#im only doing some days that i have the time for it lol

[rafeandonlyrafe]

executive orders

words: 3.8k

warnings: 18+ only, ceo!rafe, assistant!reader, mean!rafe but equally mean!reader lol, p in v sex, unprotected sex, pretend marriage (like fake dating but fake marriage hehe)

“so…” the woman says, heels clicking down the pristine hallway as you quickly follow. “as you were told in the interview process, mr. cameron is a very particular man. as his personal assistant, your focus is more on his well-being than the business.”

“okay, i understand.” you nod. you find the whole thing odd. the interview process where you didn't actually meet the man you'd be the personal assistant to. his semi nondescript job. ceo. of some company named after him, but you don't know the specifics on what his role actually includes.

“just know…” she pauses outside of the large door leading into the room. “this isn't going to be an easy job. it's why you're making a lot of money.”

“okay.” you say again. the more you learn, the more concerned you are, but you're willing to try, even if just for one day.

“and you're paid for through the cfo. mr. cameron does not have firing rights no matter what he says.”

you're not sure what she means, but it becomes very apparent when the moment you step through the door, the man you presume to be mr. cameron let's out a growl.

“serena, i told you i don't need a fucking babysitter!” you turn around, but the door has already been shut behind you. you can hear serenas heels clicking quickly down the hallway. you had completely forgotten her name in the stress of your first day, but you commit it to memory before turning to the ceo.

“hello, sir.” you say quietly. “im y/n.”

“i don't need you.” he grunts out before focusing on his computer, typing rather angry and aggressively. you stand frozen, waiting.

“i said i don't need you. leave. you're fired.” mr. cameron says.

“i um… i don't think you can fire me. sorry, sir.”

his fingers pause as he looks up at you, seeming to finally really see you as his eyes move down then back up your body. you weren't sure what to wear so you're dressed in a black work dress with long sleeves and a pair of flats. under his watchful eye, you wish you would have worn something less form fitting.

“i hate being called sir.” he says.

“okay, mr. cameron then.” you take a few shuffling steps forward.

“rafe.” he shakes his head. “just rafe. mr. cameron is my fucking dad and he's dead.”

your instinct is to say sorry for his loss, but you can't find the words, which ultimately seems to be the right thing as rafe hums then turns back to his computer screen.

you watch him work for a few minutes, occasionally looking around the sparsely decorated office. you swear every time you look away, rafes eyes move up to look at you, but by the time your gaze travels back to him, he's back typing on his computer.

“goddamn it.” he groans out. “don't just stand there all day. if you're gonna be here and i can't fire you, you might as well sit down.”

“oh!” it takes you a minute to realize he's talking to you as his eyes don't stray away from the screen, but then you're quickly moving to sit on the chair positioned on the other side of his desk.

you sit again, watching rafe, watching the clock, watching the view out the window. “what would you like for lunch, si-rafe?”

“whatever.” he waves his hand. “it's not your job to get it. someone will bring lunch to us.”

“oh.” you nod, becoming increasingly more aware that you're not really sure what your job is.

just like rafe said, someone brings in lunch at exactly 12:30, one tray for you and one for rafe.

when he closes his computer, you think that now will finally be the time to talk, but he eats in silence. “so-”

“no small talk.” rafe says. “i hate that shit.”

“well, what is it you'd like me to do then? just sit here? at least give me a task.”

“fine.” rafe grunts out. “when you're finished eating you can read through this report.” he tosses a thick three ringed binder onto the desk in front of you.

“fine.” you argue back, quickly scarfing down your food before grabbing the binder. 

you read through the report. you have no clue what the numbers mean, but you do find a couple punctuation mistakes and highlight them. rafe seems surprised you have any notes at all, his eyebrows raising when you grab the marker from his desk.

“there.” you place the binder down once you reach the last page. its tedious work, but at least it's something other than utter silence.

“great.” rafe takes the binder and tosses it into the trash can. 

“hey!”

“those were numbers from four years ago.” you can see the smirk on rafes features, his amusement at getting you to do something completely pointless.

“you're a real dick, you know?” you say, blurting the words out before you can think of the consequences, it's not like you want to keep the job anyways.

rafe sits silently, but his eyes are on you, hands frozen as you continue on.

“you should hear the way people talk about you. everyone is afraid of you, which you may think makes you a macho boss, but it just makes you a shitty guy to work for. no wonder you have to pay everyone two times more than any other company around here, they need that for putting up with your rudeness.” you rant, suddenly sucking in air as your words come to an end.

“it's 5pm. done for the day. ill walk you out.” rafe stands, but you move quicker, pushing the doors open and leaving him to walk behind.

you stop when you see serena and the cfo quietly chatting. you open your mouth to say you quit when rafe speaks from behind you.

“i like this one. make sure she's here tomorrow by 9am.”

you turn and look to him, but he's already walking away.

--

you weren't planning on showing back up, but serena is a convincing woman.

“good morning, rafe.” you place a drink carrier down onto the corner of his desk, plucking out your mocha before schooching the rest towards him. “i didn't know what you like. i got a hot black coffee, a caramel frappe and the a cappuccino.”

rafe stares at the drinks before picking up the frappe. you smile, you should have predicted that despite his hard exterior, rafe liked a sweet drink.

serena gave you the company card, saying to use it for any and all expenses, even grocery's or home decor, she didn't care, as long as you entered the building by 9 am tomorrow.

“i know you hate small talk, but you'll have to get over it. what does this company even do?” you take a sip of your mocha, the taste chocolatey on your tongue.

“we are a development company. real estate all across the world. we also manage construction.”

“oh.” you frown. “that's more boring than i thought.”

rafe let's out a soft chuckle, pleasant sounding to your ears.

“everything just seems so secretive.” you shrug.

“i think they didn't want you to know a lot in case you turned down the job. you're the longest an assistant has lasted.”

“and what…” you lean in, ignoring that it's only your second day. “exactly am i supposed to do?”

“just… keep me in check.” rafe shrugs. “i have a tendency to get angry. bad news will get passed through you. you're here to be a sounding board, where i can vent and bounce ideas off of.”

“i make 100k a year for that?” you scoff.

“i think 50 of that is just for dealing with me.” 

you laugh along with rafe. maybe you'll end up lasting an entire week.

-- two months later --

“are you free this weekend?” rafe asks.

“uh, yeah, why?” you question. you've learned rafe likes when you stand up to him, speak your mind and not let him push you around like he does everyone else. he's come to respect you for it, and it's made work much easier.

“im needed in new york city. id like for you to come with me. as my assistant.”

“sure, ill start looking for hotels.” you open up your laptop.

“spare no cost. i want somewhere nice.”

you roll your eyes dramatically. “of course you do.”

you already knew to look only at 5 star hotels, the most expensive of the lot. despite the short notice, you find two connecting suites that will work for you and rafe.

“and how are we getting there?” you ask. “want me to talk to jeffery about taking the private jet?”

“yup, i want to fly into laguardia, not jfk.”

“got it.” you nod, finding the correct number in your phone before stepping out to talk. you confirm all the details, jotting down times in the notes app on your phone.

you stop by after the phone call to update serena of your plans, learning she's a secretary of sort for the whole company, really the number two right behind rafe.

“hey girl.” you smile. “heading to nyc with mr. cameron for the weekend.”

“oh, good.” she sighs happily. “he's been needing to go out there.”

“yeah.” you shrug. “if you say so!” you keep yourself firmly out of the business side, just like she told you your first day here.

“make sure you do something fun while you're there too. while he's in meetings you could see times square, or check out central park.”

“i definitely will! i want to see the cherry blossoms if they're still in bloom.”

“sounds fun.” serena nods before her desk phone begins to read. “sorry, gotta get this.”

“see ya.” you wave as you walk back to rafes office.

“all good?” he questions.

“laguardia, just as you want.” you smile, sitting back at your upgraded chair.

“don't know what id do without ya.” rafe says.

“don't be nice to me.” you scrunch your name up. “it's weird.”

--

“how were the cherry blossoms?” rafe asks.

“most of them still in bloom, actually.” you say with a soft smile. you ended up taking a lot of pictures along with exploring the rest of the park.

“nice.” he hums. “did you bring an evening dress?”

“no. and you didn't tell me i was supposed to.” you say.

“well… i would appreciate it if you joined me at dinner tonight. it's with a very important client who um… may be under the impression that im traveling with my wife.”

“your- your wife?” your eyes widen. “you want me to lie about being your wife?”

“just for tonight. id really appreciate it.” rafe looks at you with a softness in his eyes. “please.”

“okay… but i don't have an evening gown… or anything fancy.” 

