration of the nature of their relationship with each other, etc. If you're the type of person who only watches/reads Sherlock Holmes for the cases, you'd believe this portion is skippable. Only the blink-and-miss detail about the "Midgets' case" is important as far as Holmes' detective work is concerned.
However, if you think exploring Holmes and Watson's interpersonal relationship and their casework are both equally important, like I do, the first act is GOLD. Most of the Tumblr gifs about this movie are from the first 30-35 mins lol.
1.) Holmes enters and they bicker like an old, married couple.
H: Oh, come now, Watson, you must admit that you have a tendency to overromanticize. You have taken my simple exercises in logic and embellished them, embroidered them, exaggerated them ---
W: I deny the accusation.
H: You have described me as six-footfour, whereas I am barely six-footone.
W: A bit of poetic license.
Not only is this whole scene just delightful in general but the theory about Watson being an unreliable narrator in ACD canon is actually being supported throughout the movie, starting right here.
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W:It's those little touches that make you colorful...
H: Lurid is more like it. You have painted me as a hopeless dope addict - just because I occasionally take a five per cent solution of cocaine.
W: A seven per cent solution.
H: Five per cent. Don't you think I'm aware you've been diluting it behind my back?
This exchange was lovely. Way to slip in their closeness through a few words.
2.) Watson doesn't think it's odd to barge right in when Holmes is completely naked and taking a bath?
Also, why the hell does Holmes bathe with his bedroom door wide open?
And what's that thing he's taking a bath in called? Does anyone know about this stuff? Was this thing common in that timeline? It doesn't seem to fit a grown man like Holmes.
I have so many questions and I'm speechless at the same time. I'll just drop this here:
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3.) Then Watson persuades Holmes to go to The Swan Lake ballet.
Watson enjoys that ballet, a little too much at that, mostly because he's staring at all the women on stage. (We'll get back to this later.)
Holmes on the other hand has dozed off. All he can admire about the most beautiful dancer, Petrova, is her strong arches. Which is... 🏳‍🌈
Then that whole scene about Nicholai and Petrova and Holmes in the dressing room. XD
Petrova offers a Stradivarius violin to Holmes in exchange for sleeping with her for a week, so that her child would be beautiful like her and brilliant like Holmes.
Holmes gets out of the situation by lying to both of them; saying he's in a relationship with Watson.
Honestly, that whole bit. Just look at the lines:
N: She has been dancing since she was three years old, and after all, she is now thirty-eight.
H: (gallantly) I must say she doesn't look thirty-eight.
N: That is because she is forty-six.
And:
Nicholai: (about Tolstoy) Too old --- Then we considered the philosopher, Nietzsche --
H: Absolutely first-rate mind ---
N: Too German --
Etc. They're all so funny. This whole scene is something else.
In fairness to Holmes, he did try to get himself out of the situation by lying about having hemophilia in his family, or saying that he's unromantic because he's English, etc but Petrova was having none of it.
Watson coming into the room all of a sudden gives so much clarity and calmness to Holmes. He just knows what to say to help himself because of Watson.
This unforgettable exchange:
N: You mean, you and Dr. Watson - He is your glass of tea?
H: If you want to be picturesque about it.
On a side note, I absolutely loved Nicholai's face journey throughout both scenes - in the dressing room, stuck in the middle of Holmes and Petrova's awkwardness, and later on when he asks about the alleged Holmes-Watson romance to Watson after having spread the rumour in the whole room.
I just loved his reactions a lot.
According to this movie-
Caprice of Mother Nature = Gay.
Half-and-half = Bisexual.
Watson comes to know about the rumour, after having had the time of his life with both men and women in the ballroom. Watson is pissed off, he goes home and confronts about the whole thing to Holmes.
They have a row at Baker Street, in which Watson is being extremely heteronormative again. Thinking too much about his reputation without stopping to question his own feelings and his weird fixation on Holmes' love life.
There's that famous line again:
W: Holmes, let me ask you a question. I hope I'm not being presumptuous -but there have been women in your life?
H: The answer is yes -- you're being presumptuous. Good night.
Awesome.
This marks the end of Act I.
The existence of these 33 minutes of the movie is proof that the writing team in this adaptation knows that exploring Holmes and Watson's characters and what they mean to each other is as important as Holmes' casework. Billy Wilder takes this seriously, even though there are some jokes here and there about it.
The whole of Act I is filled with raising questions about Holmes and Watson's preferences, etc. Does Holmes feel love or is he just a machine? Does Holmes feel love for Watson? Does Watson know about Holmes' feelings for him? Does Watson feel the same way about Holmes?
In my opinion, all the answers to the personal questions about Holmes are as clear as a day. What's really questionable is whether Watson knows and/or feels the same way about Holmes or not. Different viewers might draw different conclusions/inferences after watching this movie.
After this, the movie takes a turn because "Gabrielle" enters the picture, and the actual crime-solving begins from here. The tone becomes a bit more serious in this act.
A young woman, completely wet and in shock enters 221 B. Watson has to pay for her fare to the cabbie before he and Holmes take her upstairs to take care of her.
She can't remember anything at first, then from her wedding ring, Holmes gets to know her name: Gabrielle Valladon. Her husband's name is Emile Valladon.
She appears to have temporary amnesia because of getting hit on the forehead and almost drowning in the Thames.
She reveals info about herself that she's from Belgium, her husband was here in London for a job, they used to write to each other, and after some time, the letters from her husband stopped coming. She'd gone to the London police first after coming to this city. She says the police had advised her to consult Sherlock Holmes.
Now, this should make the viewer skeptical of her. Scotland Yard does consult Sherlock Holmes when they need him, but they aren't going to let him have the whole case if there's a situation like this.
Besides, that woman ending up at Baker Street specifically seems to be planned, anyway. Also, there's always this man who keeps waiting for her or someone else's signals on the outside.
I know what we see on screen comes from Watson's drafts on loose pages, but this movie's narration seems to be Third Person Omniscient POV to me. Where the viewer is privy to more information as compared to the characters.
The three of them keep looking for her husband's whereabouts, and she pretends to be helpless, needy, and fragile (to stroke the ego of the men around her, I believe. I mean that could be one of the reasons...) with temporary amnesia throughout most of the movie. Holmes and Watson don't suspect a thing about her as they keep working for her and she keeps sending cryptic messages to the "Trappists" (German government) with her parasol.
