missionary but my open mouth is against your hand as you try to muffle my screams
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"we need to be able to blaze other peoples posts" you can its called seeing a post and reblogging it with the tags 'posts that have 10k. to me.' so that the op can screenshot and go 'dont do this to me' and when you look it has 9k notes already
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i have watched the kiss scene and the breakup as a whole more times than i can count and my brain is still trying to process all the things it picked up on.
my newest painful obsession: aziraphale thought crowley came back for him.
they kiss, aziraphale says i forgive you and instead condemns them both, crowley leaves. the lip touching itself is fucking essay worthy because holy SHIT the amount of micro expressions flickering across his face is endless, michael sheen acted his ass off.
i think it's a mixture of surprise, unspoken love, a HEAVY dose of fear, disbelief, and oh my god what did he just do what did i just do. he turns away from the door and we get a very very quick shot of how exactly he is angled.
standing up straight with faked spiteful anger, the same anger he spit at crowley out of fear and insecurity, chin up, clearly waiting for something - or rather someone. we gotta remember that every single time crowley has left aziraphale, he came back. every. single. time. he came back and apologized, that's what they do.
crowley comes back and aziraphale forgives him and they continue bearing their silence.
the bell rings when the door opens again, just like it did when crowley left, and just. look at his face. how quickly he swivels around. the blink and you will miss it spark of hope.
and then the pure devastation when he realizes it's not crowley.
aziraphale thought crowley was coming back for him. he was WAITING for him to come back. even after all that, he couldn't imagine crowley actually leaving him behind, especially not after that kiss and his entire indirect love confession.
just like crowley thought for a tiny heartbeat that aziraphale was kissing him back, aziraphale hoped, hell, he fucking thought he KNEW crowley would never abandon him. not after "i could always rely on you. you could always rely on me." aziraphale has taken him for granted, of course he thought it was him coming through the door.
but that spark of hope gets stomped out beneath the metatrash's feet and he fully turns around, unable to face him and the reality of it all.
this time, he went too far.
this time, crowley did not want forgiveness.
he was about to say i love you and turned it into i forgive you, still clinging to their old ways, their old rituals, just that they are no longer those beings, no longer in that specific relationship. everything has changed.
they both thought the other would never abandon them. turns out they were both wrong.
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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i'm sorry but i cannot stop thinking about it for reallll imagine you're richer than god and never had to face consequences for anything and you have so much money you don't even know what to do with it so you toss a quarter million at the stupidest tourism option on earth. and you see that the paper you have to sign tells you you could die and you look at the flimsy metal tube you're going to be plummeting into the ocean in and it doesn't even phase you because bad things don't happen to people like you. imagine some hours into the journey you realise something is wrong. maybe not you but somehow the knowledge that there was a fuckup becomes known to the 5 of you trapped in there. and you know you can't get out from the inside and you know you have no food and no bathroom and not even the room to ever stand up again. when does the realisation that your wealth cannot protect you from your inevitable mortality set in. how does someone like that reconcile with both death and the fact that it's 100% their own doing? can someone like this even come to terms with that or will they be fighting to find someone to blame until the last second? when does it reach you that all 5 of you are going to die one by one and there's nothing you can do? does the fact that 5 of you have enough air until thursday but one of you could have enough air until at least next week ever cross anyone's mind.
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perpetually annoyed by character criticism that is just “is this character sympathetic? is this character relatable? does this character get an ending they ‘deserve’ (as it correlates with their own moral goodness)?” so what if they’re unsympathetic. so what if they’re unrelatable. so what if they are made suffer. so what if they’re a symbol. they’re not real! fictional characters are tools in a story, like setting, or tropes, or tone, or style, or pacing, or medium. they are a figment, a fragment. they are not human beings, and they do not exist in a real life moral framework. this is not good analysis. ask better questions.
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he.....is.....MY.... MEOW MEOW!!!!!!!!!! *my telekinesis throws all the furniture into the walls*
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