“let me take you shopping then.” rafe pulls out his phone. “there's got to be a nice store near us.”

you place your hand on top of rafes phone. “ill find a place.”

you end up finding a formal store only a couple blocks away. you decide to walk, rafe keeping close to you, glaring at anyone who even glances at you for too long.

you make it to the store without any interruptions, and rafe quickly points out the kinds of dresses that will fit the restaurant before standing back to let you choose.

“you wanna watch me try them on, husband?” you ask rafe, following the associate with an armful of dresses back towards the private changing rooms.

“of course.” rafe follows behind you, eyes glancing down your figure. he can't wait to see you in a gorgeous fitted dress.

when you step out in the first dress, rafe swears he feels his heart skip a beat. “you're getting that one.”

“you sure?” you look in the mirror, twirling around to look at the dropped back. “i don't know if this color looks good on me.”

“it looks good on you.” rafe says. “but by all means, try on more. ill buy you multiple.”

rafe ends up buying you every single dress you try on except for one that's too loose and doesn't fit well. you insist you only need one, but you're not going to argue with your boss wanting to spend money on you.

you end up choosing the first one you tried on to go to the dinner with rafe. your hands shake slightly, not sure what to expect. rafe sees it, hesitating before wrapping your hand in his.

“it'll be fine. you can just… just be quiet for the most part. ill do all the talking.”

“okay.” you squeeze his hand back, not used to the physical contact with rafe, but finding it surprisingly comfortable.

you follow him into the restaurant, everyone else dressed to the nines, perfect hair and makeup on the women, the men with the shiniest shoes. “it's really beautiful in here.” you whisper.

“wait till you taste the food… wifey.” rafe says, making you both laugh.

“ah, mr. and mrs. cameron.” the man says in a slightly accented voice as you both shake his hand, as well as the associate next to him. “so glad to meet the both of you. we appreciate getting into business with a true family man.”

“of course.” you smile, putting on your best acting performance. “we are so excited to start our family soon.”

“we must see the wedding photos. my wife-” the man puts a proud hand on his chest. “is a wedding dress designer.”

“oh.” you frown. “i would love to show you, but we haven't gotten them back yet.” you smile at rafe. “we’re newlyweds.”

“ah, cheers to the beginning of a lovely marriage then.” he raises his glass to clink with the others at the table.

“please, kiss! you must after a toast.” the associate says.

you turn to rafe, glancing down to look at his lips. it would totally give you away to refuse, so you take a deep breath and lean into in, pressing your lips together in a quick kiss. it lasts only a moment, but you swear you feel a spark, a tug to continue kissing him.

rafe doesn't bring it up until later, as your riding the elevator back up to your hotel room. “you did great. im sorry about the kiss.”

“it wasn't bad.” you giggle softly, slightly drunk on the wine that was served.

“im glad you think that.” rafe smiles softly. “you'll make a wonderful wife to a very lucky man someday.”

“maybe we could…” you swallow harshly, the alcohol encouraging your words you know you shouldn't say. “maybe we could keep pretending. just for tonight. and then when we get back to the office things can be back to normal.”

“and what does continuing to pretend to be husband and wife entail?” rafe questions, taking a step closer to you.

“more kissing. more… more.”

rafes lips are against yours suddenly, ignoring the elevator doors sliding open in favor of his mouth pushing against yours, lips gliding harshly over each others. the kiss is the exact opposite of the restaurant, whereas it was quick and innocent, this kiss is full of fire and passion.

the elevators slide shut and begin to head back down to the lobby. “shit.” rafe groans against your lips, jamming the button towards your floor. “sorry baby.”

“just… keep kissing me until someone gets in.” rafe listens to your pleas, kissing you until the elevator comes to a halt. even then, he doesn't move far away, keeping himself stood possessively over you, your back against the elevator wall.

you smile awkwardly at the three men who enter before turning your face into rafes chest, focused on the hand that has slipped around your waist. 

the elevator stops and the three men get off. the second it's moving again, rafe is back kissing you, stumbling out when your doors open as to not make the same mistake as last time.

“shit.” rafe groans, having to fumble in his pocket to get the key card for the door.

you let out a soft giggle, pressing kisses to his neck and jaw until the door swings open and you're able to step in the room.

“are you sure?” rafe asks, closing and locking the door behind you.

“im sure.” you nod. “this is just… pretend. let's do what husbands and wives do.”

rafe moves you towards the bed, backing you up until you sit down on the plush spread, decorated exactly like yours in the connecting room, but this bedding still smells like rafe from the night before.

he sinks to his knees, such a strong, dominant man on the floor for you as he takes off your heels, carefully slipping them off your soles before setting them to the side.

“thank you.” you say softly. rafe looks up at you before leaning forward, pushing the slit of your dress open to press kisses to your knees, and then thighs, moving up until the dress no longer allows him to.

“i need you to take this off.” he says roughly.

you nod, shifting yourself to stand as rafe also rises. you turn your back to him, his hands moving to your waist before moving up until he's cupping your chest over the shiny material.

“rafe-” you gasp out as he squeezes, his large palms enveloping your entire breast.

rafe holds his hands there for a moment longer before moving them to your back, unzipping your dress and watching it fall to the floor. you're in just a small pair of lingerie, having bought it for yourself yesterday in a boutique.

“shit.” rafe curses again. “you're… you're so beautiful.”

you turn around to kiss him again, his hands now against your bare skin as he explores, moving all along your sides and back.

your own hands get busy as well, fingers deftly unbuttoning his shirt until you can push it off his shoulders. you pull away to see his muscles, hints of which you've seen when he's rolled up his sleeves or wore a tighter than normal shirt, but now you can finally really see and appreciate them.

“lay down, please.” rafe says.

you move to lay on his bed, head resting against the pillows as rafe crawls over your body. his mouth finds yours again as his hand delves under your back to unhook your bra. he pulls it away from your body as his lips leave yours.

he's only off your skin for a moment before his mouth is wrapped around your nipple, tongue swirling around in circles as his hand holds your other breast.

“oh, shit.” it's your turn to curse as your eyes squeeze closed, hand coming to the back of rafes head, feeling his short hair as he sucks on your nipple before kissing all over the swell of your breast. he switches sides, wanting to taste all of you.

you lift your hips when his hand grabs onto your underwear, allowing him to pull it all the way down until you kick it off the bed. rafe pulls away to look between your legs, letting out a soft moan when you part your thighs and he can see how wet you already are.

“beautiful.” he says, eyes closing like it's too much to look at you as his hand skirts down your stomach before finding your wetness, finger circling around your entrance before gently pushing in.

“kiss me, please.” you take rafes face in your hands, guiding your mouths back together as his finger carefully thrusts in and out. he slowly increases the speed until you're whining against his lips for more.

rafe twists his hand so his thumb can rub over your clit as you let out a moan, hips pressing up, seeking more.

“i need you.” rafe pulls his hand away. “i need you so bad.”

you nod quickly, giving him one more quick kiss before he pulls away to take off his pants and underwear. you bite your lip once hes completely nude, his cock standing tall and hard away from his body. you want to taste him, want to see what it feels like to have his cock sit heavy on your tongue, but you need him inside of you more.

“i have a condom somewhere…” he looks around.

“you don't need to wear one. I'm on birth control.” you can feel your cheeks blush just at the suggestion. “it's… it's not what a husband and wife would do.”

“okay.” rafe doesn't need any more convincing, crawling back over your body. “do you want me like this?”

you flip over quickly so you're on top, rafes back now pressed into the mattress. you grab onto his cock, giving him a few quick strokes before you line him up with your cunt, sinking down with a synchronous moan.

you keep your eyes on rafes face as you begin to move, hips grinding up and then back, your hands sat firmly on his chest to help you move.

you're able to grind your clit down against his skin every time you sink fully down, just adding to the pleasure. he's stretching you out in the most pleasurable way, just enough to feel it without being painful.

“so fucking beautiful.” rafe says, reaching up to hold onto your tits as they bounce with your body.

you put all your energy into riding him, knowing this might be your only chance to, but hoping it's not, hoping you can feel him inside of you again.

“i- baby.” rafe grunts out, hands moving down to your hips. he helps you move as your legs quickly tire, not used to this position.

“you feel so good.” you whine out eyes sliding shut as rafes hips begin to push up, lifting you with every thrust, spearing his cock even further into you.

“im-im close.” you admit with a gasp, his cock hitting your sweet spot every time.