The thing I love about this act:
Ilse von Hofmannsthal aka Gabrielle Valladon is actually a competent character who happens to be a woman. We can see something shady is going on with her even though we don't know her real name, but one of the most brilliant people on the planet doesn't suspect anything. He thinks she's just a woman looking for her husband's whereabouts. He thinks her back story is real.
He keeps on thinking that until Mycroft basically tells him in the third act which is why we're able to see for ourselves that Ilse was genuinely able to outsmart Holmes. We don't have to be told by the narrative voice about Ilse's strengths (*cough* unlike BBC Sherlock and a lot of female characters written by Steven Moffat *cough*).
I, for one, felt respectful of Ilse or "Gabrielle" for real. It was quite refreshing to me after having watched some modern Holmes adaptations.
Holmes, Watson, and "Gabrielle" go looking for the cause of Emile Valladon's death after they've found his coffin in the graveyard, in the guise of having a picnic. Holmes and "Gabrielle" pretend to be a married couple - Mrs and Mr Ashdown, and Watson is their valet. The scenes after this point are delightful mainly because of Watson's reactions (which could be read as his jealousy over Holmes, too).
Also, me when Holmes calls Watson 'John' in an archaic Holmes adaptation:
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Because of his sort of stupidity, Holmes takes Ilse, a German spy, right in front of the submersible (which he thinks is a mechanical 'monster' that lives underwater) in a boat, along with Watson.
Ilse was trying to grab as much information as she could about that secret project because she was working for her country. Who knew someone would show her the live version of that model so readily (albeit unknowingly)? :P
The three of them are obviously unable to find anything about Emile Valladon, so they go back to the inn room they're staying in.
That's when one of Mycroft's men comes to pick Holmes up and take him to his elder brother. Here's when the third act begins, I think.
Mycroft had warned Sherlock not to pursue "Gabrielle's" case any further during the second act. But Sherlock didn't listen, because a.) he's an empathetic man, and b.) Mycroft can't just order him to do or drop something just because. Sherlock is not a child anymore.
I know Mycroft was only trying to protect Sherlock, and that he couldn't have told him the real reason to stop him at that time, but still.
Either way, months of planning and testing the submersible have gone to waste because Holmes did not suspect at any point that his client, "Gabrielle Valladon" might have just been lying to him since the start. Can't blame Holmes for that. Ilse was meticulous.
Mycroft shows the model to the queen and she strongly disapproves of the model and curses it a lot. Personally, this seemed to be a shitty decision on her part, and I felt so frustrated and annoyed at her in that scene. She didn't even care to hear about its features. She just rejected it on the spot! :(
Mycroft decides to 'give the submarine' to the German government. It's implied that the Trappists were drowned along with the submarine itself in the deep waters. (That's what I gathered from that scene - correct me if my interpretation was wrong).
In conclusion, while Ilse is genuinely able to outsmart Holmes (unlike some writers forcing us to believe it in their adaptation because they told us so), the German government isn't able to go anywhere with the info they've gathered through Ilse because of Mycroft's last move. Moreover, the English government would have sent her to jail, if Sherlock hadn't suggested Mycroft send her back to her own country.
So, in the end, it's a lose-lose situation for all of them.
1.) Sherlock Holmes didn't know that Ilse was faking her name and her whole identity for a long time, so he unknowingly helped a German spy, thinking he was just helping an ordinary client. Ilse almost had him and the viewers could see for themselves that she'd outsmarted him.
2.) Even after Ilse von Hofmannsthal has got what she wanted for her government, as a spy, they aren't able to make use of that info because of Mycroft. And she has to get out of England anyway.
3.) Mycroft Holmes also fails, to some extent, because ages of effort to plan the submersible, hide the plans, and test the model in secret - all of it has gone to waste. The queen doesn't even want to hear him out in the end.
But even if it was a lose-lose situation, the battle was damn intriguing because of the high intellect on both sides - Holmes brothers and Ilse.
Months later, Holmes receives a letter from Mycroft about Ilse's arrest and execution by the Japanese government. Reading that, he's so moved that he can't even finish his breakfast. He gets up and asks Watson for his cocaine supply. Watson tells him, and then Holmes grabs the bag and goes to his room. Holmes shuts himself in, Watson gets up from the breakfast table too, sits beside the fireplace, and begins to write something on a piece of paper. Probably about the case, but for nobody to see.
End of Act III and the movie.
--
I loved the background score of this movie. It's quite touching and refreshing to listen to.
A lot of dialogue exchanges in the movie are so deep if you stop to think about them. It's unbelievable how much writers can convey through a few words. Some of them are quite funny too - particularly from Act I. There's a thin line between being funny and mocking, and TPLOSH didn't cross that. It was nice.
I love this portrayal of Sherlock Holmes. It's clear how deeply they've understood him from the original canon. Pretends to be dismissive and closed off but actually cares about everyone way too much.
I also liked Mycroft in this movie, even if he didn't have much screen time.
About Ilse von Hofmannsthal - I loved her. Seriously, this is how you write female characters, modern writers! People say ASIB is a direct adaptation of TPLOSH, which is true, but I'd prefer TPLOSH over that episode any day, and one of the reasons is the way the female lead has been written in the former. Not exactly a fan of how Moffat wrote her in his adaptation. He did her dirty, I'd say.
Characters like Ilse make me think that the writing team of this movie knew what feminism is. I can't say the same for the modern Holmes adaptation that has been heavily inspired by TPLOSH.
I loved the plot of this movie too. The case in itself was also pretty interesting and kept me hooked throughout. Even if it wasn't exactly resolved finally, and the ending was melancholic.
I wasn't expecting the movie to be this good. Which is why it took me so long to sit down and watch it.
I only have one complaint about this movie - Watson's characterisation.
I mean, Watson wasn't half as bad as I'd expected (I thought he was going to be horrible, based on the snippets of the movie I'd seen before), but still. I like how he doesn't fall into the bumbling idiot stereotype. As far as the casework is concerned, Watson is also quite competent and observant in his own right. He can handle the medical work too.
