Self-improvement can be a lifelong journey, allowing people to grow at every stage of their lives. You may be wondering why you should improve yourself? Well, I can tell you clearly that no one is perfect in terms of knowledge, or skills. No one is born with such qualities. Everyone has some defect. You must improve yourself to remove the missing element in you.
You can achieve a lot in your life…
Do you have the other actors saying penis box? Or is male organ box the only one that still exists
Here are all penis box clips that currently exist.
Here's the context again:
For context, a few years ago I had a running joke on my stream where I got different random voice actors to say "Sorry, looks like you cried to undertale music, that means you're going in the penis box". I don't remember where this sentence came from.
You! Internalize that you do not always need to "improve your art/craft" now! It's great to learn and develop your skills, but you do not need to come from a place of hating where you are now! You certainly do not need to force yourself to improve if it is coming in between you and enjoying the things you do. Improvement for improvements sake does not have to be the only goal, nor the only one that "should matter"
You are allowed to have motifs, enjoyment, ameturism, and "less skill." Kill and devour the capitalist in your head that dictates that you must always improve for everybody else's sake and your "productivity."
Sorry, last one, swear!! I'll try and finish this by the 10th and then I will leave you all alone. I'm experiencing some long missed joy in creating this, please forgive my impatient excitement
Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!
K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.
Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.
As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.
But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?
Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.
Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.
The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!
Sometimes I think it's just scary to open up like that. To say how you really feel. Especially to people you care about the most. Because what if... what if they don't like the truth? // Sometimes people don’t really say what they’re really thinking. But, you capture the right moment… it says more. // I didn't say it. // You didn't have to.