“cum for me baby, please.” rafe moves one of his hands to your lower stomach, thumb reaching down to rub over your clit.

you cry out, back arching as you instantly cum, not needing any more stimulation as your body shakes before flopping forward, falling against rafes chest.

he gives you a minute, as long as he can hold back before flipping you onto your back. it takes him only a few thrusts to cum inside of you, filling you up to the brim.

rafe flops down next to you, both breathing heavily, skin sheened in sweat.

you wait for a moment. to see if he's going to say anything. when he doesn't, you scooch closer to him, placing your hand on his cheek and bringing him in for a kiss, not yet done pretending.

-- four years later --

“you remember the first time we came here?” rafe asks, stepping into the restaurant with his hand wrapped around yours. it's redecorated some, but is still familiar.

“how could i forget.” you smile at him. “where i first pretended to be your wife.”

“well, at least you don't have to pretend anymore,” rafe says, swiping his thumb over the diamond ring on your finger “mrs. cameron.”

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[atlabeth]

dance until we're bones

pairing: aaron hotchner x fem reader

summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.

a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier

wc: 17.1k

warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one

Hotch can barely stay awake. 

He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point. 

It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel. 

He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there. 

Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always. 

Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour. 

“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.” 

“Great,” Prentiss mutters. “How bad is it?” 

“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”

“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.” 

Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”

“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”

“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.” 

“Our guy probably isn’t trained in anything, then,” Rossi says. 

Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”

“He doesn’t kill children, though,” JJ notes. 

“Maybe he thinks he’s doing them a favor,” Reid says. 

“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.” 

“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”

“Especially with families being killed,” Morgan murmurs. 

JJ sighs. “I’ll draft something on the jet and make some calls when we land.” 

Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.” 

-

The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file. 

The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene. 

It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house. 

They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt. 

It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control. 

All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.  

Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics. 

They’ll find whoever did this. That’s what gets him through it. 

They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.

Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.  

Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything. 

First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect. 

“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.” 

“What has he been charged for?” 

“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail four years ago, and it looks like he’s been living in St. Louis for some of that.”

“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”

“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”

Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”

“And hope we pin something down before more bodies show up,” Prentiss murmurs. 

They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind. 

The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive. 

“Remember,” Prentiss says as they come to a stop together, “be nice.” 

“I’m plenty nice,” he murmurs, and she huffs the slightest laugh. 

Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising. 

You.

Your brows furrow at the sight of him, and Hotch has to hold back his shock. 

You don’t live in St. Louis. And your last name certainly isn’t Hartford. 

“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.

He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.” 

Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?” 

Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”

“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?” 

Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.

“We’ll be able to explain everything if you let us in,” he says. 

You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”

You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…” 

You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house. 

It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all. 

Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub. 

“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?” 

“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.” 

“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?” 

He nods. “I had a change of heart.” 

You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.” 

Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”

You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.” 

Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Charles area.” 

“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him. 

“Not you,” Hotch says. “Do you know a Lucas Hartford?”

“He’s my brother,” you say, and your frown deepens. “You’re not saying—”

“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”

And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things: 

Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be. 

Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school. 

“My brother is not a murderer,” you state clearly.

“And we aren’t accusing him or you of anything—” she starts. 

“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”

“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says. 

You glower at him, but you stay silent. 

“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.” 

“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”

Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”

“You know my name, Aaron. Use it.”

He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.” 

“Ask away,” you say. “Doesn’t mean I’ll answer.” 

“Lucas Hartford,” Prentiss starts. “He’s your brother?” 

You nod. “He lives with me.” 

He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away. 

“Why is that?” Hotch asks. 

You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too. 

“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”  

“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going. 

“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.” 

“What about your parents?” she asks. “Surely they’re a better option than this.” 

“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?” 

Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you. 

“Really?” 

He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him. 

He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her. 

And he didn’t even know when she died. 

You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad. 

“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went five years ago.”

“I’m sorry for your loss,” Prentiss says. 

You nod your thanks, the notion a bit numb. 

“You never told me,” Hotch says with a slight frown.

“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.” 

Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.” 

His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even. 

“I take it this was as much of a surprise for you as it is for me.” 

Hotch nods. “We came here looking for your brother.” 

“Does your team know about our history?” you ask simply.

“No.” 

“Do you want them to?” 

“...No.” 

You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.” 

You wait another beat, then ask another question. “How’s Haley?”

“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”

Your eyebrows shoot up. “Really?”

He nods. “This job isn’t easy for anyone.”

You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.” 

Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you. 

“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.” 

“Pass that along to your brother, too,” Hotch says. 

You reluctantly take the card, but you don’t look at it. “You can see yourselves out.” 

Prentiss nods. “Thank you again. Have a good day, and stay safe.” 

She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door. 

Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again. 

“Garcia?” Prentiss asks after she picks up. 

“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?” 

“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.” 

“On it,” Garcia says. “I’ll call you back when I’m done.” 

“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.

“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”

Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”

“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”

Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret. 

“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”

Emily hums. “Is it too far to ask if you were together?”

“Yes,” he says sternly, maybe a bit too hasty. “It is.”

“Fine,” she says breezily, and she looks out the window. “But that tension was thick.” 

Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case— 

He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.  

You’ve changed a lot. So has he. 

And now your brother is a murder suspect, and you could be covering up for him. 

That’s the only thing that should be on his mind. 

-

“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.” 

“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”

“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”

“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!” 

Mia draws out a mirthless laugh. “You are not accusing me of this.” 

“I don’t have anyone else to accuse!” Cleo shouts. 

They both look at you, and Mia says your name. “You have to settle this before I kill her.”

“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”

You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief. 

“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”

You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you. 

“You have no idea how happy I am to see you,” you breathe. 

“What’s going on in there?” Aaron asks, amused. 

“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”

“You know this is a study date,” he says wryly, and you cut him off with a kiss. 

“Still a date,” you murmur against his lips. “And something seriously needed.”

Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”

“I know,” you grumble. “But I can’t afford a place on my own.”

“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”

“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”

“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”

“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”

He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.” 

“Careful,” you warn. “You keep saying things like that and we might not make it to the library.” 

“You keep saying things like that, and I might not mind,” Aaron muses. 

You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once. 

“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”

“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”

“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck. 

“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”

“Everyone loves me,” you correct. “Including you.”

You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.

“You’ve got that right.”

He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on. 

“You’re a threat to my grades, y’know.”

“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”

“A dastardly plan,” he says with mock austerity. 

“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”

Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs. 

Falling in love with Aaron Hotchner has been the easiest thing in the world. 

“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”

“As long as you don’t tell everyone how whipped I am for you,” you tease.

“Looks like we’ve both got reputations to keep up.”

“Looks like it.”

You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air. 

(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)

- 

You had sky-high aspirations when you were younger. 

Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it. 

You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.  

They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing. 

All you’ve ever wanted to do is help people. 

And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong. 

You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you. 

Because god— what are the odds? 

What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother? 

It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years. 

It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time. 

If the cops want to invade your privacy even further, they can get a goddamn warrant. 

Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”

“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”

“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you. 

“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.” 

“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties. 

You wonder what he sees when he looks at you. 

“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?” 

“Not one for small talk,” you remark. 

“I never have been.” 

“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.” 

You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now. 

You suppose one has to be like that, to try and get anywhere with the types of criminals they face. 

“How long have you been living in St. Louis?”

“Seven years. I’ve had that house for three.” 

“Rent or own?”

“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”

“What inspired the move?”

“Close enough to home to be familiar, far enough to not be.” 

“And home is?” 

“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.” 

“We prefer to get our information from the source,” he says. 

“Sources can lie.” 

Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.” 

Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.” 

He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up. 

You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had. 

You swallow the memory. It still tastes as sour as the day it happened. 

“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”   

“None of those sound like questions,” you say. 

“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly. 

“I don’t know,” you admit. 

“You don’t know,” he repeats. 

“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I don’t ask questions.” 

“And you’re telling me you haven’t questioned it.” 

“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.” 

Aaron’s eyes sharpen. “What did you say to him?” 

“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.” 

“You didn’t tell him—” 

“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?” 

He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse. 

“Good,” he nods. “You could be putting lives in danger if you do—including yours.” 

“Please,” you scoff. “He won’t hurt me. He never has.” 

“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.” 

“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?” 

“That’s an awful lot of faith to put in someone who hasn’t earned it.” 

“I’ve gotten good at that over the years,” you reply. 

Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly. 

“And you’re wrong, by the way.” 

“About what?” he asks. Again, unshaken. 

“I don’t have a law degree,” you say. “I dropped out.” 

And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you. 

“Why? You were only a year out. You had stellar grades.” 

“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.” 

“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”

“Dead,” you supply without waiting for an answer. “Went a couple months after I was meant to graduate.” 

“...I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least. 

“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.” 

Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.” 

You huff a mirthless laugh. “Excellent profiling.” 

“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.” 

You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron. 

“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?” 