I've got problems with his heteronormativity, and the fact that when it comes to deducing what lies in Holmes' heart, he's dumb as bricks. It's annoying. Like, it's one thing if he doesn't feel the same way about Holmes, but he doesn't have to be so weird and homophobic about it. Also, I think Holmes should've told him about the truth related to Ilse and the 'mechanical monster'. I've had enough of 'keeping Watson in the dark for his own good', damn it! He should be more in the knowledge.
Watson's character was the only element in the movie that didn't receive justice from the writer. As a Watson-centric fan, I need this to stop happening in future Holmes adaptations. People should see more from his POV too, and stop to actually see where he's coming from, and properly understand his character in the next show/movie/whatever they make.
What I gathered from the movie about the characters and their interpersonal relationships-
Holmes is in love with Watson but doesn't admit it... for valid reasons this time. (side eyes at Watson's homophobia).
Watson is deeply attached to Holmes but sees him as a close friend. I wish he felt the same way about Holmes in this movie, but alas! Though if he doesn't feel that way about Holmes, why the hell does he seem so jealous of Ilse in Acts II and III? This is beyond me.
I think what they've tried to show is that Watson is too close-minded to confront his possibly repressed feelings for Holmes, deep within his heart? Maybe. It could very well be my wishful thinking lol.
But as far as Holmes' feelings for Watson are concerned, it's not even wishful thinking. It's just... right there. I wish the subtext about Holmes' pining were spelled out. I know why it couldn't (the Doyle estate was being a pain in the ass at that time), but still. It's quite clear what they wanted to write as far as Holmes' emotional side was concerned, but they dropped it from the scripts after Act I and decided to focus on the case instead.
Holmes is dismissive of 'Gabrielle' at first, but he becomes sympathetic for her after some time. He reaches out to help her with her situation, and as the plot moves forward, he grows affectionate for Gabrielle/Ilse, which is why he doesn't hold a grudge against her when he realises he's been outsmarted by this woman (even though his ego was mildly hurt for a while).
The way they maintained a balance between the plot and the characters is commendable. I love seeing well-written women in fiction and this movie showed me that.
I was surprised to see how good this movie turned out to be, as compared to my preconceived opinions. The Private Life of Sherlock Holmes has officially become my comfort movie now. Miles ahead of BBC Sherlock, in my opinion.
Thanks to my discussions with @jamielovesjam in a previous post about this movie lol. I wouldn't have wanted to watch the movie if not for the long talk I had with them. Also tagging @gaypiningshit and @helloliriels for further discussion.
End of my unnecessarily long rambling.
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adarkrainbow · 1 month
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I was rethinking about how important the use of cultural details is when doing fairytale reinterpretations or adaptations. It is a way of adapting that people tend to forget due to some sort of general agreement that fairytales should escape any type of time-space setting and feel just like a "generic pseudo-medieval pseudo-European" world (except of course if they are set in modern day America, because for the US media the USA is, of course, a setting deemed "universal" enough that should speak to everybody... *cough cough* americanocentrism *cough cough*)
It was something I was already thinking about some times ago, ever since I discovered the Royal New Zealand Ballet's Hansel and Gretel, which has lots of very cool references to various states of German culture, ranging from cinema (the aesthetic of the setting, characters and special effects is meant to evoke the classic mute expressionist movies such as "Nosferatu" or "The Cabinet of Doctor Caligari")...
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... to folklore (the show made the insanely clever decision of replacing the bird eating the crumbs in the forest with schnabelperchten brooming them away).
And more recently I have been looking into a 1930 black-and-white French movie called "Cinderella of Paris", that transposes/twists/parodies the Cinderella story within the context of the realistic 1920s Paris.
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And the main ball, the equivalent of the titular Cinderella ball, is made into the Sainte-Catherine dance. Which is absolutely fitting and perfect for a Cinderella within an inter-war Paris. If you don't know, up until the mid-20th century, in France Saint Catherine's day was the time of a great popular ball/public dance whose entire purpose was to allow girls of 25 years old or more, yet without a male companion, to find a suitor/husband/boyfriend/fiancé. It was the big time to "solve the problem of the old maids", of which Saint Catherine was the patron - and it was THE big "love day" long before the overwhelming Americanization of Saint Valentine's Day.
All of that to say, I really love the inclusion of little cultural details and elements within fairytales retelling or transpositions - either of the original fairytale's culture, or of the culture in which the fairytale is transposed. Not only does it make the product quite cool, clever and/or interesting, but it also shows that you put a lot of thought into the tale's original setting and the point of moving up to another time period or geographical era. It is the opposite of just slapping a "That's X country" or "That's X time" sticker onto a fairytale without doing much more work.
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winterhawkhood · 8 months
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It is TIME to countdown!
Winterhawkhood-tober starts October 1st! To prepare for this incredible event where we will flood the world with winterhawkhood content, check out:
-The SEVEN bingo theme cards
-Prompt Request list (will be updated as requests come in)
-31 Days of Prompts Master List
The AO3 Collection
Friends, foes, family - this is going to be epic.
Bingo Cards:
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Prompt Requests:
Prompt Requests from fellow fans! These are free to use and can be used as much and in as many ways as possible:
If you send in requests to this blog we will continue to update the list!
From blubblesandink 
-Mr. And Mrs. Smith AU/ mistaken identity
-soft spot for animals(willing to act heinous towards humans, but saves a puppy)
-Bro you really live like this? (Ie, break into their house and then make it better)
-Eiffel Tower
From Taxi-cab-to-slowtown:
-Jason/Clint/Bucky/plus one or more
From Claraxbarton:
-Rule 63: different gender(s)
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31 Days Prompt Masterlist
Below are 31 Days worth of prompts. These are very general, with each day featuring one (1) dialogue prompt and three (3) other prompts. Feel free to respond to as many or as few as you like! There is some overlap from bingo cards to these prompts.
Day 1:
“You were right.”
-Different Robin
-On the run
-Friends with benefits
Day 2:
“You lied to me.”
-Royalty
-Friends to lovers
-Breakfast in bed
Day 3:
“How long have you known?”
-Healing
-Karaoke
-High School Reunion
Day 4:
“I wish I’d never met you.”
