the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
[Hanfu · 漢服]Chinese Warring States period(475–221 BC) Chu (state) Hanfu Based On Chu (state) lacquer figure
【Historical Artifact Reference】:
Lacquered wood figurines unearthed from Chu State Tomb in Shayang Tumbun Chu Tombs/沙洋塌冢楚墓出土漆俑
Collar cloth and robe unearthed from china Mashan Chu Tomb N19
【Histoty Note】Warring States Period·Chu (state) Noble Women Fashion
Many people may wonder why this set of clothing and hairstyles are so similar to Japan, but the fact is this kind of clothing and hairstyle existed in China at least 1,000 years earlier than Japan.
During the China Warring States Period, it was popular for aristocratic men and women to wear robes.
Lacquered wood figurines and robe with similar images have been unearthed from the Shayang Tumbun Chu Tombs and the Chu Tombs at Mashan, many of which adopted the "three-dimensional structure" technique.
For example, a roughly rectangular piece is caulked at the intersection of the robe's sides, skirt sides and sleeve armpits. At the same time, the lower edge line of the top and the upper edge line of the lower skirt are incrementally extended, and then sewn into one body. It is called "Ming three-dimensional structure".
Its ingenuity is that while the outer contour of the garment remains unchanged, it effectively expands the inner space of the garment body, making it convenient for people to wrap the garment from the front to the back when wearing it, without damaging the original collar and garment forms.
The attire of aristocratic women from the Chu state in this set was restored based on the lacquered wooden figurines of the Chu tomb in Shayang. Their foreheads and temples hair are fluffy, and they have a hanging bun at the back of their heads. They wear robes that are connected up and down, and are decorated with brocade inlays at the seams.
The wearing method is the "layering method", two robes are stacked together in advance and then worn as a whole. This allows the collar edge of the lining to be show parallel to the collar edge of the outer garment, and a section of the lining to be show behind the lapel.The brocade edge is decorated with a wide belt and fixed with double belt hooks.
This "layered" wearing method shows the layers and details of Chu people's clothing, and can also show the graceful beauty of the body.
In addition, many creative clothing styles and fabric patterns emerged during the Spring and Autumn Period and the Warring States Period, bringing with them the unique atmosphere, mysterious imagination and ultimate romance of that era, becoming our inexhaustible source of art.
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Recreation Work by : @裝束复原
Weibo 🔗:https://weibo.com/1656910125/NhBx1oi5n
walk the streets of japan 'til i get lost
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prints | ko-fi | commission
[edit: prints available for this one]
AZIRAPHALE DISCOVERS JAPANESE STREET FOOD IN EDO PERIOD JAPAN, HOW COULD I NOT DRAW THIS
This piece is one of THREE that I painted for the VERY FIRST ISSUE EVER of /r/GoodOmensAfterDark's WINGZ Magazine, a filthy smut rag that all of us---editors, directors, writers, and visual artists alike---are very proud to present to you.
Check it out here:
WINGZ Mag Spring '24 (Reddit)
Direct link (PDF, 90MB)
Direct link for Mobile (PDF, 8MB)
Detail shots in full res after the jumppppppp
title from Audioslave's "Doesn't Remind Me"
i walk the streets of japan
'til i get lost
cause it doesn't remind me of anything
with a graveyard tan
and carryin' a cross
cause it doesn't remind me of anything
I just emailed the United Nations Women's Office in Geneva, Amnesty International, Oxfam Canada, and Doctors Without Borders (MSF) about the lack of period care in Gaza. It is frustrating to see that international organizations have not set up a fund specifically to help Palestinian people who need this. Having one resource to help with this shortage, Motherbeing, is not enough for millions of people.
Period care is health care. I don't want anyone to tell me that emailing international organizations about this is either silly or not important because not having adequate access to this can cause serious health ramifications -from infections to illnesses and later reproductive health issues.
Pregnant women in Gaza are also continually suffering right now -of the thousands of women that were supposed to give birth over these past few months -they have not had safe and consistent access to care during their trimesters. I have spoken about this before -but we need to keep amplifying this issue as well.
Women's health in Gaza has been under under crisis for a while now, and we KNOW this is part of a zionist's larger agenda -to attack women and children especially because they see them as some of the greatest threats. So please do what you can -send those emails, call your representatives/MP's and demand a ceasefire. Demand more than adequate medical care -which includes period care -reach those in Gaza who need it.
Original post where Hind Khoudary is reporting:
To say I'm bitter-sweetly fortunate my TL has been full of feminists talking about Palestine -while at the same time I have seen a plethora publicly turn away, ignore, or remain silent on it because of money or greed or worry about their social or financial capital (celebrities and 'influencers' -we know who you are) -I'm just embarrassed for them.
When I first started my journey into feminism as a first year well over a decade ago (and as someone who used to be ignorant about so many things until I started my process of learning/unlearning/educating myself) -I am resoundingly grateful for that beginning. Being able dig into intersectional theory, listening to activists from all around the world about their struggles, passions, and efforts to liberation -and I still continue to do so.
Reading about the importance of decolonization in tandem with dismantling the heteropatriarchal capitalist machine -I always know the importance of solidarity and ally ship as a result of years of study -because the power IS with the people -and our voices do matter -the system, time and again, wants you to believe you don't. And for those feminists who aren't using their platforms or voices to encourage and demand a ceasefire -or any and all ends of systemic oppression -you have blood on your hands. Feminist and women's movements aren't meant to be something you cherry pick.
So do the bare minimum, or don't call yourselves feminists.
I also don't have a 'template' per-say, since I just wrote them out individually and edited them, but if anyone wants to me post something generic so they can make their own to send to these organizations please let me know.
Statuette (copper alloy) of the composite Greco-Egyptian deity Serapis Amun Agathodaimon. Artist unknown; 1st cent. BCE/CE (late Hellenistic or early Imperial). From Egypt; now in the National Archaeological Museum, Athens, Greece. Photo credit: George E. Koronaios.