“You know th—” 

Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.” 

The room feels a lot colder all of a sudden. “Sure.” 

He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file. 

“I’ll be back,” he says. “Would you like anything? Water?”

You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking. 

“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.” 

“The profile—” 

“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.” 

“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.” 

“I suppose we’ll find out,” he says evenly. 

He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this. 

For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right. 

You have to be right. 

The room feels even colder. 

Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do. 

You wonder the kind of things they’ve come up with about you and him. 

-

Morgan whistles when Hotch walks out of the interrogation room. 

“She does not like you.” 

“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie. 

“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.” 

“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands. 

Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor. 

“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.” 

“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”

“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.” 

“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him. 

And Hotch knows your past is your business—he just can’t believe you never told him. 

He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things. 

“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”

Morgan frowns. “Explain.”

“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”

“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”

“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.” 

“Other fathers to take his place,” Morgan realizes, and he nods again. 

“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.” 

“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.” 

“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”

“That’s how she is,” Hotch claims.

“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.” 

Hotch glares at her, and Reid clears his throat to insert himself back into the conversation. 

“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.” 

They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego. 

“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.” 

Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.” 

“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside. 

He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”

You nod. You already seem more at ease than you were with him, and it makes Hotch… 

Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore. 

Hotch doesn’t get why a side of his brain still thinks this way about you. 

“They sent a new one in,” you say. 

“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”

You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual. 

“I can imagine.”

He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off. 

“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.” 

“Shut up, Morgan,” Hotch mutters.

He chuckles and holds his hands up, and focuses back on the interrogation. 

The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time. 

Time doesn’t always heal all wounds, he thinks. 

When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”

He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”

“What about her brother?” Prentiss asks. 

“The more we learn, the more I suspect him,” Morgan says. 

She nods in agreement. “We just have to find him.”

Hotch isn’t sure yet. 

But for your sake, he hopes his gut feeling is wrong. 

-

Spring has finally sprung in DC, and you couldn’t be happier. 

It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once. 

You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron. 

You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s head as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard. 

You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you. 

It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round. 

You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed. 

Aaron says your name, and you hum. 

“Are you listening?” he asks. 

“Of course,” you say. 

“Your eyes are closed.” 

“I don’t need my eyes to listen,” you say wryly. “What’s up?” 

You feel him tense for a moment, feel him adjust his position slightly. 

“I got a call from Haley,” he says carefully. 

Your eyes open and you frown. 

You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.

It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate. 

“Yeah? What’d she want?”

“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”

You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.

“Your high school girlfriend wants to catch up.”

“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.” 

“...Okay,” you say slowly. “Do you want to see her?” 

He shrugs. “I thought it would be nice.”

“Do you think she thinks it’ll be more than nice?” you ask. 

“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.” 

Your eyebrows rise. “Your mom gave your ex-girlfriend your number?” 

“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.” 

You chew on the inside of your cheek, trying to think as you look at Aaron. 

You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction. 

But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up. 

“Go for it,” you finally say. 

He frowns, like he was expecting the worst. “Really?” 

“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.” 

You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you. 

“Thank you,” he says. 

“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.” 

He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder. 

“I love you,” he says. It feels more like a reminder than anything. 

You entangle your fingers together and press a kiss to the back of his hand. 

Sometimes you need reminders. 

“I love you too.” 

-

“Four more bodies,” Prentiss mutters. “God.” 

“You can say that again,” Morgan murmurs. 

Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third. 

No one expected this to happen so soon. 

The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt. 

Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work. 

An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation. 

Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved. 

He sees Jack in every single one. He can’t help it. 

Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press. 

Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount. 

“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.” 

He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”

“And his neck,” Morgan mutters. “He’s half decapitated.” 

Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.” 

“You think he’s devolving,” he says, catching on. 

“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.” 

-

The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight. 

JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city. 

The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information. 

“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.” 

“What are they?” Hotch asks. 

“He was on the road all night when the third happened,” Reid says. 

“And how do we know?” Prentiss asks. 

“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.” 

“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”

“Do we have footage from any of those places?” Hotch asks. “We need to make sure.” 

Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.” 

“What about a second unsub?” Morgan suggests. 

Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.” 

“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?” 

“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.” 

“Maybe we’ll figure something out in questioning,” Reid says hopefully. 

Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.” 

“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.  

“And?” Hotch asks. 

“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.” 

Hotch frowns. You? 

“You’re sure?” he asks. 

“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.” 

“And you’re sure about that, too?” Hotch asks again. 

“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.” 

“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.” 

“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up. 

“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.” 

“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.” 

Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.” 

Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died five years ago from liver failure. Hartford got out of jail last year.” 

“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.” 

“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.” 

“He’s trying to get back at his dad,” Prentiss says. “We know that.” 

“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.” 

“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.” 

“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.” 

“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says. 

“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”

“He’s coming to the end of the line,” Prentiss nods. 

Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him. 

“His next crime will probably be his last before he goes out himself,” Reid says. 

“You think it’ll be a murder-suicide?” Morgan asks. 

“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.” 

And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him. 

“If his dad was still alive, I’d say he would be the target. But the only one left—”

“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him. 

“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?” 

“The last victim,” she says as she starts following him. “The one person he never managed to save.” 

“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.  

“What’s up, sugar?” she asks. “Got anymore leads?” 

He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—” 

“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.” 

“What would I do without you?” he asks. 

“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.” 

“Always,” he responds, and he hangs up. 

Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him. 

Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze. 

“We’ve got an extra one for you,” Reid says, reading his mind. 

“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.

“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”  

And he does. 

-

You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear. 

Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale. 

A shiver runs through you, the weather only partly to blame. 

Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner. 

It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff. 

Of course you have to deal with this now. 

Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down. 

“You’re already packed.” 

You shrug. “I’m nothing if not efficient.” 

“I could’ve helped you with all this,” Aaron says, frowning. 

“Why do you think it’s done already?” you ask. 

His throat bobs and he opens his mouth, but nothing comes out.

“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.” 

“You didn’t have to do that,” he says. 

“You know what they say about a clean break,” you intone.  

“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks. 

“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?” 

His lips pull into a taut line. “I didn’t cheat on you.” 

“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.” 

Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit. 

“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk. 

“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—” 

“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”  

“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him. 

“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?” 

“That’s not what happened,” he says, but you’re already shaking your head. 

You take the box from him and smile thinly. 

“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”

-

You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open. 

You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.

“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”

His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”

“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.” 

“They haven’t been back, have they?” 

You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail. 

Your smile fades. “Don’t tell me you’ve been drinking.”

“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests. 

“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.” 

He huffs, and you can practically hear him roll his eyes, but he stops. 

“Did you go to class today?”

“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff. 

“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”

“Yes,” he mocks. “I went to class.”

“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.” 

His smile is a bit thin, but he nods. “Thanks. How was work?”

You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”

“She’s still on it?” Luke asks, and you can’t help but smile a bit. 

“Don’t act like you know what I’m talking about,” you say. “Just agree with me.” 

“I agree with you,” he says. 

“That’s it,” you muse. 

Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up. 

“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.” 

“...Of course,” he says, and he takes it back. “Glad I could help.” 

“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.” 

“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?” 

You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”

“…Good,” he says. “I can tell they’ve stressing you out.”

“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.” 

You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to. 

“You remember that guy I dated when I was still in law school? Aaron Hotchner?”

“I think? I was in jail, so.” 

You roll your eyes. “I know I told you about him when I visited you while we were together.” 

“I remember you telling me how he broke your heart,” Luke says. 

“That’s not what I’m saying.” 

“Then what are you saying?” 

“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”

He frowns. “What’d you say?”

“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.” 

“What have they said about me?” he asks. 

“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…” 

You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.” 

You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.” 

“Don’t worry,” he says. “I’m careful.” 

“I doubt that,” you say wryly. “Still, though. I worry about you.” 

“Shouldn’t it be the other way around?” he asks. “I’m your older brother.” 

“I worry about everything,” you say. “It’s my thing.” 

You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home. 

“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”

Lucas doesn’t respond, though you hear the scrape of the chair as he gets up. 

“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”

Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.” 

“I’m sorry.”

The words come out as a murmur, but you can tell he’s much closer than he was before. 

You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard. 

Then, there’s nothing. 

-

Hotch has been breaking every speeding law there is. 

The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at. 

It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims. 

If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger. 

His hands tighten on the steering wheel. 

“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”

“No one can hurt her if she’s dead,” Morgan mutters. 

“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”

“Yes,” he says, though he wants to say what kind of question is that?

You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that. 

It doesn’t matter that you have history. It doesn’t matter that you likely hate him. 

It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.  