-Fake dating
-sex toys
-stakeout
Day 5:
“Wait, are you ticklish?”
-Wedding
-Avengers Team
-bad pick up lines
Day 6:
“Do you trust me?”
-Enemies to lovers
-backstory connection
-seeking/wanted ad
Day 7:
“Miss me, sweetheart?”
-cardigan
-kissing in the rain
-being in a crowd
Day 8:
“Please.”
-shaving
-stargazing
-mission
Day 9:
“You don’t have to say it”
-clothes sharing
-picnic
-beach
Day 10:
“I’m not a monster.”
-dating app
-baking
-identity porn/mistaken identity
Day 11:
“I told you not to touch that.”
-Sleeping
-canon divergent
-late
Day 12:
“You weren’t supposed to laugh.”
-sexting
-time travel
-co-workers
Day 13:
“Did you hear that?”
-autumn
-one bed
-matchmaking
Day 14:
“I deserve it.”
-coffee
-dancing
-secret dating
Day 15:
“I want to take care of you.”
-house/pet/baby sitting
-meet ugly
-hobby
Day 16:
“Is that my gun?”
-sex work
-modern/canon fusion
-love triangle
Day 17:
“I don’t remember.”
-size difference
-historical
-bets
Day 18:
“I remember.”
-Accidental
-military
-hand holding
Day 19:
“I’ve missed this.”
-Urban fantasy
-neighbors
-intimacy
Day 20:
“It’s three in the morning.”
-Sports
-horror
-vacation
Day 21:
“I can explain.”
-Writer
-shopping
-movie night
Day 22:
“I thought you were dead.”
-FUBAR
-arranged marriage
-hugs
Day 23:
“Then tell me the truth.”
-parent
-haunted 
-sacrifice
Day 24:
“How much of that did you hear?”
-Academic AU
-bad luck
-savior
Day 25:
“I hate this feeling?”
-Olympics
-injury
-conflict resolution
Day 26: 
“Don’t you dare walk away.”
-ballet
-allergies
-family
Day 27:
“Tell me a story.”
-Gotham
-costumes
-apologizing
Day 28:
“One last kiss.”
-pornography
-uniforms
-platonic
Day 29:
“Go fuck yourself.”
-blind date
-holiday/special occasion
-Western AU
Day 30:
“You left me.”
-surprise party
-bar
-drunk
Day 31:
“I can explain about last night.”
-pining
-lingerie
-one night stand
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desceros · 3 months
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hi sam!! kind of a different request, but would you list as many of your favorite orchestral pieces as you can? association with turtles v welcome but also optional! i have trouble doing my coursework because i can't listen to anything in the background while doing it (shows, music with lyrics), but i listened to scheherazade because of you and really loved it, plus got some work done to boot!! i'm not sure where to start in looking for more music like that so i thought i'd ask you. :)
oohhhh what a FUN ask, thank you so much!! i promise i am going to TRY to be REASONABLE with how much i talk about this. if i really did mention "as many as i could" i think i'd find out if tumblr has a character limit in text posts, hahaha!
so my favorite symphony of ALL TIME is symphony 9 by dvorak. absolute must-listen. my favorite moment of the entire piece (which you HAVE to listen to the entire thing to get REALLY feral about) is the last huge chord progression in the fourth movement that takes the db major brass chords from the second movement and puts it to the BOMBASTIC TYMPANI EB MINOR EXTRAVAGANZA from the first movement and makes me want to CHEW THROUGH BEDROCK, RAHHH
aside from that, here are a few that i love a lot and totes recommend:
all of scheherezade is, of course, absolutely stunning. it's one of my favorite pieces of all time. if you haven't listened to the other movements, i highly recommend! in this same vein is you liked that are pieces like the stepps by borodin, the polovstian dances (also borodin), marche slav by tchaikovsky, and to some extent saint-saens piano concerto no. 5 has some similar themes, particularly in the absolutely DELICIOUS second movement. it's called "orientalism" and while the, uh, intent has a history of. to say generously. problematic undertones. the pieces themselves are lovely.
russian easter overture by rimsky korsakov. i played this one in high school and man. it's just so FUN and PRETTY.
symphonie fantastique by hector berlioz. it's the story of this dude having a really bad acid trip. no i'm not kidding. also the fifth movement has the dies irie in my favorite iteration ever. eat your heart out, mozart.
...actually just literally anything by tchaikovsky. gun to my head, i'd say he's my favorite classical composer. i'm partial to his ballet work because that's what i played a lot of personally, but his overtures and concertos are quite fun. his romeo and juliet overture is extremely famous (though i personally vastly prefer the opening part over the latter, more famous part). every violinist you ever meet will be traumatized by him, though. so do be careful.
speaking of concertos: my favorite (ugh. i'm a traitor) is probably the barber violin concerto. it just has this. cinematic vibe to it that makes me think of something magical.
(....though the elgar cello concerto and the grieg piano concerto may have something to say about this.)
the planets suite by holst is very fun. you've probably heard mars, and you may recall the romance theme from jupiter if you've seen the movie braveheart. it's one of those mainstream pieces most people have heard. my particular favorite movement is uranus. it's so bouncy and fun!!! classical headbanger music here
beethoven is quite fun to listen to. for his orchestral work, i'm partial to symphony no. 5 since that was the first one i played and the drama of it is enthralling. (yes. i think it's better than nine. sue me.). that said, between you and me, i like the egmont overture better than his symphonies. that low open c on the viola is just so god damned juicy—[door bangs open] OH NO. IT'S THE PRETENTIOUS POLICE. THEY FOUND ME
i'll stop there. these are a few symphonic pieces, since you asked for those specifically. i also really love chamber music (which is just the strings section, sans the woodwinds/brass/percussion/etc), but i find those amazing to listen to as well! anywho i hope you enjoy some slash all of these and good luck with your studies!!
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comparativetarot · 4 months
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The Hanged Man. Art by Nara Lesser, from Neurotic Owl’s Faerytale Tarot.
I have a feeling a lot of people think they know The Red Shoes, and maybe more know the dance movies or newer stories built around it but haven’t actually read the Hans Christian Andersen original?  So let’s just establish that it is waaaaay more moralistic than you probably think.  In general, if you assume an HCA story ends with someone repenting and going to heaven, you’re going to be right more often than not.
