"just dont lose yourself, okay?"
"i cant. i've tried to."
"Don't forget to enjoy this, today. Cuz if you lose yourself in trying to hurt the people who took it, you might....just don't forget the good stuff, okay?"
"i cant. i've tried."
godddd cellbits recurring motif of "i cant. ive tried." whenever someone tells him not to lose himself, both the bad and the good is so.. the implication of a perpetual fruitless spiral of turning man to monster and monster to man, and failing at both because loves too deeply and instinct is ingrained into him deeper than the carvings in his knife. he cant fucking stand himself. he can't stand how he can't be normal and has to rely on drinking copius amounts of coffee to stay awake enough to not lose it. he can't stand how even in the depths of his desire for vengeance, he hears the pain in his loved ones' voices and still stops to listen. these two parts of him have to be incongruous, because he knows he was happier when he was one without the other. and yet, time and time again the people who care about him tell him not to lose himself like they view him as whole. and again and again, he tells them that he can't. because he's tried to break himself in half and it doesnt fucking work like that. and he'll continue until he destroys himself because hes fucking Tired of being whole.
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This isn’t like the usual posts I make but, I played through Monster Prom Second Term’s True Calling ending, and what the fuck!!?? TToTT I’ve read before that the reason for the True Calling ending is to expand upon Miranda’s character, but why like this?? Why make fun of their own writing and ignore all they’ve already worked up to? :(
Miranda is heavily reliant on her servants and refuses pretty much all work, that much is obvious. She has her serfs do everything for her while she does whatever she ever desires on a whim, lost and aimless and without a clear purpose, but… wasn’t it always implied that she’s that way for a reason? That reason being her father spoiling her with gifts and money and royal privileges. Her parents already conditioned her to see torture, murder and genocide as normal things! I always figured that her talking about true love and romance and romanticising not-so-good-or-healthy fairytale tropes was a part of that, that her parents more or less raised her to be the perfect little princess whose only purpose is to be married off to a prince of another kingdom to strengthen ties or as a peace offering or something (or for political reasons overall? It is strange that a princess would find herself in a high school of a foreign land, hmm…). That would explain why she really has no aspirations, besides love! She was raised to be that way and she didn’t just decide to be selfish one day.
So, how come the game comes out of left field and has Miranda’s own sister yell at her for being selfish and vague??? Suddenly it’s her own fault that she's spoiled with serfs who’ll do whatever she says? Hello, who gave her those serfs???? Yeah, maybe her sisters are crown heiresses or high priestesses but clearly they were taught those roles! Those were roles that already existed, waiting to be filled! And now Miranda suddenly is the only one who needs to figure out what to be all alone?
Worst of all I can’t believe they’d insult their own writing and literally call Miranda flat :( I know that’s the fandom perception of her but this is your own damn game!! You know how you wrote her! Did you not keep track of all you wrote!? Maybe Miranda’s twist (“sweet mermaid princess is murderous”) is open and out for all to see but that hardly makes her flat. She loves tradition and finds it very important, she’s super into silverware and napkin-folding, she loves singing and water sports (water polo and gymnastics to name two) and fairy tales and stories and she dreams of romance and even though her family’s immoral and murderous ways have been hammered into her so hard she doesn’t know it’s not normal to torture and kill serfs, she’s still kind and worries for people and their well-being, even if they’re commoners! She’s not very “bright” in many things but in the Revenge ending we see her formulate and execute a blackmail plot without any serfs at all, which does require intelligence. Dare I say, just like how everyone has a twist in their personality, another twist of Miranda’s is that she can be cunning when she needs to be? I just can’t believe that they’d go and agree with the people saying that Miranda is flat and make a WHOLE SECRET ENDING TALKING ABOUT HOW FLAT MIRANDA IS instead of… I don’t fucking know. Making a route where they feel they’re actually giving her more depth? They’re just lampshading the issue! They’re talking about how they made Miranda into a flat character and how sad and awful that is instead of doing anything about it.
And they could’ve explored so much too. A character lacking direction in life is already a really interesting thing to explore. They could’ve surely done something with her basically being a tool for her family and kingdom! Alas… Maybe it’s silly to get so worked up about a video game but I don’t know. The game made me feel things. I love Monster Prom but sometimes it is a love-hate relationship :/
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I really liked this idea and want to see more, but I also have a few questions.
Since Clover got the appearance of his friends, why doesn’t he have anything from Dalv?
Clover somehow interacted with the UT characters, except Flyu and Alphys. I mean, how did Toriel react to him? Or whether he became friends with other UT characters.
I really like your drawing style, but when I see your monsters it seems to me that they are very bulky, especially for the Martlet, which personally always seemed very miniature to me. (P.S. This is a minus and not a remark, I’m just wondering why you decided to draw them exactly)
1) in a meta sense, adding dalv’s elements just made clover’s design look really cluttered, like more than it already was ahdjsf. in the first draft they had a bat nose and one of their wings was a bat wing. but i think they would have some of dalv’s lightning attacks!
2) maybe ill do more ut characters at some point! but no ones really asked for more aside from alphys (which i might touch on more) and i dont think. theyre super important in the space of this au. theyre hanging out on the sidelines and are there sometimes :]
3) just for fun :] i like when people make ut monsters look more “creature” and “animal” than human, so i played around with the designs a lot! martlet in particular is the biggest change from canon bc i wasn’t expecting to draw her as much as i have; if i did i definitely wouldn’t have changed her so much
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OC-tober: Space
✧ lyrics from Moonlight by EXO ✧
This is Lyka, my werewolf OC who's in love with the moon ♡
They actually started out as a silly Monster Prom self-insert generated from a bunch of personality quizzes I did with my friends hh
As usual I got very attached overnight and sprinkled a healthy amount of angst into their backstory :)
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Hey, fellow monster hunter likers
What weapon would your characters use if they were hunters?
Damai would use the insect glaive, because of course they would
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Been poking around a WIP I said I wouldn’t write yet and using the characters within for a prompt list. And I said I’d try to share more excerpts after that poll, so!! Have a lil snip from a short that shows just how friggin weak I am oopsies
“Ki— Princess Kiara!”
The familiar cry made me turn, blinking owlishly. I saw Lethen standing on the path below, still in his training armor. He must have come to find me right away after being released for the day.
“Lethen!” I cheered, swinging my scarf like a trophy. “How did you know I was out here? You’re just in time! I’ve just staged the daring rescue of a particularly slippery article of fine silk.”
He didn’t look as amused by the joke as I’d hoped. Just a little panicked.
He was such a worrywart.
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