Aaron Hotchner is not going to let you die. It’s as simple as that. 

Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”

“JJ and Rossi are on their way,” she says. “Are you headed to their place?” 

“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.” 

“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.” 

“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”

Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching. 

“Tell me how to get there, Prentiss,” he says. “He’s there.”

“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”

“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”

“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up. 

“What?”

“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”

Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”

“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”

Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night. 

And now… 

Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not. 

“Thank you, Garcia.”

“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?” 

For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it. 

“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.” 

“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.” 

“Thank you,” he says. 

“Good luck, Hotch,” Garcia says softly. 

Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him. 

“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.” 

His knuckles go white around the steering wheel, and for once, Hotch can’t find the words. 

-

It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why. 

You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes. 

Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs. 

Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?

Lucas was the only one there with you. So either he’s in the same situation, or he—

“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops. 

For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze. 

“I was worried I was too rough,” he says softly. “But you’ve always been resilient.” 

“Lucas,” you breathe. “What the fuck is this?”

“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.” 

Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.

You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body. 

You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life. 

And if there’s ever been a fucking time to be persuasive, it’s now. 

“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.” 

He shakes his head. “I know you. You’d run.” 

“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?” 

“...You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.” 

“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.” 

“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.” 

“I’ve always believed in you,” you say. 

He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”

You shake your head. “That’s not true.” 

“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.” 

You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises. 

“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”

You remember when you got the news. You were next of kin—your mother had divorced him by then, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided. 

“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?” 

“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!” 

“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.” 

“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”

“He ruined us,” Luke murmurs. “And I’m finally going to fix it.” 

All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to. 

Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.” 

“I wouldn’t dare,” you say weakly. 

When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget. 

Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out. 

You refuse to die here. Even if you have to claw back through the gates of Hell inch by inch—you will not die here. 

You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now. 

“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.” 

“I didn’t,” you insist. “They’re profilers—they figure things out.” 

He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.” 

He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.

“FBI,” he barks. “Hands up.”

Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head. 

“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.” 

“Put the gun down, Lucas,” Aaron says. 

“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”

“Put the gun down,” he repeats. 

“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.” 

“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.” 

“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.” 

“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?” 

“Trust me,” Luke says. “I’m not losing her.” 

He flicks the safety off and you flinch. He’s going to kill you. 

“Put the gun down,” another agent warns. 

“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”

“We’re not doing that,” the woman says. Agent Prentiss, you think. 

“Really?” Luke chuckles. “You think you hold the cards here?” 

“It’s okay,” Aaron says. “Go.” 

Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave. 

“Wow,” Luke muses. “They really trust you.” 

“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.” 

“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”

“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”

“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?” 

“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.” 

Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.” 

“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.” 

“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.” 

“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.” 

“No,” he whispers. “No—we can’t.”  

“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.” 

For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you. 

“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.” 

You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you. 

And then it happens so quickly you barely process it. 

There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground. 

You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you. 

Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him. 

Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force. 

Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead. 

The only part you had left of your family—gone, just like that, with four other families ruined in his wake. 

Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.

“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”

“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”

A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms. 

“I know.”

Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment. 

“You were shot,” he says with your name. “We have to get you to a hospital.” 

You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers. 

But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron. 

“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!” 

You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours. 

“Aaron,” you whisper, your strength fading. You don’t think he hears you.

He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete. 

“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.” 

And as the world goes black around you for the second time, you see his lips form your name. 

It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die. 

-

You wake up in the hospital alone.  

You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you. 

The real surprise is that you wake up at all. 

Lucas is dead. 

He tried to kill you. You thought he succeeded. 

You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real. 

You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life. 

You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day. 

Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all. 

You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life. 

And you can’t stop playing it all over in your mind. 

He was going to kill you. 

Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU. 

Had it not been for Aaron Hotchner. 

The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him. 

“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you. 

But there’s relief there, too.

He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside. 

“How long have you been here?” you ask, your brows furrowing ever so slightly. 

Aaron closes the door and sets his coffee on the table before he answers you. “Three days.” 

“And how long have I been here?” 

“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.” 

You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”

“How bad was it?” you ask. 

Aaron glances away. “You died on the table. They managed to bring you back, but…” 

“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.” 

He shakes his head. “If anyone’s allowed to joke about this, it’s you.” 

Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.  

“You were out for two days after,” he explains. “This is the first time you’ve woken up.”

“Why are you here, Aaron?” you ask quietly. “Why have you been here?” 

Aaron frowns. “Where else would I be?”

Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start. 

“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.” 

“It’s not a crime to want to see the best in people,” he says. “Especially your family.” 

“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”

“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.” 

You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!” 

“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.” 

“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—” 

You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same. 

“And I just don’t know what to do,” you repeat, barely a whisper. 

You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life. 

“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.” 

“Aaron,” you start shakily, but he continues. 

“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”

He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number. 

“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.” 

You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner. 

“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.” 

“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”

For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…

Somehow, you’ve ended up on a completely different side together. 

“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.” 

“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.” 

“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit. 

“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.” 

“I imagine you’re pretty busy,” you murmur. “Unit chief and all.” 

Aaron shrugs. “I make time for the things I care about.” 

Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.

“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out. 

“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume. 

“I’ll give you some time alone,” Aaron says.

Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.  

“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.” 

Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down. 

“Okay.” 

And he stays. 

This time, he stays.

#i was truly possessed while writing this i can't understand it #i wrote 15k words in 5 days #aaron hotchner x reader #hotch x reader #criminal minds x reader #aaron hotchner x y/n #aaron hotchner fic #aaron hotchner angst #aaron hotchner imagine #sadie writes

[things-arent-what-they-seem66]

I have a fluffy idea for once! No prompts from the list, just brain thoughts:

Adam has been staying in the hotel for a few months, very reluctant to participate at first, but slowly warming up to it. Him and Lucifer had a long conversation about Eden at some point, and since then they've gotten increasingly domestic with each other. While they're not openly in a relationship, they'll sleep in the same bed, have movie nights together, cook together, and be generally affectionate. They try to be subtle about it, but Husk and Angel both picked up on it rather quickly, choosing to keep it between the two of them that they knew.

Cut to the moment: Charlie set up a bonding activity for hotel residents! Ballroom dancing, to build teamwork, trust, and coordination. They switch partners a few times, but of course Luci and Adam end up together eventually. The two of them, having both been important figures in heaven at some point, definitely have ballroom dancing experience, and it shows when they dance with each other. Once the music reaches its end, they're so caught up in each other that they end it with a kiss... in front of everyone. Ensue dramatic reveals, probably some flustered Adam, Charlie being baffled, momentarily angry, and then just really enthusiastic. Them finally getting to be saccharinely domestic with others present :))

Feel free to do with that what you will, I just wanted some domestic fluff <3

Indigo (aroace, lonely, and coping through fictional ships)

AHHHHH I LOVE THIS!!! IT'S SO FLUFFY IM GONNA DIE! LOL

At first Adam was only at the hotel for salvation, to not be murdered a million times over by blood thirsty sinners who wanted revenge.

He tolerated Charlie and her stupid exercises, he was present for them but never really participated. Until one day he said to Hell with it and gave one of them a try. It wasn't bad, but still dumb in his opinion.

At some point he had befriended the porn star Angel Dust and by proxy his boyfriend Husk. Turns out they had a lot more in common than Adam originally thought. They would go out drinking and shoot the shit, it was nice to have friends.

Lucifer was an issue in and of himself. He sold his soul to the guy in exchange for protection and it had been awkward being around him in the beginning.

It's been six months now and Lucifer said he wanted to talk to him. Adam has thought he was in trouble for something he might have done.

But no. The king wanted to talk about Eden. REALLY talk about Eden. He even apologized for his role for the downfall of the garden. They sat on Lucifer's bed talking for hours about Eden, the good and the bad. When he even apologized about taking Lilith, Adam told him not to worry about it. It took him leaving the garden to realize she wasn't his type.

They talked so long they fell asleep. That was the first time they shared a bed and from then on, it felt weird NOT to. So they just shared a bed, it just kind of happened.

Adam remembers the first time they cooked together, it was breakfast with the works. That's kind of how he found out he is shit at cooking. So instead he would hand Lucifer the ingredients and the King would cook the food. He remembers when Lucifer placed his hands on his hips to sneak by and how the touch made Adams heart race.

Adam and Lucifer shared lingering touches that lasted a moment or two too long. How their eyes would lock and they would share gentle smiles when they thought no one was looking.

Angel and Husk saw all of this but didn't say a word. The couple would go public when they were ready.