But basically, little orphan girl gets adopted by rich old practically blind woman; gets shiny red shoes (ooooh shocking) thanks to said near-blindness, wears them to church repeatedly (horrors!!!!!).   Creepy old soldier at the door of the church offering to dust people’s shoes with his beard (WHAT) taps the shoes and tells them to stick tight while dancing.  Commence involuntary dancing, eek.  They manage to get the shoes off but little Karin juuuuust can’t resist, puts them on again, and dances off into the woods.  Cue disapproving angel, hours or possibly days of exhausted dancing through brush and briar, and finally she ends up at the executioner’s hut begging him to cut off her feet which happily DANCE OFF WITHOUT HER.
There’s some byplay where she repeatedly tries to go to church on her new wooden feet and crutches, and her severed feet turn up to scare her away till she goes to work in the parsonage and repent a bunch more.   Repentance eventually works, she goes to church, and then she dies there and the angel welcomes her into heaven, which is probably not a great time for anyone else in the building that day.
SO.  Why tf did I, a person with real issues about body horror and amputation, and a real disconnect from heavily Christian stories about sin and punishment, pick this?  The Hanged Man needed a story about self-sacrifice, and that’s weirdly not a thing that turns up in fairytales as much as you might think – especially not with the primarily female characters who interest me the most.  The Little Mermaid would have been a good option, but I have PLANS for her, plus I really want to draw her as Black and I am absolutely not putting any BIPOC on a card that references hanging, even tangentially.  Karin also gave me a way to mirror the traditional imagery from the RWS deck – don’t ask me why, I’m not doing it with every card, but for some reason with this one I really wanted to get a similar pose and even some of the colors.
But also, the Red Shoes is one of those stories that really resonates for me as an ex-dancer, and I think for a lot of dancers given how popular the ballet version is.  The feeling of loving to dance and also being hurt by it, being unable to stop even when you desperately need to – that’s a feeling I think a lot of us had.  I know when I eventually did have to stop dancing it was a huge sacrifice of who I thought I was; there was a long mourning process coming to terms with no longer thinking of myself as a dancer first and foremost, and recognizing that the art form that saved me when I was a child was hurting me deeply as an adult.
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macaroonsims · 1 year
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12 Dancing Princesses Legacy Challenge
based on the barbie movie. use cheats if you want, complete all generation goals.
***
Gen 1: Princess Ashlyn.
Ashlyn is the eldest of King Randolph and the late Queen Isabella's twelve daughters, since she is the oldest she is the crowned princess or the heiress apparent to the throne. Ashlyn loves to play music, especially the flute. She and her little sisters all love ballet dancing. 
traits: creative, music lover, family oriented.
career: musician
aspiration: musical genius
colour: purple
As the eldest, help raise your younger sisters.
Master piano, pipe organ, violin, guitar, singing, and dance skills.
***
Gen 2: Princess Blair.
The second eldest
traits: animal lover, active, creative
career: vet
aspiration: country caretaker
colour: red
own a cow (there's no horses)
master vet, pet training, and dance skills
max imagination skill as a toddler/child
have a ruby gemstone
buy the brave trait in the rewards store
***
Gen 3: Princess Courtney,
traits: clumsy, bookworm, genius
aspiration: bestselling author
career: writer
master dance and logic skills.
colour: blue
have a sapphire gemstone
***
Gen 4: Princess Delia
traits: active, hot headed, adventurous
aspiration: bodybuilder
career: athlete (any branch)
colour: green
have a twin sister
master athletic and dance skills
have sunflowers in your room
***
Gen 5: Princess Edeline
traits: goofball, active, active
aspiration: joke star
career: comedian
colour: orange
have a twin sister
master comedy, athletic, and dance skills
have a citrine gemstone
***
Gen 6: Princess Fallon
traits: romantic, animal lover, music lover
aspiration: soulmate
career: up to you
colour: pink
master singing, violin (no harps in game) and dance skills
***
gen 7: Princess Genevieve
traits: cheerful, genius, loyal
career: up to you
aspiration: big happy family
colours: pink and white
master dance and logic skills
plant roses in garden
be best friends with your younger sister
have a cat called twyla
***
Gen 8: Princess Hadley
traits: active, outgoing, cheerful
aspiration: extreme sports enthusiast
career: athletic (whatever branch you didn't pick in gen 4)
colour: teal
have a twin sister and be best friends with her
complete the rambunctious scamp (?) aspiration as a child
master dance and athletic skills
***
Gen 9: Princess Isla
traits: active, cheerful, genius
aspiration: any
career: any
colour: lilac
be best friends with twin sister,
master dance and athletic skills
plant lilies in your garden
have an emerald gemstone
***
Gen 10: Princess Janessa
traits: loves the outdoors, self-assured, outgoing
career: politician
aspiration: leader of the pack
have two twin sisters, be be friends with second eldest (you are the eldest triplet)
colour: light blue
have the jonquilyst gemstone
complete bug collection
master dance skill
***
Gen 11: princess Kathleen
traits: cheerful, creative, art lover
aspiration: painter extraordinaire
career: painter (any branch)
have two twin sisters, be best friends with the elder one
colour: light pink
master dance skill
plant daisies in your garden
***
gen 12: Princess Lacey
traits: genius, dance machine, family oriented
aspiration: any
career: doctor
colour: lilac
have two twin sisters, but be best friends with your older sister
plant lilies in garden,
have the amethyst gem stone
master dance skill
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noahtally-famous · 10 months
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seastar/heathette hcs!! 🐬🌟
( I’m not that good at art lmao, so have these cutsey hcs instead! heathette sweep pls and ty 🙏 @totaldramabrackets )
- bridgette being clumsy and heather catching bridgette either in her arms or pulling her into her arms (”god, you’re such a klutz” *says fondly*)
- heather: I’m not going in the water. I’ll get my hair wet!
bridgette: *grins and splashes water at her*
- bridgette being the one to get rid of the bugs in the house while heather is perched on any flat surface farthest away from it, legs pulled up and shrieking
- romcoms! bridgette loving them and heather tolerating them--but soon grows to like them though she pretends she doesn’t--so whenever it’s bridgette’s turn to pick the movie, you bet it’s either a romcom or an ocean-life documentary
- heather carrying bridgette around for the heck of it--especially when she knows she’s gonna do smth Not Safe and just totes her away lmao
- heather loves horror movies, bridgette hates them; cue heather putting on a horror movie just so bridgette is curled up against her, eyes only visible above the pillow she’s holding in a death grip, hand gripping heather’s. (the jumpscares get her literally jumping partway onto heather’s lap, which heather’s totally not secretly loving, nope....)
- bridgette tends to be a bed-sprawler, like she’ll stay at one side in the beginning but when morning comes, she’s all over the place. when heather starts sleeping with her, she guarantees that when she wakes up, bridgette will be practically on top of her, limbs akimbo
- canonically, heather’s good at dancing, especially ballet, but I see her as being good at most types of dance. oftentimes, when she wants to let off some steam, she just plays a song and pulls bridgette into a dance, maneuvering them all around the room (sure bridgette steps on her feet a lot, but they’re also smiling and laughing and the music is playing and the atmosphere is light and she loves seeing that light in bridgette’s eyes so all that makes up for it--and yes, she’ll def do it again regardless of how much her feet will hate her for it later)
- bridgette teaching heather to surf (the possibilities of this are endless; bridgette correcting heather’s position, holding her waist and gently maneuvering her stance from behind; their surf practices dissolving into petty splash fights; both of them ultimately flopping on the sand, out of breath but smiling and ending up kissing right there by the shoreline)
- (heather doesn’t learn to surf for a long, long while. she blames bridgette for being a distracting teacher. bridgette only smiles and winks)
- beach days!! (heather chilling out on the sand, sunbathing, with a front-row seat facing the ocean so she can watch her surfer gf slay)
- bridgette has killer puppy eyes. heather is far from immune, however much she says she is, yet she’s also the one out of their friend group least affected by them (having seen them so many times, she’s developed her own armor against them. the rest of their friends are horrified when they see how resistant she is to them)
- bridgette loves making pillow forts. she and geoff made them all the time when they dated, so naturally she tries to get heather into it too. at first, heather is averse thinking that bridgette is trying to put her and geoff’s interests into their relationship, but when bridgette reassures her that she just likes pillow forts in general and ropes everyone she loves into it, heather relaxes (and if she ends up liking the experience, that’s only for her to know :))
- it’s easy for bridgette to say the word ‘love’—she says it first in a casual setting, totally out of nowhere, blindsiding heather. heather takes a lot longer to warm up to the idea and then to say it aloud, but when she does, she leads up to it—maybe a fancy date or a relaxing night-in—almost like a proposal but one that says ‘I’m baring my heart to you, will you treat it right?’
- bridgette helping heather study for finals/midterms. their typical routine is her sitting on the floor with heather’s notes quizzing heather as she styles bridgette’s hair (complaining abt all the tangles and chiding bridgette for letting perfectly stunning hair go so uncared for)
- heather fully ready to smacktalk a homophobe (or just a plain asshole) to a grease spot under her heels, like she’s metaphorically rolling up her sleeves, already slipping in insults, in the person’s face, not caring if she’s making a scene. bridgette, ever the mediator, is trying to pull her gf away, apologizing to bystanders, whispering to heather to calm down please, trying to ignore the person…until they say smth abt heather that bridgette knows will affect her (or that she thinks will affect her). then she’s ready to throw a punch bc goddammit she’s not as good at verbal sparring or just verbal smacktalk as heather is—she’s just not that good at getting into fights in general, but she’s perfectly willing to throw hands if anyone crosses her limit (and one of those limits is hurting the ppl she cares abt)
- heather patching her up going “oh darling, I could’ve handled them” and bridgette huffing “they insulted you” and heather, actually not that insulted especially after seeing her gf back her up so passionately, going “my pint-sized knight in flip flops”
- speaking of, I can def see bridgette as the type to wear crocs (heather is horrified but bridgette is stubborn af abt keeping them)
- heather stealing bridgette’s clothes all the time and walking around in a hoodie that’s a bit too small but she doesn’t give a crap (bridgette steals her clothes too, but out of the two of them, heather’s the frequent clothes-stealer, shoes-stealer, etc)
- heather being the one to do bridgette’s makeup bc she’s an expert at doing it on-point (bridgette doesn’t care much for makeup, but she indulges in it if only so heather can do it for her bc she loves to seeing the concentrated look on her face—and she loves sneaking kisses here and there with their faces being so close)
- bridgette staring at heather when she’s talking passionately abt smth and there’s legit pure love in her eyes, and she just lets her talk even if she doesn’t know what heathers talking abt bc she just loves hearing her talk—especially if it’s abt smth she’s passionate abt
- and when she sees heather rlly getting worked up, she’ll squeeze her hand or hug her from behind and rest her forehead between her shoulder blades, and just small things like that to help ground her
- heather is more or less the opposite but not in the sense that she doesn’t want bridgette to keep talking—she loves when bridgette gets passionate, it’s always a pleasant surprise given how chill the other girl usually is. (typically marine life and aquariums and stuff like that are the main things that get on bridgette’s nerves). but what heather also does is not just sit there and listen, she’ll listen, yeah, but also put her input in, to let bridgette know that she’s engaged in the conversation and basically it’s heather’s way of saying ‘keep going, baby, you’re amazing and I agree 100%’ like she’s not a passive listener, for sure
- bridgette’s love language is gift-giving and touch/physical affection—over the course of their relationship she has showered heather with various gifts (particularity seashells, pebbles/rocks, cute stuffed animals, pretty plants)
- heather’s love language is words of affirmation, support, and spending time with her partner—while bridgette showers heather in simple (or sometimes not-so-simple) touches, heather is sure to return the favor verbally (especially once she says “I love you” for the first time, it’s far easier for her to drop it in conversations like “I love you, sweetheart, but...”)