One thing Adam could make was microwave popcorn. Which him and Lucifer shared as they watched horror movies, snuggled up on the couch, sharing a blanket with their fingers laced together underneath. Adam's head would rest in the crook of Lucifer's shoulder. Sometimes Adam would fall asleep and wake up in their bed.

They weren't exclusive with a defined label, but what they did have was nice.

Today, Charlie wanted to do a new trust exercise. "We'll be doing ballroom dancing! It's a great way to build trust and have fun at the same time. Now, everyone grab a partner. We'll trade off every now and then."

"Piece of cake." Adam said, he had lots of dancing experience from being in heaven. What he didn't expect was to be teamed up with Alastor first. "Keep your fucking hands where I can see them, asshole."

"Trust me, I don't want to touch you any more than you want me touching you." The music started and they began dancing. Adam saw Alastors eyes look over his shoulder, that's when the radio demon brought him in closer. His hand on Adams waist, the fallen angel thought he might be sick. "But if it pisses him off, I suppose I can suck it up."

Adam creased his brow and looked over his shoulder behind him. If looks could kill, Lucifer would have had the deer demon explode into chuck sized pieces. His face softened when he saw Adam looking at him.

"Switch!" Charlie called out.

Now Adam was dancing with Vaggie, much better than that freak. They didn't speak the whole time, which was fine.

"Switch!"

This time, finally Adam was pulled into Lucifer's arms. He smiled at him as they swayed together in perfect harmony, the music moving them. "Hey."

"Hey, did that asshole hurt you?"

Adam snorted. "No, that was just to piss you off." He felt Lucifers arm tighten around his waist bringing him closer. "But if I said yes, would you beat that fucker up?"

"I'd do it just because he touched you." Lucifer meant it, he didn't need a real reason to go deer hunting, but if that fucker laid a hand on Adam he'd kill him.

Adam felt his heart flutter, butterflies danced in his stomach. "I feel so special."

Lucifer twirled Adam outward and pulled him back in. "You are special. To me especially."

They stared into each other's eyes, Adam could get lost there forever. It's like nothing else existed but them. The music stopped but they didn't let go of one another. Adam and Lucifer kept eye contact a few moments more before Adam felt a hand in his hair, with half lidded eyes he looked at Lucifer's lips as he looked at Adam's. The hand in his hair guided him closer until their lips met in a tender kiss.

Adam opened his mouth when Lucifer's tongue licked at his lips asking for entrance and deepening the kiss. Adam sighed softly as the hand in his hair grazed the base of his horns, his own hands clung to Lucifer's shoulders holding him close.

"Dad what the fuck!?"

Adam and Lucifer pulled apart like they had been burned. Oh no! Everyone fucking saw them makeout like a couple of teenagers. They shared looks of shock. They never slipped up like this. They turned to see everyone looking at them with varying degrees of emotions.

"I fucking called it." Angel said looking smug, Husk handed him a twenty.

Adam felt like his face was on fire, embarrassment starting to set in. He was getting uncomfortable with everyone looking at him like a fucking zoo exhibit.

"Charlie I can explain." Lucifer started.

"Explain what? That you've been seeing Adam behind my back and didn't tell me? Cause that was a very passionate kiss."

Adam wanted to die a third time. He put his face in his hands. He was sure all the blood in his body was in his face. "God dammit." He swore under his breath.

"Charlie, dear. Don't be mad, I didn't want to say anything to you until I was sure how I felt."

"How do you feel?" She asked.

Lucifer removed one of Adams hands from his face, Adam looked at him and swore he melted at how gentle that look was. "I, I care a lot about him. Adam makes me happy in a way I haven't felt in a long time."

Adam felt the same way. "So do I." It came out just above a whisper, just for Lucifer to hear. His smile was so wide it hurt his face.

Charlie looked at them and her temper simmered away into nothing. Oh. "I'm glad you're happy dad. I just wish this wasn't how I found out about you guys."

"I'm sorry Char, we kinda, got lost in the moment."

"Like right now?" Angel chimed in. "For the record, you guys dance amazing together. I can only imagine what it looks like when you fu- ow! Husk!"

Husk had pinched him. "No one wants that mental picture."

"Are you mad?" Adam finally asked.

Charlie sighed. "All I want is for my dad to be happy. If that's with you, then so be it. Just don't hurt each other." That would be one hell of a break up.

"Thank you, Charlie." Lucifer said. He pulled Adam back in for another kiss, this one sweet and soft. Adam's heart raced and thrummed with joy.

"Get a room you two!" Angel yelled.

That they could definitely do.

#adamsapple #lucifer x adam #hazbin hotel adam #hazbin hotel lucifer #ask

[philyaoi]

sorry i dont have anyone to talk to this about lol so it's going in your inbox but i'm in my mid-20s and only now for the first time in my life have i changed my mind on rpf specifically because of phanfic. i'm a returning phannie but like.... the last time i watched them was all the way back in 2012. and was very ani-rpf then and have continued to be through the years. and i think in a lot of cases i maintain that position. but after falling back in love with dnp and the phandom and caving into the urge to read some phanfic knowing that dnp themselves encourage and respect it im kind of shocked to find it's actually a really beautiful, metatextual, interactive creative outlet. i think youve talked a bit about how phanfic isnt really rpf to you and i kind of agree, because dan and phil to me are like.... an idea, a mythology, a narrative, that theyre aware of and have built as well as being aware that we're aware of. like the idea of dan and phil has been constructed by them and their fans hand in hand for over a decade. and i find that phanfic itself is very aware of this and exists to expand upon those ideas. lol. yeah that's it sorry for this ramble. i just find it surprising that something could change my mind on that in this day and age but it's been a very cool experience.

hello welcome youve come to the right place for this yap because i COMPLETELY understand you. like genuinely i am not this attached to any other "rpf" content like this? ok i had an egobang phase but honestly arin and danny have grown to share a similar but not exact same connection as dnp BUT I DIGRESS

but yeah i think a lot of it is due to the contrastive relationships between the brand of Dan and Phil™, their separate individual brands Daniel Howell and AmazingPhil (particularly dan), the Phanon dnp, and the actual real people dan and phil. i always go back to the fanfiction segment of tatinof but its just such a perfect example of what i mean. like, the entire idea to have a fanfic scene was ofc the real people's idea, and they used tropes they would see in the phanon to convey the audience interactive story, but at the same time had to keep it at least Somewhat appropriate for the Brand™ at the time being very pre-teen and teen focused. honestly idk how much you've gone back and watched of what you missed, but i would suggest doing that not just cuz theres some incredible stuff from those eras, but also seeing the intersection of the brand, fanon, and real people and when they split apart. you see it a lot especially in gaming videos imo where theyre unscripted, and once they got more comfortable in the gaming channel roles the energy shifting away from Brand but never too far... until ofc now where what even is their brand anymore just Chaos and Queerness i guess

OH ALSO go read some old fic and compare to newer ones like its not just that writing styles changed or that dnp themselves have changed, but the like. energy and intent put into fic has changed. i would say in the past it was more exploratory, putting dnp in AU's and imagines, or exploring what Could have happened. whereas now, yes ofc there are au's and fic for the purpose of exploring a concept or world, but also its a lot more introspective. exploring the inner world a bit more. idk i just thijk dnp are funny lil guys and they accidentally created some freaky lil creatures in a lab somewhere...

#the brand #phan #myrambles #i feel like i have other tags i could give this idk

[birdricks]

you do it to yourself, you do / and that’s what really hurts

#rick and morty #rick sanchez #artsbotz #lol cry harder old man !!!!!!! #i have no idea if this looks good i feel like im gonna pass out. hopefully its good LOLLL #link is to my c137 playlist. which im also not sure is good ill have to relisten when i can think straight #used my new brush for this which is nearly exactly the same as my old one. but cooler. #maybe ill explain the playlsist tmrw if i remember. sorry its like so hastag angstcore #i literally only ever make misery playslists. theyre more fun. mayeb one day ill make a fun one #IDK WHY I DREWWWW thsi tbfh actaully idk truly. every time i draw smth im like Why did i do that #i forget what i was trying to convey. oh well #hopefully it makes some senseee. mayeb #ok soooo tired gonna pass oht now snzzzzzz

[midnightclover]

Summon Night: Swordcraft Story (ATLUS, 2003)