- both like gift-giving tbh; bridgette’s favorite pair of earrings are the dolphin ones heather gave her; heather wears the necklace bridgette made for her on their first date, made up of small rocks and shells
- heather lives for bridgette’s hugs; they can instantly make her relaxed. when she’s stressed about exams or angry, bridgette just wraps her arms around her shoulder (or waist, if she’s standing) and kisses her shoulder, and heather just sighs long and slow and gives into the inevitable lmao
- they help each other’s mindsets too, both intentionally and unintentionally; bridgette helps heather be less of a bitch, to be exact, but basically be a bit nicer and chill; heather helps bridgette bring out her more assertive side instead of being an emotionally and mentally passive person and let ppl push her aside to get to their goals
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divorcedwife · 27 days
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hope this ask isn’t too much of a bother but I really enjoyed that rite of spring perf you posted the link to and was wondering whether you had any other favorite performances (of whatever ballet you like, I know very little about it). Your art is absolutely gorgeous btw and I love seeing all your posts!! Hope you’re having a good day❤️
oh im glad!! <33 i think it's just so good, it's probably my favorite ballet because i enjoy everything about it. the music, the dancing, the storyline that's very simple and conveyed so well. i just love way the music will grow insanely dissonant and scary and pull back just before it gets too much, and alternate between that and moments that are beautiful and mysterious
anyway. to answer your actual question. yes absolutely! i don't have links to other full performances (sadly </3) but i definitely have some dancing clips that i've been watching lately, and maybe you'll find interesting
giselle - death of hilarion (link 1 - link 2) : the willis are vengeful ghosts who use magic to make men dance to death. i love how his dancing mirrors the girls, like a puppet! and the dancer who plays the queen, i never get tired of the way she turns him away. i really like giselle in general, though act 1 is a bit boring. it gets good when she dies
romeo and juliet - juliet's variation : the dancing is so fun and delightful. really does feel like a young girl who is having fun at a party and doesn't care what anyone thinks!
romeo and juliet - dance of the knights : love love love this choreography. it's so simple in a way that's so bold and so good at conveying who these people are. pure power
swan lake - act III pas de deux : now this is a famous one. i just love evil dancing. the way she calls the prince to her and wrenches her hand away from him at the end - so good
the young girls of rochefort - opening : now this isn't ballet anymore, but this movie has some of my favorite dancing ever. it looks spontaneous and natural, it looks fun. i want to be there with them
the young girls of rochefort - andy in love : i just love how the choreography is written to look like they're making it up on the fly, it's very cute. same point as above but everyone in this movie seems so happy just to be alive and the dancing is so good at conveying that
i hope these will be interesting to you! thank you for sending me this and for your kind words <333333
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AOT headcanons part 2
We’re doing more random Attack on Titan headcanons to go along with my first post. Most of them are still in a modern age btw
It’s been like 3 months I’m sorry y’all 💀
Includes: Reiner, Bertholdt, Annie, Marco, and Historia + Ymir
Reiner
Reiner 100% give his friends noogies. He’s known as the big brother type too and it just kinda comes naturally to him. He doesn’t do it for any specific reason he just does it randomly. The only time he really does them is just to show that he’s happy for someone and it’s a urge he has to give into
Sticking with the big brother thing. Reiner definitely slaps the back of Connie’s head simply because he’s bald. In Reiner’s defense look at Connie and tell me you wouldn’t slap his head isn’t slappable. Like I just want to pop it and that’s how Reiner feels as well.
Reiner sings randomly. I feel like if he honestly got bored and had nothing to do he would start singing the most random as lyrics. Like it can be any song that’s on the top of his head. If he doesn’t have a song he’ll just start make up a song as he looks around
He drinks from the milk jug. I have no reason behind this only that Reiner seems like the type to and simply does it just because he can
He is a big horror fan. He probably loves the classics like Jason, Freddie Krueger, and Cujo. At the same time he doesn’t min the newer horror movies but he just feels like he’s gone back in time when watching the older ones.
Bertholdt
I feel like he’s a big animal lover. After all, Bertholdt may be big but he’s a gentle giant. Dogs are probably one of his favorite animals especially Great Danes because they are gentle giants like he is
He works as a librarian. He seems like the type to work in a quiet and peaceful space because it’s not a taxing job and all he really does is organize books all day or I see him as a yoga teacher because of those poses he makes when he sleeps.
He did dance when he was younger. That’s my only reason on behind why he was so flexible when he sleeps. Ballet specifically. Like have you seen those ballerinas and how flexible they are. I’ve done ballet before and trust me the flexible is long lasting so after Bertholdt stopped he just remain flexible as a rubber band.
I feel like he cooks in his off time. Like he keeps him at piece and it’s easy. Bertholdt probably has anxiety over new things so it’s for him because all he has to do it follow a recipe with cooking. Because of him cooking all the time he is probably a amazing cook
He puts out food and water out for all the stray dogs and cats. Like Bertholdt’s house is probably a literal safe haven for all strays. Bertholdt tries his hardest to try and find them all good homes and so far he’s been successful but there’s still more animals to help
Annie
It’s known that Annie like sweets so I feel like her favorite drink to sip is hot chocolate. She drinks it a lot more during the colder months to have something that can warm her up
HEAR ME OUT BUT ANNIE AS A PROFESSIONAL BOXER. She would literally be so good and win tons of championships. Like as soon as her opponent gets word of them fighting her they usually drop out because they are terrified of Annie.
I feel like she goes to the gym 24/7. If she’s stressed she goes to the gym. Needs to think? Goes to the gym. Bored? She’s going to the gym. That’s the reason behind her being so muscular and just JDBSKJXJS in general. Yes I am Annie simp
If Annie were to ever have pets I feel like she would have tons of reptiles. She seems like the type to have tons of snakes and lizards mostly. She walks around in her house with them just hanging on her. It’s normal to see her walking around her house with a Bearded dragon on her shoulder and a python curled on the other and is sitting on her head.
She paints her nails every so often just to feel feminine. They are never any drastic colors like a neon pink or bright green. She prefers softer colors like maybe baby blue and light lavender. Sometimes she’ll be different and paint them in a pattern just to be different
Marco
Because of his freckles, I feel like Marco has mistaken one as something that was on his face only to figure out it was one of his freckles and felt stupid afterward 
I feel like Marco has small scars all over his body. Like he’s a clumsy person but most of them stemmed back from when he was a kid. Back then he was way more clumsy then he is now and it was normal for him to have bandaids in several places at a time.
I can’t imagine Marco holding his alcohol very well and he isn’t bad when drunk he’s just extremely cuddly. Like you have to watch him because he just wants to hug about everyone simply because he thinks everyone deserves a hug.
This mf is terrified of spiders. If you ever see one of those baby spiders crawling on him don’t say anything or Marco will actually flip. There have been several occurrences where Marco is in a chair or on top of a table because there’s a big ass spider on the floor
If he were to ever have a job I feel like he would be a florist that decorates peoples backyard and weddings. I don’t know how to explain it but he simply seems like he would be so great at it. Like you have a ugly ass backyard hire Marco and he will bring you to tears at the beauty of what he’s done
Historia +Ymir
(I can’t see them apart so they are together)
Historia likes forcing Ymir to go on cute dates she saw on the internet. Of course Ymir called them dumb and didn’t like going on them so after some negotiating they go on one once a week. Ymir says there still dumb but Historia can tell she’s enjoying them.
When they lay in bed together Historia will deny it but she hogs the covers and snores extremely loud like Ymir got really confused when she first realized it was Historia. Ymir isn’t any better because she talks in her sleep constantly
They have been caught making out numerous of time. Ymir can literally give to shits about what anyone says while Historia gets all panicked about them getting caught.
Your can’t tell me they wouldn’t go to a pride parade together. Of course it was pride month and it was Historia’s idea to go to the pride parade. You can bet Historia’s dressed herself in complete rainbows. Ymir was not as flashy but wore rainbow bracelets.
Honestly Historia probably has a strict skin routine and Ymir makes fun of her for it but once Historia did it for her and she’s been obsessed since. She loves how soft her face felt after Historia massaged essential oils into it. They now both do skin routines together
I might do a part 3 and then that’s probably gonna be it 👩🏽‍🦯
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theold-ultraviolence · 4 months
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Do you have any Christmas headcanon’s for the Amaelia verse
Idk why but I honestly hadn't thought about it until you asked!! I think I just don't really think about Christmas in general because I never have a good time during the holidays. So this might be super express headcanons, but:
Since Amaelia started dancing ballet, it becomes a tradition that Aemond will take her to the theater to see a production of The Nutcracker every year.
In fact, I think Amaelia prefers to listen to the music of The Nutcracker while decorating the house, rather than Christmas carols.
However, if a Christmas carol gets stuck in her head, she'll be singing it ALL DAY, 24/7 annoying EVERYONE in the vicinity. Even Aemond, who's rarely ever annoyed at anything his daughter does. It becomes even more annoying when uncle Aegon joins her singing.
On the subject of decorating, she absolutely adores that the ornaments of the trees will be somehow linked to The Nutcracker, and her favorite ornament is a pink, glass ballerina that Aemond specifically had made for her. She hangs it right at the very center of the tree. And when she's playing around the Christmas tree, she mostly imagines stories around her ballerina.
She gets a little overwhelmed if the whole family is present at Christmas dinner (counting Rhaenyra's side of the family as she isn't the fondest of them) so weirdly enough, she'll stick to Aegon the whole time. He's her favorite uncle, and his laidback attitude just amuses her and makes her feel more at ease. You'd think she'd be glued at the hip to Aemond, but, his tension in those situations easily transfers to her and it doesn't help.
Aegon will also see that as his opening to evade the rest and just play around the Christmas tree with her.
She also plays around with his cousins, Jaehaerys and Jaehaera!
Her favorite time to spend Christmas though, is with mom and dad and the dogs, all cuddled up watching Christmas movies and drinking hot chocolate.
Her favorite movie would be Barbie's version of The Nutcracker.
And also she goes a little crazy with her list for Santa Claus and asks for way too many things, and Aemond wants to BUY THEM ALL, SPOIL HIS KID to the max.
But reader is always the voice of reason and reigns him back. They don't get everything from the Christmas list, but make it up by leaving along little notes that help keep up the magic that Santa exists.
Notes with things like, "I'm a little old and X toy you wanted was too heavy for me and the reindeer, but! one of my elves told me that you would prefer this instead!" / "I hope you enjoy your presents even if we couldn't get through the whole list, but! here's a special treat that my elves baked just for you!"
Also, Aemond and reader have never been the kind to take those fancy couple's Christmas pictures in a studio and everything, but since Amaelia was born, they started doing it to keep a lovely record of how Amaelia grows up each year! And honestly I don't think they'd even go to a studio to take them, since reader is a filmmaker in this au.
The reader would set the studio in their home to take the pictures! and I'm laughing to myself thinking that they'd get Aegon to dress up as Santa for Amaelia's picture lmao!
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barbielore · 4 months
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(I’ll call myself 🌺 anon for easy reference,long time lurker and finally interacting beyond a single ask) So in addition to just recommending it in general in my last ask, I actually love Barbie’s version bc it has much more plot than the OG ballet.
From what I understand, in the ballet Clara wakes up to see the Nutcracker do battle with the Mouse King (sometimes referred to as Rat King, and also sometimes portrayed as a multi headed/limbed mess akin to a real rat king, seriously only google that if you’ve got a strong stomach) and when the battle is over Nutcracker invites Clara back to the Land of Sweets for a giant celebration (which is where most of the dances/iconic musical movements come from)
Now some versions have Clara and the Sugar Plum Fairy be the same character, others don’t, it depends on the ages and skill of the dancers in the production/creative direction used. Also, some versions of the ballet have Clara wake up at the end, using “it was all a dream”; others have her keep a trinket to imply her journey was real.
(Funny enough the book version, which I understand the ballet is based off of, makes her adventure real and it was the ballet that invented the “it was a dream” possible ending)
So literally everything in the movie from the Nutcracker vs Mouse King battle on is cut from Barbie cloth plot-wise, with the exception of the dance sequences which were performed by real ballerinas from the New York City Ballet company using motion capture. Pretty amazing, especially for the time!
Thank you for reading this far, I’m a combination Barbie/Christmas buff who grew up with this movie and watches it every year. You’re in for a treat! -🌺 anon
I remember reading somewhere about the mocap ballet, but I didn’t have a lot of context to it!
Thank you for sharing this, I really appreciate it!
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