#my actual posts lol #haha what if i made a daily diary post thing like nico #..i was just thinking #today was a good day #and i thought of this song #ive been playing summon night swordcraft story a lot as of late.. though none today actually #its still on my mind though #i considered using dweller empty path's song flying through a stary sky instead.. but this is what i thought of first #i think it fits best to use it #i actually had to jump through some hoops to upload music! #cus my tumblr app is kinda old.. i cant properly upload music. i could only put a link #which isnt exactly ideal #so i tried in my web browser.. but maybe its cus i havent updated it in a while or maybe just cus its tor.. it didnt work #so i downloaded firefox and did it on there lol #now im editing it in my drafts back on the app #dont ask why im not just doing it on my computer... shes having some technical difficulties. we're working on it #but not today #... #today was pretty eventful.. even if not very productive. but ive never been a very productive person #we went and saw some light festival thing! it was rly nice.. a little simple at times but it was fun #we went and got some yummy snacks earlier too! tho ive already eaten them all hehe #and i started up animal crossing new leaf. i hadnt played it in ages! its startling how much better it is than new horizions.. imo at least #only problem is i couldnt make it the same as my island.. and i didnt remember why i named my last town #we searched for a while for some reference or somfin to name it after.. but we ended up just going with ''faraway'' #cus i liked the idea of being asked where im going.. and just saying far far away #and as beth said it has a kinda fairytail vibe! #...only after i named it did i realize i accidentally named it after the town in omori. oops! #...im about to hit the tag limit. so whoevers still listening i just want u to know.. #i love you. ok? #goodnight

[lunapegasus]

Nearly a year ago today I made this blog and posted my art online for the first time. So here's a redraw of it to celebrate :) Also sketch under the cut because it actually looks very different than the lineart but I really like it (+ the lineart for comparison)

#can you tell I just bullshit backgrounds #rouge the bat #sth #sonic #my art <3 #updating my pfp too since it was from the og art. I mean it was edited as hell but still #anyway that old art was not only the first time I shared my art online but it was also the first digital art I made (outside of sketches) #like the first time I ever tried to do digital lineart and coloring and the very very minimal shading it has lol #these are probably the best hands I've ever drawn tho fr #also if people take this out of context and think I've only been on tumblr a year I will explode everyone. im a veteran. pity me. #oh and if you're for some reason reading these rambling tags thank you lol for one. but also I hope you have a really nice day :)

[carnivalcarriondiscarded]

never have i been so entirely exhausted from sitting in front of a laptop in a dark room for three hours gay! and so full of delight and happiness! like wow! i have not felt this good in ages!! and its a good kind of tired! i feel like im glowing!

but shit, the update is more than i could've dreamed of. like i said - three straight hours of combing, and i probably still missed a thing or two! i'm even saving the storytime audio to enjoy in the morning, i haven't listened to it yet!

i already have so many thoughts and emotions but i'm... so wiped out oh my god lmao. so much new stuff at once! i need to sleep on it all! and in the morning i will be more than happy to reply, interact, answer asks on this subject, share my actual thoughts - i just need to take the rest of the night to Process and rest, yk yk

and i know i "missed" some links on my liveblog! i know i know! i didn't add every single thing i found - like most of the Wally audios - because i'll be compiling them all into a labeled post tomorrow! when i wake up! i'm already looking forward to it <3 i'm confident i personally found all of them, though! i was Thorough! i went through everything at least twice, i tabbed through, i clicked on Everything...

but yes i hope you all are having a wonderful Update Day/Evening/Morning/Afternoon As The Case May Be. this is truly a delight and again, more than i could've dreamed of. i'd forgotten what it's like to be so wholly excited and delighted by something! it's been so long since i've felt this kind of genuine joy and whimsy! usually im white-knuckling my optimism and happiness but tonight it was all authentic 100% non-forced From The Soul!

#a very exciting day of Not Much Happening and then Everything At Once #the constant (joyous) stress over the update and then the intense euphoria of experiencing it.... #very very exhausted i have no energy left in me for literally anything #a sleep will fix that though #and ill be back to Chatter and Ramble #absolutely unprompted #scribble salad #i cant believe we're only at the very beginning... there is already So Much! #so much good stuff! incredible stuff! monumental work! i literally cant fathom that this is the Tip of the iceberg! what the fuck! #but thats something to swoon over another day #we have the update! #a plethora of audio clips and new information to chew on! #but yes yes i will make a tumblr post with all of the links #in order! labeled! for your convenience and viewing and reblogging pleasure! #and a different post with my personal thoughts and emotions! i have many! #alright yes stepping away from the laptop now #water. teeth. cats. sleep. yes. totally going to do that. #i already know im gonna lay down get cozy and then my eyes are gonna Fly Open. Wide Awake #perhaps i should take some melatonin lol #i want to be able to wake up in a timely manner Well Rested and ready to compile!!! #a melatonin night it is! #but yes i hope you all are having fun!!! #feel free to shoot me asks and such! i am more than happy to Respond and Discuss! #i will be making my main posts / sharing my thoughts before answering anything tho lol i will say that now #that way i can say my piece #and then if i get any asks about something ive already covered i can just Link the Post! #for ease of all of us <3 #but yes goodnight!!! #i cant wait to scribble and talk and AGH!!! #to clown and everyone working on welcome home you guys are the fucking most and its just. its everything

[mejomonster]

I am going to again mention that Hikaru No Go cdrama adaptation Qi Hun is on youtube for free (iqiyi), really really good, and if you ever shipped the two rivals to partners then the cdrama decides well They Do Too and cranks it to Bad Buddy childhood rivals to desperately longing for each other to domestic and professional partners levels. (I'm not kidding, to spoil the ending out of context: they move in together with one bed, play partner go for future career, and end the show together happy). And yes, our ghost friend still absolutely decimated me emotionally. <3 ;-;

Anyway I just. While it's absolutely amazing as a show on simply the merit of quality, pacing, good storyline, solid story it's based on And solid adaptation that kept things true while putting it's own touches? It's also really really heartfelt if you like childhood enemies/friends to partners stories. And it feels as bl as Guardian or Word of Honor did, easily (so clearly shippers helped make the show lol).

Here's where to watch!

#rant #hikaru no go #qi hun #rec list #so i have 1 mild critique and that is that i heard the drama gives the women in the story #a bit less time/development than the anime/manga. i havent seen the anime so im not sure but im inclined to believe it #as i do think the older girl whos someones gf definitely feels her story gets less focus than some other characters #also theres a 5 episode period where the pace slows slightly #its still WAY faster paced than like 90% of cdramas sinve cdramas LOVE 5-15 episode #slow pacing lulls. whereas those 5 hikaru no go eps are STILL as fast as the fast paced Ultimate Note eps #its just comparatively. that is the small hikaru no go arc ive seen people complain lat #gged a bit. ans its the only time i took a break. #but i watched thus show in like 4 days lol. it was SO GOOD

[quinn-pop]

yet another oc that only exists because i wanted to write something very specific

(middle is a little older, hence her scar healing. i like to think she gets a glass eye at some point)

anyway this is mira! (they/she) since that wip is almost 20k words and counting i won’t give away too much but long story short she’s the result of meta going “one last time, i promise” and adopting yet another kid

also galaxia kinda indirectly picked the name :)

i’ve mentioned before that i headcanon that pretty much all astrals are autistic and this is just kinda an extension of that. whereas meta tends to suppress his emotions and conform to others, mira…doesn’t. she gets uncomfortable and upset and lashes out at people easily, and working through their emotions is no small task.

the main reason i chose to write them that way was for the sake of narrative but i’ve grown attached to it because there’s a lot of ideas there i’d like to explore. stuff about navigating emotions and relationships when existing is so suffocatingly uncomfortable. it’s not something i could center around Kirby himself, but i think it makes sense with a post character development meta knight.

they are very loved (omg oldee cameo???)

kirby was definitely very excited to have younger siblings after being used to being the youngest in the room for so long!! (with the like. one and only exception being gooey.) he’s super affectionate with both of them and wants to have a close relationship one day, but for now mira is pretty unappreciative of that fact lol. they don’t like being pestered for hugs

everyone else is okay tho

(i know that’s hard to read. oops. “obvious bite marks”. siblings being siblings.)

mira also has a very love/hate relationship with the egg kid, being so close in age they kinda Have to get along but in typical sibling nature they also fight a lot. sure it’s probably rough for a while but i think in the end they’d be good buddies. maybe not as close as Kirby and Bandee but still.

anyway i have a lot of thoughts and am very busy but. i’m really enjoying writing about all this lately it’s been fun ^^

#I picked a name and then proceeded to write a comic in pen in which i used that name and posted it #and only after all that did i learn that mira is becoming a very popular name. which i generally avoid #but oh well. it’s stuck #im gonna be completely honest a lot of how i pick names for characters is based off of how many puns i can make out of it #im sorry to disappoint you with that information /j #kirbyposting #my art or something #meta knight #kirby #king dedede #metadede #Kirby oc #semi future au #I swear i’ll introduce oldee one day im just bad at having drawing ideas #also trying very hard to not make self deprecating comments over some of this art cause i just. don’t really want to spend forever redrawing #stuff anymore. like I used to do for a lot of these posts. It’s whatever #anyway kinda a part two to yesterday’s post (as in: I made sure they were both ready at the same time so i could queue them together lol) #weirdly enough this isn’t all that different from my dmk interpretation #i can’t really decide what color she is either #part of me wants to say bright blue red eyes because i think that would look absolutely sick but that seems like a bit too much blue #all things considered #maybe bright yellow blue eyes idk ill figure it out later (maybe)

[dungeons-and-dragon-age]

Me? actually trying to do tarot cards?? sounds fake

#composition is something i definitely still have to practice a lot so tbh its good that im finally making myself do this xD #the neira one is the only one so far where ive tired blocking colours so far cos its the only one where i had a p solid palette in mind #def have to either deepen the shadows in the face or remove the tears/blood/death smoothie bc rn it looks kind of weird fjsdfl #oc: neira surana #oc: liam hawke #oc: june trevelyan #my ocs #my art #wip #tarot cards #so uhh. theres nothing super deep tbh but some thoughts behind some of the stuff #first thought was having a similar setup/comp for all of them but i am probably not gonna do that #sticking to suit of cups for neira cos its the perfect excuse to keep put the joining chalice there lol #also the circle cos. she is a circle mage. very far fetched i know #it does also fit w being trapped and going in circles and w life/death cycle so. there's that #liam gets angsty three of swords imagery because of course he does #i kinda wanna mirror varrics post hlta card and also that one abstrac-y thing i did of liam some time ago #also chains maybe? for kirkwall and for not letting go and all that #for june i do like the close up in theory bc i like having it very focused on /her/ #bc her development in dai is much more personal rather than strongly tied to the central narrative #& also focusing on her magic cos thats an important part of her & her development (& it fits her v egocentric mindset thru most of dai) #but it also looks too. idk. powerful? like she's in control. which she absolutely isnt lmao #so the other one is kinda the exact opposite direction. more zoomed out & dynamic but i want it to feel more claustrophobic too #sort of. trapped animal kinda deal. trying to get out. keeping the fire theme tho #(ignore that her glowy hand is on the wrong side i accidentally drew it flipped lol) #i am. not good at detailed and or nuanced composition so everything turns out p bold and on the nose ^^'' #it's a start tho! #(i do have more thoughts than what i wrote lol but i am running out of tags and also im tired) #feedback/tips are def appreciated btw! :>

[yaoicoreren]

#riddlebat #edward nashton #fanart #digital illustration #a lovely friend helped me out with the light placement #this is kinda part of an au i have in mind #in it bruce shoots someone in a moment of desperation while also chasing after ed #who decides to help him get away with it since he recently also killed someone for the first time #in ed's apartment bruce reviews the footage from his contact lenses #and ed decides that what bruce is doing could be enough atonement for his father's sins if he steers him right #bruce on the other hand feels like he can never return to alfred or gordon #and thinks that ed is the only one who can relate and understand him #and so they carry out ed's plan #i do have like some pages planned out of this but im unsure if i could actually make a coherent story out of this #or even actually finish it lol #i might try it out i got nothing going on #you are allowed to steal any of the vague aus i put in these tags btw #and thank you for reading¡¡ have a nice day¡¡

[todayisafridaynight]

At which point did you realise that the plot of IW is ass? I've seen people complain only about the ending or the halfway point where the teams separate, while I was already actively rolling my eyes like four-five chapters in

i think the moment i fully accepted that IW's story was. Definitely A Story was the moment ebina announced 'bleach japan'. like i think leading up to that point i was thinking to myself 'oh i hope i see X happen' or being like 'i wonder where this is going' and that sort but the proverbial bucket of ice was definitely that moment

#infinite wealth spoilers #snap chats #what reaaaaally hammered it in too if it wasnt obvious already was the execution of the jimas/daigo like that still irks me LMAO #i cant even remember what chapter that happened in i just know when it did i was utterly pissed #i think i started to take things less seriously once bryce entered the picture but thats only because of how distracting his VA was #like much love the JP voice actors who try to speak english and japanese but i just cant act like it's not incredibly distracting #esp when the character is supposed to be white yk what i mean- or at the very least their first language is supposed to be english #typically i can look over that thing if its a one or two time kind of deal but he had to speak in english much longer than others #im just rambling about bryce tho this aint bout him. i mean he could be a part of it the cult was executed really sloppily #it might have been the introduction of bryce actually ... i remember thinking to myself 'oh brother' with the whole messiah thing LMAO #maybe it was when kiryu told us his cancer cam from radiation instead of. smoking 💀 ESPECIALLY not even five chapters in #like straight out the gate you just wanna drop that on us mr I Can Do Everything Myself I Cant Worry Others ok #thats a post for another day tho im EVERYWHERE #POINT IS this is not about Retrospect this is about First Impressions and memory warps over time #but i know for a fact i found the bleach japan thing utterly ridiculous and was squinting at the plot the entire time thereafter #like ive said this a million times at this point but although i love IW for it's gameplay (pardon some nitpicks like lack of shortcuts) #its story really feels so messy and had much to be desired. which is so sad after the wonderful stories rgg has been making since 0.. #BUT OH WELL im still excited to replay it in english. god willing i ever get the time #i still wanna finish lost judgment <- isnt even halfway through the game #and i wanna do a fun stream Maybe with YK2 but ill get into that when i get into that #if youve read this far. thanks LOL id say sorry for the novel but thats what we expect of me at this point

[wulfhalls]

.

#i miss my dumbass idiot cat so much i feel like im dyingggggg licherally that is my little baby guy i want my little baby boy back wtf #i cant deal with this shit i genuinely wish i was dead so bad #im having a worse day with it than usual and my usual was this bitch on suicide watch fr #I feel like its really starting to hit me that hes gone. and it kills me what do u mean hes never coming back thats my angel my baby i need #him #all i do is weep wish for death weep weep some more death wish again sometimes im granted complete numbness for up to several hours #i love totally dead inside time its the only time i can look at pictures of him without being 3 seconds away from throwing up #then its back to weeping on the floor. if i cant boop his little tiny nosey in the next 5 minutes im ending it all im not kidding #not to be dramatic but i feel like a part of my soul died with him lol #anyway. i hope i die #also everyone ignore me no one say anything i just needed to type this out #bb baby #txt.me

[sundial-bee-scribbles]

ok here he is

sorry the mixing's kinda shitty lolol i think i might have hearing and/or headphone problems 😭

UST by nmasao1, distributed by LoverBoy, with tuning edits by me. Mixing also by me. Original song by Machigerita-P.

#my audio lol #vocaloid #vocaloid cover #utatane piko #piko utatane #piko vocaloid #machigerita #machigerita-p #sunset love suicide #i probably shouldve spent more time on it refining but i also have been working on this for too fucking long. let me rest usb bitch #i reallyyy wanted to draw something for this b/c the og pv colors have green + purple and that would look sick for piko's eyes #but i couldnt figure out a good design thing so rip. maybe one day ill make a pv for this (i say lying as if i havent given up before) #i just got. excited ok i do actually kinda like how some of this sounds i tried a new tuning method thing and ????? something. but weh #i think im only good at covering machigerita songs lmfao 😭😭 good thing i like his songs LOLLL

[marenwithanm]

Girl help I've become a trekie a few decades late.

#in other news im still hysterical over yhe movies (which are the only ones ive seen i have not seen the og series yet lol) #but i cannot belive chekov gets brain damage in 2 of the 6 movies #thats ONE THIRD OF THE TIME GUYS #how is he still alive #and also whenever this happens he just. #goes to work the very same day as soon as he wakes up???? #in the fourth one i get it #sure he just fell off a military ship onto straight concrete and burst blood vessels in his brain #and almost got a hole drilled into his skull #and only woke up after bones used his weird little machine to fix it #but he doesn't have time to worry about that #theyre outlaws at the moment with only them aboard yhe ship its all hanfs on deck of course he has to go back to work as soon as he gets up #BUT THE SECOND MOVIE??? #not only should he take a break after getting mind controlled via deadly brain worms #THEY SHOULD NOT LET HIM HAVE ACCESS TO SHIP EQUIPMENT #the man could still be brainwashed! #or if not that fighting the headache of all time #do NOT let him shoot the missiles after that!!!! #anyways scotty getting a concussion after walking straight into a pole was the most disrespectful thing that happened in the 5th movie #at least chekov gets some dignity when he sustains massive brain trauma! #scotty just #walks into a pole #star trek #star trek: tos #the original series #pavel chekov #hikaru sulu #montgomery scott #art #fanart